#airplay 2021

[zaynjmsource]

ZAYN has signed a new record deal with Mercury Records, Billboard can confirm. Along with the news, the singer wiped his social media yesterday and has launched a new pre-save link and teaser in preparation for his Mercury Records debut single, which is said by the label to be arriving “very soon this summer.”

Label president Tyler Arnold says of the deal, “As soon as ZAYN and I met, I knew we had to work together. I was blown away by the new music, but just as impressed by his vision, drive and spirit. We’re honored he and his team have joined us at Mercury Records. We’ve got an incredible opportunity to tell the next chapter of his story together.”

Mercury Records was relaunched in April 2022 as a U.S. imprint of Republic Records, helmed by Arnold and Ben Adelson as president and general manager, respectively. Mercury’s roster includes Post Malone, whom Arnold signed to Republic in 2015, and James Bay, signed by Adelson in 2014. Other signees at Mercury’s launch included Stephen Sanchez, Chelsea Cutler, Jeremy Zucker, Lord Huron, Noah Kahan, BoyWithUke, Ka$hdami, Lyn Lapid and Camylio.

Mercury Records also acts as the hub for Republic’s partnerships with Big Loud Records, home to Morgan Wallen, and Imperial Music, the independent distributor that released Bo Burnham‘s Inside (The Songs).

As a solo artist, ZAYN has released three records: Mind of Mine (2016), Icarus Falls (2018), and Nobody is Listening (2021). They peaked at No. 1, No. 61 and No. 44 on the Billboard 200 chart, respectively. He has also placed six songs in the top 50 on the Pop Airplay chart, including two in the top 10. “PILLOWTALK” peaked at No. 1, and “I Don’t Wanna Live Forever” reached No. 2 on the chart. The two songs also reached those same chart positions on Billboard’s Hot 100 chart as well.

#zayn malik #billboard #mercury records #27.06.2023

[keepingupwithzaynmalik]

ZAYN Signs With Mercury Records Ahead of New Music

The singer, who was previously signed to RCA Records, has a new single coming "very soon this summer."

ZAYN has signed a new record deal with Mercury Records, Billboard can confirm. Along with the news, the singer wiped his social media yesterday and has launched a new pre-save link and teaser in preparation for his Mercury Records debut single, which is said by the label to be arriving “very soon this summer.” A former member of One Direction and a chart topper in his own right, ZAYN was previously signed to RCA Records. Sources close to the singer told Billboard that the new music ZAYN is making marks a major departure from the sound that defined his previous hits like “PILLOWTALK” and “I Don’t Wanna Live Forever.” Label president Tyler Arnold says of the deal, “As soon as ZAYN and I met, I knew we had to work together. I was blown away by the new music, but just as impressed by his vision, drive and spirit. We’re honored he and his team have joined us at Mercury Records. We’ve got an incredible opportunity to tell the next chapter of his story together.” Mercury Records was relaunched in April 2022 as a U.S. imprint of Republic Records, helmed by Arnold and Ben Adelson as president and general manager, respectively. Mercury’s roster includes Post Malone, whom Arnold signed to Republic in 2015, and James Bay, signed by Adelson in 2014. Other signees at Mercury’s launch included Stephen Sanchez, Chelsea Cutler, Jeremy Zucker, Lord Huron, Noah Kahan, BoyWithUke, Ka$hdami, Lyn Lapid and Camylio. Mercury Records also acts as the hub for Republic’s partnerships with Big Loud Records, home to Morgan Wallen, and Imperial Music, the independent distributor that released Bo Burnham‘s Inside (The Songs). As a solo artist, ZAYN has released three records: Mind of Mine (2016), Icarus Falls (2018), and Nobody is Listening (2021). They peaked at No. 1, No. 61 and No. 44 on the Billboard 200 chart, respectively. He has also placed six songs in the top 50 on the Pop Airplay chart, including two in the top 10. “PILLOWTALK” peaked at No. 1, and “I Don’t Wanna Live Forever” reached No. 2 on the chart. The two songs also reached those same chart positions on Billboard’s Hot 100 chart as well. You can pre-save ZAYN’s upcoming single here. VIA BILLBOARD

#zayn malik #press #mercury records

[aaliyahunleashed]

#OnThisDay August 20, 2021

Blackground Records 2.0 announces a new partnership with EMPIRE and begin re-releasing their catalog starting with their golden goose, Aaliyah. Fans would rejoice that Aaliyah's music finally (for the first time in 2 decades) becomes available again for purchase and on streaming platforms.

Prior to this, Aaliyah's first album "Age Ain't Nothing But A Number" was the ONLY album available (because of it's contract with Jive Records). Any other album/material fans could only purchase previously owned CD's (resale) or illegally download the mp3's online (outside of just listening to the music on Youtube); that's if you didn't own a CD due to it being lost, stolen, or damaged. When Aaliyah's music disappeared, this included no more radio airplay, or licensing a deal to play snippets of her music in movies, tv shows etc - this was known to #TeamAaliyah as the 'dark era', and fans would riot every chance they got demanding for her music to be released.

The Haughton Estate as well as Blackground could NOT make a single post or enjoy life without at least half of the responses inquiring about Aaliyah's music soon birthing the popular hashtag #FreeAaliyahsMusic

At midnight this morning (8/20/21), fans would now be able to finally stream her music and hold launch parties of their own celebrating the victory - unfortunately, the Haughton Estate was not too happy with the release of her music and would start a hashtag of their own #IStandWithAaliyah in protest of the release giving vague hints that the tactics Blackground pulled was shady. Fans then speculated that there may have been an agreement behind the scenes to launch the music that went sour.

It's nice to be able to walk into a grocery store or turn on the radio and actually be able to hear something other than her AANBAN tracks. I love being apart of Team Aaliyah!

As of midnight 8/20 - Fans run to Spotify to check on the statistical data and notice significate numbers which goes to prove that Aaliyah was loved and very very much missed in music today.

#aaliyah #ripaaliyah #blackground #blackgroundrecords #oneinamillion #albumrelease #spotify #aaliyah haughton

[silverfoxlou]

Why Indie Artists Are a Rarity on Radio: ‘If You Don’t Pay, You Don’t Move Up’

Promotion executives from independent labels tell Billboard that a pay-to-play "toll" is keeping them off the airwaves.

