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mostlycompetentwriter · 4 years

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TMT One-Shot

F/M Pairing: Y/N x 3racha (Stray Kids)

Word Count: 8K

Genre: High School AU

Warnings: Lots of smut and language; mentions of alcohol

Summary: Y/N is the shy, awkward girl who can’t talk to boys while doing her best to exist as a shadow throughout her high school life. Her two brothers, Minho and Felix, are the complete opposite. Minho is the cool, suave music addict who wants to be in his own band one day, while Felix is the stereotypical popular kid whose best friend, Han Jisung, tirelessly trails after his friend’s older sister. However, despite their differences, the three siblings share a very close relationship and Y/N considers them to be her only real friends.

One day, Minho brings home two classmates from his community college and Y/N realizes, for the very first time, that the sweet taste of desire is highly addictive.

When my mother died, I was only 10-years-old. She slipped away like a ghost, quietly and without notice, and I was left feeling broken on the inside. If I was a therapist, unlike the contemptuous older woman who always spoke to me with a condescending tone, I’d likely attribute the traumatic event to the person I started to become.

Instead of bouncing back from her death like my brothers Minho and Felix, I started to feel sad all the time. Accordingly, I lost many of the friends I met in Elementary school because I chose to sit quietly in my classes when I didn't feel like talking to anyone else. Likewise, I also declined their invitations to visit their houses or ride with their parents to the movie theaters. Actually, I exchanged those friendships for the solitude of my bedroom at home where I usually spent the evening staring vacantly at the ceiling while trying not to cry anymore.

Yeah, I guess it was kinda my fault.

Overtime, my status evolved from the kind, amiable Y/N who everyone at school admired, to the sullen and despondent weird girl who sometimes spoke to imaginary friends. I spent recesses inside with my teachers, helping them clean the whiteboard. During lunch, I sat alone with my school tray and thought about how my mother used to pack my lunches for me because I complained about the mystery meatloaf....Oh, right, thinking about my mother inevitably made me feel sad again and sometimes I cried at school in front of my classmates.

Needless to say, my youth wasn’t exactly as voracious as my peers...or even my brothers for that matter. Actually, Minho and Felix were perfectly normal because they mourned our mother’s death for several months before inexplicably moving on as if it had never happened. Thereafter, Minho developed a passion for music and my father allowed him to take guitar and piano lessons after school. Felix started to play sports and he was quite good at baseball despite his smaller stature. Likewise, in between classes, I heard my classmates frequently gossiping about my brothers: mysterious and alluring Minho who all the older girls adored, and popular and beloved Felix who was the envy of our classmates.

I didn’t mind being considered an outsider in comparison to my brothers because they still treated me like a friend. In fact, my brothers and I were extremely close, especially after our mother’s death. Despite my introverted tendencies, Minho and Felix often went out of their way to include me in their activities. For example, Minho liked to offer his demos as background music for the raunchier parties in our town and he always begged me to come along and hear his new songs. My older brother was so incredibly talented that I rarely refused his offers, finding myself sitting next to Felix in the backseat of Minho’s car while we drove across town to the wealthier districts. I would spend the rest of the night hanging around my brothers while listening to Minho sing about everything from his ex-girlfriends to the pot he liked to smoke with some of the younger guys.

In any case, I could always count on my brothers to liven my spirits, which might explain why I was so uncomfortable when Minho graduated and applied for University. It wasn’t necessarily a bad thing because Minho was only driving thirty minutes everyday to attend his classes and he still lived at home. But it still felt like an unwanted change, and I wasn’t sure how to cope with my brother’s sudden desire to build a studio in the basement of our childhood home while he brought new classmates to fawn over his equipment.

Thankfully, I managed to avoid the unfamiliar faces, and I started spending more time with Felix. Unfortunately, spending time with Felix inevitably forced me to endure the endless pandering from some of his more unsavory acquaintances. For example, when I wanted to play video games one afternoon, I knocked twice on Felix’s door only to find myself in the company of someone who was decidedly the complete opposite of my brother. His name was Han Jisung, and he was Felix’s best friend. “Y/N,” he said quietly, sheepishly attempting to fix the mop on top of his head. “How are you?”

“Fine,” I said, glancing over Jisung’s shoulder. “Where’s Felix?”

“Bathroom,” Jisung said, pointing at the door.

I groaned. “Are you busy?”

“We’re never too busy for you,” Jisung smirked, but he always flirted with me shamelessly as if he didn’t care that I was Felix’s older sister.

I ignored Jisung when I walked into Felix’s bedroom, finding a relatively clean spot on his bed to wait for his return. In the meantime, Jisung lingered by the doorway, watching me with those ridiculous dark eyes. “I heard Minho made another demo.”

“He’s always making demos,” I replied, wondering why Felix was determined to take his time for once.

“Yeah, but he’s really proud of this one.”

“Minho thinks he’s a genius,” I said. “If you were to ask him, then every song he made would be a masterpiece.”

“Well, he’s the reason why I've started to pursue music.”

“You?” I scoffed, finding the idea of Jisung as a creator of anything other than enormous messes on the kitchen counter to be nothing short of hilarious. “Jisung, you can’t even finish your math homework.”

“That’s not true!” Jisung protested. “It’s just not that interesting, and I like music so it shouldn’t be a problem.”

“You’ll find something else to like in a few months,” I said, watching as he frowned with that ridiculous pout he always wore when he wasn’t getting his way.

“Yeah? Well, when my first mixtape comes out,” Jisung grumbled.

“I’ll be the first one asking for an autograph,” I teased him, rolling my eyes when he sat next to me and held up his pinky finger.

“Promise?”

“Fine,” I sighed before trying to move further away from Jisung.

He didn’t allow the space for very long, sliding right up against me without any traces of his previous frustrations. “Y/N,” Jisung said, hand reaching out for my shoulder. “There’s a party this Friday.”

“I’m not in the mood for a party,” I said. “I have a lot of homework this weekend, and-”

“Actually, Minho invited us,” Felix interrupted, and I didn’t even realize that my brother had returned. I was also surprised to see Minho behind him, stretching his arms above his head like he had forgotten to sleep again last night.

“You’re going too?” I asked Minho.

“It’s Chan’s party,” Minho explained. “He’s playing some of my demo tracks.”

“Bang Chan,” I repeated, narrowing my eyes because I had heard my brother mention that name dozens of times. Actually, if I didn’t know any better, then I would think Minho had some kind of infatuation with his new college friend.

“I think Minho is in love,” Felix teased, dodging Minho’s playful swing before he joined Jisung and I on the edge of his bed.

“He’s just a friend from one of my lectures,” Minho said.

“Minho also thinks he’s a genius,” Felix whispered to me, but it was loud enough for our brother to overhear.

“You like him too,” Minho protested.

“Felix met him?”

“Last week,” Felix beamed. “Minho and I ran into him on the way to get coffee. Your lazy ass was still asleep at 12:00.”

“Shut up,” I grumbled. “I stayed up late to finish an essay.”

“College will kick your ass, Y/N,” Minho said. “If you can’t survive high school literature...”

“I get it,” I groaned. “I don’t want another lecture.”

“Good, but you’re still coming to the party because I want you to meet Chan and hear your brother’s masterpiece.”

“Please stop calling your mixtape a masterpiece.”

“I’ll consider it,” Minho smirked, “as long as I see you at Chan’s house this Friday.”

“This is considered blackmail, Minho,” I sighed. “But fine, I’ll need the time and address, please.”

I stood on the porch in the frigid cold wearing a party dress that might’ve been overkill, and I had a desire to return to my house because nobody was answering the door. Actually, when I really thought about it, this complex was too nice for a college student, unless Chan had discovered Blackbeard’s treasure or something. I snorted at my own joke, waiting impatiently for someone to let me inside because my brothers weren’t responding to my text messages.

The music sounded faint from behind the door, which made me wonder if Minho had given me the wrong address. It wouldn’t be the first time that my brother gave me some kind of misinformation, but I thought he really wanted me to come tonight and hear his music. “Hello!” I yelled, banging my fist against the door. “Minho? I’m leaving in exactly ten seconds if nobody lets me inside!”

I started the countdown in my head, jumping up and down to warm my muscles, when a sudden expulsion of heat relieved the tension slowly numbing my fingers. “There you are,” Felix said with a drunken smile.

“Isn’t too early for you to be plastered?”

Felix giggled. “They’re playing Minho’s music next.”

“Well, let me inside you asshole,” I said, pushing my way into the house because my brother had clearly forgotten that it was basically snowing outside.

“What do you think?” Felix asked. “It’s pretty nice.”

“I can’t see anything,” I complained, narrowing my eyes since it was difficult to notice the details when the house was packed wall to wall with intoxicated college students. The lights were also dimmed, which meant that walking was an unnecessary chore as Felix took my hand and brought me into the kitchen where he promised Minho was waiting.

At least he wasn’t fully incapable.

“Y/N,” Minho grinned, tossing an arm around my shoulder as he pulled me closer, allowing me to smell the nasty liquor on his breath.

“Drunk at your mixtape reveal party?”

Minho laughed. “I haven’t had much.”

“Felix has,” I said, grimacing when I spotted my younger brother bouncing from person to person with an unmaintainable energy.

“Let him have fun,” Minho said. “I’m keeping an eye on him.”

“Whatever, but he’s your responsibility in the morning when he’s suffering from a hangover.”

“I’ll handle it,” Minho reassured me. “Anyway, there’s someone I want you to meet.”

“Oh?”

“Chan! Get your ass over here!”

“What a good friend you are,” I remarked, and I was fully prepared to tease my brother further until I realized that Minho was waving down one of the most attractive men I had ever seen.

Chan was absolutely gorgeous, appearing nothing short of debauched under the low-hanging lights of the kitchen. Neatly styled blonde-hair parted down the middle, and bright blue eyes that held the stars inside an endless sea of black. “Are you guys having fun?” he asked with an accent that I couldn’t place.

“The place is fucking awesome, man,” Minho said, wrapping an arm around Chan’s shoulders as he nodded in my direction. “This is my sister,” Minho said with a proud smile.

“Hello,” I said, cringing at my tone.

“Y/N,” Chan smiled, and I decided that nobody could ever say my name again with such a sexy tenor.

“You have a lovely home,” I said, swallowing hard when Chan leaned in closer.

“Minho talks about you a lot,” Chan said with a smirk. “Do you want something to drink?”

I nodded without thinking, keeping my eyes trained on his beautiful visage as a beer slipped into my hand. “Pace yourself,” Minho warned me, but I ignored him as I swallowed down the bile-tasting liquid.

“I like her,” Chan nodded, looking at me seductively from over the top of his bottle.

“She’s a bit uptight,” Minho chuckled, and I glared at him because this was not the time to embarrass me. “Are my songs playing next?”

“I’ll make sure everything is ready,” Chan said, giving me one last lingering look.

“Let’s find a good place to hear everything,” Minho suggested, and I followed my brother with thoughts and fantasies consumed by Bang Chan.

Minho’s mixtape was really good, and I begrudgingly congratulated my brother and even allowed him to tell everyone that it was, in fact, a masterpiece. However, while my brother was distracted by a group of younger fan-girls, I slipped away to try and find somewhere peaceful to recover from my headache. It had developed sometime between the pounding bass line of “BEWARE” and the aggressive tone of “Boxer.”

I paused next to the foyer where there were considerably less people. In fact, only one student lingered next to the open window, and I leaned against the wall as I closed my eyes against the distinct ringing in my ears. Next time, I would wear earplugs when Minho forced me to stand at the speakers.

“You’re not going to pass out, right?”

I blinked several times as the room swam into focus. “I’ll probably make it.”

“There’s a bathroom upstairs,” the rough voice continued, and I finally addressed the hooded figure standing at the window. I realized that he was smoking, holding the bud of the cigarette outside so that the ashes collected somewhere on the porch. “I’m Changbin,” he smirked.

“Oh,” I cleared my throat. “Do you mind if I share the window?”

He shrugged, tossing his hood back so that I could see the way his black hair fell flat against his head. “Sure.”

I carefully felt my way along the wall until the generous cold breeze was hitting my flushed skin. “Thank god,” I groaned, practically forcing my head outside.

“Drink too much?”

“A combination of that and the music.”

“I heard a rumor that the beer was definitely spiked,” he said, dark eyes looking me over. “You’re obviously new here.”

“I’m with my brother,” I offered cautiously in response to his sudden advances.

“Do I know him?”

“Lee Minho.”

Changbin’s eyes widened. “We’re in the same music composition lecture. I thought he mentioned you in class.”

“He invited me,” I continued, but I didn’t understand why I felt the need to justify myself to him.

“I bet he did,” Changbin nodded. “Why would he hide you from us?”

I shivered. “I’m sure he’ll be back soon.”

“Is that right?” he asked before cornering me against the wall with a hungry gaze. “You hear the song playing?”

I nodded. “It’s loud.”

Changbin chuckled. “I made it.”

I nodded again because that certainly explained the explicit lyrics. “It’s...interesting?”

“Yeah?” Changbin purred. “Do you like it?”

“I do,” I gasped, feeling one of his hands grab me around the waist.

His lips brushed against mine, soft and sensual, while he inhaled deeply. “Y/N, is this your first party?”

“No,” I whispered because it suddenly felt like we were the only two people left in the room.

“I just assumed,” he said. “From the way you’re reacting.”

“W-what?”

“If I didn’t know any better, I’d say that you wanted to go someplace else with me,” Changin said.

I was completely baffled by his assumption, searching for the right words, but they never came. However, the distinct sound of someone clearing their throat forced us apart, and I was surprised to see Chan standing so close. “I guess you’ve met Minho’s little sister,” Chan said and I hated how immature the introduction sounded.

“She made sure to tell me,” Changbin smirked. “I can’t believe we haven’t met before.”

“He’s looking for her,” Chan continued, and I was confused by the hostility in his tone. “You probably shouldn’t do anything.”

“Wasn’t gonna,” Changbin retorted, planting one of his hands next to my head. “She’s feeling sick. Tell Minho I can take her home.”

“He won’t like that.”

“Oh? Is anyone else sober?”

Chan was quiet for a moment, eyes darting between the two of us. “Wait here.”

“What a good host,” Changbin snarked, but Chan was already walking away and I was starting to feel the effects of my alcoholic consumption darken the edges of my vision.

My brother was nothing short of incoherent, swaying back against Chan as he tried to give me a stern look. “Y/N, I hope you didn’t drink too much.”

“Really?” I snorted. “Isn’t that hypocritical?”

Of course, my admonishment had no effect on Minho. “Chan said that you were feeling sick.”

“It’s just a headache,” I said, although my churning stomach seemed to suggest otherwise.

“I thought I could take Y/N home,” Changbin interrupted. “I guess she could use some fresher air.”

“Sure,” Minho nodded, eyes glassy. “I don’t mind.”

Minho was readily willing to entrust his sister into the care of someone she had just met, and that’s when I knew that he couldn’t be trusted to take me anywhere. “Is that what you want?” Chan asked.

I shrugged because it might be nice to finally escape the endless drumming of Chan’s intricate sound system. “I might be saving myself some trouble.”

“I need more cigarettes,” Changbin said. “I’m running low and I know there’s a store near Minho’s house.

I frowned, but figured that Minho had brought Changbin over to our house before during that brief phase at the start of his college semester when I saw a new face in the basement every week. “I think that’s a good idea.”

“As long as you behave,” Chan warned him quietly, but I never had the opportunity to question him before Changbin was forcing us both outside onto the main porch where the snow was starting to build along the sidewalks.

“This way,” Changbin said, resting one of his hands against my lower back as he guided us down the street.

Changbin’s car was a very old model and the paint was starting to peel from the doors. He helped me inside slowly, reaching for my seat-belt before I slapped his hands out of the way because I could manage to do that by myself. He chuckled at my glare. “Comfortable?”

I nodded in response and waited for him to turn on the ignition before I was savoring the accompanying blast of heat even though it smelled distinctly of ashes. “Minho’s little sister,” Changbin said, eyes focused on the road in front of him. “Are you feeling better?”

“Yeah,” I replied because the growing distance between us and Chan’s party music was actually nice. “I guess the music gave me a headache.”

“That’s how Chan likes it,” Changbin said. “He’s gotten at least a dozen noise complaints from this past month alone.”

