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valeskafics · 17 hours

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"Tea Party" - Coriolanus Snow x Wife!Reader

a/n: a little drabble for an anon request for dad!coryo i hope you like it, darling! 🩷

Summary: You witness a sweet moment between your daughter and husband.

Word Count: 755

Rating: 18+, MDNI

TW: afab reader, she/her pronouns, profanity, innuendo

Disclaimer: I do not own any of the Hunger Games/Ballad of Songbirds and Snakes characters nor do I claim to own them. I do not own any of the images used nor do I claim to own them.

Comments, likes, and reblogs are never required but are immensely appreciated 🩷

There is nothing in the world that brings Coriolanus Snow more joy than his two favorite girls - his beloved wife and his precious daughter. Coryo has loved you for as long as he can remember. Ever since he was a young boy, scavenging for food in the rain during the Dark Days, seeing you standing in your doorway, beckoning to him that you had enough food to share with him and his cousin. He loved you at first glance. And that love grew and grew, through your years at the Academy, at the University, his rise as a Gamemaker, and now? His presidency.

Unlike many of the Capitol parents, Coriolanus takes pride in raising his little girl alongside you. Cordelia is the apple of his eye, and he absolutely adores her. All of Panem knows that she might as well be a princess with how much he dotes on her. And you, of course, are his queen, his beloved First Lady, the love of his life.

After a day of socializing with the other ladies of the Capitol at a charity luncheon, you arrive home, expecting your husband to either be at work or in his study, Cordelia being taken care of by either his grandmam or Tigris. Surprisingly, that isn’t the case. Rather, you can hear a cacophony of noise coming from little Cordie’s room. You arch a brow and walk closer, removing your impossibly high heels to avoid making any noise.

Cracking the door open, you’re greeted by, quite possibly, the most adorable thing you’ve ever seen in your life. Coryo and Cordelia are busy having a tea party, or rather it seems, discussing the seating chart for the one they’re supposed to have. Your normally intimidating husband has his in complete disarray, two scrunchies creating makeshift ponytail tufts of his platinum blond locks, glitter sprinkled all over his face, and a pink tutu skirt over his suit. You cover your mouth to hide your laughter and watch the scene unfold.

“But, Papa, we can’t have Mr. Ponkus sitting next to Pinky!” Cordelia pouts adorably, her hands on her hips as she stares at Coryo, who takes a knee beside her, stroking his chin in feigned pensiveness, “He’s from District 8 and you said District 8 can’t sit next to District 10!”

Coryo slaps his forehead, as if to admonish himself and ruffles your daughter’s hair, “Papa is so silly, my little princess. You’re absolutely right. Whatever shall we do?”

You wait a moment longer, content to just watch the two of them, before stepping into the room, Cordelia practically tackling you in her haste to embrace you, “Mama! Mama! See what Papa and I did! We’re having a very important tea party. You have to join us!”

“Oh, well, of course, sweetheart,” you beam, pressing a quick kiss to Coryo’s cheek, snickering at the pout he gives you when you pull away before he can kiss your lips, “Where is my seat?”

Before Coryo can get a word in edgewise, Cordelia, drags you over to sit between her and her favorite unicorn plush, “Between me and Mr. Ponkus, Mama! Now, we have to sip our tea and put our pinkies out like so.”

You exchange a look of amusement with Coryo and, as always, give in to your little one’s demands, enjoying this precious moment together as a family.

Later that evening, when you sit with your back resting against Coryo’s chest, the two of you relaxing as you take your evening bath, his hands caressing your soft flesh, you murmur, “I want to give Cordie a little brother, Coryo.”

You feel him inhale tremulously, and can practically hear the smile on his face as he whispers, “You do?”

You turn your head slightly to face him, brushing your lips against him, “Yes, my love. I do.”

Before you can say a word, Coryo is manhandling you so that you straddle his waist in the bath, practically attacking your neck with kisses as he mumbles out, “Then we had better get started.”

Between kisses, you manage to question, “So, President Snow, was that little tea party a way to get out of doing your own seating chart for the upcoming dinner with the governors of the districts?”

Coryo has the decency to look somewhat sheepish, mumbling, “Perhaps.”

“Shame on you,” you chide playfully, “You ought to be punished for that,” you whisper in his ear, nipping at his earlobe.”

He smirks up at you, “I like the sound of that, Mrs. Snow.”

#coriolanus x reader #coriolanus x you #coriolanus snow x reader #coriolanus snow x you #coryo x reader #coryo x you #coryo snow x reader #coryo snow x you #hunger games x reader #hunger games x you #coriolanus snow #coryo snow #coryo smut #my writing #coryo drabble

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aromanticbuck · 2 days

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like i keep seeing posts over and over again how tommy is a plot device and hes gonna help buck realize hes in love with eddie after all this time like istg........

I keep seeing those, too!