Not long ago, a major-label radio promotion executive had a song climbing into the top 10 in his format. Eager to maintain the track’s upward momentum, he tried to get a station in a small city in the Northeast to put the song into rotation. There was only one problem: That station worked with a middleman, known as an independent radio promoter, who controlled what tracks received airplay. And that middleman demanded $3,000 for an “add.”

“It frustrates the hell out of me,” the executive says. “But if you don’t pay, you don’t move up,” he notes, referring to the radio airplay charts.

Adding to the frustration: The cost was high enough to make even a deep-pocketed major label think twice. In the world of independent labels, though, $3,000 to get one song played on one station in a small market can be prohibitive. “Majors can throw so much money at a release and get it running up the chart,” says one executive with experience running radio campaigns for indie labels. “As an independent label, you can get something played at a small handful of commercial stations. Once your budget runs out, you almost have a built-in ceiling.”

This has become a growing concern for indie labels, according to promotion executives who spoke on the condition of anonymity, to the point where some are considering appealing for help from government regulators or investigators. While radio rarely breaks hits in the streaming era outside of country music, it remains important in building recognition at a mass scale, as well as raising awareness in local markets for artists on tour. Radio airplay charts continue to be a metric of success in the music industry internally, and airplay remains one of the components of the Billboard charts.

Over half a dozen promotion executives say it is still common to have to pay in money or goods to get a song added to a station’s playlist or to increase its spin count. Independent labels are battling to gain exposure for their artists by any means necessary in a ruthlessly competitive musical landscape, and these sorts of promotional costs put them at a distinct disadvantage with the majors.

Promotion executives offer varying estimates of the costs of campaigns, but sources say a serious push at triple A can run $30,000 and up, while making an impact at alternative radio is likely going to cost at least $40,000, but could take more than $60,000. A campaign at active rock and adult top 40 will often set a record company back even more, these sources say, and if a label sets its sights on the top of the mainstream R&B/hip-hop or top 40 airplay charts, the budget is likely going to be six figures. (Though one source claims you can launch a campaign at top 40 with $70,000.) A pair of promotion executives say that between 20% and 40% of this money, depending on the format, will go to independent promoters who control access to specific stations.

But several indie-label executives say a budget of $15,000 for a radio campaign is their ceiling. Shelling out for airplay “is the cost of doing business,” says one promotion executive at an indie label. “The problem is that the cost is getting more and more.”

It’s not surprising, then, that major labels accounted for more than 85% of the tracks on Billboard’s year-end 2021 Radio Songs chart. For comparison’s sake, a conservative estimate from December 2021 pegs the major labels’ share of recorded-music revenue for the year at 66.1% — indicating that indie labels play a larger role in the overall music ecosystem than they do on the airwaves. The three biggest radio companies either did not respond to questions about promotional costs or declined to comment.

Paying to get songs on the air has been a fixture of the music industry since the early days of rock’n’roll. Congressional hearings in the 1950s resulted in a 1960 decision that prohibited direct payments by labels (aka payola), but a loophole opened the door to independent promoters as middlemen. In 1990, when Fredric Dannen published Hit Men, his investigative history of the music business, he reported that major labels were laying out as much as $80 million a year (the equivalent of $210 million today) to middlemen to get their songs spins during the 1980s.

A 2004 investigation by the New York attorney general’s office — then under Eliot Spitzer — made it clear that the practice of paying for airplay was still flourishing: “Please be advised that in this week’s Jennifer Lopez Top 40 spin increase of 236 we bought 63 spins at the cost of $3600,” one promotion executive wrote in a 2005 email obtained by the attorney general.

In 2007, following the Spitzer investigation, the Federal Communications Commission secured a pledge from four major radio chains to play more independent music on the air. But little changed. A 2008 study by the Future of Music Coalition noted that “over 92% of independent labels report no change in their relationship with commercial radio since the settlement.” What’s more, “nearly half of respondents [surveyed] reported that payola remains a determining factor in commercial radio airplay.”

Today, promotion executives say the pay-to-play “toll” remains in place at some stations, and radio ­playlists have narrowed even further, making each slot on the airwaves that much more competitive. “It’s hard to work a record through the system if you don’t have some type of resources,” says one radio promotion veteran with extensive major-label experience. “It can be a struggle for some of these smaller labels that are trying to get things going, especially at the stations that have those deals [with specific independent promoters who require a toll]. Certain companies aren’t going to be able to compete with [a major] when it comes to payments and what they can afford to pay an indie promoter.”

As a result, some independent labels have chosen to tap out. “There are certain formats that indie labels don’t venture into because they just can’t afford it,” says one longtime member of the independent music community who has worked at a variety of labels, pointing especially to top 40 and country radio. “Most independents I know have just given up.”

“The airwaves are designed not to be built for all,” adds one frustrated promotion executive who works at an indie label. “You can only come to the table if you’re spending the right amount of money and you know the right people.”

#billboard #radio #i believe this is behind a paywall so if anyone was curious and wanted to read the full thing #also #if billboard knows this... and cares.. why do they still include radio when they calculate the charts? #not that streaming is much better but anyways

[shefanispeculator]

Seeing Stars! The 9 Most Successful 'Voice' Competitors of All Time

'The Voice' may never find its Carrie Underwood but that's okay.

One of the major complaints about The Voice is that it has yet to launch a major recording career like American Idol did in its early days. But host Carson Daly says that the days of discovering a Carrie Underwood or Kelly Clarkson on a TV show are long gone.

“Your measuring stick is antiquated because of the way that technology has proliferated,” Daly exclusively tells Parade. “For instance, I could never do TRL [his Total Request Live show] again because this generation has the internet and doesn’t need MTV to get music. There are a lot of YouTubers, and my kids listen to music of people that you have never heard of, that I have never heard of. For some people, just getting to a place where they can support themselves making music, thanks to The Voice—that’s winning.”

And The Voice has several of those types of winners. Former contestants, including a couple of Grammy nominees, who are grateful to the show because their lives changed 100 percent, because as a result of appearing on The Voice, they now make their entire living making music, rather than having to have a day job to pay the bills.

