#also i think it's great commentary on being raised as the future king

[warwickroyals]

beginning - previous - next

Woooo, wooo, social commentary on the shallow nature of royal "feminism" woooooo!

[IRENE] Women’s History Month is a time for us to celebrate female achievement and honour all the women in our lives who have inspired, guided, and encouraged us through their contributions to society. Now, before I leave you all today, I would like to share a personal anecdote.

[IRENE] In 1975, I gave birth to my daughter, the first princess born to a reigning

monarch in just over a hundred and fifteen years. I felt deflated. After seven years of marriage, I still hadn’t provided crown and country with a long-desired male heir.

[IRENE]  After the birth, my mother-in-law, the late Queen Katherine, warned me against producing princesses in abundance. At the time I thought her cruel but I later came to understand that she was simply reflecting the social standards of her time. In the 1970s, institutionalized misogyny was rampant.

[IRENE] It was a societal malaise that targeted all women, regardless of social standing. Generations of princesses were raised in a culture where they felt unwanted. This is why I feel compelled to express gratitude to the women within my own family.

[IRENE] Over the years, I have increasingly relied on their support.

[NEWS ARTICLE] Princess Jack, 53, raises eyebrows in little black dress with daring neckline

[IRENE] I have also been inspired by their intelligence, loyalty, and the steadfast dedication with which they carry out their public duties.

[NEWS ARTICLE] Is a royal test-tube baby imminent? Royal watchers debate over Duchess Shelby’s barely there bump

[IRENE] In particular, my daughter and daughters-in-law have become non-negotiable supporters to The King and I.

[IRENE] I am so grateful for them and sincerely hope that you all value them not just as princesses, but as people

[NEWS ARTICLE] It can be done! Princess Tatiana delivers flawless curtsey in pants

[IRENE] To alter a famous quote, behind every great woman are several other great women.

[IRENE] Thank you

~

[TAMSEY] At this year’s GirlUp summit, Her Majesty was very personal, very candid, something that’s not new for her, and I think she hinted at this  during her speech, but would you support a change to Sunderland’s succession laws so that an elder daughter could inherit the throne over a younger brother?

[JAQUELINE] Jaqueline, I see you giving me eyes right now. Yeah, well, it would be a matter for Parliament to decide, and it would depend on several factors, but if that is something the people support, it should be at least be considered.

[TAMSEY] Is it a personal matter for you? In 1976, Parliament removed laws prohibiting women from inheriting the throne, but stopped short at instating absolute primogeniture. Such an act would have created you heiress apparent.

[JAQUELINE] No, and I’d rather not speculate on that, out of respect for my late brother.

[JAQUELINE] I am grateful that I had the opportunity to live my life on my own terms, I think if anyone were to inherit between the two of us, it would be him. He was the one best suited for job—Tatiana, I don’t know if you want to talk about the younger generation, but for me that discussion is over.

[TAMSEY] Yes, Tatiana, I would love to hear your perspective. At the time being you have no grandchildren in line for the throne, but in the future would you support a change being made to accommodate your descendants?

[TATIANA] Um, yes, as Jack said, uh, I would support any changes Parliament would bring forth. A more equal system can’t be wrong. We discussed it early in our marriage, actually, but it wasn’t a priority at the time.

[SHELBY] Of course it wasn’t a priority, you never had a daughter.

[SHELBY] Apologies for butting in [LAUGHS]

[TAMSY] It’s okay!

[SHELBY] But yes, I do think personal experience is important and you can’t fully resonate with these issues until you actually bring a daughter into this world and that’s why I’m so grateful and resonate so deeply with Her Majesty sharing . . .

[TATIANA, thinking] Bitch.

#warwick.story #chapter three #sim: tamsy #ts4 #ts4 story #ts4 storytelling #ts4 legacy #ts4 royal legacy #ts4 edit #ts4 screenshots #ts4 royalty #ts4 monarchy #ch: irene #ch: jacqueline #ch: shelby #ch: tatiana #✨

[respectthepetty]

Hello. This might seem like a silly question but it's on my mind. What's the deal with the whole "we're talking on a mobile but let's show the characters in the same room" thing. The first time I saw I think it was Gen Y with Mark and Kit even before the whole separation thing. Then it appeared in MSP. And now in A Boss and a babe. And I'm sure I've seen it somewhere else but I can't recall now. To be honest I don't know if I like it or I hate it but for some reason it's nagging at me that it seemed like it came out if nowhere. Again sorry if it's a silly thing .

Also, love your blog, love the color commentary and I too think it's all on purpose and meaningful.

Hiya, Anon! Thanks for the appreciation! Also, I've written this before, but let me repeat it here - There are no silly questions on Tumblr! People created an entire fake movie, and somehow the BL folks convinced others that KinnPorsche was the Thai remake of it.

Now to your not-a-silly question! First, let me list the shows from the past few years that I can remember doing what you are writing about:

I don't file this in my mind's storage room, so if I miss any, someone shout it out.

See You After Quarantine? - Sato x Bo Chun

Hello, Stranger - Mico x Xavier

Gen Y - Mark x Kit

Fish Upon the Sky - Mork x Pi

GAP - Sam x Mon

HIStory 5: Love in the Future - Hai Yi x Johnny

My School President - Tinn x Gun

A Boss & A Babe - Gun x Cher

Bed Friend - King x Uea

I'm going to make an educated guess.

Looking at the timeline, this didn't come out of nowhere, but came out of necessity - a pandemic!

Gameboys - Gav x Cairo

There was a two-year+ period where many of the globe couldn't touch their loved one. The only way to "see" some family was through calls, so I think directors are making a conscious choice to show people in the same space after many years of that not being a realistic possibility.

I'm sure this technique has been used before 2019, but I think it's more of a sentimental choice to reinforce the narrative - people want to be around their loved ones. Technology is great, but it doesn't replace the feel of people sharing the same space and after having to deal with that for the past few years, we want to see people sharing the same space even if they aren't.

I, personally, like it. In HIStory 5: Love in the Future, Hai Yi was in mandatory quarantine when he spoke to Johnny on the phone, and they had several scenes on the phone where they would appear in the same room, yet when Johnny finally saw Hai Yi in person, he was left in awe.

Both were instantly attracted to each other, and it was believable because even though they were just talking on the phone, we saw them interacting.

Another educated guess is these shows are telling us that meeting and talking through the use of technology doesn't dilute the connection between the two people, but makes it stronger. The physical aspect is pushed aside and the emotional connection is front-and-center. King in Bed Friend is showing Uea that he doesn't just want his body, but he wants his presence. Mork in Fish Upon the Sky wanted Pi to know that he had always valued him as a person regardless of how Pi felt about himself. In Hello Stranger, Xavier and Mico would have NEVER gotten to know each other the way they did without the help of technology. Who knows how @dribs-and-drabbles and I would interact in real life, but in these tags, I'm trying my damndest to get in an ethical non-monogamous situationship, and know that my mama didn't raise no quitter.

TLDR: Technology brings people together, and putting them in the same room reinforces that.

#Gameboys #Hello Stranger #See you after quarantine? #history 5: love in the future #bed friend #my school president #a boss and a babe #fish upon the sky #gen y the series #GAP the series #making connections with technology #sharing the same space even when they aren't #waiting for daddy to slide into my DMs but apparently I gotta make the first move

[brownandblackpearls]

📜 🖋 𝒞ourting with 𝒟r. 𝒟evorak (Julian x BlackReader) Pt.1

PART 1 SUMMARY:

You are a reputable, young beauty of means in Vesuvia, enjoying the winter courting season. An odd letter from an odd doctor finds its way to your door. You decide to respond.

─── Julian x black female reader

─── imagery + fiction

─── explicit smut

─── regency/historical/fantasy, courtship rituals, wealthy! MC, love letters, drama, handsome redheads

��� next.

.・゜゜・✧･ﾟ: ✧･ﾟ:.・゜゜・✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:・゜゜・．✧･ﾟ: ✧･ﾟ: *

.・゜゜・✧･ﾟ: ✧･ﾟ:.・゜゜・✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:・゜゜・．✧･ﾟ: ✧･ﾟ: *

“Letters for you, Miss!” The scullery maid calls through the door.

You pause your writing, hesitating over your final line before turning to answer the call.

“Come in!”

The maid strides in with your daily mail on a silver platter. As expected, there is a heap of them from various suiters, all interested in seeking your hand. 

Some young, some old, some men, some women, some wealthy, and some positively blue-blooded, they are all voracious. Usually, your interest tends to wane after weeks and weeks of these greetings each season. The feeling especially set in after getting the particular suspicion that the lords, duchesses and dukes reaching out to you were having their own maids and butlers pen these letters, a copy of an inquiry to every potential young beauty in the region.

Consequently, many of the letters did not seem to genuine, remaining vague and distanced. Polite. 

Today, however, you find your lessons to be going slow. You decide to take a break and browse through the inquiries.

“Read through them for me, Delilah?” You call out the request as you lower your pen and clean your fingers in a warm, sudsy bowl of water on your desk. Drying your hands, you apply a spot of scented lotion on your fingers before smoothing it in and sliding your delicate gloves back on.

Delilah clears her throat, interested in the letters herself. 

You had no doubt the contents of the proposals would make waves throughout the household by sunset, but all of your staff were well-meaning. Just bored during these slow winter months. Honestly, you didn’t blame them for indulging in your courting dramas.

“Well,” Delilah begins, “Here is a letter from a Clarence Dunford Winthrop, hailing from Bremens County! He greets you and wishes you a very warm winter. ‘I am most pleased to write to you, Miss ------. I possess a healthy 34 years in me, and I seek the opportunity to meet and possibly enter the idea of courtship with you. Are the tales true that you are quite fine and b-buxom…? Goodness, how forward!”

You bite back a chuckle, allowing Delilah her scandalized looks and comments. After she’s thoroughly read Winthrop’s letter, she moves on to the next.

“This one,” she exclaims, “is from a young, Fiorentina Agosti, hailing from the Suthlands. She greets you amicably and wishes you a cozy winter. ‘Dear Miss ------, I am most delighted to write to you. I am a young woman of etiquette and good breeding. I am 23 years old, and yet for one so young, I am more certain of my passions and ambition than most grown adults. I seek the window of opportunity to introduce myself and my estate to you, as I am seeking to build my relationships with the nearby families of standing. I favor women only, as I’ll need a good, feminine eye to steer my estate towards a glorious future…what a boastful girl! I hear she is very attractive, though…”

Delilah goes on, examining letter after letter, reading aloud excitedly. Finally, she lands on a slightly ragged one, with a wax seal bearing no crest. Only a simple plant pattern with dried flowers and ferns trapped to the note.

“My,” Delilah wonders, flipping the envelope, “what a...humble introduction. Let’s hope that the contents are more splendid than the package they came in!”

Delilah adjusts the paper before her and begins.

“This one,” she explains, “is from a young…doctor…in the capital, near the palace. Oh, I think I recall this one? He is of great renown, but markedly odd. Hmm…He greets you fondly and asks if…if you have ‘seasonal allergies��...? He is more than happy to forward any herbs or teas that can help soothe inflammation…as a ‘show of good faith and possible friendship’—yes, very odd...He would like to know if you would be interested in accompanying him as an honored guest to his annual medical tools gala. There will be anatomical displays as well as guest surgeon speakers. Afterwards, he would like to take you to attend the opening night of a Vesuvian theatre drama, and then dinner. I—that sounds more exhausting than eventful. Goodness….“

Despite Delilah’s somewhat opinionated concerns, your interest perks at the oddness of the inquiry and the oddness of the planned date. You’re not so sure a medical gala will be of interest to you, as you’ve never attended one before, but you would like to try.  

“Delilah, please. No more commentary. What does the rest say...?”

Delilah harrumphs, moving on. “Well, he seems certain that you will find the engagement eventful and enlightening on his personage and he hopes to show you how good of a ‘provider he can be for a woman of your means’. He has ‘no grand heritage or acreages’, but he does have one of the ‘best practices in Vesuvia’ sporting several underling surgeons and plenty of business. New blood, instead of blue blood from the looks of it, if you ask me.”

You pause, thinking it over. 

The letter all sounded personally tailored and individualized for your reception, and clearly not something that was drafted up in the monotonous manner of house staff doing as ordered. 

The doctor seems very keen in meeting you... 

...You can’t help but feel the same.

“What is his name?”

Delilah levels you an uncertain look, noticing your choice, before sharing.

“The suitor signed off as a Dr. Julian Devorak.”

“Devorak,” you try out, rolling the name around in your mouth. 

It feels good.

“Thank you Delilah. You may place the letters in my box, save for the doctor’s. Please bring his to me, as well as my pen and good ink. I’ll also need the courting stationery.”

Delilah sours slightly before perking back up and doing as ordered quickly. She clearly does not approve of the choice but remembers her place, and knows that you are not one to be bossed. 

You wait until she delivers the stationery and retreats from your room before turning to your pen and paper, glancing at the letter from the doctor.

You perfume the parchment slightly, and use a fine, shimmering ink to dot the thick, French paper. You being to write, peering at your refined, swirling letters.

“Dear Sir…I take the first opportunity to acknowledge the flattering letter with which you have favored me…your discernment is of my deep interest, as well as your detailed plans for our hopeful outing. I consent to the date and time, and I look forward to your academic gala, as well as the theater and subsequent dinner. I implore that you arrive to chaperone me long before the sun is high in the sky, as we may need much time together that I am wont to spend with you. I will admit, I find you very curious and am interested to learn more of you. Warm Regards, ------.”

You finalize the paper with a neat calligraphy of your signature, before cleanly folding and pressing the letter. You choose a lovely envelope and seal it with wax before stamping and sending it off with Delilah to be mailed. 

“Hmm. Odd man,” you murmur to yourself, before moving on to send responses to the other requests of interest. 

The days pass by, eventful.

You go on several dates, some of note and some not so much. 

A few remain in your mind of potential. There was a beautiful countess seeking companionship after a split from her count…Nadia. Buxom and svelte, she was also the epitome of regality, and a brown-skinned beauty like yourself. You couldn’t help but feel drawn to her. 

There was also Asra, a mischievous but enchanting merchant king. You suspected a penchant for the occult on his end, but his beautiful face was too good of a distraction to focus on what may hide behind it. 

Then there was Muriel, a mysterious man with one of the largest claims of land in Vesuvia. He was fidgety and reserved, but you sensed a deep soul in him. 

Portia, the jeweler of the aristocracy, and her passionate stares paired with her down-to-earth jokes were enough to make you lower your guards and raise your spirits. 

Lastly,  Lucio. Oddly enough, he turned out to be the count that split with Nadia. You found his countenance alarming at first, only to later find a subtle charm in his passion for life, luxury and you.

All of them were far more interesting than the duds you’d went on dates with the past few weeks. 

Valdemar, the ambassador, had spilled soup all over your dress during a brunch while he spoke wildly about some conquest of his past. Then there’d been Volta, an odd little thing that insisted on trying all these unappealing, exotic dishes. There’d been Vlastomil, a weevil of a person who seemed more eager to gossip cruelly than to learn of you. And lastly...most memorably...there was Valdemar…you weren’t too sure what Valdemar did, but you were certain whatever it was, you wanted absolutely no part in it.

Weary from all the courting, you put your best face forward and hoped this day ended up being a delight instead of another disaster.

Foregoing flat-ironing, blowouts, presses, braids and twists this time, you decide to arrange for your servants to outfit you in lovely, long locs for the evening. You line them with fine silver trinkets, baubles, and rings before arranging your makeup to perfection and dressing in your finest, warm regards from the tailor.

Today was the day with the doctor, and you wanted to see exactly what kind of man he was. 

You donned a beautiful gown beneath your long, furred coat and lined your neck with a shining collar of diamonds. The winter snow would reflect stunningly off of them, as well as you.

Perfumed, plucked, and preened, you stand, assessing yourself in the mirror.

Vesuvia’s treasure.

You laugh, satisfied with the show stopping look, before leaving your room. You almost bump into a servant, rushing in to announce to you that the doctor has arrived with a carriage for you both.

“Let him in,” you say kindly, glancing out the window. Sure enough, a large, black carriage awaits. You lift your chest, square your shoulders, and raise your chin, allowing your lashes to lower and your aura to project.

You descend the stairs of your home into the grand hall, your eyes pinning the man that entered and awaited below, greeted politely by your staff.

‘Oh,’ you realize.

He’s gorgeous.

Your eyes widen slightly at the sight of him. Tall, tousled, and terribly attractive, Julian Devorak watched you, open-mouthed, as if you are some sort of ethereal being that decided to grace his mortal existence. Descending the marble stairs, you feel him watch every step you take until you finally reach the landing.

You decide to close the distance and break the ice when he makes no move, still in awe of you. No need for those stars in his eyes, you think. You want him dazzled, not anxious or elevating you to something or someone that is inaccessible.

He is here in your home, after all. If you were inaccessible to him, he wouldn’t be.

“Hello Dr. Devorak,” you grace easily, smiling. “I’m ------. It is a pleasure to finally meet you.”

“J-Julian, please, no need for extraneous titles,” he insists in a light stammer. “The pleasure is all mine, I can assure you.”

‘Aaw,’ you think to yourself, looking fondly at him. You’ve heard the line so many times before, but somehow, the words sound so genuine coming off of his tongue. You also like the sound of his voice very much. He sounds like how he looks, you realize.

