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#and at the time i had it in all caps
mothcpu · 7 months
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TAKE CONTROL AND KEEP IT
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wobubling · 2 months
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old men 👍
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frobby · 8 months
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idk-bruh-20 · 1 year
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Tony, the futurist
Buckle in folks, I've had some thoughts and I'm about to make it ✨everyone's✨ problem.
Been thinking about Tony Stark, the futurist who saw the end of the world.
Tony, who in IM1 escapes kidnapping and torture and says, "I shouldn't be alive. Unless if was for a reason."
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who, in The Avengers, has this exchange with Bruce Banner:
Tony: You know, I've got a cluster of shrapnel, trying every second to crawl its way into my heart. This stops it. This little circle of light. It's part of me now, not just armor. It's a… terrible privilege. Bruce: But you can control it. Tony: Because I learned how. Bruce: It's different. Tony: Hey, I've read all about your accident. That much gamma exposure should've killed you. Bruce: So you're saying that the Hulk… the other guy… saved my life? That's nice. It's a nice sentiment. Saved it for what? Tony: I guess we'll find out. Bruce: You might not like that. Tony: You just might.
Right after this, Cap tells Tony, "You're not the guy to make the sacrifice play, to lay down on a wire and let the other guy crawl over you."
And then Tony flies a nuke into a wormhole, tries to call his girlfriend because he thinks these are his last moments, did not go in there expecting to survive.
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Although he survives, he witnesses an alien army so terrifying, so unbeatable, it gives him crippling PTSD nightmares and panic attacks, knowing they are not prepared to defend the earth.
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I'm thinking about Tony who, in AOU, gets manipulated by Wanda into witnessing his worst nightmare.
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Which, by the way, involves losing all of his newfound friends.
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Later, he has this exchange with Nick Fury:
Tony: And I'm the man who killed the Avengers. I saw it. I didn't tell the team, how could I? I saw them all dead, Nick. I felt it. The whole world, too. It's because of me. I wasn't ready. I didn't do all I could. Fury: The Maximoff girl, she's working you, Stark. Playing on your fear. Tony: I wasn't tricked, I was shown. It wasn't a nightmare, it was my legacy. The end of the path I started us on. Fury: You've come up with some pretty impressive inventions, Tony. War isn't one of them. Tony: I watched my friends die. You'd think that'd be as bad as it gets, right? Nope. Wasn't the worst part. Fury: The worst part is that you didn't.
Tony's worst fear is to survive in a world he's failed to save. He has to "do all [he] could" or else the future he's terrified of will happen and it will be his fault.
(Not to put too fine a point on it, but there's a reason why Tony and Peter are so compatible as mentor and mentee.)
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Tony's seen what's coming, and he's willing to do whatever it takes.
Here's the thing, though:
Tony doesn't actually want to die.
In AOU, when they're arguing about why he created Ultron, Tony says this to Cap:
"Isn't that the mission? Isn't that the 'why we fight'? So we get to go home?"
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He tells Bruce that the reason they should create Ultron is to have "peace in our time."
He tells Pepper that his constant tinkering, his inability to ever, ever rest is because he needs to keep her safe from the oncoming threat.
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Tony has a life he wants to protect, people he wants to keep safe. And, unlike the other Avengers, he knows exactly how impossible this will be to achieve.
Tony is the only Avenger who understands how severely outmatched they are. Maybe Thor understands the threat, but he has no ability to imagine losing.
Tony tries to get them to understand:
Tony: Recall that? A hostile alien army came charging through a hole in space. We're standing three hundred feet below it. We're the Avengers. We can bust arms dealers all the live long day, but, that up there? That's… that's the end game. How were you guys planning on beating that? Steve: Together. Tony: We'll lose. Steve: Then we'll do that together, too.
Well, they do lose. And they don't do it together.
And it turns out Tony was right about everything.
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He was right that he would survive to face his world that he'd failed to save.
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He was right that the Avengers would not be enough.
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He was right that Bruce's powers would be worthwhile someday.
And, apparently,
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some people think he was right that he was only alive for this reason.
Because, obviously, the only "reason" for someone like Tony Stark to be alive is to eventually sacrifice himself, right?
A character so traumatized can only find peace in death.
Right?
No.
