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#and all my writing as well!!!
officialspec · 2 months
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modern au but set in brisbane. is this anything
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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astearisms · 8 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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hailsatanacab · 4 months
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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mumblesplash · 4 months
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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem
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ao3-shenanigans · 4 months
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Kicking my feet, giggling as I write silly little comments to hype up my favorite authors
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densitywell · 6 months
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spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks
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stevebabey · 4 months
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have sum steddie! maybe modern!au, no upside down!au & a meet cute <3
Steve sits in the booth, his foot tapping away mindlessly under the table, with half a mind to abandon the table entirely.
In fact, the only reason he hadn’t yet was because of the $20 he was hanging out for at the end. And the bragging rights, of course.
Robin had set him up on this blind date, plied him with all the promises in the world that he would enjoy it — said she’d spent a decent amount of time hunting for the right first gay date for Steve.
She also conceded that if he, for whatever reason, didn’t enjoy it, she would cough up 20 whole bucks for his wasted time. But he had to actually see the date through for the prize to be claimed.
And the bragging rights were so that Robin — with her uppity, healthy, and happy relationship that Steve was only a little bit envious of — could ease onto the breaks when it came to Steve’s love life.
So it was looking a little bleak at the moment, so what? Every stallion or… lion or whatever had their moments, right? Moments where their mane is a little uncouth and food is low and…. Where was he going with this?
The point was, that Robin got into one relationship and suddenly decided she was fit to become a high and mighty matchmaker. Never mind that Steve had reminded her numerous times that he had dated a lot more than she had.
So, for 20 bucks and the right to stick his tongue out at his best friend when she tried to meddle, Steve could stick one night out.
Besides, she was right about one thing. They weren’t in Hawkins anymore — and San Francisco had a hell of a larger dating pool than his hometown.
Still, that didn’t make people anymore for prompt for dates though, apparently. Steve’s foot taps incessantly under the table, his knee bouncing up and down in his nerves. He runs a hand through his hair and checks his watch again.
7 o’clock, Harvey’s Diner, a cute little Italian place that Steve had begun to frequent since they moved to the city, and a date with a dude called Daniel whom Steve had no idea what he looked like.
This was his Friday night plans.
His watch reads 7:12pm and Steve sighs, his fingers beginning to fiddle with the strap of his watch just for something to do. Great. He had gotten all dressed up for this? To be stood up? How was this any better than his usual Friday night plans that Robin claimed were so pathe—
“Hi.”
Someone sits down in the booth across from Steve, landing with a thump loud enough to give him a fright.
Steve’s head whips up from its focus on fiddling with his watch and— woah. Steve blinks once, twice, and feels his jaw unhinge a little, his lips parting an inch as he gazes at the stranger across from him.
Holy shit, this dude was hot.
He’s got curls for days, dark chocolate ringlets all messy and unkept spilling over his shoulders— long and probably perfect for burying your hands into. Steve flushes a little at the unexpected thought.
He has beautiful brown eyes, widened with a smudge of eyeliner and framed with long lashes. Steve thinks he can spy a smattering of freckles across his forehead. His nose is long and his lips are plush and pink and holy shit, this dude was pretty.
“Oh— hi.” Steve manages to remember his manners. Only after he fully checked this dude out, of course.
God, couldn’t Robin have given him a better warning than just ‘he’s probably your type’? Couldn’t she have warned him that this dude was ‘do-a-double-take-on-the-street type hot?’ What the fuck Robin?
The man across from him grins, wicked and alluring all at once, and shucks off his heavy leather jacket. His eyes do a once-over on Steve, taking his time to check him out— which is great because Steve is stuck on all the glorious tattoos that have just been revealed. So much skin shown in his roughly chopped muscle-tee, swirling ink all down his arms. This dude is hot.
Silently, Steve curses Robin and the 20 dollars that is totally slipping away from him. Why did she have to be right all the time?
“Been waiting long?” The man, Daniel, asks as he makes himself comfortable across the table. He pushes his hair back with both hands, using one hand to gather it into a ponytail, holding it up to air out his neck and Steve now realises he is slightly puffed.