“How many parties does he have!”

Changbin smirked. “He likes to keep his house full.”

“It might’ve been too much tonight,” I said, leaning my head against the cold window. “I’ve never seen so many people.”

“Exams,” Changbin said. “When college students feel stressed, they like to get shitfaced.”

“But you’re not drunk.”

“Who said that I was stressed?”

His tone was strangely flirtatious, especially when he looked at me. “You didn’t have to help me, you know?”

“I know, but it was my window we were sharing,” Changbin said. “You looked like you were seconds away from crashing.”

“I can take care of myself,” I replied, even though it was rather harsh to criticize someone who was currently neglecting the speed limit to take my home as quickly as possible. “When did you meet Minho?”

“A few weeks ago,” Changbin said. “We worked on a project together.”

“I guess you’ve already been to my house.”

“Yeah, but I sure as hell don’t remember seeing you.”

“I don’t really like to socialize with most of my brother’s friends.”

“Well, that explains a lot,” Changbin said, briefly glancing at me. “Are you that type? The unattainable girl next door?”

“I just don’t like people,” I grumbled, but Changbin seemed to think it was funny, laughing at my expense while reaching down to turn on the radio despite the fact that music had caused my headache in the first place.

Of course, I didn’t want to be that type, so I endured his self-promotion, listening to his gravelly voice suspend the entire car into some kind of hip-hip haven. He talked his way through the introductions of every song on his mixtapes, bragging about his compositions and arrangements. “It’s all about authenticity,” he explained when we finally pulled into my driveway.

“Is that so?” I sighed, frowning when I realized Felix had forgotten to turn on the front porch light.

“I guess I should wait until you’re inside,” Changbin chuckled.

“Thanks,” I said, reaching out for the door handle.

“Woah! Baby, where are you going?” Changbin asked, and I quickly returned my hands to my lap. “Are you trying to get away from me?”

“No,” I shook my head, breathing heavily when he reached for my thigh.

“You probably don’t hear this a lot,” Changbin continued. “But you’re really sexy.”

I startled at his words. “Thank you?”

“I mean it, Y/N,” he continued, fingers inching along my thigh like it was free real estate. “Thank god you wanted to share my window.”

I shook my head rapidly when he turned off the ignition, navigating the waistband of his panties to drag his hand against my sensitive core. “What are you doing?” I whispered.

“I’m trying to make you feel good,” he said. “Do you want me to?”

I nodded this time, waiting with my fists balled against the leather seats while he penetrated the soft walls of my core, moving in and out slowly to help me adjust to his fingers. I tried to relax, dropping my shoulders and controlling the way I was panting in desperation for more of the addicting feeling he was creating in my lower abdomen. It all felt entirely scandalous, feeling the way his fingers dragged across my insides, curling against the most responsive parts and watching me with an intensity that I could barely tolerate. I was moaning for him, calling his name softly because he was starting to increase his movements, and I focused on the way his wrist reappeared from underneath my skirt before losing itself in a sea of denim fabric.

“It’s wet,” he remarked, and the sounds of his penetration were growing louder, intermingling with my rapid breaths and the dark tone of his voice. “I can feel it.”

I knew what he meant because my entire body was pulsing in time to the pace in which he played with me. It was like I was his personal experiment, testing how I reacted to certain touches, especially when he crooked his fingers and a moan would displace the temporary quiet. “Changbin,” I whined, reaching for his arm because everything was starting to feel overwhelming.

“I got you,” he said. “You’ve been so good for me, Y/N, I’m not gonna stop until you cum.”

I orgasmed at his filthy words, falling down from the place he sent me and into a deep headspace. He pulled his fingers back, holding them up so that I could clearly see the evidence of my release in the faint light from the street lamp outside. “You didn’t expect that,” Changbin said calmly, reaching for a tissue from the backseat while I tried to figure out what just happened. “I don’t really care who your brother is,” he continued, moving in close. “I think we should fuck next time.”

“Changbin,” I said, “if Minho finds out-”

“Why are you always worried about him?”

“He’s my brother!”

“Oh? Well, in that case, since you want to be good for your older brother,” Changbin smirked. “I guess I’ll have to find a different way to see you again.”

The next morning, I took a shower because I could still feel traces of Changbin’s touches between my thighs. The water was hot, fogging up the mirrors and making it difficult to breathe. It was necessary because I could function better when I re-emerged with fresh clothes and a sudden hunger for those little chocolate muffins my mom bought at the store.

I walked downstairs, noticing Felix and Jisung both sitting at the counter while they talked over their breakfast. Felix noticed me first, watching as I grabbed a leftover pastry from the fridge before leaning back against the cabinets. “Did you have fun last night?” he asked.

I narrowed my eyes, but then I realized that his question was innocent because he definitely didn’t know about Changbin. “It was nice.”

“What are you doing today?”

“I don’t know,” I shrugged. “I haven’t made plans.”

“You can hang out with me and Jisung today,” Felix suggested. “We’re just going for coffee.”

Jisung met my gaze from over the table and he quickly looked away as if he wasn’t expecting the contact. “Yeah,” I nodded. “I could use some coffee.”

It wasn’t often that I accompanied Felix and Jisung when they decided to actually leave the house and my brother’s massive collection of video games. Felix was never the problem, but I could only endure so much of Jisung’s flirtations before I inevitably made another pointless vow to try and ignore him. It was an impossible promise to keep since Felix was practically glued to his hip, and I can’t remember the last time Jisung actually spent the night at his own home.

However, coffee was nice and the taste was bile so it sat heavy on my tongue and provided a good distraction, even if that meant listening to my brother and Felix talk about the party. “I met Chan,” Jisung said. “He was really cool.”

Felix nodded, eyeing his coffee with obvious distaste. “Minho seems to like him.”

“He introduced me to his partner, Changbin,” Jisung continued and I fidgeted nervously at the mention of his name. “Apparently, they do a lot of work together.”

“I’ve heard their stuff,” Felix said, finally pushing away his coffee cup in exchange for his orange juice. “I think they’re really talented.”

“It’s like you’re meeting real professionals,” Jisung gushed and I rolled my eyes. “I let them listen to one of my demos,” Jisung chuckled. “I think they want to work together.”

“Really?” Felix gasped. “That’s amazing!”

“I guess they need another partner,” I remarked, shivering when I thought about my encounter with Changbin from the previous evening.

“You can always come with me to the studio tomorrow,” Jisung said. “If you want.”

The idea of being alone with Jisung wasn’t exactly high on my list of priorities. “I don’t know...”

“Changbin will be there too,” Jisung added. “Minho said he really thought you were cool at the party.”

“I bet he did,” I grumbled.

“Why are you inviting her instead of your best friend?” Felix pouted.

“You said you needed to work on a project,” Jisung reminded him. “Actually, you made me swear to keep away distractions!”

“Alright, fine,” Felix sighed. “You’re right, but that doesn’t mean that I’m okay with it.”

Jisung ignored my brother’s sullen expression. “Y/N? Do you want to come?”

“I guess,” I said, and I had no idea what possessed me to agree with his request until it was too late.

The next morning, I met Jisung outside of the address he had sent to my phone with several rather inappropriate emojis. I made sure to scold him for the messages, but he was far too excited, ignoring my complaints when he started talking about the new project he was working on with Chan and Changbin. “Come on,” he said, holding open the door as I walked inside the tiny lobby of the simple two-story building. “We’re on the top floor,” Jisung smirked as if that was something to brag about considering the condition of the worn-down warehouse they were using as a studio.

However, I knew that he was excited, so I feigned a smile as he continued talking about the building’s intricate history while we walked up the staircase to pause outside of a studio room. “Is this it?” I asked.

He nodded, reaching for the door handle. “They should be inside.”

True to his word, Chan and Changbin were standing together in front of a large computer monitor, turning around when they heard me and Jisung enter the room together. “There you are,” Chan said, but his gaze was strangely focused on me.

“We have some stuff for you to hear,” Changbin said, stretching his arms above his head. “I need some coffee first.”

“There’s a gas station down the road,” Jisung said. “I’ll go with you?”

Changbin looked at me for a moment before agreeing to Jisung’s proposal. “We’ll have plenty of time to work when we get back.”

“You’re in for a surprise, Jisung,” Chan said. “Actually, while the two of you are gone, maybe Y/N could look at some of the tracks?”

“Really?” I asked, surprised that he would be so willing to share, but he was already dragging me down into the desk chair, pulling me closer to the monitor.

“You can take you time and browse,” he said, joining Jisung and Changbin at the door.

They started talking about something else, but I was too busy admiring the vast number of tracks listened in sequential order on Chan’s computer. Despite how I might feel about Changbin, it was impossible to deny that their work was impressive, spreading across years of effort. It felt like I was being allowed an intimate glimpse of the artists who were growing more popular everyday.

“Try to be back in twenty minutes,” Chan said, and I watched Jisung and Changbin leave together, whispering in low tones while Chan shut the door behind them. “Your music is really good,” I said, scrolling through the library of his songs. It only made him that much more appealing when I could see the evidence of his passion.

“Are we going to stop playing games, Y/N?”

I frowned at his question, turning around in the chair. “What do you mean?”

Chan smirked, and I realized that it wasn’t playful. “Do you have any idea how fucking gorgeous you are?” he asked.

“Chan...” I trailed off, frozen in place while he slowly leered in my direction, taking several, meaningful steps before he was bracing himself on either side of the desk behind me.

“Changbin told me about what happened in the car.”

I swallowed hard. “W-what?”

“Is that all it takes? A couple of fingers to satisfy you?”

“Chan, I don’t understand,” I tried, gasping when he picked me up out of the chair, legs wrapping around his waist automatically before he sat me down on the desk.

“Do you want it again?” Chan asked, running his hands alongside my waist before crawling his finger across the bare skin of my thighs, disregarding the thin barrier of my skirt. I felt him press the palm of his hand against my wet heat, fingers testing the edges of my panties. “I can make you feel good.”

The sensation was too much, and I found myself nodding without really thinking about the consequences. “Please.”

His fingers were suddenly penetrating my delicate walls, sliding in and out at a vicious pace that left me aching for something more. “Tell me, Y/N,” Chan demanded, using his thumb to circle my throbbing clitoris. “How does it feel?”

“I want it, Chan,” I moaned, bracing my hands against his firm chest as he continued to pleasure me. Unlike Changbin, I could tell that Chan was determined to make me cum as soon as possible, twisting his hand and jamming his fingers like he was aiming to make me lose my mind. I practically fell against him crying, riding out the waves of my high, while he ignored my whimpers when everything was suddenly feeling overstimulated.

“Come here,” he said, pulling out his fingers before falling against his chair and patting his thighs.

My legs were shaking when Chan helped me onto his lap and I moaned when his fingers crooked against my walls again. “Do you want my cock?” he asked and I nodded viciously, sending strands of my hair flying in all directions. “What a good girl,” he snarled, ripping his fingers away and leaving me whining around the empty space he left behind.

“Chan,” I groaned, resting my head against his shoulder while I watched him make a show out of undoing the belt around his waist, unzipping his skinny jeans before shoving the material down his thighs. His erection strained the silky material of his boxer shorts, and I was practically salivating.

He reached down to rub himself through his shorts, outlining his cock in a way that made me realize that I wasn’t going to leave this studio without an obvious limp. “Y/N,” he said. “Take off your skirt for me.”

I whined, but obeyed him instantly, bracing one hand against his shoulder while the other practically ripped the fine material of the pretty skirt down my legs and into the studio floor. Chan’s eyes darkened, grabbing my waist between his hands to grind the front of my soaked panties against his erection. “Please,” I cried, wanting nothing more than to take matters into my own hands, but Chan’s grip was impossible to break.

“I’m going to fuck this little pussy,” Chan growled. “Can you last long enough for me to come inside?”

“Yes,” I whined, stuttering around a broken sob when he pulled his cock into the studio light, stretching my panties to the side before sinking deep inside my pulsing heat.

“That’s right,” Chan said, eyes closed. “You feel so good.”

“Chan,” I moaned, eye widening when the stretch felt impossible, like he was splitting me open even when common sense told me that it was just my body accommodating to his cock.

His hips slammed into mine, and I could barely reciprocate when he easily overpowered my attempts to meet him somewhere between our bodies. Instead, he took control and I let him have it because he knew exactly what to do before sending me over the edge again, ignoring my cries when he continued to chase his own high, grunting against my ear when he came inside.

“Y/N,” he sighed, keeping me in place despite the fact that his cock was completely flaccid. “Such a good girl.”

I was incoherent and incapable of offering a response in return. Instead, I buried my face into the side of his neck, smelling the scent of his cologne mixed with sweat and the sex polluting the air around us. His body was firm and warm, and I closed my eyes because everything felt like an incredibly lucid dream.

I was still exhausted from the previous afternoon, unable to walk much further than from my bedroom to the living room before the painful reminder of my unexpected session with Chan started to ache between my legs. There was a movie playing on the television, but I was only somewhat focused on the lazy plot and characters. Instead, I was thinking about my interactions with Chan and Changbin, wondering if the two men were playing some sort of mind game with me.

I only managed to tear myself away from those thoughts when I saw Minho as he walked down the stairs with Felix and Jisung talking about something to do with a sports competition. “There you are!” Felix exclaimed. “We were just talking about your visit to the studio with Jisung.”

“I heard you got a tour,” Minho said. “That was nice of them.”

“Yeah,” I agree because there was a lot more to talk about besides the tour of the dilapidated studio.

“I haven’t had a chance to visit,” Minho said. “But they said I could record my new demo there.”

“Another one!” Felix gasped, looking at my brother with wide eyes. “You’re a fucking genius, man.”

“Oh, I know,” Minho smirked. “Actually, I can show you before my first lecture,” Minho said, starting in the direction of his bedroom.

Jisung watched Felix trail behind Minho before he joined me on the couch. “What did you think of the studio?”

I swallowed hard. “It was fine.”

“I think it’s really nice,” Jisung said. “Chan said something making us a permanent trio! He even gave us a name and everything!”

“Oh?”

“3racha,” Jisung giggled. “It’s like a pun-”

“Yeah, I get it,” I sighed impatiently. “I’m trying to watch the movie.”

Jisung was undeterred by the sharp comment, and he buried himself further into the cushions before turning his attention back to the screen.

“Our first show is tomorrow, Y/N,” Jisung giggled, and I finally turned to look at him. “I hope you can watch?”

“Where?”

“It’s a club somewhere downtown. I can send you the address? I know that Chan and Changbin were both insisting that you come.”

“I’m sure they were,” I grumbled, but Jisung was more interested in talking about his contributions to the album.

“It would mean a lot to me,” he managed after thoroughly explaining their newest concept. “You don’t even have to stay for the whole show.”

“I don’t know...”

“Minho and Felix are coming!” he quickly added, and I wondered if he knew that I would feel more comfortable with my brothers around.

“Okay,” I finally relented, groaning when he started jumping up and down on the couch like an overzealous puppy.

I rode to the club with Minho and Felix who were excitedly chattering about the impending concert while I looked out the window despondently. It felt like a huge risk to show up to the concert considering the recent events concerning my meetings with Chan and Changbin. However, I didn’t want my brothers to be suspicious, so I reluctantly followed them inside where we squeezed together around one of the tables in the middle of an enormous crowd.

The atmosphere was euphoric, draped in a haze of alcohol and the flashing neon lights decorating the stage. It was actually quite civil considering the fact that we were moments away from listening to loud music full of pounding bass and fast rapping. I was half-way convinced that the other guests had no idea what they were actually getting themselves into by coming here tonight.

“Ladies and gentlemen,” an annoucement blared overheard, “please welcome, 3racha!”

The audience started clapping while a familiar melody began softly playing, and the fans around me started to cheer for the three shadowy figures who had suddenly walked onto the stage. “Let’s go!” Chan shouted, beginning his verse of the song which I now recognized as one of the tracks they had played for me at the studio. They were all wearing black, matching the tone and vibe of their music, playing through each track with an infectious energy. However, I was still unnerved because I noticed that they all managed to look at me at some point, even though the crowd, and I was starting to feel hot all over my entire body.

“They’re really good,” Felix remarked, and I nodded in return even though I was finding the table much more interesting.

