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#all the books i own are like YA or sci fi or like Actual Kids books a la warrior cats and wings of fire or whatever lol
wordwings · 4 months
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Writeblr Intro ✨
Greetings! I am Elias, also known as Isa (they/he). I’m a disabled, neuroqueer writer of disabled, neuroqueer stories. I’d love to meet more writers, and I’m always happy to join tag games and receive asks.
Fantasy is my first and favourite genre, but I have also written contemporary fiction, sci-fi, and romance—and who knows what genres I will feel inspired to write next. I’m not picky about age groups either and write MG, YA and adult stories. I write in both Dutch (my native language) and English, depending on how the story comes to me.
Published work
Wandering Stars, in Changelings: An Autistic Trans Anthology. A hopeful YA sci-fi/dystopian short story.
More about my WIPs under the cut!
WIPs
All of these titles are mostly unserious working titles because I usually only come up with an actually good title near the end of the story (and I also like keeping that a secret 🤫).
Currently working on:
Enby Witch Kid, a middle grade portal fantasy about a 12 year old kid who uses a spell to travel to a different world; drawing from my experience of being autistic and queer but only understanding it as ‘not fitting in’, and dreaming of escaping to a magical world
Nameless Romance, a t4t, autistic 4 autistic, ace 4 ace new adult romance novella about finding your own identity outside of society’s (and specifically parents’) expectations
Wankele machten (Unstable Powers), a fantasy adventure full of morally questionable characters I’m co-writing with my brother, in Dutch; it’s based on backstory for our DnD campaign
On pause:
Labyrinth, a multi-POV YA portal fantasy set in the same universe as Enby Witch Kid; I finished a first draft of this a few years ago, but I’ve since changed my mind about a lot of things and basically need to re-write the whole thing; and it makes more sense to publish my middle grade in this setting first, anyway
Ik wil alleen maar zwemmen/Ik ben Kikker (I only want to swim/I am Frog), a YA contemporary with a nonbinary autistic protagonist about friendship, romance, figuring out your whole life when you’re 17/18, and swimming; these working titles are a song reference and a children’s book reference, respectively
I also have a lot more story ideas that are mostly just collections of notes or random scenes—a sapphic vampire story, genderqueer beauty & the beast, a darker fantasy story set in the Enby Witch Kid/Labyrinth universe, a sequel to Labyrinth… And that’s not even all of them! My brain is a whirlpool of unfinished stories.
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pleuvoire · 4 months
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2023 books i liked recap because why not
top faves, new entries on the all-timers shelf:
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piranesi is like a sweet spot of novels made for me i swear. aesthetically beautiful (as far as mental images go), themes of wonder at the beauty of the world, a slowly unfurling mystery, a simple plot but with vibrant beauty and meaning layered on top. It's Good
giovanni's room also has a very simple plot that is so overlaid with soaring passionate emotion i swear it feels like an opera in book form. timeless classic. it's good idk what to tell you
oh man ancillary justice is such good sci-fi. when you start out reading it you're like this is rather dry but it pulls you in so hard. the worldbuilding! the themes of identity! breq is such a good character!
not quite all-timer shelf but still really good
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fish swimming in dappled sunlight is ultimately a story about stories and memory and constructed narratives and the reliability thereof. it takes place over a single night and mostly just consists of characters sitting around talking, but manages to pull some crazy twists on you regardless. love the prose style too
i'm glad my mom died lives up to the acclaim. mccurdy has a real talent for narrative voice, effortlessly inhabiting the viewpoint of her younger self at various ages. balances humor and tragedy with frank candor. i sound like a review pull quote here so i'll stop
infect your friends and loved ones is actually a novella so pretty short! it's by the author of detransition baby and has definitely gotten me interested in reading that. really vivid meditation on trans womanhood and transmisogyny that bounces between post-apocalypse and pre-apocalypse settings. pdf here
less stand-out but i still liked it
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what are you are looking for is in the library is a nice little series of loosely connected vignettes about people who are stuck at some point in their life and find inspiration at the library. all the staff at my library job wanted to read it so the hold list was a mile long lol. has inspiring themes about always being able to find a way forward when you're in a rut and the power of community and stuff
a people's history of heaven is about the life and times of a group of girls living in a slum in bangalore, india. i liked how it interwove different people's life stories together and used lots of vivid detail and i like how the trans girl's story was written. some aspects were hit or miss for me but it was still nice
temple alley summer is a kids' book but i like kids' books so that's fine. it's about a boy who sees a ghost and the next day she's a student at his school and everyone seems to already know her but him and it turns out this is because his house was built on top of a mystical temple. i like the meditations on life and death and the simple heartwarmingness. it takes a long unexpected detour in the second half which threw me for a loop but ended up working for the story
stuff i started reading but didn't finish and i swear i'm going to try to get to it this year
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to shape a dragon's breath is pretty long so i didn't get that far in before i had to return it to the library but i really liked what i read. the worldbuilding is really interesting and the narrative voice feels fresh and unique and deftly avoids the samey YA mold that tends to grate on me. and it's got commentary on colonialism! definitely check this one out
i got halfway through radium girls which is an accomplishment for me since it's long. rare nonfiction entry on this list. goes into insanely meticulous historical detail complete with fiction-style descriptions and embellishments of the girls' lives which just makes it more tragic
i own a copy of the haunting of hajji hotak but it's seriously harrowing stuff so i had to take breaks. it's good man. but whew it does not shy away from the realities of living under war and occupation. death to america
ok that's everything i think seeya next year
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silencedrowns · 2 months
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Could you help me with sci-fi book (or other media!) recommendations for my wife? I don't read much in that genre so all I can do is recommend anime and some movies I watched with my dad. We're currently watching Gunbuster. She likes Howl's Moving Castle (the book), Ancient Magus Bride, Yu Yu Hakusho, Fruits Basket, and Matilda (the movie), if that helps with her taste. Thanks for any help you can offer!
OHOHO I’m assuming she actually likes Gunbuster?
General recs: I recommend The Murderbot Diaries to anyone vaguely interested in sci-fi (and no, it doesn’t actually have much if any murder!). Same for Becky Chambers’ Monk and Robot series. 11/10, made me weep in joy and also weep like I went to a particularly good therapy session. And I cannot mention sci-fi without saying everyone should read some Octavia Butler. I was getting burned out on the entire genre until she blew my mind back open with what it could be.
For even more specific recs… my own tastes are pretty damn different, as I tend to skew more to fantasy and horror (I am extremely a Locked Tomb enjoyer), but from what you say she likes, I think she needs a copy of Tress of the Emerald Sea by Brandon Sanderson and also to check out Seanan McGuire (the Wayward Children, October Daye, and InCryptid series). Also maybe Legends and Lattes, Space Opera by Catherynne M Valente, and Brandon Sanderson’s Skyward series! And OH IF SHE LIKES HOWL BOOK THE AUTHOR WROTE SO MUCH MORE and all of it is good. I love DWJ I owe her my life. It’s all kids and YA and they’re older books so some things wouldn’t fly today but most of it holds up so well as an adult!
A bunch of books that I have been blown away by reading recently and want to share just in case: A Memory Called Empire by Arkady Martine (difficult and dry but the slow burn is chef’s kiss), Leech by Hiron Ennis (this skews very horror), the Lady Astronaut series by Mary Robinette Kowal, Priory of the Orange Tree, the Daevabad series by S. A. Chakraborty, The Luminous Dead (also skews extremely horror, please check content warnings), absolutely anything else by Catherynne M Valente, some John Scalzi for light sci-fi fun reading, and the requisite “I know it’s older books but reading Ursula K LeGuin is life changing”. I have left out most of my incredibly dry political space opera favorites because that is an acquired taste as well as most of my epic fantasy series favorites that are shaped like bricks and can be used in a home invasion. Same for the purely horror books and stuff like The Goblin Emperor and its spinoffs (which are incredible but also very dry and very difficult and therefore difficult to recommend to anyone whose taste I don’t know well enough to know they’d enjoy it).
EDIT: WATCH GUNDAM 0079
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stormblessed95 · 1 year
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Hi I’m an 8th/9th grade teacher and I’m looking to buy some new books for my classroom and you seem to be reading a lot of YA recently!! Would you mind sharing some recommendations you think are uh appropriate for me to purchase through the school? You seem to read a lot of fantasy/sci fi/romance which is a lot of what my kids like 🥰 thanks!
YA fantasy/scifi and romance! Yessss I can!