He must’ve run part of the way here, to avoid being later than he was. Steve can’t help but be slightly endeared by that fact.
The man grins again, “Promise I was trying to be on time but, you know how the subway is.”
Steve huffs out a laugh, any annoyance at being kept waiting melting away at his date’s sincerity.
“Not too long,” Steve admits, smiling to ease Daniel’s apparent concern. Across the table, Daniel slumps a little and releases his hair, his curls pooling back around his shoulders. Steve watches, entranced.
“Well, that’s good,” Daniel smiles, eyes bright like he really means it, and his hand darts out to steal the drinks menu from the edge of the table. He looks back over to Steve, a furrow in his brows. “You didn’t order anything?”
“I thought I should wait,” Steve says with a shrug. No point paying for food if your date never shows up.
Daniel looks up from the menu through his lashes and smiles, placing his elbow on the table and dropping his chin in the palm of his hand. “Aw, you’re sweet.”
Steve is a little embarrassed by how easily the compliment makes him blush, feeling his cheeks glow lightly. Across the table, Daniel seems to revel in it, drinking in the way Steve’s face filled with colour with a cheeky smile. His eyes flick back down to the menu.
“You know,” Daniel begins, keeping his eyes on the menu, scanning it with a hum. “Chrissy said you were good looking but I think she seriously undersold you.”
He takes his eyes off the menu to trail up Steve’s body, his gaze heavy. Steve feels a delighted zing go up his spine, feels the way he preens at Daniel’s attraction. Steve opens his mouth to respond, more than ready to return the flirt when—
“Can I get you two started with anything?”
The waitress interrupts. She’s poised with her notepad, standing at the edge of the booth. Daniel perks up and nods.
“Can I get a chocolate milkshake please?” He asks with a polite smile. Steve laughs lightly at his selection and Daniel’s gaze cuts from the waitress to Steve.
“What? Not a milkshake man?”
Steve tries to contain his grin, all too endeared by the man before him. He shakes his head and raises his hand in defense. “Nothing against milkshakes just… for dinner?”
Daniel gasps theatrically and his head snaps back to the waitress. “This man has never had the delight of a Harvey’s milkshake with his dinner. Please bring us two chocolate milkshakes!”
Steve watches as the waitress dutifully writes down the order and turns on her heel, heading for the kitchen. He turns back to his date and gapes, taken aback by the forwardness.
“Did you just order for me?”
“Did you just diss milkshakes?”
Steve scoffs, but even then he can’t stop his lips from curling up into a smile. He can’t believe it but he’s genuinely glad he waited this date out. It's not at all like he was expecting. Even Robin's short description of this dude pales in comparison to the real thing. Steve nudges his foot forward into Daniel’s shin lightly.
“I did not diss milkshakes,” Steve argues, his smile widening at how Daniel’s eyes dart to the table before back up at Steve with a grin.
“Uh huh,” Daniel nods, his voice sarcastic and 100% unbelieving of Steve’s insistence. “Just wait, okay? You’ll be changing your tune soon enough. Harvey’s milkshakes are class. I’ve had a thousand of my best ideas in here, sipping on a chocolate milkshake.”
Steve grins and leans back in his seat, crossing his arms over his chest. Under the table, he feels Daniel’s boot nudge against his leg gently— and he laughs to himself. This has gotta be the most teenage way of flirting and he’s fucking loving it.
“You know,” Steve begins hesitantly, letting his forearms lean up against the table. “You’re not quite what I expected, Daniel.”
Across the table, Daniel scrunches up his face, his expression one of pure befuddlement. He puts his hands flat on the table and leans forward.
“Wait, you think my name is Daniel?”
Steve splutters for a moment because even though the answer is duh, yes, it’s become increasingly apparent that the man across from him is not who he was expecting. But if he’s not Daniel, who is he?
