A Little Help Goes A Long Way PT.2
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This chapter is a bit longer than the last one but not by much haha...
Robbie freaks out some more and eats some apples.
Lots of fearplay but he's alright in the end. :)
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All of the TW/CWs from the last chapter apply here as well besides blood and injury.
Also while there is no vore there are mentions of being eaten.
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Robbie was confused.
He didn't remember going to bed. He certainly didn't remember falling asleep. In fact, he didn't even know where he was. Even though he hadn't opened eyes yet he could still tell this was not his bed, and it certainly wasn't his recliner.
His limbs felt as though they were suspended in the air, and his head wasn't being held up by a pillow. The material holding him felt more like leather than any kind of fabric he had ever had on his bed. The last thing that confirmed to him that he was NOT in his own bed, or house for that matter, was that his bed was NEVER this warm.
Slowly his eyes fluttered opened to look downward. He quickly realized he was, in fact, not on the ground but far from it.
Suddenly, the memories of his unfortunate circumstances return and he gasps.
He felt a wave of warm air wash over him and shivered. He shakily rose his head up and turned it as far around as he could to look behind him. His eyes widened in horror as he saw an, ever so slightly open, mouth.
HIS mouth.
SPORTACUS'S MOUTH.
Robbie let out a terrified scream at the sight. The teeth, each as big as his own hands and giant tongue obscured but not entirely hidden by them, made him feel ill. He couldn't stop his mind from drifting into grim thoughts. It wouldn't take much pressure from that jaw for him to be nothing but blood bones.
Was this what Sportacus had planned all along? To eat him? Why reasure him before? To prolonge his misery? Was this all just a trick so Sportacus could watch him suffer? It couldn't be right? Right? His body racked with tremors, his breathing quickened, and tears returned to his eyes as he thought of all the gruesome events that could spawn from his current situation.
"Robbie? Oh my goodness, you're awake!" Sportacus said with obvious surprise, pulling the trembling villain away from his face and turning him around to talk to him easier. He noticed Robbie's horrified state. "Is everything alright, Robbie? You're shaking like a-"
Robbie cut Sportacus off before he could get another word out. "ALRIGHT?!?!?!"
He cried. "H-How, on earth, could I possibly be alright?!?!" He was breathing even quicker than before. " F-For a second I thought-" His heart was beating so fast he could barely think. "I-I thought that you- t-that you were going- g-going to-" Robbie tried to get the words out.
"Going to what?" Sportacus asked in a concerned tone.
Just then Sportacus's stomach let out a low growl, almost as if it had heard Robbie's thoughts and just wanted to scare the life of him for the fun of it.
Robbie froze, staring, wide eyed, at the larger hero's middle.
Sportacus, noticing this, followed Robbie line of sight. Upon realizing what the villain meant, he looked back at him, and their eyes met for moment. Sportacus opened his mouth to speak, but before he could they a word out, Robbie began thrashing around, kicking at his palm and scrambling to find any way to escape the hero's grasp.
"N-No! Don't-" Robbie shrieked as Sportacus locked him in a tight fist.
"Robbie! Please, just calm down! I'm not going to-" the elf attempted to say.
"S-Stay away from me!!!" Robbie cried.
"Robbie! It's alright! I wasn't trying to eat you! I was only trying to hold you for a second so I could climb up the ladder!" He explained quickly, motioning towards the object with his free hand.
Despite the elf's efforts, Robbie continued to squirm and cry out. Sportacus quickly realized that talking to the villain was not going to make a difference. He decided it best that he just continue with his plan so he could get up to his airship before someone heard Robbie.
Spotacus turned Robbie around in his hand and lifted him up to his mouth once again. Robbie yelped, scrambling forward in a hopeless attempt to escape the now open maw behind him. He felt Sportacus's breath on his back and, as the terror settled in, he resorted to begging.
"Please, N-No-" he plead. He had given up fighting by now, instead lifting his arms up and locking his hands behind his head and curling in on himself in attempt to shield himself from whatever horrible fate he may receive.
But nothing came. Only the light shifting of fabric on his skin and a wave of nausea as the hand previously holding him completely let go. He whimpered as he realized that the only thing between him and 50ft drop (which, in reality was more like 5ft) wpas his waistcoat.