It's exhausting, honestly. The shippers seem to think that Buddie was promised to them by someone behind the scenes, and that canon giving us bi!Buck was somehow confirmation?

As much as I love Buddie as a ship, and I feel like I need to qualify all of my posts now, which is ridiculous, but I mean, haters gonna hate. As much as I love Buck and Eddie, in every configuration - I'm partial to platonic, but that's because I project onto my favorite characters, hence my username - I'm also not going to hope for something that was never promised. I'm certainly not going to ignore canon and call an actual canon ship, which is fantastic representation of queerness in a way that we rarely see it in media, wrong simply because there's one I would have liked better.

Tommy is not a plot device. Tommy is a character. Characters move the plot along, yes, but there is no evidence that Buck or Eddie sees the other in any kind of romantic light.

What we know is that Buck likes Tommy. He "maimed" his own best friend to get his attention. He's clearly very interested if he invited Tommy to Maddie and Chimney's wedding! I just don't know why people insist on boiling down this relationship, where Buck is clearly happy, to a stepping stone toward something they assume is guaranteed.

Anyway, saying Tommy is a plot device to get Buddie together is like saying Chris is a plot device to get Buddie together. Wrong, and disrespectful to every character and actor involved.

#answered #anon #anonymouse #alex says things #evan buckley #tommy kinard #bucktommy #kinkley #911 #911 on abc

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royallygray · 18 hours

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Scar HC S10E12

actually welcome to Scar Says Sus Stuff

this was supposed to be me talking about my favorite parts or parts I want to share but it's just the sus parts and several things that I specifically liked

like. a rly in depth AO3 comment except with a YouTube video.

spoilers for his video

(I haven't watched most of scar's episodes so far)

-- --

1:01 "grant me access to the hole" scar. scar please. your wording. fix it. but also never change we love you but oh my god SCAR

it is actually triggering me that he's just casually on three hearts. my man PLEASE EAT

3:53 "I'm gonna wait for [Grian] inside of his mouth"

5:38 "well now Skizz and my bits are all mixed together"

6:06 "I fall for it EVERY time, by the way" -Skizz. I love Scar and Skizz, the two gullible-est people bonding over how they're gullible. It's genuinely somehow wholesome.

6:20 "something of substance was gonna come from this"

6:44 SKIZZ COME ON MAN I HAD FAITH IN YOU WHAT THE HECK

6:51 There was PASSION in this. Scar go off on them YEAH

7:33 how did I know he was gonna be one block off. rip scar you tried o7

7:40 "he didn't get inside my hole at all" SCAR.

8:17 "we could get six horns" the word horns sounds like hoards. and also kind of the other word.

8:39 (for one frame) the inside of scars face is cursed

10:17 THAT WAS SMOOTH THAT WAS SO SMOOTH IM OBSESSED??? SCAR YOURE A MAGICIAN. A WIZARD. THAT SNAP. IM OBSESSED.

but also. scar. why do you have a tnt minecart as decoration. scar I don't have high hopes for this room. scar you come from the Life series. scar. it's gonna die. someone's gonna shoot it with a flame bow I guarantee it

10:46 LMAO the way he tried to say cartographer sounds so. like. idk endearing or smth idk. Like he tried to breathe in and talk at the same time.

11:05 "I've just realized I kind of look like a composter" that is the entire clip by the way. all you out of context makers, I need that in there. idk if it'll be as funny as it is in here, because seriously, the delivery of having literally no other context other than it just being a random thought that popped into Scar's head is so funny to me

11:41 scar at the goat horn shop what will he do. I'm not mad scar. I think you're an adult who is making decisions with their fictional money. and you deserve it. you deserve that goat horn.

11:52 I lied put it back

12:44 WAIT YOURE GONNA PUT TURTLES AND DOLPHINS IN HERE THATS SICK I LOVE IT

in seventh grade we did an essay on whether zoos are good or bad and while I do love scars character in this I literally cannot stop thinking about it :(

13:15 SCAR THAT WAS TOO SMOOTH I--OH MY GOD OH MY GOD OH MY GOD THATS SUCH A COOL TRANSITION AND ALSO THE SOUND EFFECT OH MY GODSSSSS

ALSO YOU SWIRLED TO SUCH A COOL NEW THING WHAT THE HECK WOW LIKE OKAY

wait oh my god it's a sink?? the water and lava?? oh my god??

14:55 damn Gem and Grian's spike has grown

15:35 scar I don't think you remember where your stuff is in the first place. at least like this it'll look cool. although the underground weird chest monster has character and I actually kinda like it in the same way that I like when my floor is a mess because it just feels inhabited and has personality

15:58 oh my god scar you transition god

16:33 scar why are you there

16:35 Etho I appreciate you LMAO

17:19 Etho have you seen Skizz's storage. it's. bad. like. it is worse than Scar's. Genuinely. It gives me pain.