Stop that.
Tony Stark may have been willing to risk his life for his family, but that doesn't mean he wanted that to be his end.
Remember when this happened?
Bruce: Saved it for what? Tony: I guess we'll find out. Bruce: You might not like that. Tony: You just might.
Bruce gets to live long enough to like his ending.
Remember when this happened?
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All Tony ever wanted to do was make the world a better place.
And, what about this?
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You're telling me that Yinsen didn't value family above all else?
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That he thought Tony should die and leave them behind?
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No.
Tony Stark is a futurist.
He is the Cassandra of the MCU. He warns the others constantly of the oncoming threat that only he, apparently, can see. (Even Thanos calls him "cursed with knowledge.")
No one believes him. Alone, he tries to prepare for the threat that he has witnessed. He sits with his nightmares and tries to find a way around them, constantly.
He builds a life worth living, finds people worth protecting, just like Yinsen told him to.
To protect the future, he does all he possibly can.
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Tony deserved to be part of the future too.
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waywardsalt · 1 year
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refused to let myself rest until i finished making this
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thebad-lydrawn-sanses · 2 months
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I don't actually care about Karen or her kid, I just want to see Dream go feral. He deserves it, as a treat.
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Goat Person In Armor: EW A MUPPET- GET THE FUCK AWAY FR- Goat Person In Armor: AAAAAA
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god-u · 2 months
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ywpd-translations · 4 months
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Ride 755: Departure 2
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Pag 1
2: Ding ding
3: The boarding the flight number 621 to Fukuoka, departing at 10:30 will close soon
4: If you're boarding, please speak to the staff member closest to you
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Pag 2
2: Ah, that guy is angry
Shh
3: Oi
4: He said “I'm coming”, right?
Yessir!! I called him thirty times but he only picked up once....
He just said “soon”....
5: Then why aren't you here, Manamii!!
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Pag 3
1: There's the Inter High soon, the Inter High!! Buah!!
So-sorry, I even sent many messages, but his current location-
It's been more than thirty minutes since you've said that, how's that soon!?
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Pag 4
1: “Arriving late is a crime”!!
“Causing troubles is a serious crime”!!
Yessir
We told him that, too!!
3: Alright, I put Manami's ticket there, let's go
Huh!? Next to the window!?
That's a little-
Enough
4: Let's go, Yuuto, Tobirama
This time we'll fight as five people in the Inter High
'lright
Yes
No, but, he's the captain!?
Can't be
5: Ah... this must be my ticket
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Pag 5
1: Kyushu
3: Take me there, too!!
4: Waaaa, Manami-saan!!
I'm so glad you came!!
Thank you so much!!
Well...
You really are like an here who arrives in the moment of need!!
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Pag 6
1: Oi, don't misunderstand!! We were the ones in a pinch and this guy was the culprit!!
Yessir!
Sorry!
Ah, you exposed me...
2: Don't think you can dodge the matter of your tardiness just with your mood and cute face!!
Ah I thought I could make it
3: So?
Why... why were you late?
4: Ahh, I forgot my passport, then I remembered and turned back to get it
5: Ohhh... that's a problem indeed...
Wait!! You don't need a passport to go to Kyushu, right!?
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Pag 7
1: Woah!! That was a clever excuse, Manami-san (It was so cool!)
It wasn't clever, and now let's go!!
Did you doze off?
2: Mh...? Well, on the train... it was only one stop?
So he really slept too much...?!
3: Jou-kun and Yuzukoshi-kun went on ahead?
4: They went there with yesterday's flight
Huh!
5: So, when you said “passport”, earlier- what was it, really?
6: Did you really turned back to go get something?
7: Mhh, how should I put it
8: In order to fulfill the final promise....
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Pag 8
1: “The final promise”?
It was
3: a necessary piece
4: You're still wearing that ridiculous hat, Manami?
Ah... it's the one Ashikiba-san wanted last year... (Yuuto)
This is for exclusive use during the Inter High
Ohh... “exclusive use”, cool (Tobirama)
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Pag 9
2: Kyoto... Kyoto...
7: Small fries!!
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Pag 10
1: Then, should we go?
Are you...
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Pag 11
1: finally ready?!
2: Yes....!!
3: Mi!!