Julian mistakes your silence for something bad, and rushes to fill it.

“I-I can’t tell you how…how long I’ve anticipated today.”

“Oh?” You ask, tilting your head in wonder. 

Were you the only one he was querying? That wasn’t possible. There had to be others. You respond pleasantly.

“I’m honored...’Julian’. But I’m sure an interesting man such as yourself is entertaining many acquaintances and possess many options.”

Julian blushes, surprising you. He shakes his head, fingers fidgeting at his sides.

“Not exactly,” he offers, leaving it there.

Your brow lifts in wonder. 

“Really...? But I loved your letter. I’ve reread it several times and am not afraid to say so. I find you quite striking.”

If possible, Julian blushes even harder at that, daring to hold your gaze. You see an odd sort of mask arise on him then, a false yet endearing bravado. You don’t call it out and simply watch as he does his best to disguise his rampant shyness.

“Ah...thank you madam! But not nearly so striking as one such as yourself! Why, I remember the feeling of when I first laid eyes on you. It was as if  lightning had struck me.”

Your eyes widen in pleasure, curious. 

“Such flattery! Where did this occur?”

Julian smiles triumphantly, happy to visibly pique your interest.

“The theater! I noticed you in your private box and it was then I decided that I must inquire to learn more about you.”

Your smile broadens, and you can’t help but step closer. Julian feels very comfortable and warm, even with the pomp.

“So that’s how you knew I’d enjoy the theater!” You exclaim. You had wondered about it since his letter first arrived. He could’ve invited you to any event, any activity, and yet he knew the theater was the right choice...

Julian tenses as you near, unsure of where to look. You can’t tell if he wants you closer or farther away. You decide to hold firm and give him time to sort it out for himself.

“I-uh…yes.” He swallows thickly. “Allow me to enlighten you of the day’s activities in the carriage…?”

You nod, realizing that your questioning is holding the both of you up from your date. You step back, cowed.

“Of course! My apologies.”

Julian swiftly holds out a broad, gloved hand for you to take. The gentleman’s escorting hold.

“No need to apologize,” Julian insists, guiding your offered palm gently, “I...I actually should be the one to apologize.” He bites his lip, thinking of some unknown err. 

You glance at him as the two of you step out the front door together, waved off by your staff.

“Whatever for…?”

Julian looks sheepish, rounding you both to the carriage door and opening it for you.

“I....well!”  He pauses, the words sticking in his mouth. “I was...told by a confidant very recently that the medical gala may have some things that are not...er, conducive for a romantic atmosphere. So I must ask...you’re not squeamish of leeches, are you?”

.・゜゜・✧･ﾟ: ✧･ﾟ:.・゜゜・✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:・゜゜・．✧･ﾟ: ✧･ﾟ: *

AN: Do not copy, repost, or edit. If you see someone do so, please let me know.

☾ next.

☾ check my blog for more imagines.

#black reader #black mc #black main character #Julian x mc #Julian x black mc #Julian x reader #x reader #Julian x black reader #julian devorak #Julian Devorak imagine #Julian arcana #julian #the arcana #imagine #self insert #y/n #Julian y/n #Julian x black y/n #black y/n #the arcana x reader #Julian x poc #Julian x black!reader #smut #arcana imagine

[princessofmerchants]

Up to Queen Vassa's entry into the story...

...in her human form, and I'm reminded of what a freaking amazing character Sarah gave us in her. She is a FORCE and I really, really love her.

There is no question in my mind we will get a retelling of The Firebird in a later novel. Sarah can't give us a character with this kind of amazing, vivacious, sharp, intelligent, but filled with heart ENTRANCE and not have a whole story to tell about her (I'm bolding my favorite parts just because I can then throwing some commentary after bc ofc I am lollll):

Which left—

As Lucien had promised, with darkness now overhead, Vassa found me.

The last to arrive—the last piece of this meeting. She stormed over the threshold, breathless and unfaltering, and paused only a foot away.

Her unbound hair was a reddish gold, thick dark lashes and brows framing the most stunningly blue eyes I’d ever seen. Beautiful, her freckled skin golden-brown and gleaming. Only a few years older than me, but … young-feeling. Coltish. Fierce and untamed, despite her curse.

Vassa said in a lilting accent, “Are you Feyre Cursebreaker?”

“Yes,” I said, sensing Rhys listening wryly from the other room, where the rest were now beginning to quiet themselves. To wait for me.

Vassa’s full mouth tightened. “I am sorry—about your father. He was a great man.”

Nesta, striding out of the sitting room, halted at the words. Looked Vassa up and down.

Vassa returned the favor. “You are Nesta,” Vassa declared, and I wondered how my father had described her so that Vassa would know. “I am sorry for your loss, too.”

Nesta simply regarded her with that cool indifference.

“I heard you slew the King of Hybern,” Vassa said, those dark brows narrowing as she again surveyed Nesta, searching for any sign of a warrior beneath the blue dress she wore. Vassa only shrugged to herself when Nesta didn’t reply and said to me, “He was a better father to me than my own. I owe much to him, and will honor his memory as long as I live.”

The look Nesta was giving the queen was enough to wither the grass beyond the shattered front door. It didn’t get any better as Vassa said, “Can you break the curse on me, Feyre Archeron?”

I HAVE QUESTIONS AND COMMENTS (bc ofc):

-What was Vassa's own father like, what did he do and how did he treat her in the context of being royalty with a kingdom to pass down, to make her say what she says about him?

-Vassa and Nesta regarding each other is the beeeessssst and I would LOVE more of this, more of them together, in the far future once Nesta finds her footing in the world as a Made High Fae (and sometime death-goddess 😏).

-Two things I feel at the same time: I love that Vassa had such a good relationship with Papa Archeron. And, I grieve that this fact hurts Nesta because it's a reminder of how her father never treated her when he lived, and because he died he never had the chance to make amends for that treatment of her.

-I love that Vassa knew exactly who Nesta was on sight. I am sure Vassa learned a lot about Nesta from her father. It gives deeper meaning and worth to the words Papa Archeron says to Nesta right before he is killed, that he loved her from the moment he first held her. Nesta barely experienced that love while he lived, his last act to fight with a raised armada likely being the first and biggest expression of that love she ever encountered, but it was clearly there, and Vassa is a lens into being able to see a bit of that love now that he's gone.

-And it's also because of that I think Nesta disdains hearing Vassa say what she says about her father: Nesta has no mental or emotional resources to face this version of her father she "meets" a moment before he is ripped from her life permanently. And Vassa's words are a reminder of that man she cannot process as being the same father who neglected his daughters after his wife died. I believe and hope it's a theme that we see arise and be addressed in ACOSF.

But anyway, Vassa is one of the best parts of ACOWAR. Change my mind y'all.

“But they will elsewhere?” Nesta demanded.

Vassa tossed her smooth sheet of hair over a shoulder. “We shall see. And you [Feyre] will think of ways to help me.”

I waited until she headed for the sitting room before I flicked my brows up at the order. Either she didn’t know or didn’t care that I was also a queen in my right.

Nesta smirked. “Good luck with that.”

Excerpts from ACOWAR, chapter 79

#good luck with that indeed #vassa bringing the fire and spice #queen vassa #the firebird #nesta archeron #feyre archeron #papa archeron #grief #acowar #a court of wings and ruin #acotar 5 #acotar theory #archeron sisters #i stan queen vassa #sarah j maas

[wovenstarlight]

YWBK update: chapter 25 + liner notes

yesterday will be kinder has updated! you can read chapter 25 here, or start from the beginning here

okay, on to notes and commentary! first time i’m doing these, let’s hope this works out. commentary under the cut to save people’s dashes

Hamin laughs. “Given how bad you are at not being suspicious, that’s understandable.” “Oh, come on, I’m not that bad.” Hamin screws up his whole face in a squint. “Okay, so maybe I’m a little bad.”

this part was really funny to me when i wrote it because i was like “hmm reasons for DHM to understand why HHJ wouldn��t work in the guild” and then i was like Wait. Their Whole First Meeting, Dude. DHM was lowkey convinced for the longest time that HHJ was like, on the run from the KR version of the mafia, and got plastic surgery to look like his little brothers, and is possibly in some sort of witness protection program??? or something??? how else does he not have cops on his ass this man is so suspicious all the time

“I don’t think… They said the dungeons were, like, different worlds? Did they find people there?”

mafia theory second place. dungeon theory first place

“Like, humans? Um. No, no humans.” “So then you can’t be from there. Okay.”

dungeon theory shot down. mafia theory back in the running

“Hey,” he says cautiously. “I’m— I’m gonna go get us some water, okay? Why don’t you… take a minute.” “Okay.” “The bathroom is over there, if you need it.” “Okay. Thank you.”

after four years working alongside a guy you start to notice when he’s feeling a little out of it and needs a bit of a break... but as JHW mentions later you also learn to be a little subtle about giving him one

jung heewon What’s with your typing? It reads like Jihye’s [HYJ]’s fine. Very energetic Too energetic? He’s going to burn out. How do I make him calm down

Epic Burnout Man makes a reappearance! when translating sclass one of the things that makes me want to shake HYJ most is his habit of constantly adding things to his to-do list while he already has 1 billion things on his plate. and all the time he’s whining about “UGH there’s SO MUCH WORK to do” No One Asked You To Do It

Anyway. the point is. HYJ isn’t about to be beat by HHJ at Developing Issues 😔

jung heewon I haven’t spoken to him directly about this because if he’s anything like you he’ll take it as an insult You wtf whts tht supposed 2 mean quit typing jung heewon Better not say shit, mr “No, I can’t take days off and cater to my interests or go out with friends or on a date, I’m too busy taking care of the kids and making sure their needs are met, no I don’t care that there are thousands of people out there balancing personal enjoyment and romance and work AND kids at the same time, are you suggesting I be a BAD GUARDIAN to MY KIDS?”

see above re: not being too direct with pointing out when HHJ’s having Issues because he doesn’t react well

You wht but our eyes r fine jung heewon Even if having glasses doesn’t run in the family, you should still get him checked, just in case

top 10 funny time travel moments: referring to you and your past self as “us” (our = my eyes are fine), but other people think you mean “our family” (our eyes are fine = no family history of long/shortsightedness)

Also. Sooyoung-ie says hi [Attachment: 20XX1213_144516.jpg] 

ok no lie this was one of the parts that pissed me off the most, even though it’s Literally One Line, because. i love chat exchanges. i really do. when done right they’re a lot of fun to read. But Do You Know How Long It Took Me To Figure Out A Calendar For The Events In This Fic. now everything’s TIMED i have to count HOW MANY DAYS IT’S BEEN since XY event so i can CORRECTLY NUMBER the FILE ATTACHMENTS!!! this sucks!!! it took me fucking forever to pin down a timeline just so i could write this chapter plus the few before and after it!!!!

anyway i gave up when i reached year. i just put 20XX. fuck it. we are running on fairy tail time now. (actually i think that’s XXnumber number? XX76? or was it X796. something like that. Who cares i stopped watching fairy tail forever ago)

Fuck it! Hamin will understand!! “If you Awaken you should come work with me,” Han Hyunjae says all in a rush. 

“HAMIN WILL UNDERSTAND” => he literally was cool with me giving zero context for half a dozen absolute balls to the wall nonsense bullshit things i’ve done before. he’ll be fine with this too. dog_in_burning_house_this_is_fine.png

“You already know about the guilds, those are going to be for dungeon Hunters, but I was thinking of forming something like an independent group of contractors. Awakened people with skills that aren’t useful for combat, but that might… that will be generally useful. It’d be you and me, and maybe one other guy I met recently. Probably more in the future.”

given that HHJ has no idea currently that peace exists (i’m so sorry baby i’ll find a way to shoehorn you in soon i miss you so much) he’s got no intentions to start a kiseungsu business yet! he mostly wants to live quietly while just acting as a manager for other Awakening-related services, like YMW’s forge and DHM’s tracking service, along with the information exchange/lowkey spy ring that he’s planning on setting up with JHW and the bar. since HYH is fine associating with him in this timeline, HHJ’s thinking he can get a foot in the door that way, then eventually spread out into dealings with most major guild leaders

RIP to this plan. you were well-made but you will not last long.

“Please, I can’t tell you how I know that, I really can’t, it’d put me and my brothers in danger if it got out. But—” “No need.” Hamin looks slightly alarmed, and Han Hyunjae feels himself settle at the obvious concern in his eyes.

MAFIA THEORY RAPIDLY RISING TO PROMINENCE??? THIS IS NOT HOW DO HAMIN WANTED HIS GUESS CONFIRMED

“I spoke to the Task Force Head and she said that there’s been discussion about hosting a meeting for the nearby high-rankers, where they’ll announce the guild proposal and see who else is interested in trying it out.”

“they’ll announce” i’m sorry king 💔 you deserved a nap

(OH ALSO FUN FACT choi eunyoung is a canon character, not an OC of mine! she appears in uhhh i think late 140s? 150s? something like that)

“I think there’s… probably only one other S-rank who’s Awakened right now?”

Hehehehehehehehehehehehehhehe

Hamin beams. “No, they’re doing great! Spookie’s taken really well to the new housing situation, but I think Spots might miss the store…”

shoutout to @daemonic-dawn​ for letting me borrow a pet name, love u king. i had a much longer ramble about pet names here but i finished typing and realized it was all entirely off topic so i removed it for convenience

Hyunjae makes an annoyed noise in the back of his throat. “Don’t— I mean.” He huffs, visibly taking a deep breath, and Yoojin frowns reflexively. [...] “Is everything alright?” Yoojin kind of wants to be annoyed at his tone on principle, but he forces his shoulders to relax, matching Hyunjae’s posture. Though he can’t stop himself from being a little short when he answers.

things the brothers have learned in four years living together: getting confrontational often leads to arguments that just fizzle out anyway, so it’s way fucking easier to consciously tone down their combativeness in advance when talking to each other about things they have problems with, instead of screaming their heads off and then having to calm yoohyun down afterwards to boot

“I guess. Whatever.” Yoojin slumps. “Can I…” “Hm?” Hyunjae blinks at Yoojin as he gestures to the spot on the bed beside him, then jolts. “Oh! Yeah, sure, c’mere.” He opens his arms, and Yoojin goes over and flumps on the bed, head in Hyunjae’s lap. Almost immediately, Hyunjae starts stroking fingers through his hair, and Yoojin relaxes into the touch, listening as Hyunjae continues speaking.

cuddles 🥺🥺🥺 sorry i don’t have any other commentary here just. cuddles. extremely and overwhelmingly comforting for a man who spent the better part of 8 years(?) with no major positive relationships, and a kid who spent 12 years of early life basically abandoned by his parents. you had best bet they gave up on not hugging each other 1 year into this whole mess

Yoojin hums in acknowledgement. It’s not like he’d ever let himself get hurt; he has too many responsibilities to his family and friends. If he wants to be good enough to keep up, he can’t afford to fuck up like that. But… hyung will worry if he keeps working so hard. He can slow down a little for him. 

Problems disorder man when will you stop. the way he sees “getting hurt” as an inconvenience and an obstacle to his duties rather than a danger to himself. the way he doesn’t really care if he himself gets hurt, but if it’ll worry his family, then it’s a no-no. it’s just. wow. i know i wrote this but i hate him

“Not really. I talk to Myeongwoo about it sometimes.” “Ah, right, Myeongwoo.”

haha gays

“Don’t be weird about him,” Yoojin warns[...]. “I won’t, promise.”

if the “i won’t” line had a dialogue tag it’d be “Han Hyunjae lied”

“Is Eunwoo still in his relationship?” “Mhm, happy as ever. Apparently they’re trying long-distance, now that Eunwoo’s gone off to university abroad.”

three guesses for who eunwoo’s dating and you won’t need the first two

Hyunjae raises his hands like he’s going to deny the accusations levelled against him, so Yoojin seizes him by the collar and shakes him until he cries for mercy

oh my o/rv ass struggled so bad with not writing “shakes him like a man betrayed” here. it killed me not to. but in the end i prevailed (against, uh, myself. don’t think about it too hard.)

“Jeez, okay, he’s an F-rank!” “Eh?! Then why—” “He’s also got an SS-rank potential skill,” Hyunjae admits[...].

play-by-play of this scene because god if i draw any scene in this fic it would be this one just for the sheer hysterical nature of HYJ’s reaction:

YOOJIN: I HATE YOU WHAT THE FUCK WHY. TELL ME HIS RANK

HYUNJAE: HE’S AN F

YOOJIN: WHAT? WHAT THE FUCK?

HYUNJAE: he’s also got an SS-rank skill,

YOOJIN:

#star.txt #work: yesterday will be kinder #writing commentary #my writing #making impulse decisions today. very tired. godonight i hope you enjoy but also you'll have to enjoy without me

[beneaththetangles]

Light Novel Club Chapter 32: The Faraway Paladin, Vol. 1

Welcome to our Light Novel Club discussion of The Faraway Paladin, Vol. 1! We’ve got a fairly unique light novel to discuss this time around, and this is a great time to discuss it, with an anime adaptation coming up soon and also the recent announcement of hardcover print editions for the series. So let’s jump into the discussion!

Joining Jeskai Angel and I is marthaurion, one of the members of the Beneath the Tangles Discord! This is a reminder that all Light Novel Club discussions are held on the public Beneath the Tangles Discord and anyone can join these discussions, so if you want to join future discussions, check us out over there.

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1. What are your overall thoughts on the novel?