17:25 THE PEARL DOORS. THE BOATEM PEARL DOORRSSSS also scar going through the middle even tho Etho literally opened the other door for him LMAO

17:32 ah yes dig when there is an entrance yes yes

17:43 honey roofs. I see you're obsessed with Joel's gift mr. slab.

this scene is actually amazing. I've never seen Etho and scar interact 1 on 1 (I don't watch a lot of Scar, and I have watched Etho a total of approximately once. his videos are rly long) and also just. Etho's system is so cool.

also Etho's storage system is adorable :D

I like both storage systems. Etho's is significantly more functional (and less likely to explode, scar that minecart is making me wary) but I really enjoy the aesthetic of Scar's.

thank you for coming to Royal says stuff, go watch scar's video, it's great.

#hermitcraft #hermitcraft 10 #mcyt #goodtimeswithscar #ethoslab

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acequeenking · 2 months

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Fandom: Tekken

Relationship: Kazama Jun/Mishima Kazuya

Rating: Explicit (this one has sexy times so not for kiddos)

THIS IS POST TEKKEN 8. BIG TEKKEN 8 SPOILERS. DON'T READ IT WITHOUT FINISHING THE GAME UNLESS YOU DON'T CARE ABOUT SPOILERS.

Additional Tags: Reunion, Reunion sex, Vaginal Sex, Vaginal Fingering, Awkward Conversations About Not-So-Accidentally Trying to Murder Your Son and Actually Murdering Your Dad and Kind of Accidentally Abandoning Your Unknown Baby-Mama, Forgiveness, Getting Back Together, Dealing with the mental fallout of Tekken 2 to Tekken 8, which for both of them is...a lot, but they're getting there

"I am not the man you want me to be," Kazuya admits. "But that does not mean the man I am does not love you."

"...Still?" Jun asks, the word the only thing that can quite get out of her throat.

#tekken #jun kazama #kazuya mishima #kazjun #kazujun #kazjun week 2024 #kazujunweek2024 #yes this is SO GOD DAMN LATE #But it took on a life of its own and it's 16K so #;_; I throw myself on the mercy of the Kaz/Jun shipping court #this is the last prompt so now I gotta finish the others I started lol #There will probably be a sequel to this with Jin's perspective at some point because I am mentally ill for the Mishimas atm #because I imagine it would be so fucking weird to seeing your dad and mom get together after all...that #my favorite part of this fic is the repetitive aspect where they mirror one another a lot #....and tbh Kaz going GET USED TO YELLING MY NAME WOMAN which I think is the most in character thing I've ever written for him #this man is a service dom and a terror #I tried to write more realistic sex scene for them here and that was also quite fun!

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aqua-tan · 3 months

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OMG THANK YOU!!! After skipping over so many good scenes from the manga, they are actually gonna bring THAT scene to life. I'm so hyped for next week! Here's hoping that they will also show Saraha pick up and carry Toki. Please I need it. Also, I need the follow-up scene from the nurse's office (*cough* shirtless Toki).

#Aqua talks The wolf and bunny BL #Sahara sensei to Toki-kun #srsly that scene is so good #hitting all the right H/C and TLC beats #also omg there's actually a still of it on the homepage #and the clue as to what is actually going on is right there #can't wait for people who don't know the manga to freak out and blame that character for best boy getting hurt #I may forgive the show for not showing SahaToki sharing an umbrella #or riding a bike together with Toki leaning on Sahara's back with his head #or the scene from the bathhouse where Toki sees Sahara naked for the first time and completely freaking out #or the neck kiss #I may forgive all that #but please oh please handle this one scene right #it's one of my favorites #like I'm not getting my hopes up to see Sahara and Toki visit Sahara's family #or Toki taking care of a sick Sahara #or even their cute vacation trip together where it's just them #or even Sahara coming to Toki's rescue when he tries to avoid getting into a fight with some delinquents while already being injured #this show seriously needs more and longer episodes #there's just so many good scenes that deserve to be brought to life

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todayisafridaynight · 1 year

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Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

