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saltpepperbeard · 8 months

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OBLIGATORY COMPLETE OFMD SEASON 2 TEASER THOUGHTS AND SPECULATION POST™

Okay, to start off, I cannot BELIEVE we got this. I cannot BELIEVE we got a voiceover of Stede's note to Ed. We were all thinking it. We were all hoping for it. I CANNOT BELIEVE WE LEGITIMATELY GOT TO SEE AND HEAR HIS LOVE RIGHT OFF THE BAT. HE LOVES HIS ED SO SO MUCH.

Followed by this shot right as Stede is narrating. It's difficult to tell, but it seems like Ed??? The one-armed jacket and the fact that it's layered with Stede's narration makes me quite certain it's him. But ALONE??? AND COMING OUT OF THE SURF??? (There's a shot later that has me PARTICULARLY raising eyebrows at this moment. I'm thinking that he fell off the boat/was lost in that one storm shown later, and Stede of course is going to dive in after him or attempt to get to him in some sort of dramatic way. Which makes me think he and Stede are going to potentially talk feelings/reconcile on the beach)

And the fight choreography of this. Are you actually kidding me right now. ARE YOU KIDDING ME. GETTING TO SEE ED ABSOLUTELY KICKING ASS IN COMBAT??? NEVER IN A THOUSAND YEARS DID I EXPECT TO SEE A SHOT LIKE THIS BUT I'M HOLLERING SO HARD OVER IT (NOT TO MENTION, AGAIN, LOOKING AT THIS AND A LATER SHOT..........I'LL SCREAM ABOUT MY THOUGHTS WHEN SAID SHOT APPEARS HSKDLS)

Oh, they're PINING pining. They're YEARNING yearning. They're GAY gay.

They want to be back with each other so so so bad I'm losing my mind <3

"Fuck you, Stede Bonnet." The way he's JUST as dramatic as we were all thinking. The way he's hurting in a way WE ALL ANTICIPATED. LIKE, YOU HATE TO SEE IT, BUT MAN DSJKLDSSDKL. Also, the contrast of him saying that vs Stede's voice over is so so insane. The editors are INSANE FOR THAT ONE.

AGAIN, GOING BONKERS OVER ED'S CHARACTERIZATION BECAUSE HE SEEMS EXACTLY HOW I ANTICIPATED. Outwardly, angry, hardened, and cold. Inwardly, heartbroken, desperate, and wanting nothing more than to be back with Stede. Because hello, HELLO, HE'S NOTCHED WHAT I ASSUME TO BE HIS NUMBER OF DAYS WITHOUT STEDE IN THE WALL??????

HI OLU HELLO OLU MY DEAR DARLING OLU

but also screaming and crying and throwing up because this is ALSO what i was anticipating/hoping for. the crew being like "ummmmm lmao captain?? you really think you've got this under control???"

"You think Blackbeard's going to murder you?" I THINK NOT BECAUSE WHAT IS HE EVEN SHOOTING AT JSLDKS. OFF TO THE SIDE??? A WARNING SHOT????? Also the lighting of this and his look matches the ending shot so I'm very eyes emoji at this entire thing.

HOWEVER...

"MURDERER THRICE OVER?????????????"

Like sorry, that sign won't stop me because I can't read. Look at him. LOOK at him. You're telling me he stole the wedding cake toppers so he could PAINT HIMSELF ON THE BRIDE??? SO HE COULD MAKE HIMSELF INTO THE BEAUTIFUL BRIDE HE WANTS TO BE????? SO THAT HE COULD PLAY PRETEND MARRIAGE BETWEEN HIMSELF AND STEDE???????

INSANE!!!

INSANE FOR THIS!!!!!!

Again, bonkers editing. The split screen. The CONTRAST between Stede's hopefulness and Ed's depression. The WAY THEY LINED IT UP TO MAKE ED LOOK LIKE HE'S TAKING AIM AT STEDE. THE WAY THIS PROBABLY PERFECTLY ENCAPSULATES THEIR CHARACTERIZATION IN THE FIRST FEW EPISODES HSDJKLSDS LIKE BITING THE EDITORS BITING THEM BITING THEM

ALSO ED AND ALL OF HIS GUNS,,, NINE GUNS???????

It kills me because he's probably being exactly what he thinks people see him as. He's probably like "Oh, you want a monster? I'll give you a monster."

WHICH,,,, NO, HONEY. YOU'RE A SWEETHEART, SORRY ABOUT IT.

AND THEN LOOK AT THEM. LOOK AT OUR DARLINGS!!! FANG'S FUCKING SPIKES ARE SO METAL. FRENCHIE'S WOLVERINE COSPLAY SHDJKLSHDLKS. JIM!!! JIM JIM MY BELOVED JIM, AND THEIR PAINTED BEARD. THEIR GENDER!!!!!!!

Honey hsdksjds the drama of it all. THE DRAMA. CRASHING WEDDINGS TO DISRUPT LOVE BECAUSE YOUR OWN WAS DISRUPTED??? SIIIIIIRRRR THE THEATRICS, THE SPICE OF IT ALL

excuse me ma'am that is a gay man shdkjshkls THAT IS A GAY MAN. WHAT ARE YOU EVEN DOING,,,

kiss me instead like wtf

OKAY NOW THIS,,,

THIS.

PRESIDENTIAL ALERT: THE BABYGIRL IS FIGHHHTTTTIIIING

BUT IZZY WATCHING ON??? IZZY????????????

I have Genuine Thoughts™ about this. I have a feeling that the big arc/character development Con mentioned might pertain to him like, REALIZING what's important, and what Ed actually wants and needs. And a good chunk of that will be him realizing the consequences of his actions, and maybe potentially wanting to undo the damage. And also, in his Bitchy Izzy Ways™, he might also get very very tired of Ed's sulking/theatrics and want to rectify things for that reason too.

So I feel like he's going to sort of team up with Stede and show him the ropes for that reason?? So they ALL can work towards betterment???

WHICH IS NUTS LMAO. NEVER EVER EXPECTED THAT.

REGARDLESS, GO STEDE BABY GO!!!

