Thursday 2005 demos
These are some early demos for A City by the Light Divided which were stolen from the band and leaked in September 2005. I haven't seen anyone post about them so I thought I would myself. Below are lyrics and some extra context. I have tried to transcribe the lyrics as best I can but I have pretty bad auditory processing disorder so there will inevitably be some errors. If you spot a mistake, let me know and I will edit the post. The formatting and details of the lyrics are mostly based on the CD booklet.
Blog post
After the demos were leaked, Geoff made this blog post on the Thursday website on September 21 2005:
Hey friends-
SO… we see that the early demos we did for the record have FINALLY leaked. In this day and age anything and everything that passes through a computer eventually ends up being available to everyone at the click of a button. Many of you know that Thursday is one of the few bands that actually supports file sharing!!! We love the fact that music is available to everyone whenever they need it. We have always told our friends and 'fans' that they should download any of our albums that they can't afford or can't find in stores.
These demos, however, weren't ready for anyone to hear. These songs have all changed substantially since those demos and will probably change between now and the recording. Just to help you guys understand these demos, here's a user's guide: 1. most of these songs don't have names because the lyrics are still being written… a song only really becomes a song for us when we figure out EXACTLY what it's about. 2. One of these songs is actually the reincarnated out-take of a song that we cut from war all the time. 3. Andrew had just joined the band as a full fledged member when we recorded these and his keyboard parts were still sketchy at best. 4. There is one song, however, that is much closer to finished than the other's. It's called "At This Velocity" and it's about a crash landing in an airplane on the other side of the world. This song was started when we were in Australia on tour with the Flaming Lips, the Mars Volta and Poison the Well. The first line of the song is, "We were safe, Now we're paralyzed, Suspended in flight…" We hope you enjoy it.
On a related and timely note, we are very excited to announce that we will be heading into the studio with Dave Fridmann at the beginning of October to start on our new album. His work with the Flaming Lips, Weezer, Mogwai and Sleater Kinney has produced some of the finest albums of the last ten years. Dave is one of the few modern producers really pushing the medium and he's one of the nicest guys in the business. We started preproduction on the sixteen songs we've written. In the short amount of time we've been working with Dave he's already pushing us to new musical and emotional ground.
Anyway, thank you all for the love that you have always shown us. These demos aren't really a good indication so try not to listen to them too much (we don't want you to get used to them this way!!!). We're just happy that all the really great stuff on this album is still a secret!!!
Keep checking the website for updates and tidbits.
thanks and love,
Geoff (and all the Thursday boys)
1 - At This Velocity - Lyrics
We were safe
Now we're paralyzed
Suspended in flight
At this speed it makes no difference
Where I start and where you end
Or if you sit in an emergency aisle.
We could be dead
Complete the equation:
Our names are X and N
We have no value
In these calculations:
We're placed on a plane,
Pointed straight down,
Traveling at five hundred feet per second,
Five thousand feet from the ground -- how long will it take us to hit?
How fast will we start the disintegration?
No time left - just keep moving
No time left - just keep moving
How fast will it take us to hit?
How long till we start the disintegration?
We could be safe here, forever,
Floating in the clean blue air.
Somewhere between the sun that gives us light and the ground that puts it out.
And we'll kneel in the aisles
Press our hands together, close our eyes, speak these words so softly into the black box
And it goes:
"Mother, father, can you hear this?
I want to thank you for all the sweetness.
I'm not coming home, we're never coming home."
2 - Telegraph Avenue Kiss - Lyrics
She's the song that you tried to sing
And the note that you couldn't hit
So you locked her up in a music box
Turned the key on all of us
She spins silver strings in the dark
With metal teeth that ring in her heart
When the cover drops
The world just fades away, away, away
From her, waiting, waiting, waiting for her to say:
It doesn't matter what you say,
Doesn't matter what you think you mean,
You know our love's not unconditional.
A book of matches and a cigarette
A love note that you never sent
You can fold it up but you won't forget
You can strike a match but it still might not light
Now I'm the one that's stuck inside the silver cage,
The bird that can't fly away, clip its wings if it sings
Of the way, the way, the way that it hurt
Waiting, waiting, waiting for her to say:
It doesn't matter what you say,
Doesn't matter what you think you mean,
You know our love's not unconditional.
