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#american music
the-cricket-chirps · 13 hours
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Stanley Mouse & Alton Kelley, Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train,  Family Dog, Avalon Ballroom Concert poster, 1966
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ciegeinc · 11 months
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Tina Turner/Anna Mae Bullock 1939-2023 RIP
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protoslacker · 2 months
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Real history is messy and complicated. To get to the truth we need to rewind back to centuries before Waylon Jennings and Johnny Cash – to the music created by enslaved people and a recording industry set upon segregation. Enslaved people of the African diaspora created the banjo in the Caribbean in the 1600s. This is historical fact. They also played other stringed instruments (such as the violin) and, whether enslaved or free, Black string bands became the de facto entertainment and dance bands of European societies from Barbados to Monticello to Rhode Island; from balls to banquets to political rallies. These musicians mixed with poor people of all colours and ethnicities who brought their own musical traditions into the mix over generations to create a truly American folk music.
Rhiannon Giddens in The Guardian. Black artistry is woven into the fabric of country music. It belongs to everyone
With Beyoncé becoming the first Black woman to top the US country charts, musician Rhiannon Giddens, who plays banjo and viola on Texas Hold ’Em, explains how capitalism and racism warped the genre
I only know a puny little bit about history and music, but Rhiannon Giddens's point about Black string bands is key.
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How John Coltrane’s ‘My Favorite Things’ Changed American Music
Looking back at the moment when one of our greatest jazzmen raised the stakes for everyone who came after.
[I love the line, “[My Favorite Things is] not a different version so much as a message from a parallel universe.”]
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msclaritea · 12 days
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Box Office: ‘Civil War’ Starts Off With Impressive $2.9M in Thursday Previews
Alex Garland's controversial movie about the political divide in America easily scored the best preview number ever for A24.
BY PAMELA MCCLINTOCK
APRIL 12, 2024 9:18A
Alex Garland‘s dystopian action movie Civil War has started off its North American box office run with an impressive $2.9 million, a record for indie studio and distributor A24.
The $50 million movie about a divided America is a big swing for A24 as it tries to produce bigger movies, and is its most expensive production to date.
Civil War is tracking to open north of $20 million, although one leading tracking service has a slightly lower range of $19 million to $20 million. As with the preview number, that would be record for A24, beating the $13.6 million opening of A24’s horror pic Hereditary in 2018.
A24 and writer-director Garland held the movie’s world premiere last month at the South by Southwest Film and TV Festival, an ideal venue since many of the attendees are younger adults, the film’s target demo.
Set in the near-future, the story follows a wartime photojournalist (Kirsten Dunst) and her colleagues as they make their way across a hostile and divided United States of America that has been torn apart under the authoritarian rule of a three-term president (Nick Offerman). Yet the film shys away from red state/blue state divisions, and the politics behind the conflict are generally left unexplained, other than to say that one of the president’s first first actions was to disband the FBI in an apparent nod to former President Donald Trump, who has called to “defund” the Bureau.
Civil War‘s timing surely isn’t a coincidence as it hits cinemas amid a contentious election year in which President Biden and former President Trump are once again the leading candidates for their respective parties as Trump seeks to return to the White House
At a SXSW panel following the film’s premiere, Garland said it made sense to release Civil War now, although it’s not as if there is anything new about the contentious political discourse gripping the country.
“I think all of the topics in in [Civil War] have been a part of a huge public debate for years and years. These debates have been growing and growing in volume and awareness, but none of that is secret or unknown to almost anybody,” Garland said. “I thought that everybody understands these terms and, at that point, I just felt compelled to write about it.”
Cailee Spaeny, Jesse Plemons and Wagner Moura also star.
2012–2013: Founding and early years
A24 was founded on August 20, 2012, by film veterans Daniel Katz, David Fenkel, and John Hodges. Katz formerly led the film finance group at Guggenheim Partners, Fenkel was the president, co-founder and partner at Oscilloscope, and Hodges served as "Head of Production and Development" at Big Beach. The name "A24" was inspired by the Italian A24 motorway Katz was driving on when he decided to found the company.
