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genevieveetguy · 2 years

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Persuasion, Carrie Cracknell (2022)

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jerichopalms · 2 years

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#100: Persuasion (2022, dir. by Carrie Cracknell)

#persuasion #movies of 2022 #movie poster #carrie cracknell #ron bass #alice victoria winslow #jane austen #52 weeks of women #52 films by women #directed by women #women directors #female directors #you go girl pass that bechdel test #women screenwriters #female screenwriters

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milliondollarbaby87 · 2 years

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Persuasion (2022) Review

Eight years after Anne Elliot was persuaded not to marry the dashing Wentworth, she wonders if she regrets the decision when they met again. Was it true love or is she destined to be alone? ⭐️ (more…)

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lands-of-fantasy · 1 year

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Persuasion

Adaptions from 1971, 1995, 2007, 2022

The sixth of Jane Austen’s novels, first published in 1817, posthumously, has had many adaptions over the years. The ones pictures above are detailed below:

Persuasion (1971 Miniseries)

5 episodes x 45min Written by Julian Mitchell, directed by Howard Baker

Starring Ann Firbank as Anne Elliot, Bryan Marshall as Capt. Frederick Wentworth, David Savile as Mr. William Elliot, Morag Hood as Mary Musgrove (née Elliot), Basil Dignam as Sir Walter Elliot, Marian Spencer as Lady Russell, Georgine Anderson as Mrs. Sophia Croft, among others

Persuasion (1995 TV Film)

While made for british TV, the film was later released in US theaters Written by Nick Dear, directed by Roger Michell

Starring Amanda Root as Anne Elliot, Ciarán Hinds as Capt. Frederick Wentworth, Samuel West as Mr. William Elliot, Sophie Thompson as Mary Musgrove (née Elliot), Corin Redgrave as Sir Walter Elliot, Susan Fleetwood as Lady Russell, Fiona Shaw as Mrs. Sophia Croft, among others

Persuasion (2007 TV Film)

Written by Simon Burke, directed by Adrian Shergold

Starring Sally Hawkins as Anne Elliot, Rupert Penry-Jones as Capt. Frederick Wentworth, Tobias Menzies as Mr. William Elliot, Amanda Hale as Mary Musgrove (née Elliot), Anthony Head as Sir Walter Elliot, Alice Krige as Lady Russell, Marion Bailey as Mrs. Sophia Croft, among others

Persuasion (2022 Film)

While made for Netflix, this film was first released in US theaters The film departs from the original novel in some points (a lot in tone)

Written by Ronald Bass & Alice Victoria Winslow, directed by Carrie Cracknell

Starring Dakota Johnson as Anne Elliot, Cosmo Jarvis as Capt. Frederick Wentworth, Henry Golding as Mr. William Elliot, Mia McKenna-Bruce as Mary Musgrove (née Elliot), Richard E. Grant as Sir Walter Elliot, Nikki Amuka-Bird as Lady Russell, Agni Scott as Mrs. Sophia Croft, among others

*****

I’m not big on Persuasion but I prefer the 2007 version myself. Then 1995. I’m not sure where to place 2022 - I enjoyed it (yes, I know) but it's different.

#persuasion #period drama #anne elliot #frederick wentworth #captain wentworth #jane austen adaptations #persuasion 2007 #persuasion 1995 #persuasion 2022 #persuasion 1971

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scabopolis · 2 years

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Jane Austen Summer, bby

In the past few months, I've been on a little project to watch (and re-watch) as many Austen adaptations as I can. This was sparked by my best-friend and I re-reading all the novels together. And then further ignited after watching A Very Bridget Jones' Persuasion (aka 2022 Persuasion with Dakota Johnson).

If you want to send me any asks about my adaptation thoughts ... I would not say no to that!