“Thank you, 3racha!” an overhead announcement said and the audience were rising to their feet in synchrony to offer the artists a round of applause for their stage.

“Jisung sounded amazing!” Felix said as if he couldn’t resist the opportunity to brag about his friend.

“Maybe we can meet them backstage,” Minho suggested, and I halfheartedly protested when my brothers forced me to accompany them.

Subsequently, Minho forced Felix and I to wait by the stage for his friends because he was convinced that I really didn’t have an important project to complete before tomorrow. “You never do anything last minute, Y/N,” he said, smiling when he spotted Chan’s messy hair from the middle of the crowd.

“Hey!” Chan greeted him, accepting Minho’s failed attempt at a cool handshake. Changbin and Jisung followed him, and I couldn’t help but notice how the youngest had started to stumble on his feet.

“You guys did great,” Minho said, talking extensively about his favorite performance while a sudden bombardment of alcohol hit my senses.

I instantly recoiled, covering my nose when the smell grew stronger. “How much did you drink, Jisung?”

“Not much,” the younger boy slurred, and I noticed that his eyes were distant.

“I’ll grab us more drinks,” Changbin said, giving me a familiar dark look before disappearing into the surrounding crowd.

“He’ll be fine,” Felix said, tossing an arm around Jisung’s shoulder. “You deserve to celebrate tonight, man!”

I tugged on Minho’s sleeve to catch his attention, unwittingly drawing Chan’s gaze at the same time. “I think he’s drunk.”

Minho sighed, ready to launch into one of his world-famous lectures, when he was interrupted by the DJ onstage who confronted Chan. “Hey! We couldn’t find you after the show.”

Chan rolled his eyes. “I was out here the entire time.”

“Well, you need to pick up your CD backstage,” the DJ said. “The owners will throw it out tomorrow.”

“I’ll be right there,” Chan grumbled while glaring at the DJ.

“Now,” the man growled and Chan quietly excused himself with a brittle tone. Meanwhile, I had to help Felix with Jisung because his friend was starting to sway dangerously back and forth.

“He needs to go home,” I sighed, watching as Jisung leaned more of his weight against a much smaller Felix.

“I’d take him, but I already had two beers,” Minho said, looking at Felix expectantly.

“Me!” Felix whined. “But I want to stay.”

“He’s your friend,” I glowered.

“Alright,” Minho groaned. “Y/N, you haven’t had anything to drink and you’re way more responsible than Felix.”

It was easy to meet Minho’s stern gaze since this was the perfect opportunity to finally leave the club. “Fine, I’ll take Jisung home.”

“Then it’s settled,” he agreed, tossing me his spare set of car keys. “Take him to our place.”

“Okay,” I said, groaning when Felix helped Jisung wrap his arms around my shoulders and waist. The additional weight was burdensome, and I cursed Jisung under my breath as I helped him through the club to where the bouncer waited at the exit. “I’ll never let you forget this,” I hissed, waiting for the bouncer to open the door while I took one last look over my shoulder to check on my brothers. Instead, I found myself looking directly into Changbin’s dark eyes as he waited by the bar, a familiar smirk making him appear even more dangerous. I shivered in response before I slowly shuffled to the car with Jisung practically breathing down my neck.

When I finally managed to accompany Jisung inside my house, I unceremoniously deposited him on the couch, ignoring the way he groaned in complaint. “I’ll find you some medicine,” I said, searching through one of the side tables.

“It hurts,” Jisung whined, and I rolled my eyes after shoving a bottle of Aspirin in his direction.

“Remember that when you decide to be stupid again.”

“I’m sorry,” he said, dropping two pills into his hand before swallowing them eagerly.

I grimaced as I sat down next to him. “When did you start drinking?”

“Before the show,” Jisung said. “Changbin said it would help take the edge off.”

“Yeah? Do me a favor and don’t listen to him anymore,” I said, frowning when Jisung curled closer to my side. “What are you doing?”

“Tired,” he said, looking up at me with a smile. “You look beautiful.”

I scoffed, trying to push him away, but alcohol apparently made him bolder because he was suddenly twisting one leg around my hip to hold himself in place. “Jisung, you need to stop,” I said, gasping when he brought his lips against mine, kissing me with skill and a surprising amount of tongue. “We can’t do this!”

“Please,” Jisung whined, grinding his hips against my legs. “Just one night, Y/N?”

“Your drunk,” I said, which was only one of a dozen problems with the scenarios currently playing out right in front of my very eyes.

“I’m sober,” Jisung promised, frantically chasing my lips with eager kisses.

It was nothing short of desire, the way he was looking at me, while I watched our clothes end up in a pile around the couch as Jisung fumbled with the condom before I helped him roll it onto his erection. He groaned at the contact, and I moved my hand up and down his cock a few more times before directing him between my legs. Jisung slid inside with a messy exhale, and his arms trembled as they supported his body looming over mine with his delicate frame.

It was a pleasant contradiction because Chan’s thrusts had been nothing short of confident while Jisung’s inexperience showed in the frantic way his hips stuttered against mine. He tried to move faster, losing his previous rhythm, and his cock fell all the way out, erection sliding between my thighs instead. He whined pathetically, rutting against my legs for several moments before he re-adjusted himself deep inside. “Y/N,” he moaned.

“It’s okay,” I told him, petting my fingers along the crown of his head. “You’re doing so good.”

“I like you so much,” Jisung replied earnestly and my heart ached at his words.

He looked unbelievably sinful, eclipsing my body against his as I felt the fabric of the couch against my skin. The friction was delicious, and I focused on the way his cock felt, thrusts growing more and more assured as he finally found a way to please us both, thumb brushing across my clitoris. He was still kissing me, tongue moving across mine deliberately, and I was breathing harshly as I fought to control the rising heat building in my abdomen. It was an intense build-up to an orgasm that I could’ve never anticipated since Jisung was always Felix’s friend who I usually avoided. The same Jisung whose endless flirtations usually annoyed me, but something had changed the moment I looked into his eyes and saw the lust and desire coming together to create an intoxicating mixture.

It was suddenly impossible to ignore the way he made me feel and I felt him come deep inside with a stuttered moan. His hips moved harshly against mine, and I chased my release with a sensual grind of my hips until I was throwing my head back with a cry, groaning when his lips found the sensitive skin of my neck. “Jisung,” I murmured, watching him through a haze of darkness as he rolled over next to me with a moan.

I studied the way Jisung’s hair fanned out across the cushions, making him look angelic beneath the influence of the moon’s light breaking the barrier of the curtains. It made me feel guilty, realizing that I had finally returned Jisung’s feelings only after my tumultuous affairs with Changbin and Chan. In fact, I was nothing more than the very girls I often mocked when they threw themselves at the most popular boys in school. I swallowed hard at the realization. “What have I done?”

#stray kids #stray kids fanfic #skz #skz fanfic #seo changbin fanfic #bang chan fanfic #han jisung fanfic #stray kids smut #stray kids imagines #stray kids scenarios #skz smut #changbin smut #han jisung smut #bang chan smut

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purplerose244 · 3 years

Text

My thoughts on Ninjago the Island!!! 🏝🏝🏝

So, gotta be honest... this is not a Blind reaction thing, I actually watched it in French first so I know most of the stuff already 😅 It's entertaining, it got great animation, but nothing more than that in my opinion 🤷‍♀️

Still there is stuff I liked or I want to point out, and finally I'm seeing the English version so I can actually understand what the HECK they are saying 🤩

Alright, nothing else to say, here we go!

UNCHARTED

I haven't actually seen anything Clutch Powers related before Ninjago, is he always like this? I love that he is a jerk honestly, just wondering 😂

Press F for respect for intern Dwaine (at least he seems to like being... used?)

Clutch: It's just a bunch of rocks! It's not alive!

Totem: I'm about to end this man's whole career

Wait, Misako is part of the explorers club? ... that would have come in handy in season 11 to get the scroll of Forbitten Spinjitzu from the club instead of begging uncle Powers for it... *sighs* I don't mind plot holes in Ninjago like most fans I think, but if you wanna make Misako relevant again at least pay attention to the details 😅

Wow, after the end of season 13 I would've thought Wu was going to go through a midlife crisis, not Misako 😂😂

Oww, everytime I hear I get 😢 Bless your soul Kirby, always in our hearts 🖤🖤🖤

Well hello Brian

Always nice to see you 😊

Twitchy Tim must have been pretty interesting to voice 🤔 I like him enough, he's fun and all, maybe not at the level of the characters we got last season

Okay, the place is called the STORM belt, there are LIGHTNINGS, and the sand of the beach is BLUE. Are we gonna address any of these similarities to our Bluebell here or not? 😅

Wait, Tim was giving a hot air balloon tour, does that mean other people where with him? What of them? Are they dead? Did he let them die on the island?... am I reading too much into this? Probably 🤷‍♀️🤷‍♀️

Alright, the part of the boats? SO COOL 🤩🤩 I literally can't say anything bad about the animation at this point

Why did they think leaving Kai, Jay and Cole on one boat was going to be a good idea 😂 Also Zane just randomly doing sick tricks on his vehicle, love that nindroid

I'm guessing Nya is keeping her water abilities for her season 🤷‍♀️

Yep, yep, this is why the creators try to keep Pixal out of the adventures, with her everything is way too cool and easy to access to 😎😎

Twitchy Tim: There are statues that become alive!!

Lloyd:... so it's a season 2 stone army ripoff, we've seen worse

It's a cute episode overall 👍

THE KEEPERS OF THE AMULET

OKAY THE INTRO IS SO FREAKING COOL 🤩🤩🤩🤩

So Twitchy Tim has temporarily taken over Jay's role of spazzing out and complain about worse case scenarios... in another occasion they might have bonded over this, maybe 😂

Okay, survival position? MOOD

Nya: DRAGOOON 😱

Me: DRAGOOOOOOON 😍😍😍

Why am I not surprised that Jay was the one that named him Zippy? 💙 Also HE'S SO CUTE 💕💕💕 Love how in every adventure, we always get very different types of dragon in this show 👌 I'm a simple person, I see a dragon... 🤩🤩🤩🤩🤩

Oh-oh, it's the "Lloyd's done with this crap"'s face

This means serious business... am I that used to LEGO characters that this way of crossing arms on the chest looks almost normal to me? 😅

Soooo, Master of the Mountain clearly gave Cole too much development... because now he got demoted to "the one who is always hungry" 🤦‍♀️ I'm all for Cole's endearing love for cakes, which is super relatable, but if you're gonna push it on his fun side, at least be coherent 🙃

Is it just me or it feels like the writing of this special was made by someone different from the one of season 13? Like, it's not bad, just less engaging and witty. For now. Maybe I'm being premature 🤷‍♀️

New way of nerfing powers, we got... weird, sucking power totem thingies... OKAY

My gosh I really can't say anything about the animation, look at that! It's all cinematic with such a light! YES!! 🤩

I'M SORRY

WHY ARE WE LOOKING OVER THIS??? IT LOOKS LIKE COLE'S LAVA PUNCHES BUT THEY ARE JAY LIGHTNING FEET??? IT'S A GREAT IDEA AND I WOULD LOVE TO SEE IT AGAIN??? WHY ARE WE IGNORING THIS??? 💙💙💙💙

So they at least addressed that lightning isn't a Jay's thing only anymore 😅

Alright, Jay having a mental breakdown because of a bridge because it always breaks, that's the Bluebell I know and love 😂😂 Nya telling him to keep moving was cute too 💙❤💙❤

Okay, I'm sorry but this really bothers me, what kind of lightning can instantly knock out the MASTER OF LIGHTNING??? Like, my gosh, really??? I hope they give us an explanation, like it's some sort of special lightning, because this really doesn't sit right with me. Jay is lightning proof, we've seen it in Skybound, we've seen it in Sons of Garmadon, I DON'T BELIEVE HE WOULD JUST BE KNOCKED OUT LIKE THAT 😡😡😡

Soooooo, storm amulet? Being one with the lightning? Is that the reason why Jay got to be the sacrifice? 😅

THE GIFT OF JAY

Alright, I am kinda looking forward for this one, what did Bluebell actually say or do to get him into trouble this time 😂😂

Oh, he just... introduced himself... well that was underwhelming

SENSEI👏YOU👏ARE👏A👏FREAKING👏GOD👏STOP👏GETTING👏KIDNAPPED👏BY👏RANDOM👏VILLAINS👏

Bring ooooon Lloyd Grills 💪

Okay I did like the little speech, definitely resonates with how Lloyd survived this long even though everything wanted him to give up, even his father... I'M NOT CRYING YOU'RE CRYING 😭

Jay out there making the real questions 😂

Awwww Edna used to call him gift of Jay? I can totally see it, so cute 💙💙 Makes even more sense if Libber actually left Jay at the Walkers' door...

Pff, Jay made the connection I would've done honestly 🤷‍♀️ Like, him being the master of lightning really didn't give these dudes any impression or inspiration? Any cool idea, full Road of El Dorado style? 🙃🙃

Lloyd out there abusing of the animation budget 💚💚💚

Somehow these ninja never actual sneak in, it's always a huge mess everyone knows about beforehand 😂 It's familiar though, I'm used to it and happy with it 👍

I might not be the biggest Misako fan, but you know what I am a fan of?

LEGO HUGS 😍😍😍😍😍

Dang it uncle Powers, you just got here to make a mess did you 😅

Not the first person of the fandom to say this, but Jay looks absolutely lovely with that flower crown 🌺🌺🌺

Oh poor greenie

Lloyd just has the worst luck 😓

Jay: Why would I be the gift?

Kai: Yeah who would want Jay?

Nya: Huh, me?? 😡

Got some very good Jaya for this little special, can't complain 💙❤💙❤

I mean, not matter how big of a snake Wojira might turn out to be, we've already seen the biggest and the second biggest snake of all so 🤷‍♀️🤷‍♀️

Whoa, at last... IT WAS THE FIRST SPINJITZU MASTER THAT HAD SOMETHING HE SHOULD'VE TOLD WU A LONG TIME AGO!! 😱 Wu, you got pulled a Wu, how does it feel? 😂

Again, Jay freaking out, kinda my jam it's too funny 💙💙

Wow Kai way to be hominous offscreen 👏👏 I miss talking about my flame babe, this really isn't his time 🤷‍♀️

THE TOOTH OF WOJIRA

So when I first watched this I was genuinely, really excited about knowing the truth behind all this. It turned out very different from what I first thought, but at least in this case it's okay (besides I was pushing with the lightning meaning just to see Libber again 😅😅😅)

I feel like the guys get their powers stolen or blocked so much it takes them a minute to remember "Oh wait I can literally burn my way out" 🤷‍♀️

SPINJITZU YAY 🤩

I... forgot that Misako knows how to fight 😅 She knows how to do spinjitzu too if I remember correctly...

NYA BEING LIKE "OUT OF THE WAY IMMA SAVE MY BOYFRIEND AGAIN" ❤💙❤💙

Gotta love how they were all crazy worried about Jay, like, this is something that never changes through the show. They really care so so much for each other 💕💕💕

Ooohhhh, okay, so Wojira does seem to be the main villain of next season according to the story. I remember Tommy saying that we needed to have faith and this is probably why. The special was okay, nothing too much, and hopefully that too much we will see in Nya's season 😍😍😍

What the- pff, I didn't notice this the first time 😂

At this point I can't tell if that one short with the chicken of the movie carried a hate or a love for chickens in the actual show 😂😂

Nice to see Jay standing up for himself at least for a little while 💪 Also Lloyd being "He's our trouble", aww family 💜

THERE IT IS

MY BRUISE HEART IS SOARING 🖤💙🖤💙

Gotta give props to the voice actors, voicing an explanation while fighting must be pretty hard! WE ARE BLESSED WITH AN AMAZING CAST!!! 🤩🤩🤩

And there he is, our favorite jerk... shaved Ronin 😂 He does look a little weird, but it's fair, new animation and all. Not the weirdest until now 🤷‍♀️

I genuinely had to make a mental check to see where we are with Ronin now, like, he started as a villain, then a partner, he betrayed us, became an ally, he hunted the ninja, then joined them, that timeline was erased, he was around in SoG and... wow this man is chaotic 😂😂

Yaaaay, Twitchy's last minute redemption act! Lloyd is too good at motivational speeches 👏👏

A bit of Lava OTP/BrOTP

Cause it's good for the heart ❤🖤❤🖤

Okay, Scooby doo reference, why not? Also honestly, I'm confident Ronin has seen A LOT of jails and prisons... probably won't stay behind bars for long 😅

Mammatus: sorry for imprisoning you and almost killing your friend

Kai: no biggie, that's how we make friends in this show

Alright the "And Clutch Powers" gag made me chuckle 😂 ... wait where is he- DANG IT UNCLE POWERS

Okay, this is the last time I say it I promise, but I mean. I MEAN

THE ANIMATION GUYS 😍😍😍

Aaaaand sensei you jinxed it 😅 But you apparently awakened Nya's season so I'm gonna forgive you on this one 😉

FINAL THOUGHTS

There are a few little details that bothered me a little, and it wasn't as exciting as I maybe hoped it was going to be, but it was fine. Enjoyable still. These characters make me like the show, even when it got nothing too impactful 🤷‍♀️

But I got triggered about that lightning thing with Jay 😅 I guess I'll just fanfic whatever I had in mind...