#long post #fave #snap chats #i have more notes down here hi LMAO #honestly i do wonder what Just A Guy masato wouldve been like.. tho tbf before The Murder masato /was/ kind of Just A Guy #an insecure guy with issues sure but i doubt he wouldve gone on to do anything criminal/abhorrent had it not been for That Night #ah but speaking of That Night and arakawa and jo having to talk about it if always wanted to go into that on my own time #i guess more appropriately put it as portray how i imagine that scene went down but thats somethin i can think of another time #and that reminds me ! absolutely no pressure about the commission btw take all the time you need !#im excited to get to it when you are ready though i wont lie but again it's no pressure! im not going anywhere :)#honestly ill be real somehow with all of the films and movies ive seen i didnt get to catch nakai and tsutsumi together on other projects #i know they starred in Musashi together but i didnt realize their co-starship went deeper!#trying to watch japanese medias so hard sometimes because while most of it i can find easy #trying to find movies like 47 Ronin in Debt was arduous and others like Fly Daddy Fly are just impossible 😷#oh well- that just means i have to be extra grateful for the films i have access to #speaking of tsutsumi's characters' mortalities tho ngl one of my favorite roles he plays is toru from Pure (1996)#and him Spoilers dying via metal pipes still guts me it makes me laugh more than it should ☠️☠️#then there's the 'fakeout' deaths from Meishi Game and Why Don't You Play In Hell #or. at least i /think/ the latter was a fake out.... im p sure hirata's just so delusional he's imagining everyones alive #unimportant tho Again im just prattling down here LMAO #one more thing i wanna ramble on is about how jo and arakawa handle aoki's abuse- and its going back into personal anecdotes oopsie #more specifically on how arakawa becomes the main subject of aoki's anger because jo is considerably more docile #at the very least it reminds me of whenever one of my sisters would be in trouble so they'd dodge home leaving my to get yelled at LMAO #rip RGGJo hes stuck in a coma PLEAAASE truly in nature with a tsutsumi character to just. Die ☠️#and lest i neglect catboy canon sawashiro please im howling. that just reminds me of the post bout the sad and old catboy #do i sound insane i think it was the one where theyre sitting at a bar and after drinking they just knock their glass off the table #anyway poor sensitive nose jo cant take him anywhere- allergies are probably going to act up or something lmao #but im running out of tags at this point. thank you for allowing me to talk so long- and im always happy to hear from you !

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el-im · 2 years

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What are your favorite old/oldish movies that you’ve watched recently

the thin man (1934) - a former detective, happily retired and living on his wife's fortune, is begrudgingly dragged into investigating the disappearance of an inventor (the first of a series of thin man films, this i think is the best written/most engaging, though i came out of it with such an acute affection for the main characters--nick and nora charles--that i've since poured through the rest of the movies)

double wedding (1937) - an eccentric, out of work director who has befriended an aspiring actress and her meek fiancé finds himself in the middle of their family affairs when he comes toe-to-toe with her controlling sister, who he finds strangely interesting... hijinks ensue. (of all the movies i've seen recently, this might be my favorite. the characters are piquant and endlessly endearing)

libeled lady (1936) - a major newspaper editor is responsible for the publication of a false story on wealthy socialite connie allenbury. enlisting the help of his fiancée and a "libel-man", the editor hopes to quell the oncoming lawsuit and frame allenbury to make the story stick, but (naturally) things don't quite go as planned.

top hat (1935) - model dale tremont mistakes dancer jerry travers (who she initially likes) for the husband of a friend. as travers pursues tremont, he finds her continually put off by his attempts to get close to her, much to his confusion. (in my opinion--the best ginger rogers/fred astaire collaboration that i've seen thus far, with my favorite music/routines/story/characters)

#the first three are myrna loy/william powell pictures because i am... minorly obsessed with them as i'm going through the process of #watching their films together. they were absolutely magnificent in every way but these three really stand apart for me #and the last one is just... a miracle. the dances are beautiful. all the music is beautiful.#'the orchestra is beautiful!'#asks #also i'm sorry to only really be recommending screwball comedies it's... almost exclusively what i've been watching lately #still these have fantastically clever dialogue and i love how the characters are raised up #so despite the fact that comedies are usually thought of as being less than dramas/historical pictures/what have you #i think these are really magnificent :)!#anyhow some more serious ones that i also thought were very well done if you're not into comedies so much:#fear (1954)#crisis (1950)#the valley of decision (1945) though this one is a little slow/laborious #OH MY GOD #and it's not very recent but indiscreet (1958) was a delight. my favorite actors. a fantastic story. beautifully framed scenes.#that one is a wonderful picture in and of itself. a whole thing apart from everything else on this list

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s1ck-b1tch-2 · 1 year

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You know you’re a big production when there’s a stage left and stage right crew

#versus back when I was doing Matilda I did all costume and makeup changes #and did many set changes #and mic changes because he had 18 mics and that had a huge cast #when my sister went to fringe there were two crew members total #never worked with them together #but I’ve done several shows with the other guy and one with my sister #the show with my sister sucked #because it was my first time doing professional sound #and I was my sisters assistant #one of the cast members was also a dick #that was the only one I helped with casting for lol #they’d already picked the actors and I had to find characters for them #because it was a weird show #it was a 30 minute adaptation of Romeo and Juliet #and then 30 minutes of various Shakespeare scenes #my favorite show will always be Les Mis #I did a lot of work for it #having done a ton of roles and been assistant costumer #but it was so fun #the younger kids were doing frozen then which was such a pain #some of those kids hated me #and the Elsa dress was a bitch to make and to put on her

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practically-an-x-man · 1 month

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torn between the sadness of realizing that since the Captain technically outlived him, Wojchek never actually got to captain his own ship

and the knowledge that shooting that death scene was very likely David Dastmalchian's (certified monster kid and writer of his own vampire-based comic book series) favorite day on set