Thus far I have watched:

Pride and Prejudice (1995, BBC series, screenplay by Andrew Davies) Mansfield Park (1999, film, screenplay by Patricia Rozema) Mansfield Park (2007, ITV film, screenplay by Maggie Wadey) Sense and Sensibilty (1995, film, screenplay by Emma Thompson) Sense and Sensibility (2008, BBC series, screenplay by Andrew Davies) Emma* (1996, film, screenplay by Douglas McGrath) Emma (1996, ITV film, screenplay by Andrew Davies) Emma (2009, BBC series, screenplay by Sandy Welch) Emma* (2020, film, screenplay by Eleanor Catton) Northanger Abbey (2007, ITV film, screenplay by Andrew Davies) Persuasion* (2022, film, screenplay by Ronald Bass and Alice Victoria Winslow)

*denotes version I watched for the first time.

Next up are the '95 and '07 Persuasions (waiting on them from the library). And then I shall turn my attention to adaptations of Little Women.

Also, you may note that 2005 Pride and Prejudice is not on the list. No, I have not seen it. Yes, it's complicated.

#austen adaptations #feed your local film-studies master's student

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ljones41 · 1 year

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"PERSUASION" (2022) Review

"PERSUASION" (2022) Review The years between 2009 and 2020 saw a few television and/or movie productions about various Jane Austen novels. Yet, these productions were either sequel, spoofs or other takes on her novels. Then 2020 arrived and two straight up movie adaptions appeared for Austen fans - "EMMA" and "MODERN PERSUASION". Another two passed before the streaming service Netflix released its own straight Austen adaptation, namely "PERSUASION".