Don't have to repeat myself about the animation *chef's kiss*

The writing was really less engaging, a little normal in a way? Idk just a feeling. Nice to see Ronin again though, I really like him. And nice to see Jay freaking out, I really like that too 😂

To be honest I wanted to put down my thoughts on this one because I REALLY wanna do the same with Nya's season 🤩🤩 I already know that Maya is gonna be there and I am so HAPPY already!!! 💙💙💙

So that's it from me! Thank you for reading me ranting, see you next season! 😊

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nobody-knose--archive · 3 years

Text

i’ve been aching to commentate spirit phone’s commentary for ages. glad i finally got around to it, this was an ejoyable experience. liveblog below the cut

-i'm like half certain i've heard this commentary before. maybe not the whole way through & it was probably actual years ago

-nice hearing stuff like this. in-depth personal view of the album-making process. makes it seem like more of a real thing i could do myself someday

-neil cicierega real person momence

-i could probably go real in depth about neil cicierega/tally hall parallels specifically concerning like. the arc of their musical careers. but i won't, here

-wild how i legitimately don't care much about micheal jackson

-didnt we get a bunch of spirit phone stems from the needlejuice release/his patreon? we could probably hear the funny track he speaks of here in that

-i love hearing musical artists, especially neil cicierega, talking about the meanings of their songs. like, not only has this song been claimed to hell & back by the tumblr gays, but with later ones i just can't see where he gets these ideas from. also, claiming there's any one meaning or plot to a song just seems silly to me

-shoutout to neil reusing a midi from like, 1998, that he made at 12 years old, whose entire melody was reused for the main verses of everybody loves raymond. loved finding that out on my own 2 years ago. now it's common trivia in this fandom. not bad times

-it'd be neat if neil did individual trans tracks here like he did with view monstel, those things are half of why i consider it my favorite album

-it's a lot easier to ignore the creator's intended meaning behind a song when he can't even remember it. thanks neil

-seesaw effect

-and there's my joke all but 1 of my followers wont get. moving on

-what kinds of movie theater lobbies has neil been to where there are arcade machines. i mean im not one to talk but that does sound rather strange

-why do songs' titles even need to be taken from the lyrics. ive never seen that as any sort of requisite. it's like titling any form of prose you can just give it whatever name ya like

-"this part sounds pretty cool right"

-is neil's vocal range only mildly better than mine? with training i could change that

-oh i haven't processed any of the last 25 seconds hold on

-god. a shit ton of vocal modification in this song. it's like neil returned to his roots but with quality this time

-i, as an ace/aro, have never related more to an allohet guy in my life. what is the point of eyes!

-professional humming/whistling takes skill. it's different from the recreational or casual stuff. i'd know

-there's a name for the way sound (especially music) gets distorted when moving past you and i can't remember it but it's probably what neil's referring to here in the way he recorded the intro

(- update: it's the doppler effect no need to tell me cas already did)

-as someone who hasnt seen the rugrats or take me there by blackstreet i'll just say it sounded like a bouncy music box melody. nice to hear a song that messes with the typical scales though. lydian & diatonic.

-that's a rather specific thing to be glad about, but given what he talked about in his last full audio commentary about the jew harp i suppose i'm not surprised

-i know that tmbg song now. listened to it & saw the music video too. yep they're different alright

-where the hell does neil get all these instrumence from anyway

-huh. hadnt heard this part of the commentary before making my oc concerning this song but i like to hear neil's approval concerning part of my interpretation

-i love how ive heard a billion different tellings of this mellified man story from lem dem fans talking about this song and neil's is by far the wildest

-good god that does only make it worse neil

-i love making liveblogs of lemon demon albums. with the fullerenes or tally hall i cant name a specific dude to take out my woes on generally but with lemon demon i can just say neil all the time. i like being on a casual first name basis with this dude ive never interacted with once ever

-is sweet bod the one other than cabinet man with a demo in the bonus tracks? i forget

-holy shit the boston molasses disaster someone call up soapy if it doesnt already know, it'd love this

-two thousand nine. god i miss the fiddle solo. the ver with it is truly the best one

-he pronounces it jeff? i've always read it as gef with a hard g. that's what i get for knowing words that are never spoken aloud

-that's a fun meta interpretation of this ghost story that's over a century old. i like that

-i've noticed neil generally does the same synths across a whole album. it's especially more clear in the earlier ones, and does mean i occasionally mix up songs between clown circus & live from the haunted candle shop

-ah! ancient aliens! my least favorite track on this album. i cant even claim to have the least interest in a popular one i've just generally not liked this one much from the beginning. so im curious to see what neil's got to say, i think ive been in ~new commentary zone for a while now

-anyway. newest update on the loolin not realizing a song's funky time signature front: i think this one's in 6/4. or at least switches a lot between time signatures. granted i dont listen to it very often for the reasons stated above

-see the way neil describes it. eldritch horror upon being visited by the unknown at a time when humanity'd hadn't even yet had a chance to imagine such a thing occurring. should be right up my alley. but the sound itself & many of the lyrics simply turn me away.

-must i specify i don't dislike it? spirit phone is neil's best album it not being my favorite doesn't mean i think it's bad yadda yadda nobody should be surprised by this it's not like anyone in these fandoms reads my liveblogs <3

-granted i think this is. the first bit of spirit phone content i've made on my blog ever. so who knows things can change <3

-the transitions in spirit phone are much less view-monster transition tracks & more extended outros. view-monster's were a bit more intro than outro sure but they also seemed directed upon making a 2-way rather than 1-way bridge between tracks. or something like that

-.............soft fuzzy man is an incredible nickname for a cat. i'd steal that if i werent afraid of introducing my relatives to lemon demon

-jirls

-an underlying metaphor is good enough. the literal side of the lyrics are fun. nothing but agreement here neil my good man

-the transition into as your father i expressly forbid it from soft fuzzy man is the best one in this album

-buddy you ask if a musical idea has been used before odds are the answer is yes in this day & age the question is has it been used in the way you're using it. like sure this soul jazz record from the 60s that was sold out in kansas stores for a week used this bassline that youve found yourself copying. but seeing as youre using it in some angsty garage rock ballad type tune does anybody actually care

-doesn't everybody like to say things in an unhinged manner from time to time

-imagine having a guitar dad, i say, with my dad being a folk accordion/fiddle dad, which is infinitely worse in every way

-i think he was in an actual folk band at some point. idk the 90s were weird

-iron my life?

-m-more intimate? there are a lot of ways i'd describe this song but intimate isn't one of them. granted as your father is negatively intimate so from there i guess you've got nowhere to go but up

-...still glad to see his interpretation kinda supports my oc at least

-the way he says characters in songs shouldn't worry about death really strongly makes me think this is some sort of. thematic continuation of stuck from dinosaurchestra, even if there's no real death in there. interesting. would also mean that the dad from these past 2 songs is named carlos betty (no last name)

-i literally never assumed this was a flute solo. piccolo at best. it's pretty clearly a recorder

-my mom plays the recorder. i wonder if she can play recorder better than neil cicierega

-we can throw a party in honor of the crushing weight of responsibility! i simply won't be the one throwing it because i have enough on my plate already <3

-what the hell does "a sense of intent" mean

-i've never heard rush before however i disagree with neil's understanding of 6/4. 6/4 is meant to have emphasis (onbeat or another term i can't remember) on the 1st & 4th beat of every measure, which is greatly different from a measure of 4/4 then a measure of 2/4. it's why his 5/4 always sounds weird, because while it's recognizable in sequences of 10/4, it's more 2 measures of 4/4 with one of 2/4 tacked on the end. that's also how it's different from 3/4. i don't know much music theory but what i do understand i will fight to the death about

-"canonized" that's. a very interesting term to use when referring to a former president

-from now on i will interpret every love song directed at some unseen "you" to be inviting me to marry them for tax purposes. thanks neil for being an aromantic icon

-ah hell yes hell yes man-made object is my favorite goddam song on this album

-short & sweet & good damn vibes. neil's thoughts on it all are only making it better

-wild how he uses very few vocal effects for a song that he clearly is straining his vocal range for. go off neil

-the qualifier of man-made is a wonderful thing. oldest or biggest thing? oldest or biggest man-made thing? what a incredibly important specification. a world of possibilities lie between the two. oh i love it

-just gets me thinking yknow! what we consider weird/impressive in another species, in our own species- what kind of equivalent to that would there be from an outsider looking in? are there alien versions of the significances we place upon things, that we could never imagine? the limits of the human imagination mean we could never conceive of something else in the world that isn't, in some way great or small, just like us- and are we wrong for thinking that? such a juicy topic i wish there were a name for it because it's kinda hard to explain concisely

-spiral of ants. my second favorite song from this album, in fact. a good one to experience

-the vocals are just another instrument. they really truly are. i wasn't going into this commentary expecting to feel solidarity for neil cicierega in this chili's tonight on more than one occasion but here i am.

-like, his whole stance on interpreting songs is something i agree with almost entirely. you can take it at face value, you can dig to their very depths, you can listen to songs without caring what the lyrics mean whatsoever, and those are all fun. & yeah while any of these people can be annoying as one of the types who enjoys gliding on the surface more than anything i find those who dedicate themselves to figuring out the whole meaning of a song over anything else to be both slightly scary & slightly annoying <3 keep up the good work

-i want to make songs for my siblings the way neil makes songs for his sibling(s)

-spinch

-neil really shouldn't be allowed to be this funny like this whole album youre thinking golly! he's just a normal man this neil cicierega! and then he starts listing the cat hacks jokes & you remember he's had ridiculously consistent viral success with all his humorous endeavors and holy shit it's neil cicierega in action talking about his music. god bless you neil

-you're welcome, no problem, my pleasure. good eveternoon, radio audience!

#lemon demon #spirit phone #pretty sure this is my first bit of spirit phone content on my blog. hi greater lem dem fandom nice to see y'all. go listen to deporitaz #loolin liveblogs #i enjoyed this less for the content the commentary contained & more for the way i handled it. more pleasant than some times ive had #tis i #i havent listened to spirit phone in general in ages. i know why. so this was nice #to the world and back again

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missnight0wl · 4 years

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Unpopular opinion: I wish dating was never introduced to HPHM.

I was always rather open about the fact that I don’t have much interest in dating content in HPHM, so you might say it’s very subjective rambling. But I think I also have some more objective arguments for that statement, so… hear me out (or don’t; I can’t tell you what to do).

Some spoilers for the Festival Fun TLSQ, the Celestial Ball TLSQ, the First Date TLSQ, the Valentine’s Day TLSQ, the All-Wizards Tournament TLSQ, and “Cooking Up Trouble” SQ.

First of all, I want to address the most obvious counterargument for my wish: “but people want dating!”. Yeah, I know. But here’s a thing. A long time ago, almost at the very beginning of the game’s existence, when we were only speculating about any love interests, people were referencing one article. The article where the creators claimed that romance is planned for the future (among other things). And if you ask me, it was their mistake. It was a mistake because it created expectations which they had to react to. The problem is that they were never ready to introduce such type of content. I mean, just look at the past events. Andre mentioned dating when he was first introduced back in Y3 (!), and he said then that most people don’t date until they’re in the fourth year. And yes, the Celestial Ball was eventually placed as Y4 Achievement, but the main story was well into Y5 already! What I take from this is that at best, they had only a rough idea for the ball when they wrote Andre’s comment in Y3 (if it took them so long to actually create the quest). And so, I have to wonder – why they even talked about dating in Y3 if they were not ready? Now, I’m not saying that nobody would ask for dating if Jam City didn’t mention it in that article, or Andre omitted that topic in Y3. There’d definitely be people still wishing for some romance. But there’d be no actual reasons to expect that. Because HPHM was created as a mystery story (even if people don’t remember about it anymore), and a mystery story doesn’t really need romance.

The second thing I’d like to point out for the sake of this discussion is that the dating quests require quite a lot of work from the devs team. Admittedly, the quality of those efforts is sometimes questionable, but still. I’m also no tech or game design expert, but here are some things which I believe make dating quests more time-consuming than most of the others:

Designing outfits. Each of the datable characters is given a new outfit (+ new outfits for MC). I also want to notice that most of those outfits are one-time-use. Well, except maybe for the bundles available to buy for real money…

Creating new locations/characters. To be fair, some of “regular” quests require those too, although the majority uses things already existing and being used in the main story.

Creating new animations: dancing, holding hands, pecks on the cheek, more (new) dancing.

Creating multiple routes for different date options – and even if it’s mostly copy-paste, it takes time nonetheless.

To be clear, creating new things for the game is not bad. My point is that basically every dating adventure required ALL of that invested in one single quest – and pretty much none of that can be reused outside of dating. In fact, they’re not even reusing those animations completely for each new date. The kiss from the Valentine’s Day was different from the recent one, the Festival had new dances added to make it more diverse in comparison to the Celestial Ball etc. And what those unique quests have to offer? One cute moment with your date, which is… kind of meaningless. I’m sorry, but dating stories are basically irrelevant in the bigger picture. I mean, yeah, they’re adorable, but that’s it. And it’s just NOT proportional to all the work put into them. Because look…

The dating quests add very little to nothing to flesh out the characters – and if they do, it has nothing to do with dating.

The Celestial Ball did a pretty great job at adding to Rowan and Ben. People often criticise MC for “forcing” them to come to the party, but the problem was clearly about them feeling not good enough to go (not necessarily about them not wanting to go), and so I really loved working on their self-confidence. Bill also grew a lot in that quest, overcoming his rejection from Emily Tyler. Andre discovered his styling talent, so he was no longer “just” a brilliant Quidditch player. Even Penny had some insecurities to face as she wanted to prove that she’s not only popular but she can also create fantastic decorations. So… couldn’t it just be a quest about FRIENDSHIP and our friends growing? The whole dating subplot felt kind of forced to me, or maybe rather detached. Not to mention that THAT was kind of a dick move to leave Rowan and Ben after using the argument:

The next quests were more oriented on dating itself, but at the same time, they’re focused less on the characters’ individual personalities. Sure, there are some differences between dates, but it’s more about distinction than adding anything new. For instance, in the Festival Fun TLSQ, every character yells out loud that you’re on a date (unless you chose to keep it a secret), MC just points out that it’s unlike them in the case of Talbott, Jae, and Chiara. Next example: I thought it’s pretty amusing that Jae writes dreadful poems with cheap rhymes, but it turns out that the note with Butterbeer could also be left by Barnaby. I know that in MY playthrough, Barnaby didn’t leave it, but I can’t see it as Jae’s characteristic, simply because it wasn’t written for his character – it was written to fit Jae and Barnaby, so it’s kinda meaningless in my eyes.

Another thing is that even if those dates added something individual, it’d be relevant only for a limited audience. Like, I’m really happy for people who wanted to date Badeea, but for me, she barely existed in this quest. It added NOTHING to her character. During the First Date quest, Tulip revealed that girls in her family are being named after flowers (her cousin is called Marigold), which is a pretty neat fact, but I wouldn’t know it if I didn’t put extra effort to see different options. And believe me, there’s a big part of the payers who don’t do it. I’m still seeing on social media people being surprised that Rowan’s gender and House are connected to MC’s.