I just finished Legendborn by Tracy Deonn and started it's sequel today and it was AMAZING. Highly recommend. It's a King Author + magic retelling, Black Main Character written by a Black Author and done SO WELL because duh, own voices. It's dark academia fantasy and such a killer debut novel FOR SURE. And it's got a the classic YA love triangle and some romance thrown in too. Plus February is Black History Month, great time to support BIPOC authors 💜 (Duolgoy)
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Scythe by Neil Shusterman is a YA SciFi dystopian and its SO GOOD. It's a story about how in the future, death no longer exists. The only way a human can die is by being gleaned, aka murdered, by the Scythes. They are trained to deal out death to those who deserve it and contain the human population in the most humane way possible. Yet, there is lots of betrayals and power plays and double crossings happening between those in power of the Sycthe organization. And yes, a very cute side plot romance here too (Trilogy)
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The Summoning by Kelley Armstrong. It's a YA Paranormal Urban Fantasy. It's actually like the YA verison of one of my favorite adult series of hers and it's set in the same world with little Easter eggs connecting the series. But can be read as a standalone trilogy. It follows Chloe discovering she is a necromancer and thrust into this supernatural world and all that comes with it, including a werewolf love interest and the classic YA love triangle and romance. Still so good honestly too. (Trilogy)
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This Savage Song by V.E. Schwab. It's a YA Dark Urban Fantasy that basically explores the overall themes of how humans can be the monsters too. It's SO GOOD. Basically 2 kids of powerful men on either side of a war that is destroying their city, must choose whether to become heroes or villains—and friends or enemies—with the future of their home at stake.... and while one is human, one might be something else entirely 👀 Literally it's so good. And yes, it does end up having romance too (Duology)
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Cemetery Boys by Aiden Thomas. It's a YA Paranormal fantasy story about a gay trans boy who while trying to get his family to accept both his gender and his powers (the men are traditionally spirit guides and the women are healers), accidentally summons a ghost, who then refuses to move on. And yes, its got a VERY sweet and cute romance here too. Plus own voices trans rep (Standalone)
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Illuminae Files by Jay Kristoff and Amie Kaufman. A YA SciFi Trilogy where it's one of the most unique formats of crafting a story I've ever read. It's told through a series of files and emails and transcripts and it's SO FUN. It follows the story of Kady and Ezra and the journey they go on after their tiny space mining colony was attacked and destroyed. And oh yeah, they had just recently broken up but they Still love each other 😏 and what in the AI happens in this book too! Lol (Trilogy)
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And I really wasn't kidding about it being a uniquely written book and yet somehow the audiobooks are just as well done too lol
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Warcross by Marie Lu. A SciFi YA Dystopian Novel that is basically like an emersive video game. It follows our main character as she becomes lowkey a spy and bounty hunter. Yes, it's got romance and betrayal and plot twists and rainbow hair and constant reminders that nothing is truly as it seems. And it's so good. (Duology)
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As always, make sure you look up content warnings. I didn't list them here this time. But these are all scifi/fantasy YA novels that include a fun romantic side plot that I've LOVED when I read them. Hope this helps and thanks for asking! I have more I can suggest too of course
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moonshine-nightlight · 10 months
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i don’t know if you’ve answered this before, but I absolutely love your writing style! how did you get into writing?
thank you!!
short version is i got really into reading cool books when i was a kid and then i wanted to read other cool books but they didn't exist so i started just imagining those books and eventually i started writing them down.
longer version below the cut, if ur interested
it's been awhile but pretty sure i got into writing because i got really into reading lol. 4th grade (10 yrs old) is when i started just consuming as many books as i could get (i think something put me off when i was even younger but then i rediscovered books i liked and nothing could stop me) and i always loved imagining cool books or stories in my head (wouldn't it be so cool if i could find a book about x or with a character like y or had z in it? etc).
8th grade (13 yrs old) i think is when i started writing my own stories in spiral ring notebooks, both original stories (something about finding a magical path in the forest that led to colorful dragons i think?) and fanfiction (both my own and with a group of friends--we'd pass around the notebook and each write different parts of the fic).
while i've always had files and scrawled notes of original stuff, aside from some "poetry" i submitted to my high school literary magazine, i mostly posted/finished fanfic because it was shorter, i could get less distracted by worldbuilding, and those got views/comments which was more motivational.
i had a brief writing drought after i graduated college and my Real Job started and i was just very very busy, but i finally started posting again, but still just fanfic. i had started developing more original ideas and trying to actually write and finish some of them during this time, but did not truly consider posting any of it nor was i really making a lot of progress anyway.
then through tumblr, i stumbled upon some of the monster romance original works (@snowkissedmonsters i think was the specific writer i can remember jump starting that) and it kinda kickstart-ed the part of my brain that comes up with story ideas. and with some time, encouragement, and being possessed by the idea for "Nothing's Wrong with Dale", i started posting original works and haven't really stopped since.
i've always been interested in fantasy, sci-fi, speculative fiction etc, but more of my older ideas were YA because i was a YA (my protagonists tend to age as i did lol) and less romance focused, although many had sort of, side character love interests. i had always struggled with writing shorter stories and so i was interested in trying to really write short things both as a challenge to myself but also so i could actually frickin' finish stories that weren't fanfic. that's worked pretty well, even if i'm still not able to write one-shot original stories like some others out there.
i think i've imporoved a lot over the years and am really grateful for all the practice writing via fanfic i was able to do and am continuing to do, jsut on my other tumblrs/AO3 accounts (because i dont think there's a lot of audience overlap with this writing)
that's probably a longer answer than u wanted, but i hope it wasn't to rambling!
thanks again for asking and the compliment on my writing :)
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literaticat · 1 year
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I’m confused about genre, despite googling and doing much research—I swear I’ve tried! I’m having trouble distinguishing between sci-fi, speculative, and fantasy. Also, my book is definitely a thriller, but has very-near-future elements in it. Like a light Black Mirror episode. I am thinking I want to label it a “sci-fi thriller” but at the same time, I feel like some agents who love thrillers are super turned off by the label sci-fi. Should I call it a thriller with speculative elements to soften the blow? lol. I KNOW YOU DON’T REP ADULT BOOKS—can we pretend this is YA?! Lolol. And maybe you have thoughts on this as a bookseller as well? Do you know of any good resources about how to define genre? Thanks for all of your answers to our questions!
I'd say that "speculative fiction" is the broad umbrella category that include science fiction and permutations/subgenres of same (your steampunk / cyberpunk / alternative history / whatever), and fantasy, and pretty much everything that has anything to do with things-that-don't-really-exist. It's the big tent for all that stuff -- basically it's books that seek to answer a "what if" question. What if the Napoleonic Wars had been fought with Dragons? What if your kid was best friends with an AI? What if cops were replaced with advanced robotic killing machines? What if there was a secret society of magical people living in London that regular people didn't know about?
Science fiction generally is set in a world that has advanced technology that could theoretically exist (even if it would be a big stretch). So, time travel, faster-than-light travel, artificial intelligence, space wormholes, whatever. (Many people shorten this to SF, which could be "speculative fiction" OR "science fiction" and I think that is perfectly fine. After all, both are true. I prefer that to "sci-fi" which sounds old-fashioned to my ears, but whatever).
Fantasy generally is set in a world that has MAGIC. It could be a world very much like our own, or nothing like our own, but the BIG THING it has that is different from our own world? MAGIC! Like a wizard casting a shrinking spell, a dragon who speaks French and grants wishes, talking badgers, things that can't exist, actually -- MAGIC.
As for your book: I wouldn't call it a "sci fi thriller" -- those are two different genres, as thriller is a subgenre of mystery. I'd pick a genre, query as that genre, and then add nuance and "whatever-elements" when you are describing it.
So yes, if you think it would be shelved in the mystery section, you'd call it a "thriller with speculative elements set in a near-future Black Mirror-esque world"
If you think it would be more comfortably shelved in the SF/F section, then call it "speculative fiction with the propulsive pace of a thriller set in a near-future Black Mirror-esque world."
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bugsinthebayou · 2 years
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ok so gumy’s book recs (i am sorry abt the overabundance of romance blame the YA writers) (also btw im not sure how much summary to put here so ig if what i say here intrigues u then u can research these books and see if you’d like them since u know that better than me):
The Ones With Romance:
skyward by brandon sanderson. it is sci-fi with an emphasis on interstellar war. the main character is a Weird Girl who i have decided has autism swag. there is romance and it’s not super well done? but it’s decently background and imo it has enough chemistry to be excusable.
a good girl’s guide to murder by holly jackson. it’s a mundane murder mystery, but the suspense and characterization are well-done. the romance is present, somewhat significant, but passably done, and again there is enough buildup and chemistry to at least be not hateable.
a pho love story by loan le. modern day romeo and juliet retelling where romeo and Juliet’s families own rival pho restaurants. it’s cute, fun, lighthearted, well-written, and has a strong emphasis on family and balancing cultural/familial expectations with who you want to be.
The Ones Without Romance (several of these are somewhat kids books but i love them without shame):
a wrinkle in time by Madeline l’Engle. on the surreal side, not sure if it counts as sci-fi or fantasy or what. it’s so good it’s absolutely beautiful it’s abt the beauty of humanity and the importance of love and if you’ve read it before go read it again
the last cuentista by Donna barba higuera. sci-fi, emphasis on interstellar travel and cultural heritage. heavy themes of individuality, family, making your own path, finding strength in your history and the stories of our past and the love we have for those around us. it made me cry so hard when i read it the first time
the girl who drank the moon by Kelly barnhill. fantasy. the descriptions, the characterization, the story, it is so gorgeous. it especially shines in characterization and imagery though. i don’t think I can do it justice but if u read any of these recs it should be this one.
the martian and project Hail Mary, both by andy weir. sci-fi, set in the near future. have you ever wanted to read a good sci-fi novel, but the author just hates women too much? look no further than these books, which have the gumy seal of Does Not Hate Women! that’s not all these books have, though- the narration has a percy jackson level of humor, a realistic take on technology, and generally is just lovely all around! (i will say though that project hail mary is very supportive of the panspermia theory of the origin of life even though it’s a stupid theory that doesn’t actually explain how life came to be)
oooooooo thanks!!!