Guggenheim Partners provided the seed money for A24. The company was started to share "movies from a distinctive point of view". In October 2012, Nicolette Aizenberg joined as head of publicity from 42West where she was senior publicity executive.
The company began its distribution of films in 2013. The company's first theatrical release was Roman Coppola's A Glimpse Inside the Mind of Charles Swan III, which had a limited theatrical release. Other 2013 theatrical releases included Sofia Coppola's The Bling Ring, Harmony Korine's Spring Breakers, James Ponsoldt's The Spectacular Now, and Sally Potter's Ginger & Rosa.
In September 2013, A24 entered a $40 million deal with DirecTV Cinema, where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; Enemy was the first film to be distributed under the deal. That same year, A24 entered a deal with Amazon Prime, where A24-distributed films would be available on Amazon Instant Video after becoming available on Blu-ray and DVD.
2014–2017: Television and later productions
In May 2015, A24 announced that it would start a television division and began producing the USA Network series Playing House, as well as working to develop a television series that would later become Comrade Detective, produced by Channing Tatum. The company also announced that they would also finance and develop pilots.
In January 2016, Sasha Lloyd joined the company to handle all film, television distribution and business development in the international marketplace. The company, with cooperation from Bank of America, J.P. Morgan & Co. and SunTrust Banks, also raised its line of credit from $50 million to $125 million a month later to build upon its operations. In April, the company acquired all foreign rights to Swiss Army Man, distributing the film in all territories, and partnering with distributors who previously acquired rights to the film, a first for the company. In June, the company, along with Oscilloscope and distributor Honora, joined BitTorrent Now to distribute the work of their portfolio across the ad-supported service.
Eileen Guggenheim Breaks Silence, denies Introducing Women To Epstein
New Court Documents Reveal More About Epstein's Relationship With JP Morgan Chase
Beef is Criticized After star's Resurfaced Rape Comments B
Does HBO's Euphoria Really Glamourize Drug Use?
Euphoria Season Two Review: Far Too Much Nudity, Sex and Violence
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Michelle Yeoh Says Hot Dog Fingers Scene With Jamie Lee Curtis Was ‘Most Beautiful Love Story
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Not much time is shown in this universe. All the audience knows is that Evelyn works at a pizza shop. She is shown wearing a ridiculous costume and waving around a sign.
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"A24 and writer-director Garland held the movie’s world premiere last month at the South by Southwest Film and TV Festival, an ideal venue since many of the attendees are younger adults, the film’s target demo..."
Penske Media Corporation (PMC /ˈpɛnski/) is an American mass media, publishing, and information services company based in Los Angeles and New York City. It publishes more than 20 digital and print brands, including Variety, Rolling Stone, Women's Wear Daily, Deadline Hollywood, Billboard, The Hollywood Reporter, Boy Genius Report, Robb Report, Artforum, ARTNews, and others. PMC's Chairman and CEO since founding is Jay Penske.
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President Trump awards Medal of Freedom to Roger Penske | Fox News Video
In addition to media publications, Penske Media Corporation owns the Life Is Beautiful Music & Art Festival and is a 50 percent stakeholder in South by Southwest. It is also the owner of Dick Clark Productions which includes the award shows Golden Globe Awards, American Music Awards, Streamy Awards, Academy of Country Music Awards, and the Billboard Music Awards.
Jay Penske--NACSCAR Heir ARRESTED...and It's A Pisser
@aeltri I'm a bit fuzzy on the details. What was that you told us, recently, about Pizza and Hotdogs?
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khaperai · 1 year
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alchemisoul · 1 year
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"If I’m honest, the B-52’s got me to question my own prejudices. Where I was brought up there was a lot of anti-LGBTQ bigotry. When I was still a teenager, the B-52’s helped teach me to grow beyond them. For that alone I owe them a huge debt of gratitude. I was terribly saddened by Ricky’s passing and felt so sorry for the whole band.
I heard Rock Lobster on the radio and got the debut LP. I was just getting into punk rock and although I didn’t really consider the B-52’s “punk”, they were definitely breaking rules and creating music that was unconventional and groundbreaking: while disco was being derided, here was a band who it was OK to dance along to. They were so different and cool. We all loved their first two albums and I’m sure they influenced us. We definitely learned that music doesn’t have to be taken so seriously.