Anyone familiar with Austen's works should also be family with the plot of her 1818 novel and this movie. Eight years before the story's beginning, a baronet's daughter named Anne Elliot had fallen in love with a young Royal Navy officer named Frederick Wentworth. However, her godmother Lady Russell, had convinced her to reject Frederick's marriage proposal out of family duty and his lack of social rank and fortune. During the eight years that followed, Anne had become an ignored and faded spinster. When her father, Sir Walter Elliot, finds himself in financial debt, and Anne's older sister Elizabeth move to Bath to live in style with less finances. Sir Walter also leases his estate, Kellynch, to Frederick's older sister and brother-in-law, Admiral and Mrs. Croft. Anne visits her married younger sister and brother-in-law Mary and Charles Musgrove at the estate of the latter's family, Uppercross. During her visit to the Musgroves, Anne becomes re-acquainted with Frederick after eight years and becomes convinced that he has emotionally moved on from being rejected and from her. When I saw the trailer for "PERSUASION", I never thought I would like it. What can I say? I had not been impressed by the film's trailer. It seemed to emphasize the film's worst aspects. And if I must be honest, this version of Austen's 1818 novel, like the other adaptations, had its issues. I did not care how screenwriters Ronald Bass and Alice Victoria Winslow occasionally utilized modern English in the film's dialogue. It felt out of place, and I am thankful that it did not dominate the movie. I rather enjoyed Stewart Scudamore and Agni Scott's natural portrayals of Admiral and Mrs. Croft. This is why I was very disappointed by their lack of appearances in the film's Bath sequence, especially since it was the former who had revealed an important piece of information about his brother-in-law, Frederick Wentworth. I also had a problem with the portrayal of Henrietta Musgrove in the film. I did not have a problem with the actress who portrayed her - Izuka Hoyle. I had a problem with how Bass and Winslow had re-written her character. Henrietta went from a slightly shy and reserved young woman to a more self-assured and forthright personality. Why did they change her personality? Nor did I see the need for a brief scene featuring Anne Elliot preparing to take a piss near some bush before overhearing a conversation between Louisa Musgrove and Frederick. I really did not need to see that. There were other minor aspects of "PERSUASION" that I did not like. I had no problems with Marianne Agertoft's costume designs for the film - with one exception. I did not care for some of Dakota Johson's costumes. With the exception of a few, most of them seemed bland in compared to the costumes for the other female characters. They brought back memories of Sally Hawkins' costumes in the 2007 adaptation. Considering Johnson served as the film's leading lady, I found this particularly irritating. One of her costumes looked as if it was suited for a period drama set in the early 1910s, instead of the mid-1810s. Yes, I could tell the difference. Also, Johnson's hairstyle seemed to be all over the place in some attempt to infuse a loose modern take in her hairstyle. Why? Perhaps the filmmakers wanted to single her out in compared to the other actresses due to her being the leading lady. Or perhaps Johnson did not want a strict early 19th century hairstyle. Whatever the reason, I disliked her hair. I had considered pointing out Cosmo Jarvis' day-growth beard. However, I discovered that the Royal Navy has always allowed its men to wear beards. So, Jarvis got a pass. Almost. I believe he should have worn a full beard or be clean shaven. That day-growth beard looked a bit too modern in my eyes. Many have issued other complaints about the movie. However, I found myself disagreeing with them. I had no problem with Johnson's Anne Elliot breaking the fourth wall every now and then. In fact, this narrative device had been used in the 2007 adaptation with Sally Hawkins, but with less frequency. The same could be said for using Anne as the story's narrator. Again, the 2007 adaptation used narration a lot less than this adaptation did. But I must admit that I found Anne's narration in this movie at times entertaining and rather poignant. Speaking of Anne's narration, many have complained about the character's sense of humor, pointing out that she seemed less like Austen's Anne Elliot and more like the author herself. One, I thought Johnson handled Anne Elliot’s wit with such subtlety that the character did not come off as a Jane Austen 2.0 like the Fanny Price character in 1999’s "MANSFIELD PARK". Even the Anne Elliot character in the 1971 adaptation of Austen's 1818 novel had expressed flashes of wit every now and then. Also, Anne had only expressed her wit in those moments when she broke the fourth wall. I take that back. There were a few moments when she tried to be witty with her sisters, but they tend to either ignore her, criticize her humor or take her words seriously. Although I had complained about the lack of Admiral and Mrs. Croft in the Bath sequences, two other characters from the novel were missing - Anne's old school friend, Mrs. Smith and the latter's aide, Nurse Rook. If I must be honest, I did not miss them at all. I have never liked the scenes featuring Anne with this pair. Only her defiance against accompanying her family to Viscountess Dalrymple's house in order to visit her old friend was the only aspect of Mrs. Smith I liked in Austen's story. But one would point out that Mrs. Smith had served as the catalyst for Anne's discovery about her cousin William Elliot's villainy. My response? Who cares? One of my major complaints about "Persuasion" had been the portrayal of William as a villain. I have always found it unnecessary. And apparently, the filmmakers, along with screenwriter Nick Bass and director Carrie Cracknell felt the same. That is correct, I have never cared for Austen's portrayal of William Elliot as a villain. Nor have I ever saw the need for such a portrayal for the character. I thank God the screenwriters had decided to simply portray William as a roguish man who enjoyed tripping up with his sharp wit every now and then. More importantly, William openly admitted his intent to prevent Sir Walter Elliot from ever marrying Elizabeth Elliot's companion, Mrs. Penelope Clay in order to remain the older man's heir