HI REVENGE HELLO REVENGE PLEASE DON'T DO ANYTHING DRASTIC LIKE EXPLODE OR ANYTHING PLEASE BABYGIRL <3

yeah yeah the titties we've all seen them.

BUT AGAIN, AGAIN, STEDE OFF TO THE SIDE. STEDE WATCHING. STEDE LEARNING THE ROPES FROM THE MOST UNEXPECTED PERSON EVER SHDJKSDS LIKE WHAT!!!

AND HEEEEEEERE WE GO. HERE'S THE SHOT I WAS REFERRING TO EARLIER.

THE SAME BLACK SAND BEACH. FIGHTING THE BRITISH. ED AND STEDE. ED WITHOUT HIS MAKEUP ON. STEDE IN A DIFFERENT OUTFIT.

ARE THEY BOTH,,, FIGHTING TO GET TO EACH OTHER??? FIGHTING THROUGH CROWDS AND ENEMIES TO GET TO EACH OTHER'S SIDES???????

WHAT IF THEY FIGHT TO EACH OTHER AND THEN KISS HUH???

WHAT THEN.

HIIIIIIYYYAAAA JACKIE <33333

ALSO HELLO IS THAT THE SWEDE BEHIND HER???????

EXPLOSIONS FIRE EXPLOSIONS EXPLOSIONS FEELING VERY WEE JOHN CODED RIGHT NOW!!!!!!

AND THIS IS YET ANOTHER SHOT I WAS REFERRING TO EARLIER,,,

LIKE UHHHHHHHHHHHHH

WITH ED ON THE BEACH, AND THIS SHOT OF SOMEONE FALLING INTO THE WATER,,,,,,

I HAVE A FEELING THAT ED IS GOING TO DO SOMETHING THAT ENDS WITH HIM FALLING OFF THE BOAT. MAYBE HE TRIES TO SAVE SOMEONE???

if he fights to save stede from going overboard or something equivalent i'm going to eat all the tiles off my floor <3

LIKE IT'S BAD BESTIES. IT'S BAD. IT'S DIRE. THE WATER IS SO FUCKING HIGH AND THEY'RE IN A STORM AND JIM IS SCREAMING AND I AM ALSO SCREAMING!!!

But then also, LOOK AT FUCKING WEE JOHN!!! IN DRAG!!! HE'S A FUCKING MERMAID!!! JIM ISN'T A MERMAID???? WELL, THAT'S FINE--WEE JOHN IS!!! LIVING HIS BEST FUCKING LIFE!!!!! AND WHAT IF HE MADE THAT COSTUME HIMSELF SJDKSDJLS <3

AND THE FINAL SHOT I'M CHOOSING, THE FINAL ONE OF THE SET,,, MATCHES UP WITH THAT LIGHTING EARLIER.

WHO ARE WE FIGHTING, ED BABE. WHAT'S THE TEA. WHO ARE YOU CLOBBERING.

IS IT US?

IT'S PROBABLY US.

BECAUSE THIS ENTIRE THING HAS ME SO SO SO DEAD Y'ALL

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modawg · 30 days

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it’s so sad to me that nico like never learned how much percy tried to help him yk

like percy literally rounded up his closest friends after being the only one to find out nico was the son of hades and decided to at least try to give nico a chance to live his life when the kid literally just tried to kill him, his sister just died, and through everything percy knows hates his guts - like he took all that info and decided to make a suicide pack with his closest friends in order to protect nico when giving nico the prophecy would’ve been the most logical and honestly understandable thing to do

like genuinely do ppl realise how EASY it would’ve been to just give the prophecy to nico his ONLY living relative (other than hades) just DIED they could’ve been like “listen you take this prophecy give it 6 years you’ll be dead with your sister and literally everyone else you know and you’ll be a hero for it” instead even though percy has an entire life, people who love and care for him, and a future wife infront of him he takes it upon himself to DIE in 3-4 years how fucking BONKERS is that

he also almost abandons a WHOLE OTHER QUEST putting himself and annabeth in danger just bc dumbass nico is out doing god knows what in the labyrinth and ends up getting caught (he was doing smth i’m being dramatic but still)

could you imagine being percy your going to war (and from your perspective you’re going to die in the next week or so after methodically doing everything in your power to keep this other random kid who you think hates you from suffering that fate) that kid comes up to you with a plan so you trust him just do be stabbed in the back bc that kids father wants him to be the prophecy child even tho you’ve been mentally preparing yourself to die for the past like 3 years?? id jump that kid too if he randomly came into my deep dark prison cell trying to break me out and then shun him after all that

like i read the way nico talks abt percy and he just seems bitter all the time he’s like “psh percy and his fake friendship what a dweeb can’t believe i had a crush on THAT guy🙄” like you’d be dead if it wasn’t for his friendship gay boy

i want like 5 years into the future annabeth is sitting with nico one day and is like “lol yeah i remember that one time percy made us all pinky promise to keep you safe and we all thought he was dumb bc you hated him sm but he really just wanted you to have a good life and now look at you!! :)” and nico to slow turn to her “…what”

like to this day i get that nico was mad at percy for not protecting bianca and bc of his internalized homophobia or whatever but why not hate on the actual people who sent her on that quest rather than a random kid you just met who said he’d try WHICH HE ACTUALLY DID DO and not idk literally any adult figure who sent her into the fire to begin with

i just want nico to realise that percy is simply just a boy who literally wanted nothing to do with any of this and was trying his best to free nico of that same burden sigh (;_;)

like those two are the fattest example of a miscommunication held together by misunderstood betrayal

disclaimer this is obv dramatic and the prophecy definitely doesn’t work like that but like think abt it ok

#hoo #pjo #heros of olympus #percy jackon and the olympians #percy jackson #hoo fandom #pjo fandom #hoo text post #pjo text post #nico di angelo

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nereidprinc3ss · 4 months

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hii! could i request something w spence where he asks uni reader to move in with him and r is kinda nervous about it please🙏🙏 love all of ur fics, and thanksss 🫶🫶🫶

yass this is super cute!!!! thank you for the request, hope i did it justice

warnings/tags: fluff!! a teensy bit suggestive at the end if u squint... i cant help myself. i'm an animal

requests are open! sfw and nsfw welcome

(a/n: this is probably an awkward spot to put this but I didn't wanna make a whole other post: THANK YOU GUYS FOR ALL THE LOVE AND SUPPORT!!! i have gained over 100 followers since i last posted and have over 1k notes on both of my recent works thats literally bonkers insane crazy town ACTUALLY. i love hearing your thoughts and reactions to my work even if its just a silly little comment. so yeah. thanks and so much love to u ALL)

“So basically, I’m not allowed in the dorm except to sleep because she always has her boyfriend over, and I told her that’s literally insane—I’m paying thousands of dollars to be there just like her. If she wanted privacy she should have gotten a single. She can’t just lock me out of our shared bedroom all the time! I live there!”