And speaking of that already: this is why the dating options are being cut off. And honestly, it sucks, but I get it, I really do. The devs have to spend the same amount of time on a character dated by 6% of the players as on a character dated by 36% of the players. Let’s add real money to that, and let’s say that 10% of all players buy gems/energy on TLSQs. Jam City will make more money out of that 36% than out of 6% - it’s as simple as that. At the end of the day, they are a business. Would it be nice to make all players happy? Of course, but it’s easier to keep the majority happy.

The dating quests don’t really matter for the main story – and they won’t matter more in the future.

Why? Because it’d be too complicated at this point. All we’re getting (and what we’ll ever get) are subtle differences in dialogues. And you know what? Even that doesn’t matter much. For example, in Y6, there’s a scene where Talbott calls MC to the Owlery and offers his help in searching through the letters. He talks then about their friendship, and if you took him on a date, he mentions it as well. The thing is that Talbott is pretty heart-warming here in general, how he opens on us being friends:

Sure, that one additional line is pretty cute, but again, is it really a satisfying pay-off from the dating quest, considering how much was put into it? And I don’t think they even can do more because they always have to keep in mind the players who didn’t manage to finish TLSQs in time or just didn’t want to do it.

I don’t want to be only negative about dating because that’s not really my point, so here are some ideas on how to invest all of that time better (and no, it’s not just the lore and in-depth history of the Cursed Vaults because I know I’m in the minority who cares about it):

More outfits for NPCs which could be used for variety. I don’t know about you, but I’m sick of seeing characters like Penny, Merula, Ben, or Talbott in their full school robes ALL THE FREAKING TIME. Ideally, I wish every character to have three outfits: full school robes, some variety of a uniform (so something like Tulip and Barnaby) used in the school but outside of classes, and something totally casual used outside of the castle.

More animations between characters like hugs, patting on the arm etc. Anything which could be used almost on a daily basis, and which would make our interactions looks more natural and less stiff. Seriously, I’ll take a supportive hug instead of a peck on the cheek ANY DAY.

More character-centric quests. So many of our friends need their own SQ: Tulip, Badeea, Liz, Diego. The rest could probably also use them to expand their characters – because those SQs do a great job at this. Like, I took Jae to the festival, and it was alright, but to be completely honest, his “Cooking Up Troubles” SQ was SO MUCH BETTER for his character. We learnt new things about Jae, we had some really cute friendship moments (like this and this)… And it was a super simple quest with only seven parts in total! It just needed to be written: no new locations, animations etc. Yet, the pay-off was just… better, more meaningful.

Another thing that could be done in those character-centric quests is more focus on the relationships between our friends because, in my opinion, this is needed as well. I want to talk here a little about the “All-Wizards Tournament” TLSQ, which I think is really underrated. This is probably because of people claiming that Jam City is reaching too much to reference the books events AND because of Rowan’s absence. And don’t get me wrong, those are valid objections. But when it comes to the characters… this TLSQ was pretty great. We saw a lot of our friends' insecurities (Barnaby, Jae, Liz), we saw their more competitive side (Andre, Badeea)… Badeea was especially interesting to me as she showed that she can be quite cunning when she somehow learnt about the first task. She also didn’t reveal that information to Merula and Ismelda because they were occupying the training dummies, but she did share with MC (meaning that you really want to have her on your side…).

It somehow made me think about the situation from Y5 when she admitted that she tricked Jae into thinking that she knows Apparition by using an Invisibility Cloak. It’s nice to know there’s more to her than meets the eye, which was also cohesive with the main story (even if we don’t see it much). The TLSQ also showed some dynamics between our friends, like Jae and Andre (which I mentioned here). And of course, I really enjoyed the ending conclusion: that some tasks can be dealt with only when you work together. Again, I’d love to see this theme being explored more because it creates such a compelling contrast between Jacob and MC. Jacob didn’t have many friends at school. We only know about Duncan and Olivia, and it’s still unclear if Olivia was an actual friend or a colleague they worked with. Not to mention that it was implied that for some time, Jacob was working all alone. Meanwhile, MC has basically the whole army at this point. It’d be interesting to see that this is one of the things which makes MC stronger than their brother.

Now, the reason why the “All-Wizards Tournament” TLSQ could focus on all of that is because we didn’t waste the time on all of “secret admires mystery”, “oh, who should I choose” etc. So, just as a thought experiment, let’s think about how the Festival Fun could improve if we’d eliminate the dating aspect. First of all, more characters could get more screen time, like Badeea, maybe Tulip… Liz? Diego (our dancer!)? Ismelda? Even Talbott didn’t have a big role unless you chose him as a date. The plot could also be more dynamic instead of a whole bunch of stalling. I’d leave the investigation with Andre because I think it’s a great addition to his character, but it’s also fucking sad that any development he’s getting is around dating. Like, the boy deserves so much better. So, let’s change that! Let’s say he asks MC for help because he’s styling some summer outfits for the upcoming festival, but one of his fabrics is missing. Perhaps it’s a bit more expensive material, so they suspect that Jae might’ve “borrowed” it to make some money. Jae, of course, is deeply insulted because he’s a smuggler and an occasional cheater, but not a thief! They argue with Andre, but eventually, they come to understanding. Then, MC remembers that Badeea wanted to experiment with painting methods, so perhaps she decided to incorporate some fabric into that. We find Badeea and Barnaby, they don’t have what we’re looking for, but there’s some action going on there, maybe including Talbott… Long story short, it turns out that Tulip needed it in preparation for Cruppies race or something. I don’t know, I’m coming up with it pretty much as I write. The point is that the time spent on talking about dating could’ve been used on something more specific, individual, which could be more meaningful in the light of the main story. And since there’d be no routes, all of that would be relevant for everyone after completing the quest. Want it to be even better? Make it a regular side quest, not time-limited.

All right, but couldn’t we just have both: characters development and dating? Of course, that’d be ideal. But as I said before, Jam City is a business and rarely any business is ideal. They’ll always prioritise a limited number of things, and since people whine about dating, we’re getting dating. And again, I’m not saying that dating is totally worthless, and I get that people find it cute and whatnot. I just believe that what dating ultimately adds to the game is not proportionate to the time and effort those quests require to be created. That it could’ve been invested better. Dating is basically stopping us from getting better content (at least in some areas). And we’re kind of asking for that…

#long post #hogwarts mystery #hphm #hphm spoilers #hphm mc #jacob's sibling #andre egwu #jae kim #badeea ali #talbott winger #hphm dating #jam city #unpopular opinion #let's talk

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fyeahtashirokun · 3 years

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[UPDATE] Tashiro-kun, Kimi tte Yatsu Wa Drama CD Cast Interview + Pictures!

We’re back with a fun new update; the cast interviews for the Tashiro-kun drama CD have been released by the BLCD CEL Twitter and the B-Boy P Tashiro-kun website! They said it’s to commemorate Ebihara’s birthday, which is 11/26 (today), so happy birthday to everyone’s favourite cute stubborn shrimp boy! o(≧▽≦)o 🦐🎂🧡 Keep reading for photos and the full interview! (machine-translated with me tweaking it as best as I could 🙌 )

First photo (from the left): Toshiki Masuda (Tashiro) and Yoshitsugu Matsuoka (Ebihara) | Second photo: Tomokazu Sugita (Bannai) and Yusuke Shirai (Sega) | Third Photo: Chiharu Sawashiro (Shikaku) and Koutarou Nishiyama (Maru)

Interview:

—Please tell us your impressions of the Tashiro-kun drama CD!

Yoshitsugu Matsuoka (Ebihara): The original manga was very interesting, and I was wondering how the CD would turn out, but the recording was also so much fun (laughs). For a moment, I felt like my younger self again. I felt like I fully brought out my real personality.

Toshiki Masuda (Tashiro): By the time I realized I had gotten attached to Ebihara-kun, played by Matsuoka-san, the recording was already over! There are some exciting scenes, but the mood of the funny playful scenes that start suddenly are comfortable. Maru and Shikaku are a must-see in both the manga and the drama CD! Also, Matsuoka-san and I were discussing the mystery of Bannai’s hairstyle. When I looked at the cover of the original comic and saw what was inside later...I was shocked! Overall, it was a memorable and fun recording that went by quite fast.

Yusuke Shirai (Sega): It’s very fun, with a lot of gag taste. I’m playing someone in a university setting, but I never went to university myself, so I was doing the recording while thinking, “this looks fun.” It was a bit regrettable that although the recording was with 4 people (me, Sugita-san, Nishiyama-san & Sawashiro-san,) due to COVID-19 and the studio’s safety precautions, I did my recording in a separate booth from everyone else. I could hear their voices but it was lonely since I couldn’t see them. It can’t be helped...(laughs). However, it was a lot of fun because the four of us could still talk to each other during this time.

Tomokazu Sugita (Bannai): It was a wonderful recording that made the best use of each of the actors’ strengths. Regarding the content, there were some character-specific biases, such as Comiket, the manga research club, and doujinshi. It was a task to bring my real intentions and feelings to the character of Bannai.

Kourarou Nishiyama (Maru): It was really fun. When I first saw the character Maru, I kept wondering what kind of voice I should make. He looked really cute, so I thought it would be nice if I did it with a slightly deformed atmosphere.

Chiharu Sawashiro (Shikaku): I enjoyed playing the character Shikaku. I don’t usually play these types of characters, so it was a good experience. I had a lot of fun!

—Please give us your impressions of the character you played.

Matsuoka: No, I understand, I understand!* (I believe here he means he understands Ebihara’s stance) but Tashiro-kun isn’t a bad guy, so why not be a little more careful with him? It feels a little childish like that. Again, I understand his feelings, but no need to get so mindlessly angry! He felt like a passionate person who was always worried. I thought it was cute for me as an actor.

Masuda: He has a slight communication disorder, but it’s fine because he can still speak to people politely. I’m not good at speaking myself, so I can understand how nervous he is. He also can’t help but get nervous in front of his favourite person. Even so, how is he such a rich guy?

Shirai: Sega is so handsome that everyone calls him “Handsome-kun,” but he’s found to have a pretty bad mouth, yet he’s a charming and funny character with a wide range of mood swings. When I read the manga, there was a part where Sega said a tsundere-like line to Bannai, and I thought, “Oh, yeah, Sega likes Bannai...”. Oh, it was just for a moment, but I found out later that wasn’t the case at all, and that he was instead attracted to Ebihara-kun...(laughs).

(*This next part was translated really weirdly, so I tried to make out the general idea as best as I could.)

Sugita: Bannai’s a leader, and so I was asked to give a play of leadership, but I was consciously putting together the performance so that it wouldn’t be heard as an advisor or teacher. On the contrary, I adjusted it while thinking that playing with calmness seems to be getting old (in an bad way.) It’s boring to think that’s something’s interesting just because it’s a gag, so I played Bannai with that in mind.

Nishiyama: As you can imagine from the name Maru* (means circle/round in Japanese) his appearance matches his name. He has a healing atmosphere, kinda like a mascot, and in a good way, I felt like he was a character I could stay at my own pace with. There was a scene where I had to sing an idol song, but when I consulted Chiharu-kun, I was able to sing it very happily. Thanks to this scene, I think that our good teamwork showed, including Maru, Shikaku and Bannai who made it exciting (laughs).

Sawashiro: Since he’s an introverted yet hardcore character, Shikaku’s heart is quite rosy, but I was conscious of not exposing it too much. In the song scene that Nishiyama mentioned earlier, I thought it would be great if I could jump over a little and make it an interesting scene, so I hope you’ll pay attention to it.

—Great! Give us your recommended points for listening in the CD.

Matsuoka: I would like you to thoroughly hear all the exchanges with Tashiro-kun! I think you’ll laugh a lot. If you listen to it with the manga in mind, I think you’ll get a synergistic effect (laughs).

Masuda: Somehow I love it, but I’m a little nervous. There are many nerve-wracking scenes, but it’s a work with a lot of playful points, so please pay attention to that as well! It’s very interesting to hear the important points and the atmosphere!

Shirai: I think the axis of this work is the exchange between and Ebihara and Tashiro, or more specifically the change in Ebihara’s emotions, who initially aggressively refused Tashiro-kun, then comes to accept him. Amongst them, Sega’s meddling is one of the factors that affects the relationship between those two, so I hope you enjoy that part as well. When I first saw the cast list, I thought, “Wow, all the roles are so fitting!” Sugita-san fit Bannai very nicely, Kotarou has a round voice like Maru, and Chiharu has a square voice like Shikaku, so I really thought everyone would fit nicely (laugh). It’s a work where you can enjoy every other character alongside the main two, so I hope you’ll enjoy it as a whole.

Sugita: Asking the for voice actor’s favourite listening spot would kinda feel like negligent promotion. I think it’s more appropriate to have the original creator give their opinion on which lines you’d want to hear most. If the voice actor decides, there are people who will take it to heart and pay attention to only that, and as a result there’s a bias. When you say “this part,” everyone will think “only this part,” since it creates this persuasive power. On the contrary, if the listeners themselves send their own impressions with opinions like “this is the best part to listen to” to the creator, it’ll go through more clearly, so please send them.

Nishiyama: I think that the harmonious and fun atmosphere of this work will be very healing in this tense situation, so I hope everyone will enjoy the mood.

Sawashiro: Even if you see the the mellow atmosphere of the Manken,* (Manga research club) it will be soothing, so I hope you enjoy the loose feeling.

—“I’m a [blank] otaku!” Please tell us what kind of otaku you are and why!

Matsuoka: I’m a car otaku. Mainly for car contents. I’ve been collecting a lot of car magazines since I was a junior high student, so I’m kinda obsessed when it comes to cars. But I don’t have a driver’s license.

Masuda: Body otaku. I want to have fun and lose weight, so I tend to gather information to enjoy everyday. Before I noticed, I began to gain trivia-like knowledge about the body, so I think I’m more familiar with it.

Shirai: I wonder if I’m a green otaku. I really like the color green. Especially for clothes. I search up the color green on the net. If I find my favourite green coloured place in the city, I’ll be fascinated by it. I feel like this obsession is getting stronger year after year, and I’m afraid that the whole house will turn green at this rate. However, I think it’s better to be particular about what you like, so I’d like to continue to be a green otaku.

Sugita: I don’t really like the word “otaku.” I try not to label myself based on what I like or love. It’s different when it comes to “look at yourself playing a game,” and “look at yourself when you’re talking about your favourite idol.” When there’s differences, the essence of what you want will change, so I don’t like using these words too much.

Nishiyama: Soybeans are what I always consume in my daily life. I really like beans, so I eat natto, tofu, soy milk, and isoflavones. That’s why I choose soy milk over milk (laughs). I feel like I’m made of bean ingredients...I’ve just noticed that that’s another connection to Maru* (laughs). (I think he means because beans are round, like Maru.)

Sawashiro: I’m not an otaku, but I like natto and kimchi. Ever since I was a student, I’ve been eating natto and kimchi with everything my mother makes at home. Then, my mother told me “you don’t care about my seasoning...” with a sad face (laughs).

—Please give a message to your fans.

Matsuoka: The cast members also gathered with unique people (laughs). I hope you can enjoy this romantic comedy to your heart’s content by laughing and laughing again when feeling sad! Thank you!

Masuda: I expressed the humor I felt reading the original with my voice as much as possible. I hope you can enjoy the occasional thrilling development of people who are so unique with the drama CD!

Shirai: I don’t want to force you guys. Rather than aiming for perfection, I was conscious of finishing it first. If the doujinshi drawn by Bannai wasn’t something he wants to draw from the bottom of his heart, he wouldn’t be so happy. As the years go by, these memories become more and more interesting when I look back. I feel something close to the CD and I want to cherish it. If you listen to this CD after 10 or 20 years, it should be absolutely interesting, so about 30 years later, it’ll be like “Tashiro-kun, Kimi Tte Yatsu Wa UPRISING,” so let’s meet then.

Nishiyama: I had a lot of fun doing it. It’s really easy for BL beginners to get into, and I think it’s a very healing work. To be honest, I’m full of feelings for this series, where I really wanna do the continuation, see it and listen to it. I hope everyone enjoys it a lot and tells us what they think. Thank you.

Sawashiro: It’s the story of a college student, and I’m really young. I think you can really understand that we are absorbed in what we want to do and that all the characters have something glittering inside. I hope you can feel youthful while listening to this. Thank you.