#as a movie watcher i'm sad even though i knew everyone's destined to die by the end of this movie. which means it's good #fantastic job by the actors and filmmakers all around for making such compelling characters even to an audience who knows what's coming #but as an actor and sfx artist myself i know that fight scenes and death scenes are usually a lot of fun to put together #and if it were me the 'break stuff with an ax and get your throat ripped out by a vampire' bit would be my favorite part to shoot lol #idk it was a really neat movie. i liked it. seems like it would be a fun one to work on both acting wise and crew wise #the last voyage of the demeter #the last voyage of the demeter spoilers

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libraryleopard · 10 months

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Adult romance novel

Second-chance romance between a composer and a Hollywood star who met in their high school chorus and then had a falling-out in college

When the two reunite for a benefit concert in their hometown years later, they find the spark between them hasn't dulled with time

Dual timeline between the past and the present

Gay, Filipino American main character; gay, biracial Japanese American/white love interest; M/M romance

#this would make a good movie i feel like #the author is very good at conveying music through prose which impressed me #i liked the musical aspects a lot those were probably my favorite #(the main character and his love interest have a lot of scenes doing music stuff together)#i think the dual timeline worked well for a second-chance romance #because you actually get to see their earlier interactions instead of just being told about them #the one thing that i'm not sure about is the Big Thing that ultimately drove them apart #i just. don't know if i liked the thing that was being used as a plot device?#still thinking it over tbh #will keep an eye out for the author's next book though!#there was an interview with him in the back of my copy #and it included a description of his next book and it sounds fun #2023 reads #lulu speaks #lulu reads all the right notes #dominic lim #all the right notes

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shitpostingkats · 8 months

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An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me.

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it.

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic.

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just.

It's just that.

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps.

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

#I sometimes remember this sequence and just feel so light inside #good omens #good omens season 2 #good omens season 2 spoilers #good omens s2 #good omens s2 spoilers #asexual #ace #ace pride #actually asexual #asexual spectrum #essays #ineffable bureaucracy #lord beelzebub #archangel gabriel

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andthebeanstalk · 1 year

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"The Professor's Workshop"

An excerpt from my graphic novel script drafts, posted here without beta bc it motivates me to write. In this chapter, the protagonists David and Kuruk are being given a tour of Armadillo Island by its mayor.

"Just wait til you meet them!" RJ exclaims excitedly. "They're the mind of a generation - maybe two!" He now adds an additional spring to his step, and David has to jog to keep up with him, despite them both being very short men. Kuruk follows behind, looking deeply skeptical.

RJ leads them down a winding forested path to a more remote part of the village, continuing to talk about the island the whole time while occasionally asking friendly questions of his guests.

They arrive at a secluded building tucked away in the bright green foliage of the island. The building is made in the same unique colorful architectural style as the rest of the island, but it has an odd overall shape - as though it has seen many small additions and renovations over the years. Paint chips in a couple places, but otherwise it looks well-cared-for. Shiny metal vents and chimneys emerge from the roof and sides, gently emitting white smoke. A stone pathway leads from the sign to the door, nearly hidden in untamed tall grass.

Out front, a high-quality colorful carved wooden sign reads:

Doctor Professor Xosha Zapata, PhD

Chemist & Architect Extraordinaire

"The sign was a gift from me," RJ chirps, stopping for a moment to admire it.

"No kidding," David deadpans politely, obviously hiding a smile.

(Behind him, the side of Kuruk's mouth twitches upwards a little for just a moment.)

RJ is marches up the overgrown stone and knocks confidently on the door, which turns out to not be fully closed; it creaks open from his knocking.

RJ stands just outside of the doorway and shouts inside cheerfully, causing Kuruk to wince at the volume. "OH, PROFESSOR!!! Are you in, Professor? I've met the most lovely chaps and I'd love to introduce them to our island's premiere scientific mind!"

There is a distant muffled sound from within.

"... PROFESSOR?" RJ shouts again, looking slightly concerned, "ARE YOU ALRIGHT?"

An indistinct wobbly speech bubble comes from inside, ending in question marks.

RJ looks both worried and like a man on a mission. "WE'RE COMING IN TO CHECK ON YOU - ALRIGHT, PROFESSOR?" He shouts loud enough this time that David and Kuruk both wince.

RJ hustles in and our heroes follow hesitantly behind.

The small entryway opens into a large room with high ceiling. It appears to be a lab or a workshop of some kind. Skylight windows light the room with soft sunlight, and dust motes float in the air in the brightest of the rays of light.

In terms of the contents of the room, the place looks like if a cartoon professor somehow had even more ADHD than usual:

There are dozens of beakers and vials on a number of desks and tables. A few of the beakers sit on lit bunsen burners, bubbling with colorful substances and sending white smoke up into the vents above them. At least one beaker has bubbled over and created an unidentifiable burnt mass at its base.