Most Successful Voice Competitors

Koryn Hawthorne (Season 8)

was a member of Pharrell Williams’ team and finished fourth in her season. She has gone on to have a successful gospel career and was nominated twice for Grammys in the Gospel Performance/Song category: in 2019 for “Won’t He Do It” and in 2020 for “Speak the Name.” She has received several other nominations as well, including Billboard Awards and Soul Train Music Awards. She even broke the record for the longest chart-topping woman on the Hot Gospel Songs chart.

Nicolle Galyon (Season 2)

got just one coach to turn (Adam Levine) when she sang “You Save Me” during her Blind Audition. The country singer was eliminated during the Battle Rounds but made a discovery along the way: She didn’t want to sing, she wanted to write songs. While on the show, she met performers��RaeLynn and Miranda Lambert (who was married to Blake Shelton at the time) and credits those friendships for launching her songwriting career. She earned her first No. 1 song with “We Were Us,” performed by Keith Urban and Lambert. She also has co-written songs for Lady A, Kenny Chesney, Florida Georgia Line and many others and co-wrote and co-produced RaeLynn’s first full-length album, WildHorse. Gaylon has two Grammy nominations for Best Country Song: in 2015 for Miranda Lambert’s “Automatic” and in 2019 for Dan + Shay’s “Tequila.”

Cassadee Pope (Season 3)

was the first female country singer to win The Voice. The former member of Blake Shelton's team has gone on to find success in country music, but a high point was when she and Chris Young received a Grammy nomination for Best Country Duo/Group Performance for “Think of You” in 2017.  Her single "Tomorrow Night" was released in Sept. and was followed by her third album, Thrive, in October.

Christina Grimmie (Season 3)

finished in third place on The Voice, and went on to open for Selena Gomez and The Scene, and perform backup vocals for Allstar Weekend and the Jonas Brothers. Christina's career was on the upswing—she had 2 million YouTube subscribers—when she was shot to death during a post-concert meet-and-greet with fans on June 10, 2016, in Orlando, Fla. She was 22.

Danielle Bradbery (Season 4 winner)

was only 16 when she won The Voice, the youngest winner at that point in time but no longer the record. Since graduating from Team Blake Shelton, Bradbery has gone on to have a successful country music career with 15 songs on the Hot Country chart, including "Goodbye Summer" with Thomas Rhett which rose to No. 39 in 2018. Her 2020 single "Never Have I Ever" reached No. 58 on U.S. Country Airplay, and her most-streamed song, "Sway," has 50 million streams. In July 2021, she released her latest single, "Stop Draggin' Your Boots."

Morgan Wallen (Season 6)

who was initially on Team Usher, but later stolen by Adam Levine, was eliminated in the Playoffs but soon headed to Nashville to try his hand at country music, rather than the pop songs he sang on the show. He had almost instant success, dropping four No. 1 singles, winning the CMA award for New Artist of the Year and releasing the double album Dangerous. “He was being hailed as the next big thing, maybe the next big crossover artist from country,” executive producer Audrey Morrissey says. Today, Wallen is more famous for getting in trouble. He got booted off of Saturday Night Live for breaking COVID-19 protocols in late 2020 and was banned from country radio after he was caught on video hollering a racial slur in February 2021.

Jordan Smith (Season 9)

was a four-chair turn who chose Team Adam. He went on to write “Ashes” for the Deadpool 2 soundtrack, which was performed by Celine Dion. In addition, he's had three No. 1 songs on the Hot Christian Songs chart and three top 10s. Jordan represented the state of Kentucky for NBC’s American Song Contest in 2022, for which he wrote and performed “Sparrow.” He finished in third place.

Sawyer Fredericks (Season 8)

The winner from Team Pharrell had an original song, “Silent World,” featured on the Season 6 debut of the Netflix original series Longmire, which aired in 2017, and his song “This Fire” was covered by John Ondrasik for a 2018 episode of Code Black. His  latest album debuted in 2020 called Flowers for You.

Loren Allred (Season 3)

was eliminated in the Playoffs but went on to make her Billboard Hot 100 debut with the Platinum-selling "Never Enough" from the musical soundtrack to The Greatest Showman. This past January, she was the featured singer on the original song “Start a Wave” when “World of Color – One” for Disney 100 debuted at Disneyland. Strangely, though, she made a return to reality TV, auditioning for Britain’s Got Talent’s 15th season in 2022, finishing in ninth place. In addition, she performs on Michael Bublé's Love album for a duet of "Help Me Make It Through the Night," and alongside David Foster, as part of his An Intimate Evening PBS concert special and album.

The 9 Most Successful 'Voice' Contestants of All Time - Parade

[thestylesindependent]

Harry Styles‘ “As It Was” rebounds for a fourth week at No. 1 on the Billboard Hot 100 songs chart. It soared in at the summit seven weeks earlier.

The track is the lead single from Styles’ new album Harry’s House. Released May 20 on Erskine/Columbia Records, the set blasts in at No. 1 on the Billboard 200 albums chart with 521,500 equivalent album units earned in the week ending May 26, according to Luminate – the biggest week for an album in the U.S. this year.

Concurrently, three other songs from Harry’s House debut in the Hot 100’s top 10: “Late Night Talking” (No. 4), “Music for a Sushi Restaurant” (No. 8) and “Matilda” (No. 9).

Styles is the first British soloist to chart as many as four songs in the Hot 100’s top 10 simultaneously. Among all British acts, he joins only The Beatles, who achieved the feat for five weeks in 1964, including two frames in which they logged five each.

...

“As It Was” tallied 73.7 million radio airplay audience impressions (up 5%) and 35.6 million streams (up 58%) in the May 20-26 tracking week. The song scores its highest weekly radio reach and its second-best streaming sum, following its debut (43.8 million; April 16).

The track spends a third week at No. 1 on the Radio Songs chart and surges 10-1 for a second week atop Streaming Songs, after it debuted at the summit.

“As It Was” is joined in the Hot 100’s top 10 by three debuts also from Harry’s House: “Late Night Talking” (No. 4), “Music for a Sushi Restaurant” (No. 8) and “Matilda” (No. 9). The cuts start at Nos. 3, 4 and 5 on Streaming Songs with 27 million, 20.8 million and 20.4 million streams, respectively.