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felidaereverse · 1 month
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tagged by @charlottan yayyy
Favorite books: jesus christ this is a hard first question. almost all are favorites during the moments I read them
Favorite authors: MARY ROACH, Toni Morrison, Alison Bechdel, and I'm sure there's more I'm forgetting at the moment
Favorite genres: SPECULATIVE FICTION, horror, magical realism, GOOD sci-fi & fantasy (very fine line), satire, and graphic novels but also I think graphic novels shouldn't really be their own "genre"
Currently reading: The Firekeeper's Daughter, American Short Fiction 2021 anthology, The Sisters of Dorley, A Raisin in the Sun (actually just finished but I'm still counting it for now until I finish teaching it, aka infinite re-reading)
To-read list: The Botany of Desire: A Plant's-Eye View of the World, American Psycho, The Angel Maker, Walking Practice, Fun Home, Giovanni's Room
Loved as a kid: Eragon series, Eon series, The Little Prince, Warriors series, Under the Dome, Atlas of the Human Body, The Silence of the Lambs (who let me check this out from the library at 11 years old???). can you imagine being an author and having this incredible power to so fundamentally shape the way some young person grows into their person-hood? I imagine this is why people become authors in the first place
Preferred book length: 200-300 pages. 400 can be good from some authors if they're really into the worldbuilding, but beyond that gets grating. less than 200 also can be good from some authors, but usually not enough development for me
Couldn't finish: this is hard because I love to hate-read. Their Vicious Games was a book for a YA lit class last semester and it just was soooo lame. fine concept but the author was just missing OPPORTUNITY after OPPORTUNITY to make it actually GREAT..... not even bad enough to hate-read so fuck this book. YA lit is so so so needed for actual kids but I cannot standdddddd most of it now that I've been exposed to more nuanced books
Fiction or nonfiction: weeps. wails. do I really have to answer this one. I guess fiction because I can hold a longer conversation about it with more people, whereas nonfiction usually needs to be a convo with someone who already cares about that niche. Also unfortunately nonfic authors who care about the artistry as much as fiction writers are harder to find
Buy, library, or read online: libgen.rs my best friend libgen.rs :heart: I would be 100% for library tho if only they had the books I actually wanted. but I do go to my library often to study and play on their piano :3
Most-read author, but that I can't recommend: hmm idk if I have one. I have read a LOT of Stephen King :middle_finger: oh also Malcolm Gladwell pisses me off
Favorite book character: hmm who do I still wonder about... a character I still question... Nel and Sula, from Paradise. especially interesting because you have to talk about them both as two halves of a whole character. especially interesting because I don't particularly like them as people. especially interesting because I still feel intimate connections to them as people. I am so absolutely Gripped by the questioning.
Book(s) that got me back into reading again: Watershed by Percival Everett. the kind of book that makes me want to read so badly that I have to WRITE
tagging anyone who wants to do it :))) Hello Book Fans im so curious
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chaoticwholesome · 1 year
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4, 12, 14 for the book asks!!
4. What sections of the bookstore do I browse?
I mostly browse the fantasy section! (And sci-fi also since theyre basically always grouped together) Also absolutely the graphic novel/manga section if they have one (my respect for any bookstore very much hinges on what their comics section looks like lol). Sometimes I'll branch out into the Young Adult section (though I feel I've moved on from YA lately lmao) and sometimes I'll head into the Middle Grade section and even the picturebooks section to see what's happening in the field i wanna work in (and some stores slot graphic novels in with the general middle grade books!)
12. Did i enjoy any compulsory highschool readings?
My compulsory highschool readings were a bit of a mixed bag (had some awful ones in senior year especially) but in 11th grade we read the mystery novel Gentlemen & Players by Joanne Harris and it was actually pretty good and engaging? It takes on elitism in academia through the perspective of an english all-boys private school, and has these background elements of homosociality and gender fuckery that i remember being Very Interested In. I probably would never have picked the book up on my own unless it was recommended to me so its nice that i got to read something outside my genre wheelhouse!
14. Do I dog-ear or mark books that I own?
Nah. I used to dog ear novel pages to mark them when i was a kid, but i got out of that habit when i was borrowing from the library a lot in highschool, and have simply kept out of the habit bc i won't do that to my comics (that paper's very expensive eek!) so i just use bookmarks! I'd looove to get into the habit of annotating books tho since i like using the Kindle annotation functions while i read ebooks!
I also have no weird qualms with other people dog-earing their own books as long as they never do it to mine sjjddkfk
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ace-trainer-risu · 3 years
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what are your fave diana wynne jones books that aren’t howl’s moving castle??
Oh whattt a lovely and fun question which I was definitely not secretly hoping someone would ask!!!! Yay!!
Hm okay so, not specifically in order, probably my top fave Diana Wynne Jones books would be:
Deep Secret! Deep Secret is not just one of my favorite books by DWJ but one of my favorite books full stop! It’s so good. Basically, the premise is that there is an infinite series of interconnected worlds, some of which have magic and some of which don’t, at the center of which is a vast interdimensional magical empire. Magic in the multiverse is overseen by an organization of magicians called Magids and there must always be a specific number of Magids in existence. When Rupert, a young Magid living on Earth, discovers that his mentor has died (ish) he becomes unexpectedly responsible for finding and training the next Magid, which is extremely inconvenient timing for him because the aforementioned magical empire is on the brink of civil war and chaos and its his job to stop it. And also almost all of this takes place at...a science fiction convention. It’s amazing.  I have read this book minimum four (probably more) times and every time it’s absolutely delightful and hilarious. I would like to go to the sci fi convention in this novel more than anything. It’s such a good read and its one of her few novels which is specifically aimed at adults, so I would EXTREMELY recommend it. Plus the romance in it is extremely good...not exactly enemy-to-lovers but more like ‘annoys-the-shit-out-of-each-other’ to lovers.  (**One note about this one...there’s a few very briefly mentioned side characters who are gender noncomforming and even tho they are actually portrayed very positively, it’s not necessarily ideal and 100% respectful (basically the protags comment on them being very beautiful and nice but also keep trying to guess their “real” gender). Additionally there’s a different briefly mentioned side character who is fat who isn’t portrayed very nicely. Both of these are brief incidents, just wanted to provide a warning for them)
Dark Lord of Derkholm - Okay this one is weirdly hard to summarize but it’s about this magical fantasy world which has been taken overy and is being used as a tourist destination by a non-magical world (heavily implied to be Earth) for people who want to role play at being in a classic high fantasy story, including fighting and killing THE DARK LORD...who is really just a random magician pretending to be evil. The inhabitants of the fantasy world do not enjoy this and are trying desperately to stop the tours, but unfortunately according to a magical oracle, their best hope of stopping the tours is this year’s Dark Lord, a hapless farmer magician named Derk, and his, um, eccentric family consisting of his glamorous wife, seven children (of whom five are griffins and one is a bard) and a simply improbable amount of magical animals. And also there is a very good dragon.  I think Derkholm is so great as a novel b/c it’s a very funny, loving but sharp, parody of high fantasy stories...but a lot of the time parodies only function as parodies but not as good stories in their own right, you know? But this novel completely functions as a story too, and in fact the first time I read at maybe age nine or ten, the high fantasy parody went completely over my head...but I still loved it. I also really love that this novel is very accessible to all ages, I think I enjoy reading it as an adult just as much as I did as a kid, which is rare.  For anyone who has read Howl’s Moving Castle but nothing else by DWJ and isn’t sure where to start, I think this is a great place to start. (TW: There’s a brief, non-explicit scene which has implied sexual assault.) 
Fire and Hemlock - This may be the most controversial one since it features a romance with a significant age gap where the two characters meet when one is a child and the other an adult. And I fully agree that that’s :/ and normally that trope is NOT my thing but it doesn’t come off at all creepy in this story imo, and if you think you can deal with that then this is a very weird, atmospheric, cool book about storytelling and fairy tales and growing up. The short summary (this is another hard to summarize one) is that as a child, Polly encounters and strikes up a friendship and correspondence with a young man, Tom, which mainly consists of the two of them jointly making up a silly, ongoing fairy tale type story...but things get weird when parts of their story start to come true in real life.  I’ve only read this one twice but it really stuck with me and in fact just describing it here...really makes me want to read it again!