There are multiple architectural drafting tables with designs and blueprints on them in various states of completion.

There are several chalkboards full of notes in messy handwriting.

Books, papers, notebooks cover nearly every flat surface and several of the non-flat ones. Many torn notebook pages have been taped to the walls. [I guess this fantasy world has an equivalent to scotch tape now. ... I'm fine with that.]

The only decorations are a cluster of very nice painting on a small section of the wall. (Readers looking very closely will notice they all have the same artist's signature - Epa, who runs the inn.)

There is nothing to suggest nefarious scientific activity. Real "absentminded professor" energy.

In the far corner of the room, a set of scaffolding and a ladder block off a small space.

"H-hello? RJ, is that you?" says a small speech bubble from behind the scaffolding.

"Aha!" RJ leaps in that direction impressively quickly for a tiny man in his 50s.

Before David and Kuruk catch up to him, they hear RJ's relieved and once again cheerful voice:

"Ah, professor! There you are, thank goodness!!! You had us worried for a moment there!"

"...'Us' ?" says the unknown person in a pinched voice.

David and Kuruk round the corner to see three things:

One: an incomplete 8-foot-tall architectural model of a building,

Two: a fallen ladder, and

Three: a very embarrassed-looking non-binary person whom they recognize as the amateur vigilante they last saw getting shoved into the town square fountain by Armadillo Woman. Ze is wearing overalls, safety goggles pushed up on zyr head, a white shirt with some almost neon-colored stains on it, and a safety harness.

Ze appears unharmed, but they are suspended in the air by a cord attached to the back of the harness, and they look exceedingly uncomfortable. Zyr feet are dangling high off the ground, and ze is slowly and involuntarily rotating in place.

"Oh." Ze says weakly at the sound of additional footsteps. "There's... more people to witness this. ...My lucky day." They look as though they'd rather melt away into the earth. As they speak, they continue to spin, and they miss their initial chance to look at David and Kuruk, not seeing their faces until spinning slowly back around.

RJ, however, continues with his introductions, gesturing grandly and earnestly. "Mister David, Mister Kuruk - please meet the esteemed Doctor-Professor Xosha Zapata! Professor, these are my new friends Kuruk and David! They're here for the festival!"

Behind RJ, Kuruk squints at being called RJ's "new friend." David just looks amused.

"Y-You can just call me Xosha actually I'm not really--"

Xosha stops as ze finally catches sight of David and Kuruk - zyr face somehow falls even further. "Ah. We've, uh, met, actually," they say with a pained smile.

RJ is delighted. "Really?!? Fantastic! You must tell me all about it! How you met, what everyone was wearing! Every detail!"

"Um, actually, do you think maybe somebody could get me down first, please?" Xosha says in a small voice.

RJ looks surprised to find Xosha still in the air; he presses his hand to his forehead. "Oh! Oh my! Of course of course - my apologies! - I just get so carried away! Gentlemen, would you assist me?"

David and Kuruk nod. Kuruk looks like he's questioning how his life has come to this.

"Tell us what to do, Professor!" RJ says with his hands on his hips.

What follows is a ridiculous comical sequence in which Xosha explains how this happened and the men help zyr get down.

Ze was standing on a tall ladder and working on the architectural model. The safety harness they're wearing supports their torso and pelvis, and it connects to a rope from a clever pulley system on the ceiling. The early light of dawn indicates that this was probably a few hours ago.

They lean too far to reach for something and lose their balance, kicking the ladder out from under them while simultaneously knocking the pulley controls out of their reach.

Their legs kick in the air as they tried to release themselves from the harness, but in their struggles they manage only to somehow tangle the straps of their overalls and cause a lot of discomfort.

The final flashback panel is a distant wide shot of the whole workshop with the lonely defeated figure of Xosha hanging comically from the harness in the background.

Per Xosha's direction, RJ and David find the pulley controls and begin to lower zyr down in stops and starts. The pulley system is not cooperating with them, and Xosha yelps in a mix of alarm and discomfort with each small drop. It looks very painful, and David winces in sympathy. RJ looks similarly apologetic.

After the first small drop, Kuruk moves quickly to stand under Xosha.

"I will catch you," he says, looking entirely unsure of himself, but ready nonetheless.

"Thank-- you," Xosha squeaks, "It's-- YAAHH--!!!"

They let out a final yelp as they drop the last few feet. Kuruk catches them from behind [either under the arms or by the harness] and slows their fall so they land safely on their feet. Kuruk continues to support them for a few seconds until they seem steady.

As soon as Kuruk lets go, however, Xosha whimpers and lowers zyrself to the ground in a comically pained ball. Evidently, hanging from a pelvis harness hurts one's crotch and hips like a motherfucker, and Xosha is too exhausted to pretend otherwise. They are still clearly embarrassed, but they seem to have accepted their humiliating fate.