“Talking” additionally drew 6.1 million in radio audience and debuts at No. 35, as an unpromoted track, on the Pop Airplay chart; “As It Was” leads the list for a third week.

Styles ups his count to seven solo Hot 100 top 10s – one more than One Direction, in which he broke through, achieved (in 2012-15).

As Styles becomes the first British soloist with four concurrent Hot 100 top 10s, he’s the 12th act overall to land the honor, following Drake (a record nine on the Sept. 18, 2021, chart), Juice WRLD (five, July 25, 2020), The Beatles (five, April 4 and 11, 1964), Kendrick Lamar, Bad Bunny, Future, J. Cole, Post Malone, Lil Wayne, T-Pain and 50 Cent (highs of four each).

#as it was stats #billboard hot 100 #harry styles #may 2022

[bignybass]

Bassist, composer, band leader and Billboard #1 national recording artist Christian de Mesones returns to the Birchmere with his new show, “You Only Live Twice,” celebrating music from his forthcoming 2023 release of the same name. This dynamic show features Christian’s uniquely hybrid sound that continues to wow fans around the country, highlighting his love for his Latin roots, with smooth jazz, funk, R&B, soul and rock influences apparent throughout the setlist. He is joined by a stellar ensemble consisting of ten national recording artists and showcasing triple horns, double keyboards and two of the most talented vocalists in the DMV. This year’s lineup includes Craig Alston, Carl Anderson, Eddie Baccus, Jr., Greg Boyer, Mike Gamble, Elliot Levine, Rob Maletick, Eddie Montalvo, Desiree Roots, and Nia Simmons. 2021 was a breakout year for Christian. His debut solo album, “They Call Me Big New York”, which features 25 national recording artists, garnered multiple top ten singles and has surpassed 2 million streams on Spotify. His 2020 single, “Big Tall Wish”, was featured on the Dave Koz Lounge show on Sirius XM Watercolors and reached #6 on the Groove Jazz/RadioWave chart. Jazziz Magazine featured a fan favorite from the album, “Year of the Dragon”, in its World Music edition, and the song reached #1 on the Radio Guitar One network. His single “Hispanica (Instrumental)” featuring legendary pianist Bob James delivered de Mesones his greatest chart success to date, reaching #1 on Billboard’s Smooth Jazz Airplay chart and landing solidly near or at the top of MediaBase, RadioWave, SmoothJazz.com, and Groove Jazz charts. de Mesones also reached #1 on Alan Kepler’s Smooth Jazz Network Top 100 chart and was one of their Breakout Artist nominees for 2021. Last year yielded continued success for de Mesones with the release of his latest single, “In His Vision”, his Birchmere debut, a special guest appearance at Spaghettini in California, and his performance at the 35th Annual Catalina Island JazzTrax Festival. Christian was also nominated as Instrumentalist of the Year on SoulTracks.com for the third year. https://www.ticketmaster.com/event/15005E32F8645E (at The Birchmere) https://www.instagram.com/p/CpiE586LAbR/?igshid=NGJjMDIxMWI=

#1 #6

[vickiabelson]

Today Live! Can’t wait to sit down with old pal, Steve Conte, who's got one of the greatest rock voices I’ve ever heard (he was Paul Simon's vocal stand-in for years). Steve’s played with just about everyone throughout his career, has a classic Chuck Berry story, for one, and countless other great rock tales. 

Steve’s first road gig was touring with Blood Sweat & Tears in the mid-80s, right around the time I began booking him at The Rock ’N Roll Cafe on Bleecker Street in New York. From there, Steve played with J. Geils Band frontman Peter Wolf, the before-mentioned Chuck Berry, toured with Billy Squier, Willy Deville, Eric Burdon, was a member of reformed New York Dolls and has shared the stage with an innumerable number of his heroes from Sam Moore to Springsteen. Steve’s been writing for, recording, and touring with former Hanoi Rocks frontman Michael Monroe for the past 10ish years, supporting Guns & Roses, The Foo Fighters, and Motorhead.

Steve's solo debut, The Steve Conte NYC Album, included a tune, OK DJ, which earned him the #2 Coolest Song of the Year, behind Bruce Springsteen, on Little Steven's Underground Garage... members of the Foo Fighters, Alice Cooper, Mott The Hoople, The Wallflowers, Southside Johnny & The Asbury Jukes, to name a few, joined Steve on the album. 

Steve’s "covers" album, International Cover-Up, enjoys much airplay on Little Steven's Underground Garage. The opening track, "Somebody's Gonna Get Their Head Kicked In Tonight" was voted #5 Coolest Song Of The Year, behind The Monkees and Ian Hunter, and his Gimme Gimme Rockaway was another Coolest Song of The Week and signaled the solo recognition he’s long deserved. 

Steve’s new single, Fourth Of July, co-written with Andy Partridge of XTC, serves as a preview to his upcoming LP, due in 2024, as a follow-up to his acclaimed solo album, Bronx Cheer, released on Little Steven’s label, Wicked Cool Records in 2021, which featured the single, Recovery Doll, which also enjoyed a week as the Coolest Song In The World, on The Underground Garage. 

Check out the latest coolness of Conte

Fourth of July

Steve played regularly at every club I booked, was part of my weekly house jam band, and has done pretty much every project since. So look forward to sitting down with this guy, one of my all-time favorite rockers, catching up, and hearing that voice! And, that guitar!

Steve Conte Live on Game Changers with Vicki Abelson

Wednesday, Sept 6th, 5 pm PT, 8 pm ET

Streaming Live on my Facebook

Daily by Toni Vincent & @peter_and_paul_ Cartoons

#SteveConte #PaulSimon #ChuckBerry #NewYorkDolls #MichaelMonroe #BillySquier #EricBurdon #FourthofJuly #BronxCheer #LSUG #CoolestSongInTheWorld #Vocalist #Songwriter #Singer #RockNRoll #Guitarist #Musician #GameChangersWithVickiAbelson #VickiAbelson #GameChangers #podcast #inspirationalpfodcast #Celebrity #FacebookLive #Talkshow #Chat #Live #pandemic #comedy #music

[ts1989fanatic]

Taylor Swift scores one of the most historic weeks in the 64-year history of the Billboard Hot 100 songs chart, as she becomes the first artist to claim the survey’s entire top 10 in a single frame.