Doesn't matter what you say,
Doesn't matter what you think you mean,
You know our love's not unconditional.
The music box is open
It's spinning with the room
If you're the record playing, I'm the needle in the groove.
Listen to our song:
You're in my heart,
In my hands
In my lungs.
We move like a carousel
Streak lights and mirrors in our eyes
It's time to let this go
Can't stop spinning
Around, around, around, around, around, around, around, around, around, around, around
You know our love's not unconditional
Unconditional
Unconditional
You know our love's not unconditional.
3 - The Other Side of the Crash / Over and Out (Of Control) - Lyrics
Note: This contains a section from Panic On The Streets Of Health Care City, the "reincarnated out-take" mentioned in the blog post. Panic later appeared on Kill The House Lights.
The lights go down, outside (before our cars collide)
The city silhouettes itself (in forty shades of fire)
Do you know where these lies are leading? I'll meet you there.
I'm covering up my eyes
Before they cover up your eyes
And wrap your body all in white,
And we awake in the light of all the lies
This can't be happening
Sorry, someone made it.
We wake up
Covered in the marks of all these razors
Racing up our veins
We'll live and learn to love again
Open up your eyes and we'll be safe again
From the razor's edge.
And the hospital ward sleeps
Through the surgery
Hiding needles in the drawer
(for emergency)
While upstairs they sleep
In maternity
Fever and the pitch.
It's a brand new day,
Just to be awake,
This is how it feels
To live and learn to love again
Open up your eyes and we'll be safe away
From the razor's edge.
The I.V. drips, the days drag on
The anesthetic's not wearing off
Adjust the light switch in the hall
Someone has left it on,
And maybe the x-ray screen keeps it from getting dark
The bulb burns out when it gets too hot
Keep crashing this car (over and over)
Keep crashing this car (over and over)
Keep crashing this car (over and over)
I can't keep crashing this car
Still it spins out of control
So hold me close or I might disappear this time
Out of control
We fight currents in the water
When we can't let go of the shore.
We've lost control.
4 - Autumn Leaves Revisited - Lyrics
The leaves will fall and so will you
When you do, bury me under them too
Seconds pass, we'll make it through
Eventually we all go home
It won't be long
It won't be long
I live with a girl who’s been waiting
Seven months left till they bring home the baby
He swore he was paying for school
They shipped him over. Now he scatters on the front lines
He swore he would follow his conscience
But done the wrong way follows his orders instead.
When he shoots, he sings this song
But he doesn’t know that she’s been singing it, too.
It won't be long
It won't be long
Until they find a way home
We walk along the wire tied between horizons
You close your eyes like it's nothing at all
Throughout the rise and fall, everything, everything
Changes, I will be here when you die
Did you hear the trumpets play the day your father died?
Did the violins swell those circles under your eyes?
Did you play the part straight like a march?
Or get lost in the beat, thinking and feeling…
Did the drums in the streets make the people dance?
Or fall to their knees from the sound?
Knock the leaves from the trees,
and they fell from the branch?
They looked beautiful
As they hung in the air
Spinning around
Did you float in the air?
Spinning around?
There must be somewhere that cigarettes burn through the night
And the leaves don't abandon their trees to the light
Where the sky's always clear and the summer never ends…
Won't you take me there?
The leaves will fall and so will you
When you do, bury me under them too
Seconds pass, we'll make it through
Eventually we all are going home
5 - Untitled - Lyrics
Note - this didn't end up on ACBTLD, but did make it onto Common Existence as Last Call.
The center cannot hold, the side collapses
Full of broken words, sing the song inside the dark arcade
Color me in city greens
The streets unwinding, spitting flames
Cars around the arteries
We scream and swerve and fall apart.
Everything we love, it falls apart,
And the architect abandons us.
I'll save us from the sky until a feeling burns, you try
It plants a seed of fire that flowers in the corner of your eye
Circular breathing
We'll keep them always moving
Heart attack efficiency,
Erase the figure as it falls.
Everything we love, it falls apart,
And the architect abandons us.