The Chrestomanci Series - So all of the above are either specifically aimed at adults or a general audience whereas the Chrestomanci series is aimed at children, mainly a middle grade type audience. And tbh I started reading them as a kid (fond memory - I bought an omnibus of the first two with my allowance money...b/c it had a cat on the cover!) so I don’t know what it would be like to first read these as an older teen or an adult. BUT. Honestly they are really good and would be a quick read so I do still recommend them. There’s seven overall, with th seventh being a collection of short stories, and they’re only semi-chronological so the reading order isn’t vital. My recommended order (b/c this the order I read them in, haha) is Charmed Life, The Lives of Christopher Chant, The Magicians of Caprona, Witch Week, The Pinhoe Egg, Conrad’s Fate, and then Mixed Magic you can read whenever you want so long as you read it after Charmed Life and The Magicians of Caprona.  So the very core premise of it is not dissimilar to Deep Secret - there’s an infinite series of worlds/universes and there’s a magician, called the Crestomanci in this case, who is responsible for making sure magic isn’t abused across the multiverse. The Chrestomanci is an extremely powerful enchanter who has nine lives, and the novels are various semi-connected stories about the adventures of Chrestomanci as an adult and child. Chrestomanci is a title so it’s not always the same person, but for the majority of the stories it is the same guy and he’s...the best/worst...He’s this extremely handsome, charismatic, powerful enchanter who is very good at his job, loves his wife a lot, wears very beautiful clothes and makes, um, questionable life choices and is very annoying to everyone. I’ve thought about this very hard and I believe that he’s what happens when you take a fundamentally chaotic good person and make him do a fundamentally lawful good job; yes, he’s going to do it and do it well, but he is going to do it in the most chaotic, ridiculous way possible, and he IS going to die at an ALARMING rate, doing things that would not normally kill a person, such as playing cricket and trying to catch stray cats. He also, as previously mentioned, frequently wears very dramatic silk dressing gowns with elaborate embroidery, which the protag of Charmed Life finds deeply alarming.  It’s very odd to me how these books don’t seem to be well known, because the Chrestomanci books were some of my absolute favorite books as a child. I still have my omnibus editions of the first four novels and they are very worn and very beloved. And it’s so WILD to me that I don’t think I have ever talked to someone who also read those as a kid! Like I’m not saying those people don’t exist, I’m sure I just haven’t met them, but that’s so weiiirddddd to me. If I bring up Tamora Pierce or Garth Nix or other authors of weird, eccentric children’s fantasy novels to other avid childhood consumers of fantasy, people usually know what I mean, but Chrestomanci and its just..crickets. Is it b/c she’s British? Anyway all of the Chrestomanci books are very degrees of good, but if I had to pick a favorite, I think, controversial choice here, it would be Conrad’s Fate. Particularly in terms of recommendations to others, Conrad’s Fate works as a standalone and, unlike the other books in the series, it’s aimed more at a YA audience, so if you wanted to read a Chrestomanci novel without getting into the whole series, that’s a good way to go. It’s about a boy, Conrad, who is told that he has a terrible, possibly fatal Fate awaiting him unless he goes to work as a servant at a wealthy, and weird, estate neighboring his town, at which place he encounters things including color changing livery, an extremely annoying teenage Chrestomanci, and the greatest liminal space house EVER. It’s like a combination of an upstairs/downstairs Downton Abbey type social drama with bizarre fantasy shenanigans. How could that not be good??
Also as Honorable Mentions - A Sudden and Wild Magic and The Time of the Ghost. A Sudden and Wild Magic is fun b/c it’s one of her few works aimed specifically at adults and it’s (gasp) a little bit NAUGHTY which I was very surprised and delighted by when I read it. (This may seem like an unfair statement considering that Deep Secret fully has an orgy in it, but Rupert is so fundamentally unnaughty of a character that he completely unnaughtifies the whole novel, whereas Sudden and Wild Magic embraces being a (little bit) naughty.)   The Time of the Ghost on the other hand is weird and haunting and creepy and atmospheric. I only read it once but it’s one of those novels you just think about periodically and go “wait what the fuck that was a weird novel” (Also known as the “Garth Nix” effect) 
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Book recs: Similar to but less sad than TSOA
Hello everyone! @lordeteams requested some book recommendations that are not as sad as The Song of Achilles so here we go. I read a lot of books and since 2019 I've kept a running list of what I've read so honestly I'll take any excuse to subject people to my interests🤗 List is below the cut, not in any particular order (except from the first entry which is my current favorite), and includes NA, YA, and adult fiction. If you're curious about the distinction I'll refer you to this (sadly, now-deleted) tweet from Maggie Stiefvater:
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One Last Stop (Casey McQuiston, NA): This one is brand new and instantly became a favorite. F/F romance in which August Landry, newly transplanted to Brooklyn, meets Jane Su on her morning commute. Turns out, Jane is stuck on the train and has been since the 70s, but has no memory of how it happened or of her old life. Part romance, part time-travel mystery, but entirely a love letter to queer communities everywhere. Found family trope abounds with August's roommates and coworkers, which include drag queens, people of every flavor of queer, and a real life psychic, all of whom are ready and willing to help solve the mystery of why Jane is on the train and how to fix it. In the process, August learns things about her own family, as well as events in American queer history that few people remember today. I really cannot express enough how much I love this book. Please read it.
Red, White, and Royal Blue (Casey McQuiston, NA): Odds are, if you've heard of Casey McQuiston, it was because of her first book (this one). M/M romance about Alex, son of the first female US President, and Henry, prince of England. Enemies to friends to lovers, featuring queer self-discovery, coming out, PR/corporate closeting (hello, larries!) and just a delight. This is a very different queer story from OLS - OLS is a romance, but more plot-heavy and the romance isn't the entire focus. In RWRB, the romance is the plot and it reads like fanfiction which is very fun.
The Raven Cycle (series, Maggie Stiefvater, YA): This series is a character-driven, coming-of-age, found family story about a bunch of weird-ass teenagers (affectionate), magic, prophecy, and Welsh kings. This is the rare story in which every single main character plays a critical role in the plot and grows and changes with the story. You will fall in love with all of them and their relationships with one another. Plus, the worldbuilding is incredible and has such an intricate mythology that you'll want to reread just to get the details. Followed by the Dreamer Trilogy, of which two books have been published, but I've only read the first one so far.
All for the Game (series, Nora Sakavic, YA): This is the series that got me back into reading for fun five years ago and as such it holds a special place in my heart. The plot is wacky and convoluted - college athletics, a made-up sport, a kid on the run from his mob boss father - but don't let that discourage you. Hella found family. (Are you seeing a pattern?) I will warn you, this deals with some pretty heavy stuff, including torture, abuse, addiction, sexual violence, and more. Here's a comprehensive list of trigger warnings, with detailed descriptions at the bottom. It's intense, but the friendships and romances make it worth the read imo.
Grishaverse (series, Leigh Bardugo, YA): This is actually three series: the Shadow and Bone trilogy, the Six of Crows duology, and the King of Scars duology (which I haven't yet read). If you've seen Shadow and Bone, the S&B trilogy covers the Alina storyline, while SOC covers Kaz, Inej, Jesper, Nina, and Matthias. S&B is a chosen one/coming of age story, while SOC is found family committing heists. It's great.
Aristotle and Dante Discover the Secrets of the Universe (Benjamin Alire Saenz, YA): Coming of age M/M romance. Set in the 1980s in El Paso, it describes the friends to lovers journey of Ari and Dante over several years, as well as Ari's journey of self-discovery. It is the most beautiful book and one of my comfort reads. There's some themes of homophobia and violence, but with a happy ending.
Carry On (Rainbow Rowell, YA): This is basically Harry Potter fanfiction, but better because (a) it doesn't take itself too seriously and (b) the author is not a violent transphobe. Seriously, this book is so fun. It's a twist on the chosen one trope because Simon, said Chosen One, is just spectacularly bad at what he is supposedly destined to be. Plus you have an enemies to lovers storyline, which is my personal favorite trope. Followed by Wayward Son, which is literally a road trip AU, and Any Way the Wind Blows, which will be released next month.
The Queen's Thief (series, Megan Whalen Turner, YA): Fantasy series centered on Eugenides, who is very proud of being a great thief but also wants to be famous, two goals which are not really compatible. This series is interesting because every novel is told from a different character's point of view in an increasingly zoomed-out lens such that you're seeing how Eugenides' influence grows over time and space. The setting is vaguely based on the ancient Mediterranean region, but with a mythology all its own.
The Seven Husbands of Evelyn Hugo (Taylor Jenkins Reid, adult): This is a frame story in which aged Hollywood star Evelyn Hugo, famously tight-lipped about her personal life, hand selects a young journalist, Monique Grant, to finally tell her story. Evelyn tells Monique all about her life - how she became an actress in the mid-twentieth century, how she got involved (and uninvolved) with all seven of her former husbands, and who was the true love of her life. There are some sad moments for sure, as it's a retrospective on the very long and very full life of an actress at what she knows is the end of hers. But it's such a good story and worth the bittersweet tones.
This Is How You Lose the Time War (Amal El-Mohtar & Max Gladstone, adult): Sci-fi novel told by Red and Blue's letters to one another across time and space. They are on opposing sides of the Time War and as they perform their respective missions, they leave letters for the other to find. Their letters start out as "I'm coming for you, you better run" but then eventually turn to friendship and then love. Ultimate enemies to lovers. It's a short novel but you'll read it again and again to pick up more details. It's so good.