Swift surpasses Drake, who logged nine of the Hot 100’s top 10 for a week in September 2021.

Leading the way for Swift on the Hot 100, “Anti-Hero” launches at No. 1, marking her ninth career leader.

All 10 songs in the Hot 100’s top tier are from Swift’s new LP Midnights, which, released Oct. 21 on Republic Records, blasts in at No. 1 on the Billboard 200 albums chart with the biggest week for any release in seven years.

Swift also surges past Drake and The Beatles for the most titles from the top of the Hot 100 in a single week, as her monopoly of the top 10 bests those acts, each of whom infused the top five for a week each in 2021 and 1964, respectively.

Meanwhile, as Swift adds 10 new Hot 100 top 10s, she now boasts the most top 10s among women in the chart’s history, with 40 (surpassing Madonna’s 38). Among all acts, she trails only Drake (59 top 10s).

Plus, Midnights becomes the first album ever with as many as 10 Hot 100 top 10s, besting the nine from Drake’s Certified Lover Boy in 2021.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Nov. 5, 2022) will update on Billboard.com tomorrow (Nov. 1). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Here’s a rundown of Swift’s unprecedented week on the Hot 100.

Top 10: Streams, Airplay & Sales

As Swift swoops in with a clean sweep of the Hot 100’s top 10, here’s a look at the songs’ official streams, radio airplay and sales in the U.S. in the Oct. 21-27 tracking week that drove their chart debuts:

Rank, Title: Streams / Airplay Audience / Sales:

No. 1, “Anti-Hero”: 59.7 million streams / 32 million in airplay audience / 13,500 sold

No. 2, “Lavender Haze”: 41.4 million / 2.4 million / 2,800

No. 3, “Maroon”: 37.6 million / 471,000 / 2,900

No. 4, “Snow on the Beach,“ feat. Lana Del Rey: 37.2 million / 615,000 / 2,600

No. 5, “Midnight Rain”: 36.9 million / 449,000 / 2,200

No. 6, “Bejeweled”: 35.5 million / 1.6 million / 16,100

No. 7, “Question…?”: 31 million / 425,000 / 21,400

No. 8, “You’re on Your Own, Kid”: 34.1 million / 498,000 / 1,500

No. 9, “Karma”: 33 million / 1.9 million / 3,400

No. 10, “Vigilante Shit”: 32.2 million / 424,000 / 6,400

With her total takeover of the Hot 100’s top 10 (with assistance from Lana Del Rey at No. 4), Swift passes Drake, who claimed nine of the top 10 (all except for No. 6) on the chart dated Sept. 18, 2021, when nine songs, all from his album Certified Lover Boy, bounded into the region, led by “Way 2 Sexy,” featuring Future and Young Thug, at No .1, as the set opened atop the Billboard 200.

Meanwhile, Swift passes Drake and The Beatles for the most titles from the top of the Hot 100 in a single week. Before Drake’s top five tally on Sept. 18, 2021, The Beatles held Nos. 1-5 on the chart dated April 4, 1964.

Swift’s Nine Hot 100 No. 1s

Here’s a recap of Swift’s nine Hot 100 No. 1s, notched over a span of just over 10 years:

“We Are Never Ever Getting Back Together,” three weeks at No. 1, beginning Sept. 1, 2012

“Shake It Off,” four weeks, beginning Sept. 6, 2014

“Blank Space,” seven weeks, beginning Nov. 29, 2014

“Bad Blood,” feat. Kendrick Lamar, one week, June 6, 2015

“Look What You Made Me Do,” three weeks, beginning Sept. 16, 2017

“Cardigan,” one week, Aug. 8, 2020

“Willow,” one week, Dec. 26, 2020

“All Too Well (Taylor’s Version),” one week, Nov. 27, 2021

“Anti-Hero,” one week to-date, Nov. 5, 2022

Swift becomes one of 16 acts with nine or more Hot 100 No. 1s, and one of seven solo women, joining Mariah Carey (19), Rihanna (14), Madonna (12), Whitney Houston (11), Janet Jackson (10) and Katy Perry (nine). The Beatles lead all acts with 20 Hot 100 No. 1s.

Swift’s Fifth No. 1 Hot 100 Debut

Swift debuts atop the Hot 100 with a fifth title, as “Anti-Hero” (the 64th single to enter at No. 1) follows the chart-topping premieres of “Shake It Off,” “Cardigan,” “Willow” and “All Too Well (Taylor’s Version).” With her latest, she ties Ariana Grande for the most No. 1 entrances among women.

Overall, Drake leads with seven No. 1 Hot 100 debuts, followed by BTS, Grande, Swift (five each) and Justin Bieber (four).

Record-Extending Simultaneous Billboard 200 & Hot 100 debuts

Thanks to Midnights and “Anti-Hero,” Swift is the first artist to have debuted atop the Billboard 200 and Hot 100 simultaneously as many as four times. (The Billboard 200 began on March 24, 1956, and the Hot 100, on Aug. 4, 1958.)

Swift became the first act to launch with such a double when Folklore and “Cardigan” began atop the Billboard 200 and Hot 100, respectively, on Aug. 8, 2020. She repeated the feat with Evermore and “Willow” (Dec. 26, 2020) and Red (Taylor’s Version) and “All Too Well (Taylor’s Version)” (Nov. 27, 2021).

Drake, with two, is the only other act with multiple such simultaneous starts on the surveys.

Top 10 Streamed, Sold Songs Are by Swift

As on the Hot 100, Swift holds the entire top 10 on Streaming Songs and Digital Song Sales charts. Swift is the first artist to triple up with the top 10 on all three charts simultaneously; no other act had previously claimed Nos. 1-10 in a single week on the Hot 100 or Digital Song Sales, while only Drake had swept the tier on Streaming Songs (Sept. 18, 2021).

“Anti-Hero” debuts at No. 1 on Streaming Songs with the biggest streaming week for a song (59.7 million) in 2022, passing Jack Harlow’s “First Class” (54.6 million; April 23). No song has logged more weekly streams since Drake’s “Way 2 Sexy” soared in with 67.3 million (Sept. 18, 2021).

Swift adds her sixth Streaming Songs No. 1, tying Bieber for the second-most, after Drake’s 14.