Suddenly, the door chimes and someone else is entering the diner. It’s a man dressed like Steve — on the preppy side with hair that must’ve taken at least an hour. He scans the booth and spots Steve’s booth, wandering over, his eyes fixed on the man across from Steve.
“Hey, are you Eddie?” He asks confidently, ignoring Steve’s presence on the other side of the booth.
The man — Eddie — freezes as he glances up at the newcomer and then back down to Steve ahead of him. Steve deflates a little inside as he realises abruptly what’s happened— a mix-up of wrong dates that was completely warranted because this dude dresses exactly like Steve. Steve doesn't stare too long to see if he's any hotter.
Instead, he tries to give Eddie the all-clear with his eyes. He smiles polite as he can and gives a little nod to let him know it was alright to abandon him for the date he was supposed to go on. Not to get stuck with Steve.
Eddie clears his throat and smiles, not cheeky like he had with Steve, but stiff and polite. “Ah sorry man, I think you’ve got the wrong guy. My name's Daniel.”
Huh? Steve takes his eyes off the table to steal a glimpse at Eddie (is his name even Eddie?) and something inside him burns hotly when the man glances across at Steve and winks.
The man standing by the booth wavers for a moment, glancing between them in the booth as Steve schools his expression to neutral. After a moment of silence, there's a half-assed apology as the man retreats, heading back out the door he had just come through. The door chimes again on his way out.
Steve straightens up and peers over his shoulder, watching the door slowly swing shut. He turns back to the man across the booth and squints at him. The waitress returns briefly, dropping two large chocolate shakes onto the table, topped with a mountain of cream. She murmurs something about coming back to take their order in a moment.
"Wait, so who are you?" Steve asks, gently sliding his shake closer to him. "Daniel or Eddie?"
His date —well, his new date— has already begun taking a big long sip from his own milkshake, so enamored with it that when he pulls away there's a dot of cream on the end of his nose. He swallows with a satisfied ah and grins across the table at Steve, not noticing the dairy on his face.
"I'm whoever gets me talking with you a little bit longer."
Steve grins, an endeared roll of his eye at the blatant flirting but he can't deny how it makes his chest warm. He grabs one of the napkins and reaches forward, adoring how Eddie goes cross-eyed as he watches Steve smudge away the cream on his nose. He laughs sheepishly, giving his nose a little wipe with his own hand.
"I'm Eddie." He says, finally introducing himself. He doesn't offer his hand, just gives Steve a little nudge under the table and a grin over his milkshake. "And I think you just saved me from a terrible date."
Steve laughs, giving a little shake of his head. He finally goes in for a sip of his own milkshake— and it's just as heavenly as Eddie had promised, glorious chocolate dancing over his taste buds.
Steve groans quietly, eyes bright when he glances at the other man over his glass, entirely amused by how wide-eyed Eddie has become. He releases the straw and sits back, more invested in this date than he has been in... years. Stallion's got its mojo back. Or lion. Whatever.
"I'm Steve," He responds, giving a little nudge back under the table and a grin of his own. "And I think you saved me from being stood up."
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tubbytarchia · 2 months
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Missed drawing these two too
Bonuses
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help-itrappedmyself · 2 months
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Dead on Main AU
Masterpost
Guys, I'm so sorry. But here's this!
~~~~
Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 
“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.
The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 
Danny turns to stare him right in the eyes. “What day is it?”
And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.
“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.
“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”
And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 
“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…
“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.
“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 
“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. “Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”
“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 
“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?
“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 
“I have to get home.” Danny breathes. 
“We can get you there, promise. Now, I’m Dick, can you tell me your name?”
“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”
“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”
Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”
“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 
“Not my dad!” Steph interrupted. Tim waves her off.
“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.
“So, names out of the way. You said you wanted to go home, where do you live?”
“Amity Park.”
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wardingshout · 4 months
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Travelling for Day 4 of SpeSilverWeek! going to Mt. Silver to visit "the extended family"...
