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lannistertwinz · 8 months

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"You loved me then what right had you to leave me?" - the parallels between Jaime/Cersei and Wuthering Heights

"There's a dialogue that goes on through the years and over the centuries where you read someone else's work and you're inspired by it, sometimes infuriated by it, and you say 'No, that's not quite right, here's the way it would be' and then you write your own twist on it, your own answer to it! There is this conscious playing with tropes, replying to other authors and making a reference or an homage in some cases… but there's also unconsciousness. Those are are rife, sometimes you read a book and you haven't looked at it for twenty years, but it's still there buried inside and suddenly someone points out 'this seems just like this' and you go 'Oh my god! It's right, I forgot about that!'. So it works both ways." - George R.R. Martin, Trinity College Dublin

“The first books I read besides comic books were cheap paperbacks which cost 35 cents back then. There were no bookstores in Bayonne so I got my paperbacks from a spinner rack and all the books in that were mixed up. There were science fiction books and fantasy books, which I liked, but there were also mystery novels, romance novels, nurse novels, gothics, spy novels and, of course, there were classics of literature mixed in with that: Shakespeare, Dostoiévski, the Brontë sisters, Jane Austen, etc.” – George R.R. Martin, Gamer’s Haven Podcast

As pointed out above, George has (whether conscious or unconsciously) taken inspiration from other works to create his own characters, and with this post I’d like to explain as to why I believe A Song Of Ice And Fire specifically plays with Heathcliff and Catherine’s relationship from Emily Brontë’s Wuthering Heights through Jaime and Cersei’s dynamic.

To briefly explain it to those who have not read it, Wuthering Heights is essentially the story of Heathcliff’s revenge on the Earnshaws and the Lintons for the discrimination suffered at their hands and their involvement in his estrangement from his friend and lover Catherine Earnshaw (aka Cathy) and, at it’s core, it is a novel about intergenerational abuse and family dysfunction.

Shaped by these circumstances, we have at the forefront of the book the toxic romance between the foster siblings Heathcliff and Catherine who, like Jaime and Cersei, develop a very intimate bond early on in their childhood:

She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him. – Nelly, Chapter V He could never bear to be long apart from his twin. – Jaime, ASOS

‘I was a child; my father was just buried, and my misery arose from the separation that Hindley had ordered between me and Heathcliff. I was laid alone, for the first time; and, rousing from a dismal doze after a night of weeping, I lifted my hand to push the panels aside: it struck the tabletop!’ – Catherine, Chapter XII Though Cersei often slept alone, she had never liked it. Her oldest memories were of sharing a bed with Jaime, when they had still been so young that no one could tell the two of them apart. Later, after they were separated, she'd had a string of bedmaids and companions, most of them girls of an age with her, the daughters of her father's household knights and bannermen. – Cersei, AFFC

We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph, on an errand from the stables. He tears down my handiwork, boxes my ears, and croaks. – Catherine, Chapter III "Sometimes as a lark we would dress in each other's clothes and spend a whole day each as the other." – Cersei, ACOK

I took my dingy volume by the scroop, and hurled it into the dogkennel, vowing I hated a good book. Heathcliff kicked his to the same place. – Catherine, Chapter III The dank and dismal fortnight Cersei spent at Greenstone, the seat of House Estermont, was the longest of her young life. Jaime dubbed the castle "Greenshit" at first sight, and soon had Cersei doing it too. – Cersei, AFFC

Miss Cathy had been sick, and that made her still; she leant against her father’s knee, and Heathcliff was lying on the floor with his head in her lap. – Nelly, Chapter V "Care for a bath, Brienne?" He laughed. "You're a maiden and there's the pool. I'll wash your back." He used to scrub Cersei's back, when they were children together at Casterly Rock. – Jaime, ASOS

Additionally, in both cases, the female characters have, from early on, a clear influence over their male counterparts:

His peevish reproofs wakened in her a naughty delight to provoke him: she was never so happy as when we were all scolding her at once, and she defying us with her bold, saucy look, and her ready words; turning Joseph’s religious curses into ridicule, baiting me, and doing just what her father hated most showing how her pretended insolence, which he thought real, had more power over Heathcliff than his kindness: how the boy would do her bidding in anything, and his only when it suited his own inclination. – Nelly, Chapter V “Father will never consent,” Jaime objected. […] “Is it a rock you want? Or me?” He remembered that night as if it were yesterday. […] By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest. – Jaime, ASOS

‘He’s considering he’d rather I’d come to him! Find a way, then! not through that kirkyard. You are slow! Be content, you always followed me!’ – Catherine, Chapter XII She rose, her eyes brimming with tears. “Is it truly you?” She did not come to him, however. She has never come to me, he thought. She has always waited, letting me come to her. – Jaime, ASOS

And there’s an element of adoration as well. In Wuthering Heights, at the end of Heathcliff’s life, Nelly refers to Catherine as his “departed idol” and Heathcliff describes Cathy as “so immeasurably superior to everybody on earth”. On the other hand, in A Song Of Ice And Fire, Jaime puts Cersei on a pedestal as the figure of “The Maiden” and describes Cersei’s flame in his weirwood dream as “the only light in the world”. Furthermore, the two claim to have suffered through hardships solely for the sake of these women and that their love is the ultimate factor that drives them:

‘I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!’ – Heathcliff, Chapter X When morning came, he made himself eat. They fed him a mush of oats, horse food, but he forced down every spoon. He ate again at evenfall, and the next day. Live, he told himself harshly, live for Cersei. – Jaime, ASOS