On Digital Song Sales, Swift’s “Question…?” debuts at No. 1, marking her record-extending 24th leader. (Rihanna ranks second with 14.) Helping its coronation, “Question…?” was made available for sale in Swift’s webstore on the last day of the chart’s tracking week (Oct. 27) in its original and instrumental form, each for 69 cents, as was “Bejeweled,” new at No. 4 on Digital Song Sales.

Notably, the streams for Swift’s songs in the Hot 100’s top 10 were strong enough that all 10 tracks would’ve ranked in the region even without any chart points from sales or radio airplay.

‘Anti-Hero’ Roars at Radio

Speaking of radio reach, “Anti-Hero,” the first promoted single from Midnights, debuts at No. 13 on Radio Songs, the highest debut this year and Swift’s best opening rank among 45 career entries.

The song concurrently places at No. 11 on the Adult Pop Airplay chart, No. 13 on Adult Contemporary and No. 16 on Pop Airplay following its first full week of availability.

Swift Up to 40 Hot 100 Top 10s, the Most Among Women

By instantly adding 10 Hot 100 top 10s, Swift now sports the second-most, 40, in the chart’s history. Previously tied with Michael Jackson, Swift leapfrogs Madonna – as she now claims the most top 10s among women – The Beatles and Rihanna.

Swift first hit the Hot 100’s top 10 with “Love Story” on the chart dated Oct. 4, 2008.

Most Billboard Hot 100 Top 10s:

59, Drake

40, Taylor Swift

38, Madonna

34, The Beatles

31, Rihanna

30, Michael Jackson

29, Elton John

28, Mariah Carey

28, Stevie Wonder

27, Janet Jackson

26, Justin Bieber

25, Lil Wayne

25, Elvis Presley (with the start of Presley’s career having predated the Hot 100’s inception)

Similar to Swift’s timeline, Drake earned the first of his record 59 top 10s in July 2009 and most recently ranked in the bracket this August.

Midnights Clocks Most Hot 100 Top 10s From an Album

Upon its chart start, Swift’s Midnights becomes the first album to generate as many as 10 Hot 100 top 10s. It passes Drake’s Certified Lover Boy, which landed nine, likewise all in the same week (Sept. 18, 2021) that the set started atop the Billboard 200.

ts1989fanatic there’s more in the article but these are the key points.

I have a Question…? Are we sure it’s Halloween and not April 1st other than the fact that these numbers are scary good I thought it might be an April fools prank 😂😂😂😂

[omegaplus]

# 4,382

Save Stereogum: A 00′s Covers Compilation (2021)

Omega follows close to 100 music outlets (and let’s be honest here, a quarter of them show up consistently on our feeds) to find new music for future radio airplay. We been trailing on Stereogum for a good few years now for some of our indie finds. They hit a snag in terms of funding to maintain their website and online presence, so they recently released a benefit compilation of various artists covering many of the Oughts’ hits. A compilation so good that we at Omega WUSB used at least eight cuts from this substantial compilation, and we might reach back for more. It’s possible that many of these tracks featured are receipts from current songwriters influenced by their favorite artists or a hat-tip to their hits. Doom rockers Thou tackle The Yeah Yeah Yeahs “Maps” with Charly Bliss giving her take of Gwen Stefani’s “Hollaback Girl”, and Bill MacKay’s give his own spin of Nirvana’s once-unreleased cut “You Know You’re Right”. See how experimental rappers clipping. handle J-Kwon’s breakout hit “Tipsy” and hear Jason Isbell & Amanda Shire throw Miley Cyrus’ “Wrecking Ball” in another direction. Many of the original hits came out around and after the genesis of the original Apple iPod, all coming together in relation to signify and defined the Oughts with the latter helping to change the music industry forever. Any fan of their favorite originals should take an ear to decides the current generation of artists either faithfully come close or stray far away from them.

#omega #music #mixtapes #reviews #playlists #Stereogum #rock #indie #hip-hop #garage

[ourpickwickclub]

M I just sent some info but I don't think it went through. Anyway BB Yr End Stats are out. You all can find them on Pulse Forum Country. Top Year End Artists, Blake is 15. Top Country Album Artists, he's #11.Country Airplay Songs-CBAACB #43 (not bad for a 2021 release), Hot Country Songs -CBAACB #53. Digital Song Sales #34. Top Country Albums Artists, Blake is #11. Top Country Albums of 2022 he has 2 at 28(Reloaded) and 43 (Gods Country: Fully Loaded). Some who have had their PR team/label/touring company throw everything but the sink at the industry didn't do as well as they would like you to think. Anyway not bad for a guy who had a quiet year in reality. 2nd thing, the Neil McCoy bit is a joke. He's a joke. He throws Blake's name out every chance he gets. The Voice is not going to hire a 64 year old class D country singer. As someone pointed out he threw that out there when Blake first announced it. He is just being nice and giving the old guy a bone. Trust me. He is on no one's radar. Go check out the year end stats. Carrie did better in some areas then her rival and yet gets ignored at Grammy time. Money talks

Thank you for finding all these stats for us! I agree with you, there’s no way that Neal is going to be even considered as a possibility for Blake’s seat, but Blake was being nice and responding to Neal’s comment about being considered. If I had to make my own short list of possible coaches, it would be Carrie, Keith, and Brad on the established stars list, and Jimmie Allen and Kelsea Ballerini on the newer stars list.