Jeskai Angel: The pacing was a little slow at times, but overall I enjoyed this light novel. Also, it bugs me that I can’t narrow down a specific reason, but this story felt strangely old, like I might have picked it up at the public library back in 1998. I’ve written before about how I think Unnamed Memory doesn’t “feel” like a typical light novel, and I experienced a similar sensation with Faraway Paladin, though I don’t think it was for the same reasons (e.g., how magic works is actually explained quite a bit in Faraway Paladin).

stardf29: Maybe it’s because the author took inspiration from traditional tabletop RPGs like Dungeons and Dragons, as opposed to video game RPGs like “typical” fantasy light novels?

Jeskai Angel: Ooh, that’s possible! It’s not exactly “You all meet in a tavern,” levels of DnD tropey-ness, but I can definitely see the DnD resemblance now that you point it out.

stardf29: This was definitely an interesting read that is quite different from the usual isekai light novel. It does feel a bit slow-paced because a lot of the beginning is so focused on Will simply growing up with his “parents” and learning about the world. That said, that kind of start is nice every once in a while; it is kind of like Mushoku Tensei in that regard. The worldbuilding is great because of it, and the conflict against the god of undeath is nice, too.

Beyond that, I do like how this story delves into various themes that are worth thinking about. It’s a nice, thoughtful light novel, and as much as I like my brainless fun light novels, having something like this is good for a balanced light novel diet.

2. What are your thoughts on the characters?

Jeskai Angel: By far, my favorite aspect of this story was the active role the gods played. It actually sort of resembles my favorite aspect of Spice and Wolf in that regard. In most light novels, either there’s no evidence gods are real, or they are deistic watchmakers who jump-start the story by isekai-ing the MC but thereafter take a hands-off approach to the setting, or they are benign comic relief. The biggest exceptions I can think of are Invaders of the Rokujouma!? and Is It Wrong to Try to Pick Up Girls in a Dungeon?, plus Tearmoon Empire (which, thus far, has strongly-implied-but-not-explicitly-confirmed divine intervention).

I think one way to summarize this volume is that it’s the story of someone (Will) coming to know and put his faith in a loving deity (Gracefeel). Since learning about the Lord and then choosing to devote oneself to him is fundamental to being a Christian, it’s actually kind of a relatable process. Gracefeel, as a character, walks a fine line, managing to be knowable while remaining mysterious. She’s not just a human with superpowers, but neither is she a total enigma. She’s also a rare truly benevolent god; her power is finite, but she consistently seeks to use it for good.

Stagnate was…peculiar. Like, if the author had added a line about Stagnate twirling his mustache while cackling evilly, it would have fit right in; he acts almost ostentatiously villainous. At the same time he, doesn’t feel quite as “evil” as he acts. He DID help with sealing away the demon king, and even if he had an ulterior motive, that doesn’t entirely invalidate the goodness of aiding the struggle against the demon king. Then there’s issue of death. Stagnate isn’t wrong to see death a Bad Thing (TM). I got the the sense that he really had at least somewhat good intentions behind his flawed approach to the problem of death. Even his nefarious scheme to ensnare Blood and Mary consisted of…arranging for them to raise the child they’d always longed for. Like, as far as villainous plans go, “Give a childless couple a baby so they can shower him with love” isn’t actually all that fiendish. I can’t be too hard on Stagnate if that’s the best he can do for an “evil” plan.

marthaurion: For what it’s worth, I don’t really think I got the same impression of stagnate as being overtly evil, but maybe I wasn’t focusing on that at the time. From what I read, it seemed like his motivations were rooted in a concept that made sense, but his implementation ultimately brings him at odds with others.

stardf29: I have to agree that Stagnate is not so much “intentionally evil” as much as a sort of “well-intentioned extremist”. I think it’s interesting that Stagnate was originally a “good” god, but would later “stray from that path”; it shows that, putting the initially “evil” gods aside, the gods are not actual moral paragons and are indeed falliable. I’ll have more to say on this in a later question.

Jeskai Angel: Will was surprisingly relatable. The way he described himself, I got the impression that he suffered some real trauma which caused depression or anxiety or some other form of mental ill health, and as one commonly sees in anime / light novels, he never got adequate psychological / psychiatric treatment for it. I also appreciate that his past-life memories were important yet not intrusive. By that, I mean that the story spend a bunch time dwelling on Will’s efforts to replicate modern technology, business practices, or Japanese food culture the way so many isekai protagonists do. That sort of thing is sometimes done well, but other times just feels like a cookie cutter isekai trope. Memories from his past are both inspiring and useful for Will, but they can only carry him so far, something he explicitly notes when talking about how Gus’s lessons eventually surpassed his past-life education level.

Will eventually does end up as an OP Isekai Protagonist (TM), but it feels “earned” in a narrative sense. He puts forth a ton of effort to reach the point of being OP, and even then, it’s not just efforts that make it possible. He never could have reached the point he did without all the care and teaching Blood, Mary, and Gus give him. Mater and Gracefeel also contribute to what he becomes. He isn’t just handed phenomenal cosmic power from the start.

marthaurion: For my impression of will, it was hard for me not to draw parallels to Mushoku Tensei, since both protagonists come from that similar thought of feeling like they want to make something more of themselves in their new lives. It’s hard not to feel like Will’s reincarnation is more of an afterthought whenever it comes up, whereas Rudy’s reincarnation seems to more actively inform many of his decisions. Ultimately, it seems like Will’s reincarnation is mostly meant to tie him to Gracefeel. To be fair, i think this is fine, but the other attempts to tie back to his old life don’t really hit home for me.

Also, I would agree that will’s abilities definitely feel earned, in spite of what I said earlier about how I compare him to Rudy.

It’s more of a commentary on how the reincarnation aspect ties into things.

Jeskai Angel: I haven’t read the Jobless Reincarnation light novels, and only watched the first few episodes before dropping the recent anime adaptation. That said…the big contrast I saw between Will and Rudy is that the former is a relatively good person and the latter is a relatively awful one. I got the distinct sense that Rudy, was a Jabba-the-Hutt-like sleazeball in his previous life, AND that he carried over his perverted habits into his reincarnated life. In that regard, at least, Rudy didn’t even seem to be trying to do better than in his previous life. Perhaps I’m off base in this, and Rudy wasn’t as bad as in his first life as the anime made him seem, or perhaps he eventually turns better in his second life. I just know that in terms of comparisons, I found Will vastly more sympathetic and likeable.

marthaurion: Is that so wrong? Even if I don’t have the same traits, I can respect that Rudy carries over parts of his identity while working past some of the traumas that held him back.

stardf29: Regarding Will, honestly, I don’t really have anything to add here that Jeskai hasn’t already said. I like how his past life memories have enough of an effect on his current self that you’re curious what his past life was life, but not so much that I want the story to actually explain it, leaving that in the realm of fascinating mystery.

Jeskai Angel: I appreciated how each of Blood, Mary, and Gus contributed something irreplaceable to Will’s upbringing. They were well balanced, and had a fun rapport with each other. I also thought it was a fun touch how the story emphasized that some of their knowledge was dated and they don’t really know anything about the current state of the world. I can’t help but suspect all three are some kind of allusion to Christianity, due to in their names. First, having a woman named Mary who ends up with a baby through unnatural means is…not remotely subtle. And once you’ve introduced that, the names of the other two start to seem suspiciously coincidental. “Blood” is in fact a very important thing in Christianity (e.g., the Lord’s Supper / Eucharist). And Gus isn’t in the Bible by his nickname, but “Augustus” (of the Caesar variety) does get a shout-out in Luke 2:1.

stardf29: Man, Blood, Mary, and Gus are great. They are such a great parental trio, with each of them having aspects that are different from each other that allow them to balance each other out, which overall makes them quite good at raising Will. It definitely made me sad that their time with Will ultimately had to come to an end. And I definitely found the use of “Mary” for the mother’s name strangely familiar…

Someone took some creative liberties with their nativity display.

3. What do you think about the setting/worldbuilding in this volume?

Jeskai Angel: Now that you’ve said it, the worldbuilding and setting seem clearly inspired by tabletop RPGs (or video games closely based on tabletop RPGs, like Baldur’s Gate or something), which in turn drew from older western fantasy works (from Greek mythology to Tolkien). It contains a lot of traditional elements, and the end result is something that in one sense feels creative and unusual compared to typical fantasy light novels, but in another sense more derivative than many other fantasy light novels. That is, light novels that don’t draw so heavily on traditional fantasy have room to sometimes do some really interesting things, whereas Faraway Paladin never completely loses that familiar “I think I might have read this in the ’90s” vibe I mentioned before.

marthaurion: I really liked how magic was presented in this world. It feels more grounded to think of it as something that isn’t guaranteed to succeed in a general sense. With that presentation, Gus’s philosophy of choosing words that have the safest failures rather than the most effective successes makes a lot of sense. It truly makes magic feel like a feat of intelligence, rather than just a question of how well you can time or aim the spell, as is the general impression in other fantasy settings.

As for the pantheon, I’m less familiar with kind of the “official” pantheons for D&D, so I didn’t immediately draw that parallel. I felt the similarities to Greek/Roman mythology a lot more strongly when I was reading, where the gods are just presented as very powerful beings that preside over processes.

stardf29: As mentioned before, the current highlight of the worldbuilding is in the gods and how they relate to the people of the world. I do like how the worldbuilding is presented over time, as if we are learning about it alongside Will. This is especially notable since this first volume only takes place in a small area geographically, so there’s still a lot of world for us to learn as Will explores outside the city of the dead.

Also, I like how magic in this world works. It’s not just “oh yeah people can use magic,” nor is it too videogame-like or overly “scientific”. There’s a greater sense of mystique thanks to the connection to the “Words of Creation”, and even Will himself mentions it’s more like classic fantasy novels in this way.

Now, about those gods. As I mentioned before, the “good” and “evil” designation of gods is not static, and that does make me wonder a few things. For one, what exactly defines what makes a god “good” or “evil”? Gus does say at one point that he considers those designations something that their followers, i.e. the people, decided, and that makes me curious as to the greater religious sociology of this world. It also makes me wonder if there are any cases where an “evil” god ends up being more “good”…

4. What connections does this volume’s story have with our Christian faith?

Jeskai Angel: The conflicting divine approaches to death provide fascinating contrasts with the third possibility Christianity teaches. Gracefeel represents reincarnation with no memories. Life ends in death, but then restarts from scratch. In this system, a soul is basically an Etch A Sketch, getting erased & reused over & over. I find this a deeply unsatisfying concept because it makes one’s life meaningless. It doesn’t matter what you do, eventually you’ll die & get erased & nothing about you will carry over. This approach leaves no room for reward or judgment. It actually reminds me a bit of some of my issues the versions of predestination/election found in some circles of Christianity, in that by say God absolutely predetermines the outcome, they risk making this life meaningless.

Stagnate has beef with this, & thus offers undeath as an alternative to reincarnation. Your identity won’t get erased, but you’ll be stuck as some damaged or half-destroyed version of yourself (e.g., a skeleton, zombie, or ghost) that isn’t truly alive. By offering some degree of continuity, Stagnate’s undeath does have an advantage over Gracefeel’s soul recycling bin. Unfortunately, it’s rightly called ‘undeath,” not “life.” The solution to death needs to be life, so in that respect Gracefeel’s approach has an edge over Stagnate’s.

Finally, there’s Christianity, promising a transformative bodily resurrection. Gracefeel & Stagnate only have workarounds to the problem of death; they can’t do anything about death itself. On the other hand, in the person of Jesus, Life directly challenges & overcomes death. In the resurrection, we will still be ourselves in some meaningful sense, unlike Gracefeel’s reincarnation. But unlike with Stagnate’s static, flawed imitation of life, we will be truly alive as transformed, perfected versions of ourselves. In short, the contrast between Gracefeel’s reincarnation & Stagnate’s undeath really drives home how awesome our Lord’s promise of resurrection is.

stardf29: So one of my favorite moments in the novel is when Mater protects Mary, and shows that Mary’s “punishment” was entirely self-inflicted, and that Mater had long forgiven her. It’s a good picture of grace, and how we can sometimes believe we are being “punished” by God, and perhaps even try to punish ourselves, even though God has already satisfied all need for “punishment” through Christ’s death. Sure, we have to deal with consequences of our actions, but that is not some kind of divine judgment.

Now, this story’s theological worldbuilding is based on the idea that “if good is created, then evil must be created to balance it”. There’s also how Will feels like he needs to fear death in order to feel like he truly is living, in opposition to Stagnate who wants to remove death entirely. It’s this idea of “balance” that I think comes from one of the major Eastern religions (will have to do some more research on this) and is fairly popular in fantasy works. It’s certainly a nice-sounding idea, but I think Christianity shows how we can look forward to a future without death, and not feel like we’re “missing” something because of that.

The contrast with Stagnate, as Jeskai pointed out, is particularly helpful because it shows that eternal life, separated from God and His perfect design for life, is pretty crappy. (And I have to agree that Gracefeel’s reincarnation of souls feels rather empty.)

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Thank you for checking out our discussion on The Faraway Paladin, Vol. 1! The series is available digitally from J-Novel Club if you want to buy this volume or any later volumes for yourself, with a hardcover print edition planned for release in March 2022.

Discussion on our next Light Novel Club title, Tearmoon Empire Vol. 4, has started on the Beneath the Tangles Discord! The discussion will be open throughout the month of August, so there’s still time to read the series and join our discussion.

If you want to prepare for the novels we are discussing later in the year: In September 2021, we will be discussing Sword Art Online: Progressive, Vol. 1! And if you want to know what we are discussing in October 2021… we will be discussing the next novel in the “Rascal Does Not Dream…” series, Rascal Does Not Dream of Petite Devil Kohai!

#Light Novels #Christianity #The Faraway Paladin #Saihate no Paladin #BtT Light Novel Club #Articles #Author: Jeskai Angel #Author: stardf29 #Author: marthaurion

[veronicamarsconfessions]

When Hulu announced it was reviving the cult favorite Veronica Mars for an eight-episode fourth season, the new episodes were initially referred to as a limited series. But in the year 2019, the phrase "limited series" also holds no meaning. If a show is successful enough, a network or streaming service will find a way to bring it back. Veronica Mars creator Rob Thomas has been vocal about his desire to continue Veronica's story beyond this new season, which Hulu refers to as Season 4, while series star Kristen Bell would be happy to play the show's eponymous sleuth until "until everyone in Neptune is dead." And for most of Season 4, that felt like a real possibility.

Although the show may never again reach the exciting highs of that first season, for a little while, simply being in Veronica's orbit again was enough to keep viewers happy and entertained. However, in the wake of the shocking, and frankly unnecessary, death of Logan Echolls (Jason Dohring), whom Veronica married in the finale and who was a key part of the show's enduring legacy, it's difficult to see how the show can continue with the same level of fan support that twice brought it back from the dead. And yet, Thomas is still hoping it will.

"The hope we have going into these eight episodes is that we get to do more of them. And my belief is that those will be better with Veronica Mars as the lead of a noir detective series who does not have a boyfriend or a husband," Thomas explained to TV Guide. "In order for us to keep doing these, I think it needs to become a detective show — a noir, mystery, detective show — and those elements of teenage soap need to be behind us. I sort of viewed these eight episodes as a bridge to what Veronica Mars might be moving forward."

Thomas said he wants to continue Veronica Mars as a Sherlock-esque series, one that can hopefully return with new seasons whenever Thomas and Bell can make their schedules align. This hypothetical version of the series would find Veronica solving different cases around the country, and a significant other for the show's heroine apparently doesn't fit into that plan. But the power of the Logan-Veronica relationship and what it meant to fans of the show should not be underestimated. To assume that viewers would even be interested in a Logan-less Veronica Mars almost feels like a fundamental misreading of the fandom.

Of course, this isn't meant to suggest that Veronica Mars cannot exist without Logan — that would be to belittle Veronica and her many achievements; although Logan clearly left an indelible mark on her, Veronica has accomplished plenty on her own without him, and she will no doubt find similar success in the future, especially if she stays in therapy and learns healthy methods of coping with her trauma. But at the same time, Logan is still a major character who was both deeply loved by Veronica and greatly beloved by a number of the show's fans. His sudden death and the reasoning behind it feels like a betrayal that becomes even more painful when you consider Logan's secretive military career would have been an easy way of writing him out of future installments without piercing the hearts of fans everywhere.

Further explaining the difficult decision to kill off Logan, Thomas revealed he worries that whenever a show reaches a romantic conclusion — like, say, a wedding — it also reaches a finale of sorts, and he's not ready for Veronica Mars to be over. This argument not only feels a bit dated, but it also feels a little misguided when a show like Friday Night Lights has already proven that a happy couple in a lasting, loving relationship can make for compelling television, or when series like Bones, Brooklyn Nine-Nine, and Parks and Recreation have shown us that will-they, won't-they couples can get together without signaling the end of the road.

Knowing this, Logan's death feels needlessly cruel like it was a narrative decision seemingly meant only to further torment Veronica and leave her cold and isolated. While you can argue it serves to once again show just how resilient Veronica is in the face of adversity, how she always gets back up after the world has knocked her down, how much pain and heartache does Veronica have to go through before saying enough is enough? It's honestly exhausting. So, if fans are tired of seeing Veronica constantly having to endure a painful existence to somehow prove she's a great heroine and they choose to no longer watch the show because of this latest development, it's perfectly reasonable. And if fans are angry that Logan is dead and choose to no longer watch Veronica Mars because of this, it is pretty understandable too. However, even if fans can somehow stomach the idea of a Veronica Mars without Logan Echolls, Thomas' vision for the show's future raises more issues. Mainly, new seasons would find Veronica alone, separated from the town she knows and the people who call it home, and this would mean erasing yet another fundamental part of the show.