You’re stabbing violently at your food by the time you finish your verbal tirade.

“Okay, maybe put the knife down before you hurt yourself,” Spencer suggests, readying a hand to take the implement away from you if necessary. The knife clatters against your plate as you drop it.

“She’s driving me fucking crazy,” you mumble, rubbing your eyes until you see fireworks. “And the housing department said I don’t have grounds to transfer rooms, so I’m stuck with her for the rest of the year.”

There’s no reply from your boyfriend, and a pang of guilt in your chest makes you look up at him again. His expression, as so often is the case, is inscrutable.

“I’m sorry for ranting. I’m really happy to see you and I don’t mean to ruin dinner, I just—”

“You could stay with me,” he interrupts.

You blink.

“Like... when she locks me out?”

Spencer laughs self-consciously.

“No, like... permanently.”

For a moment you just gape at him like an idiot, trying to comprehend his offer.

He wants you to move in... with him. Permanently. He wants to live with you.

You realize you’ve been staring at him for far too long, and you lean back, inhaling deeply as the world launches into motion again.

“That’s... a big step, Spence,” you breathe. His eyes scan you head to toe, and you realize he’s most definitely analyzing your body language.

“You don’t have to say yes. It was just an offer,” he shrugs, standing up and clearing the plates from the table.

“Wait,” you call, following him to the kitchen. “Are you upset now because I leaned away from you when you asked?”

He turns from the counter, looking at you blankly.

“Of course not. That would be ridiculous.”

Oh, he totally is.

You tentatively step forward, gently lacing your fingers through his—but unable to meet his eyes.

“It’s not that I don’t want to,” you begin gingerly, “but I’m... I’m not done with school. We always said I would move in once I graduated.”

“That’s an arbitrary limitation we set for ourselves. There are plenty of ways to get you from here to campus every day.”

“But you’re not even here sometimes. I would just be alone.”

“You would have the whole apartment to yourself. You would have my bed. You wouldn’t have to share a shower with an entire floor of college students anymore. And ultimately, we would get to spend a lot more time together.”

You try to speak but find your throat is tight. Spending more time together is exactly what you’re afraid of.

“What’s your real objection here?” he asks quietly, running his thumb back and forth over the underside of your wrist. You swallow, watching the motion of his hand.

“I’m afraid, that if we move in together... you’ll stop liking me.” The words come out paper thin, barely audible.

And he laughs. Your teary eyes dart up, surprised by the reaction—slightly hurt, even.

“I’m sorry, sweetheart, I’m not laughing at you,” Spencer says, sobering up when he sees your baleful expression. “I just can’t believe you think I’d stop liking you.” He wipes away the tears beading on your eyelashes delicately. “I’m in love with you. Neurologically that is pretty hard to undo.”

You study his face, looking for any sign of hesitation or dishonesty. All you find is pure fondness in the curve of his lips; utter devotion in the soft set of his eyes.

“You promise you won’t start hating me as soon as I move in?”

“I promise.”

You lean against his chest, craning your neck to look up at him.

“I can be pretty annoying.”

“I think I can handle it.”

“I take really long showers.”

He kisses you softly. “Me too. I’m sure we can figure out a way to conserve water.”

Despite your reservations you smile against his lips.

“Okay?” he asks.

“Okay.”

#criminal minds #spencer reid #spencer reid fanfic #spencer reid fic #spencer reid imagine #spencer reid x fem!reader #spencer reid x reader #spencer reid x self insert #spencer reid x y/n #spencer reid x you

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noneorother · 5 months

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The secret timeline inside of Good Omens season 2 revealed, *part1*

Part 1 l Part 2

If you’ve ever watched a ballet or an opera, you know how the rhythm in the music is used throughout to determine not only the movements of the dancers, but also when lines are sung or spoken. This is almost unheard of in television, but what if I told you it was hidden in season 2 of Good Omens? If one were to, say, meticulously cut together only the scenes set in the present day into one big timeline, you would get one long video that is exactly 2 hours 22 minutes 00 seconds and 00 frames long. An ineffable cut that is so perfect it defies all logic. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)

Even though there are large swathes of the second season with no music, there is a constant tempo weaving its way through the show: What if the seconds ticking by in the runtime itself was the music? Here’s an example of what I found. Behold a supercut of every single time Shax shows up, or Hell is mentioned in series 2 in the ineffable edit. They always arrive on a 6 in the time stamp (ex: 00:XX:X6).

(SOUND ON is an absolute must here, otherwise you won't hear any of the triggers)

Shax rings Crowley on a XX:X6. Shax miracles herself into the car on a XX:X6. Shax knocks on windows on a XX:X6. Shax’s big scary moment at the bookshop happens at 66 minutes exactly (lol). Crowley calls out for Shax on a XX:X6. Beelzebub starts spewing flies on a 6. People mention hell and it’s always on XX:X6 etc. etc…(Bonus: I also left in Maggie flipping the damned the double-bird on a XX:X6) I’ve also left in the only appearance of Shax or hell at all in the whole series that isn’t tied to a six: the park bench scene with Crowley. Shax seems to be off by one line, showing up on a XX:10, then back to XX:X6 on her second reply: “Bills, mostly”. I can only theorise that this scene, while technically in season 2, is not supposed to *be* in season 2 (even just judging by the trees, sun and the overcoats, it’s not summer like in the rest of the season). And it’s not only sixes! Every time I go through I find more and more little beats that line up exactly with ineffable timings. I can only do one video per post, so I’ll have to cut it up into sections, but Gabriel, doors, car horns, bird calls, Aziraphale, food, drinks, Angels, dialogue, Maggie, Nina, jokes, clocks, bells… The list goes on and on.