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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luxaofhesperides · 22 days
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Final hour Ghostlights request! Soulmate AU where when your soul mate dies your soul mark expands. Duke was really heartbroken at first but now his soul mark makes it really difficult to keep his secret identity hidden because he is covered in a map of the cosmos. He has to use his shadow powers almost constantly to keep all the stars hidden! And and maybe they light up like actual stars when he uses his light powers.
He meets Danny at orientation or something at GU and they brush against each other and he just lights up like a supernova, all his stars literally blazing and he's just like "YOU!" Both excited and also OH MY GOD YOU ASSHOLE.
....I rambled a bit here I'm so sorry.
The thing about soulmates is that you don’t really know who they are until they die. And even then, most people never know who their soulmate was, only that they outlived them.
Duke became one of those people when he was thirteen. 
He didn’t even notice until he went to change and saw the watercolor swirl of nebula spill out from over his heart. 
One moment, he was tired and angry, ready to sneak out of his latest foster home to search for his parents and do all the things adults have failed to do. The next, he’s collapsed on his knees, shaking, unable to breathe as he tries to rip his soulmark off of his skin. He couldn’t think past the shock and horror of realizing that his soulmate is dead and Duke didn’t even know until that moment. 
They’ll never get to meet. 
Duke had never felt so alone before. 
He spent the next few days in shock, his mind a mess of static, unable to focus. He hid away in his room, buried under the covers, and his foster parents were understanding when he whispered my soulmate’s dead. They called him out of school and brought him food and water throughout the day, gentle encouraging him to eat something every few hours. 
But disaster waits for no one, and Batman was gone, so Duke pulled himself out of his misery and hit the streets again. 
So his soulmate’s dead. So his parents are gone. So Gotham’s falling apart.
No one’s doing anything about it, so it’s up to Duke to start fixing things. It’s not like he had much to lose.
Soulmates become a bit of a taboo topic to him, after that. He speaks of them to no one, avoids all conversation about them, refuses to stay when people talk about soulmarks. He tries not to look at his soulmark at all.
And then he takes a hit to the chest and patches himself up with shaking hands. For the first time in months he looks at his soulmark again and…
Did it… grow? 
Duke prods it gently, letting out a hiss when his bruised ribs protest at the movement. He remembers the mark being right over his heart. 
But looking at it now, it branches out, swirls of galaxy and constellations reaching out along his ribcage. 
Panicked, Duke grabs for his computer and looks up soulmark growth and webmd soulmark abnormalities.
Neither give him any answers, though WebMD helpfully suggests skin cancer. 
“I’m gonna ignore this,” Duke decides, and pulls on a shirt and goes to sleep. The less he thinks about his dead soulmate, the better. 
Time passes and Duke goes from being a Robin to being the Signal, a legitimate vigilante working with Batman. It’s nice to see Gotham start to settle, things falling into place. For once, nothing is awful; Duke’s found his parents and doctors are looking for a cure for long-term exposure to Joker Gas, Batman’s taking care of Gotham with a number of other Bats, Duke is getting used to his powers and slowly making a good name for himself out on the streets. 
He keeps his focus on protecting people and getting stronger, helping solve cases with the other Bats. No one mentions soulmates, so he keeps his ever expanding soulmark a secret. 
The only problem is that it keeps growing and Duke is concerned that it’ll move to a place he can’t easily hide under his clothes. 
And he does need to hide them. The more his soulmark has grown, the more obvious it is, especially when he uses his powers and the stars on his skin light up like the Fourth of July. He knows it’s abnormal, but it’s also his soulmark and he doesn’t want anyone, least of all Bruce, poking around trying to study it. 
The grief still lingers when he looks at it, but Duke has long since grown used to it. If anything, these days he’s quietly annoyed by how far the galaxies on his skin spread out, forcing him to take tank tops and shorts out of his wardrobe. 
There’s also the tentative hope that maybe his soulmate is immortal and keeps coming back to life after they die. And they must also have terrible luck, because they just keep on dying.
Case in point: his soulmark flares and spills out onto his shoulder and wraps around his bicep. It’s not the first time he’s seen it move, but it still startles him.