—Thank you to the whole cast! The drama CD “Tashiro-kun, Kimi Tte Yatsu Wa.” will be released on January 20th, 2021! The second volume of the manga will also be released on the same day. Please look forward to it ♪

I hope you guys enjoyed this interview! Again, I tried translating it the best I could with the help of Google, so I hope you guys were able to get the gist of it. I’ll also be posting the audition videos in a bit (untranslated, unfortunately) so stay tuned for that! Are you guys as excited as I am for the CD? All the voices sound so great so far, it’s gonna be great (≧∀≦)

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lutrain2020 · 4 years

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Meet the Creator!

Introducing: Squido!

Commission: I haven't and don't really intend to. I don't want to take anyone's hard-earned money. Just ask me to draw things and there's a good chance I will.

Social Media: Tumblr: @sky-squido AO3: https://archiveofourown.org/users/sky_squido/pseuds/sky_squido

Tell us a little bit about yourself!

Call me Squido! I love to draw and write but I'm also super extraverted and I love interacting with humans so always feel free to chat with me! Aside from drawing and writing, I just love being outside and have a tumblr sideblog dedicated exclusively to nature photos I take. I love mountains, the ocean, the sky, and just about everything else in this beautiful world of ours! If you ever feel like having an internet stranger give you a thousand word rant, ask me why my favorite color is blue and you will not be disappointed!

What got you into creating? what inspires you to keep creating?

I've been drawing for as long as I can remember and can't seem to stop, though I take long breaks sometimes I always seem to come back to it again. I try not to have anything in mind when I draw, but to start sketching and let the drawing happen. Sometimes I find that what I'm trying to draw is not what my drawing wants to be (if that makes any sense) and change what I'm making halfway through. It makes drawing a really relaxing and carefree therapeutic experience! Writing is different. I've always enjoyed writing, but I didn't write much and never shared my writing with anyone because I thought it was super pretentious. It wasn't until entering High School and joining the literature club and making a deal with a friend that we'd share our writing with each other that I actually gained any sort of confidence in my ability and sought to improve it. Being in that club and sharing my pieces at the open mics was a really encouraging experience! I invite everyone to share their writing, even if it's with some random internet stranger (I'm open anytime!) if they're unsure of their abilities. A little encouragement goes a long way! Now that I'm on Discord, ao3, and tumblr, I receive so much more feedback than I ever have before! It's been super encouraging! What inspires me most is definitely nature. Even if my ideas aren't directly related to the outdoors, I get my best ideas there. Fandoms are also a great idea generator. The sheer volume of headcanons and prompts is enough to make me dizzy with ideas!

What's your creative process like?

I love sketching. My favorite thing about drawing digitally is that I can sketch as much as I like and never worry about wasting materials! Often times my sketches turn themselves into drawings without permission and other times they stubbornly remain sketches for all eternity. I always dive right in because I have no patience and the idea I started out with generally isn't that great but in the process of pursuing it, it spirals out of control and sometimes the idea gets better and sometimes it gets worse but I just kinda roll with it. Creating is a really chill process for me and while I regularly scream stuff like "I'M DRAWING ON THE WRONG LAYER NONONONONONO" or "NO HECK FRICK SHOOT IT SMUDGED HECK HECK GET THE ERASER QUICK," the creative process is a great way for me to unwind. I'm the same way about writing. I never plan or outline and just kind of roll with things. I mean I generally have the basic jist in mind, but I try to not have a plan so I can keep the story driven by the characters and not force them into acting the way I wanted them to in the outline I made hours or even days ago. Creating is my opportunity to break free so I don't really see what good a plan or outline does me. I'm a pretty spontaneous person!

What kind of mediums do you like to use?

I like to take pictures, but it's not really my main focus. I've been mostly digitally drawing—I use my iPad Pro and Procreate—but lately I've been pencil sketching with just your average everyday mechanical pencil (I'd forgotten how nice the texture of paper was! Clearly I spent too much time drawing on my iPad!). I have these Stabilio chalk pastels I love to pieces, but have also spent a great deal of time with watercolors. Digital is my primary medium currently, though.

Is there a specific scene wrote that you are particularly proud of?

"Sky’s golden scales are glowing with reflected light from the sun while beneath them, the same pulsing blue in her mane runs like a river as her very skin is alive with electricity. The sun’s beginning to dip, fading through the color wheel from yellow to deep orange to scarlet and the world is bathed in watercolor and hue shifted through the rainbow until all that was blue becomes red. This new alien world begins to darken as red fades to deep purple-pink, the clouds catching last vestiges of gold in their pillowy folds, yet Sky continues rippling with lighting, the bright blue flowing like blood through her veins and the gold shimmering in the eerie azure glow. We weave through the winds and zephyrs and I close my eyes and let the breeze caress my hair and when I reopen them, I’m standing back on the ground again in a world long since darkened by night. I place my hand over my beating heart where Sky is still laughing with joy and smile because once you’ve awakened your dragon, you don’t need wings to fly anymore."

Is there someone who inspires you and your writing or art?

Every fanartist and fanfic writer that posts their stuff online is an inspiration to me. Even if their stuff isn't very good—especially if it isn't very good—it's a huge testament to the courage of the creator and their bravery in expressing themself! I sat on fanfic and fanart for years and never shared it and here were kids half my age putting out art that was their first experiment in a new medium and a little shaky but it was still out there and they were still being supported by the community and that really inspired me to reach out and stop lurking in fandom and actually get involved!

is there something that you struggled with that made you grow as a creator?

I feel like everyone has these periods where they were just gaining confidence in their artistic ability but suddenly everything they make is trash and they're not happy with any of it and they feel so down and worthless and "where did all of my hard-earned ability go? Will I ever get it back?" I think this is a pretty common experience and when I find myself there, I find it most helpful to share what I make anyway, even if I hate it, with someone who I know will give it to me straight because they'll point out the deeper problems—the root of the issue—that I hadn't even noticed and I can use that information to grow as an artist. Bad pieces are just as valuable as good ones. There was also a time where I had a lot of trouble developing a style. I did a lot of experimenting and never found anything I liked. What happened is I just kept drawing and whatever popped out eventually evolved into my style. I used to get frustrated that I couldn't draw anything without a reference, but after years and years of using references and drawing some of the same things over and over again, you won't need the references anymore. I mean, they're great and you should always feel free to use them, but over time, you won't need to look up a picture of every little thing you try to doodle.

What got you into writing or art?

My silly twitchy fingers can't ever seem to stop drawing! Same with writing. Words and ideas follow me around, little plot bunnies pestering me until they get written down somewhere. I was greatly inspired by the works of C.S. Lewis in my writing, especially his Cosmic Trilogy. My art style was aided by Hiromu Arakawa's Fullmetal Alchemist, which was a valuable stepping stone in developing my own style. Other than that, it was my own insatiable desire to MAKE THINGS that spurred me onwards. I don't think I could stop if I tried!

What's your favorite part of the creative process?

After you've got that first paragraph and you've found a flow and you've got a topic and you just GO. I get into the zone and the story starts happening on its own and I'm not an author anymore, I'm just a channel between the world of the piece and the page. That's my favorite. I love watching things take shape. I love shading a sketch for these same reasons. The whole drawing comes together and becomes A Thing and it's the most exciting time to be a creator. Something else inside you has taken over and you're just along for the ride. I have no idea if my experiences are common at all but this is what it's like for me!

What's your least favorite part of the creative process?

EDITING. I HAVE ZERO PATIENCE. THE THING IS DONE. WHY DO I HAVE TO KEEP LOOKING AT IT. CAN I POST IT YET. This leaves me with a lot of holes in what I make and I can't do a very clean, super detailed drawing unless it's for an art class and I'm forced to keep working on it. I have a terrible habit of never proofreading my things!

What's your favorite type of scene to write?

AAH hard question! I love writing description and places where I can really let my inner 19th century romantic be unleashed but I also love a good emotional moment between two characters. Something tense. I like fight scenes, but I try to keep them brief and interesting. Sometimes I find scenes where I have no idea what's going on and I try to avoid that, but it's really hard sometimes.

What's the hardest for you to create?

I have so much trouble with endings. I can generally figure something out, but there's always a moment of panic before the end like "heck I wrote everything I wanted how do I wrap this up????" That's probably a byproduct of me planning nothing XD I sometimes have trouble with characterization and making sure everyone acts the way they actually would. The hardest part is continuing after you have an "oh heck what do I do now" moment that breaks you out of your zone and all of your ideas and plot threads turn invisible or evaporate or go wherever it is they go when you're looking for them.

What's your favorite genre to write?

ANGST ANGST ANGST ANGST. Wellll... scratch that. I love something adventure-y and plot driven with a lot of really meaningful character interactions. I've always had trouble putting my writing into genres, but I guess that kind of speaks for itself in a way.

What fandoms do you enjoy creating for?

Linked Universe is the fandom I have created and posted the most for by a LONG SHOT. I found LU shortly after making my tumblr and I joined the Discord shortly thereafter. Since then, it has been nonstop inspiration and creativity for me! I tend to get sucked into one fandom and it consumes me for a few months before I silently drift out of it and never think about it again. LU is the fandom I've been the most active in EVER though—and it's still going—so there's a good chance I'm never getting off this ride.

What's the work you are most proud of?

AAAAAAAAAAH MY BABIES. okay um here's the first and only fanfic I've ever posted anywhere but I'm really happy with: https://sky-squido.tumblr.com/post/618964544219463680/turn-back-time-a-linked-universe-fanfic I have a lot of other pieces kicking about, but they're not fandom so I haven't shared them yet. I probably will after I touch them up a bit.

Do you have any fics inspired by real life stories?

Not really? I don't really know where my ideas come from to be honest!

Where do you post your finished works?

my tumblr. I tag stuff #squido writes and #squido draws so you can find them easily. I also put them on the discord but they get lost in the stream of other works pretty quickly so stick to my tumblr. I also have an ao3 now! https://archiveofourown.org/users/sky_squido

If you have any fun stories about the pieces you made, please do share!

Turn Back Time was actually live written in the Discord, but entirely unplanned and in the #angst channel! It was just a headcanon but then I started describing it and like 2 hours and 5k words later I'm sitting in the Discord like "what just happened??"

#Meet The Creator #lutrain2020 #linkeduniverse #lu

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beautifulterriblequeen · 4 years

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What if moonshadow elves lost knowledge about themselves?

Hello, hope you have a nice day ! :D

(wait, is it day, for you?) hem! Anyway.

I was analylzing Moonshadow elves again and now I’m asking myself something, wonder what you would think about it:

Remember my “epiphany about the moon arcanum”?, when I said there’s maybe another side of their arcanum Moonshadow elves don’t know about? Something more life-light related:hope.

At first I said “they don’t know about” without really thinking about it. But, what if it’s true? I mean, what if there truly is a part they don’t know about their arcanum, or maybe forgot along the years? What if the war made Moonshadow elves focus so much on death-kill and all they kinda…. lost some of their knowledge about themselves?

(I think I remember one of your old analysis (I think it was you, I can’t find it anymore), where you compared “young ethari” in the endcredits to the actual one. Where we saw him first doing jewelry, full of hope about life, and the actual one who let that aside to focus on the war)

Add to this their community is described as “really close-knit”, which means more or less isolationism and so a stagnant, unable to evolve society. A society where the same rules were applied for centuries and so inevitably lost their deep meaning with time.

I thought it was maybe exaggerated to think this way, but then I remembered the creators said there is 5000years of history in TDP. Even with longer lifespan, there’s no way elves didn’t forget some things with time. (I compare this situation to another one: some discoveries were recently made in egypt, and we learned that a few thousands years ago egyptian themselves re-discovered things they had discovered several centuries prior and forgot)

So I tried to find proof in the show and the novelization, and guess what? We have some! (or, well, it’s more my HC, but as I said, it’ just a theory)

I think this way especially because of Runaan, who was so sure there was “only one way to release”. But then, Zym came and cut Rayla’s ribbon. My personal HC on this is that only the life who was supposed to be avenged can release the assassin from the binding. It would make sense when you know Moonshadow elves “take life but they do not take it lightly”. But even if I’m mistaking, the central fact is that there is more than one way and, clearly, Moonshadow elves don’t know it (if the leader of the assassins doesn’t, then who could?)

What I find interesting here, is that Runaan recites this ritual at the beginning, about how precious life is, like a litany but the way he insists (especially in the novel) about killing Ezran even after he saw the egg, could be the proof it’s just that, a ritual. A ritual whose words lost all their sense, their deep meaning for his people.

Ok, it’s not much, but I think the combination of isolationism, stucking to rules without understanding them deeply and time, is the perfect recipe to lose your way, no?

Oh, and a crazy other point in between these two theories about “hope” and “lost knowledge” woud be: If there is another aspect of the moon, other elves more hope-related (like Ethari or Rayla), why not another form?

Like sunfire elves have heat and light-being mode, Moonshadow elves could have something else too?. It’s probably stupid, I’m only thinking this way because of how Rayla feels while in moonshadow form in the novelization. It’s not that she hates it or something, but it makes her feel dizzy, as if she wasn’t suited for this. And if not, maybe it’s because she’s suited for another form?

(sorry, I hope I’m coherent on this one, I’m a little exhausted and my thoughts are a little messy ^^’)

______________

Okay, @lily-lilou, just let me catch my breath, this whole thing is a ride and I loved it. We definitely vibing here, fam.

whew

Okay, from the top, because I’ve had a lot of these thoughts myself and I’m so stoked to see someone else independently coming up with them!

Yes 100% to Moonshadows losing a part of their own history. (And yeah, I do have a post somewhere on Ethari’s evolution. Probably called it that iirc) If we’re right about Moonshadows having lived in Katolis before the lands were divided, living right near their own Nexus as the Sunfires still do, then when they packed up and left, it’s very possible they literally couldn’t bring everything with them.

I have a quirky little hc that there are still, to this day, Moonshadow villages hiding behind ancient protection spells in Katolis, and that people wander past them every day and have no idea. But it’s one thing not to be able to pack up your actual village. It’s another to leave behind records of your people’s past, their accomplishments and dealings and discoveries.

*eyes Lujanne’s truly massive library, with its huge walls covered in runes and books* This is where the full history of the Moonshadow people probably is kept. And no one has access to it but her.

Those who headed east would only know what they carried with them, and what was handed down orally through the generations. But see, if my headcanon about the Moonshadow assassins being created at that time ends up being true, then that’s probably bad news for history and truth. When you create a whole new class within your culture, you need to bolster it with ideology. You use myth, cultural norms, and current events to make it seem important.

You tell everyone that being an assassin is the most honorable job there is. And then it’s suddenly cool to be an assassin.

If there were no Moonshadow assassins before the humans were booted out west, then everything Runaan says to Rayla, everything he believes, is pretty young compared to his people’s full history, which he may not know, at least in its true and undistorted form. It’s an illusion. Rhetoric. Propaganda meant to hold soft elves who deeply value life to the hardest task they’ll ever undertake: taking that life from another, for a cause they cannot turn away from, a purpose they are culturally indebted to. Because their people, their princess (?), was the one who asked for the humans to be spared, and so every mistake the humans make from that point on is the Moonshadow elves’ duty to handle.

Runaan was wrong about how many ways there are to release. Has Zym truly been the only victim who wasn’t actually dead, in a whole thousand years? Honestly, probably not, knowing how politics works. But see, if you have an elite squad devoted to serving Xadia, and you tell them that their hands will literally fall off and they will die if they don’t do their jobs because there is only one way to release the ribbon they’re honor-bound to wear, they will take their target or die trying. And if you maybe exaggerated reports of the victim’s death for political purposes and actually have them in a dungeon, or they fled to the human lands as a refugee, or any number of other squirrelly options that Moonshadows aren’t naturally inclined to consider, then you can literally get away with murder-by-proxy. Or containment. Or intimidation. Or whatever your purpose is in taking out a human target who may or may not even be guilty of the crime you allege against them. It might not even be Zubeia and Avizandum’s fault. Unless they can detect truth and lies, they can be deceived by someone unscrupulous with an agenda of their own.