‘Be with me always - take any form - drive me mad! Only do not leave me in this abyss, where I cannot find you!’ – Heathcliff, Chapter XVI Beside Lord Tywin stood his sister, pale and beautiful, a torch burning in her hand. Her torch was the only light in the cavern. She turned to go. “Stay with me,” Jaime pleaded. “Don't leave me here alone. Don't leave me in the dark!” – Jaime, ASOS

However, the most striking similarities arise from the way that Catherine and Cersei perceive their relationships with Heathcliff and Jaime respectively. Catherine, though far from being the worst person out of the cast of characters present in the novel (certainly Hindley and Joseph and even Heathcliff himself are more morally reprehensible), is the one that possesses the most traits stereotypically ascribed to narcissism: she’s very duplicitous and self-absorbed, she has a completely delusional opinion of herself and consistently projects her own flaws onto others, she’s often contemptuous of the weaknesses of those around her, she has a very explosive temper and reacts with aggression when crossed, she flips situations on their head to make herself look like the victim and she certainly sees her relationships as transactional, including her relationship with Heathcliff:

‘And should I always be sitting with you? What good do I get? What do you talk about? You might be dumb, or a baby, for anything you say to amuse me, or for anything you do, either!’ – Catherine, Chapter VIII

It is also frequently mentioned that Catherine enjoys being in control and does not take well to being contradicted:

It was nothing less than murder in her eyes for anyone to presume to stand up and contradict her. – Nelly, Chapter IX Cersei is as gentle as King Maegor, as selfless as Aegon the Unworthy, as wise as Mad Aerys. She never forgets a slight, real or imagined. She takes caution for cowardice and dissent for defiance. – Tyrion, ADWD

I observed that Mr. Edgar had a deep-rooted fear of ruffling her humour. He concealed it from her; but if ever he heard me answer sharply, or saw any other servant grow cloudy at some imperious order of hers, he would show his trouble by a frown of displeasure that never darkened on his own account. He many a time spoke sternly to me about my pertness; and averred that the stab of a knife could not inflict a worse pang than he suffered at seeing his lady vexed. Not to grieve a kind master, I learned to be less touchy; and, for the space of half a year, the gunpowder lay as harmless as sand, because no fire came near to explode it. – Nelly, Chapter X His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cersei was all wildfire, especially when thwarted. – Jaime, AFFC

And this leads to a point of contention when Heathcliff returns a changed man from his time away:

‘Don’t vex me. Why have you disregarded my request?’ – Catherine, Chapter XI Why does he insist on vexing me? – Cersei, AFFC

‘Oh, you see, Nelly, he would not relent a moment to keep me out of the grave. That is how I’m loved!’ – Catherine, Chapter XV “You swore that you would always love me. It is not loving to make me beg.” – Cersei, AFFC

All of this, combined with the particular way in which Catherine describes her feelings for Heathcliff, led critics of the book to accuse Catherine of perceiving and thus loving Heathcliff as an extension of herself. And, surely, most of these things she privately confesses to Nelly could have easily come out of Cersei’s mouth, who has been confirmed by the author to being written as highly narcissistic.

In chapter IX, Catherine says that her love for Heathcliff is a necessity and throughout the series Cersei’s sentiments for Jaime are frequently displayed through that same lens:

The wench had the right of it. He could not die. Cersei was waiting for him. She would have need of him. – Jaime, ASOS They rode hard the next day, at Jaime's insistence. His son was dead, and his sister needed him. – Jaime, ASOS “Jaime, you're my shining knight. You cannot abandon me when I need you most!” – Cersei, ASOS “I need you with me. In me. Please, Jaime. Please.” – Cersei, AFFC “Why would Cersei need the Warrior? She has me.” – Jaime, AFFC She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” – Cersei, AFFC Jaime, I need Jaime. – Cersei, ADWD

Of course, in Cersei’s case, she “needs” Jaime because he is, in her mind, the brawn to her brain (“He was meant to be my sword and shield, my strong right arm.”), her protector, her agency in a patriarchal society… but she also needs him because she does not feel like a self-realized autonomous human being without him as she believes her own personhood has been split into two entities. And the same goes for Catherine:

‘I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?’ – Catherine, Chapter IX “Jaime and I are more than brother and sister. We are one person in two bodies.” – Cersei, AGOT

‘Supposing at twelve years old I had been wrenched from the Heights, and every early association, and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton, the lady of Thrushcross Grange, and the wife of a stranger: an exile, and outcast, thenceforth, from what had been my world. You may fancy a glimpse of the abyss where I grovelled!’ – Catherine, Chapter XII “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that. I am not whole without you.” – Cersei, ASOS

In fact, both women go as far as claiming their partners’ identities as their own:

‘Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.’ – Catherine, Chapter IX “You are me, I am you.” – Cersei, AFFC ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.’ – Catherine, Chapter IX

And from this idea of a shared existence and a lack of purpose when apart comes the desire for union in death and the mythologizing of these relationships:

‘If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.’ – Catherine, Chapter IX “If he were dead, I would know it. We came into this world together, Uncle. He would not go without me.” – Cersei, ADWD ‘She’s dead! I’ve not waited for you to learn that’. – Heathcliff, Chapter XVI