For four seasons (and a movie), Neptune and its inhabitants have added depth to its rich and rewarding story. Creators love to describe the location of a series as if it's a character in the story, and this is most often a frustrating sentiment that has lost all meaning through overuse, but Neptune is truly an example of a location that has played a major role in shaping not only the show's characters but also its ongoing narrative. Although the town is no longer the same as it once was — the class war and accompanying social commentary that dominated the series from the start is over after these eight episodes, as the town's wealthy elite have succeeded in pushing the working class out — that doesn't necessarily mean the best course of action is for Veronica to skip town and solve cases around the country. Like many shows before it, Veronica Mars is the story of a specific place, and if the show is to continue beyond these eight new episodes, it probably should remain committed to telling the stories of Neptune — at the very least Southern California — if for no other reason than the fact the show owes a lot to the exceptional supporting cast that calls it home and has brought its story to life since 2004.

After all, if Veronica leaves Neptune, where does that leave her father, Keith (Enrico Colantoni)? Thomas said the character may not make an appearance in hypothetical future seasons of the show, and that almost feels incomprehensible. Veronica's relationship with her father is the bedrock upon which the series has rested since the pilot. Even when the show was at its most uneven you could count on Veronica and Keith's powerful family dynamic to ground the story emotionally. And although Veronica is now an adult in her 30s, their relationship is the single most important relationship in her life in the wake of Logan's untimely death. To remove him from the equation entirely threatens to disrupt far more than the status quo, which is what Thomas's intention is by taking Veronica on the road. A Veronica Mars without Keith's stabilizing presence would make for a shell of a series, one that would only be further harmed if Veronica's chosen family — Wallace (Percy Daggs III), Mac (Tina Majorino), and Weevil (Francis Capra) — were to suddenly disappear from her life as well.

Now, the show hopes to minimize this instability by essentially skipping over Veronica's grieving period. As Thomas said, one of the reasons the season includes a flash-forward is so the series doesn't have to spend time actually depicting Veronica's grief. "Our bread and butter is being quick and funny, and I'm not sure it'd be to our benefit to living a year in Veronica's grief on our show," Thomas said, noting that by the end of the season Veronica is actually getting her feet back under her.

But even if Veronica has recovered from her latest trauma, Logan's death is still raw for viewers, and it's painful enough without having to consider that every familiar source of comfort could be ripped away at once in the potential next season. Even beyond the show's core supporting cast, Veronica Mars is home to a memorable motley crew who have brought Neptune to life, and their presence in future installments, no matter how small, would be a cool balm on fresh wounds. Plus, what does the show look like without them? Ryan Hansen's self-centered party king Dick Casablancas, Max Greenfield's charming Leo D'Amato, Ken Marino's skeezy private detective Vinnie Van Lowe, and Daran Norris' reliable public defender Cliff McCormack have all become fan favorites. They each play a necessary role in the show's ecosystem, much like the Fighting Fitzpatricks or the PCHers have done over the years.

Veronica Mars has excelled at building out its little corner of the world by populating it with unique but believable characters, and it's not to suggest that a version of the show that exists outside the world of Neptune won't be able to successfully reach the same depths or recreate that magic in the same way, but it will have to work a lot harder to do it, especially if future seasons once again have a limited episode count. Furthermore, even if new seasons turn out to be good, the truth is that a Veronica Mars outside of Neptune, one without any familiar faces in sight, would feel like a very different show, one that threatens to not feel like Veronica Mars at all.

Veronica Mars helped to usher in the tidal wave of revivals and reboots that is still washing over Hollywood some five years after the fan-funded feature film hit theaters, and when this second revival was first announced last year, I wrote that the show should also be the series that puts an end to that trend too. It was a plea in favor of originality at a time when original ideas felt about as impossible as a unicorn. I still believe this should be the end of the revival trend, but now it's because this is a classic case of the writers thinking so much about whether or not they could do something that they didn't stop to consider if they should. In the end, we got eight more episodes of Veronica Mars, but it came at a deadly cost, and now we live in a world where Logan Echolls is dead and Veronica Mars is leaving Neptune. Was it really worth it?

#Veronica Mars #Kristen Bell #Rob Thomas #HULU #Logan Echolls #news

[avauntus]

Supernatural - a retrospective

This is super self-indulgent, and I have so much else I’ve promised-- I owe a long-fic rec post, and ao3 comments, wip work, and that’s just my fandom stuff I’m behind on. *sigh*

But it’s late on a Saturday and now I’ve finished Supernatural, I want to share what I think are my top few eps, and a few other comments. I promise some of this will be different from the “greatest hits” you probably usually see, and I’ll try to make it worth your time. *wry smile*

Look, we have to have categories like: “Most Likely to Live in My Head Rent-Free for the Rest of my Life” and “Most Likely to Inspire Unnecessary Fanfiction” that are different from “Favorites,” because that’s just the cursed energy this show has. ;-)

My top five

#5 - 13.01 - “Lost and Found”

Written by: Andrew Dabb | Directed by: Phil Sgriccia

In fandom, this is most often referred to as the start of the “Grieving Widower” arc, tongue-in-cheek. Also has Alexander Calvert (Jack) walking around completely in the nude for the first third of the ep. (Neither of these are why this is in my top 5, but he has a good story about wardrobe for his ‘first day.’) 

I didn’t expect much out of this episode the first time I watched it, but I’ve gone over this ‘section’ of the show maybe 3-4 times in my Netflix catch-up, and I watch this one in full every time. From Jack being...not at all what anyone expected and an unsteady vindication, to the stunning cinematography (there’s a post that compares shots to Brokeback Mountain, but I think the shots here might be better), to the sheriff who takes the time to remind her deputy that “...there’s no such thing as ‘weird.’ Everyone’s normal in their own way,” to the slow reveal of exactly how hard the events of the previous night (12x23 - All Along the Watchtower) are hitting Dean and Sam and in different ways...(how long the episode takes to reveal to you how Dean fucked up his hand, and what he was saying when he did. Augh!) The Winchesters are trying to rally, but they have been taking hits for a long time, and the cracks are showing.

 #4 - 15.06 - “Golden Time”

Written by: Meredith Glynn | Directed by: John F. Showalter

Supernatural  has a terrible track record with representation in all stripes. It is infamously consistent in killing off anyone minority, female, or non-White. One of the interesting things about the chaotic meta-narrative of season 15 is you can see the lack of fucks some of the writer’s room had to give about not even being subtle about tearing down that type of ‘White-male-hero-journey” now that they were in a literal “what will they do, fire me?” situation.

I’m a Cas fan, and this episode, which gives him an actual, ‘case-of-the-week’ hunter’s narrative where he gets to save the day on his own, successfully, was wonderful. I love that for him! But more than that, for me, this episode is emotional to me for other reasons-- the way Dean and Cas circle around each other on their angry phone call (with the body language! They are broadcasting so LOUD and neither can see because they’re on the phone!), Sam’s story here, where he’s inheriting things from Rowena that allow him in turn to save Eileen, to Cas’ speech and quick anger at the lake when you reflect on his entire journey of self-realization from a soldier of blind faith to an agent of free will... “You selfish little men in your positions of authority...” I just... *clears throat, grabs tissue* 

#3 -  6.20 - “The Man Who Would Be King”

Written & Directed by: Ben Edlund

Speaking of Cas’ journey... I know some folks don’t like the angst and drama of the ‘Heaven and Hell’ plots of Supernatural, but I am here for it. Oh, did we need another reason to include this episode? This has some of the most metal quotes I have heard from any TV show. Ever.

I mean, look at this:

“If I knew then what I know now, I would have said: Freedom is a length of rope. God wants you to hang yourself with it.”

“Explaining freedom to angels is a bit like explaining poetry to fish.”

The delivery of: “It's not too late. Damn it, Cas! We can fix this!” “Dean, it’s not broken!” is one of those Supernatural bits that will live in my head until the end of time. All of Edlund’s episodes are among my favorites, but this (along with “5.04 - The End”) was on another level. 

#2 - 5.16 - “Dark Side of the Moon”

Written by: Andrew Dabb & Daniel Loflin | Directed by: Jeff Wollnough

I think of this episode every time  I hear Bob Dylan sing “Knockin’ on Heaven’s Door.” This is kinda a giant montage episode, but the connecting concepts are so...satisfying. 

“Heaven is your favorite memories.” “ It’s called the axis mundi. It’s a path that runs through heaven. Different people see it as different things. For you, it’s two-lane asphalt.” “This is your idea of heaven? Wow, this was one of the worst nights of my life.” “I don’t think I realized how long you’ve been cleaning up Dad’s messes.” “It’s awesome to finally have an application—a practical application—for string theory.” “Everyone leaves you, Dean. You noticed?” “Why is God talking to me? Gardner-to-gardener, and between us, I think he gets lonely.” “You son of a bitch, I believed in... ” Whoosh.

#1 - 4.01 - “Lazarus Rising”

Written by: Eric Kripke | Directed by: Kim Manners

So...this is the episode where Castiel, angel of thee Lord, shows up. And that’s primarily why it earns the no. 1 spot, because 80% of my enjoyment of Supernatural from this point on was Cas-adjacent. Plus this entire episode just hits. ALL OF IT. Dean’s homecoming. Ruby, my darling. Bobby’s entire vibe. Pamela Barnes, easily one of the most interesting women Supernatural ever introduced. Cas being so hot to say “Hi” to Dean he forgets he wounds people. 

But beyond that-- the way the show writes their ‘oh, by the way, angels’ narrative! If you haven’t seen this episode, would you believe me if I told you that THIS EPISODE, the episode where Supernatural said “canonically, Judeo-Christian Heaven is real, btw” involves no churches but does involve a séance, a soulmark handprint brand, and a himbo angel that “gripped you tight and raised you from Perdition”...but they were all “no homo, guys” for years?

Truly no one was out here doing it like Supernatural even back in 2008.

Others--

15.18 - “Despair” 

“Most Likely to Live Rent-Free in My Head for the Rest of my Life”

Written by: Robert Berens | Directed by: Richard Speight, Jr.

You know why this episode is here. It broke reality. I could be wrong-- but I’d put good money on this episode being the subject of academic theses in the future. That doesn’t automatically make for interesting story, but...

Has there ever been a case, in a mainstream US TV show where a major lead character (Cas) came out as queer so late in the game in a narratively-important way? I’m not aware of it, but I might just be behind on my television.

This episode has great writing, and (blessedly) amazing direction and blocking anyway. Check out the above gif - that is some next level foreshadowing going on in the cinematography, and this isn’t even the most remarked upon shot in this episode. (Seriously, I had to search for 40 minutes for this gif, please respect my game, lol.) Everyone who was involved in 15x18 is giddy talking about their investment, from the costume designer to the actors to the director to the writer...

...And then a bunch of them steadfastly have avoided posting much Supernatural-related since. So that’s...loud. There is a bunch of subtext in this episode that is screamingly loud; there is a bunch of text in this episode that makes several things clear fandom has been chattering over for years and years. The meta-commentary around this episode continues, months later. There are over 700 fics on AO3 with this episode tag.

I have more to say about the themes of ‘free will’ and ‘love’ and ‘identity’ tied to this episode, but seriously-- you’ve probably read 17 versions of it on Tumblr already, so.

This is the last time we see Cas, and the last time Supernatural can claim anything close to narrative consistency. For that alone, it’d earn free head-space.

Runners-up: “4.20 - The Rapture”; “5.04 - The End”; “7.21 - Reading is Fundamental”; “8.21 - The Great Escapist”; “9.06 - Heaven Can’t Wait”; “12.19 - The Future”; “14.08 - Byzantium”

6.17 - “My Heart Will Go On”/8.07 - “A Little Slice of Kevin”

“Most Likely to Inspire Unnecessary Fanfiction”

Written by: Eric Charmelo & Nicole Snyder (6.17); Brad Buckner & Eugenie Ross-Leming | Directed by: Phil Sgriccia (6.17); Charlie Carner (8.07)

Usually the show kills off it’s “one-episode” female characters, but do you know one time it didn’t? When the Moirai (the Fates - specifically Atropos, the shearer of the Threads of Fate) showed up in canon in 6.17. She was posited to have “two older sisters that were bigger than her- in every sense of the word,” ...and Castiel had to back down when she challenged him to a cosmic game of chicken over the Winchester’s lives.

Then they never returned to that idea again. 

“A Little Slice of Kevin” is on here for the opposite reason -- an amazing idea that was really underwritten in the episode it showed up in. Dean Winchester has been dragging himself across the fabric of universes; the literal Word of God is in play in a warehouse in Middle America; Cas is back from Purgatory, but what does that mean, micro and macro? As a person on the street, what would it mean, or feel like, to learn you were a Prophet of the Lord, uncalled? That what you are, everything you are, is a cosmic contingency?

Maybe Fate has an opinion on all these shenanigans?

Perhaps all that doesn’t make sense, but it certainly made an impression on ~2012 me. To this day, it remains the WIP I can open up and fool myself with the ‘twist.’ I wish I remembered where I was going with it so I could finish it.

Runners Up: “2.20 - What Is and What Should Never Be”; “5.04 - The End”; “6.15 - The French Mistake”; 12.12 - “Stuck in the Middle (with you)”; “13.05 - Advanced Thanatology” “14.03 - The Scar”; “14.10 - Nihilism”; “15.15 - Gimme Shelter” ... and “15.20 - Carry On” (obviously)

Fifteen seasons. There were plenty of other episodes I loved that didn’t make these limited lists. But overall -- thank you, Supernatural, for the run. Even if I’m upset at the ending, I can appreciate the game. If you watch the show, what were your favorite episodes?

#spn #supernatural #meta #review

[dailyaudiobible]

02/01/2021 DAB Transcript

Exodus 13:17-15:18, Matt 21:23-46, Ps 26:1-12, Pr 6:16-19

Today is the 1st day of February, welcome to the Daily Audio Bible I am Brian and it's great to be here with you today. Obviously it’s a special day because we’re transitioning into the second month of the year, but it’s a special day because we've completed a whole month together, which means we are settling into a rhythm and we are settling into community for the year. It's…it’s interesting. If we…we make it to Valentine's Day, then the chances are really good that we are going to make it through the year together. And, so, well done for making it all the way here to the second month of the year. Let’s just take a second to think back. It's only been a month, but look at all that has happened. We…we found our origin story. We discussed that. We found out in the third chapter of Genesis what happened to us. We know this is the fall of man. We…we saw the repercussions of that immediately, both in the world and in the human heart. Mankind was naked and unashamed. That was the natural state of things. That’s how it was supposed to be both inward and outward week. We weren’t supposed to have to hide. We weren’t supposed to have hide from each other or from God. But that's what happened, naked and ashamed and hiding. And that's what we see everywhere we look, including in the mirror. And, so, we got some context. And we went through famous stories that we've probably heard our whole lives, like Noah and the flood. And we then met this man Abram and God calling this man Abram to a land he didn't know and giving a promise for this land and changing his name to Abraham and entering into a covenant with him. And then we watched the miraculous story begin to unfold as generations passed to new generations and more and more children were born. And, so, Abraham has Isaac. Isaac as Jacob. And we hear this often in the Bible, “the God of Abraham, Isaac and Jacob.” And then Jacob's name was changed to Israel. And all the sudden we have a context for what we hear about the children of Israel. The children of Jacob and his offspring, the children of Israel. And we watched the story of Joseph at length, one of the children of Israel, who was trafficked by his brothers into slavery in Egypt. We watched God save Egypt from plague, saving Joseph's family in the process. And then we watched them prosper in…in Egypt, four centuries. Like, four centuries, but they were enslaved and then we met another powerful pivotal figure in the Scriptures named Moses, who was sent back to Egypt to be the…the prophet of God and to demand the freedom of God's people. And that brought on all these plagues that we’ve been reading about the last few days. And that's where we find ourselves. The final plague has descended upon Egypt. The…the children of Israel have been forcibly forced out of Egypt. And that's where we pick up the story as we begin this second month of the year. And we’re reading from the Voice Translation this week. Exodus chapter 13 verse 17 through 15 verse 18.