Neil called this season “The bridge”

Because we all know how much Neil loves double meanings and wordplay, I just have to ponder the idea that when Neil said this season was “the bridge” between seasons 1 and 3, he meant it double-literally. First, as in the bridge Aziraphale and Crowley have to cross in order to get them into position for the second coming. We even see the physical manifestation of this bridge leading everyone in the background of the opening credits. But this season is also a bridge in the sense that it’s a musical section that introduces new ideas or material in the middle of a song. This whole season is the music that deviates from the familiar, and re-contextualizes the chorus and the verses so we can appreciate them in a new way.

Let’s not forget that 2:22 is also exactly the same timing as this (and only this) track from the good omens s2 album (read all about the soundtrack here):

Why is this so bonkers? I think GOS2 might be the first ever “Total” series of television.

Having everything in the series timed and choreographed would actually make it a very faithful adaptation of the Powell & Pressburger film The Tales of Hoffmann (read about the movie and it’s effect on all of s2 here). If you watch the tales of Hoffman, you will realize that the entire film is actually done more like animation, with the music and vocals all performed in a studio, mixed and edited first, and then the actors came back to act out their choreographed and lip-synched parts for the cameras afterwards. The result is "Total film": a movie that feels more like a ballet, with every movement, action, and line happening in time with the music. As far as I can tell, very few films have ever attempted this, with The Tales of Hoffmann and Playtime being the only two “complete” films I could find in this style. (The Red shoes has one section, and An American In Paris has a few)

“Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (…) was in some way an admission(…) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered, (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made.” - Criterion review, Tales of Hoffmann

Here’s a simple example from An American in Paris

youtube

If season 2 *is* scripted and choreographed to line up with specific timings, I’m pretty sure that would make this the first ever “total” or “composed” season of television ever attempted. Not only does this take an ASTOUNDING amount of planning, scripting and editing finesse, not to mention a completely controlled set, it takes a real understanding of how to perform as an actor using rhythm and metre, which would go a long way to explain why all of the main actors coming back for season 2, with the exception of John Hamm, are well regarded theatre performers, (especially of Shakespeare).

I’ll leave you with one last surprise I found in the discovery of the ineffable edit: remember Aziraphale’s smile at the very end if the credits? It happens on 02:23:03, as the first step off the bridge, and into season 3.

I will have much more in the next ineffable timeline post. Stay tuned…

__________________________________________

Thanks for reading all the way to the end. It’s taken me a solid month to get this perfect. There are so many hidden cuts and jumps to take into account, and I had a frame rate issue that kept exporting to 29fps instead of 25fps, but I’ve finally nailed the ineffable timeline enough that I am confident sharing in it.

Credits to @thebluestgreen and @embracing-the-ineffable for all the support and help with editing and just general good vibes.

#good omens 2 #good omens meta #good omens season two #art director talks good omens #go season 2 #go meta #good omens season 2 #crowley x aziraphale #good omens spoilers #good omens analysis #good omens

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infriga · 8 months

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Okay so I love Luffy being Latino of course, but I did think it was funny how he has the most white-ass grandpa on the planet, like Garp literally has a Scottish accent (which works really well for his character actually ngl). So I thought well maybe we can just assume that Luffy's mixed race from his biological mother's side then or something (it's not like we've seen her or learned a single thing about her in all these years so far) and Dragon will be white too but then no, apparently Dragon was cast already, and he ain't white either. So like, we can just assume Luffy is mixed race or something, or even that his dad just has darker skin, but that leaves Garp as the odd one out lmao

So now Garp's casting is extra funny because like sir, how? How'd you manage to be the only white guy in your family, who is also the only cop mind you, meanwhile your entire family is full of POC criminals who are all fighting the system and sticking it to the man while challenging the government and demolishing corrupt dictatorships? Is the live action show going to try to explain this or just rely on Luffy's absent grandmother to fill in the genetic gaps via audience imagination? Or is it going to be revealed some day that Dragon was adopted or something, because everyone is adopted in One Piece since it's found family propaganda incarnate? Or are they just going to ignore it completely because One Piece genetics are already completely bonkers anyway? Or maybe Garp is just that one white-passing family member with funny genetics who happens to look white lmfao

To be clear, this isn't a complaint, it's something I just find funny. Garp's real world ethnicity hasn't been brought up in any sbs answers I don't think, and the casting has been too perfect for me to have an issue with small things like "how come this Latino kid has a white Scottish grandpa?" if anything it heightens the experience and adds to the surprise of the reveal 😂

#One piece #one piece live action #Opla #OPLA spoilers #Sp #Tv show thoughts #To clarify I'm not saying I think Brazilians are all one colour #I know they're not #What's funny to me is the lack of a genetic explanation for the variation in colour here plus the differences in accent on top of that #Which isn't impossible but isn't something you see every day either

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raz-writes-the-thing · 3 months

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Better? (Doctor Who Drabble)

Twelfth Doctor x GN!Reader / requests are open

Summary: The Doctor comes to realise his lack of physical affection has been having more of an impact than he thought.

Fic type: hurt/comfort

DW: @nyxiethesimp @quickslvxrr @midnight--raine @blueberry-sunshines @stevekempscocktails @go-bonkers-go-foolish @peytonpenguin37 @yeethaw13 @complimentary-breadbasket @thekirbishow @stilestotherescue @madspads @catlynharper @merrilark @jaziona92 @yeehawbrothers @mochabonesblog @iguirisu @thegen3sisark @wereallbrokenangels @florduarte (send an ask to be added to a tag list!)

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

It had made sense when he'd first regenerated. It had seemed to be a particularly difficult regeneration, but you'd thought maybe he'd grow out of the aversion to your touch. You had hoped, anyway.