‘We’ve braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But, Heathcliff, if I dare you now, will you venture? If you do, I’ll keep you. I’ll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!’ – Catherine, Chapter XII I cannot die while Cersei lives, he told himself. We will die together as we were born together. – Jaime, ASOS ‘I wish they may shovel in the earth over us both!’ – Heathcliff, Chapter XXIX

What’s interesting about Wuthering Heights, though, is that, other than codependency, there is an inherent selfishness and possessiveness to this. In chapter XV, when Catherine is effectively dying, it is clear that she does not want Heathcliff to outlive her and she’s terrified by the idea of him moving on and finding happiness elsewhere:

‘How strong you are! How many years do you mean to live after I am gone?’ – Catherine, Chapter XV “Will you forget me? Will you be happy when I am in the earth? Will you say twenty years hence, ‘That’s the grave of Catherine Earnshaw? I loved her long ago, and was wretched to lose her; but it is past. I’ve loved many others since: my children are dearer to me than she was; and, at death, I shall not rejoice that I are going to her: I shall be sorry that I must leave them!’ Will you say so, Heathcliff?” – Catherine, Chapter XV

Indeed, Catherine goes as far as telling Heathcliff that she wishes he would just die (and suffer) alongside her:

‘I wish I could hold you till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!’ – Catherine, Chapter XV ‘I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted.’ – Catherine, Chapter XV

And Cersei does something comparable when she (in her delusion) asks Jaime to be her champion in a mortal combat knowing he is likely to lose for his handicap:

“My queen,” said Qyburn, “have you . . . forgotten? Ser Jaime has no sword hand. If he should champion you and lose . . .” We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” – Cersei, AFFC

Heathcliff and Catherine don’t die together, however, and, despite what happened in Game Of Thrones, I’m still highly sceptical that Jaime and Cersei will die together in the books either. Yet the impression that Wuthering Heights leaves is that the unhealthy nature of Heathcliff and Catherine’s bond is at the root of their own self-destruction and tragic end:

Ere long, I heard the click of the latch, and Catherine flew up-stairs, breathless and wild; too excited to show gladness: indeed, by her face, you would rather have surmised an awful calamity. – Nelly, Chapter X ‘Mrs. Linton is now just recovering,’ I said; ‘she’ll never be like she was, but her life is spared; and if you really have a regard for her, you’ll shun crossing her way again. […] Another encounter between you and the master would kill her altogether.’ – Nelly, Chapter XIV ‘You have killed me and thriven on it, I think.’ - Catherine, Chapter XV “’Nay, it’s enough that he has murdered one of you,’ I observed aloud. ‘At the Grange, everyone knows your sister would have been living now had it not been for Mr. Heathcliff. After all, it is preferable to be hated than loved by him. When I recollect how happy we were, how happy Catherine was before he came, I’m fit to curse the day.’ Most likely, Heathcliff noticed more the truth of what was said, than the spirit of the person who said it. His attention was roused, I saw, for his eyes rained down tears among the ashes, and he drew his breath in suffocating sighs.” – Isabella, Chapter XVII ‘She might have been living yet, if it had not been for him!’ was his constant bitter reflection; and, in his eyes, Heathcliff seemed a murderer. – Nelly, Chapter XXI

‘I forgive what you have done to me. I love my murderer but yours! How can I?’ – Heathcliff, Chapter XV ‘It was a strange way of killing: not by inches, but by fractions of hairbreadths, to beguile me with the spectre of a hope through eighteen years!’ – Heathcliff, Chapter XXIX

The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in let me in!’ ‘Who are you?’ I asked, struggling, meanwhile, to disengage myself. ‘Catherine Linton,’ it replied, shiveringly (why did I think of Linton? I had read Earnshaw twenty times for Linton) ‘I’m come home: I’d lost my way on the moor!’ As it spoke, I discerned, obscurely, a child’s face looking through the window. - Mr. Lockwood, Chapter III The following evening was very wet: indeed, it poured down till day-dawn; and, as I took my morning walk round the house, I observed the master’s window swinging open, and the rain driving straight in. […] I peeped in. Mr. Heathcliff was there laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark! – Nelly, Chapter XXXVI

And I wouldn’t be surprised if A Song Of Ice And Fire were to go in the same direction:

It is raining again, he thought when he saw how wet she was. The water was trickling down her cloak to puddle round her feet. How did she get here? I never heard her enter. She was dressed like a tavern wench in a heavy roughspun cloak, badly dyed in mottled browns and fraying at the hem. A hood concealed her face, but he could see the candles dancing in the green pools of her eyes, and when she moved he knew her. – Jaime, AFFC I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. – Jaime, AFFC The Stranger represents death and the unknown, and leads the dead to the other world. Whilst referred to as male, he is neither male nor female. The Stranger's face has been described as half-human, concealed beneath a hooded mantle. – A Wiki Of Ice And Fire

“Gold shall be their crowns and gold their shrouds. And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” – Maggy The Frog, AFFC “Tyrion is the valonqar. Do you use that word in Myr? It's High Valyrian, it means little brother.” - Cersei, AFFC “He came into this world holding my foot, our old maester said”. – Cersei, AGOT “The Imp is no longer my brother, if he ever was.” – Cersei, AFFC A man stepped into the lantern light, and she saw his cloak was white. “Jaime?” I dreamt of one brother, but the other has come to wake me. – Cersei, AFFC

So, in conclusion, I find it plausible that George might have simply taken the narcissism, the violence and the “twin soul”/“other half” connection present in Wuthering Heights to it’s even more extreme by creating the chaotic mess that is the incestuous relationship between twins who are mirror images of each other... And there's a decent number of parallels to at least make a case for it!

