Guillermo del Toro’s Pinocchio versus all the other iterations that have come out recently really exemplifies the issue that at a fundamental level the desire to roll out A list actor filled cash grabs of live action remakes of old movies does not understand the nature of media. Certain forms of art- and I feel that I cannot stress this enough- do not mesh well onto a different form of art. Sometimes they can, and it’s wonderful, but very often I’m finding that a lot of remakes are missing the point of how animation is its own medium, stop motion is its own medium, video games and books and even television vs movies are all their own mediums. You really have to know when you’re making something if this is the right form of it, because if not it ends up looking cheep despite the millions of dollars spent to create the whole fucking thing. And a little bit of love and creativity doesn’t hurt either. I think studios to a large degree underestimate how much the creator’s passion imbued in a film translates through the screen to an audience, because we really can feel it. Sure, we all watch shitty TV and moves once in a while, but when something actually moving comes around there’s never any doubt of how masterful it is. And you just don’t ever really get that with soulless billion dollar remakes. Anyways Guillermo del Toro fucking rocks and everybody should go watch Pinocchio.
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I need someone to use my cock as a stim toy
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when Keanu said “no because if you’re a lover you got to be a fighter cause if you don’t fight for your love what kind of love do you have”
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As a Vox shipper I feel obligated to point out that vos is the Dutch word for Fox and I think that’s hilarious.
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Hey Ultrakill fandom, is it normal for my heart to beat so hard and fast that I worry it will tear through my fucking chest when I play this game? Thanks.
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my blog content rotates from depression, pretty images, horny posts and repeat
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happy new year, everyone!! 🥳
so excited that 2023 had me sharing my writing again, and i'm so grateful for all of the love and encouragement i've received here 🤍 and there's more to come! can't wait to continue/begin my prioritiy projects for this year, including finishing twds, writing a zombie apocalypse jk i've had sketched since 2022, and starting a f2l arranged marriage tae au that i just conceptualized yesterday! ("but, ari," you might be saying, "another f2l story? don't you want to write a different trope?" to which i say, "someday, but not today 😀👍")
wishing everyone a happy and healthy new year! and we get seokjin and hobi back soon! 🎉
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jensen has the captain holt syndrome where he is not quiet about being queer nor does he dress like a cishet but nobody fucking knows hes queer anyway
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Shorter post today, but in the opening cinematic, the “monster “ has, just, all of the eyes.
Like, so many eyes that they spill off the “monster” and become the boarder of the page.
And that’s because the /actual/ monster that destroyed the Kingdom’s peace and that will invade as soon as we let our guard down is prejudice and paranoia and the surveillance state.
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