“Are you serious,” Duke mutters to himself, pulling at his sleeve to adjust it and hopefully hide his soulmark. The starts are bright against his skin, and while sometimes he likes to trace them with his finger, now is not one of those times.
As pretty as it is, his soulmark is also very obvious and will cause people to realize his identity if they ever catch a glimpse of it while he’s out as Signal. 
He sighs. There’s no choice but to live out the rest of his life in hoodies and sweatshirts. 
As if to spite him, his soulmark grows once more. 
Did his soulmate just die twice in the span of five minutes? That’s concerning. 
He wishes he could meet them just so he can shake some sense into them. Maybe tell them to stop dying since it’s stressing him out so much. Maybe stick by their side to make sure they never have to die again. He’s honestly not sure what he’d do if he ever meets his soulmate, but he has to do something. This has gotten out of hand.
At least seeing his soulmark grow doesn’t hurt as much as it did a few years ago. 
Lazily, he pulls at the light around him to hide the new portions of the soulmark on his arm from sight. It takes some focus, but he can hold it up long enough for him to grab a snack from the kitchen and retreat up to his room without being questioned by anyone. He could probably even keep this shirt on for the college orientation he needs to attend later in the day if the light works well enough to keep his secrets hidden. 
He’s expecting Alfred in the kitchen when he arrives, but is greeted by Dick clapping a hand on his shoulder, right where his soulmark has claimed space. Duke falters and works to keep the light from fracturing as he returns Dick’s grin. 
“Hey man,” he says, “What are you doing here? I thought you were out until Friday.”
“And miss a chance to hang out with you? No way. Besides, I wanted to give you a ride to your orientation.”
“You don’t have to,” Duke starts, only for Dick to cut him off.
“I’m going to,” he says, as if it’s a threat. “It’s been too long since we get to spend time together without a mask on. Are you really going to deprive me of this?”
Duke shakes off Dick’s hand from his shoulder, walking towards the pantry to find a small snack. “I guess not. It’s going to be pretty boring for you, though. I’m just going to listen to people talk about what college is like for a few hours.”
“We could always just walk around campus afterwards. I haven’t seen it since it was rebuilt after the last time Freeze attacked it.”
“Sure, that sounds fun. Thanks for offering to drive me.” Duke pulls out a box of Poptarts hidden behind stacks of pasta boxes and pulls out a pack for himself. He opens it and isn’t at all surprised when Dick steals one right out of his hands. 
“Meet me out front in an hour then.” 
And with that, Dick leaves, his stolen Poptart in hand, and Duke is left to shake his head and shove the Poptart box back into its hiding place. He heads off to eat his own snack, making sure no one is in the hallway as he lets go of his hold on the light. Already he can feel a migraine building with the immense focus he had to use to make sure nothing looked out of place.
At least Dick didn’t notice anything was off. If he can fool Dick, he can fool anyone.
Still, just to be safe, Duke changes into something with longer sleeves before he leaves and hops into the car with Dick. 
The drive goes quickly to the tunes of ABBA, both of them singing along as they head for the GCU campus. Parking is a bit tricky, but they manage to find a spot a street away and walk towards the student union, where tables are laid out for incoming freshmen to sign in and grab a folder filled with papers meant to help them. 
He waves to Dick and heads in once he gets his folder, and grabs a seat in the auditorium that’s close to a fire exit. 
It takes another twenty minutes for the presentations to start. The lights dim and Duke panics for a brief moment before drawing the shadows over himself lightly to hide the soft glow of the star etched onto his skin. 
They start with introductions, bringing in advisors, professors, and student ambassadors. Most of it is basic information that Duke already knows, so he zones out and plays with some shadows at his feet, where no one can see the way he twists shadows together like some dark magic form of finger knitting.
For the next hour, Duke halfheartedly listens to people talk about preparing for classes and keeping on top of schoolwork and learning how to ask for help. He’s saved enough college students that he knows the gist of things, and the orientation really doesn’t give him anything helpful. 
He probably could have skipped, but he wanted a normal college experience. 