The House in the Cerulean Sea (TJ Klune, NA): This book feels like a warm hug. Linus Baker is essentially a child protective services worker, overseeing the orphanages housing magical children. He is then assigned to the most remote orphanage in the system, in which six dangerous children reside, to determine whether any or all of these children are capable of bringing about the end of the world. Once more, with feeling: FOUND FAMILY. Also nice because it's a metaphor for queerness that also features canon queer characters.
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Title: Proxy
Author: Alex London
Genre: YA Fiction | Friendship | Drama | Sci-Fi | Dystopia | Post-Apocalypse | LGBTQ+
Content Warnings: Homophobia | Death | Abuse
Overall Rating: 9.7/10
Personal Opinion: Having read this book years ago, there is an added element of nostalgia to this. It felt like a trip down memory lane for me. It’s such an immersive story too, it completely pulls you into this dystopian future where the oppressive upper class rules with an iron fist. Basically, I’m saying that it was impossible to put this book down once you got into it.
Do I Own This Book? No.
Spoilers Below For My Likes & Dislikes:
Likes:
- Having read this book years ago, there is an added element of nostalgia to this. It felt like a trip down memory lane for me in a good way because there are so many details I forgot. So let’s talk about those details.
- Firstly, the world-building is incredible. It is so immersive. Everything from the proxy system to the guardians being irresistably gorgeous to the datastreams embedded into their blood and more. I also love how they described some archaic or esoteric things but they’re mundane in real life. Sign posts, the Interstate, and even animals and food. It’s a terrifying dystopian future to think about, that all this stuff just doesn’t exist anymore. But I think that makes this book so interesting to read. It’s scary and raw and thrilling and the setting that London built really amplifies those feelings. Even the slang like “glitched” and “chapter 11” are so unique and helps with the immersion.
- I don’t know how but it just never occurred to me that Syd is brown. The main character and the “chosen one” is brown! We have no clue what kind of brown but still, he’s a minority nonetheless. And Marie might be Asian and Hispanic? Oh wait, she might be Filipina. I don’t actually know. Her dad’s name is Xiao Alvarez, it’s very confusing. But either way, two of the main three characters are likely POC and that’s cool.
- Marie, by the way, what a badass. She’s ignorant in a lot of ways, being so privileged, but she’s got good morals and a strong will. She took on the Maes gang bandits easily and carried a weapon for most of the book. She was ready to lay her life down for Syd and that is amazing.
- Syd is a badass too but in a different way. He didn’t trust generosity but he trusted Knox because his intentions were selfish. Because he grew up in a place where generosity didn’t come without a price. But still, Syd himself is unselfish. He’s the most generous person in the book! From the start, he offered to fix Tom Sawyer’s projector for free essentially. At the zoo, he saved a child from getting mauled by a polar bear and he did it without even a bit of hesitation. He’s a good kid and that’s what makes him such a good protagonist.
- Knox had a character arc that was utterly captivating. He’d started out as a hedonistic brat that lacked empathy. But as he spent time with Syd, he gained empathy. He learned to care. He considered Syd his friend and refused to let that friend die. He wanted Syd to be free to choose his own life. When he made the ultimate sacrifice to save Syd, my heart swelled for him. And even though he’s a heterosexual pig, he still got my heart pounding when he kissed Syd in the end to leave him something to remember him by.
- Egan is a true ride-or-die and I felt bad that his death was a bit anticlimactic. But that was the point. Lives in the Valve are disposable and even guys like Egan, who are best friends to the protagonist, can die. In fashions unbefitting of their prominence in the story. 
- I love the banter in this book. Every character had their own distinct voices. Syd was sort of detached and casual. Marie is sassy and sharp toward Knox but kind and gentle toward Syd. And Knox is a flirt. With everyone. As long as it will benefit him anyway. But the moment that I think solidified their friendship for me was the night they camped out in a cave and huddled together. Syd asked Knox to give him a goodnight kiss, effectively turning Knox’s own persona against him and all three of them just lost it. It was funny and cute simultaneously.
- Mr. Baram and Gordis are so cool too. Adults should do way more in YA post-apocalyptic settings. The way Baram was able to help the kids get away from the Mountain City and the way Gordis easily took out the two bandits was badass of them. I was genuinely super impressed with them.
- I had no idea that Liam was already in the main story! The “ferocious teenager” with the “metal hand” was apparently Liam. He played a big role in the reboot after all by stopping Mr. Brindle from getting to his son. Not only that but Knox was apparently signalling to Syd, “Hey, a potential hookup.” And LMAO, knowing that Syd and Liam are, in fact, an endgame couple is so funny to me.
Dislikes:
- Okay, this is going to be weird but the world-building was super excessive. I know, I know. But I’m just saying, from the few sci-fi dystopians I’ve read, there’s a way for it to not seem cluttered. What I mean is, in the very first chapter, almost every line has some made-up sci-fi term in it and that was just… a lot for the very beginning. That being said, I appreciate the details and I can’t wait to reread Guardian where all those details probably aren’t as present. Plus, once you get used to all the details, reading is a lot easier so I guess I shouldn’t be complaining as much.
- There’s an inconsistency that bugs me. In the Proxy short story “Punishment,” Syd is taken away for his contractual punishment by Guardians. However, in the main story, he says that Guardians aren’t supposed to do something like that. Not for proxy business.
- Another issue I have is timing. Only like three or four days had passed (not including the time Syd was unconscious) since the three of them met? How did they become such good friends in such a short amount of time? But then again, I guess life or death situations can be a real bonding experience for teenagers.
- Homophobia is, unfortunately, alive and well in this future world. I’m trying to keep in mind that this book was published in 2013 and therefore, it was before same-sex marriage was legalized across the country but my god, some of the outdated ideas in this story… It’s tough because this is supposed to be the future. Technologically, they’re so advanced. But sexually, they’re so repressed. It’s depressing. It works for the story, but I don’t have to like it.
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stormblessed95 · 2 years
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Disability Pride Month
Did you know July is actually Disability Pride? And did yall know I'm Disabled? I have multiple Invisible Disabilities. Meaning that if you met me in real life on any regular day, there is a good chance you would have no idea that I can't remember the last time I wasn't in pain. How we probably have very different definitions of the word exhausted. So I hope everyone will take the chance to just do a little something for the month of July to increase your own awareness. Especially if you are able-bodied. Look into ablism, learn about the Spoon Theory if you don't already know it. (Highly recommend that one! Would be willing to talk about it with yall if you have any questions!) Try to be a little more conscious of how you never know what someone is dealing with and don't judge someone for using mobility aids, even if it doesn't look like they should need it. Or "you don't look sick." Or for someone who parks in a handicap spot but isn't in a wheel chair. And for anyone else who is disabled here, I hope you take pride in who you are this month too. Every part of you! And I'm willing to talk about it if anyone wants to 😊💜
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And on that note! I'm actually here to celebrate just a bit with yall in my usual way when I make posts not about BTS. By sharing books!! So here are some books that I've throughly enjoyed that have Disability Representation in them!!
1. Six of Crows by Leigh Bardugo
Fantasy thieving crew heist novel. Rep includes Chronic Pain, Mobility Aid Use (cane), PTSD, Dyslexia and Addiction. It also is now a Netflix show! You should read the books though!
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2. Sick Kids In Love by Hannah Moskowitz
YA Contemporary Romance novel. Rep includes Rheumatoid Arthritis and Gaucher disease. (Made me cry in a good way!)
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3. One For All By Lillie Lainoff
Historical gender bent three musketeers Retelling. Rep for POTS.
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4. Get a Life Chloe Brown by Talia Hibbert
Romance fiction, rep for fibromyalgia
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5. All the Right Reasons by Bethany Mangle
YA Contemporary Romance. Rep includes EDS. (Haven't read this one yet, but on my TBR!)
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6. The Bone Houses by Emily Lloyd Jones
YA Horror Paranormal Fantasy with Zombies. Rep for Chronic Pain
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7. Iron Widow by Xiran Jay Zhao
YA Sci-Fi/Fantasy as a Mecha Retelling of the rise of the Chinese Empress Wu Zetian. Rep includes Cane and Wheelchair usage.
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Thanks for letting me share! Happy July Everyone! I hope you all have a wonderful weekend! And if you have any good recs for me, please feel free to share them as well!
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emachinescat · 3 years
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II've decided to watch MacGyver from the beginning (again), and I'm live tweeting the experience with every tweet tagged with #savemacgyver. I thought it would be fun to share my collected thoughts from the episodes on here as well.
My Thoughts on S1E3, "Awl"
You're not only going to make it to 30, Mac, but you're going to make it to season 6. #savemacgyver
I love that Jack's bucket list includes finishing the Harry Potter books. Guess he's not a one-trick pony after all with sci-fi. A healthy blend of science fiction and fantasy is just what the doctor ordered.
Dylan Thomas reference! That poem was written about the poet's own father, and is about how everyone, no matter who they are or what they stand for, fights against death in the end. He's begging his dad to "rage, rage against the dying of the light," to not give in to death so easily, to keep fighting. Just taught this poem, actually, so I'm vibing with this reference super hard. Though to be fair, I'd be vibing with it anyway. Love Dylan Thomas.