Tag: @faintingheroine

#this is huge :o #but honestly I cut so much other stuff that I wanted to talk about #jaime lannister #cersei lannister #heathcliff #catherine earnshaw #parallels #meta #valyrianscrolls #asoiaf #wuthering heights

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sailormoonandme · 3 years

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Why I think Sailor Moon lends itself so well to fanfiction

It’s no secret that there is a very active Sailor Moon fanficiton community.*

Whilst every fandom has its fanfic authors in my experience Sailor Moon fanfiction proportionally forms a far larger part of the fandom than in many other fandoms, the only exception I’ve encountered would be say Harry Potter. I do not for example find as many people posting or discussing fanfiction within Power Rangers, Lord of the Rings, Marvel, DC or Doctor Who circles.

Oh, there are plenty of people who talk about ideas and concepts they have. But there seem to be far fewer actually making stories themselves, or at least willing to post/share them, nor even discuss making them.

Why is this?

Well, I’m sure there is a discussion to be had regarding fanfiction, female authors, female audiences and obviously that’d tie into how Sailor Moon is primarily aimed at (and enjoyed by) a female audience.

But I’ve not really researched that so I don’t feel confident enough to dive into it.

To me though, when we break down the nature of Sailor Moon’s story, I very much feel it practically encourages fanfiction and taps very directly into the sort of things fanfiction writers and readers seem to like.

One stereotype of fanfiction that, in my observations, is absolutely true is that there is A LOT of romantic and/or sexual content. In fact it’s an open secret that professional erotic fiction pales in comparison to the breadth, quantity and quality of fanfiction ‘smut’.**

One might argue ANY story that features romance in it is therefore ‘encouraging’ such fanfiction. But the situation with Sailor Moon is a little different as romance is utterly baked into its foundation. The first story arc, initially intended as the entire story, revolves around Sailor Moon and Tuxedo Mask’s relationship. Between the manga and the anime the love life’s of almost every single major character is touched upon one way or the other. Minako’s affections for Allan. Rei’s disdain for men in the manga and romances with Mamoru and Yuichiro in the anime. Makoto’s sempai and her tragic string of men even vaguely similar to him. Ami and Ryo’s relationship in season 1 and her shyness about anything romantic thereafter. Even side characters like Reika, Motoki, Unazuki, Umino, Naru, Nephrite, Zoisite and Kunzite make their love lives at least discussed.

Then of course you have Haruka and Michiru, who’s relationship also clearly hints that they’ve become physically intimate.

Often with more sexually explicit fanfiction the authors are diving into parts of the characters’ lives rarely even discussed (if at all) in the original canon. Whilst Sailor Moon’s focus upon romance made sex a logical leap, the show plays a Hell of a lot with innuendo, symbolism and subtle hints to the point where it was giving fic authors plenty of ‘ammo’ to work with already.

This of course extends into the realm of queer pairings. Another stereotype of fanfiction (and again, I’ve not really researched this so I dunno how true it is) is that they engage in romantic or sexual stories where the characters have a different sexualities from their (apparent) canon ones. Perhaps the most famous (infamous?) example is Harry Potter and Draco Malfoy. Between Haruka and Michiru, Mamoru and Fiore, Zoisite and Kunzite and implications a plenty in the manga and anime (especially under Ikuhara’s rule) writing the characters as interested in people other than the opposite sex was a relatively easy and believable leap, hardly even breaking the verisimilitude of the canon.

Speaking of verisimilitude, Sailor Moon…didn’t make sense. I love it and adore it but we all know this is true. Even beyond the mindblowing miraculous magic it employed there was more than several instances where characters did not behave realistically or even consistently. Contradictions in the anime especially were rife.

Regardless of what that does or doesn’t say about the canon, for the purposes of fanfiction, this is something of a boon. It enables all sorts of wacky riffs and directions that aren’t going to create too large of a cognitive dissonance for the writer nor the reader.

Want to write a story that wouldn’t be realistic? So what? This was the story where the world almost ends but society is never fundamentally changed.

Want to write a story with elements that’d be anachronistic So what? Our heroes were named after planets that didn’t get those names until thousands of years later.

Want to do a story that unfortunately would contradict a canon fact or canon characterization?...Have you watched SuperS…?

The flipside to the messier parts of the canon is that it equally encouraged some authors to engage in fix fics, to address what they felt were problems with the characters and narratives.***

It’s very much a getting your cake and getting to eat it too situation!

Additionally, the ‘monster of the week’ format for the show enables all sorts of wacky riffs and spins to be imposed on the characters and narrative since these monsters each had their own gimmicks. Body swap characters? Make them shrink? Make them evil? Alternate Universe? Space travel?

Ostensibly anything and everything is on the table for fic authors to work with, just as it was for the official creators of Sailor Moon.

Alongside the ‘monster of the week’ format, the innate concept for Sailor Moon encourages the creation of original characters. There is no end of stories about ‘Sailor Sun’ and ‘Sailor Earth’ of course. But since any planetoid, celestial body or what have you in theory could have a Guardian authors could go nuts, drawing upon real list astrology or simply invent their own planets for whatever story they are doing. So the story is ripe for world building and expansion!