The city shakes like tired hands
The light divides what darkness mends
Our bodies echo in our plans.
Everything is falling apart.
The wedding starts
The guests appear
The church bells ringing endlessly
The bride and groom are hand in hand
And everything goes as it's planned:
The parents smile,
The priest chokes up,
The organ plays "Amazing Grace"
And underneath the thin white veil
Everything is falling apart.
And the people sing:
La la la la, da da da…
The city shakes like tired hands
The light divides what darkness mends
Our bodies echo in our plans.
Everything is falling apart.
97 notes
·
View notes
SOME ttpd opinions except my brain has no thoughts that rnt the marauders
fortnight: this song is so good?? i was expecting synth pop and not synth CUNT! “i love you, it’s ruining my life” ok rosekiller TEASEEEE
tortured poets department: “you smoked and then ate 7 bars of chocolate” ok remus lupin?? THE BRIDGEEEE…. THIS IS SO WOLFSTAR FUCK
my boy only breaks his favorite toys: FUCK 😭😭 OFF 😭😭 i love the lyrics jesus
INTERLUDE I JUST FOUND OUT SHE DROPPED TEH ANTHOLOGY THINGIE FUCK OFF
down bad: the beat?? i love. THIS IS SOOO JAMES AFTER REG JOINED THE DEATH EATERS FUCKKKK “how dare you think it’s romantic, leaving me safe and sanded?” OH MY GOFD ITS THEM ITS JEGULUS WHAT
break to eat w myfamily rip
so long london: THIS IS A MY TEARS RICOCHET VARIANT!! OH KY TOD OHMYGODO HKUSHDI …!:);$/$;$:$.!:$/&:!:: i’m inconsolable holy fuck guys i swear. “two graves, one gun” KILL ME NOW
i had to take a break after sll. anyway
but daddy i love him: this is so regulus… but it’s also so ME??? OH MY GOD?? this marks the first tears i shed. “i’ll tell you something about my good name it’s mine to disgrace” FUCK 😭😭 OFF 😭😭
fresh out the summer: the bass… 👹👹👹👹👹👹👹👹 sirius black would’ve LOVED this song (obviously)
florida!!!! : mo marauders thoughts but i will deep and emotional okay? okay. as a cute little lesbian loving in the most homophobic place in the fuckinh planet when she said “little did you know your home towns really only a town your a guest in.” i CRIED i swear this song is about me guys
guilty as sin?: shout out to lesbians with religious trauma everywhere…. change him to her and this is dorlene jesus christ. also the bridge? she wrote this about me guys. this is about me. this is my song.
who’s afraid of little old me: IS THIS SONG NOT ABOUT BARTY FUCKING CROUCH JUNIOR ???? WHAT THE FUCK.
i can fix him (no i really can) : rosekiller. i will not elaborate.
we’ve entered mecca and my parents told me to stop listening rip 😕
will continue when i get out of mecca. trust.
ok rip we r on a mountain now my bluetooth is freaking out #sad will listen later
23 notes
·
View notes
Opinion on chumisa? She’s gorgeous but haven’t heard much of her
So, keeping in mind that I tend to just skim over reviews and I don't really get hyped over actors a lot...
I really liked her. Like, she was very, very good.
And it's pretty incredible considering the video I have of her that she's only barely started the role, but there we are: Chumisa Dornford-May feels like she came into the production already having a good idea of exactly how she wanted to play Christine and how she wanted to act certain scenes and string it all together to show her character's arc, and she went and did it. Now all that's left is for her to refine it.
Some highlights: from the get-go I loved how she played 'Think of Me'; I think it's very tempting to go the happy, joyful route a la Gina Beck, and I like that interpretation! But she acted the song in a way that was more appropriate to the lyrics she was singing, sometimes nostalgic, sometimes wistful, sometimes distant and grieving. It gave me a great sense of Christine as not only a good singer but a good performer too.
In terms of whether she was a Phantom or Raoul girlie, I'd honestly say neither, though if pushed I'd say she maybe leans a little more towards Raoul. Her Christine in the lair scenes was not necessarily afraid or angry at the Phantom, but she did feel rather resistant to him, especially compared to some of the other Christines in the role right now (e.g. Lily Kerhoas and Colleen Rose Curran). There were moment where she would melt a little, seemingly going, "Oh, this is kind of nice", but much of the time, she appeared more wary than anything else, unsure of what the Phantom was up to.