to Kellynch and the baronetcy. One might believe this admission went against William's pursuit of Anne in the story's second half. But William has always been genuinely attracted to Anne - in the novel and in all of the adaptations. If Louisa Musgrove could be a threat to the potential Anne and Frederick reconciliation without being a villainess, surely William could serve a similar role without being the story's villain. For me, the true barriers to Anne and Frederick's romance have always been her rejection of his first marriage proposal and Frederick's long-lasting resentment of her rejection, not Louisa Musgrove or William Elliot. One scene that had never been featured in Austen's novel appeared in this movie. It featured Frederick's attempt to establish a friendship between him and Anne at Lyme. In this scene, Frederick gave a speech to Anne, expressing his "desire" to end the resentment and regret between them and become friends. I thought it was one of the most deliciously awkward moments I have witnessed in a period drama. This scene was capped by one of my favorite lines spoken by Anne: "But a heartbeat ago, there were no two souls more in rhythm than Wentworth and I. Now we're strangers. Worse than strangers. We're exes." In other words, Frederick had just friend-zoned Anne. And it was the film's only moment in which I had no problem with its use of modern dialogue. Aside from my complaints regarding Dakota Johnson's costumes, I had no problems with the film's other artistic and technical aspects. I found Marianne Agertoft's costume designs for the other characters solid and properly aligned to the movie's mid-1810s setting. But I could not think of a particular costume that blew my mind. However, I was very impressed by Joe Anderson's photography. The movie's scenes featured sharp colors and engaging vistas of locations such as Salisbury, London, Lyme Regis and Yeovil in Somerset, and Bath. And I am utterly grateful the movie did not feature dark interior shots that made it difficult for me to see a person or object. I realize I might attract a good deal of flack for this, but I found Carrie Cracknell did a better job in filming Louisa's accident at the Lyme Regis Cobb than any other adaptation of "Persuasion". I kid you not. There seemed to be something about that particular scene that led previous filmmakers to film it in the most awkward manner. As for the movie's performances, I managed to enjoy them. I have already commented on Stuart Scudamore and Agni Scott's warm portrayals of Admiral and Mrs. Croft. The movie also featured solid performances from Lydia Rose Bewley as Penelope Clay, Izuka Hoyle as Henrietta Musgrove, Jenny Rainsford as Mrs. Harville, Nia Towle as Louisa Musgrove, Gary Beadle as Mr. Musgrove, Eve Matheson as Mrs. Musgrove and Edward Bluemel's very outgoing portrayal of Captain Harville. But there were performances that I particularly enjoyed. When I first viewed "PERSUASION", I had judged Richard E. Grant's portrayal of Sir Walter Elliot as a bit over-the-top. Upon my second and third viewing, I finally appreciated how entertaining and hilarious he was as the self-involved baronet. And . . . I thought he had one of the best lines in the film. I found both Yolanda Kettle and Mia McKenna-Bruce's portrayals of Anne's sisters - Elizabeth Elliot and Mary Elliot Musgrove - to be equally entertaining and funny. Ben Bailey Smith gave a very amusing performance as Mary Musgrove's long-suffering husband, Charles Musgrove. Nia Towle's portrayal of Louisa Musgrove struck me as both charming and ebullient. Nikki Amuka-Bird gave a warm and poignant performance as Anne's godmother, Lady Russell. I might as well say it. Henry Golding's William Elliot has proven to be my favorite version of the character. I have already expressed my pleasure at the screenwriters' decision to avoid Austen's more villainous portrayal of the character. But I also enjoyed Goulding's funny, yet sly performance as Sir Walter's heir. Golding had projected so much charm into his performance that he made it easy for me to see why Anne would briefly consider a future with her cousin. Cosmo Jarvis gave an interesting performance as Captain Frederick Wentworth . . . and I mean that as a compliment. I thought he did a fine job of weaving between the charm and wit Frederick directed at the Musgrove sisters, his continuing anger at Anne's past rejection through the occasion sharp barb or caustic criticism of her character. Once Frederick's anger began to dissipate, Jarvis skillfully managed to convey Frederick's awkwardness at trying to hide his love for Anne via friendly dialogue. I was especially impressed by that moment when he tried to place Anne in a friend zone. Many critics and Austen fans have criticized Dakota Johnson's for being too modern and too witty. I have already complained about the movie's use of modern dialogue and Johnson was not the only actress or actor who used it. As for Anne's wit, I have already discussed Johnson's portrayal of Anne's sense of humor. But I also enjoyed how the actress occasionally utilized facial expressions to convey her amusement or any other emotions toward her family and other characters in the story . . . while breaking the fourth wall. I really enjoyed that. Yet, I also enjoyed Johnson's portrayal of Anne's frustrations and despair over the continuing wall between her and Frederick and the possibility of continuing loneliness in her life. I was almost inclined to regard Henry Golding's portrayal of William Elliot as my favorite performance in this film. But you know what? I have to give that honor to Dakota Johnson's performance as Anne Elliot. How can I put this in a nutshell? This new version of "PERSUASION" is not perfect. It has flaws that include some modern dialogue, the transformation of the Henrietta Musgrove character and some of the costumes worn by the leading actress. But despite these flaws, I still enjoyed watching "PERSUASION" very much. I enjoyed it as much as I had enjoyed the 1995 and 2007 adaptations. Only the 1971 miniseries is superior in my eyes. It is a pity that the movie had received so much negative reactions upon its release on Netflix. But I have no control over that situation and frankly, I do not care. I know how I feel about "PERSUASION" and I look forward to many re-watches of it for years to come, thanks to the screenwriters, director Carrie Cracknell and a wonderful cast led by Dakota Johnson and Cosmo Jarvis.