Oh my gosh, this is the one with the fire extinguisher and inflatable escape! I'd forgotten which episode that came from, but I see GIFs of it all over Tumblr. Poor Mac especially, that looks like it hurts. Why is Lucas Till so good at being whumped?!
Jack hugging the fire extinguisher: Iconic.
I'll never get tired of seeing that polar bear! Do we know if he has a name?
I cannot get over how small and excited Bozer is, not a care in the world except for his movie. It's exciting to think about what's to come for his character growth, though I do wish he wouldn't have to go through all the things he does. :(
Jack's conversations with his dad at the grave are just everything. And I feel cheated that we haven't gotten to see Mac have the same kind of conversations at Jack's grave (though I firmly believe it's a regular occurrence off-screen).
Seriously, the way he talks to his dad is so familiar, so comfortable, so natural. It's like Daddy Dalton is right there with him and it fills me with so many emotions that I can't even.
The smile on Jack's face and the pride in his voice when he talks about Mac to his dad is the purest thing ever.
Also, that's a big-ass tombstone Jack is leaning against.
"Hi, Mr. Dalton. How's... life?" MAC! 😂
I can't tell you how much I love it when other characters talk about how smart Mac is. "He's a genius..."
First mention of Mac's dad. It's sweet how invested Jack is in Mac rebuilding his relationship with his old man. Also, I really wish we would have gotten a flashback of Jack's dad at some point. He seems like such an amazing man.
"If I could have one more day to sit and talk to my dad instead of that hunk of rock, I'd do anything." Jaaaaaaack 😭😭😭
Good old Ralph Kastrati. Single-handedly the most annoying character in all of cable television. Y'all have no idea what you're getting into with this one, dream team.
PUNCHFACE.
"My mom dated a guy like that once." Ouch. I'm about to start a Riley Zinger Counter for each episode. Her comebacks are 🔥
It's not just his face, Jack. Everything about this dude is punchable. Especially the way he says "yo."
Ewwww tightie whities no thanks imma head hom now byyye
Mac just snatched that can right out of Jack's hand as he was about to take a drink. Classic.
If I didn't hate Ralph before (spoiler: I did), then I extra hate him for the foie gras comment.
Yes, Jack, "asshat" is the perfect descriptor for this guy.
Is Mac seriously about to just make him some noise-canceling headphones? Who am I kidding? Of course he is.
I need more of Mac punching people in the face. For science.
Poor Jack didn't get to punch the punch face.
🎵 Snipers gonna snipe, snipe, snipe, snipe, snipe 🎵
Between the foie gras and the calfskin, they are really making this guy so easy to hate just sayin'.
"As soon as you're done saving his life, I'm gonna kill him, you hear that, smart-ass? I'm already dressed for the funeral." 🤣🤣🤣🤣
"He's g-good. He just... got kinda shot." Is that the medical terminology, Mac?
Jack using country music as a form of torture 🤣
"You're going to be seeing Yelp stars if you don't shut up!"
Have I mentioned how much I love the music in this show?
"I don't wanna die listening to country music!"
I love how bossy and grabby Mac gets when he improvises.
Another belt grab! I can’t get over Jack trying to keep his crazy partner from falling out of the window – it gives me life!
Actually makes me wonder if he does it because Mac’s taken a tumble out of a car window before. *fanfic brain engaged*
“You know how I feel about your puns.” C’mon, Mac, pus are the greatest forms of humor, bar-pun. (Geddit?)
Mc made a C in biology? I’m not buying it.
Dwwwwwww the sounds of the surgery. No thanks.
Though I will say this is one of the coolest (albeit grossest) things Mac’s ever done on this show.
What the heck is with that elevator door? It took a whole 10 years to close! I wouldn’t trust it. (To be fair, I don’t trust any elevator, but that’s neither here nor there.)
Sir Bleeds-a-Lot lol
Riley stepping in and taking charge once again. No idea how these two functioned before she came along.
Some seriously cool MacGyverisms in this episode. The whole process of “killing” Ralph and bringing him back with office supplies is so OG MacGyver and it gives me all the warm fuzzies.
Ralph: “You’re not a scientist, you’re not a doctor. So how the hell do you know all this stuff?” Mac: “...I read a lot of books?” I love Mac so much.
“Now go die.” Lolololol
The moment with Ralph wanting to call his mom and grow the hell up is surprisingly genuine and heartbreaking. Character development for a character in only one episode, hello, is that you?
“He’s dead, but he’ll get better.” MacGyver, 2016
Riley’s comeback about Jack’s plan to take out six guys if Mac takes out two is another winner. (Riley: 2, Jack: 0) Still, I love the whole, “Sure it does [count as a plan]. First, I’ll take two. Then, I’ll take the other four.” This is why Mac is the plan guy, not Jack.
“Or I can take them all out.” Mac’s confidence = 🔥
I might need to start a Mac sass counter too. Jack: “You seriously want me to put this on my face?” Mac: “Only if you like breathing.”
Jack’s left fist getting jealous 🤣
They really liked choking Mac in the early episodes, didn’t they? Not that I’m complaining. Actually, why did that stop? That strangled, panicked cry of “JACK?!” is music to my fanfic writing, hurt/comfort obsessed, whump-loving soul.
That cough - it actually hurts me to hear it! They should have given us some more repercussions or aftercare for Mac breathing in that gas!
Ralph fell asleep. Of course.
“You know, it’s weird. I’m glad he’s alive… but I still want to kill him. 🤣 I’m with Jack on this one!
Ralph: “A fresh start. I could use one of those right?” Riley: “Or a whole new personality.” ZZZING!!! Riley: 1 million, the world: -10
Oh he did not just call Riley “little hottie.” I’m back to wanting to kill him, character development be darned. So diminutive, dehumanizing, and objectifying. This guy has more than won the douchebag lottery. Riley can more than stick up for herself, but still. The way he speaks to her here makes me feel all kinds of gross.
He just said “ya heard” unironically. Can we let Jack punch him now, please?
Jack offering to let Ralph keep the cash he lifted if he gets to punch him is great, but even better is Mac and Riley offering to chip in money for The Cause.
Oh, yeah, Bozer was in this episode. I’m excited for when he is utilized more!
Bozer’s monster Mac is nightmare fuel!
“A letter? That you put in the mail? It’s 2016.” Hey, as someone who has an actual, old-school type pen pal, step off, Jack.
Mac: “You just gonna watch?” Jack, offended: “Not anymore.” How is it Jack is like Mac’s dad but they also bicker like 5-year-olds? This relationship is so strange, so wonderful, and the heart of the show in so many ways. I love them.
Mac’s words of wisdom about the nature of life are actually super encouraging and exactly what I needed to hear today.
I’d forgotten how much I love this episode – t’s so fun! Although the Codex storyline in season 4 is probably my favorite plot-wise, coming back to these early episodes is like a breath of fresh air! Excellent, excellent episode with so much to offer!
What are your thoughts on "Awl?" I'd love to discuss! :)
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snarktheater · 3 years
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Hey, d'you have any French book recs? I'm trying to work on my French, and rn I have downloaded one of my favourite book series' French translations, but I figured maybe books already written in French might work better? Also have you read the Ranger's Apprentice series? 1/2
RA's def flawed - the books' narration does like to point bright arrows at the protagonists' intelligence, and the last few books def have the tone of 'old white man trying to write feminism', although at least he's trying? - and it's aimed more to the younger side of YA, but it is still a very fun series, and I can ignore the flaws fairly easily, at least partly due to nostalgia? This rather long lol but I'm wordy.
I'll start with the second question: no, although every time the series is brought up I have to check the French title and go "oh, right, I've seen these books in stores". But I've never purchased or read them. It sounds like something I probably would have enjoyed as a teen but I just missed the mark, and these days I'm trying to drown myself in queer books, so that probably isn't happening.
As for your first question, geez, I haven’t read a French book in years, so this is gonna skew middle grade/YA, though that may not be so bad if the point is to learn the language. I will also say that as a result, these may read a little outdated.
I'll put it under a cut, even if Tumblr has become really bad with correctly displaying read mores. Sorry, mobile crowd.
It's also likely that old readers of the blog will have seen me talk about most of these. I don't feel like going through old posts.
One last thing: while I was curating this list I took the time to make a Goodreads shelf to keep track of those.
The Ewilan books by Pierre Bottero
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(It's a testament to how long ago I read these books that these are not the covers of the edition I own, and I can't even find those on Google. I'm settling for a more recent cover anyway since it'll make it easier to find them, presumably)
There are at least three trilogies (that I know of) set in the same world.
The first trilogy is essentially an isekai (so, French girl lands in parallel fantasy world by accident) with elements of chosen one trope, though I find the execution makes it worth the while anyway.
The second trilogy is a direct sequel, so same protagonist but new threat, and the world gets expanded.
The third one is centered around a supporting characters from the previous books, and the first couple of books in it are more her backstory than a continuation, though the third one concludes both that trilogy and advances the story of the other books as well.
Notably these books have a really fun magic system where the characters "draw" things into existence. It's just stuck with me for some reason.