— M

[prismmarketingco]

Dancehall star Shenseea made her debut at the annual Billboard Music Awards (BBMA) held at the MGM Grand Arena in Las Vegas, Nevada. Accompanied by her son Rajeiro, she was among the evening's presenters for the coveted showcase. Other presenters included Anthony Anderson, Heidi Klum, Anitta, Normani, Dove Cameron, DJ Khaled, Pusha T, Michael Bublé, City Girls, Teyona Taylor, Lainey Wilson, AleXa, and Tiffany Haddish. Sean 'Diddy' Combs hosted the ceremony, which unfolded late Sunday evening. Prior to her presentation Shenseea walked the red carpet and spoke with the media about her upcoming project with Diddy and the experience of working with Megan Thee Stallion on 'Lick'. This year's awards are based on the chart period of April 10, 2021, through March 26, 2022. Finalists and winners are based on key fan interactions with music, including album and digital song sales, streaming, radio airplay, and social engagement, tracked by Billboard and its data partners, including Luminate (formerly MRC Data). (at Kingston, Jamaica) https://www.instagram.com/p/Cdmqozgsrys/?igshid=NGJjMDIxMWI=

[halderview]

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[the-black-phone-online-duck-hd]

闇黑電話 ( 2022恐怖電影 ) 線上看－小鴨完整版

《闇黑電話》高畫質免費線上看，闇黑電話線上看完整版，闇黑電話線上看小鴨，提供繁體中文字幕。

闇黑電話、線上看高清電影，免費線上看《闇黑電話》小鴨影音完整版－闇黑電話線上看、2022恐怖電影。

(電影)免費線上看【闇黑電話】 ：

現在在線觀看☛ 闇黑電話線上看完整版

點開後就可以觀看囉，高畫質免費線上看，闇黑電話線上看完整版、闇黑電話線上看小鴨。提供繁體中文字幕，離線觀看，支援跨裝置（Android, iOS, Android TV, Apple TV, Chromecast, AirPlay, MOD）接續播放。

《闇黑電話》台湾上映, 上映時間, 故事, 劇情介紹、如何觀看, 在这里可用 。

《黑色电话》（英語：The Black Phone，香港译《接駁靈聲》，台湾译《闇黑電話》）是一部2021年美國超自然恐怖片，由史考特·德瑞森執導，德瑞森和C·羅柏·卡吉爾共同編劇。該片改編自喬·希爾的同名短篇小說，主演包括伊森·霍克、梅森·塔姆斯和瑪德琳·麥格勞。

「電話壞了，但它仍然在響。」 當牆上一具壞掉的電話開始響起時，芬尼發現他可以聽到殺手之前的受害者的聲音，而且他們亟力想要確保他們發生的慘事不會發生在芬尼身上。

劇情介紹《闇黑電話》電影

每一個聲音都來自受害者，每一次連線都是一條線索，每一通電話都是一線生機…

「電話壞了，但它仍然在響。」

導演史考特德瑞森回歸根源，執導他擅長的恐怖類型電影，並且再度和製作恐怖類型片首屈一指的布倫屋製作公司合作，推出一部全新恐怖驚悚片。 一個害羞但聰明的13歲男孩芬尼，被一名變態殺手綁架，並被關在一間經過隔音的地下室，所以不管他如何大聲尖叫也沒有用。當牆上一具壞掉的電話開始響起時，芬尼發現他可以聽到殺手之前的受害者的聲音，而且他們亟力想要確保他們發生的慘事不會發生在芬尼身上。

這部電影由曾經四度入圍奧斯卡金像獎的伊森霍克演出他演藝生涯中最可怕駭人的角色，新生代演員梅森塔姆斯則首次演出他的電影處女作。《闇黑電話》一片由《凶兆》、《驅魔》以及漫威超級英雄片《奇異博士》編導史考特德瑞森擔任製片、導演及共同編劇。

闇黑電話

( 英語：The Black Phone )

恐怖懸疑/驚悚 片長：102分钟 發行公司：環球影業 導演： 史考特戴瑞克森(Scott Derrickson) 演員： 伊森霍克(Ethan Hawke) 、 傑瑞米戴維斯(Jeremy Davies) 、 詹姆士蘭森(James Ransone) 、 瑪德琳麥克羅(Madeleine McGraw) 、 梅森塔姆斯(Mason Thames) 上映日期：2022/07/01

「電話壞了，但它仍然在響。」 導演史考特德瑞森回歸根源，執導他擅長的恐怖類型電影，並且再度和製作恐怖類型片首屈一指的布倫屋製作公司合作，推出一部全新恐怖驚悚片。

一個害羞但聰明的13歲男孩芬尼，被一名變態殺手綁架，並被關在一間經過隔音的地下室，所以不管他如何大聲尖叫也沒有用。當牆上一具壞掉的電話開始響起時，芬尼發現他可以聽到殺手之前的受害者的聲音，而且他們亟力想要確保他們發生的慘事不會發生在芬尼身上。

這部電影由曾經四度入圍奧斯卡金像獎的伊森霍克演出他演藝生涯中最可怕駭人的角色，新生代演員梅森塔姆斯則首次演出他的電影處女作。《闇黑電話》一片由《凶兆》、《驅魔》以及漫威超級英雄片《奇異博士》編導史考特德瑞森擔任製片、導演及共同編劇。

《闇黑電話》一片的編劇是史考特德瑞森及羅柏卡吉爾（《奇異博士》、《凶兆》系列電影），根據作家喬希爾收錄在他的《紐約時報》暢銷短篇小說集《20世紀的幽靈》中的同名短篇小說改編。這部電影由史考特德瑞森及羅柏卡吉爾的彎曲公路製作公司（Crooked Highway）製作，由環球影業暨布倫屋製作公司出品。製片是傑森布倫、史考特德瑞森及羅柏卡吉爾，執行製片則是萊恩圖瑞克以及克里斯多福華納。

《闇黑電話》梅森塔姆斯電影處女作和伊森霍克演對手戲超興奮

《闇黑電話》一片由《凶兆》、《驅魔》以及漫威超級英雄片《奇異博士》編導史考特德瑞森擔任製片、導演及共同編劇，史考特德瑞森回歸根源，執導他擅長的恐怖類型電影，並且再度和製作恐怖類型片首屈一指的布倫屋製作公司合作，推出一部全新恐怖驚悚片。《闇黑電話》由曾經四度入圍奧斯卡金像獎的伊森霍克演出他演藝生涯中最可怕駭人的角色，新生代演員梅森塔姆斯則首次演出他的電影處女作，其他演員陣容還包括飾演芬尼妹妹葛溫的瑪德琳麥克羅（《蟻人與黃蜂女》）；飾演芬尼和葛溫的父親的傑瑞米戴維斯（《說來有點可笑》）；以及詹姆士蘭森（《凶兆》），台灣於7月1日驚悚上映。