RJ hurries over to help them take the harness off, crouching on the ground next to them and patting their shoulder consolingly. He asks them what happened, and he asks if they need help taking the harness off. Xosha accepts his help and explains, accompanied by 3-5 cartoony flashback panels:

In the flashback, ze is standing on a tall ladder and working on the architectural model. The safety harness they're wearing supports their torso and pelvis, and it connects to a rope from a clever pulley system on the ceiling that can be manually adjusted by the user. The early light of dawn indicates that this was probably a few hours ago.

Xosha leans too far to reach for something and loses their balance, kicking the ladder out from under them while simultaneously knocking the pulley controls out of their reach.

They are caught by the harness and the expression of pain on their face is ridiculous and exaggerated for humor.

Their legs kick in the air as they tried to release themselves from the harness, but in their struggles they manage only to somehow tangle the straps of their overalls and cause more discomfort.

The final flashback panel is a distant wide shot of the whole workshop - with the lonely defeated figure of Xosha gently swaying in the background.

In the present, Xosha buries their head in their hands and lets out a loud long groan; they lament how stupid their mistake was, and RJ reassures them that even geniuses make mistakes! Xosha insists that ze is not a genius. RJ declares that they are too modest. It is clear that this is not the first time they have had this conversation.

David takes in the absurdity of it all and he smiles at Kuruk across the room. Kuruk doesn't smile back, but he does meet David's gaze and there is a hint of a twinkle in his eye amongst his general bewilderment.

Finally, Xosha manages to get the harness off and sit in a chair, letting out a long sigh.

On the final page of the chapter, a large panel shows Xosha in a detailed, fully-rendered (shaded, inked, colored, etc.) shot with warm natural lighting. Ze looks up from their chair with an attempt at a smile that lands a little closer to a wince. The shot is framed to make them appear endearing in their awkwardness. They are both cute and anxious.

"So, uhh, I'm guessing you have some questions about yesterday?" ze says.

Below that panel, a banner with large font reads:

Tune in next time for Part 3, Chapter 7:

"The Professor."

[End.]

If you liked this and want to read the published scripts with concept art on AO3, you can do that! I get a comment on those like once every 3 months and every time it gives me serotonin for like 3 weeks tbh. If you don't mind an unusual reading format, then you can find sexy men tied up and rescued, gay sky pirates, budding friendships, autistic/ADHD friendship, so many Trans people, sexy fat characters, empowering disability representation, a group of actors who would fit right in with The Ember Island Players, a haunted mop, a magical trauma recovery library, a lesbian biker gang that robs imperialistic museums - AND SO MUCH MORE

Note to self: I think maybe I'll change Xosha's pronouns to they/them and zey/zem, instead of they/them and ze/zyr. Seems to fit better.

#original #the blacksmith #original character #original characters #I might delete this later #but I will eventually publish a more polished version of this scene with concept art on AO3 #graphic novel #short story #my graphic novel consists of about 13 parts/arcs that come together into one story #scripts and concept art for parts 1 and 2 are up on ao3. pt 1 is lots of hurt and some really juicy comfort. pt 2 is GAY SKY PIRATE TIME.#this is an excerpt from part 3. which is called The Amazing Armadillo woman and which i am frankly very impatient to finally finish!#This excerpt is from a chapter in which the guys get a tour of the town from the mayor. - RJ is the mayor. ('But please! Call me RJ!')#RJ is the real deal tho. He is based on Gomez Addams. RJ stands for Raul Johnston - after my two favorite Gomez actors #who are Raul Julia and John Astin - from the 90s movies and the 1964 tv show #fun fact! John Astin is the father of Sean Astin aka Sam Gamgee!#anyway all of RJ's his enthusiasm is 1000% genuine - he is just Like That.#and yes of course he loves his wife and children SO MUCH #also the concept art all has full image descriptions for visually impaired readers.#the finished novel will either have full image descriptions or - even better - an audiobook!#NOTE TO JACK: do not edit this post; this is not the most updated version of the script.

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pizzabookbuying · 1 year

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gosh I’m a LITTLE heartbroken