Robbie screwed his eyes shut while Sportacus climbed the ladder up to his airship.
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When Spotacus finally arrived in airship, he looked around, trying to find a good place to set Robbie down. Eventually, he settled on his bed as the best spot. He moved his hand directly below the him before letting him drop into his palm.
Sportacus watched the villain's eyes shoot open as he was carefully placed on the bed, following every movement he made, shaking like a leaf. Sportacus ran to grab a first aid kit and returned Robbie, placing it on the bed next to him. He pulled up a chair, sat down and spoke.
"Robbie, can you please tell me what happened?" He questioned as he opened the first aid kit and pulled out a some gause. Robbie flinched when the hero's hands moved towards him. He felt his wounded arm being carefully held between the hero's massive fingers. They were surprisingly gentle as they removed the cloth from his shoulder. As he looked at the hero he drew in a shaky breath. He reasoned that there was no real point in not telling the hero. He'd be in far more trouble if he tried to lie anyway, right?
"It.... It was one of my machines...i-" He watched Sportacus's expressions, looking for any hint of anger as he explained. "I was t-trying t-to use it on-" Robbie was about to finish before Sportacus interrupted him.
"Ahh let me geuss-" the elf smiled at the familiarity of the situation. "You were trying to use it on me, weren't you?" As he looked to the villain, though, his smile fell. He saw Robbie tense up as he nodded and he quickly corrected his tone. "It's alright, Robbie. I'm not mad at you." He said reassuringly. He smiled again when Robbie let out a relieved sigh. "I'm going to get something to eat, do you want anything, Robbie?"
Robbie stared blankly at the hero. He couldn't wrap his mind around how kind Sportacus was being. All of the crazy antics he had put through and yet, he didn't seem angry in the slightest. It made no sense to him.
"Well, i geuss you probably don't want any sportscandy but..." Sportacus held a hand up to his chin in thought. "I don't know if I have anything else..." He chuckled nervously, moving his hand from his face to rub the back of his neck.
Robbie watched as Sportacus's eyes lit up and he walked to the wall of the airship. Robbie wondered why the elf wasn't doing all the fliping and twirling he usually does. It was confusing, but he was thankful nonetheless. If he had to deal with anymore noise, he figured, he'd probably just start crying all over again.
Robbie saw sportacus put his hand over a small circle on the wall. Nearly the moment that the hero did this, a section of the wall folded out in front of him. Behind the section of wall there where tubes containing columns of fruit.
"Do you think you could handle fruit? It's sweet still, but not like cake-"
"I know what fruit is." Robbie hissed. Though he was mostly glad that the elf hadn't insisted on calling it "sportscandy" even without the children around.
Sportacus smiled."That's great Robbie, but do you want any?"
Robbie thought about saying no, but he realized he hadn't eaten at all today. He had been so scared when Spotacus grabbed him, that he hadn't even thought about breakfast. He huffed, looking up at the hero. "Fine...at least it's not carrots or something..."
Sportacus smiled at the little villain, being careful not show teeth. Even if Robbies attitude was inconvenient, he was glad the poor guy quaking anymore, and he didn't want to accidentally startle him again. "Would you prefer apples or grapes?" He asked.
Robbie turned his head away from sportacus. "I would prefer to go home." He grumbled, flinching slightly as Sportacus let out a heavy sigh.
"Robbie, I can't just leave you alone in there. You could get hurt!"
"And who's to say I won't get hurt with you?!"
"I won't let that happen, Robbie. I promise you that."
Robbie scoffed at this. Sportacus picked up a kitchen knife a began cutting an apple into slices, before cutting up one slice into smaller pieces. Robbie watched the hero warrily as he did this. Sportacus grabbed a bottle of water and twisted off the cap. He then set the bottle aside before using the knife to push the smaller pieces into the bottle cap and then pushing the bigger slices onto a plate.
He brought the plate and the cap over to the bed and gave the cap to Robbie. He set the plate on the edge of the bed next to the chair.
Robbie made a disgusted face at the peices of apple but pushed through the feeling. Hesitantly, he picked up a piece of the fruit and took a small bite. He was surprised at the taste. It wasn't that bad. It wasn't cake by any means but he definitely thought he'd hate it more.
Sportacus watched Robbie nibble on the apple peices and smiled. At least maybe something good would come of this situation.