We learned a lot by covering 52 Girls. I loved Ricky’s sound, and of course his guitar looked so cool on a record sleeve, with its missing strings. At the time most rock guitar heroes were so bombastic and over the top, so Ricky’s understated playing and fun approach was really novel. To this day I’m still trying to find just the right Mosrite guitar in honour of him and Johnny Ramone."
- Noodles, The Offspring
"The B-52’s and Talking Heads always felt like Devo’s kindred spirits. We were all unique and not very punk. The punks didn’t like us because we weren’t orthodox, and orthodoxy permeates rock’n’roll. We’d first become aware of the B-52’s through independent record stores when we were hawking our debut single. It was exciting because I knew where they were coming from, how they were grabbing from 1960s kitsch with the beehive hairdos and the theatricality of it all. It was like they’d come from their own planet. Who on earth sings about a Rock Lobster?
It was outsider stuff with a distinctive sound that was consciously slightly retro, coming from surf music and rockabilly, but not with rockabilly beats. They’d come up through the Athens, Georgia, scene and dance clubs and were in the realm of LGBTQ [music] before such a thing was identified. They were transgressive and polarising, but in a different way to Devo. I met Kate at the Mudd Club in New York in early 79 and immediately fell for her. She had the beehive, of course, because they were always in character, which I thought was fantastic."
- Gerald Casale, Devo
"We in Talking Heads became friends with the B-52’s early on. I remember they told us: “You have to see this other band from Athens playing at Danceteria – they’re called REM.” The Athens, Georgia bands were all very supportive of one another, it seemed to me.
I produced an album with the B-52’s which ended up as an EP [Mesopotamia]. I suspect they came to me because they wanted to experiment a little bit more. Maybe that’s why the LP got cut down to an EP – or maybe the other songs weren’t up to snuff?
My favourite song from that record was Deep Sleep, which sounded like Young Marble Giants gone psychedelic. Ricky Wilson, who was such a large part of their sound, had Aids at that time, and was not around for many of the sessions. It was a pretty tough time for the band but they persevered and eventually revived. They were a tight family."
- David Byrne, Talking Heads
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barefootangell · 1 year
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0rph3u5 · 3 months
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Blind Brand X (RC Johnston)  Ring of Fire
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colours-inthedark · 1 month
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"I felt [country] was the closest music, really, to the blues. They'd make them steel guitars cry and whine, and it really attracted me."
- Ray Charles
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pwlanier · 9 months
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the-cricket-chirps · 6 months
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David LaChapelle
Lizzo: 'Ottoman Empire'
2019
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a-bazouki · 4 months
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No. 1
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malallory · 10 months
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daily-classical · 7 months
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sentim3ntalmood · 5 months
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I'll always love you, and want you too. How much, you'll never know. Most of all, I miss you so, I'll always love you. I miss you so.
The first post on this blog will be for the king of 20th century pop music— Nat King Cole. Nat King Cole was the first and now longest-running jazz musician to hold a special place in my heart, since my great grandma was his biggest fan.
Nat King Cole exists in most memories as the singer to The Christmas Song (chestnuts roasting on an open fiiire), but less people know he's a pianist as well, even jazz musicians. When I show people his work with the Nat King Cole Trio, they ask me who the pianist is and I still get responses of surprise that they "didn't know he also played piano." I reply with "he was a pianist first and a singer second, too."
It's a shame, really. His gentle style of soloing moves me in ways that the most technically skilled pianists in the world couldn't achieve, just because of the emotion it can convey. His careful, floating comping makes a ballad so listenable, and he was so worthy of that recognition from the jazz community and from the general public.
At the same time, I understand why his voice *became* Nat King Cole. Listening to Nat King Cole makes you feel less alone, like you can so easily relate to what he's singing. His voice convinces me that what he's singing is true, even when he didn't personally experience whatever exactly he was singing about, and even if I haven't experienced what he's singing about. His voice feels like reassurance, like a nice cool pillow to rest your head on.
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