However, things need not go to that scale. Sailor Moon, especially the anime, revolves around the everyday lives of teenaged characters. Their ages means authors have the opportunity to write the characters growing up or having grown up and take them in any direction they like and again not create too much of a cognitive dissonance with the canon. And they can do that by drawing upon their own life experiences fairly easily without having to consider what the first day of college might’ve been like for someone on Middle Earth or whatever.

Furthermore, because romance was baked into the story, there was a greater focus in the stories upon the characters internal thoughts and feelings. This wasn’t strictly about their romantic feelings, but my point is a good 2/3 of your average Sailor Moon episode will be taken up with slice of life stuff before the Senshi go into action.

Why is this relevant? Because that kind of internal exploration lends itself far better to the prose format than action set pieces, especially action set pieces trying to emulate those of a visual format like a manga or an anime.

All the above actively encourages the creation of fanfics but there is aso something deeper going on.

After all, plenty of movies leave room for characters to be expanded. Plenty of manga offer opportunities for world building. Plenty of TV shows make the creation of original characters a synch. Plenty of comic books have contradictory continuity that warrants patching up. And romantic elements are present in the overwhelming majority of fiction, even fiction that isn’t predominantly about that.

What makes Sailor Moon a particular strong candidate for fanfiction though is that it has all those things whilst also having strong concepts, endearing characters and a rich mythology to hook people in the first place.

In other words, the fact that Sailor Moon was good made people love it. And that love I think is the essence of why they wanted to read and produce more of it.

*For the purposes of this post you should understand that by ‘fanfiction’ I’m specifically referring to prose fanfiction, i.e. the stuff you’d find on FFN and predmonantly on Ao3. Obviously audio plays, comics, art, cosplay performances can all fall under the label of fanfiction to one extent or another. And in some cases these are far more prevalent than prose fanfiction.

E.g. there is plenty of fan art in the Marvel fandom and there is a frightening amount of audio based Dr. Who fanfiction.

**Even I know that and I do not typically care for that type of stuff myself.

***Or expand upon characters they felt there was more to do with. I know many people who feel that way about the manga versions of the villains and the Senshi (sans Usagi), the anime version of Mamoru and the supporting cast like Usagi parents.

#My Essays #Sailor Moon #fanfiction #fan fiction #bishoujo senshi sailor moon #bishojo senshi sailor moon #pretty guardian sailor moon #pretty soldier sailor moon #ao3 #fanfiction.net #Doctor Who #Harry Potter #Lord of the Rings #Marvel #Marvel Comics #DC #DC Comics

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archiesoniconline · 4 years

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Knuckles Endangered Species #1 Behind the Scenes!

It’s been a while, but it’s finally time for another behind-the-scenes look at one of our stories! This time we’ll be covering our latest release, as well as the story that had been visualized and started the earliest in our project: Part 1 of the Endangered Species rewrite.

As usual, let’s start with the cover. Our ex-admin in charge of the entire rewrite, The Shadow Imperator, took inspiration from the covers for Sonic the Hedgehog #211 and 245, as well as an advertisement for Sonic Chronicles: The Dark Brotherhood. Pencils, inks and colors were all done by @drawloverlala, who managed to brilliantly blend all the designs together into something new and exciting.

The story begins immediately where the official #243 left off, with Sonic getting KO’ed by Metal Knuckles. The robot doppelganger is quick to remind Lien-Da of his mission to monitor her and keep her in line, which is a nod to Sonic Universe #37, where Eggman told his Grandmasters that the Metal Series will be doing just that.

Since Lien-Da is the Grandmaster of her branch of the Dark Egg Legion, we decided her Kommissar should be Gae-Na, her old confidant that hadn’t been seen since StH #118. She was given a heavy redesign by CrimDa, sporting a more realistic cybernetic eye as well as electric batons similar to Lien-Da’s electric whips. Her absence up until this point was due to maternity leave, having only recently given birth to her daughter Demi-Na but was left to raise the girl alone after losing her husband Kanewisher to the Egg Grapes.

You may have noticed that when Gae-Na knocks out Amy, she doesn’t seem particularly pleased about it. As a mother, she doesn’t relish the idea of fighting children, but will do what it takes to ensure that her daughter can grow up in a stable echidna society, even if it’s a society ruled by Eggman.

For a much more minor echidna cameo, we see the return of Syntar, who hasn’t appeared since being unceremoniously knocked out by a time-traveling Lara-Su in StH #109. Now a sergeant in Lien-Da’s army, he’s seen leading the Albion prisoners to be legionized... only to be unceremoniously knocked out yet again by Knuckles. Apple doesn’t fall far from the tree, I guess.

We also see Komi-Ko comforting Bimmy Jr., a young echidna orphan whose father and namesake was tragically killed in the Egg Grapes. Back in 243 he was only referred to as “young man”, since the legal issues at the time forbade his real name from being mentioned.

Another echidna character given a redesign by CrimDa is Crystal-La, the wife of Athair and Knuckles’ great-grandmother. We decided to re-purpose her as the Mitre of the Albion Aurorium, in order to bring back of a glimpse of the religious aspects of echidna society that were largely ignored during Ian Flynn’s run of the comic. Our initial redesign failed to take her significant age into account, so we made her look older in the final story. Considering the fact that she considers her own great-grandson to be some sort of messiah, it’s easy to see that she’s gone a little kooky in her old age.

You may have noticed that Saffron Bee was also given a new wardrobe, which were actually based off of notes left by Aleah Baker for a redesign of her that was planned in the official comic ShadImp felt strongly about giving her as big of a role in the rewrite as possible, as was the original intention.

