(Part of this post with older brother danyal al ghul)
...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.
She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.
Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.
The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.
Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.
He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.
He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.
But she's starting to see the resemblance, as subtle as it is.
And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.
His eyes turned on to her, and they locked gazes for a moment.
Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.
Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.
"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.
"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more
Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"
Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.
On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.
And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.
Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.
Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?
She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.
Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."
She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?
Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."
"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."
Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."
The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.
She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.
But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.
"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.
Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."
Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.
(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)
"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."
"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."
"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"
Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."
Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."
It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.
"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.
Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.
She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.
"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."
(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)
(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)
Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.
Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."
With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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Hii, I'm here to drop a request~
Okay so, i have a thing for self-distrustive characters. Here's the idea: give me a self-harming hero who is too weak to act on it alone and willingly surrenders themselves to villain assuming (hoping maybe) they would torture them for information. Villain tho reluctant, doesn't hesitate to hurt the hero not too seriously tho. But for our self distrustive hero whatever the villain is doing is not enough to make them feel the relief they're seeking so~ let it slip out. Let them thoughtlessly cry out for more. And then give me a shocked villain. A concerned, regretful and lastly caring enough to treat their wounds villain. Give me an unresponsive to the villain's treatment hero. If you'd like to ass anything feel free <3
Much love to you friend, stay hydrated, we love you ~<33
It wasn’t like it didn’t hurt.
It just didn’t hurt enough. That’s why the hoarse please had slipped from their tongue. And it was why the weak more followed. Judging from their actions, the villain hadn’t heard it right away but when the hero cried harder, the villain’s hands came to a stop.
They’d broken three fingers, not to mention the shattered ankle. What had happened to their ankle had felt just but once the villain had moved on to their fingers, the hero had secretly begging them to break harder bones, like their collarbone or maybe even their ulna. It was sick, they knew it in their heart. It was maniacal and disturbing to feel like this.
Heroes were supposed to save people, even if their own well-being came in last. Saving themselves counted too.
The villain let go of their hand, eyes darting between the hero’s.
“What did you just say to me?” The villain’s hands went through the hero’s hair, getting a full grip of them, pulling them up.
The hero thought about their broken ankle. About how they wouldn’t be able to walk for weeks, maybe even a few months…? They always concentrated on the pain, rather than the period it took place in. By the time old pain faded, the hero always managed to get themselves into new trouble.
Letting injuries heal had never been an option. The villain let go of them.
It was hard. It was hard to lie there and accept their defeat, the fact that the villain had found out about their secret and more importantly, that they had stopped bruising the hero.
“Please,” the hero sobbed. “I can’t do this anymore.”
Their nose was running and their tears gathered together, falling down their cheeks like raindrops from the sky. Breathing was hard, their lungs felt frail from these past months and the world came crashing down around them.
When their sobs echoed from the walls, they felt truly defeated, humiliated, and the pain wasn’t enough to forget that.
For a moment, nothing happened. Neither of them said anything. All that was left in the room were the villain’s questions and the quiet sobs the hero made. Feeling overwhelmed by the horribleness of it all, the hero rolled themselves into a little ball, crying into their torn sleeve. They were ready for everything. Ready to die, ready to be bled, to be beaten, anything.
“Hey, easy there.” Once again, the villain combed their fingers through the hero’s hair but this time it was much more gentle and softer, leaving the hero with the taste of bile on their tongue. They braced themselves for new pain, impatiently waiting for the lashing out and the violent actions but nothing of that sort came. Quite the opposite: the villain scratched their scalp softly.
“Darling, what happened to you?” Their nails scraped across the hero’s skin, taking their time. It was oddly comfortable. Even though their muscles ached, they looked up at the villain crouching above them.
“Please,” the hero begged again. “Please hurt me.”
The villain was silent, biting their inner cheek as if they were considering it. But when they answered with a tender “no,” all hopes the hero had were crushed.
“Please.”
“You’re a mess. Hurting you seems to be what you want. I don’t want to give you what you want,” they explained. They wiped away a tear. “Don’t mistake this for compassion. This is me controlling your desires. This is me taunting you.”
They pulled the hero who had exhausted themselves and was completely defenceless into their arms.
“And this is me wanting information. Why did you say that?” They held them close and embarrassingly enough, it dawned on the hero how touch-starved they were.
“I am so alone,” they whispered. They mumbled the words, not even believing their own mouth for saying it. No one was supposed to hear this. “I am so alone.”
They started sobbing again. It was hopeless. The villain was the only comfort they had — even now that they weren’t hurting them.
“You will never be alone with me,” the villain said carefully. “I’ll make sure of that. Now, come on. Let’s treat your wounds.”
In all honesty, the hero had never done that. They weren’t sure if there were rules to it.
“If this is you taunting me,” the hero said, “then why do you want to treat my wounds?”
The villain gave them a grim look that didn’t leave room for protest.
“I’m asking the questions, not you.”
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thinking about the fionna and cake finale and. i've been seeing people upset or annoyed that betty & simon's story focused on how simon had to learn to recognize that what they had was unbalanced and not necessarily fair, because they wanted betty to also realize that she placed too much of her self worth in simon, and they wanted her to learn to live for herself.
i think these people forgot about the episode in adventure time that does this. mainly because, at the end of the episode, it seems like she didn't learn anything at all.
In s10e11, "Temple of Mars," Finn, Jermaine, and Betty have to go through a mind maze to find Jake--and many parts of the maze are relevant to Betty's obsession with Simon/Ice King.
The second room of the "maze" has a chalkboard with a long and complicated equation on it. Betty tries to solve it, thinking it will help, while an Ice Thing messes up the equation as she tries to solve it, preventing her from doing so. It's meant to represent how trying to "solve" the crown's curse is leading nowhere, and that Betty is trying for a hopeless cause.
The last room is the most important to Betty's story, though--it's a window into her past, where she realizes that she needed to take more time for herself. She needed to focus on her, instead of dropping everything for Simon. She makes this realization and changes things for the hypothetical, maze room version of Betty--but naturally, this can't change the past. She's made her choices, and she has to live with that.
I think at the end of the episode, when she takes the "wrong" message away from all of this--she dedicates herself to trying even harder to "fix" Simon--it's mostly because she's scared to accept that she... not wasted, but lost so much of her life because she was so focused on what Simon wanted, or what she thought that Simon needed. She's also still under the effect of the Magic Man hat, so she's still affected by the sadness/madness of that, which likely twisted her view of the situation as well.
But then in the AT finale, she makes her choice to leave Simon. She does it through wishing for his safety, sure, but she still makes the choice to leave him. And in Fionna and Cake, what we see of her--or what's left of her, because we don't know how she's changed, really--is something bigger than what she was before. GOLBetty seems to have realized her own part in the unbalancing of the relationship between them. But that's not what Fionna and Cake is about--it's about Simon, and how he has to move on. Betty has already moved on by the time we see her again. She's showing Simon that, and she's showing him that he has to move on, too. But it's her choice. She could have stayed with him, but...
She takes the bus to the airport. And she takes it without him.
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