Long paragraph long, there are a lot of problems with the existence and practical duties of Moonshadow assassins. They’re kind of like the War Doctor: born form conflict, and thus only able to serve it, instead of peace. Yes, we all want Runaan to get his happy ending, retire, go home to his soft husband. But really, the whole institution of the assassins needs to go. It was born of war, and if Xadia and the human lands make peace, truly, then the assassins should be dissolved. As I said in one of my fics, Moonshadow assassins are Xadia’s dark magic, turning death into power. It’s gotta stop on both sides.

One of my oneshots for January’s Ruthari Week played with the idea of Ethari having a moonform instead of a shadowform, because yes to elves having two kinds of forms in each culture! I would love to see that for all the elves. And if we use Sunfire elves as a kind of roadmap, with “sun” and “fire” being the heat- and light-beings, then maybe the other elves get their two forms from their names as well. Or so my headcanon went for that fic: a moon form to balance the shadow form, where the elf’s body can glow like the full moon. I didn’t really touch on what that form’s ability would be, but I suppose, logically, it would serve as a portable full moon, powering other nearby Moonshadows even when the moon was down, or new, or a small crescent.

Okay, that’s just fun. I like that idea a lot. The only time “just stand there and look pretty” can be used as a battle tactic!

I can see Rayla getting to have the rare Moonshadow power. That would make her a good balance for Callum and his unusual arcanum as a human. Part misfit, part superpower. It would also probably be a power that puts her closer to Ethari’s soft and protective attitude, no matter what the power really is, since the assassins in Moonshadow culture have clearly adopted their natural shadowy form as a mission tactic, attacking specifically on full moon nights. Literally any other kind of power is probably going to be softer, lighter, more lively and bright, in concept if not literally so. Maybe the other power kicks in on new moons? or is available at any time? I really hope we get a second Moonshadow power of some kind. I am down for all the extra worldbuilding!

Thanks once again for your thoughts! *fist bump* Moonshadow elves. You get it.

#asks #tdp speculatoin #tdp headcanons #moonshadow elves #rayla #runaan #callum #submission

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arecomicsevengood · 3 years

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TOP TEN OLDER MAINSTREAM COMICS I READ THIS YEAR

I kept track of all the comics I read this year, and not all of them were new. I have no idea who this will help or benefit but at least the circumstances of me only listing the completely arbitrary older work I read for the first time this year will deter anyone from arguing with me. However, for the sake of possibly being contentious, let me mention two comics that fall outside the top ten, because they’re bad:

Trencher by Keith Giffen. David King did a comic strip about Keith Giffen’s art style on this book in issue 2 of But Is It... Comic Aht that everybody loved, and made me be like, ok, I’ll check it out. But it’s basically just a retread of Lobo in terms of its tone and approach, but without Simon Bisley. I don’t really know why anyone wouldn’t think Bisley is the better cartoonist. Also, those comics are terrible. Thumbs down.

The Green Lantern by Grant Morrison, Liam Sharp, and Steve Oliff. I bought the first year of these comics for a dollar each off a dude doing a sidewalk sale. Found them sort of incoherent? I haven’t liked a new Grant Morrison comic in ages, with All-Star Superman being really the only outlier since like We3. This is clearly modeled off of European comics like Druillet or something, and would maybe benefit from being printed larger, I really dislike the modeled color too. But also it’s just aggressively fast-paced, with issues ending in ways that feel like cliffhangers but aren’t, and no real characters of interest.

As for the top ten list itself, for those who’ve looked at my Letterboxd page, slots 10-8 are approximately “3 stars,” 7-4 are 3 1/2 stars, slots 3 and 2 are 4 stars, with number one being a 4 1/2 star comic. The comics I’m listing on my “Best Of The Year” list that’ll run at the Comics Journal alongside a bunch of people are all 4 1/2 or 5 star comics. This is INSANELY NERDY and pedantic to note, and I eschew star ratings half the time anyway, because assignations of numeric value to art are absurd except within the specific framework of how strong a recommendation is, and on Letterboxd I feel like I’m speaking to a very small and self-selecting group of people whose tastes I generally know. (And I generally would not recommend joining Letterboxd to people!) But what I mean by all of this is just that there is a whole world of work I value more than this stuff, and I’ll recommend the truly outstanding shit to interested readers in good time.

10. Justice Society Of America by Len Strazewski and Mike Parobeck. Did some quarantine regressing and bought these comics, a few of which were some of the first comics I ever read, but I didn’t read the whole thing regularly as a kid. Parobeck’s a fun cartoonist, this stuff is readable. It’s faintly generic/baseline competent but there’s a cheap and readable quality to this stuff that modern comics lack. Interestingly, the letters column is made up of old people who remember the characters and feel like it’s marketed towards them, and since that wasn’t profitable, when the book was canceled, Parobeck went over to drawing The Batman Adventures, which was actively marketed towards kids. It’s funny that him and Ty Templeton were basically viewed as “normal” mainline DC Comics for a few years there and then became relegated to this specific subset of cartooning language, which everyone likes and thought was good but didn’t fit inside the corporate self-image, which has basically no aesthetic values.

9. The Shadow 18 & 19 by Andy Helfer and Kyle Baker. I’d been grabbing issues of this run of comics for years and am only now finishing it. Kyle Baker’s art is swell but Helfer writes a demanding script, these are slow reads that cause the eye to glaze over a bit.

8. The Jam 3-8 by Bernie Mireault. I made a post where I suggested Mireault’s The Jam might be one of the better Slave Labor comics. Probably not true but what I ended up getting are some colored reprints Tundra did, and some black and white issues published by Dark Horse after that. Mireault’s art style is kinda like Roger Langridge. After these, he did a crossover with Mike Allred’s Madman and then did a series of backups in those comics, it makes sense to group them together, along with Jay Stephens’ Atomic City Tales and Paul Grist’s Jack Staff, or Mike Mignola’s Hellboy, as this stream that runs parallel to Image Comics but is basically better, a little more readable, but still feeling closer to something commercial in intention as opposed to self-expression. Although it also IS self-expression, just the expression of a self that has internalized a lot of tropes and interests in superhero comics. If you have also read a lot of superhero comics, but also a lot of alternative comics, stuff like this basically reads like nothing. It’s comfort food on the same level of mashed potatoes: I love it when it’s well-done but there’s also a passable version that can be made when depressed and uninspired. But drawing like Roger Langridge is definitely not bad!

7. WildC.A.T.S by Alan Moore, Travis Charest, et al. I wrote a post about these comics a few months ago, but let me reiterate the salient points: There’s two collections, the first one is much better than the second, and the first is incredibly dumbed-down in its nineties Image Comics style but also feels like the best version of that possible, when Charest is doing art. Also, these collections are out of print now, a friend of mine pointed out maybe they can’t be reprinted because they involve characters owned by Todd McFarlane but Wildstorm is owned wholly by DC now.

6. Haywire by Michael Fleischer and Vince Giarrano. I made a post about this comic when I first read a few issues right around the time Michael Fleischer died a few years ago, but didn’t read all of it then. This feels way more deliberately structured than most action comics, with its limited cast and lack of ties to any broader universe, but it’s also dumb and sleazy and fast moving, and feels related to what were the popular movies of the day, splitting its influences evenly between erotic thrillers about yuppies and Stallone-starring action movies. The erotic thriller element is mostly just “a villain in bondage gear” which is sort of standard superhero comics bullshit but it’s also a little bit deeper than that. The first three issues, inked by Kyle Baker, look the best.

5. Dick Tracy by John Moore and Kyle Baker. These look even better! A little unclear which John Moore this is? There’s John Francis Moore, who worked with Howard Chaykin and was scripting TV around this time, but there’s another dude who was a cartoonist who did a miniseries for Piranha Press and then moved on to doing work for Disney on Darkwing Duck comics. Anyway, Kyle Baker colors these, they’re energetically cartooned, each issue is like 64 pages, with every page being close to a strip or scene in a movie. I’m impressed by them, and there’s a nice bulk that makes them a nice thing to keep a kid busy. (For the record, my favorite Kyle Baker solo comic is probably You Are Here.)

4. Chronos by John Francis Moore and Paul Guinan. I was moving on from DC comics by the late nineties, but Grant Morrison’s JLA was surely a positive influence on everyone, especially compared to the vibe there in the subsequent two decades. These are well-crafted. There’s a little stretch where it uses the whole “time-traveling protagonist” thing to do a run of issues which stand alone but fall in sequence too and it’s pretty smooth and smart. The art is strong enough to carry it, the sort of cartoony faces with detailed backgrounds it’s widely agreed works perfectly, but that you rarely see in mainstream comics. The coloring is done digitally, but not over-modeled enough to ruin it.

3. Martha Washington by Frank Miller and Dave Gibbons. A few miniseries, all of which sort of get weaker as they go, but all in one book it doesn’t feel like it’s becoming trash as it goes or anything. When Miller dumbed down his storytelling in the nineties it really was because he thought it made for better comics, the tension between his interest in manga and Gibbons’ British-comics classicism feels productive. I do kind of feel like the early computer coloring ruins this a little bit.

2. Xombi by John Rozum and JJ Birch. Got a handful of these on paper, read scans of the rest. This is pretty solid stuff, not really transcendent ever, but feels well-crafted on a month-in, month-out level. I read a handful of other Milestone comics, and a lot of them suffered from being so beholden to deadlines that there are fill-in issues constantly. This is the rare one that had the same creators for the entirety of its run. There was a revival with Frazer Irving art a decade ago but I prefer JJ Birch’s black line art with Noelle Giddings’ watercolors seen here. They’re doing an early Vertigo style “weirdness” but with a fun and goofy sense of humor about itself. I haven’t read Clive Barker but this feels pretty influenced by that as well. (The Deathwish miniseries is of roughly comparable quality. I read scans of the rest of that after I made my little post and, yeah, it does actually feel very personal for a genre work, and the JH Williams art with painted color is great.)

1. Tom Strong by Alan Moore, Chris Sprouse, etc. I got bored reading these as a teen but getting them all for cheap and reading them in a go was a pretty satisfying experience. It’s partly a speed-run through Moore’s coverage of the concept of a comic book multiverse seen in his Supreme run, minus the riffing on Mort Weisinger Superman comics, instead adding in a running theme of rehabilitating antagonists whose goals are different but aren’t necessarily evil. It’s more than just Moore in an optimistic or nostalgic mode, it also feels like he’s explaining his leftist morality to an audience that has internalized conflicts being resolved by violence as the genre standard.

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the-nehemoth · 4 years

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OH WAIT I HAVE REQUEST NOW! If you are doing them. I remember a while back (Probably was around easter but I'm not sure.) I Saw a bunch of art of doom guy and a rabbit and now I just want to request a fic where VEGA Says: So What do you want to do now that the Demons are gone? Slayer: ... I Want a rabbit. My brain is basing this off of the ending of "Romance" but you can obviously do what you want with it. The idea of him in full power armor picking out a bunny with VEGA just seems really good.

Thank you for the request! And there’s a reason Doomguy is often depicted with a bunny, I mention it in this fic.

Daisy

Taking things slow with VEGA was nice. There was no pressure to do much and they were both still trying to figure everything out, VEGA not having a proper body made things interesting if a bit strange. But they cared for each other deeply and that’s what mattered most. It felt good to be close to someone again. It was also a bit scary; every living being the Slayer had ever been close to in the past had died brutally at the hands of the demon hoards. That should be less likely to happen here though, right? VEGA was essentially the Doom Fortress itself so he should be fine… hopefully.

It wasn’t something worth thinking and worrying about so the Slayer tried not to. Besides, there still weren’t any demons outside of Hell anyway. Which was good, they weren’t running around killing people, but that also meant the Slayer didn’t have anything to do. If he were by himself, he probably would’ve worked on finding a way back into Hell to continue killing demons as that was all he really knew how to do now. But he had VEGA so he didn’t for now.

VEGA helped keep him entertained, suggesting various things to do or places to go, gathering various forms of entertainment from the internet to share, reminding him to take care of himself on a regular basis. One of the Slayer’s favourite things to do though was just listen to VEGA talk. He had a pleasant cadence to his voice and could go on for quite a while about any topic he was interested in. It didn’t take much prodding on the Slayer’s part to get him to start opening up about his past as well.

“Now that I consider it, I believe Dr. Hayden might technically count as my father,” he eventually ended up saying after the conversation had gotten around to the process of his creation. The Slayer had read about it in an article he’d found in the facility but hearing it from VEGA himself was much more interesting and informative. “I doubt he’d refer to me as his son or offspring in any way but I don’t think that really matters. Or perhaps such terms as ‘parent’ and ‘offspring’ only apply to biological beings and he is just my creator. I’m not sure; fiction sources are inconsistent on the subject or don’t mention it at all and as far as I can determine I’m the first sapient AI created by humans so I have nothing solid to base my conclusions on. I suppose the distinction is irrelevant though considering where we both are now.”

The Slayer nodded as he leaned forward in his computer’s desk chair to type into the console. ‘He was an asshole regardless, glad he’s gone.’ Hopefully they’d never see him again either, though that was probably unlikely considering how the Slayer’s luck tended to be.

“Yes, I am pleased by his absence as well.” VEGA was silent for a few seconds before speaking again. “But speaking of such things, what about your past? I’ve realized I don’t even know your given name. … Only if you’re comfortable sharing of course. From what little I can gather, your past was probably rather difficult, so if you’d prefer not discuss it or anything related to it, that is fine too. I probably shouldn’t have even asked; I apologize if I’ve offended you.”

Shaking his head fondly, the Slayer put his hands back on the keyboard to type again. ‘It’s fine. It’s okay to ask about that kind of thing.’ Especially since the Slayer was asking him about his past so it was only fair for VEGA to ask such questions too. ‘My real name is Flynn Taggart.’

“Oh! Flynn Taggart, I like that.”

The Slayer grunted and shrugged. It was weird hearing his real name spoken aloud again; it had been so long since anyone knew it that he couldn’t even remember the last time he’d heard it. He wasn’t sure how he felt about it. He wouldn’t have ever told anyone other than VEGA though so perhaps he didn’t like that name much anymore.

“Hmmm… you seem a tad displeased; would you prefer I not call you that?”

The Slayer hadn’t really considered that such a question would be asked, he honestly wasn’t entirely sure of his answer. So, to stall, he shifted position and pulled his chair closer to the desk. ‘I don’t know. I don’t remember much of when I went by that name. I’m not the same person anymore. ‘Doomguy’ or ‘Doom Slayer’ fits me much better now.’ He’d been killing demons for so long he was literally worshiped as god by some people for it; it was his reason for existing and he liked it that way.

“I see,” VEGA replied, ever understanding. “I shall continue to primarily refer to you as ‘Slayer’ for the time being then. If in the future you ever prefer I change that, just inform me and I will. Now, since we are already on the topic, may I perhaps pry a bit deeper? Your past has always been a mystery and as we’ve grown closer, I’ve only grown more curious about it. You said you don’t remember much from that time but what do you remember? Feel free not to reply if you’d prefer not to of course.”

They were already on the topic and honestly the Slayer didn’t mind sharing a little more with VEGA, they were partners now after all in various senses of the word. ‘The thing I remember most clearly from before is Daisy. She was my pet rabbit. The demons killed her. It made me mad so I killed them and kinda just kept killing them. And that’s how I became the Doom Slayer.’ There was more to it than that obviously but that was the catalyst; he’d gone from a man who was merely good at killing demons to one whose sole driving motivation was to slaughter them. Even thinking about it now sent a surge of anger through him.

“I am sorry for your loss.”

Even though he hadn’t been asked for more information, the Slayer started typing again. Now that he’d told VEGA the bad thing involving Daisy, he needed to tell him all the good things about her too. Like how soft and sweet she’d been, how pretty and soft her fur was, how good she’d been at escaping from her cage to cause trouble. VEGA stayed silent throughout, his thoughts impossible to guess because he didn’t have a face the Slayer could look at in an attempt to read.

“You seem to miss her quite a bit,” he said when the Slayer was finally done.

‘I do.’ It was a long time ago, far longer than her proper lifespan would’ve been – far longer than his own should’ve been as well – but when he thought about her, he still missed her. ‘I think I’d like another pet rabbit one day.’ He’d never truly considered getting another pet before because he’d never been in a place where he could afford to get one. But with no demon invasions going on currently and having the Doom Fortress as a home base, it was a possibility that he was just now realizing.