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rickyvalero · 2 years

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It Won’t Take Much "Persuasion" to Never Watch This Film Again

Is the brand new Dakota Johnson film Persuasion worth checking out on Netflix? Check out @eva_kirby21's review inside

This week Netflix released Persuasion, an adaptation of literary icon Jane Austen’s book of the same name, starring Dakota Johnson, Cosmo Jarvis, Henry Golding, Mia McKenna-Bruce, and Richard E. Grant. It was the feature film debut of Carrie Cracknell, a British theater director, and adapted by Academy Award winner Ron Bass and Alice Victoria Winslow. On the surface, it seems like a match made in…

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byneddiedingo · 2 years

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Persuasion (Carrie Cracknell, 2022)

Cast: Dakota Johnson, Cosmo Jarvis, Richard E. Grant, Nikki Amuka-Bird, Henry Golding, Mia McKenna-Bruce, Nia Towle, Yolanda Kettle, Lydia Rose Bewley, Edward Bluemel, Afolabi Alli. Screenplay: Ron Bass, Alice Victoria Winslow, based on a novel by Jane Austen. Cinematography: Joe Anderson. Production design: John Paul Kelly. Film editing: Pani Scott. Music: Stuart Earl.

Persuasion is not as bad as I'd heard. I knew it had been described as a kind of mashup of Bridgerton (non-traditional casting) and Fleabag (breaking the fourth wall), and that Austenites were appalled. There are two ways to adapt a classic novel to film: follow it as faithfully as you can, reproducing the substance of the story and the milieu in which it takes place, or use the story as a springboard for a modern adaptation -- e.g. the translation of Emma into Clueless or of Pride and Prejudice into Fire Island. Carrie Cracknell's Persuasion falls somewhere in between, taking the bones of the Austen novel and its Regency setting, and viewing them through a contemporary sensibility. It doesn't work here, but it might have. Armando Iannucci came closer with his Dickens adaptation, The Personal History of David Copperfield (2019), which also used non-traditional casting (including Persuasion's Nikki Amuka-Bird) and has a 21st-century sensibility clearly operating throughout. Iannucci may have succeeded in part because he didn't go as far as Persuasion's screenwriters in mixing today's casual speech with the author's period dialogue. Jane Austen's contemporaries would never have referred to former lovers as “exes,” for example. Persuasion is a misfire, but it's often fun to watch.

#Persuasion #Jane Austen #Dakota Johnson

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yessadirichards · 2 years

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Dakota Johnson brings a modern spark to ‘Persuasion’

LOS ANGELES

The new adaptation of “ Persuasion, ” coming to Netflix Friday, does not seem to have been made for Jane Austen fans.

Her book about the unmarried Anne Elliot, who at 27 is on the edge of spinsterhood and regretting having been persuaded to give up her true love years earlier because of his lowly status, was the author's last before her death. It is notable and beloved for how it’s distinct from her more widely known and adapted books like “Pride and Prejudice” and “Emma,” with its mature heroine, its more reserved wit and its distinctly melancholy undertones. “Persuasion” also boasts one of her most romantic monologues.