6: This year's victory will be ours
Our long-awaited victory
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Pag 12
1: It's checkmate!!
2: They're coming!!
3: They're coming!! One by one, to this land of Kyushu!!
4: Won't it favour us!? It's our hometown – us, Kumamoto Daichi!!
#yowamushi pedal#yowamushi pedal translations#yowapeda#yowapeda manga#yowamushi pedal manga#yowamushi pedal spoilers#ride 755#another short chapter i really hope sensei is okay!!#I dont mind the short chap at all (especially bc lately ive had little time to translate) but im kinda worried :')#This chapter was so asdhsdfksdg Manamiiiii you absolute disaster#who would have thought that the responsible one in this team would end up being doubash huh#now that's the surprising thing lmao#manami really went back to get the best boy cap i cant with him#btw i dont remember; does he know that the one who gave him the cap is onoda's mum?? how does he know#'i went back bc i had forgotten my passport' 'you dont need a passport to go to kyushu!?!?!?' ashdkasdfs well at lest he tried lmao#also 'Yuzukoshi-kun'??? is he the other hakogaku member?? :eyes emoji:#cant wait to see what other weirdo hakogaku will have this year#i think this year's hakogaku is the weirdest one - which is a lot tbh#i feel like its going to be my fave hakogaku team#btw doubashi wanting to leave manami behind and just run as five assdgfkdfgs hes right and tbh he should just do just that whenever manami#doesnt show up - 'well i guess we're a five people team from now on'#btw i love i we saw everyone! only kiji's team is missing#(maybe theyll shop up next chapter who knows wanatabe loves kiji enough that it wouldnt surprise me)#midosuji shows up for exactly one panel and hes already creepy af i love him#cant wait to get to know the new guy!!#and hiroshima!!!! cant wait to see them try so hard and then get defeated in the most pathetic ways like every year#i love them i cant wait to see what kind of weirdo higashimura has become#he was kinda normal last year but we cant have a normal person as the hiroshima captain lrb#and then theres kumadai#acting all important and then we all know theyll do absolutely nothing ajsgfksadf
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sapphire-weapon · 8 months
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Resident Evil 4 Remake's story is structured like the plot of a romance novel: master post
A few months ago, I wrote up a very quick and dirty outline/explanation of how Resident Evil 4 Remake's story had been restructured from the original game to follow the story beats of a romance novel. At the time, I didn't think it was all that important to explain it super in-depth, but now that more and more people are looking at it, I figured I should probably explain what I mean with each of these beats lmao
1) Call to Adventure / The Meet Cute
All that a meet-cute actually is is the scene in which the characters that the romance is centered around meet for the first time. The intention is to show an initial spark between the characters -- they meet under bizarre/unexpected circumstances and, at some point, both characters become aware of just how significant it is, even if neither says anything about it.
Leon and Ashley's meet-cute starts with her swinging a candelabra at his head and ends with Leon holding her in his arms out in the rain for a period of time that is absolutely too long to be normal for the circumstance. They lock eyes in this moment, and it's meant to be seen as Significant.
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2) Refusal of the Call / Rejection of the Relationship
This is the "I'm just imagining things" reaction to the significance of the meet-cute. Both characters treat the spark as though it never happened -- and, usually, it's because there's other external factors influencing their ability or willingness to follow the trail of that spark and see where it goes. Instead of going "Hey, you're cute, can I get your number?" both characters just jump straight to "Well, anyway --" and go back to living their own independent lives apart from each other.
After they both snap out of that weird trance they were in after Leon caught Ashley out the window of the church, he goes right back to treating her like a mission objective, and she just has absolutely no idea what to make of him at all. Ashley spends the next few sections of gameplay in shock and disbelief with lines like "Seriously, this cannot be happening." and "I just wanna go home..." Leon ignores all of her complaints, keeps her moving even when she asks for a break, and doesn't really speak much to her at all other than to bark orders at her.
3) Acceptance of the Quest / Giving the relationship a chance
Something Happens that forces both characters back into each other's lives and/or personal attention, and they both find that they do Like each other, actually -- even if that feeling of "like" isn't anything super significant. It could be something as simple as realizing that they enjoy the other's company and wanting to see/talk to the other more often.