He should have known that normal means boring as hell.
As soon as the presentation ends, an advisor encourages everyone to follow the schedule tucked into their folder to give them a half day modeled after a typical student’s schedule. Of course, all the classes are nonsense just to fill up their time, made to help freshmen coming into the college by covering topics such as how to write an email and an introduction to majors and minors.
Duke already declared himself as a Human Services major, his first step into becoming a social worker like his mom was. 
Also he totally knows how to write an email, what are these advisors on about? Do they really think people his age can’t write emails? 
Yeah, he’s ditching. The main presentation is really the only part that matters in the orientation. He’s not walking out on anything he needs.
Duke files out after the rest of the crowd, carefully letting the shadows slip off of him once he’s outside again. Instead of finding the first ‘class’ he’s supposed to go to in the Modern Languages building, he wanders off to find a quiet place he can sit down and wait until Dick finds him. 
Tucked away towards the back half of the campus is a small nook full of trees, bushes, and benches. Judging by the amount of cigarette butts left in the single trash can there, it’s a popular smoking spot. 
No one’s there, so the air is clean and free of smoke, so Duke heads in, hoping to sit down.
Someone else apparently has the same idea. He hops down from one of the concrete planters that’s keeping a bush contained and nearly falls on Duke.
They both shout in surprise, then Duke is moving without thinking, reaching out to steady the startled looking guy who accidentally jumped down in front of him. 
Duke only has time to take note of how blue his eyes are before his hands wrap around the guy’s wrist and Duke feels his soulmark flare with warmth.
In the shade of the trees, the glow of each star on his skin is obvious. It’s visible even through the fabric of his shirt. His soulmark, at this point in his life, stretches across his chest, his ribs, his back, and now his shoulders and upper arms. All the stars in that watercolor galaxy are shining brightly as if the night sky has been draped across his body.
Soulmarks only react like that for one reason.
“You!” Duke shouts at his soulmate, both elated to see that he’s alive and annoyed that he made Duke’s soulmark so large. “Stop dying! Do you have any idea how much stress you’ve caused me?!”
“Oh my god,” the guy says faintly, eyes fixed on Duke’s chest where his soulmark originally rested, shining brighter and bigger than any other star, as if he’s tucked a sun into his heart. “Oh my god,” he says again, with more feeling.
“I’m so happy you’re alive, but please stop dying. It’s bad for my health.”
“I think I need to sit down?”
He does look very pale and faint. Duke tightens his grip on his soulmate’s arms and guides him to a bench, gently sitting him down.
“You’re not about to die, right?” Duke asks. “I don’t think my heart could take it if meeting me killed you somehow.”
“No, no,” his soulmate manages to say, “I’m not going to die. Um. Wow. I didn’t know my soulmark would do that? Sorry.”
“Well, it’s not like you had any way of knowing. It’s all good, man. Just please stop dying.”
His soulmate winces. “Yeah, that’s not gonna be possible. Sorry. Again.”
What does that mean, though? What does it all mean?
“Can I maybe get an explanation as to why you have to die again.”
“Mmmmm no. We just met and it’s kinda personal so. No.”
“Dude.”
Duke’s soulmate shrugs helplessly. “It really is personal! I know your my soulmate and all, so I’ll probably tell you one day, but right now I don’t even know your name.”
Oh shit. He’s right. Introductions completely slipped his mind, too busy reeling over the fact that his soulmate is here and alive. Which, honestly, would be enough to throw anyone off balance.
“Shoot,” Duke says. “Sorry. You just really caught me off guard. Hi, I’m Duke, I promise I’m more put together than that.”
“Hi Duke, I’m Danny, and I’ve apparently been traumatizing you for the past few years by making you think I keep dying.”
“Well. At least we’re thrown head first into the crazy. Best way to know if we’re be a good match.”
“You sure you can handle this? You seemed pretty frazzled a second ago.”
Duke flusters and lightly whacks Danny’s shoulder. “That’s normal! Anyone would do the same when meeting their soulmate for the first time!”
