it's actually kinda funny how the balance of nobles getting frenzied is already a little pearl clan heavy just by virtue of there being an uneven number, but then they also have a ride noble get pseudo-frenzied and rather than it being a diamond clan noble to even things out, it's ursaluna, who's also pearl. that's 4/5 pearl nobles who get some version of frenzied compared to only 2/5 for diamond. almighty sinnoh really said fuck these guys specifically. also a real "sneasler wins by doing nothing" sort of situation here
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I know we have 0 proof and all assumptions but what do you think Vale s true self is like
like this
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Pardon me. I feel that no one is devoting adequate attention to this Very Important Topic covered in Sweetbitter 2x04.
This coy little midriff flash? The demure little thumb hooking the shirt down? Are you kidding me??
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brief break to inform you all that ahe is to die/death, ta'eta is madness/insanity, and wai'o is to harm/hurt.
notably as well, hio also means to sparkle/glitter/gleam and the only other word listed as a term of enderament means jewel/gem. also there are gendered words for siblings but spouse/partner/mate is neutral. also he/she/it are the same third person singular pronoun. there is a plural and paucal they. as well as two "we"s and 3 "you"s
and some other neat words.
"huwe, particle; a reminder of information the listener ought to have according to the speaker, but seems not to be acting upon"
i love you makehu.
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Ramping up to my first family therapy appointment and I'm feeling like an insane person trying to get thoughts in order like this is hell on earth 🤡
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Soon im rly gonna do it
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I know limited spoilers about the later Ace Attorney games and I finished the first case of Apollo Justice last night.
There's a few things I have to say. Spoilers ahead.
Phoenix freaking Wright. Really became someone who willingly forged evidence just like the previous villains (especially the final bosses) did throughout the series. "He who fights monsters," anyone?
(It's a small wonder he didn't get Apollo disbarred. Mia Fey would never-)
Because of the spoilers I do know, Krisnix is a hard line NoTP for me. But the first chapter of this game gives the basis for it and I absolutely hate that
Apollo is just a Little Guy and he deserves better already
He also has an amazing pursuit theme
If Beanix's parenting towards Trucy is anything like Blaise towards Sebastian I will see red
So Kristoff was the first case's culprit but I have knowledge that he's somehow the final case's culprit too? Does he pull off a jail break?
I'm doing this for Klavier. Even though I haven't met him yet, I heard he's one of the only decent members of this cast.
Capcom, what have you done?
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Concept that just occurred to me: I want these two...
to have this dynamic:
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For the anti-honesty hour: what's your goal for this week?
if I end yet another week without updating marginalia, I’ll consider it a job well done
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I feel like it is inevitable that the Dracula fandom will start doing this so I will just say it out loud:
Wed, Bed, Behead- with Seward, Quincey and Art!
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playing three houses again and I have locked myself into silver snow by picking flayn to be my dancer. honestly I'll be curious to compare these two routes when all is said and done, because having done crimson flower first it felt like the "good" ending, so I imagine this will feel like the "bad" one to me.
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Yeah I mean just generally even before this.......really inexplicable plot point, the game has not felt amazing to me. I feel like it suffers for me playing it right after Disco Elysium which is a lot more open and also tbh more polished imo.
I like the ideas in Pentiment but not the execution overmuch, and I feel like navigating the game felt really needlessly confusing and draggy, especially when time-sensitive events kept happening without any reminders in your notes of what Book of Hours time (bunch of unfamiliar Latin words, and nowhere on the screen are you told what time it is right now) you need to be there.