Commentary:

Okay. A few things we should probably take note of from our reading today because they will help us with our day and our week and this brand-new shiny sparkly month that we find ourselves in. Let's go to the book of Exodus first. The children of Israel have been set free from the bondage of slavery in Egypt. And we watched all of that unfold plague after plague after plague sort of systematically dismantling Egypt. And Pharaoh's arrogance in believing that he is a deity, that he is divine, that he is a God himself, and who is this Hebrew God that would come. And you can kinda get in his head and understand why he would think this. If he has been raised to believe that he is a child, a son of God, that he is the Pharaoh, like a divine being upon the earth, the king of Egypt, and he has a population of people who are his slaves and this population of people who are his slaves come and say, “our God says that you should let us go.” I mean if you think you are divine yourself then you would be thinking, “well, at bare minimum you are my slaves. Whoever your God is is no way near as powerful as the gods of Egypt or me.” So, we can see him resisting and we can see God just demonstrating His power before them at first but then things definitely begin to take a more serious turn and things amp up all the way until Pharaoh and the Egyptians demand the children of Israel leave, which they did. And then we…we read something really interesting that could really help us in our lives. So, the children of Israel were freed from slavery. They entered the desert because that's…that's the way to go to the promised land, across the Sinai Peninsula, but God did not lead them by the shortest, easiest coastal route. He led them deeper into the desert. So, in other words, He set them free and did not give them any easy path, did not give them the most straightforward path. There was work to be done in that desert. And we’re in that desert now, right? They’ve crossed the Red Sea and they are on the other side of the Red Sea, but they are in the desert and they are going to be there, and we are going to be there with them for what feels like an awful long time, 40 years to be specific. Actually, even more than that. And, so, we’ll be spending some time in the desert. And this is our desert portion of the year and we need to embrace it because there are so many lessons in the wilderness. And I mean that metaphorically in our lives, but I also mean that literally in the stories that we’ll find in the Bible that come from the wilderness. So, the children of Israel are in the wilderness backed up to the Red Sea when they notice that an army is coming against them. And the closer that tis army gets the more they realize these are the Egyptians. This is the Egyptian Army coming to destroy us and re-enslave. Of course, the Egyptians and Pharaoh after they…after they let the people go, they start imagining the repercussions. This is going to be devastating to their economy because now you have…you have about a million people that are your slaves that have been propping things up that you've set free. And, so, they’re reconsidering and hardening their hearts again. And they’re gonna go back and get going back and get the Hebrew people. Meanwhile the Hebrew people are kind of boxed in. It’s the wilderness in front of them, the Red Sea, the ocean behind them and the enemy army is bearing down upon them. We could pause here and just think about seasons in our lives where we have felt trapped and boxed in, like where there is literally no good way to go. The enemy is coming down against us. It’s the sea behind us and the mountains and the wilderness before us. There is no way to escape. And, so, the Hebrew people do basically what we would normally do. They start to complain and gripe about the predicament they’re in because now God has come to set them free and things have only gotten worse again. Do you see a theme emerging, though? Is this not the story of Joseph where when he did everything right things only got worse? So, they're ready to abandon Moses, see if they can maybe go back to Egypt and become slaves again because that might be better. While here's this army that’s gonna destroy them. They are trapped. And God speaks to Moses and Moses speaks to the people. The only thing you need to do is shut your mouth and watch this. This enemy that you see today you will never see them again. And that is indeed what happened. And that is indeed something that we should put in our pocket or purse and carry around with us for the next year.

Then we move into the book of Matthew. The religious leadership, we are talking about the clergy, right? We are talking about men of God who are leading the people are getting pretty fed up with Jesus. God in flesh. Like, they do not believe. And, so, they confront Jesus about how…who gave Him permission to do what He's doing. And, of course, as we have come to notice in the first month of the year Jesus is always going to speak to the truth of the situation. He’s always good to talk to the plot behind the story. He knows that what's being presented is a mask, that everyone is naked and ashamed and hiding. And, so, He's like, “well, let me ask you a question.” And He talks about John because they didn't believe in John either. And, so, Jesus ends up telling the story about a man who had a vineyard and he fixed it all up and got it ready for business, and then he leased it and went away and when a  harvest time came he wanted his share of the harvest, but the tenants refused became rebellious, beat up the people who came to collect the harvest on a number of occasions until the master sent is heir, his son to come and collect because he's the heir, he that…he's the owner. And, so, they should respect the owner of the vineyard but they don't. They conspire to kill him, which is what they do. And then Jesus asks the religious leadership what the Masters gonna do. And they immediately answer, “the master is gonna destroy those people.” They were speaking out their own future essentially, because in the story the vineyard is the Kingdom, and the master is the Father, and the Son is Jesus. And this story is an interesting warning about religious dominance. When religion is used to ensnare or entrap or control people then there is no value in it. That might sound bigger than it should. But it's simply the story that's coming out of all of the Gospels. The people that were against Jesus were the people of God, God's leaders who did not recognize that God was doing a new thing in the world and did everything to destroy that new thing including...including killing God, including killing Jesus. God made flesh. So, we should get some clues that this journey we are on as we walk alongside Jesus and listen to what He has to say and watch the away that He operates and observe His character that we may find a bunch of challenges, that we may need to listen to Jesus instead of what we've been told about Him, that we might need to press in closer and deeper as we watch the amazing and that's an understatement…the amazing thing that God had chose to do when He chose to come and rescue people again from slavery. Slavery to the oppressiveness of what was going on around them in their culture and slavery to sin. And we also may need to understand that when we become free we may not be taking the easy road. We may need to go into the wilderness because there is work to do there.

Prayer:

Jesus, we invite You into that because it doesn't sound like it would be fun. We don’t want to go wander in the wilderness. We felt like we did that all year last year. And yet the thing You are after is our freedom. And we confess that even as we see it in the Scriptures, we see it in our own lives. We fight You on that because it might be hard, it might be difficult. We might have to endure. It may get more difficult, before it gets easier and we don't like that. We don't like that. And yet You've been very clear all along that there is a narrow path that leads to life and that that is the path that leads to life and few ever find it, but wide is the road to destruction, the easy path. And, so, as we move into this second month, we are inviting Your Holy Spirit to begin to align us with where You're going, to begin aiming us in the direction we need to head in no matter what it looks like because we as the children of Israel are going to have to learn that there is no other hope outside of You. You are the only hope there is and we must trust You utterly. Come Holy Spirit we pray. In the name of Jesus, we ask. Amen.

Announcements:

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And, as always, if you've a prayer request or encouragement, you can Hotline button in the app, which is the little red button up at the top or you can dial 877-942-4253.

And that's it for today. I’m Brian I love you and I'll be waiting for you here tomorrow.

Community Prayer and Praise:

Hi, my DAB family this is Truly Thankful Taylor just wanted to say hi tonight. I have three of my little ones with me…2 littles and one teenager. Girls do you wanna say hi? Hi. We've been talking about our reading for today in DAB Kids and Chronological and all the different stuff 'cause all of our family are doing different ones. Some of us are doing all five in English. Some of us are just doing Chronological or kids and we're just loving God's word even more but we were talking about having faith as small as a mustard seed that it can move mountains. So, each…two of the girls wanted to pray tonight. So, sister do you want to start? What did you want to share? That people would have faith in God and that people would love God even more and let Him be in their heart. Jesus thank you for the day. Thank you for everything you have done. Thank you for being our God. And I want to…I want people to let you into their heart. In Jesus’ name. Amen. OK sister. Jesus thank you for the day that we have faith in us and faith in Jesus and that everyone starts praying and those who don't pray now pray. And have Jesus where? In our faith, in their heart. That's right. We pray all this in Jesus name. Amen. Love and blessings everybody. Bye. Bye. Bye.  

Hi, my name is Luanne from Texas. I just want to say thanks. This journey so far has been so good and so revealing. It's been so wonderful to watch the creation and then the de-creation and with the New Testament seeing what the recreation could be. I'm just so grateful. I'm grateful for Brian for this. I'm grateful to the community who’s reading it along with me and it's just been so healing after 2020. I'm just so grateful. So, Lord I just ask that for those who are weary, come. Come to the Bible. Sit with us and learn and you will find much joy. I ask this in our most holy savior's name, Jesus. Amen.

Good morning fellow DABbers this is Sally in Massachusetts Amazed by Grace it's January 27th and I am so thankful this morning that I listened as I do most every day to the DAB and so blessed by the word of God and so encouraged today as we read of Moses and Aaron and pharaoh and the people, how God works through everyone to carry out His plans and purposes. He worked through pharaoh. He worked through Moses. He worked through Moses mother and father. He accomplishes purposes through people and He's accomplishing His purposes in and through each of us day by day as we yield to Him. And I'm just so thankful that we worship a God of power, a God of a plan, a God with purposes. And I am so thankful that we have this family to worship God together, to encourage and strengthen each other. Thank you, Daughter of the King from Tennessee. I so appreciated your prayers and your thoughts today. And Pamela from Pennsylvania how easy it is. I have also often been guided by fear instead of faith in making decisions. And dear brother McQueen from Utah. Lord we pray Your comfort to this family. Thank You for Betsy Lopez and the wonderful grandma she was to him. We pray Your comfort to this family at this time. And Lord we thank You that although world at times feels like it's out of control You are God alone from before time began and You are on Your throne because You are God alone. Increase our faith in You Lord we pray and thank You in Jesus’ powerful name.

Hello Daily Audio Bible my name is Gail and I'm calling from Las Vegas. I'm calling in response to a boy that just called in about his grandma, Grandma Lopez who was in a car accident and he wanted to get the word out to us about his grandma. I am so proud of you for the courage that you showed to call in and let us know what happened to your grandma. I felt that you two had an amazing relationship and you were so close. And I bet you miss her. I really know that you miss her because you wanted to make a lasting memory and let us know that she died, and it was important to you to get the word out. So, I applaud your courage sweet boy and I just wanted to say that we hear you and we are praying for you. Keep calling in. Keep calling in. We love to hear from you. Bye for now.

Good morning Daily Audio Bible I'm calling in to speak to Golda McQueen. Young man your courage to send in the message to speak to the people about your grandmother and her legacy of love in your life touched my heart in so many ways to remember my own grandmother. I want to know not only Betsy Lopez will be remembered today for her own life but for the life that she poured into you. And I just want to encourage you with two verses that I thought of when I heard you speaking. Exodus 4:12. So, go Golda. I will be with you. When you speak and I will give you the words to say. And in Acts Jesus himself came to Paul and encouraged him to keep speaking. He said in acts 18 9 and 10 during the night Paul had a vision and the Lord said to him don't be afraid and don't stop talking to people I am with you and no one will be able to hurt you. Many of my people are in the city. Heavenly Father I pray You pour out a triple blessing upon Golda McQueen as he goes to the funeral of his grandmother whom he loved so much and wants her to be remembered and it made such an impact to remember my own grandmother I know prayed for me, but I never got to grow up with her. So, I…I thank you Golda. You have touched my heart in ways you'll never know until we see each other in heaven. God bless you son.

Hello, my name is Richard today is my first day listening in several years. I just listened to February 27th recording that I was blessed by. Some of you may remember I was Richard from Mississippi back in 2018 I went through a divorce. I moved back home to Arkansas. That’s where I stay at now. I work for my dad part time. I just wanted to introduce myself. I'm trying to get back into reading the word and listening to DAB every morning. So, I covet your prayers that you would pray for me as I establish a new habit and to know the Lord. Bless each and every one of you in Jesus’ name.

Good morning this is Radiant Faith in Georgia. I'm listening on January the 27th and I just heard a young man from Nevada I believe his name was Golda McQueen. He's nine years old and he was on his way…I hope I can get this out. He was on his way to his grandma's funeral. I'm a grandma and this just really touched my heart, the love that he had for her. He said that it's hard to get messages out from where he lives and he's only nine years old but let me tell you something, we heard you loud and clear. We heard the love that you had for your grandma and I just pray, and I believe that Jesus let her hear you. Oh, Lord I know she was proud of you.

[ingek73]

The Curious Case of William’s Care for Harry

By Irene May 15, 2020 24 Comments

The Curious Case of William's Care for Harry

The Curious Case of William’s Care for Harry. There is not a day that passes without the British and Royal press blasting some headline about Prince Harry or Duchess Meghan, which news supposedly came to them via a well-placed source or a “friend”. Never mind that Harry and Meghan categorically stated that no one in the palace, or any royal source, well-place or whatever speaks for them. You see, since Harry and Meghan formally stepped back from their roles, there has been this insidious strategy to strip Harry of his agency and autonomy as a fully formed and accomplished human. Why would this be necessary? I think it’s a two-pronged aim.

First, it is obvious that despite the abundance of documentary evidence about Harry’s own feelings about remaining within the institution of the monarchy- ones that pre-date his meeting his wife- and since then, just the wretched way in which the media, some in the country and his royal family have treated him and his wife, the media and its puppet masters are trying. Trying to get us to take our thinking caps off and believe that Meghan alone informed their decision to step back. In the face of all logic and reasoned consideration, the powers that be are desperate to persuade us that Meghan is the big bad wolf. It would appear she’s the thing they fear or are threatened by the most, judging by how hard they try. Her power!

Harry dreamed of leaving Royal Family

Harry always wanted to leave Royal Family

Secondly, If indeed Harry didn’t know better and has been supposedly led astray by Meghan, then that leave a helpless Harry in your mind right? Does that sound familiar? “Harry is lonely in Canada”, now “ Harry is lonely in LA”, “ Harry feels out of sorts in LA”, “ Harry misses the UK”, “Harry misses his friends back home” and all that jazz. Poor Harry, you’re being led to think. What would they ever do about poor Harry? I have an idea.

Apparently there is a person who by birth is the second in line to the British throne. For whatever reason, he has been incapable of taking that birthright and his own God-given talents to create a profile for himself, outside of some tangent to his younger brother who is sixth in line to the throne. It’s been the unending refrain since their childhood. Look how responsible William is compared to Harry, or he’s smarter, he’s more traditional, he’s more dutiful, he has more hair… oh wait that wasn’t one of them, but you get the point.

Operation reclaim the spotlight is being resuscitated after an attenuated response to all previous iterations. It seems the role of future king and the business of preparing for kingship( if I hear this one more time…) is not enough to capture the spotlight, so the hunt for the shiniest new medal is on. I give you the embryonic stages of “benevolent future king”. The one who reached out and extended a hand to poor lonely Harry. Take note of the very recent headlines: “William is in touch with Harry” and the latest “Prince William writes letter to Princess Diana Charity from ‘my brother and I’” or “ Prince William Shouts out Prince Harry in Letter to Princess Diana Organization”. What the h-e-double hockey stick? I’m sure Prince Harry was dying for a shout-out like the air he breathes.

This is where I get off my detour back onto the main road. William cares about only William. And that’s what this not so cleverly disguised propaganda is about. Don’t forget that, it is this same William “who dropped Harry like a ton of hot bricks”, and who was reportedly “tired of holding his brother’s hand” during the feverish coverage of Harry and Meghan’s announcing they were to step back.

The timing is also curious because, Prince Harry has been receiving A LOT of great global coverage about his work with Well Child, the Netflix-Thomas The Tank project, Invictus, and recently his support of vets through the Guinea Pig club and CASEVAC club. And may I add, it’s coverage that has not been filtered through the refractive lens of the royal press. So like clockwork, here comes tag-along K to do what he does best, trying to get up the coconut tree. Don’t be deceived, all these weird stories about Harry missing his family, the UK, and XYZ have been laying the ground work for William to not only be inserted into this positive news cycle, but also for him to emerge as a magnanimous figure.

Nice try. This latest round of PR is dead on arrival, because no one is buying what they’re selling. We haven’t forgotten that it is this same brother, who sent his media attack dogs after Harry’s wife in particular, as a way of diminishing their popularity. If you don’t believe me, take it up with Tim Shipman. And while the media went after Meghan and stoked the most negative sentiment against her, this same brother, the principal at Kensington Palace, who is reported to be an anti-bullying advocate and even presided over a failed anti-cyberbullying initiative yet did not avail his digital media resources to sanitize their Instagram feed of the most vile, vitriolic, threatening and at times outright racist commentary about his pregnant sister-in-law. It’s because this team was working overtime deleting comments and blocking posters whose comments were deemed as infringing on his “human rights”. Okay!

It wasn’t even a year ago that, when Harry and Meghan were called every name in the book for traveling on a private jet( something all royals do and are defended for it), his brother tagged along that media cycle to pour salt onto Harry’s wounds. The night before their trip, last minute flight arrangements were made with the now bankrupt budget airline, FLYBE on behalf of William and family to travel to Scotland. He was cast as the responsible and eco-conscious future king for supposedly flying budget. Naturally, the royal rota were swift to his defense, when questions about the convenience of said budget flight were raised.

Naturally, like everything hatched in the dark, that publicity stunt unraveled when a report from the Scotsman uncovered, the last minute arrangements and the lengths the airline went, to position an aircraft for the auspicious royal flying act.

Fast forward to the next media storm around Harry and Meghan- The Southern African Tour documentary. As is customary with the British press’ dealings with Harry and Meghan, they always find the most negative slant and this time, the consensus was to portray Harry as “ mentally unstable” or “vulnerable”. Of course brother, the mental health advocate, did not miss the opportunity to enter the news cycle with his own label, Fragile. Why not ? Mental health advocacy and stigmatization go hand in hand right? The Curious Case of William’s Care for Harry!

William insults Harry and Meghan

William calls Harry fragile

My point is that, every time William has had occasion to be linked to Harry in a news item, it’s usually designed for his benefit. Whether it is a negative story or a positive one, Harry always gets the short end of the stick, so that William can smell like roses. This time is no different. Everything Williams’s actions have shown us does not track with this new narrative, except the part where there is a potential for good press. It is always selfish. They are brothers, and if they decide to smooth their differences, great. I however doubt that any genuine and well intentioned effort will be cataloged in the news. If for nothing, to protect that precious relationship you’re trying to rebuild.

So to the propaganda hacks, I say try another. Harry misses his UK friends? Are these the same ones the media hacks told us that Harry no longer hung out with because, you guessed it- Meghan had chased them away? And now he’s missed his family, the same ones who said they did not support him and his wife, and had moved to distance themselves?

