he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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satoru thinks about the anatomy of a hug often.
he thinks about it when you’re both waking up in the morning, you’re still half asleep and his hair is poking in every direction possible, a half dazed smile on his face as he scoots over, urging you to wrap your arms around him.
a content sigh leaves him, face burying into the crook of your neck and taking a deep breath.
“g’morning sweets,” voice raspy and muffled, you smile, humming in response.
“g’morning angel boy,” you whisper, eyes still closed as the two of you gently fall back to sleep, this time hugging each other, with your heart as close as possible.
satoru thinks about the anatomy of a hug when the two of you are arguing, when you’re upset at him and frustrated beyond belief. he’s being stubborn, he knows he is but he also doesn’t get why you’re so upset.
“maybe if you’d just listen to me you’d get what I’m saying!” you groan, your jaw is clenched as you stare at your lover in anger.
“you just keep saying the same thing over and over what else is there for me to listen to?” he replies back, angry at the lack of progress in the conversation.
“whatever,” you mumble, turning your back on him and beginning to walk away.
if there’s one thing satoru would never allow himself to do, it’s let you go to bed angry and in the middle of an argument. he takes a deep breath, trying to calm himself down as he follows you into the bedroom.
“sweetheart I’m sorry, i don’t wanna go to bed arguing, can we please just- let’s just sit on the couch for a little okay?” his voice is leagues gentler than it was before, and you feel yourself wanting to lash out at him again.
a deep breath and a cold glass of water later you’re on the couch with your lover, wrapped in each others arms. soft sniffles leaving your nose as satoru wipes away your tears, apologizing once again before hugging you tighter than before.
the second he sees you after a mission away he’s wrapping you in his arms, hugging you and never planning on letting you go.
“oh i missed you so much lovebug” he murmurs, kissing your forehead before hugging you once more.
“you were gone for two days, toru” you laugh, holding him tightly nonetheless, grateful to have your lover back in your arms.
he’s hugging you after he gets home from work or you get back from hanging out with friends. he’s hugging you after a rough mission and is choking back sobs. when he’s being harassed by his students and you peek your head into the classroom, all of them immediately on their best behaviors.
“oh sweetheart you saved me!” he fawns, hugging you, picking you up and spinning you around before kissing your cheeks.
satoru loves hugging you, knowing there’s no other way for your hearts to be closer, knowing you’re here and safe in his arms. knowing the two of you are heart to heart, filled with love for one another.
a/n: i hope you get a nice warm hug, you deserve it ! <3
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(Basic context is that AU of Duel Desinties where the phantom impersonates Phoenix to get him found guilty of Clay's murder, I talk more under the cut abt it jkhlj)
-Basically meant to be a parallel to turnabout trump, cause if you can have ONE boss get found guilty of murder, why not a second one?
-OK basically: everything in DD happens normally until like- a day before clays murder, Phoenix gets yoinked by the phantom somehow (he is still alive, just being held captive), Phantom is still Fulbright, but they've decided to be silly goofy (target Phoenix and get him found guilty of murder, escape police custody and then murder phoenix and make it seem like Phoenix accidentally died while on the run, thats why they didn't kill phoenix right away unlike the real Fulbright) there is an imposter amo-
-I dont have the logistics as to how this affects solving Metis's murder, and how it effects what evidence is used n whatnot and turnabout for tomorrow as a whole, so im just going nuts HGJKHLJ
-Originally I was actually imagining this taking place during turnabout for tomorrow and I wanted that case to be apollo v klavier instead of phoenix and edgeworth and thats why klav is in here instead of Simon (I decided that Simon got badly injured and couldn't stand in court for the retrial, so klavier was asked to step in)
-The courtroom bombing still happens the same way it does normally, but Apollo decides to take up the case again instead of taking a leave, instead of like, you know, healing from the traumatic event that just happened, turnabout countdown still happens as well
-Apollo and Athena do not find out about the phantom's existence until well after this trial, so they have no idea that Phoenix could've possibly been replaced, though simon, after hearing about the trial, might be suspicious about whether or not that was the real Phoenix
-The Phantom had been not only keeping an eye on Simon for a while, but was also stalking Phoenix and Edgeworth after they both started looking into UR-1, so they were able to impersonate phoenix so well that not even his own daughter thought that anything was up (though while Trucy did find him a *little* bit off, but she figured that it might've been the bombing that caused him to act ever so slightly weird, so she didn't pay much mind to it until she heard about his confession in court and realized it might've been because he possibly, ya know, killed someone)
-it's pretty much just switching Athena being framed for murder with Phoenix, and instead of the trial ending on a cliffhanger, it continues on (probably with Klavier insisting on it) ending with soloman being found innocent and Phoenix being declared guilty
-There's a couple days inbetween the end of the cosmic turnabout and the start of turnabout for tomorrow, so Athena, Apollo and Trucy all get a little bit to process the fact that "oh god my boss/my dad killed someone" (simons execution date is pushed back a bit in this au) and they probably get to talk with Klavier and eventually a lil bit with Simon after he gets out
-Im not sure how it all winds down in turnabout for tomorrow (Phoenix escaping and being at large is basically the perfect cover for the phantom to resume being fulbright for that trial) but they do eventually realize that the phoenix who confessed wasn't the real one and now there's a search on going to find out where the real one is being held captive, hes fineeee just ready to take a week long nap and a good vacation (along with every other waa member)
-I dont have anything else to add on rn but if you want to add something or just throw in a scenario feel free to!! this idea has been bouncing around my head for like a month now and Im very happy to finally show yall it
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Ok so I saw this post and I don't want to derail it (check it out tho cool analysis). Masks in Worm are so so interesting to me, because they're something the top echelon of villains completely forgo. Slaughterhouse Nine, Birdcage Capes, Nilbog, Echidna, Moord Nag, all of them are unmasked, their identities are complete public knowledge. Masks are a privilege afforded to the Villains who play nice and don't try to blow up the moon, or kill millions, or spawn two thousand goblins, their identities are allowed to stay hidden as an incentive to Not Blow Up The Moon Please. And when the mask comes off, it means there's so much less reason for the villain to hold back because their little Not Blowing Up The Moon prize is gone so what's the fucking point of not doing anything to that smug rock? So when Taylor does get unmasked, there's two major things that signified. She has no reason to hold back anymore, which is why she's so brutal afterwards. She puts maggots in valefors eyes, she manages to kill the Butcher by trapping Cherish in an even worse hell, she ruins the chili, she kills Alexandria and Tagg in the most brutal way possible. Her restraints are gone, she has no reason to temper herself and every reason to lash out. The second thing it signifies is why her lashing out is so terrifying. By being unmasked, she's up there with the nine, nilbog, all the impossibly strong villains we know don't get the privilege of a mask. It tells the reader that Taylor is a villain on par with them, she's that terrifying and enough of a monster that she's not allowed to play the cops and robbers game Lisa tells her about.
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