Everything is time sensitive but it's wildly unclear how much time you actually have in each chunk of the day, and so much is being unnecessarily explained that useful information gets lost.
also the other side effect of the glossary thing is that half the time it feels more like an extended GCSE Bitesize History revision game, it's like looking at an interactive display at a fucking museum. Have a bit of faith in me, the player, to figure this stuff out from context or know it already - you literally do not need to add a glossary entry for every town or saint or Latin words someone mentioned in passing. can't tell me what time it is but gonna stop to explain the danse macabre apparently.
playing Disco Elysium I got moderately stuck at times but there weren't a lot of times where I felt like the game was the problem. so far with this one I constantly feel like I know what I want to do and what I think Andreas might do but I'm wrestling against the game and it also is giving me all the wrong information because like. Andreas clearly knows stuff like what time it is and where he's meant to be going but I don't because all the game wants to tell me is who's married to who and what the expectations on me are. That shouldn't feel like new information! That takes me out of the story so hard. it's not new and revealing information pertinent to the case bc it's an obvious fact of life to every fucking person here!
like maybe it gets better but the first chunk of the game just feels like it's focused on all the wrong information. and it ends super suddenly without really having a sense of how much time you have to talk to people or capacity to balance your day. it wants to be bitter and guilty but I'm not immersed enough for that because I still feel like I'm using a kid's educational CD ROM because if I click in the wrong place you pause a vital conversation to tell me what Matins is (not when though. that would be helpful.)
obviously DE gave itself a head start by giving its protagonist amnesia. but like. even then it didn't feel like the point of the game was to give me a list of background information about the norms and general knowledge of the world. this thing just feels. more exposition than substance. it's like reading a children's history book with plot to keep you engaged, not like an engaging story that happens to take place in the 16th century. more horrible histories than name of the rose.
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Oof - we’re really in it now. I have to word vomit my feelings out.
If you take this story as social commentary, this is the part where I feel like The Point is being made. All those weeks of setup have led us here. These letters over the past week are just a master class of failure to address literally anything.
Imagine if Volanges had simple sat down and talked to Cecile instead of shuttling her around the countryside and bringing in a third party to “keep her in line.” I think she loves Cecile in her way, but lord I have not seen a single bit of actual parenting from her this whole time! But that doesn’t seem like a thing that happens between mothers and daughters here. She’s a Woman of Society first and a mother second, it seems. (And to me that’s really representative of how relationships seem to work on a wider scale - very few seem to be genuine or rooted in anything at all beyond the current whims of the social contract. Built on shifting sands, etc)
Valmont and Merteuil are fairly self-explanatory in how they use people as their personal playthings. But it’s interesting that they conduct themselves as if this is all right and normal. This all grew out of some old slight to Merteuil and Valmont’s boredom, lives are in the process of being ruined, and the only indication we get of self-awareness is Merteuil’s insistence that there must not be proof. It’s fine to do these things, but to have them acknowledged out in the open is what’s ruinous. What would they say in the salons? Also I am banging my head against the wall that no one bothers to connect Valmont’s presence to the open misery of two women, one of whom literally flees and to whom Valmont’s aunt acknowledges that her nephew is at fault. Lady! The slightest bit of effort on your part please! I’ve gotten the impression that Valmont is a known rake, so….??????
Problem-solving seems to begin and end with “wring my hands and write a letter to a confidante about it”. Which - is fine as a beginning, you gotta let it all out, but then to return to business as usual? Knowing something is off? Wild. Valmont and Merteuil exemplify one brand of evil, but then there’s everyone else who just lets them get away with it. This is all just another upper class game after all, because these people are rich and bored and only pay attention to morals insomuch as it’s fashionable to toss out pithy quotes to make themselves look better.
I’ll be interested to come back to this after Le Shit Goes Down to see to what extent the rest of society frowns on these goings on because the actions are themselves wrong or if rather, the physical proof of them is embarrassing to everyone.
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video games my love, why must you hurt me
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..honestly? why doesn’t Van Helsing have Lucy change rooms? like..that would be a reasonable test for any regular illness, and it really seems like Lucy needs to be able to open the window for Drac (based on how she acted with Mina in Whitby). Could an interior room, or even a lock on the window, solve all our problems here??
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^ reissue those boots rn im not kidding
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