The royal rift - The royal family not speaking to the Sussexes

William distances himself from the Sussexes

The same family which the media told us Harry and Meghan are no longer part of its inner circle? And this was all while they still lived in the UK. The very ones who couldn’t manage polite pleasantries at the last Commonwealth day service. Give me a freaking break! I think Harry is just fine in LA. And his brother could care less. He just wants you to think otherwise.

Nothing new under the sun. Just the tired old alliance whose enterprise is money-making on one hand and profile building on the other.

Silvester McMonkey McBean might think “you can’t teach a sneetch”.

I say, not so fast. “When people show you who they are, believe them”.

Dr. Seuss and Dr. Maya Angelou. Over and out.

-

(I could not post all pictures becaus of the photo limit but they are inthe article linked below)

#prince william #prince harry #duke of cambridge #duke of sussex #royals #meghanpedia

[wondereads]

Personal Recommendation (2/28/21)

Damsel by Elana K. Arnold

Why am I recommending this book?

I loved this one. I finished it in less than two hours and then spent an extra hour lying there thinking about how great it was. I think this is the first book I’ve felt this way about in a long time, so anticipate a very long, spoiler-filled review. (Please keep in mind, this review discusses things like rape, abuse, and extreme misogyny. If this is a trigger for you, please do not read this review! Also, if you’re looking to avoid spoilers, skip to the Overall section.)

Want something quick and short? Check out my tiktok

Plot 1  2  3  4  5  6  7  8  9  10

In the land of Harding, it’s tradition that after the previous king dies, the prince will venture out, slay a dragon, and rescue a damsel. When Ama wakes up in the arms of Prince Emory of Harding, she has no memory of the dragon or anything before that. However, as she starts her new life as Emory’s fiancée, she starts to realize that life in the palace isn’t quite what it seems.

One thing you must understand is that this book is character-driven. There is no grand plan or kingdom-threatening evil. It’s all about Ama and how she deals with life in Harding. As such, the plot section will be a little short. The gradual transition that takes place in Ama from her arrival to the wedding is very well done, and the slow revelations that take place really begin to up the ante towards the end. Even if this wasn’t the most exciting book I’d ever read, I was entirely invested in Ama and her search for the truth.

There was also a very cool bit of symbolism in this book with the comparison of Sorrow, Ama’s lynx kit, and Pawlin’s falcon. The falcon represents what Emory wishes Ama to be, the perfect pet. An obedient creature that will always return to him. Sorrow represents what Ama actually is. A wild animal that was partially trained before eventually finding freedom again. Both Ama and Sorrow return to Harding with Emory, are trained to behave a certain way, and face pain and sickness before escaping.

Also, this was the most satisfying ending to a book that I’ve read in a long time. It’s a bit open in that we don’t know what the characters will be doing after or what will happen in Harding, but Ama gets what she wants and takes out the people who were keeping it from her, and even though I don’t know what will happen to her after, I know it’ll probably be something good.

Characters 1  2  3  4  5  6  7  8  9  10

Now, this is the section that will be quite long. Ama has her quirks and traits, but I believe that first and foremost she is average. She has the sort of compassion that you would expect from any human being, and she doesn’t always speak out. Sometimes, she’s scared, and she ends up giving in. As the story progresses, Ama begins to lose some of her fire, she begins to give up. It’s very easy to see how her treatment is having an effect on her character, and that’s why I felt so strongly about her arc. Seeing her gradually lose herself makes me all the more insistent that she will win in the end. And she does, and it’s a very satisfying win at that. I’m particularly fond of how she turns Emory’s words on him during her escape.

Emory is an incredibly well-written character. The transition from savior to captor is very smooth and convincing. When Ama first meets Emory, he’s very sweet. He showers her with compliments, he prioritizes her comfort over his own, and he protects her fiercely. He was so nice that I at first thought that he would be Ama’s ally in Harding. However, once Ama and Emory enter Harding, a place where he is now king, he changes. He expects Ama to fit the mold of the perfect bride; quiet, docile, pretty. He humiliates her, does whatever he pleases, and he can get away with it all because he has undeniable power there. To put it simply, Emory slowly begins to show the classic signs of an abuser. He exerts his power in every way, he cuts her off from the outside world, he tries to deprive her of Sorrow, her only protector, and he and his friends gaslight her at every turn. And it’s slow enough that by the time Ama is exposed, she’s already under the watchful eye of an entire kingdom. A realization of Ama’s puts it in perfect terms - he likes her best when she’s in need of rescuing.

Ama and Emory at first seem like the perfect couple. It matches what we have been taught, the brave prince and the beautiful damsel, and Emory is dedicated to the show. In fact, Emory never once physically abuses Ama. He loves to give her compliments, and it’s obvious he genuinely wants to marry her. Unfortunately, the reasons for marrying Ama are probably due to his coronation and his belief that, as king, he needs a damsel as queen. The psychological abuse on Ama is profound, and, because of the culture in Harding, he can get away with it no problem. It’s only through Ama’s own strength and the help she receives from other girls, such as Tillie and the queen mother, that she is able to escape.

The last major character I want to talk about is the queen mother. She is very important for Ama’s discoveries, and she’s a classic abuse victim. She has come to accept what happens in Harding as the norm, and she encourages Ama to accept it as well so she won’t get hurt. However, she still is an important character to Ama, and she still, perhaps on purpose, helps Ama escape what she had to experience. I have high hopes for her at the end.

Writing Style 1  2  3  4  5  6  7  8  9  10

This book is written in a similar style to a typical fairytale. It has similar language, and a lot of the descriptions, especially of Ama’s inner feelings, are rather abstract. It really does feel like an exceptionally long fable. Also, the pacing in this book, the way the revelations of Emory’s character and Ama’s memory are spread out, is perfect. It held my attention just enough, and once it began to pick up speed towards the end I was absolutely ready for it. It’s not hard to predict what the big secret is. Odds are, if you’re on Tumblr as much as I am, you could tell by the time you finished the summary. However, Arnold leaves it right up to the last moment to reveal what impact that secret will have. Although it was the ending I was hoping for, I wasn’t sure it would be right up until it happened.

Meaning 1  2  3  4  5  6  7  8  9  10

There is some great commentary in Damsel on rape culture, psychological abuse, and the effects of misogyny. First of all, Harding is one of the most misogynistic kingdoms in the fictional world. The worst part is, most of it isn’t through actual physical threats to women. There is one scene where two men attempt to sexually assault Ama. However, her savior is Emory, her abuser. 

The big problem in Harding is the absolute dehumanization that woman face. Multiple times, women are referred to as vessels, having no worth beyond the children they carry and raise. It is so heavily ingrained into the damsels when they arrive that the queen mother believes it to be true. All of the girls that have lived in Harding, such as Tillie, agree with it as well. Women are expected to sit quietly and look pretty while the men around them make crude jokes and treat them like objects. This is why Emory can do what he does. He can almost rape Ama and literally lead her around on a leash because the entire society of which he is king is filled with enablers and bystanders. Ama knows throughout the entire book that the way Emory treats her is wrong. It goes against her very nature, but she submits to it. Why? Because everyone around her acts like it’s normal. Because it’s better than being held captive by a dragon. Because it’s better than being on the streets where much worse could happen to her. Because it’s just the way things are. 

Damsel has some pretty powerful statements on how rape culture can enable abuse and psychologically wear down women. It shows what horrible things a abuse victim can be subjected to. However, it also shows what happens when Tillie and the queen mother help Ama in the little ways they can. It shows that woman can stand up to their abusers and have a much brighter future; that they are not defined by what they have endured. And I think that’s why I loved this book so much.

Overall 1  2  3  4  5  6  7  8  9  10

I was wholly invested in the book. I absolutely loved it, and I will definitely be getting a personal copy for myself. Ama’s journey of self-discovery (literally) pulls the reader in, and Emory’s quiet transition is so subtle and powerful. The social commentary is amazing, and you will absolutely love Sorrow. Please do keep in mind that this book deals with some heavy topics such as rape and abuse, so do not read it if you have issues with that. I would recommend this book to people who enjoy fantasy, fractured fairytales, and people getting what they deserve.

The Author

Elana K. Arnold: American, also wrote A Boy Called Bat, What Girls Are Made Of, and Red Hood

The Reviewer

My name is Wonderose; I try to post a review every two weeks, and I take recommendations. Check out my about me post for more!

#damsel #elana k arnold #fantasy #ya #books #recommendations #reviews #tw: rape #tw: abuse

[tessatechaitea]

The Invisibles #5

It says "Crash the bus" on the back cover and I fucking get it so hard.

My inherent nihilism doesn't show often because, ultimately, I believe in a humanitarian morality based around kindness and compassion, built upon the foundational belief that nothing exists beyond our short lifespans and any act of wanton cruelty which makes any part of that short and challenging life more difficult for another person is the only true evil in the universe. But I feel the statement, "Crash the bus," deep down in my bones sometimes. Maybe it stems from a carefree and flirtatious relationship with suicidal ideation that allows me to embrace the idea of burning it all down. Most people want safety and comfort and will bargain with the devil to keep as much of that safety and comfort as possible, no matter how illusory it may be (because we have to face the fact that a good illusion may as well be reality). We're living in a Jenga tower where we refuse to restablilize the base even though it's teetering on just three misplaced blocks. And because of that, the amount of true reform that can be applied to this system is limited to what shapes can stand upon those three blocks. Most people are willing to work in that paradigm because they're afraid of starting completely over and losing their current safety and comfort, or because they think those three blocks are too sacred to remove. But imagine if you kicked out those three blocks, or, to sort of get back to the original analogy, crashed the bus into them and brought the whole tower down. Imagine the stable structure you could build if you started from a foundation that was built to support a better, kinder, more just system rather than trying to build that better system on a foundation not meant to support anything like it. Just because a structure has stood for over two hundred years doesn't mean it's still worth living in today, or maintaining its upkeep simply because we've always maintained its upkeep. I often dream of crashing the bus. And believe me, I don't fantasize about it because I think I'll survive the crash. I fantasize about it because I don't think I'll survive the ride. On the inside cover of this issue, there's a brief description of who and what The Invisibles are. "An organization dedicated to subversive activity in all its forms...the only rule of the organization is disobedience." In an earlier The Invisibles review, I believe I equated this organization to the Upright Citizens Brigade (specifically the show and not the comedy troupe). It's probably why I understood this comic book from page one. My intro or about page on Facebook has simply said this for however long I've been on the cursed site: "My only enemy is the status quo. My only friend is chaos" (that's stolen from the Upright Citizens Brigade intro, just to be clear). So I really can't remember why I stopped reading this comic book. It was right up my alley, even at twenty-three! I highly suspect I just lost track of it because I was a terribly disorganized comic book collector. I just realized King Mob is Grant Morrison's Mary Sue, isn't he? I had an image of him in my head but I just checked the Internet to makes sure he did look just like King Mob and, well, the Internet confirmed my suspicions. Also while scanning Morrison's Wikipedia entry, I noticed a short paragraph about Morriosn noting the similarities between The Invisibles and The Matrix. You know, like I noticed as well! Me! I noticed it too! Try to remember that these reviews are really just reviews about me and no the comic books I'm pretending to read but really just looking at the pictures.

Morrison just puts the pieces of the puzzle on the table and you're supposed to put them together. But who does fucking puzzles?! Boring!

In my 30s, I planned on reading every holy book and writing copious amounts of commentary from a person who wasn't taught the dogma behind the words and was simply trying to understand the book with the words that were there. I made it about forty pages through Genesis with nearly three hundred pages of commentary and then the project just sort of petered out. I suppose I'm still alive so I can always restart this project. But sometimes life has a way of kicking you in the brain by distracting you and suddenly eighteen years have gone by and you're all, "What's the fucking point?" The Mahabharata was going to be one of those books. I read part of it in college but damned if I can remember any of it. Hell, I was even going to read Dianetics! I was going to save the Quran for last just in case I invoked the rage of some fundamentalist psycho for interpreting something in the book literally as opposed to the way it's been taught according to centuries of dogma (I was pretty sure I was going to offend Christians as well but Christian fundamentalists are mostly lazy, selfish bastards who wouldn't dare take any risks to disrupt their Earthly life for their spiritual beliefs). The few bits I've read from the Quran that line up with Genesis were far more interesting in the way they sort of held a dialogue with The Bible. Like when Abraham apparently went to sacrifice his only son in The Bible and the book claims it was Isaac. And yet the only time Abraham had an only son was before Isaac was born and his only son was Ishmael. So, you know, it sounds pretty much like The Bible is lying about what happened while the Quran is just telling it like it is (although I'm not sure the Quran ever names the child so that's another part of the mystery! Maybe it was Isaac and somehow Ishmael just didn't count as a true son for reasons. You know the reasons. Maid's sons don't count is the reason). After teaching about Indian puppetry, Morrison gives the reader a lengthy scene of Lord Byron and Percy Bysshe Shelley discussing their roles as poets in the betterment of the world. With all these conversations of dead artists who died young, I wonder if Grant Morrison is bitter that he's lived so long? Anyway, George and Percy have some interesting things to say but this isn't a synopsis but a review. Also I don't like to comment on things I don't understand, like intelligent dialogue and beautiful poetry and earnest compassion.

Meanwhile, Jack Frost learns that the most important part of being an Invisible is being more paranoid than the next guy.

King Mob has to get back to England after his Indian puppet show and a visit to a Ganesh statue but he hates flying. So instead, he takes a shortcut through the future where the world has been ravaged by a great war and the Berlin Wall was rebuilt but bigger. Probably not to keep people on either side of it (the world seems mostly devastated) but probably just because the few fascist assholes still alive felt building a monument to being controlling dicks was the right thing to do to celebrate. Some mysterious guy without a face takes the face of some kids' father in a park somewhere at some point. It's hard to tell if this story has a place in time that can be considered the "now" being that King Mob is in a ravaged future and Byron and Shelley are in a long gone past and Jack Frost is in the present. Oh, that's probably the now! And the guy who stole the face of the other guy is probably in Jack's now time. King Mob returns to his Invisibles cell with information about their next mission. He also lets everybody know that Orlando is currently in London. I think it was Orlando who stole the face of the guy in the park. But that's just supposed to raise the tension because the Invisibles are going to leave their bodies behind in present day London as they time travel to the French Revolution. If we didn't know about Orlando, we would just be all, "Okay, cool! I guess they're time traveling and leaving their bodies so it'll be safe. Not because there are no threats from long-lived assassins without their own faces but because it's fucking time travel and I imagine they can return to their bodies the exact moment in which they left them!" Although the idea that the amount of time they spend in the past is equal to the amount of time their bodies sit unguarded makes a lot more sense than having somebody from the future tell Bill and Ted in his past that their clock is always ticking no matter where they are in time. I mean, it just doesn't make any sense! Especially when they break the rules later and will probably shit all over the time travel rules of their own established universe in the upcoming movie. Anyway, I like the idea that their spirits leave their bodies in the present in this time travel and that the spirits are away exactly as long as they spend in the past. That actually makes sense to me! The Invisibles #5 Rating: B+. Well, thanks a lot, twenty-three year old asshole me from the past! You just had to stop buying this comic book, didn't you?! And now I have to suffer not knowing what happens! Although I suppose you also suffered that and you seemed to have been fine. Aside from having no ambition and never finishing any writing projects and killing all of your dreams to play more video games. You know. Aside from that, you did just fine. Yeah. Real fine. Idiot.

#The Invisibles #Grant Morrison #Vertigo #DC Comics #DC #Jill Thompson

[thebeautyis]

What are your thoughts on Harry & Meghan's recent interview? Do you think this will make the British tabloids take a step back or will it make things worse? I'm wondering if Harry & Meghan aren't laying the foundation for retiring from royal life.

I haven’t watched all of it actually. I only saw the clip of Meghan talking about how she’s doing, which broke my heart. I’ve also only heard about how brutal the British press are so I don’t know if I can speak too much about everything that’s going on with them. I think it’s a really bold, protective and honorable move of Harry to sue them and it speaks to just how much of an impact his mother’s death left on him (and Will. didn’t Will do something similar back when the press was hounding Kate?). I sincerely hope it doesn’t make things worse! It’ll definitely be interesting to see where this goes and what kind of impact it has on Harry and Meghan’s visibility with the public. I just hope the lawsuit etc brings them a bit of peace of mind, especially as they navigate being first time parents together. No part of being a public figure with their level of notoriety and a first time parent sounds appealing or easy. It wouldn’t shock me if they at least took a break from royal life. I don’t really know if I can see them retiring fully but maybe just taking some time away to be a family and raise Archie in peace and quiet. I think they deserve that! I feel like Will and Kate disappear from the spotlight quite frequently, assumedly to raise their kids, and they’re the future king and queen so it’s only fair that Harry and Meghan get some time off given that they’ll never be king or queen. 

Anyway, I clearly don’t have too much insight BUT! If you’re looking for royal commentary, Elizabeth Holmes on Instagram (@eholmes) does some great work. She largely comments on royal fashion but has also talked a bit about all this stuff with Harry and Meghan and her commentary is really insightful and thoughtful. She’s quickly become one of my favorite accounts on IG to follow. I highly recommend her!

#anon #asks

[starwarsstreettalk]

Reylo?   (Part I - Pro Reylo Perspective)

Definition: Reylo (pronounced RAY-LOW) – the romantic pairing of Rey and Kylo Ren from the Star Wars Sequel Trilogy “ST”.