“Fair enough,” Danny laughs. “This is a totally weird request and you can absolutely say no, but… can I see?” He presses a hand against one of the glowing stars beneath this collar bone, looking up at Duke with wide, hopeful blue eyes, and Duke finds it so cute that he’s willing to do anything Danny wants. 
“Here,” he says as an answer, pulling the collar of his shirt down a bit to reveal the nebula spilling onto his shoulder. 
“Oh,” Danny breathes, tracing a light finger against it. “It’s beautiful.”
“I’m guessing you like space?”
“Love it. I wanted to be an astronaut, but uh…. It’s never going to happen. Health problems, you know?”
“Well, I know it’s not the same, but I hope the stars you put on my body will be a good enough replacement.”
Danny cheeks turn red and he turns away, flustered. “Don’t smooth talk me right now, I’m not ready for it,” he mutters, bringing up a hand to try to hide his expression. 
“Sorry, sorry,” Duke laughs, “I’ll try to keep the flirting down to a minimum. It’s just really great to finally meet you. And I’ve been wondering, what’s your soulmark look like?”
“Oh, well…” Danny fiddles with the long sleeve of his shirt. “I had a pretty bad accident years ago that kinda affected how my soulmark looks. So if it looks weird, that’s why, okay?” He takes a deep breath, then pushes up his sleeve, holding his wrist out to Duke. 
The first thing Duke notices is the soft yellow glow, Signal yellow to be precise, running down his arm as if sunlight fills his veins. Then he sees Danny’s soulmark, a sun with rays that wrap around his wrist. And running through his soulmark are Lichtenberg scars, glowing yellow as if stealing the color from his soulmark. 
“Guess we both got super obvious soulmarks, huh? At least we kinda match, that way.”
“That’s one way to look at it,” Danny agrees. 
“Man, what a day.” 
Danny looks more relaxed with him now. It’s much better than the startled, tense version of him that first sat down on the bench. Duke hopes he chooses to stay with him; he doesn’t admit this often, willingly, or to other people, but he’s a romantic at heart and has always wanted to live a happy life with his soulmate. It’s still far off in the future, but he hopes Danny feels the same way.
“So, are you ditching the orientation classes to?” Danny asks.
“Yeah, there’s no way I’m going. I mean, a class on how to send emails? They can’t be serious.”
“I know, right?! I saw that and thought I was being pranked. I mean, we’re going into college. We better know how to send an email by now.”
“Since we’re both free for now, wanna grab lunch with me? It can be our first date, if you want.”
“I’d love to! And you can show me around Gotham a bit. I’m coming here for college, but I haven’t really seen the city yet. It’d be nice to explore it with someone who knows where things are.”
“Are you free for the rest of the day? ‘Cause I wouldn’t mind showing you around, if you want.”
Danny smiles, radiant. “I am. I’m in your hands for the rest of the day.”
“Cool,” Duke says, trying not to think too much on that wording. It’s very suggestive, very flirtatious, and he’s looking forward to getting to know Danny more so he can start properly flirting. “Lemme just let my brother know to not wait up for me.”
He pulls out his phone and sends Dick a text that just reads: met my soulmate. going on a date now. i’ll see u back at the manor!
Then he puts his phone on silent and tucks it back into his pocket. He’ll tell Dick all about this later; for now, all his attention is on Danny. 
Soulmates get priority, even stressful ones that give him the largest soulmark he’s ever seen. 
And right now, he’s on a mission to find the best lunch spot to take his soulmate to for their first date. Everything else can come later; for now, he’s going to enjoy the time he gets to spend with Danny.
He hopes they’ve got a future together as bright as the stars in his soulmark. 
Despite it all, Duke is sure they’re going to be alright.
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piromina · 1 month
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me writing fanfiction
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teethkid67 · 2 months
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PAYDAY
aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!
this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it
happy @mcyt-valentines exchange !!!!
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panthermouthh · 7 months
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And I said, “Hello, Satan
I believe it’s time to go.”
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