Knuckles using his Warp Ring to attack Syntar was an idea from ShadImp’s co-writer for the remake, TuxKnux. It was meant to demonstrate how Knuckles has had more practice controlling Chaos Energy, another example of which we’ll see later.

In order to calm down a terrified Bimmy Jr., Saffron gives him her Nightopian Doll, which hasn’t been seen since all the way back in the Return to Angel Island arc. Unfortunately, this ended up triggering her PTSD of the destruction of the Golden Hive Colony, as well as Charmy’s brain damage.

This can easily be missed on a first read, but here is when we first see Julie-Su taking a cloak from a defeated Legionnaire, which ends up being important later.

The cuffs binding Team Fighters and Remington were surprisingly difficult to draw, since we needed something that could hold them in place, but also free all of them instantly when deactivated. In the end, electric shackles powered by a nearby generator seemed like the best solution.

The mural behind Lien-Da, meant to reference the Forgotten Wars, originally had a different design that was scrapped because it didn’t make sense for such a picture to be in Albion. It was also based off of a cutscene in Sonic Chronicles, during Imperator Ix’s final speech to Knuckles. Eventually, the original mural design was re-purposed for Emerl’s data file in StHO #249.

This is the first time that Remington and Lien-Da have met since Enerjak’s rampage, so it was important to have the interactions between them be meaningful. Remington may have suffered greatly during and after his time being the brainwashed Grandmaster of the Frost Legion, as well as being the son of Lien-Da’s hated brother Kragok, but he hasn’t allowed the trauma to diminish his strong sense of justice and has grown as a person because of it.

Although hostages causing a panic among their captors is generally not considered a good idea, Tails dropping the bombshell (no pun intended) that Eggman could blow up the legionnaires at any moment does help upset Lien-Da’s control of the situation, proving instrumental to her defeat later.

At this point in the story, Thrash hasn’t directly made his move yet, but the wheels are clearly in motion. Originally ShadImp was going to have Thrash’s plan be identical to the official Endangered Species, sending all the echidnas away in a super-charged Warp Ring. It took him a while to come up with a different plan, one that requires a sample of echidna DNA. Incidentally, this is also Gae-Na’s only other appearance in the issue, as she was put on patrol duty after the initial battle with Team Fighters.

The showdown between Knuckles and Metal Knuckles may be seen as disappointingly short, but ShadImp made clear that he prioritized meaningful storytelling over elongated fight scenes. Plus, Knuckles serving only as the distraction while Saffron destroys the robot with a hijacked turret and Julie-Su sneaks off incognito does a good job showcasing that the Chaotix came into the fight much better prepared than Team Fighters.

Also worthy of note is the legionnaire’s dismissive attitude towards Komi-Ko and the other Albionites. Since about half of the Legion gave up on fighting and accepted Enerjak’s offer to migrate to Albion, it stands to reason that the ones who chose to stay are the most fanatical and loyal to the Legion’s cause.

Another minor echidna cameo is a younger Cobar, who was originally only seen in the 25 Years Later storyline. At this point in time he’s still a member of the Legion, although his timid nature appears to be unchanged.

As well as demonstrating Remington’s character development, this scene does a good job showing that even the most loyal legionnaires are sick of the pointless wars they’ve fought in. Lien-Da is the only truly evil person among all of them, and her grasp on them is crumbling rapidly.

As was mentioned earlier, having the disguised Julie-Su destroy the generator powering the shackles was a quick and easy way to get Team Fighters back into the action, as well as converge the two plots occurring simultaneously in this issue.

Having Wynmacher deal the final blow against Lien-Da was both an opportunity to give the non-combatant echidnas a chance to shine, as well as a callback to his very first appearance in Knuckles the Echidna #6, where he performed a similar tackle and mentioned his varsity days.

When Riggo first penciled this panel, he had drawn Kneecaps as more the size of a toddler than an infant, which was corrected in the final story.

This panel was originally going to feature some good old Sonic & Knuckles action, but ended up being only Knuckles using Thunder Arrow. This is the other example of his improved mastery of Chaos Energy, as unlike the previous Guardians he doesn’t need to be within short range of the Master Emerald to use it. It’s still not perfect though, as just using it once is shown to tire him out quite a bit.

Finally, we have Thrash making his grand entrance. He was originally drawn with an entire pack of Devil Dogs around him, but it’s actually an important plot point that he only has two with him at the moment, so this was changed in the final version.

That’s it for this post, but unlike the other stories, this one was a revision of an even earlier rewrite, one that was started on and scrapped before ASO was even a thing. Next time, we’ll be going BEHIND behind the scenes at ShadImp’s original Endangered Species remake!

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jorjathomas · 3 years

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Lifestyle trends based on my target audience

When research gaps in the market, I began to think of ways I could get as much content in my zine. Although I had my own personal advice and tips, I also need some content that would help enable more engagement. This is why I have began to look at potential lifestyle trends from the website LSN so I could use in my zine. I also looked into my target audience and how they are researched to behave so I can understand my target audience better. My age group will be people aged 16-24 meaning currently, most of these women fall into Generation Z.