伊森霍克飾演“擄童怪”說：「看過這部電影，包準你再也忘不掉，這部片就像《凶兆》的姊妹作，但又更深沉詭異、更令人發毛。」雖然飾演芬尼的童星梅森塔姆斯當然知道這部電影的情節並不是真的，但是他和伊森霍克飾演的擄童怪之間的對手戲份還是很可怕，伊森霍克也希望確定他能夠保護他的同戲演員的心靈不會受到任何創傷。「這部電影恐怖駭人的程度只能做到飾演芬尼的那個童星能夠接受的程度。」伊森霍克說：「梅森是一個充滿歡樂的小朋友，而且他非常熱愛演戲。他很調皮但也很好相處，我必須很小心地確認當我們拍完一場可怕的戲份以後，他能夠了解到我們在拍攝這些戲份的時候玩得有多開心。」梅森塔姆斯最喜歡拍的戲份當然也都是他和伊森霍克之間的對手戲。「當我一開始看到我和伊森演的那些戲份的回放畫面的時候，我就在想：『我被伊森霍克綁架還被他關在地下室真的超嗨的！』」梅森塔姆斯笑著說：「但是在現實生活中，伊森和擄童怪完全是兩個不同的人，不過伊森把擄童怪演得真的超可怕的。我第一次看到他戴上面具的時候，真的被嚇到全身都僵住，害他不得不問我：『你沒事吧，兄弟？』我一直都很崇拜他這個這麼棒的演員，所以能夠親眼看到他演戲真的是一次超讚的經驗。」

尋遍黑色撥盤式電話 精心打造靈界來電 電話壞了，但它仍然在響…。擄童怪家中地下室內的那具老舊黑色撥盤式“闇黑電話”在電影中扮演至關重要的角色，那是超自然世界和現實世界之間的連結。美術指導派蒂波戴斯塔和她的工作團隊在做了很多功課之後，終於找到一具看起來完全像是來自1970年代的黑色撥盤式電話。他們買了好幾台同樣款式的電話，經過特別處理後呈現老舊的樣貌，感覺像是被用了很多很多年。這具黑色撥盤式電話在拍攝期間被接到一個被稱為維京系統的通話系統，能夠讓導演史考特德瑞森打通這具電話並響起鈴聲，而且能讓他直接和飾演芬尼的童星梅森塔姆斯講話。

《闇黑電話》故事敘述一個害羞但聰明的13歲男孩芬尼（梅森塔姆斯 飾），被一名變態殺手綁架，並被關在一間經過隔音的地下室，所以不管他如何大聲尖叫也沒有用。當牆上一��壞掉的電話開始響起時，芬尼發現他可以聽到殺手之前的受害者的聲音，而且他們亟力想要確保他們發生的慘事不會發生在芬尼身上。

在哪里以及如何免費觀看《闇黑電話》電影？

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spymovies.org的突出特點之一（使其與其他免費電影網站序區別開來）是它允許您將電影和節目下載到您的設備，以便您可以離線觀看內容。 至于如何在没有广告的情况下免費線上看《闇黑電話》？

在这里你可以《闇黑電話》電影、免費線上看而無需註冊完整高清 1080p、无广告，如果您使用 Apple 裝置，且您的 Android TV 支援 AirPlay，即可將 Apple 裝置的畫面鏡射到電視上，或是串流播放內容。

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#闇黑電話 ( 2022恐怖電影 ) 線上看－小鴨完整版

[independentartistbuzz]

Gabby B Comes Alive on New Single

Get ready to vibe to the infectious beats of Brazilian pop vocalist Gabby B's latest hit single, "Nothing to Me," dropping on April 5, 2024. Following the success of her previous singles "Lickorish" and "Si No Sabias," earlier this year, Gabby B returns with a captivating Brazilian funk pop anthem that transcends language barriers.

"Nothing to Me" is a compelling follow-up to "Lickorish," boasting Gabby's signature blend of Portuguese and English lyrics. The song delves into themes of betrayal and disillusionment within relationships, resonating with listeners on a deeply emotional level. Through soulful vocals and vibrant instrumentals, Gabby B delivers a powerful message of empowerment and resilience in the face of heartbreak.

The accompanying visualizer for "Nothing To Me" promises to captivate audiences with its striking imagery. From scenes of Gabby burning mementos of a past relationship to her dynamic performance amidst the rain, the visualizer perfectly complements the song's evocative narrative.

Gabby B and producer Joseph Lopez (@MrHitRecord) once again prove her prowess as a versatile artist capable of crafting music that leaves a lasting impact. Fans can look forward to immersing themselves in the infectious rhythms and poignant storytelling of Gabby B's latest masterpiece.

Starting Friday, April 5, the 2:07 single will be available on all major streaming platforms. The release coincides with Gabby B's music tour in New York and Connecticut later this month with performances during the Brazilian Expo in Long Island City on April 28, and Copacabana Loft 51 in NYC on April 27, 2024. Keep an eye out for additional appearances to be announced on her social media channels.

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About Gabby B

Known professionally as Gabby B, a Brazilian songstress with a plethora of superstar talent. The pop vocalist has always been in tune with the entertainment industry. Born in Goiania, Brazil, Gabby B was exposed to the world of entertainment from an early age. With a mother who was a Brazilian performer and a father who was a professional martial arts master, Gabby's passion for entertainment was nurtured from the start.

In 2023, Gabby B released her single, “Leche,” featuring Latin pop singer Vikina, a Mr. 305 Inc. (Pitbull) recording artist, which has over a million views across platforms. The Latin crossover has also garnered airplay support from Pitbull's Globalization on Sirius XM from DJ Laz and DJXray, as well as WBTT 105.5 The Beat. Accumulating many international musical accolades in her short career, Gabby B’s single "Pose" charted to top 5 on iTunes pop charts and 15 overall in South Africa in 2021. In 2022, her single "Dance All Night" charted 75 on the iTunes pop chart in Hong Kong. She followed this up with one viral music video after another, tallying millions of views on songs such as "Belly Dancer", "Pretty Girl Lit", "Earthquake", "One Too Many, and Christmas Day." As of April 2024, Gabby has over 6.1 million views across her videos on YouTube.

Gabby B is also an official ambassador with non-profit Boo2Bullying, a youth development and suicide prevention organization providing mentoring opportunities, educational resources, and mental health support to youth and families adversely affected by bullying. Boo2Bullying connects with over 30,000 young people in-person and many more online.

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