#YES! I skipped 90% of the season after watching part of the first episode so I could see the finale #and yes!! I’m confused!!!#and YES!!! I really REALLY wish they’d kept the title Darkling because the INTIMACY of Alina saying his name while he dies at her hand is so #I NEED SOULMATES WHOSE CIRCUMSTANCES AND ACTIONS MAKE IT IMPOSSIBLE TO EVER BE TOGTWHR OKAY!!!!! I NEED THAT!!!! and instead…oh boy.#why did they condense two books in one???? why???#also I wish they’d kept the slow burn of their power dynamic. like aleksander has the power all the way through the second book until the #climax. and then through the third book you see aleksander is growing more and more desperate and Alina is more and more resolved it’s so go #I don’t even know if I’ll watch the whole season I might just reread the books #i know seige and storm had some pacing issues but it’s my favorite because there’s so much depth to Alina #also idk just from the few scenes I’ve watched the strange intimacy between Alina and the Darkling isn’t really present in the series #or if it is it’s very one sided #also I love that there are some very minor elements that tell us Alina isn’t 100% reliable as a narrator and I LOVE the sorts of possibiliti #that opens up. (see: the scene where someone is spoon feeding Alina and it’s implied to be the Darkling)#Alina assumes that any and all intimacy was manipulation and because she’s the narrator thts the way the story is told. but there r MOMENTS #and I LOVE THE NUANCE #this series seems to not have that :/ which is…okay…but not my sort of thing #oh my word kf you didn’t know I’ve written two fanfics for these two and in neither do they end up together #me when complex characters are complex!!!!#me when I’m able to explore details of the characterization liel the rabid little animal I am!!!!#GOSH I THINK IM RE-ENTERING I HYPERFIXATION!!! YAY!!!!!

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undreaming-fanfiction · 1 month

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Established Steddie, they have been living together for over a decade, did their best to heal their wounds from the Upside Down and learn to enjoy life again. It's not easy but they do it.

When the Lord of the Rings movies come out, it's actually Steve who suggests watching them to Eddie. He really tries engaging with Eddie's passions, but his focus is not the greatest when it comes to books. That doesn't mean he doesn't listen to Eddie ramble about them though - he knows all about hobbits, second breakfasts, the culture of smoking in the Shire...Eddie admires a lot of characters from the books, but ever since experiencing the Upside Down fuckery, he actually admits that the hobbits had a point. Good food, even better company and good tobacco? What else does one need? It also inspires Steve a few years later to prepare a full day of hobbit-inspired meals for their trilogy marathon when the extended editions come out. But this is about their first time watching the movies.

They both go to the movie theater excited. Steve is familiar with most of the characters, including Eddie's self-admitted crush on Aragorn. And Steve can see why, he can see so much good in all the members of the fellowship. After the first movie, he's wiping his eyes because Boromir deserved better. Eddie has a lot to say about what was lost in adaptation, but Steve knows Eddie loves those movies and would cut off his only remaining nipple before missing the next ones.

The Two Towers have Steve rooting for the ents and he feels strangely touched about how everyone underestimates Pippin, yet it's him who gets the ents to march. He really can't pick a favorite character. He can't wait for the third movie.

They go to the premiere of the Return of the King with Eddie. They secretly hold hands in the last row, and Steve watches the ride of the Rohirrim with bated breath. He clenches his hand in Eddie's when Theoden gets gravely injured, but then Éowyn is there and...oh.

He is staring slack-jawed at the scene. Éowyn's large, terrified eyes, the towering frame of the Witch King. Her posture was fearful, crouched, but still she faced him. And something surfaces in his head, something he's long forgotten.

He's unusually queit when they come back home, he still loves the rest of the movie, almost cries at "my friends, you bow to no one,", then definitely cries at Frodo leaving the Middle Earth. But there is still that something and Eddie can sense it. When they're falling asleep together, Eddie finally asks him. And Steve's had enough time to process what he felt.

"When Éowyn faced the Witch King...it reminded me of what it felt like. I mean, for the first time. I know it's stupid because saw so much unnatural shit, but...it's the first time that I have hard time forgetting," he admits quietly. "She reminded me of me in 1983 so much. I had no clue what I was getting myself into. I thought I'd do the right thing, but then I had a gun pointed at me, they both had blood on their hands...and then it appeared."

Eddie doesn't speak, he only holds Steve closer.

"It was so tall. I remember that petal-like mouth, those teeth, but mostly...I remember the crippling fear. I felt absolutely terrified. I couldn't move. There was even a moment when I thought of running away, but...I couldn't leave them there. Seeing someone go through something similar and being praised for being a hero...it makes me think. I used to be so ashamed for freezing in that moment. For even considering running away. But Éowyn...she was like me." There's awe in his voice and warmth, relief. "She had no idea what she was getting into. She froze. She didn't do everything perfectly and gracefully like Legolas or something, but when it mattered...she did what she had to."

He holds Eddie tighter and asks, almost shyly: "Will it offend you that I think she's my favorite character? Not Aragorn or Sam?"

Eddie just shakes his head and drops a kiss to Steve's hair. "Nah. She suits you well. And you're both amazing."

And if it becomes a silly endearment in their household, that Steve is sometimes called the Shieldmaiden of Hawkins? ("I'm not a maiden, Eddie!" "I'm not calling you a shieldboy or shieldbachelor, Steve!") Then Steve feels a hint of something that he thought he'd renounced, but now, for the first time he feels it's deserved - pride.

#steve harrington #eddie munson #stranger things #steddie #steddie drabble #lord of the rings steddie #not proofread I'm sleep deprived af

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