A bunch of stuff by Erik L'Homme
I have read a lot of this man's books, starting with Le Livre des Etoiles.
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They also skew towards the young end of YA, arguably middle grade, I never bothered to figure out where to draw the line. They're coincidentally also using the premise of a parallel world to our own (and yes, connected to France again, the French are just as susceptible of writing about their homeland), but interestingly are set from the point of view of characters native to the parallel world.
It also has a very unique magic system, this one based on a mix of a runic alphabet and sort-of poetry. I'll also say specifically for these books that the characters stuck with me way more than others on this list, which is worth mentioning.
This trilogy is my favorite by Erik L'Homme, but I'll also mention Les Maîtres des brisants, which is a fantasy space opera with a pirate steampunk(?) vibe. I think it's steampunk. I could be mistaken. But it's in that vein. It's also middle grade, in my opinion not as good, but it could just be that it came out when I was older.
Another one is Phaenomen, which was a deliberate attempt at skewing older (though still YA). This one is set in our (then-)modern world and centers a group of teens who happen to have supernatural powers. I guess the best way to describe it is a superhero thriller? If you take "superhero" in the sense of "people with individualized powers", since they don't really do a lot of heroing.
...I really need to brush up on genre terminology, don't I.
The Ji series by Pierre Grimbert
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This one is actually adult fantasy, though it definitely falls under "probably outdated". It is very straight, for starters, and I'd have to give it another read to give a more critical reading of how it handles race (it attempts to do it, and is well meaning, but I'm not sure it survives the test of time & scrutiny, basically).
If I haven't lost you already, the premise is this: a few generations ago, a weird man named Nol gathered emissaries from each nation of the world and took them to a trip to the titular Ji island. Nobody knows what went down here, but now in the present day, someone is trying to kill off all descendants from those emissaries, who are as a result forced to team up and figure out what's going on.
I'm not going to spoil past that, though I will say it has (surprise) a really unique magic system! I guess you can start to piece together what my younger self was interested in. Which, admittedly, I still am.
Once again, this one also has a strong cast of characters, helped by rich world building and the premise forcing the characters to come from many different cultures (though, again, I can't vouch for the handling of race because it's been too long).
The first series is complete by itself, though it has two sequel series as well, each focusing on the next generation in these families. Because yes, of course they all pair up and have kids. Like I said: very straight.
A whole lot of books by Jean-Louis Fetjaine
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OFetjaine is a historian, and I guess he's really interested in Arthurian mythos especially, because he loves it so much he's written two separate high fantasy retellings of them! I'm not criticizing, mind you, we all need a hobby.
The former, the Elves trilogy (pictures above) is very traditional high fantasy. Elves, dwarves, orcs, a world which is definitely fictionalized with a pan-Celtic vibe to it. The holy grail and excalibur are around, but they're relics possessed by the elves and dwarves with very different powers than usual. Et cetera.
Fetjaine also really loves his elves (as the titles might imply), and while they're not exactly Tolkien elves, there's a similar vibe to them. If you like Tolkien and his elf boner, you'll probably like this too. And conversely, if that turns you off, these books probably also won't work for you.
This series also has a prequel trilogy, centered around the backstory of one of the main characters. I...honestly don't remember too much about it, but I liked it, so, there you go, I guess.
I said Fetjaine did it twice. The other series is the Merlin duology, which, as the title implies, is a retelling of Merlin's story. Note that Merlin is also in the other trilogy, but it's a different Merlin; like I said, completely different continuities and stories.
This one is historical fantasy, so it's set in actual Great Britain, and Fetjaine attempts to connect Arthur to a "real" historical figure...but, you know, Merlin is also half-elf and elves totally exist in Brocéliande, so, you know. History.
Okay, that's probably enough fantasy, let me give some classics too.
L'Arbre des possibles et autres histoires - Bernard Werber
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Bernard Werber is a pretty seminal author of French sci-fi and I should probably be embarrassed that the only book of his that I read was for school, but, it is a really good one, so I'll include it anyway.
It's a novella collection, and when I say "sci-fi" I want to make it clear that it's very old school science fiction. It's more Frankenstein or Black Mirror than Star Trek, what we in French call the anticipation genre of science fiction: you take one piece of technology or cultural norm and project it into the future.
It has a pretty wide range of topics and tones, so it's bound to have some better than others. My personal faves were Du pain et des jeux, where football (non-American) has evolved into basically a wargame, and Tel maître, tel lion, where any animal is considered acceptable as a pet, no matter how absurd it is to keep as a pet. They're both on a comedic end, but there's more heartfelt stuff too.
L'Ecume des Jours - Boris Vian
(no cover because I can't find the one I have, and the ones I find are ugly)
This book is surrealist. Like, literally a part of the surrealist movement. It features things such as a lilypad growing inside a woman's lungs (and, as you well know, lilypads double in size every day, wink wink), the protagonist's apartment becoming larger and smaller to go with his mood and current financial situation, and more that I can't even recall at the moment because remembering this book is like trying to remember having an aneurysm.
It is also really, really fun and touching. Oh, and it has a pretty solid movie adaptation, starring Audrey Tautou, who I think an international audience would probably recognize from Amelie or the Da Vinci Code movie.
I don't really know what else to say. It's a really cool read!
Le Roi se meurt - Eugène Ionesco
Ionesco is somewhat famous worldwide so I wasn't even sure to include him here. He's a playwright who wrote in the "Theater of the Absurd" movement, and this play is part of that.
The premise of this play is that the King (of an unnamed land) is dying, and the land is dying with him. I don't really know what else to say. It's theater of the absurd. It kind of has to be experienced (the published version works fine, btw, no need to track down an actual performance, in my humble opinion).
The Plague - Albert Camus
You've probably heard of this one, and if you haven't, let me tell you about a guy called Carlos Maza
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I'm honestly more including this book out of a sense of duty. The other three are books I genuinely liked and happen to be classics. This book was an awful read. But, um. It's kind of relevant now in a way it wasn't (or didn't feel, anyway) back in 2008 or 2009, when I read it. And I don't just mean because of our own plague, since Camus's plague is pretty famously an allegory for fascism, which my teenage self sneered at, and my adult self really regrets every feeling that way.
Okay, finally, some more lighthearted stuff, we gotta talk about the Belgian and French art of bande dessinée. How is it different from comic books or manga? Functionally, it isn't. It really comes down more to what gets published in the Belgian-French industry compared to the American comics industry, which is dominated by superheroes, or the Japanese manga industry, which, while I'm less familiar with it, I know has some big genre trends as well that are completely separate.
The Lanfeust series - Arleston and Tarquin
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This is a YA mega-series, and I can't recommend all of it because I've lost track of the franchise's growth. Also note that I say "YA", but in this case it means something very different from an American understanding of YA. These books are pretty full of sex.
No, when I say YA I mean it has that level of maturity, for better or worse. The original series (Lanfeust de Troy) is high fantasy in a world where everyone has an individual magical ability but two characters find out they're gifted with an absolute power to make anything happen, and while it gets dark at times, it's still very lighthearted throughout, and the humor is...well, I think it's best described as teen boy humor. And it has a tendency to objectify its female characters, as you'll quickly parse out from the one cover I used here or if you browse more covers.
But still, it holds a special place in my heart, I guess. And on my shelves.
The sequel series, Lanfeust des Etoiles, turns it into a space opera, and goes a little overboard with the pop culture reference at times, though overall still maintains that balance of serious/at times dark story and lighthearted comedy.
After that the franchise is utter chaos to me, and I've lost track. I know there was another sequel series, which I dropped partway through, and a spinoff that retold part of the original series from the PoV of the main love interest (in the period of time she spent away from the main group). There was a comedy spin-off about the troll species unique to this world, a prequel series, probably more I don't even know exist.
Les Démons d'Alexia
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Something I can probably be a little less ashamed of including here.
Some backstory here. The Editions Dupuis are a giant of the Belgian bande dessinée industry, and for many, many years I was subscribed to their weekly magazine. That magazine was (mostly) made up of excerpts from the various books that the éditions were publishing at the time; those that were made of comic strips would usually get a couple pages of individual scripts, while the ongoing narratives got cut into episodes that were a few pages long (out of a typical 48 page count for a single BD album). Among those were this series.
For the first few volumes, I wasn't super into this series, probably because I was a little too young and smack dab in the middle of my "trying to be one of the boys" phase. But around book 3 I got really invested, to the point where I own the second half of the series because I had canceled by subscription by then but still wanted to know more.
Alexia is an exorcist with unusual talents, but little control, who's introduced to a group that specializes in researching paranormal phenomena, solving cases that involve the paranormal, that kinda stuff.
As a result of the premise, the series has a pretty slow start since it has to build up mystery around the source of Alexia's powers, but once it gets going and we get to what is essentially the series' main conflict, it gets really interesting.
Plus, witches. I'm a simple gay who likes strong protagonists and witches.
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Murena
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There was a point where my mtyhology nerdery led me to look for more stuff about the historical cultures that created them, and so I'd be super into stuff set in ancient Rome (I'd say "or Greece or Egypt" but let's face it, it was almost always Rome).