This arguably starts when Leon and Ashley first run into the cabin and Leon puts a comforting hand on her back that he absolutely did did not have to put there -- but it's definitely in full swing after the cabin sequence is over. Personally, I would say that it's the revelation about Ashley having a plaga in her that's the Something that Happens between them. The whole mission starts to become a whole lot more personal, because now it's not just about surviving and escaping -- now it's about making sure that Ashley stays Ashley.
She starts to open up to him more, and he suddenly becomes much warmer towards her, as well. He's quick to reassure her ("I won't let that happen. I promise.") and not only responds to her when she talks, but also begins talking to her unprompted as well.
This is also the first time Leon ever tries hitting on Ashley with the "Seems this isn't your first time running from creeps" line, and it fails spectacularly.
4) Trials and Temptations / Three Dates
This one is probably the one that needed the most explaining LMAO I shouldn't have let this one go. The "three dates" don't have to/usually aren't meant to be actual, literal dates in romance novels. They're just three significant events that happen between the couple that builds and then reinforces their bond. (It also doesn't necessarily have to be three -- some stories only do two, some do five, etc. The point is that Things Are Happening that strengthen the relationship.)
That is why I said that their three "dates" are:
1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet. This is the first time the two of them actually smile at each other and the first time they start to act as a team.
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2) Salazar's introduction ("The girl's just fine. With me."). Leon wants so badly to be that cool guy in an 80s movie who shows up out of nowhere and puts his arm around a beautiful girl and looks at some dickhead harassing her and goes "This guy giving you a hard time, babe?" This is the closest he's ever gotten to and will ever get to being that in his life. He's not cool enough to ever actually be that guy for real.
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3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated) (You could also include the Garrador here, because if you take Ashley down there after the fact, there's special dialogue that happens that's... God, Leon sucks at this whole flirting thing. He just sucks, dude.)
5) Midpoint Crisis / I-need-you-but-can’t-have-you
Everything is going so well... until it isn't anymore. The three dates have given the couple a glimpse of how special and important this relationship could be, which is great -- until it becomes a problem. One of the characters gets freaked out by the intensity of the relationship and pulls back out of fear, because there's something else happening in their life that's bigger than either character and more important to be addressed.
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In Leon and Ashley's case, it's Ashley's plaga. Saddler takes control of her briefly and gets a hold of Leon's knife, stabs him, and then threatens to cut her own throat. When his hold over her breaks, she's terrified. She needs Leon now more than ever because of this, but she's more afraid of hurting him than losing herself, so she runs away from him in tears.
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6) The Road Back / Pulling Back Together
Basically, the plot forces the couple back together, and -- due to the raw, open vulnerability caused by the Midpoint Crisis -- their bond is stronger than ever. The feelings change from "yeah, I like them" to "I want them." Real intimacy starts to form and build here, because the interest in and attraction to each other is allowed by both characters to be acknowledged. This is usually where the sexual tension starts to really kick into high gear, and the audience is just waiting for that moment when it all breaks open.
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This starts with the pep talk that Leon gives Ashley when he finds her again -- which is romantically framed and coded with its imagery and cinematography. It continues through the entire Grand Hall segment, which includes the moment in the game in which Leon is at his boldest in terms of expressing his attraction to her. This is the point in the game in which their relationship is at its most playful. They tease each other and flirt and pass compliments back and forth -- and, for a while, it feels like the two of them are unstoppable and able to take on the world together.
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7) The Fall
"The fall" is the shortened version of "The moment they actually fall in love." It's the "oh god, I think I love them" moment. The two characters do not necessarily have to admit to each other that they've experienced "the fall" -- and usually, at least one of them doesn't. But they both experience that moment where it hits them.
We see Ashley "fall" at the start of her gameplay segment, where she takes Leon's earlier words to heart and draws strength from them. ("I won't run. Wait for me, Leon.") He's inspired her to strive to be more than she is, and she embraces the way that he makes her feel, in that moment.
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We see Leon "fall" as soon as he catches the key that she tosses down to him. He looks up at her with stars in his eyes and offers to catch her if she jumps down. An interesting detail to note is that this is the first and one of the only times in RE4make that Nick Apostolides reverts to using the tone/voice that he used for Leon in RE2make. It's soft and sweet and gentle as he makes her an offer that has no reason to be made, just for the sake of getting to hold her in his arms again.