Article 1: How Joy scrolling can uplift brand storytelling (March 2021)

The first article I looked into explains the new aesthetic for story telling. As the pandemic hit, there was a lot of bad news surfaced. Artists took a step forward to create uplifting news and advice that can help distract society and focus on the good temporarily. Ives seen this surge of design all over the internet and a lot of news has been produced in an artistic way to make the articles easier to read. This is a less intimidating approach to new which i like and want to follow for the magazine however i am also weary of the dangers of this. I don't want to distract or wash the important information with pretty art but influence it to be more visible. This article helped influence my decision as this way for creating has become popular in society. A lot of this style seems to be digital however I hope to move this movement into physical consumerism to aid the popularity of magazines.

Here are some examples which were published on the LSN article. (March 2021)

Spreading this positivity across social media has created a lifted and conscious internet algorithm and i think has broken the dark internet cycle of having to look perfect and be ‘amazing’ all of the time. Getting rid of this influencer life and spread important events and news that could educate a person is much more important than having to look a certain way to feel accepted. I wish to do this with my zine and these examples validify my urge to change and create a positive society.

When completing trend research, we looked at trends for the summer and there seemed to be a lot more colour plastered onto life. I can see this now coming into action with this new approach to news by adding sketches and other forms of art into important messages and advice. Just like the Trend project, I hope to bring a euphoric feel and uplift a reader with the assistance of bright colours.

Article 2: Need to know (11/02/21)

The second trend article i looked at involved a lot of information which became popular over the new year. The most distinctive article was about post pandemic self-care. As you should know already, this subject is heavy within my concept so I was interested to see what has changes when taking care of yourselves pre and post covid lockdown. This LSN article states that- ‘Many US citizens plan to continue engaging in the self-care routines they've established during the pandemic.’

The Need to know article also reports that- ‘According to a recent survey conducted by OnePoll for US wellness software company Vagaro, two-thirds (67%) of people agreed that the routines they developed during the pandemic have become a permanent part of their life. Meanwhile, 69% of respondents say they plan to dedicate more time to self-care in 2021 than they did in the previous year.’

I am happy to see this occurring within peoples life as this is the perfect opportunity to use my zine to spread this awareness. My zine should produce self- care tips that can help them to continue this dedication. Although this is my sole purpose of the zine, I also think I should add personal and education information that can assist the zine in becoming more personal and enjoyable to read as there is more than one category.

Article 3: Reading Market (March 2021)

This was probably the most informative article from the four I looked at on LSN as I was able to understand how much demand there is for reading. There's a obvious increase in digital media so I am interested to develop ideas that could help these statistics transform into the physical media outlets. The LSN articles says that- ‘According to Nielsen, time spent reading books among UK consumers has nearly doubled – from an average of three-and-a-half hours per week to six hours.’ Knowing that there is a growth in reading eases my worry of my magazine not gaining any recognition especially since I plan to print physical copies. They also state that- ‘As well as offering solace, comfort and helping to bolster knowledge, the reading market is adapting. It's embracing digital acceleration through new interactive formats, while also tuning in to the desires of younger generations, namely their ethical mindsets. For brands, media outlets and publishers, even greater disruption awaits a sector that has long been bound to tradition.’

‘We were expecting possibly to see a spike in comfort reads, like cosy crime or light comic novels,’ says Jess Harrison’

From this information, I can see there is a demand in books and most importantly pivotal media. The drastic change from fiction books decreasing and non-fiction becoming popular, proves the fact that people want to become more educated about world matters which they may not have had to do previously. I must remember to add in important information about specific matters I’d like to cover to aid the increase in monumental reads. My only dilemma is the competition with digital reads as screen time as plummeted this past year. Publishing physical copies carries a lot more problems. For example; when I’d publish I would want the copies to be long term for readers, having content that they can keep referring to rather than quick consumption. This would help reduce the carbon footprint of the magazine. I would defiantly want to be a sustainable zine, having more authentic materials that would not only benefit the planet but also add texture to the brand. The article states that- ‘Publishing house Penguin, meanwhile, is taking an environment-first approach to bookselling, targeting the 65% of readers who prefer the tactile experience of a physical book while addressing the impact on the planet. Its Naked Books are printed on demand, use recycled paper, eschew cover art in favour of a simple manuscript, and are delivered using carbon-neutral transport.’

Following up with the digital competitors this fact proves this point. Despite this I can use technology to my advantage when I would publish the book. For example using YouTube or TikTok to improve new customers with the help of algorithms etc.

Above is a digital book company which would be my competitor along side Audio books and Kindle. These have grown in the past year as there is a wider platform for smaller authors to get their books known.

Article 4: Anxiety Rebellion (2018)

Despite this trend report being slightly older than the others, I thought it would be intriguing to see if this article has come into play in the more recent years or if my magazine could do this instead to make this trend more long lasting. This article was under the macro trend category on the content page of LSN meaning this should still be present within todays society and I can apply it to my work. This article provides a insight on the new generation and how they are more diverse in comparison to Millennials creating a new wave of life. I looked into this survey by IPSOS MORI below to get a better understanding of my target market of gen z’s.

This video was attached to this article and it was brought to my attention quickly as I think it perfectly portrays my ideas and thoughts around my idea which you may not have seen yet. The next post will be the full advertisement of this video which was made by ASOS. This advertises Collusion which is a brand created by ASOS that offers clothing and accessories for the new generation. They spread positivity and urge consumers to invert their own style.