So about the Reylo concept... there are certainly many arguments for and against Rey and Kylo coming together in a romantic, or frankly in any way.  That being said, this post will provide some Pro-Reylo thoughts and observations.  It will be followed in a coming post with anti-Reylo opinions as well, as I like to play Devil’s Advocate. Disclaimer: before you like or dislike my post, it is not the place of this author to weigh in on what she would LIKE to happen, only what I think WILL or WILL NOT happen, based on clues in the story, movies and novelization only.  I may also point to subtle clues given by the writer/directors.  Please read with an open mind.

  Reylo clue #1:  Rey and Kylo’s first meeting on Takodana

Kylo Ren takes Rey captive on Takodana.  He doesn’t have time to find BB-8 and believes that the girl has the map in her head, and he is interested to know more about her, so he takes her with him to Starkiller Base.  So, Kylo Ren, with a stormtrooper only yards away, makes Rey unconscious and “bridal” carries unconsious Rey to his ship himself - and quite a distance besides!

Kylo carrying Rey to the ship was NOT in the novelization.  It was only in the movie.  Visually, JJ Abrams maybe wanted to create imagery that will be more significant as the story moves forward, particularly, a surprisingly tender connection between Kylo and Rey.  The Dark Prince and Secret “princess”.  From a fairytale perspective, this was like Aurora meeting Prince Phillip or Ariel meeting Prince Eric.  Someone of Kylo Ren’s importance and rank surely would not normally carry a grown woman approximately 1/2 mile.  He would make an underling, a soldier do it.  This may very well have been foreshadowing a romance very early on in the story before anyone really realized what was potentially happening.  In the director commentary of the movie, JJ Abrams basically references this fairytale story aspect himself.   It’s not your imagination!

Reylo clue #2:  “I’ll Come Back for you” dialog (Rey’s Vision on Takodana)

Going back to Rey’s vision in Maz’s castle basement when she touched the lightsaber, in the novelization, Rey hears what is called “THAT voice” and someone says “Stay here, I’ll come back for you.”   We did not see this from the flashback of Rey being left on Jakku by her ... well somebody.   Is this novel reference what we think it is?  Was it Rey’s parents?  Or could this actually end up being spoken in Episode IX by Ben Solo? You decide! I can picture this and I kind of like it.  It would certainly be thematic. 

Why include this “...I’ll come back for you” line in the novel but take it out of the movie?  Was it cut from the script at some point?   If so, you have to ask yourself why? Maybe it’s because we were not allowed to hear that person’s actual voice in Episode VII.  It was too early to reveal the person behind that bit of dialog.  Or it could just be that it was unnecessary (if it was indeed her parents) to have them say they would try to come back.   

We have no idea still if Rey’s parents meant to actually return to her or not.   Hopefully we will find out.  If not, Rey needs to move on from this past of hers.  But if this was actually Kylo Ren/Ben Solo, imagine that there is a scene where they are together and for some reason he has to leave her behind but promises to come back, harkening back to the last time she heard those words that have haunted her for all of these years.  If Reylo is real, he WILL come back, indicating that she was special, she is loved.

Reylo Clue #3: Kylo Ren’s “Money Shot”

Need I explain this one?  Well, let me go ahead and do so anyway.  Look, regardless of what great physical shape Adam Driver was in by the time of filming this particular force connection scene in Episode VIII (the one where he is wearing only black, high-waisted pants), Rian Johnson would not just decide “oh heck, let me include a beefcake shot of Kylo Ren” (only the second one in Star Wars history) if Kylo Ren is in ANY WAY related to Rey (brother, cousin, etc…) - that would just be icky.  And whether you like him or not, Rian Johnson is too sophisticated a filmmaker for that.  This is not some sleazy CW show.  

This is the scene that actually made me realize there WAS a Reylo dynamic.  I had no idea there was a Reylo before I watched this.  I was honestly, completely oblivious.  I thought for sure, Rey was Luke’s daughter.  This was the scene that prompted me to do the research on the Google machine.  This is why it is an obvious clue.  After all, I watch a lot of those sleazy CW shows.  I can tell when two characters are going to eventually hook up.

Reylo Clue #4: The Hut Scene, Bare Shoulders and Hand-touching All the Way Across the Galaxy

Like the Kylo Ren shirtless scene, Rey is all wet and her shoulders are bare in this scene holding a little blanket barely covering her wet clothes and body.   Things are getting a little familiar, no?  We go from fighting and snarky dialog to clothing starting to come off and sitting in front of a fire within hand touching range of each other.  That Rian Johnson… I hope I still sound objective here, but again, this is where my “CW” radar went off.   Firelight, bare shoulders, wet hair, gloves off, bare hands reaching out, softly touching, Rey and Kylo have tears running down their cheek, then Dad comes in and interrupts.   What is happening????   Separate those two!!!

Reylo Clue #5: Snoke taking credit for the Force Connection = Disappointed boy

When Snoke reveals to Rey, in front of the kneeling Kylo Ren, that it was he, Snoke, who opened the Force connection bridge between Rey and Kylo, Kylo looks slightly upward with a subtle yet angry face as if to say “What the Hell????” He was surprised, disappointed, hurt.   Snoke said he saw Kylo Ren as too weak to hide his feelings from Rey.  Snoke used Kylo as a tool to get at Rey, the real threat, not Luke Skywalker.   This is yet another blow to Kylo Ren, who saw the Force connection between him and Rey as something special, something the Force intended.  Instead of an opportunity for Kylo to find a kindred spirit in Rey, he learns that this experience was something manufactured by another person.   It reminds me of that Hallmark Christmas movie where the girl creates a dating app for her business and starts “dating” the cute guy that came up as a match in order to show her boss how well the app works.  Then the poor guy finds out she was just going out with him to forward her career and he decides to move back to his hometown, but she races to find him before he leaves to tell him that she really likes him and they end up together at the end.   The point is that the dude was hurt to find out that it wasn’t “fate” that brought them together but some stupid computer algorithm.  Technology can be a real bitch sometimes.  And so could Snoke apparently.

Reylo clue #6: Kylo’s Botched “Proposal” to Rey after the throne room fight mirrors a classic literary romance!

Fans of Pride and Prejudice, like me, will find strangely familiar the moment that Kylo Ren, in a moment of passion and heightened self-confidence, asks Rey to join him in ruling together. When the offer is not immediately accepted, his ego takes over.  He makes Rey cry and tells her she is nothing, a “nobody”, only then to tell her that regardless of her being a nobody, with no real connection to anything or anyone, she means something to HIM and wants her to join him.  This is, of course, followed by her justifiable rejection of this proposed partnership and the pair of them going their different ways. 

This is mirrors what happens in the novel by Jane Austen, but in this case Mr. Darcy is Kylo Ren and Elizabeth Bennett is Rey.  If you read P&P, you will also know that Elizabeth misjudged Mr. Darcy based on her initial impression of him and that first impression somewhat tainted her reception of Mr. Darcy’s marriage proposal.  Also, despite being raised wealthy and well-educated, Mr. Darcy’s social awkwardness caused him to inadvertently hurt her feelings while expressing his true and tender feelings for Elizabeth.

We also see that Mr. Darcy’s pain of rejection influenced his transformation into a better, less proud man, worthy of Elizabeth’s love, and his second marriage proposal is more graciously accepted.  If Episode IX follows this story influence, we may see something of a transformation in Kylo Ren aka Ben Solo.  Look for signs in the first act of Episode IX of Kylo changing his own behavior and proving himself more worthy.  Otherwise, I’m not sure how he would be worthy of a romantic relationship with anyone, except someone as mean as him who will stab him in his sleep.  

Final thought on this scene – if Kylo Ren’s feelings for Rey were not romantic, would he have extended his hand to her?  If Rey were a man, would he hold out his hand to him?   No, he would not.  He wanted her to take his hand and walk away with him like they were the new power couple, like a King and Queen, like a Prince and Princess, not merely as a “partner in crime”.  He is a man, she is a woman.  It seems reasonable to him that she would say yes to him after they just slayed the dragon together. Also, Kylo Ren has been thinking about this new vision for the future, internally planning.  This is not spur of the moment.   He knew Rey was coming to him, he knew what he had to do.

Some last thoughts

These are the big clues, albeit not as obvious as Anakin and Padme, and the Han & Leia thing was way more obvious, more flirtatious.  If Reylo was the plan from the beginning, this is definitely a slow burn but totally possible, a modern day twist of the classic story - designed from the beginning to shock and surprise and audience.

The Reylo concept has been a very divisive topic among Star Wars Fans.  The point here is that you can be objective and scientific about this, keep feelings out of it. 

I will not be disappointed if Rey and Kylo don’t have a romantic relationship in the last movie of Star Wars.  I just hope the ending makes sense.  This is the Star Wars universe, not real life.  Yes, we interpret movies and TV through a current day lens, but anything can happen in this world.  The filmmakers are trying to surprise/shock us.  At this point, would Reylo be the shock/surprise or would Reylo be the obvious outcome?    Is the average fan even aware of Reylo?  I asked my mom about it and she just doesn’t see it.  What percentage of people also watched Episode VII or VIII and Googled “Rey Kylo Ren romantic” and found two years worth of online post about it?

Final thoughts

For Reylo to happen, there has to be a catalyst for Kylo to be redeemable, a believable turning point.  

Does Rey have to have a romance? 

Do you think we’ll see a more mature, more confident, sexier version of Rey in this story?  If so, then I think we’ll see her with a sexier counterpart/partner, someone with the intensity and passion of Ben Solo (Kylo), not Mr. Nice Guy Finn or Poe.  (see my next post!)

What is the true significance of Rose’s line about not destroying what we hate but saving what we love?  Will Kylo love Rey, and vice versa, and will that be key to ultimate end of the story? 

And by the way, what did Kylo mean when he said to Rey “don’t be afraid, I feel it too.”

#reylo #Star Wars #rey and kylo ren

[eddycurrents]

For the week of 4 March 2019

Quick Bits:

A Walk Through Hell #8 gets creepier as Paul tells his story, raising huge questions of how deep a conspiracy may go to have covered up his brutal history. Garth Ennis, Goran Sudžuka, Ive Svorcina, and Rob Steen are delivering one hell of an atmospheric horror story with this series.

| Published by AfterShock

Amazing Spider-Man #16.HU is really another prelude to the “Hunted” event, but this one gets its branding and special interstitial “.HU” suffix, from Nick Spencer, Iban Coello, Edgar Delgado, and Joe Caramagna. This issue follows Black Cat as she is sent to free the Owl from Taskmaster and Black Ant to square things away with Hammerhead. It does a good bit to redeem Felicia’s behaviour of recent years, explaining exactly why she’s more or less been acting out of character as a hardened criminal kingpin.

| Published by Marvel

Astro Hustle #1 is a pretty good start to this space opera from Jai Nitz, Tom Reilly, Ursula Decay, and Crank! It reminds me a lot of Barbarella crossed with Sword of the Swashbucklers, mixing space and pirates with some oblique sociopolitical commentary. Also maybe a bit of The Incal. This issue largely introduces us to Chen Andalou (yeah, I’m not sure if there’s a significance to the Un Chien Andalou reference) and the band of pirates he falls in with and it’s rather entertaining. Reilly’s art reminds me a bit of Moritat, Goran Parlov, and Goran Sudžuka and it works very well for the story.

| Published by Dark Horse

Avengers #16 continues the war of the vampires. I really like the new design for Ghost Rider from David Marquez. It’s more in line with how Vengeance used to be portrayed and the flame and shadow from Marquez and Erick Arciniega really works for a harder edged version of the character.

| Published by Marvel

Avengers: No Road Home #4 sees Sean Izaakse and Marcio Menyz begin their three issues handling art duties and it’s gorgeous. Like Paco Medina, Juan Vlasco, and Jesus Aburtov for the first three issues, the artists are really giving this story their all and delivering some incredible artwork. Great layouts and panel compositions as we get to see Nyx’s own side of the story.

| Published by Marvel

Batman #66 resumes “Knightmares” with an issue of the Question trying to get to the bottom of Selina leaving Bruce at the proverbial altar. Illustrated by Jorge Fornés, with colours from Dave Stewart, it leans hard into Year One imagery to begin with, evoking David Mazzucchelli, and just goes through Selina’s history with Bruce from there.

| Published by DC Comics

Black Hammer ‘45 #1 expands the Black Hammer universe out further with the addition of a Blackhawks analogue, along with nods to Enemy Ace and Rocket Red, from Jeff Lemire, Ray Fawkes, Matt Kindt, Sharlene Kindt, and Marie Enger. There’s a compelling mystery set up across the present and the past regarding the Black Hammer Squadron’s final mission and the art from the Kindts is gorgeous.

| Published by Dark Horse

The Black Order #5 concludes the series focusing on Ebony Maw’s betrayal, the end of the Grandmaster’s game, and Carlos Magno, Scott Hanna, Jay David Ramos, and Dono Sánchez-Almara providing the artwork. This has been an interesting series, telling a relatively simple story of the Black Order executing a contract to topple the Sinnarian Emperor, but Derek Landy has been telling it through issues each largely from the viewpoint of each of one of the members of the Black Order. It’s been a good insight into what makes these villains tick.

| Published by Marvel

Blossoms 666 #2 continues to be an entertaining read from Cullen Bunn, Laura Braga, Matt Herms, and Jack Morelli. This chapter lightly deals with the fallout from the disappearance of Ethel and Reggie, while setting up Betty to investigate. The story is definitely taking a slow burn approach, but it’s quite compelling. The horror of a devil cult infiltrating a small town vibe going on is wonderful. 

| Published by Archie

Champions #3 goes in a few directions as the new bigger team get some training in, an enemy from Sam’s past comes calling, Dust apparently didn’t get sucked into the Age of X-Man and is dealing with anti-mutant hysteria, and Miles is racked with guilt over his decision. I love the layers that Jim Zub is adding to the script and the art from Steven Cummings, Marcio Menyz, and Federico Blee captures the youthful action very well.

| Published by Marvel

Conan the Barbarian #4 might be my favourite issue of this series yet with glorious guest art from Gerardo Zaffino, evoking memories of his father’s work on Savage Sword, and presenting a gritty, visceral, and dark tale of King Conan alongside Jason Aaron, Matthew Wilson, and Travis Lanham. The idea of Conan becoming sick over peace is humorous and there’s a wonderful nod to the Punisher.

| Published by Marvel

The Curse of Brimstone #12 brings the series to an end with a final confrontation between Brimstone and a member of the “home office”, Infernal. The revelations about who Infernal is a twisted alternate version of is interesting, as well as their means of ingress into the regular DCU. The series also goes out with a bang with the very impressive artwork from Denys Cowan, John Stanisci, and Rain Beredo. Cowan is a legend and that shines through in this final arc. I do hope, though, that we see Brimstone and the effects of this series pop up somewhere else in the DCU in the future. 

| Published by DC Comics

Deadly Class #37 continues “Never Go Back” with the spotlight shifted back to Quan and Kenji, bringing back Saya in a pretty big way. The action in Wes Craig’s artwork (with colours from Jordan Boyd) is pretty much peerless.

| Published by Image / Giant Generator

Deathstroke #41 serves as a prelude to the “Terminus Agenda” crossover with Teen Titans, with Slade a fugitive in Gotham, trying to figure out the reason behind one of his recent contracts, from Christopher Priest, Fernando Pasarin, Cam Smith, Sean Parsons, Jeromy Cox, Carrie Strachan, and Willie Schubert. There are some interesting mysteries being set up here, even as Slade is being targeted.

| Published by DC Comics

Die #4 is another brilliant issue from Kieron Gillen, Stephanie Hans, and Clayton Cowles. The depth of the storytelling, character and world building, and overall narrative is staggering in this series. The amount of thought and attention to detail that seem to have gone into constructing the story is just amazing, as what feels like a fully-realized fantasy world cognizant of itself comes tumbling out.

| Published by Image

Eclipse #13 begins the final arc of the series, from Zack Kaplan, Giovanni Timpano, Flavio Dispenza, and Troy Peteri. If the spark lit in this issue is any indication, it looks as if the series is going to end in fire with a lot of death.

| Published by Image / Top Cow

Giant Days #48 gives us that rare issue also illustrated by John Allison, I think for the first time since the original series, for a wedding. Very funny look at some of Susan’s hang-ups and Daisy confronted by possible feelings for Esther.

| Published by Boom Entertainment / BOOM! Box

The Girl in the Bay #2 gets weirder as the younger Kathy navigates, from her perspective, the future. Melting doppelgangers, creepy old guys that killed you, ghosts of rock and roll legends, and flat screen televisions stymie her as the mystery deepens. This is some intriguing stuff from JM DeMatteis, Corin Howell, James Devlin, and Clem Robins.

| Published by Dark Horse / Berger Books

The Green Lantern #5 is more glorious madness from Grant Morrison, Liam Sharp, Steve Oliff, and Tom Orzechowski. Easily one of my favourite things to read every month. This issue dives headlong into Hal’s test of recruitment to the Blackstars, a trial of having to survive a gauntlet across the vampire planet, Vorr. Though definitely part of a larger narrative, I’m still impressed by how this series is being constructed through largely satisfying, mostly self-contained stories. And, of course, the astounding artwork from Sharp and Oliff. There’s also some wonderful vampire Easter eggs in this one.