This version, directed by British theater veteran Carrie Cracknell and starring Dakota Johnson as Anne, inserts modern phrases and “Fleabag” tropes into a Regency-era setting. It is like an Austen amuse bouche — an entry-level cover version that tries to rev up the humor and speak directly to Gen Z by using its lingo — or at least an advertising executive’s idea of what Gen Z sounds like. But something feels off about the way it is executed.

Austen’s works are hardly impenetrable for modern audiences. Over 200 years later, they remain accessible and relevant. There’s a reason why it seems like every year there’s several Austen-inspired films or shows populating our screens (just this summer we've gotten “Fire Island” and “Mr. Malcolm's List”). Her stories have not only stood the test of time but have also bloomed in delightful ways in modern contexts. Just look at “Clueless" and “Bridget Jones’s Diary."

This “Persuasion" has a whiff of condescension to it, as though it doesn’t trust its audience to empathize with Anne without seeing her crying in a bathtub and chugging wine from the bottle while she tells us in voiceover that she’s “thriving.” Maybe the crying in the bathtub/wine bit has just been done too many times. You can’t help but feel that Johnson, a gifted comedienne, deserved something more creative and less cliche.

And yet Johnson does manage to sell much of it. She is subtle where many might choose something big and breaks the fourth wall like she’s letting us in on a secret. It may be “Fleabag”-esque, but she’s not imitating Phoebe Waller-Bridge. She’s making it her own.

In fact, most of the cast is rather vibrant and full of newish discoveries — especially Cosmo Jarvis (who some will recognize from “Lady Macbeth”) as Anne’s old love Frederick Wentworth. She rejected him at 19 at the advice of a mentor (the lovely Nikki Amuka-Bird) and has come back into her life eight years later with wealth and good standing. He is now, as far as society is concerned, a man of consequence. Jarvis, with his mournful eyes, warm smile and inscrutable intentions, is a perfect Austen leading man. And he and Johnson, even when across the room from one another, have a spark.

The pint-sized Mia McKenna-Bruce is viciously funny as Anne’s younger sister Mary while Nia Towle is the picture of innocence as Louisa. Richard E. Grant, as Anne’s vain father Walter Elliot, adds life as well but he’s sparingly used. Henry Golding also has fun playing a cad, Mr. Elliot.

The screenplay is credited to Ron Bass (“Rain Man,” “My Best Friend’s Wedding”) and Alice Victoria Winslow, who had the good sense to preserve that famous monologue at the very least. But by the time we get there, it almost makes one wish that this were just a more straightforward adaptation without all the buzzwords. This cast and the director could have carried it and the audience would have been there. Or perhaps this will bring some fresh blood to Austen, after all.

To quote “Persuasion,” "I’m half agony, half hope.”

“Persuasion,” a Netflix release streaming Friday, is rated PG by the Motion Picture Association for “some suggestive references.” Running time: 107 minutes. Two and a half stars out of four.

#yessadirichards

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sokorra · 2 years

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Review: Persuasion (2022 Film)

Release Date: July 15, 2022 (NetflixStarring: Dakota Johnson, Cosmo Jarvis, Henry Golding, Mia Mckenna-Bruce, Nikki Amuka-Bird, Lydia Rose Bewley, Richard E. Grant, Yolanda Kettle amongst others.Directed by Carrie CracknellWritten by Ron Bass & Alice Victoria Winslow (and of course Jane Austen)Rating:C. Just….no. The cinematography is delightful but the script… I will start with the positive. …

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#cosmo jarvis #dakota johnson #film adaptations #henry golding #jane austen #mia mckenna-bruce #movie reviews #movies #Netflix #new releases #persuasion adaptations

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bearsonfilm · 2 years

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251 - Persuasion (2022)

Join us as we pine after an old flame, pine a little towards a new flame, and do our best ‘Jim’ looks to the camera, all while discussing the brand new Netflix attempt at an Austen adaptation, ‘Persuasion’.