Gen z:

A quote from IPSOS- ‘For previous generations of teens, anxiety could be attributed to teenage angst – a temporary cocktail of the hormones and emotions that come with growing up – but Generation Z are fighting this stereotype. Rather than allowing themselves to become trapped in a web of anxiety, teens are speaking out against practices that cause them unnecessary pressure and turning their worries into productivity. In September 2018, a 15-year-old student tweeted ‘stop forcing students to present in front of the class and give them a choice not to’, garnering more than 130,000 retweets and nearly half a million likes.’

As seen from previous events from the past year, teenagers are becoming more vocal on specific matters important to them. I am pleased by this as I think they are breaking this preformed ways of living, how to behave and creating a new and more expressive society. IPSOS Mori’s recent survey found that, ‘contrary to many clichés about today’s young, our new survey data and analysis reveals a better behaved, more trusting, socially minded and less materialistic generation’. There are many prejudgments about teenagers however, everyone has been one at some stage of their life. The common personality assumptions are laziness, rudeness and anti-social behaviour. Seeing the survey data results and proving these judgments wrong is refreshing. Teenagers actually are more motivated than ever and I hope to give them help. The survey also states that Generation Z are showing new attitudes to their placement in the world. for example, improved self-care solutions, spiritual healing practises, cleaner lifestyles, future-proof financial systems and a new entrepreneurial mindsets. These features have defiantly broke the judgments and are radically different from the actions of the former generations. As you can see in the states on the post- ‘Which noted that illicit drug use by US teenagers, including cocaine and heroin, fell from 22.6% in 2007 to 14% in 2017. The study also found that teenagers are having significantly less sex.’

To conclude this post, researching current lifestyle trends within the current youth market has further developed the urgency for a demand of zines like this. I am excited to begin some creative processes now and really make these ideas come together with the help of this trend research.

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phgq · 4 years

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14th Japan International MANGA Award now accepts entries

#PHinfo: 14th Japan International MANGA Award now accepts entries

PASIG CITY, April 26 (PIA) – Stay at home and be creative amidst the quarantine period as the Embassy of Japan in the Philippines is inviting MANGA enthusiasts to join in the 14th Japan International MANGA Award.

Here’s how to join. Eligible MANGA works need to be composed of more than 16 pages. Both published and unpublished works are eligible to apply, excluding the past winning works of Japan International Manga Awards.

Eligible MANGA works should be the ones which have been produced within the past three years (2017-2020) from the date of application. Likewise, eligible MANGA works must be submitted in printed form. (Submission of data might be required later on.)

Overseas publishing companies can apply to the Japan International MANGA Award, upon confirmation from the MANGA artists of submitting their work.

The Embassy of Japan also reminds that either the comic artist or story writer of the submitted work has to be a foreign national. Also, the representative who will participate in the invitation program given to the Gold / Silver Award winners must be a foreign national.

Only one work may be submitted per applicant and only one work may be accepted under one title (or series). In case that a collection of short stories is to be applied, only one story will be accepted for examination. Duplicate entries will be invalid.

For the purpose of publicity, the MANGA Award Executive Committee may upload the winner’s MANGA works (partially) on its website upon obtaining approval from the artists.

Application period will be until June 19, 2020 (entries must arrive by this date).

Applications should be sent to either through the Japanese Embassies or Consulates General (Embassy of Japan in the Philippines, 2627 Roxas Boulevard, Pasay City) or via P.O. Box MBE193 The 14th Japan International MANGA Award Executive Committee Shinjuku Oak Tower 2F, 6-8-1 Nishi-shinjuku, Shinjuku-ku, Tokyo, JAPAN Postcode:163-6002

Interested applicants must submit two copies of their work. Additional copies may be requested for works being considered for an award. An entry form, filled in either English or Japanese, must be attached to the work. Page numbers must be indicated on every page of the work. If the work is not in the form of a book, it needs to be indicated clearly if there is any specific two-page spread in the work.

The submitted works will not be returned to applicants. Therefore, if the work has not yet been published, please be advised to submit a copy of the work and keep the original. The submitted works might be donated or exhibited.

Selection after the first round of screening by the Association of Japanese Manga Publishers, the 14th Japan international MANGA Award Selection Committee will be responsible for the selection procedures.

Award Ceremony The award ceremony is planned to be held in Tokyo in February 2021.

The Gold Award will be given to the best work and the Silver Awards to three other excellent works. The awardees will be invited to Japan by the Japan Foundation to attend the award ceremony. During their stay in Japan (approximately for 10 days), they will also have the opportunity to exchange ideas with Japanese MANGA creators, visit publishing companies and make an excursion to local sites.

The Japan International MANGA Award was established in May 2007 upon the initiative of then Minister for Foreign Affairs, Mr. Aso Taro, with the aim of awarding MANGA creators who contribute to the spread of MANGA culture overseas and international cultural exchanges through MANGA. The Award has been presented every year since then.

For details and updates, visit the official Facebook page of the Embassy of Japan in the Philippines (Embassy of Japan in the Philippines 在フィリピン日本国大使館) or the Ministry of Foreign Affairs of Japan https://www.mofa.go.jp/p_pd/ca_opr/page23e_000585.html. (Embassy of Japan in the Philippines/PIA-NCR)

***

References:

* Philippine Information Agency. "14th Japan International MANGA Award now accepts entries." Philippine Information Agency. https://pia.gov.ph/news/articles/1040072 (accessed April 25, 2020 at 10:33PM UTC+08).

* Philippine Infornation Agency. "14th Japan International MANGA Award now accepts entries." Archive Today. https://archive.ph/?run=1&url=https://pia.gov.ph/news/articles/1040072 (archived).

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