I also say she's not quite a Raoul girlie because she acts similarly in the rooftop scenes. In particular, her 'Why Have You Brought Me Here' was played like she was trying very hard to convince Raoul of what she saw and was angered that he kept trying to calm her down rather than actually attempting to understand her. Her Christine doesn't just want to tell Raoul what's going on, she wants him to believe her. She was also noticeably less giggly than other Christines during 'All I Ask of You', at least in this performance, and I liked how it kind of flips the dynamic between them: whereas earlier it was Christine trying to convince Raoul, now he has to be the one to convince her that all is goodness and light, and I'm not fully sure she bought into it.
What else? Oh, in 'Twisted Every Way', she did something that I first saw Yang Chen Xiuyi do in the Chinese production, which was to turn very hopefully towards Raoul when he says, "Christine, Christine, don't think that I don't care..." It's like she thinks, or wants to think, that Raoul is going to back down and call off his plan, which makes it all the more devastating when he doesn't.
And finally, by 'Point of No Return' and 'Final Lair', her Christine had definitely reached her limit with the Phantom. I really enjoyed how you can see Christine working out that it's the Phantom onstage with her during 'Point of No Return', slowly drawing out her phrases as the wheels in her head spin and then committing to continuing the show to catch him. (Never mind about the stuff after.) She delivered a truly contemptuous, "Please, Raoul, it's useless" in the 'Final Lair', and I think she gave a truly angry kiss to the Phantom. It felt very similar, interestingly, to her dynamic with Raoul on the rooftop; she seemed to be using the kiss to desperately try to convince the Phantom away from his current path (using the power of making out to stop the cycle of abuse and trauma!). Such was the quality of the video that I'm pretty sure I saw tears on her face during the kiss, and Chumisa Dornford-May played it, I feel, like it was due to the overwhelming catharsis of emotions she was experiencing: anger, grief, betrayal, terror, all of it being released into this one grand moment.
The only flaws I really noticed had to do with her singing. Most reviews have pointed out she belts some of the score; I didn't notice it too much, but I definitely heard it during 'Wishing'. It wasn't the worst place to belt - she did it during the last stanza, where Christine is usually singing pretty loudly anyway, likely to add volume to her singing - and I didn't mind it too much, but it was jarring. There were also a few parts where her voice was a little quiet, and small scenes where Christine was not the focal point but she could done a little more in her acting, or just paused and let the scene "breathe" a little (which, in fairness, is something most actors new to a role will do, rush through the show).
But honestly, those were minor nitpicks in what was otherwise a really great performance. And this is her early in her run? I can only imagine what she'll be like with a few more months under her belt!
18 notes
·
View notes
Funny how the Japanese script changed the whole dynamic between Eggman and Sage, because it actually fits more closely how I would see the him as an "Eggdad": As a stage parent from hell.
It's amazing how much more IC he is, absolutely mindboggling
Eggman: Look at you, you look almost human! You only miss a soul! Aren't I a genius :D
Sage: What is a "soul"?
Eggman: Ah don't bother with that, just follow my orders
or that part where he says "you were taking too long so I escaped on my own" (just like how he inexplicably escaped White Space lmao) and yells at Sage for daring to give him orders
Like. It drives home that Eggman only cares about Sage as an extension of his talent, and doesn't give a single shit about her personality. Which is IC. Eggman should have deactivated Sage the moment she started yapping yet again that he needed to team up with Sonic, because Eggman doesn't like when his creations keep contraddicting him, and he wouldn't warm up so much to imperfect creations (Sage at the end of the day couldn't control the Titans completely and failed in killing Sonic, what makes her more special than Metal?).
American Eggdad feels forced no matter how you slice it, I'm sorry. I'll stick to the JP script which is far more balanced IMO. Eggman is a neglectful piece of shit, as CD so eloquently shows, and I doubt that he'd care about Sage just because she looks and sounds like a cute humanoid girl.
16 notes
·
View notes