Murena is a series set just before the start of Emperor Nero's rule. You know, the one who was emperor when Rome burned, and according to urban legend either caused the fire or played the fiddle while it did (note: "fiddle" is a very English saying, it's usually the lyre in other languages). He probably didn't, it probably was propaganda, but he was a) a Roman Emperor, none of whom were particularly stellar guys and b) mean to Christians, who eventually got to rewrite history. So he's got a bad rep.
The series goes for a very historical take on events, albeit fictionalized (the protagonist and main PoV, the titular Lucius Murena, is himself fictional) and attempts to humanize the people involved in those events. Each book also includes some of the sources used to justify how events and characters are depicted, which is a nice touch.
It's also divided in subseries called "cycles" (books 1-4, 5-8 and the ongoing one starts at 9). I stopped after 9, though I think it's mostly a case of not going to bookstores often anymore. Plus it took four years between 9 and 10, and again between 10 and 11. But the first eight books made for a pretty solid story that honestly felt somewhat concluded as is, so it's a good place to start.
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pantstomatch · 3 years
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I love your writing, and (the cliche, it burns) one day I'd like to publish too. But a lot of things have changed since the last time I was confident in trying to do this, and I wondered if you would talk about the process (getting an agent, that sort of thing) if you're comfortable and have the time. It's also cool if you privately respond, if you'd prefer, I'm just trying to figure out how to get started again? And so many tips are "publish on Amazon!"
Thank you!!!! Okay, so here’s the thing. I’m probably not the best person to ask about this, because I’m actually really bad at being published, but I can tell you some stuff that I’ve learned? That might be helpful? I ended up being long-winded, so (if tumblr works right here) everything is under the cut...
1. Querying!
So in general, querying sucks balls. Like… it’s probably the worst thing you’ll ever have to do. You’re gonna want to research what agents are looking for the kind of stuff you want to write or have written. Some are looking for certain genres or what they think is marketable, and you want to send your query to someone who’s open to what you have, or it’s a waste. Most likely the agency website or the agents “I’m looking for…” page or whatever will give you specific instructions on what to include in your query email - how the subject should be written, what they’re looking for, how many pages of your manuscript they want to see, how to attach it to the email and in what form, and if they want a synopsis of your novel. Some agents use Query Manager, which is basically a form you fill out and attach all the things they want, and you can go back in and edit it and it’s a nice way to keep track of your query. Next, they’re gonna (hopefully; some just never respond) either say no thank you very politely, or ask you for the full manuscript. Most of these agents will also give you a general timeline for a response, and if they’re open to a nudge from you or not. After that, they’ll either say no to the full manuscript, or welcome you aboard!  
Most places allow you to send multiple queries out for the same work, meaning they’re not “exclusive,” except within their own agency. If they ask for a full manuscript, but before they get back to you, another agent has snapped you up, they’ll want you to let them know so they don’t waste their time on it. Occasionally, if they want to see your full manuscript, they’ll ask for you to not send the full manuscript to someone else until they’re done, or for you to tell them if someone else is looking at the full manuscript. You can also change your mind!  You can email them and let them know you’ve decided to pull the novel out of consideration, maybe if you think it needs more editing.
I have never successfully queried. I found the whole thing demoralizing, and I did my first contract on my own, without an agent. This is something I don’t recommend because I had to figure out a lot of confusing shit on my own that I still don’t fully understand. And it also made me doubt my writing after the fact, because agents don’t give a shit if you’re already published, they’re focused solely on whatever you’re presenting them with. And then after that, I figured if I got another book out of my current editor, would I want to present that to the people who already didn’t like my writing? I have an agent for another project I’m working on, and the only reason I have her is because someone introduced us and told her I desperately needed help.
1a. So you found the agent(s) you think you like!
Other than the instructions/guidelines written out by the agency/agents that you’re interested in, you’re gonna need the most complete and fully edited version of your novel in hand. If they ask for your full manuscript, you absolutely should not say it’s not done. Make sure it’s finished, and preferably edited, before you send your query in. If they ask for a synopsis, hard pass. Ha ha ha, just kidding. No, really, arguably, this is going to be the hardest thing to write. A synopsis will suck your soul out of your body and make you weep blood. The only thing worse than querying is writing a synopsis for that query. I have never written a synopsis that I didn’t think was utter shit. I hate them.
Querytracker is a cool place to look up agents that you want to query and see how responsive (and nice) they are. It took me a little bit to figure out the abbreviations, though.
2. Pick your genre carefully
Unless you are a best selling author, they are never ever ever going to let you change genres. I mean, maybe if you wrote under a different name. Maybe. But they’ve bought your book based on how they think it will sell, and they’re going to want to sell you, too, and genre jumping is usually a no-go. This is, basically, one of the biggest things I hate, and one of the greatest things I love about fanfiction, that I can write whatever the fuck I feel like writing. So, you know, make sure you really really really want to write about what your first book is going to be about, because you’re going to be writing about that forever.  And I don’t mean just YA vs New Adult vs Adult, although you need to take that into account too. I mean if you’re writing about high school regular kids, you probably can’t write about supernatural high school kids. You can’t write about high school kids in space. You can only write about regular high school kids. So.. think sci -fi vs fantasy vs historical vs contemporary, etc.
3. I hope you don’t hate people!
Do you want to go to a bookstore and talk in front of a crowd? Do you want to go to cons and network with other authors? Do you want to call up publications and volunteer for interviews? Do you want to talk about your books with strangers?  Because I sure don’t.  Publishing houses do the bare minimum of publicity for you for your book. First book, they’ll probably help set up some store signings. Going forward, if you weren’t proactive the first time around, they’re probably not going to do anything. If you’ve got some really good advance reviews, they’ll do ads. They’ll probably do the rote social media posts. But basically, you’re going to have to advocate for your book. You’re going to have to create your own brand. You’re going to have to make swag and send it out, call up bookstores, post constantly about it on twitter, buddy up to other authors, go places where you can network. And I will tell you that all of that is my nightmare. I don’t want to do any of that. I don’t like meeting new people. I had several panic attacks leading up my book signing, and the book signing itself was pretty bad. I’m just… not good with people. And, honestly, at my age, I don’t want to be any better. All it does is give me stress and hives, and to get over that I’d really really have to want to do it.
4. Personal perks?
Editors!  I’ve worked with two awesome editors, and it’s amazing having someone to tell you how to fix things in a way that makes sense. By far, one of the only perks of being published for me. I absolutely don’t know for sure, but I always got the feeling that they expected more push back from me with their suggestions, but nope. I was open to everything, and that’s probably why the books worked so well, because editors absolutely know what they’re doing and only want what’s best for the book.
Holding a solid book of my work!  Always awesome to hold that first book in your hands, with the beautiful cover work and everything. The fact that other people can read it and know it was me who wrote those words only counters that by about a half.  
Money! Advances vary drastically, but, listen, the money kind of made the panic attacks worth it. A little.
5. Advances and royalties
The things I’ve read about advances is that too little, and you might think they have less confidence in you, and too much and you’re panicking about selling, because if you don’t earn out your advance, there’s a chance they won’t want to invest in you in the future. Generally, the way they work is they offer you a contract with the amount they are willing to “advance” you. This is basically saying, we think this book will give us this amount of money, and this is your share of that amount of money. You earn this out with royalties. When you sign the contract, you will get a certain amount of money, usually half of your offered advance. When you deliver the finished manuscript, after your editor and you have gone over it and it’s been approved, you’ll get the other half. A two book deal would be split into 4 parts, and you’d get the first 2 parts for signing the contract (1/4th for each book), the next part for the first finished manuscript, and then the last part for the second finished manuscript, generally after the first book is already published. After that, you won’t see any money until your royalties reach the amount they already paid you in advance. Unless otherwise negotiated, you’d get a royalty check twice a year.  Your earnings from January to July would be sent to you in October, and your earnings for July to December would be sent to you in April. Since any books sold to bookstores and online stores can be returned to the publisher if unsold, they will usually “hold back” a certain amount at first, to make sure you’re really earning that royalty. Royalty statements themselves are a hot mess and I’ve never been able to read them, which is also a good reason to have an agent. An agent will get your money sent to them, make sure it’s the correct amount, take their cut, and then send you a check from them.
6. Self publishing
Okay, I know nothing about self publishing, but I don’t think there’s anything wrong with it if you have the right support system (ie editors). If you’re going to have to do a lot of the marketing yourself anyway, I don’t see how this is much different. Biggest thing would be the upfront cost, and making sure you make that cost worth it.  Independent author S Usher Evans has some good advice for self publishing - Sush’s worked very hard at it, and started her own publishing company. Also, @qwanderer might be a good resource, I think they use Lulu, which is a really cool self publishing site.
Uhhhh, so that’s a lot of info and also not a lot of info, so please feel free to ask me anything else, and I really hope I haven’t made this harder for you to get started ha ha ha. I think the best thing to do is to figure out what you want to write and write it and just… go from there. If you really love what you have, someone else is going to love it, too.
And if anyone’s had a different experience or thinks I got something wrong or has more/better advice for @heyninja, let me know!
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