the 96 yellowjackets will see one of their friends dying and say hey is anyone gonna be a pychopomp for this guy during their death vision ??? and then not wait for an answer
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3:52 AM EST November 29, 2023:
Beck - "Already Dead"
From the album Sea Change
(September 21, 2002)
Last song scrobbled from iTunes at Last.fm
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"I think it will be fun."
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I feel really fucking alone lately. It's like everyone forgot I exist. Or they just don't give a fuck anymore. I'm here but not really here.
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Round 1A.18
Already Dead
Fandom: Five Nights at Freddy's Security Breach
Artist: KittenSneeze
Propaganda: "It’s about Vanny/Vanessa’s experience with the whole sort-of possession thing and YOU WOULD NOT EXPECT A SONG ABOUT THAT TO SLAP THIS HARD-" -submitter
Before
Fandom: Five Nights At Freddy's 3
Artist: Shadrow
Propaganda: "i know i said i wouldnt submit a ton of fnaf songs but one more isnt that! this just sounds so diffrent from most fnaf songs, and its soooooooooooooooo gooood. shadrow doesnt miss. also my hip hurts again, please send me hip-stop-hurting vibes :-(" -submitter
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I've been runnin' out of drugs and hope
I don't even got a plug no more
Have you ever been so alone?
That you don't know what to feel no more?
Ain't no reachin' for the pills no more
One more and you're on the floor
I know that I didn't stand a chance
I don't think I'll ever live again
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My Idea of the Quintessential Western
1. The Cowboy is already dead
2. The Cowboy's world and culture is dying, to make way for a new one. There are no new trails to blaze, no more feats to achieve.
3. The Cowboy is presented with a choice over and over again: To make the ultimate sacrifice for their way of life, or to fade into banality in a world they don't understand.
4. The Cowboy always chooses the former, clinging to their past like a scared child clings to their mother during a thunderstorm
5. In the end, they do make the ultimate sacrifice, but it doesn't take, because what's that sacrifice worth if they're already dead?
6. Every time you experience the Cowboy's story, you bring their world to life again, at least for a minute. But you know that the cowboy is already dead, and that you have become the Cowboy.
Every time you play Red Dead Redemption and try to prolong act two as much as possible, you're the Cowboy. Every time you rewatch all but the the last two episodes of cowboy bebop, you're the Cowboy. Every time you replay metal gear, making snake end the conflict that gives him a reason to exist, you're the Cowboy.
To clarify, not every tragedy is a Western. Not only does the Cowboy have to be a dead man walking, Westerns necessarily need to make clear that the Cowboy's journey was the last possible journey of that kind to be told in that world. Families can still feud after Romeo and Juliet, and teens can still overreact. Kings can still be doomed by fate after Oedipus Rex. Ships still wreck after the Titanic.
In Cowboy Bebop, the Solar System ran out of bounties, and Spike killed every Mafia member. Arthur Morgan robbed everywhere worth robbing, helped everyone worth helping, and tied every loose end worth tying. John Marston killed every last bandit, each of them crazed and alone and desperate. Amsterdam and Billy the Butcher die and leave a legacy that no one remembers.
That is a quintessential Western to me.
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