| Published by DC Comics

Immortal Hulk #14 is one hell of an issue, burying Thunderbolt Ross (again) and giving us the reunion of Bruce and Betty. All with glorious guest art from Kyle Hotz, delivering some of his best artwork pretty much ever. Dark, moody, and evocative. This is a big one, once again underlining how sick, twisted, and downright evil General Fortean and the forces hunting Bruce really are, even if they’re supposedly the “good guys”.

| Published by Marvel

Justice League #19 begins the “The Sixth Dimension” arc from Scott Snyder, Jorge Jimenez, Alejandro Sanchez, and Tom Napolitano, as the League tries to get help from Mr. Mxyzptlk in regards to the broader problems with the Source Wall, Perpetua, and the nefarious plans of the Legion of Doom. Interesting bits of humour in this issue, especially since the end moments give us a rather dark turn.

| Published by DC Comics

Killmonger #5 concludes what has been an excellent series reintroducing a movie-influenced Killmonger back into the Marvel universe from Bryan Hill, Juan Ferreyra, and Joe Sabino. This finale shows just how brutal and calculating he can be when exacting revenge.

| Published by Marvel

Morning in America #1 is the debut of a new ‘80s teen horror drama from most of the Kim & Kim team of Magdalene Visaggio, Claudia Aguirre, and Zakk Saam, with Aguirre providing full illustrations on this series not just colours. It’s good, setting up our lead characters nicely and presenting a compelling mystery for the disappearances of the children.

| Published by Oni Press

Oberon #2 launches Bonnie on her quest, first testing her with a labyrinth, while Oberon and his man-servant deal with some complications. I’m loving the artwork from Miloš Slavković, who is proving equally as adept with fantasy as he does with the sci-fi of Lightstep.

| Published by AfterShock

Red Sonja #2 is a bit more traditional in its approach than the first issue subverting some of the conventions of sword and sorcery, but is no less entertaining as Sonja prepares to defend Hyrkania from the Zamoran invaders. Mirko Colak’s art makes it seem like he was born to draw this sort of adventure.

| Published by Dynamite

Ronin Island #1 is an entertaining debut from Greg Pak, Giannis Milonogiannis, Irma Kniivila, and Simon Bowland, featuring an island of survivors who think they’re the only remnants left from the collapse of the Japanese shogunate. Great art from Milonogiannis and Kniivila, along with a very interesting twist as a cliffhanger.

| Published by BOOM! Studios

Self/Made #4 makes another turn as Rebecca manages to “fix” Amala’s data files and brings her programming online in the real world. I love what Mathew Groom, Eduardo Ferigato, Marcelo Costa, Mariana Calil, and Troy Peteri are doing with this series. It’s very good sci-fi, populated with some compelling characters, and raising some important questions about self-determination, creation, and the purpose of life.

| Published by Image

The Six Million Dollar Man #1 is a rather light-hearted take on the franchise from Christopher Hastings, David Hahn, Roshan Kurichiyanil, and Ariana Maher (with special thanks to Zack Davisson). Nice bits of humour in the start to this spy thriller.

| Published by Dynamite

Star Wars #62 begins “The Scourging of Shu-Torun” and what I believe is the final arc from Kieron Gillen. This issue is largely a gathering of the team, with Leia laying out the plan for the regular crew and then going on a recruitment drive of many of the faces that we’ve seen throughout Gillen’s run

| Published by Marvel

Star Wars: Age of Republic - Padmé Amidala #1 is another one-shot set during the Clone Wars, from Jody Houser, Cory Smith, Wilton Santos, Walden Wong, Marc Deering, Java Tartaglia, and Travis Lanham. It briefly touches on Padmé’s relationship with Anakin, but largely deals with attempting to secure a partnership with an unaligned world for the Republic. Things naturally don’t go as well as planned.

| Published by Marvel

Star Wars: Vader - Dark Visions #1 begins a mini-series written by Dennis Hallum and illustrated by different artists per issue, essentially giving us standalone stories from different perspectives on Darth Vader. This first one is from Paolo Villanelli and Arif Prianto, lettered by Joe Caramagna, and is told from the perspective of an inhabitant of an unnamed world that’s been ravaged by a kaiju. It’s a different take on Star Wars, but the art is wonderful.

| Published by Marvel

Vampirella vs. Reanimator #3 sees things get significantly worse for the planet as Herbert West enables Mictecacihuatl’s and Vampirella raises her husband to try to stop her. Things don’t exactly go to plan. I’m still loving the black and white art with spot colours from Blacky Shepherd, it really gives the series a unique visual feel.

| Published by Dynamite

Vindication #2 complicates thing a lot more, delving into Chip’s past and revealing that there’s definitely something shady about Turn, though there are hints that whatever problems he’s got himself in it might be due to protecting his criminal brother. MD Marie, Carlos Miko, Dema Jr., Thiago Goncalves, and Troy Peteri are doing a great job of creating a compelling crime story here, showing that pretty much no one in this story is squeaky clean.

| Published by Image / Top Cow

Witchblade #12 closes out this arc, mostly, and sets up a new world as a spell to get them out of their predicament goes awry. Though this story continues to move at a relatively slow pace, Caitlin Kittredge, Roberta Ingranata, Bryan Valenza, and Troy Peteri are still delivering a compelling, engrossing story as they build Alex’s rapport with the Witchblade and throw some unique complication at her.

| Published by Image / Top Cow

Young Justice #3 gives us a touching reunion of Impulse and Superboy, before explaining how Conner got to Gemworld. It still doesn’t explain anything about why these pre-Flashpoint variations (other than a possible hint that Superboy isn’t “our” Superboy, although it’s presented in such a way that it seems more like in-story misdirection), but it’s still entertaining. Brian Michael Bendis, Patrick Gleason, Viktor Bogdanovic, Jonathan Glapion, Alejandro Sanchez, Chris Sotomayor, Hi-Fi, Carlos M. Mangual, and Josh Reed continue to slowly tease out the main plot on Gemworld while giving character-specific flashbacks.

| Published by DC Comics / Wonder Comics

Other Highlights: Cemetery Beach #7, Doctor Who: The Thirteenth Doctor #5, The Dreaming #7, Female Furies #2, From Hell: Master Edition #4, Gasolina #16, GI Joe: A Real American Hero Yearbook 2019, Kill 6 Billion Demons - Volume 3, Meet the Skrulls #1, Night’s Dominion: Season 3 #4, Noble #16, Paper Girls #26, Unnatural #8

Recommended Collections: Avengers - Volume 2: World Tour, Curse Words - Volume 4: Queen Margaret, Detective Comics: 80 Years of Batman, Fantastic Four - Volume 1: Fourever, Justice League Dark - Volume 1: The Last Age of Magic, The Last Siege, Polar - Volume 0: Black Kaiser, Star Wars: Ewoks, The Unbeatable Squirrel Girl - Volume 10: Life is too Short, Squirrel Girl, The Wicked + The Divine - Volume 8: Old is the New New, Xerxes

d. emerson eddy has seen the rise and fall of kings.

#This Week in Comics

[mooncaps]

Okay, so shout-outs to the anon (or maybe multiple anons) who told me to read Marcy’s Super Secret Scrapbook. I freaking loved it! I’m also glad I read it at this point and didn’t wait until after the whole series. It makes such a good companion piece to the Stakes mini-series.

The Enchiridion was...not quite as exciting, but still had a couple of neat tidbits. Simon’s notes are nice. The Wizard section was fairly interesting. Some nice lore and world-building. I kind of wish the Bestiarum Vocabulum section had a bit more to it. And I must admit I was slightly disappointed that the Enchiridion did not, in fact, explicitly state that you should not strike a foe who’s raised their bottom to the sky. The Scrapbook is so in line with the mini-series; it would’ve been nice if the Enchiridion could’ve incorporated that as a little nod. They cover their bases with the explanation that there are multiple editions and even strongly imply that Finn’s was an earlier edition, but it still would’ve been neat.

A far more glaring omission is the Empress. Hierophant and the Vampire King are both mentioned in the Scrapbook, but the Empress isn’t. She knew both Marceline and Simon. Marcy had her power of invisibility so she must have staked and absorbed her at some point. My best guess is that the Empress enthralled Simon at a point when Simon was still writing the notes and it was on one of the pages he pulled out before he left. Or maybe Marceline just didn’t write it down for some reason. Or the writers just dropped the ball and didn’t catch this little continuity hiccup.

Those are my general thoughts. I’m also doing the whole images of my some of my favorite stuff interspersed with my reactions and commentary thing, but since this is gonna be an extra-extra long post, I’ve decided to actually use a read more cut this time.

Marcy and Bonnie talking about Simon in the margins. Give me some of that in the show.

This is the kind of lore development I like to learn about.

Does that mean the writers have thoughts about more Shoko development in future episodes and didn’t want to burn up their ideas in the side material?

International crisis. I mean that was more-or-less implied by the irradiated world, but I like learning more info. Also, he’s already talking about going North. It fits that they paired this with the Scrapbook. The notes follow through for tracking Simon’s progression into madness.

Sure. Again, kind of vaguely implied already by the series, but nice to know.

Now all I can think of is “long ago the four nations lived together in harmony...” Thanks to whoever sent that ask.

I may wanna get these on buttons or patches for my coat to go with the Avatar symbols.

Not sure what to make of this. I feel like it’s some kind of lore for the show. Maybe something to do with Prismo?

Hoo boy. Here we go. The feels train is pulling into the station.

This relationship is just so moving. I’m a sucker for found families.

More world building. Bring it on.

Even if Simon’s story hadn’t been tied to Marcy’s, it would still be one of the most interesting parts of the show. And that first paragraph feels like something that should’ve come up in the show by now. They really haven’t explained quite enough about Betty for my liking. Learning that she has a history of studying these kinds of things helps clarify why she’s so willing and able to take the approach she’s been taking.

After Bonnie and Neddy, I can only assume that this is the Mother Gum in its early days.

Mmhm. Sure. Matter’s more pliable. I can dig it.

The vibrational talk reminded of that bag of miniature people that Magic Man planted on Finn that one time. And he had to shake them to speak to them on their vibrational plane or whatever. I wonder if that’s ever gonna come back with some kind of added significance.

Reminds me of when Life kissed Death.

Wonder if that was a deliberate nod or not.

This. Relationship.

Again, I’m glad I read this now. The thing I couldn’t quite puzzle out after Stakes was where Hunson Abadeer fit into things. This is filling in some of the blanks quite nicely.

You know, after seven seasons of Grob Gob Glob Grod, it was a little jarring to actually see the word “God” here. I’ve got a pretty good recall for character voices, so I could basically hear Tom Kenny saying it as I read it. Of course it makes sense that Simon would have God in his vernacular. Somehow, after the phrase being conspicuously absent for so long, it seems to punch up the impact.

She celebrates her birthday around the time Simon found her! This precious child!

Oh, I can hear it in her voice. My heart!

“I don’t think I’ll ever see him again. Ever.”

There’s no mention of her encountering him again in the scrapbook. I’ve already mentioned the Empress, conspicuous in her absence. And she alludes to other meet-ups in the episode “I Remember You.” I can only assume those meetings take place after the last page of the scrapbook.

I’d love to know more though. I’d love to see her first discovering that Simon’s still alive, but completely insane now. And I’d love to know how we get from this:

To this:

There’s so much of the story that’s still untold.

That moment in Bad Little Boy where Ice King was like “Gob, I’m sorry I doubted your power” kind of takes on a new dimension when you think about how Simon’s from a different time.

“I hope these bring you comfort now that I’m gone, and remind you that you are loved.”

Just fuck me up, why don’t you?

“I want to feel her holding me in her arms and hugging me again like that.”

JUST FUCK ME UP, WHY DON’T YOU?

Again, this ties in so well with the Stakes mini-series. This was exactly the right time to read this for maximum emotional resonance.

Oh, Marcy, you poor, sweet, confused, little angel.

Well, I wanted to know where Hunson fit into things. Should’ve known it would be bad times.

Yeah, I can kind of relate to not having a great father but still wondering how much of who you are is from him.

Deep. Especially at her age. Simon did say she was smart. And of course she had to grow up fast, given that world was a wreck.

“He didn’t deserve what happened to him.”

I concur.

I can also kind of relate to giving your not-so-great dad another chance and getting burned again. I suppose it’s not really a shock that I gravitate toward characters who have poor relationships with their fathers.

I never really gave any thought to how difficult it would’ve been to even find fries at that time. And the fact that it was the first time he stole something specifically from her also gives it a little more weight. Like I’ve said before, it’s hard to tell when something’s just a throwaway gag and when something’s gonna come back later with added perspective and significance. I have to wonder how much they thought about in advance and how much is just them looking back and saying “we can expand on that.”

There must be at least some of it that they knew they wanted to develop even from the very early stages.

It’s interesting to figure out where Hunson comes into the picture, but I still don’t fully understand all of it. Primarily: How could a human woman see enough merit in Hunson Abadeer that she would want to sleep with him? What stopped him from immediately sucking out her soul? Why was he even on Earth shortly before or during the Great Mushroom War? There’s still a lot of room to grow on here.

Oh, honey, you’re the most interesting person in this universe.

“I still hope for a living friend.”

I was kind of hoping I might get the story of how she met Bonnibel, but I guess they’re saving that for the show. Must be after the events in the scrapbook.

Gimme all the lore. And Marcy wandering through an abandoned sunken mall full of skeletons shouting for Simon is an absolutely heartbreaking thought.

This angel child deserves nothing but happiness.

THIS. RELATIONSHIP.

She found a puppy! Ahhh! They’re so precious!

Yas, Queen!

This poor girl can just never catch a break.

This backstory is fantastic.

RIP, my dude.

Rise, Marcy the Vampire Slayer.

Let’s go!

Oh no, what’s wrong with Schwabl?

Marcy defending the last of the life on Earth against the scourge of the vampires. I’d seriously watch a whole series of this.

“Staking vampires, protecting the last remaining humans. It felt like I was protecting you. It was the only thing that brought me happiness during those years.”

Fascinating.

It’s rough watching a character who’s so good go through so much pain.

No, not the puppy!

Save the puppy!

Also, that time she almost went feral on Jake was probably really terrible for her because it would have stirred up these memories.

Another good reason to pair the Enchiridion - and particularly Simon’s notes - with this. Who would’ve thought that Marcy owned it for a time?

Thank goodness something turned out okay in all of this.

Wild. So is this Simon and the Crown, or some other force causing it? Does it affect the whole planet, or just the continent Marcy’s on? What about all the humans who were leaving on the boat? Can they survive an ice age? Is it a full “400 really boring years” like in Finn’s wish world? Longer? Shorter? This side material raises at least as many questions as it answers.

So Simon found the Enchiridion and took notes on it for a while before finally sending it to a museum in Scandinavia just was the international crisis that would become known as the Great Mushroom War was ramping up. Then some wizards found it. Then Marcy found the wizards and took it from them. Now the Enchiridion is with Marcy in hibernation. Then somehow it ends up with a minotaur later and Bubblegum is the one who tells Finn where to get it. There’s another chapter in between there and I feel like it involves both Marceline and Bubblegum. Marcy’s life after the ice age could probably fill another book or two.

Precious angel child.

Oh snap, it’s actually written by the people who play Marceline and Hunson.

That was a trip and a half to read. I love the backstory and world building so much. Even in the early episodes I suspected that there must be some kind of substance to this universe for the show to go on for as long as it did. Based on the early stuff though I had lowered my expectations and never imagined that this universe would gain so much depth, complexity, and (above all else) tragedy.

Marceline seems so carefree, but she’s been through SO. MUCH. Most of it while she was still a small child. The people of Ooo are absolutely blessed to have someone like Marceline in their world. And they’re also quite fortunate that her trauma didn’t push her to the full-on dark side. Even after a thousand years of so much confusion and loss, however chaotic she may get, she still has such a good heart.

And wow does reading this ever reinforce my desire for them to figure out a way to save Simon. “He didn’t deserve what happened to him” is so right. Although if it hadn’t happened to him, he never would’ve been able to protect Marcy. He probably would’ve died in the Great Mushroom War like almost everyone else, and Betty would’ve died too. Maybe you could chalk it up to Marcy’s mother’s last prayer being answered or the universe working in mysterious ways or possibly even retrocausality that Simon was able to survive and care for Marcy. Even so, I’m about four seasons beyond ready for the heroes and protagonists to help this poor old man get back the sanity that was stolen from him.

I feel like Finn’s the key somehow. The Crown seems to be possessed by a ghost or spirit. Gunther’s unfinished ghostly business was Evergreen and Evergreen’s unfinished ghostly business was the Catalyst Comet and Finn’s the reincarnation of the Catalyst Comet and all of that’s tied up with the Ice Crown. It seems like there’s some kind of puzzle taking shape there. Betty’s studying psychometric energy, magic, and Glob’s freaking helmet...Glob who was last seen facing off against, once again, the Catalyst Comet.

And just from the Doylist perspective, the writers have been spinning out this tragic tale of Simon Petrikov for a long time and it would be emotionally unsatisfying if they never save this poor man’s mind. I’m worried they might make me wait until the end of the show to fully resolve it though. I was worried for a while that getting his mind back would kill him, but after the events of the episode “Betty” I don’t expect them to take that route.

Simon and Marcy are such tragic characters and I feel for them both. I love learning more about them, even when most of what I learn breaks my heart. The two of them embody so much of what gives this universe its heart and brings it to life.

#Adventure Time #my first thoughts on this