Yes, you'd been with him when he'd had his previous face, and you'd loved him through all his faults and issues, and you'd thought, or rather hoped, that when he regenerated that he would feel the same.

But it was hard to tell.

Day in and day out, he barely touched you. He'd hold your hand as you ran from Daleks or squeezed your arm to get your attention to show you something at a market. He'd pat your head affectionately and give you a charming smile from across the room. But he didn't... touch you anymore. He didn't embrace you, he didn't brush his thumb over your cheek or tuck your ear when it was long enough for tucking. He didn't press light kisses to your cheeks.

And yet, sometimes when he smiled at you, it was still like he saw the universe in your eyes. It was confusing and hurtful, and you weren't sure how much longer you could live with that kind of uncertainty.

"What's wrong?" The Doctor asked, looking over your form suspiciously. Nothing got past him, clearly. You sighed deeply, rubbing at your forehead. "And don't give me that 'it's fine' nonsense you humans do, either. Come on, spit it out."

You gave him a warning look and he backed off... but only barely. He threw his hands up in mock surrender, making you smile despite yourself.

"What is it?" He asked again, softer this time. His brows furrowed in concern when he realised this might actually be something serious and not a 'silly human problem' as he called them.

"Do you not love me any more?" You asked, immediately regretting the wording. All these months you'd practised what you'd wanted to say and when the moment finally came- you botched it. Figures.

"Love you? Of course, I love you," he scoffed. "What kind of silly question is that?" Then he slowed, face turning into a deep and upset frown. "Do you not think I love you? I admit I've been rather caught up in other things- but just the other day we went on that date to the Human Museum."

You shuddered at the memory. He'd meant well, of course, but seeing preserved bodies detailing your species' entire evolutionary growth was not something you'd planned on ever seeing.

"You don't touch me anymore," you replied self-consciously, casting thoughts of the museum aside. The Doctor's frown deepened as he thought back on it. Realising you were right, he came to stand in front of you. Softly, he took both your hands in his, stopping your anxious fidgeting.

"My dear, I had no idea physical affection was so important to you," he said apologetically. The genuine regret in his expression made you feel a little better at least. "I'll make an effort to be more affectionate, yes?"

You replied with a smile, soft and agreeable. The Doctor squeezed your hands and pulled you into a hug. It was a little awkward at first. You'd only hugged him perhaps twice before and you'd spent so long yearning for it that now you finally had it- you didn't quite know what to do.

And then his arms tightened ever so slightly around you, and you melted into him, wrapping yourself close. Gods, it felt good.

"Better?" He asked, nuzzling your neck, voice muffled by your skin.

"Better," you confirmed.

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queer-reader-07 · 6 months

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i don’t think enough of us talk about how absolutely fucking bonkers it is that aziraphale and crowley have just existed on earth for 6000 years and have been falling in love the whole time

you know we talk abt the “slowest of slow burns” and the “6000 years of pining came to fruition”

but actually take a step back and think about how long 6000 years is. imagine living through literally every single major change and advancement in the human story. imagine witnessing humanity grow and change for their entire existence. we’re talking literally before the invention of written language to the present day.

and all while falling in love with the one constant.

aziraphale and crowley have only ever had each other for it all. the people are blips in their eternal lives, they can’t get attached because it will only end poorly for them. but they have each other and they’ve always had each other and of course they’re falling in love how could you not?

and now? they don’t have that constant. they’re apart in a very real and (to them) permanent way. that’s gotta hurt so badly.

#why do i make myself so sad everytime i make one of these posts?#good omens #aziracrow #ineffable husbands #ineffable wives #crowley #aziraphale #anthony j crowley #good omens 2 #good omens meta #gomens

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girlinlavender · 1 month

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one of the most intriguing things about sapphic pairings, which, in my opinion, cements them as the best type of ship gender wise, (don’t come at me), is the dialectic parralels they often showcase. Very commonly, a narrative will queercode it’s characters by presenting them as something of a matched set, whether they be friends, enemies, rivals, etc.

This is especially and irrevocably true in sapphic relationships specifically because of how insanely close and often toxic and codependent female friendships can become, especially between repressed queer girls. The comparing yourself to them, the resentment and jealousy, the love, the possessiveness— it’s easy for those types of relationships to bridge on romantic, and that’s why queer girl “friend breakups” are so intense, and often so romantically charged. Because it’s essentially an actual breakup.

Similarly, as is often seen with two characters who are intertwined in this way, or any other, the narrative will present them as parallels to the other’s character, essentially inversions of each other, furthur proving the notion that these two people are a matched set— you cannot talk about one without also discussing the other, because their development within the storyline is entirely dependent on each other. Specifically, female relationships are known to present themselves in this way to a T; it’s what raises the extremely common question within queer women: do I want to be her, or do I want to be with her?

Take Jackieshauna, two girls so insanely connected that even their fucking funko pops had to be together, still codependent even when separated by death. Their relationship was insanely homoerotic, even without being canonical, which makes them one of the most popular ships in the entire Yellowjackets fandom.

Take Catradora, who were super duper codependent in their early days in the horde, and who’s narratives paralleled each other even right up to the very end of the series. They were also a matched set— yes, they had independent character arcs, but their traumas were so connected to each other that without the other, they would have turned out a completely different person, and very likely a worse one..

Take literally any sapphic ship, and you’ll likely see this issue presented in one way or another. This entanglement, like souls bound together, that can’t even become completely separate from each other in the midst of war, death, politics, starvation or cult activity. That’s what makes these kinds of dynamics so interesting, and ripe with motifs to discuss, like I’m doing now. To put it simply: fiction is bonkers bannanas, and girls are extremely close with one another in a way that cannot be understood by outsiders. People of any nature, gender, whatever, are shipped together because they are interesting together, and nothing is more interesting than people who cannot exist without some semblance of the person they care for most. Even if you don’t see them as romantic, you can’t deny the intensity and emotional intimacy share. The human condition is an endlessly expanding atrocity, and the depth that lies within it is easily exemplified by other people, and that, my friends, is why stories are good.