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Please give feedback and let me know what you think about this chapter!!!! If you have any suggestions I would love to here them!!! Constructive criticism is appreciated!!!!!
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CASA EN LA LADERA DE UN CASTILLO
Autor: Fran Silvestre
Ubicación: Ayora, Comunidad Valenciana
Cronología: 2010-2011
Superficie: 230 m2
BIOGRAFÍA DEL AUTOR
Fran Silvestre es un doctor arquitecto, diseñador y profesor español, nacido en Valencia el 5 de julio de 1976. Es bisnieto del ingeniero Valentín Silvestre. Estudió arquitectura en la Universidad Politécnica de Valencia, y en el año 2011, fue subdirector de la Escuela Técnica Superior de Arquitectura de Valencia.
Ha colaborado con numerosos estudios, en el que cabe destacar la colaboración con el Premio Pritzker Álvaro Siza. Además, ha recibido premios tanto a nivel nacional como internacional. Sus obras más destacadas son Casa de Arena, Casa del Silencio y Casa del Acantilado, en todas ellas se puede ver su inclinación por el color blanco y los espacios abiertos a la naturaleza.
DESCRIPCIÓN DE LA OBRA
Con una superficie de 230m2, el principal objetivo del autor era la integración del edificio con su entorno, respetando sus estrategias de adaptación al medio y sus materiales. Como el propio nombre del proyecto indica, esta casa se encuentra en la ladera del castillo de Ayora, fue edificado posiblemente a mediados del siglo XIII, tras la reconquista cristiana, sobre una antigua construcción árabe. El castillo quedó arruinado por las tropas de Felipe V en la guerra de Sucesión, pero su hermoso perfil y sus grandes dimensiones todavía evocan su presencia histórica.
La vivienda se encuentra en un terreno rocoso, desnivelado y dificultoso, pero estas características no fueron un problema para Silvestre, ya que el edificio se adapta perfectamente a la ladera gracias a una estructura asimétrica conformada por una disparidad de planos y volúmenes lisos.
El color elegido para el domicilio es blanco, tanto dentro como fuera, sin depender de los materiales escogidos. Con esa elección se consigue que el interior transmita una sensación de paz y serenidad, ya que además cuenta con grandes ventanales que proveen a la vivienda de iluminación natural.
Una vez en el interior, el proyecto se concibe como una sensación de espacios diáfanos, unidos por un pavimento de piedra Capri. Cabe destacar que el hueco interior de la escalera está iluminado por un lucernario. En la planta baja se hallan el garaje y la bódega, sobre ésta se distribuyen dos plantas, con cuatro estancias. Un aspecto a destacar de este proyecto es la ubicación de los huecos, permitiendo que la luz entre, pero dando la sensación desde la calle de una casa carente de ventana; esto se ha mantenido sobre todo con los dormitorios.
REFERENCIAS
Casa en la ladera de un castillo, de Fran Silvestre Arquitectos | Experimenta. (s. f.). Experimenta, Revista de Diseño |Gráfica Industrial Arquitectura|. https://www.experimenta.es/noticias/arquitectura/casa-ladera-de-un-castillo-fran-silvestre-arquitectos-3760/
Casas Houzz: Un ejercicio de papiroflexia en la ladera de un castillo. (s. f.). Houzz. https://www.houzz.es/revista/casas-houzz-un-ejercicio-de-papiroflexia-en-la-ladera-de-un-castillo-stsetivw-vs~60125641
Arquitectos Valencia | FRAN SILVESTRE ARQUITECTOS™. (s. f.). Arquitectos Valencia | FRAN SILVESTRE ARQUITECTOS™. https://fransilvestrearquitectos.com/
Colaboradores de los proyectos Wikimedia. (31 de enero de 2014). Fran Silvestre - Wikipedia, la enciclopedia libre. Wikipedia, la enciclopedia libre. https://es.wikipedia.org/wiki/Fran_Silvestre
[Dapo], D. P. (6 de noviembre de 2010). Casa en la Ladera de un Castillo / Fran Silvestre Arquitectos. ArchDaily en Español. https://www.archdaily.cl/cl/02-58890/casa-en-la-ladera-de-un-castillo-fran-silvestre-arquitectos
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ALLIANZ TOWER
Autor: Arata Isozaki
Ubicación: Milán, Italia
Cronología: 2012-2015
Superficie: 53000 m2
BIOGRAFÍA DE LOS AUTORES
Allianz Tower cuenta con dos autores. El primero siendo menos conocido y se llama Andrea Maffei, un arquitecto italiano, fue director asociado de los proyectos basados en Italia por Arata Isozaki como la Allianz Tower en Milán o la Nueva salida para la Galería de los Uffizi en Florencia. El segundo es Arata Isozaki, un arquitecto japonés nacido en 1931 que es considerado uno de los maestros de la arquitectura contemporánea japonesa.