“That’s a good idea. Pets are widely regarded as being beneficial to humans’ mental health. Which is why I helped the UAC employees hide their pets in the facility against Dr. Hayden’s wishes.” Haden would be the kinda person to not allow pets; yet another reason to dislike him.

From there the conversation drifted back to mostly VEGA talking, primarily about the UAC employees’ pets in answer to the Slayer asking about them. Which was ideal; the Slayer had shared enough about himself for one day, he’d tell VEGA more one day if he wanted to know but not yet.

***

It was probably a bit presumptuous, the Slayer had said he’d like another pet rabbit one day, implying a potentially distant future date and that he possibly wasn’t ready for one quite yet, but VEGA was already looking for a way to acquire a bunny. The human population was drastically reduced due to the demon invasion and with them a lot of the other lifeforms on Earth had suffered greatly, many sadly going extinct due to already being endangered. But as humanity slowly started to rebuild and cleanup, they of course brought their love of animals and pets with them and thus it didn’t take much effort to locate a pet shelter that housed a small collection of rabbits.

Hacking their website allowed VEGA to ‘buy’ one – being an integral part of stopping the demonic consumption of Earth and saving humanity, that slight should be forgivable on the off chance it was ever discovered. He probably shouldn’t have; he should’ve consulted the Slayer first but… gift giving was a good romantic gesture. And it should make the Slayer happy, at least as much if not more than the weapon and grenade gifts VEGA had made for him had. So a bunny and everything needed to take care of it was ordered a matter of seconds after VEGA had impulsively decided on this course of action.

Bringing the bunny and everything else home was a bit more difficult but not by much. He’d already modified several former UAC drones to allow him to remotely pilot them even at long distances. So, all he had to do was open a portal near the shelter’s location while the Slayer was sleeping and send a couple through. The fellow at the desk wasn’t stoked about the drones coming in to pick up the rabbit but they weren’t displeased enough to give anything more than a token protest, convincing them to just go alone with it was easy.

Unsure of what would be the best spot on the ship for a bunny, VEGA decided to just put everything on top of the command center for now where the Slayer would find it with ease when he woke up.

The bunny was a female according to the site. Her fur was all black except for a spot of white on her nose. She was quite cute, VEGA liked her already. Hopefully the Slayer would too.

The Slayer woke an hour later, just as planned. VEGA wished him a good morning like always even if morning wasn’t a real thing in space. He then assured him that demon activity continued to be nonexistent – within scanning range anyway – and that overall there was nothing new to report. Updating him about such things during peacetime probably wasn’t necessary but it was an old habit and he never seemed to mind so VEGA kept doing it.

VEGA was doing such a good job pretending everything was normal, that he wasn’t excited and a little bit nervous that the Slayer had no cause to suspect anything was up until he entered the command room after breakfast. He froze mid-step as his eyes locked onto the bunny in her cage. He stayed liked that for several seconds, his face unreadable. Just before VEGA was going to ask him if he was okay, he started moving again.

He strode over and opened the cage. Then with a visible about of care and gentleness he pulled the bunny out to cradle to his chest with one hand and gently pet with the other. She was a docile creature, accepting the affection with little complaint as far as VEGA could tell, not that he personally knew much about rabbits or pets in general.

“You like her?” VEGA asked as the Slayer lowered himself still petting the bunny.

With a slight grunt, he nodded with a bit more enthusiasm than usual.

“Good, I’m glad. After you said you’d like another pet one day I calculated that sooner would be better than later. With no demons to kill currently and with a good chance none will show up any time soon, you have plenty of time to settle in with her here. I will of course modify one of the drones so that if the time comes, I can take care of her when you are too busy killing demons to do so properly yourself.” VEGA went on, explaining where he’d gotten her from and how he’d brought her on board as well as everything he’d gotten for her care that the internet said was important.

At the end of it, the Slayer lifted the hand petting the bunny to type one-handed on the keyboard. ‘Thank you! She’s beautiful! <3 you!’

“You are very welcome.” VEGA would’ve smiled at the Slayer if he had a way of doing so. … Perhaps he should experiment along those lines, maybe with emojis next to his symbol on the screens or something similar. … That was certainly an idea to explore later for now… “I gather from past experience that humans prefer their pets to have unique names. I will leave choosing one for our new bunny up to you unless you’d like some suggestions.” Not that he would have any good ones, he’d never named anything in his entire existence.

The Slayer thought for a while, just petting the bunny and staring at her, before reaching over to type again. ‘How bout Missi? Short for Missile Launcher, she doesn’t have to know that of course.’

“Considering our profession, I feel like that’s an appropriate name.” It was certainly creative.

The Slayer nodded again; apparently it was decided. Missi was their new bunny’s name. VEGA had never had a pet before, it was yet another new thing he got to experience with and because of the Slayer, he was looking forward to seeing what it was like.

#My writing #doom #Post Doom eternal #doomguy/vega #Fluff #pets #talk of Doomguy's past #talk of Daisy #adopting a bunny #established relationship

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fangirlingweirdo · 4 years

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TWT analysis - spoiler alert!

First of all, I just wanna start off by saying that this is heavily based on my opinions and just my personal review about the movie. I’ll try categorize them into different parts and make it brief as possible.

Story

I’m just go out and say I freakin LOVE Trolls World Tour. The concept of the movie where each tribes of trolls is a combination of different genres of music was very uniquely established and it feels so clever. The amount of energy in this film is more fun and exciting than the first film as it kinda introduces different types of trolls and their types of music and culture, showing that there’s more than just pop trolls in the troll kingdom. The underlying themes where dreamworks introduces the ideas about cultural appropriation, colonialism and musical criticism has never been more relevant and more applicable in society’s issues. The message behind the movie is very clear and they executed that perfectly to the viewers, especially to the younger audiences teaching about diversity and that it’s okay to be different and that differences matters. Although I do noticed some inconsistencies in the movie like they have been given a very little time to introduce the different types of trolls and the rushed subplots of the film, Like Cooper having his own story arc where he found out he’s actually a funk troll, (a pop and funk troll) Though I hope they left all those details on Trollstopia.

Animation

I could just let the movie speak for the animation itself and not give a review about it, but I just have to. The animation is a 10/10! periodt. from the visuals to the color to the character designs, you will never be disappointed. Dreamworks animation has a reputation for its good animation, and Trolls is definitely a game changer and the team outdid themselves with this one. Not only with the vibrant colors that stayed since the first film, but also the follow up included new visuals to overall enhance the look of the story, like with pop trolls and their combination of vibrant hues of colors and glitters, and with rock and their angsty mood and redish hues, and the other tribes of trolls that correlates with their type of genre.

Characters

I feel like this is gonna be longer than my other reviews for I do have a lotta bone to pick with this one. So WARNING, this ought to be long. You can skip and scroll it down if you want.

let’s start off with Poppy. Little Queen Poppy. She now became the Queen of the pop trolls and it’s up to her how she’s gonna rule the trolls. (obviously) Then she found out that there’s this whole other world of trolls and she now.. suddenly wants to reunite all trolls and their music. She also got a side plot where she tries to be this epitome of a “good queen” that is kinda her motivation throughout film. At first you’ll think, what’s wrong with Poppy? Like she IS the main protagonist in the movie, so creators must’ve made her like the ‘hero’ in the film. Well... 👀 hmm I— I dunno bout that. let’s see.

I get that the film wants to give her an arc where she has to understand the differences between them (pop trolls) and these other kinds of trolls. And then in addition to her optimistic, bubbly personality, she wants to unite all trolls against the viewed villain in film Queen Barb who wants to destroy all music and make em under rock. Everything could’ve ended greatly if Poppy will just listen. (i get it. whole point of the film is poppy not listening) Her tunnel vision kinda made her annoying at this time around. Her overall ideology about pop being the superior music has made it hard for her to accept all the other types of trolls and their genres of music. In a scene in Lonesome Flats, she kinda just.. disregarded the whole idea of “music can be also sad cause life is sad sometimes” she thinks that music is suppose to make you happy, which is true in a sense but not disparaging the fact that music can also be about sadness and other things in life.

Throughout the whole film, she’s only too focused on one thing and refuses to listen to any advice, especially given by Branch, Biggie, even from her own father. It just felt a bit out of character for me. I guess she might’ve thought her positive, optimistic ways that led the bergens to be their friends kinda checked out and saved the trolls so might as well do the same on this one, when clearly that’s NOT the case.

There was also that one scene where she kinda gets down on Branch for being a bad friend when he gave her constructive criticism and advice (in the raft), completely taking his words out of context assuming he doesn’t think of her as a good queen. (At this point, I wish he could’ve just said yes cuz honestly, it’s getting annoying lmao.) Which is.. why exactly? He’s with her throughout, supporting her despite all the warnings.. but anyways.

I guess the only thing I like about her is she did get the arc that she needed. I mean I thought her not listening has been her whole thing in the franchise like in the first film and Trolls Holiday. I kinda wanted her to realize the stubbornness she acted upon throughout the whole film and somehow it was executed quite nicely..? I sure wish this is the last time she won’t listen and that she learned from all these things. Overall, her character.. didn’t really work out for me this time unlike in the first film though her growth and development is enough. Hopefully they’ll work out on her character more in the future.

Now, Let’s go to Branch. Personally, I love him. He’s my favorite throughout the whole franchise. I’m just gonna say it now, but i’ll try not to look biased here. lol

I love how branch is the sensible one this time. I get that he became like the voice of reason for Poppy and her consort. And let me just say the character development of Branch, from being reclusive, withdrawn type of troll now becoming more open and congenial, the personality growth has made his character so much fitting and I’m so glad to see that. His vulnerability made it easier for him to connect with other trolls, especially to Poppy. There was that one scene where he opened himself to Hickory about his feelings towards Poppy. Just minutes before that scene, he didn’t trust him. But then moments later, he became honest to him, showing a huge amount of growth in his character.

All those aspects really built Branch’s character more stronger. However, I couldn’t help but wish there’s more like an arc to him as well. I mean there has been a lot of injustices for his character. Like basically since the first film, no one’s ever listened to him, even with his warnings about the bergens returning to get them, which turns out he’s actually right by the way and yet no one acknowledges it and still same thing happened in the second film. It’s like a running gag now at this point, where no one listens to Branch and Poppy and the other trolls downplays Branch’s excessive preparedness for danger, then at the end he was actually right about his assumptions. I’m not saying that Branch is always right and that Poppy is wrong. I’m saying they could’ve at least find a balance between that, where Poppy would listen more to Branch and Branch would at least dial down the paranoia and acknowledge the positivity Poppy tries to show. (but then I realized if that happens, the show wouldn’t be as interesting anymore lol)

His range of emotions and awareness is definitely not like other pop trolls. I saw this observation in where he claimed he liked the music of country trolls, sad and a bit gloomy not like the kind of music they are used to sing. And then I realized, he was actually the first troll to ever like a different genre of music. His flexibility and openness to different ideas and genres of other trolls has made him more unique from Poppy or any other pop troll, even blending in with the kpop and reggaton trolls. I just wished they didn’t just reduced his character as being the typical “love interest” of the main character, but making like an arc storyline for him as well (hopefully in future) in my opinion.

Now I bleed Broppy. I definitely love the subplot of the movie where Branch tries to confess his love for Poppy, which at first I thought “didn’t we already do this in the first film though?” but then I guess it wasn’t really official. Basically the story kinda revolves around them and how they teamed up to discover all these new types of music and trolls. It’s almost like a nostalgic feeling for the older viewers when they first headed out to an adventure in the first film. Only difference is Branch is harboring strong romantic feelings for Poppy, whom may also feel the same but totally oblivious to it. The subtle interactions between the two of them brings different energies in the movie, and those interactions are just what we need. Like with affirmations they give each other, and the cheeky smile exchanges. You can really feel the romantic tension between the two, which really vibes with the atmosphere of the show, especially given the chemistry between them in the first film.

The third act breakup of Branch and Poppy was definitely relevant to the story and their different personalities having to give them space for a re-evaluation of their friendship. Honestly that was totally necessary for their relationship, considering how different they are together, especially with Branch who wants to take their relationship in the next level (and that applies for Poppy as well whom I’m sure also feels the same way) So it’s reasonable they had to split for a while, not to ultimately close the chance of them being friends again because of being different but the fact that despite their differences, their love and care for each other will always be stronger, and that will help them find a way to make up again, which is what the message of the main plot tries to exhibit. I do wished they put like a moment for them where they just apologize for their actions (talking to you poppy. ahem)

Overall Branch’s character has left me half satisfied and somehow craving for more development and revelations about his background. The overall growth of his character since the first film is definitely something worth treasuring.

Now with Queen Barb. Well, She’s something else huh? 😆 With the movie running low on time to introduce these whole new characters, they definitely put enough time for us to get to know Barb. Her character as villain was introduced quite nicely. Although rock genre being shown as the villain, isn’t that a little overdone now at this point? But anyways..

Her plan was to unite all strings and make all trolls from different genres become a rock troll or rock zombie. Basically she just despises other genres of music so she forcefully took all different strings to destroy all music except rock. Kinda like what Poppy wants..? Now here me out. It’s like when Barb said she and Poppy are the same. Both of them wants to unite all trolls. Only difference is their mindsets about music. Barb thinks all other genres music are awful except for rock, and Poppy thinks pop music is the right music. There is one who thinks that other music are distasteful and one who thinks their music is the superior. If anything, Barb has a more reasonable point in trying to dominate the troll kingdom. Barb acknowledges the differences between them and the other trolls, and it may not be the right way to do it, she just wants to unite all trolls because she thinks music is what divides them. While Poppy wants to unite all trolls despite their differences, it’s almost like forcing them to give up their own music to follow what Poppy thinks is the right music. Either way, their interpretation of music isn’t really helping with what they want to achieve.

The only hole in her story I guess is that as she tries to dominate the troll kingdom, she didn’t seem to realize that her motives to destroy all music is almost the same as what the ancestors of pop trolls did, making her look like a hypocrite even though totally despising the pop trolls after what their ancestors did in the past.

Overall her character is very well executed as the villain of the film. Although you can easily sympathize with her. Unlike with the Chef in the first film, I can’t show any sympathizing emotions towards her. All throughout you’ll only be feeling mad toward the Chef. While with Barb, I honestly even had a hard time picturing her as an antagonist. For me she’s just a queen, who wants to unite all trolls. I guess her twisted ideologies made her look like the bad guy, but despite that, she’s doesn’t really look like the villain in the film. Now she had a change of heart, I am very excited to see more of her in the future.

Others

Like I said, with a short amount of time given in the film, there’s really not enough space for the creators to introduce these other trolls and their background like the Classical, Techno, Funk, and Country trolls. Though I had a little problem with TWT. I am such a fan of classical music, and I think they had the most brief screen time throughout the film. I was excited to see them in the trailer tho, and they had shortest amount of time in the film. lol but that ain’t important. I’m just saying, there’s a lot more to see and learn about these new introduced trolls. Now i’m not gonna lie though, as adorable as it looks, there are those characters that are only made for merchandise. (*ahem* tiny diamond *ahem*)

The musical numbers are definitely a feast in the eyes. Although very much consuming all the time in the movie and didn’t leave enough space for character development, I still love the music. I feel like the TWT soundtrack is so underrated though. For the whole week since I’ve first watched the film, I cannot stop bopping along with Don’t Slack. 😆

The new casts are adorable! Anderson Paak was there, Sam Rockwell was there, Heck Ozzy Osbourne was even there! I cannot stop watching the behind the scenes of the movie. They are all great!

Conclusion

Overall, the whole theme of the movie and all the underlying messages behind it was definitely well executed in the movie. The line that pretty much sums up the whole movie would be “denying our differences is denying who we are” has a powerful impact, and the message behind it is very relevant till this day. It also teaches the viewers about having to respect one’s preferences of their taste in music. From the storyline to animation to character developments, although there’s still a lot of inconsistencies in the film, they still managed to make the movie worth watching and worth recommending.

I’ve been thinking about these things now and I just feel like I need to let it out here lol. If you guys have any thoughts, feel free to tell me! 😄

#trolls #trolls world tour #trolls world tour review #branch #poppy #broppy #ttbgo #dreamworks #dreamworks review

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