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bones-of-a-rabbit · 1 month

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Lol, sorry I've been stalking your blog for the past hour, I just love your comic/fic ideas! Do you post them anywhere else by chance, like on AO3? Just curious! Have a good day/night!

i do, actually!!! i have two fics in progress on my AO3 right now, but there are two others that im planning on sharing soon (afton'd reader AU and space ai AU, respectively)

my fics are,

(it was, in reality, not fine.) the fluffiest technician-reader x Sun/Moon fic the world never asked for

and After Everything Was Fixed (but you were still broken) a repair-themed-staffbot-reader x Sun/Moon fic that's a slow-ish burn with a bunch of angst

(the afton'd reader fic will be a dark-comedy/horror-romance themed fic about reader getting a lot of revenge on the shitty ppl working for fazco and in the meantime sun and moon are like fucking bonkers in love with them the entire time lol)

(the space au fic will be a sort of friends-to-crushes-to-misunderstandings-to-enemies-to-reconciling-to-lovers fic lol)

im surprised u just found my blog out in the wild, i think a lot of my followers originally found me thru my fics sdfsjdfdfdd ANYWAY IM GLAD U LIKE MY HOT MESS OF A BLOG I HOPE U ENJOY THE FICS THANK U BYE

#ramble #asks #bones of a rabbit fic #fnaf fanfic #chaos-and-clowns #ao3 link #it was in reality not fine #after everything was fixed but you were still broken #bones of a rabbit #it was in reality not fine fic #not fine fic #fnaf au

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shorthaltsjester · 8 months

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honestly as someone who has been in various fandoms for a long time now and who also watched campaigns 1 and 2 without really getting into cr fandom it isn’t Shocking but it is annoying how often people will look at the stories that cr tells and make absolute claims about the goodness of characters (goodness here meaning Moral goodness, not I Like This character and think it’s well made goodness, which is a separate post entirely). particularly regarding the gods and pc parents. and honestly like, typically in fandom i get annoyed by people bending over backwards to woobify characters who are active in their choice to be unkind and generally horrible but in the cr fandom it’s tended to be the opposite where like. a character is just. a human being (in the sense of being Average not in the sense of Fantasy Races) and huge swaths of the fandom act like that’s the most unforgivable thing someone can be. and maybe it is, but one of the most powerful things about fiction is that it tends to encourage people to expand their empathy and exercise their ability to forgive. because fictional characters, no matter how much people like to project onto them, tend not to cause anyone harm, so it’s easier to learn how to forgive and accept things you don’t understand without also villainizing them.

this is mostly prompted by the recent 4sd and the fact that matt’s response to what’s up with the dawnfather was a very insistent “He’s not bad!” and also seeing the online reaction to the mention that the matron would punish vax for saving keyleth that has taken the as usual completely bonkers tune that the raven queen (Who When Met With A Brother Asking A God To Kill Him In Favour Of His Sister, Gave Him A Job, and Later Extended His Natural Life To Help Protect The World And Have More Time With His Family And Allowed Him To Visit His Sister On Her Wedding Day) is a horrible evil abusive bitch of a god. like. can we grow up? can we understand the world and fiction that represents the multitudes of experiences found in it in shades of grey? is that too much to ask (i know it is).

but also specifically the like Extremely Adamant way that both matt and laura were like no no no no relvin isn’t Horirble he’s average. he’s not good he’s just. he’s A father, not a good or bad one. and on the surface it’s hilarious that they’re both so like. enthused to point out that he’s Average because typically when people respond to a claim of a characters badness with the level of immediacy they both did it’s a rebuttal of “no, this character is good actually.” but it was just to affirm that relvin did harm imogen, but not because there’s some aspect of his character that is inherently cruel or especially Bad. and like. yeah actually. yeah you should react like that to a claim that this average person who Has hurt someone, the way that nearly every single person has hurt someone in a way they cannot repair, with immediacy to say this person is a Person and thus imperfect and capable of great harm, but that isn’t some all encompassing judgment on their morality or capability to also do good or be fine.

anyway this is kinda just a rant post but also is just me saying i’m very grateful that when surrounded by a fandom that tends to paint characters as Good or Bad and even while using a game that can encourage that with its alignment system, cr has always told stories that see goodness as a persistent choice that might sometimes falter and that can be chosen even after a lifetime of Badness. i can’t remember exactly what the quote was so forgive me if it’s incorrect but when jester is talking to caleb after he claims he’s not a very good person and she says “good people do bad things sometimes. even bad people do good things.” that’s it! that’s one of the most consistent themes across campaigns. and yet.

#on fandom #cr tag #i just. maybe it’s the philosophy major in me but. good grief the shit some of y’all say about morality and then turn around and ignore #what you’ve just said. good grief #lately it’s specifically been the people who support liliana (i too love evil women) and act like she tripped and fell into her current #position. and then turn around and call relvin an abusive devil #like. sorry which one has been manipulating imogen. which one abonded her?#that’s besides the point. my point is. the words good and bad are meaningless.#the good placeism. is this character trying to be better today than they were yesterday #this is the imogen temult problem actually. like yes she Chooses to be good. but that is only a choice because we have Seen her be selfish #and cruel and manipulative. if i had to choose to call imogen good or bad i’d of course choose good. but that undermines so much of #what makes her ‘goodness’ actually compelling.#honestly same with fjord. like his character as a charismatic paladin who fights for Good™ is comtextualised by having seen his journey #like. otherwise he’d be boring.#like. if any cr main character was just Good or just Bad. i promise it would not be as popular as it is #critical role

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midnight-in-town · 9 months

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Frances Midford : The Mentor, a summary

To follow with my post about fighting against misinformation, here’s a first topic.

Ciel’s remaining aunt is often viewed by the fandom as a mean lady who doesn’t care, because of a) all the mysteries around the family that Ciel doesn’t know about and b) the use of comic relief in Kuroshitsuji often used to hide some relevant clues, as previously demonstrated in this post. This is actually far from what her character really is about and I intend to demonstrate it now with a (long) recap post.

I have talked about Frances a lot in the past, about her caring about our!Ciel and about her possibly knowing, like Tanaka, that he was lying about his identity. While the former is undeniably true, the latter is still up for debate. [X][X][X][X] However, with the upcoming adaptation of the Weston arc (probably) in 2024, I don’t want the old discourse to come back, so without further ado...