Se graduó en la facultad de Ingeniería de Tokio en 1954 y se incorporó al seminario de Kenzo Tange. Permaneció junto al equipo de Tange y del URTEC hasta 1963, que fundó su propio estudio en Tokio y poco a poco se fue expandiendo, algunas de sus obras más importantes de esta etapa son: Biblioteca de la Prefectura de Prefrita (1962-1966 Ōita), Expo '70 Festival Plaza (1966-1970 Osaka) o el Museo de Arte Moderno (1971-1974 Gunma).
En 1970 Isozaki presenta un cambio, dejando atrás la tradición japonesa e incorporando elementos postmodernistas, es decir formas como bóvedas, esferas y otros elementos geométricos. En 1973 contrajo matrimonio por tercera vez con Aiko Miyawaki, una importante escultora que le ayudó a relacionarse con personas importantes del arte moderno.
Además, es profesor invitado en varias universidades como la de Harvard, Yale o Columbia, y ha sido distinguido con numerosos premios internacionales, como el de la Asociación de Arquitectos de Japón.
Algunas de sus obras más importantes son: Palau Sant Jordi, en Barcelona para los Juegos Olímpicos de 1992; el Centro Cultural Shenzhen, en China; y la Torre Allianz, en Milán.
DESCRIPCIÓN DE LA OBRA
Allianz Tower es uno de los rascacielos más altos de Italia y sirve como un nuevo punto de referencia para la ciudad de Milán, Italia. Además, es el cuarto más alto de la Unión Europea por altura de antena. Los diseñadores, Arata Isozaki y Andrea Maffei, querían centrar su atención en la forma exterior del edificio, es decir en la fachada escultórica. La estrecha estatura de la obra de 50 pisos enfatiza su verticalidad, objetivo que también se marcaron.
Asimismo, la torre está compuesta por ocho módulos de seis plantas cada uno. Luego las fachadas frontales con mayor longitud están cubiertas de un triple vidrio exterior convexo, curvado en secciones de seis pisos para reducir el reflejo del sol, percibiéndose desde fuera una ligera vibración de la fábrica. Por otro lado, las fachadas laterales contendrían expresivos ascensores panorámicos.
La obra está constituida por 6 plantas de oficinas con unas dimensiones de 24 x 61,5 metros. Las proporciones están seleccionadas de tal manera que se acentúe aún más la verticalidad.
Para mantener el edificio rígido, se hundieron 62 columnas de concreto a 101 pies de profundidad debajo de los cimientos, de concreto reforzado. En el piso 24, los dos núcleos están conectados por una armadura de correa de acero.
Respecto a su obra, los autores recalcan que Allianz Tower no es solo para mostrar la destreza de ingeniería del equipo, ya que ellos relegan las funciones principales de la estructura a los extremos, de forma que permite unos interiores versátiles: “La forma de trabajar está cambiando rápidamente y el espacio de oficina debe seguir esta transformación”, dicen.
REFERENCIAS
Arata Isozaki. (2022, 5 agosto). Wikipedia, la enciclopedia libre.
Biografía de Arata Isozaki. (s. f.).
BiografÃa del arquitecto: Arata Isozaki. (s. f.). Floornature.com. https://www.floornature.es/arata-isozaki-66/
Wikipedia contributors. (2022, 26 septiembre). Andrea Maffei (architect). Wikipedia. https://en.wikipedia.org/wiki/Andrea_Maffei_(architect)
tok.wiki. (s. f.). Torre Allianz Ver tambiényReferencias.
[email protected]. (2019, 9 mayo). Allianz Tower 2003-2014 –. ARQA. https://arqa.com/arquitectura/allianz-tower-2003-2014.html
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