Persuasion is 2022 American drama film directed by Carrie Cracknell from a screenplay by Ron Bass and Alice Victoria Winslow, based on the novel of the same name by Jane Austen. It stars Dakota Johnson, Cosmo Jarvis, Nikki Amuka-Bird, Mia McKenna-Bruce, Richard E. Grant, and Henry Golding.

We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/

If you like this podcast, or hate it and us and want to tell us so - You can reach us at [email protected]

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Check out this episode!

#movie #movies #film #films #podcast #podcasters #podern family #funny

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ramascreen · 2 years

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Key Art And Trailer For PERSUASION Starring Dakota Johnson and Henry Golding

Netflix has released these key art and trailer for their upcoming new film PERSUASION Global Release Date: July 15, 2022 DIRECTOR: Carrie Cracknell SCREENPLAY BY: Ron Bass & Alice Victoria Winslow BASED ON THE NOVEL BY: Jane Austen PRODUCERS: Andrew Lazar (Mad Chance), Christina Weiss Lurie (Fourth & Twenty Eight Films), MRC Film EXECUTIVE PRODUCERS: Elizabeth Cantillon (Bisous Pictures), Michael…

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#Ben Bailey-Smith #Cosmo Jarvis #Dakota Johnson #Henry Golding #Izuka Hoyle #Mia McKenna-Bruce #Nia Towle #Nikki Amuka-Bird #Persuasion #Richard E. Grant #Yolanda Kettle

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cinemedios · 3 years

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Dakota Johnson protagonizará adaptación de 'Persuasión' de Jane Austen

Netflix prepara una adaptación moderna de 'Persuasión', novela póstuma de Jane Austen, protagonizada por Dakota Johnson.

Dakota Johnson interpretará a Anne Elliot en la adaptación de la última novela de Jane Austen, Persuasión. Será un proyecto original de Netflix, dirigida por Carrie Cracknell, escrita por Ron Bass y Alice Victoria Winslow. Se espera que la producción comience el próximo mes. Persuasión cuenta la historia de Anne Elliot, quien se enamoró del oficial Wenworth, sin embargo su relación era imposible…

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#50 Sombras de Grey #Alice Victoria Winslow #Carrie Cracknell #Cine #Dakota Johnson #Jane Austen #Netflix #Ron Bass

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geekcavepodcast · 3 years

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Dakota Johnson to Star in “Persuasion”

Netflix and MRC Film are partnering on an adaptation of Jane Austin’s Persuasion. Dakota Johnson is starring in the film. Carrie Cracknell will direct from a screenplay by Ron Bass and Alice Victoria Winslow.

Netflix’s logline for Persuasion reads “Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth—the dashing one she once sent away—crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.” The film is said to be a modern take on the story while still remaining true to the novel.

(Image from Fifty Shades of Grey)

#persuasion #dakota johnson #jane austin #anne elliot #carrie cracknell #ron bass #alice victoria winslow #netflix #mrc films #TGCLiz

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marychovny · 2 years

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youtube

Multifemales IIUnstoppableII

I really like these girls, they really know how to kick ass.

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fuckyeahwomenfilmdirectors · 3 years

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Dakota Johnson is set to star in Netflix’s retelling of Jane Austen’s novel “Persuasion.”

Carrie Cracknell is stepping behind the camera in her feature directorial debut. Ron Bass and Alice Victoria Winslow have adapted the screenplay.

Described as a “modern, witty approach” to a beloved story, “Persuasion” tells the story of Anne Elliot, a headstrong woman living with her snobby family on the brink of bankruptcy. Unmarried and 27-years-old, Anne reconnects with a man she was once persuaded to reject and faces a second chance at love.

#Carrie Cracknell #Persuasion 2022 #Persuasion #Jane Austen #in development #USA #Dakota Johnson

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