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And, in order to drive home the point, this all happens during a scene that was framed, shot, and directed to mirror/mimic the balcony scene in Romeo & Juliet.
8) Dark moment / The Break Up
Once again, Something Happens and comes between them -- and this one is way, way worse than the Midpoint Crisis. This isn't "I'm scared to be with you" -- it's "I can't be with you." Hope for the relationship is completely lost, and both characters become overwhelmed in their individual despair.
Verdugo breaks them up physically -- not once, but twice. And that second time involves Leon being forced to watch Ashley endure Salazar's weird "ritual" and be unable to stop it or do anything to help her. He just has to sit with that failure and suffer through it until he's literally thrown away and discarded while Ashley screams his name.
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When Leon finally finds Ashley again, we see him confront the one moment in the game when he honestly, truly loses hope. He sits down on the floor at Ashley's bedside, and there's nothing more that he can do than wait for her to wake up. Some part of him has already become convinced that they won't make it out of there alive -- not both of them, at least. Not together. And he's ready to commit suicide as a contingency plan.
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9) The Sacrifice
This is the "do or die" moment for the relationship in a romance novel. This is the moment where the decision is made to confront not just the external force keeping them apart, but also the internal flaws that are feeding into that avoidant urge. The couple decides that their desire to be together is stronger and more important than whatever fear or force is holding them back, and though it's terrifying to do it, they stand up for the relationship in the face of opposition.
In RE4make, we see this play out through the sequence in which Leon carries Ashley to Luis's lab and how the two of them, against all physical and mental odds, manage to remove each other's plagas. This is especially emotionally significant for Leon, who says the words out loud: "This time, it has to be different..." He's openly acknowledging that his trauma from Raccoon City is what made him so ready to pull the trigger on himself back in that holding cell. Here, now, he puts his foot down, confronts that trauma, and says "No. I have to beat this."
And he does, even at great physical cost to himself. But the sacrifice was worth it, because it was for her.
10) Declaration
In a very literal sense, it's the declaration of love. It's an outward, spoken confirmation of the bond they share, now that the trial from the Sacrifice has been overcome. Traditionally in romance novels, this happens with the actual words "I love you."
But RE4make isn't a traditional romance novel, and Capcom has an entire fanbase of angry nerds who take fictional relationships too seriously to navigate through. So, instead of an explicit "I love you" what we got instead was an explicit verbal confirmation of their bonded status as a team.
"Hey... We're a team, right?"
"Keep this up? I'll be out of a job."
11) The HEA
"HEA" stands for "Happily ever after."
While I could (and did) say that Leon and Ashley literally ride off into the sunrise together, that does feel disingenuous. Even though it's true and the imagery is there, they don't really have a happily ever after. Not really. This is the only part that's missing from RE4make.
And that's because RE4make isn't just a romance on its own -- it's a fairy tale set inside of a story that's self-aware and knows that fairy tales aren't real. And so both Leon and Ashley wake up from this shared dream of a romance they've been having, as reluctantly as they do, because it's time for them to come back to reality.
Fairy tales aren't real. Romance novels aren't real.
Their feelings are real. But life doesn't work that way. Not for them.
They may not have a happily ever after, but they do have this moment to be together -- and for them, it's enough.
Because it has to be.
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dykefagyuri · 2 months
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ok. tragically separated wwi era vampire twins.
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#seabirds.txt#seabirds.art#mystery twins#gemeos do misterio#q!bagi#q!cellbit#qsmp#i did research 1920s era clothing for this but i based a lot of it off of their mc skins.#cellbit is a sailor turned vampire who ended up in europe during wwi after fighting naval battles at sea and never came home#bagi becomes a journalist to find him and stumbles across vampires along the way not realizing he had become a vampire too#design notes: this all started off of bagi's newsboy cap which was popular in the 1920s with working men. i put her in men's pants because#wanted to give this energy of working a job traditionally not worked by women at the time. <- women started campaigning to work as#journalists notably around the late 1800s and early 1900s (at least in the us and some european countries (couldnt find info on brazil))#i was thinking of nellie bly when thinking of what bagi would be doing in this au! she also has a bandana to hide her neck where her vampir#bite would be and a hanky for blood clean up. perhaps something from home. cellbit is not concerned with hiding his own neck. he's just#wearing a dress shirt LOL. i feel like cellbit would be fully embracing his vampiric tendencies at this point and a part of more vampire#society than human while for bagi it would be the other way around (she's still looking for him in the human world using vampire resources)#that is why he is so bloodstained. i feel like in his free time he would be freelancing detective work for other vampires maybe to gather u#favors or something similar. he's a little bit fancy because of this but still casual enough that there's no suit involved.