What Yana has said about Frances’ character

Besides our!Ciel, Frances is the last remaining Phantomhive (not counting real!Ciel as a BD). She’s Vincent’s younger sister, they both have the same parents (that is to say Claudia P and Cedric K. Ros) and she married out of the family (implying that maybe the Phantomhives have distant relatives still alive), becoming Lady Midford.

According to Yana, Frances takes after their dad while Vincent takes after their mom and the same is true for her kids, meaning Ed takes after her (thus takes after his maternal grandfather) while Liz takes after Alexis.

As far as her relationship with our!Ciel is concerned, here’s what Yana said in the guidebook : “Frances' strength of character is why Sebastian chose her as a role model Ciel should follow”. Since her relationship with Lizzie is sometimes also viewed negatively, I’d like to add that both in the guidebook and on twitter, Yana said that “Liz thinks her mom is kind and strong so she looks up to her mom as a role model she aspires to become”, hence the similar hair style.

TL;DR Yana’s overall description of Frances is that a) she’s kind and strong which is why b) she’s Lizzie’s role model, as well as the role model Sebastian thinks our!Ciel should follow.

Now that this is established, here’s what the canon story gives us, to illustrate Yana’s words. Spoilers for the entire manga series and long read below the cut.

Frances’ introduction

Frances is introduced in ch14 and, boy, what a generally misunderstood chapter by some parts of the fandom. xDD

Contextually, ch14 is Ciel’s birthday, meaning it is also the anniversary of the massacre of the previous household and Madam Red just died, after trying to kill him. For those who might wonder, the guidebook confirmed that our!Ciel was quite saddened by Ann’s death (obviously), so really, what a fun 13th birthday in perspective. Cue Liz and Frances.

The comments on her strength aside, Frances’ introduction is otherwise often misread as her nagging being inappropriate but I beg to differ. As mentioned by @akumadeenglish and @chibimyumi, Yana is Japanese author who likes to explore writing tropes in depth. Though it’s also important to remember that, before the curry arc, Yana didn’t know how long the series would run so everything had less intent, because the story was initially supposed to end quickly.

In other words, Frances’ introduction really is initially to be read as the severe mother-in-law (based on Japanese comical stereotypes) coming to check on how he handles his household, which is why Seb is so stressed out when everything goes bonkers. But that’s only the surface.

Most importantly though, Frances showed up because it is Ciel’s birthday and, as said above, there’s a lot of negative and dreadful memories associated with this day. So...

...let’s change his mind, shall we?

Phantomhives love games and Frances is a Phantomhive too, the last one besides our!Ciel, so she knows her nephew and chooses an activity she knew he wouldn’t be able to resist.

Ch14 also introduces two important facts that are still relevant as plot points, especially as far as the Blue Revenge arc is concerned. The first one is that our!Ciel protected Lizzie from that bear, so Frances said she owes him.

Secondly, as stated by Frances herself, she knows the ropes of the “game” (aka acting as the Watchdog) better than our!Ciel (”you’ve still got a decade to go before you can even think of winning against me”).

In fact, like our!Ciel with real!Ciel, Frances was probably raised as Vincent’s spare [X][X], but compared to our!Ciel who knew next to nothing about his father’s real job until 3 years ago (at the time of ch14), Frances is an experienced veteran...

And that’s why Seb chose her as a role model for our!Ciel.

Therefore it is my opinion that ch14, despite being written back when Sensei didn’t know how long the series would be published, is still relevant as heck when it comes to Frances’ role in the series, aka acting as a mentor for our!Ciel (and for Lizzie, as Yana also stated). Kuroshitsuji is a slow story though, with a lot of build up and it’s why some fans still fail to see how significant Frances is to the plot and to our!Ciel’s development.

Campania arc

Liz is the one who comes to ask our!Ciel to come with her whole family (thus introducing Alexis and Edward) on a cruise, but it’s also very important to note that she conveyed that Frances thought that our!Ciel should take time off of work:

This led some of us fans to theorize that maybe Tanaka used to send updates to Frances about our!Ciel’s wellbeing and how he fared as the Watchdog: the timing of the cruise works well with Frances’ remark, considering that the Queen just sent Charles Grey as a merry punishment for Ciel’s deeds during the Circus arc.

This arc mostly highlights Frances’ bravery and strength : she didn’t hesitate to fight for countless of passengers unrelated to her (something that UT said isn’t very typical of Phantomhives, during Weston)...

More importantly, we finally get into Lizzie’s personal motivations and we indeed have the confirmation that...

...Frances is a big key to Lizzie’s strength, confirming the role model/mentor position that she holds in Lizzie’s eyes. I’d like to also point out that Frances completely trusts in her daughter’s abilities, which highlights a very positive mother/daughter dynamic.

Lizzie’s flashback gives us this very important bit...

...a part that’s unfortunately often overlooked by the fans complaining that Frances is too severe with our!Ciel and Lizzie. This scene however makes way more sense once we find out, after the Weston arc, that Frances lost her mother Claudia (the Watchdog before Vincent) when she was probably about 12 or 13 years old (Vincent being 15 years old then).

To me, this is a big explanation as to why Frances is as serious about training as she is:

Indeed, she lost at least her mom (and later her brother) so, since her daughter is betrothed to the future Watchdog, she wants Liz to be strong enough to survive. All I see in the former panel is a mother saddened by the burden on her child’s shoulder and desperate to imagine that she will be exposed to a lot of danger as an adult.

Side point there, but it’s likely there’s a very relevant reason Frances’ only daughter was betrothed to Vincent’s heir when they were young kids. We’ll dive into it later, but I believe the answer is tied to the Phantomhive lineage introduced in ch103.

Lastly, our!Ciel’s flashback also gave us another important bit to explore...

...which is that our!Ciel directly applies what Frances once told him to his current path for revenge:

Also note the allusion again to Vincent “losing the game”, creating a parallel with Frances telling our!Ciel in ch14 that “he still has a decade to go before he can even think of winning against her”, because he has a lot to learn from her, especially since even he admits that he knows next to nothing about his own family.