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kanonberyl · 9 months
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me sitting in a cave, carving another line for my tally: day 264 of wanting elphelt in the collabs
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otaku553 · 1 year
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Marx concept doodles part 2 electric boogaloo
I enjoy the cape but im still not sure how to handle coloring it without overwhelming everything else
Also long hair updo ideas :)
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crsentfairy · 9 months
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idk if you’re still doing these but 🤠 for tyler <333
(omg of course i'm still doing these my love i just started!?! LMAO)
🤠- Yeehaw!
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"Shut up and stand still, boy!" "Sorry."
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hollowsart · 6 months
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this isn't Beck, unfortunately, but a teenager instead.
BUT I CAN DREAM. Whoever of this little "super villain fan club" chose to dress as Mysterio has taste. I, too, would dress up as him if I could.
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summertimemusician · 1 year
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No one:
Literally No One:
Me, running on three hours of sleep and only spite and coffee keeping my mortal vessel functioning, also trying to get all of the figurines in Minish Cap to scratch the completionist itch: We, as both the Zelda Fandom and Lu Fandom, don't really talk enough about First, The Hero of Men and The Original Attempted Calamity Hero huh?
And by that, I mean these gentlemen:
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marshmallowgoop · 1 year
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There's a lot of talk about Heiji's tendency to drop everything and go to Tokyo to help—or even just to see!—Shinichi, and rightfully so. It's something Heiji unabashedly admits to (Episode 278, Magic File 5)...
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Heiji: If any other suspicious persons show up, just call me! I'll run right over!
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Ran: Hattori-kun saw that incident on the news and rushed over because he was worried about you, Conan-kun. Heiji: Grabbed the first bullet train in the mornin'!
And I still can hardly believe that Heiji's canon, actual, real-deal reaction to a request to put his life on the line and impersonate Shinichi... is an immediate "OK" composed out of heart emojis (Episode 345).
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Seriously. That happened. Heiji couldn't not help.
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Heiji (internally): I had no choice. After all, Kudo e-mailed me asking me to do this.
But in Shinichi's first appearance since being poisoned (Episode 49), after seemingly refusing to show his face to Ran or Inspector Megure or anyone else in town for who knows how long, he unabashedly claims that he dropped everything to meet Heiji. He smiles about it!
And of course it's a lie, but there's a smidgen of truth to it, too. Conan did accompany Heiji, despite feeling terribly sick and harboring zero interest in the (apparently) non-murderous case, because he was intrigued. Because he was impressed with what Heiji had uncovered about him already and was nervous about what else his so-called "rival" could reveal.
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Conan (internally): I don't wanna go, but there's no telling what this guy might say!
But even without that context, Shinichi's easy, immediate cover story gets to me. He really, truly, unhesitatingly asserts that meeting Heiji was important enough to jump right on a train to get there.
It reminds me of Shinichi's excitement when he first learns of Heiji (File 520), and his grin when he thinks of meeting Heiji for real one day (File 522):
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Shinichi: Really? Then he's just like me!
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Shinichi (internally): We'll meet each other again... on that mysterious stage...
I think I could totally buy that Shinichi actually would have done exactly what he claims in the clip. He is interested in other detectives like himself, and with the pain of the antidote wearing off in Episode 49, that smile's gotta be genuine.
Finally, while it's Not That Deep, there's maybe something to be said about how Heiji is symbolically the key to Shinichi's true self, since it's Heiji's alcohol that transforms Conan back into Shinichi. With this clip, Shinichi underlines the same idea. It's Heiji who brought him back after so long. It's because of Heiji Hattori that Shinichi Kudo makes his first appearance after vanishing.
And I love how forthright Shinichi is about it.
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