The previous spare teaching the spare. How fitting. :D

Weston arc

Even if Frances only appears in this arc during the cricket game, I think there is a lot to be deduced from it. First, I’ve said it long ago and I’ll say it again: I strongly believe Frances played a part into Vincent’s victory during the first blue miracle.

Mind you, Tanaka basically confirmed that Vincent cheated to win (since he knew what Seb and Ciel were up to) and I could totally see Vincent asking his strong little sister to crossdress in order to destroy the Green team. xDD Besides, she certainly seems uneasy whenever the topic is brought up and she also wasn’t fooled by Ciel’s act when he won, haha!

This is silly, but this shows (imo) that Frances and Vincent had a good sibling dynamic, with Frances supporting her brother as the Watchdog as much as she could, which is heartwarming because this means Frances would have no reason not to support her brother’s sons after his death.

Tanaka (who, according to Yana, was already in the household taking care of Vincent and Frances as children) and Frances happily dancing together at the end of the tournament also confirms this. Vincent and Frances having a strong sibling bond would also explain why, despite Claudia’s death, Frances would agree to the betrothal between Lizzie and Vincent’s heir (and would keep it that way, even after Vincent’s death).

All that to say, I’m sure the cricket game confirmed to Frances how similar our!Ciel is to Vincent on some aspects (the second blue miracle attests to that), which probably makes him somewhat predictable (and reassuring?) to her.

One thing that I also believe is important is Ed’s mini flashback during the game. On this topic, Yana has said that she couldn’t draw his backstory in detail, so she’ll probably expand on that in the future, which makes me think that there is some foreshadowing in there.

TBH I think it’s ironic that Ed would consider himself as “ordinary”, considering the whole lineage thing introduced one arc later. xDD But also, if we consider that the tale of Vincent’s first blue miracle is supposed to hint that Vincent and Frances were close as siblings, it’s nice that Ed, who takes after his mom the most, would also have his own flashback about loving and looking up to his sister a lot, despite his small inferiority complex. Considering that Liz sees their mom as her role model though, I guess that means Ed also sees his mom as a role model (though the Campania arc already made that pretty clear).

During the Weston arc, Frances also managed to surprise Sebastian, both by recognizing him (lol) and by stopping him despite his intent to leave, which is, according to the demon himself, no small feat:

Like the usual nagging she does towards Seb though, it’s played for laugh, but as introduced in this post, I believe overused comic relief is a way to foreshadow some hints and we’ll dive into it with the next arc.

Last but not least, during this arc UT commented that our!Ciel was different from his ancestors when he willingly put himself in danger to save Joanne...

...but as presented during the Campania arc, it seems it’s a trait he shares at least with his aunt, furthering the parallels between them and the fact that she would definitely make a good mentor for our!Ciel, because they’re quite alike and can probably understand each other.

Green Witch arc

The only relevant part of this arc with Frances’ character is the introduction of a special lineage in the Phantomhive family by German Shinigamis...

...something that might explain why our!Ciel was able to notice them, when even Seb didn’t. So this begs the question: who else in his family shares this lineage? And obviously, Frances and her kids might !

My personal opinion is that the lineage thing is old and is probably why the Phantomhive family became the Watchdogs, many generations ago. But also, if our!Ciel can notice Shinigamis thanks to it, could it explain why Frances was able to detect and catch Seb during opening ceremony before the cricket game at Weston? And why she always nags him about his appearance (both hair and face)? That remains to be confirmed, but...

...at the very least Bravat in the recent arc confirmed that some gifted people like himself can “sense” that demons are different. Just like animals [x][x], apparently. Bravat is irrelevant besides being a small scale villain though, so I take it as a hint for a more plot significant character, such as Frances, whose nagging behavior towards Seb is way too overused as comic relief anyway.

The lineage thing is yet one more family topic on which Frances probably has answers to give to our!Ciel (the only other people who might know about it being Tanaka and UT).

Bonus : if what Vincent said below about strong-willed women in the family line (from a side story “With Father”) is a hint towards the lineage thing...

...then it’s probably why Vincent wanted Lizzie to be betrothed to his heir in the first place and why Frances agreed.

Blue sect & blue revenge arcs

I already mentioned that Bravat’s innate ability to recognize Seb as a demon was a hint that other characters, like Frances, might be able to guess that Seb is a demon as well, so moving on to ch151 :

This chapter confirms that UT has known Frances since she was very young (which is a hint to the UT = Cedric theory of course), which also explains why, knowing about her strength, UT went on with the whole BD massacre on the Campania despite the presence of our!Ciel and the Midfords on board.

Also, while this chapter neither confirms nor denies if Frances knew about our!Ciel lying about his identity (like Tanaka and UT did), she didn’t show anger nor disbelief about the situation, just her incomprehension.

More than anything, this chapter strongly hints that our!Ciel will at some point seek his aunt for a talk before the final confrontation with UT and real!Ciel, because both are seeking answers to their different questions (our!Ciel needs to find out about UT & his grandmother and the lineage thing, while Frances will want to know what’s the deal between the twins). Speaking of which, a talk between Lizzie and Frances is probably also in order, before Lizzie can choose our!Ciel’s side again.

Lastly, ch151 hinted that Frances doesn’t fully believe that real!Ciel’s return is “natural”...

...and, i mean, why would she? She faced the Bizarre Dolls on the Campania and, for all we know, Edward told her how the Weston arc ended so ¯\_(ツ)_/¯ considering that UT has been involved every time, the Midfords probably aren’t far from connecting the dots about real!Ciel being already dead.

To sum up !

Outside of the narrative, Yana said that Frances was Lizzie’s role model and that Seb also wanted her to be the model our!Ciel should follow. And, in my opinion, the entire series so far (as I tried to present in this post) is slowly building up to that because :

our!Ciel and Frances are very similar: both the spares & both survived their parents’ and brothers’ death

both saved folks unrelated to them despite being Phantomhives, meaning that they are a bit alike and can understand each other

our!Ciel literally built his path of revenge following the advice Frances told him about how to counterattack an opponent

Again, to understand who targeted his family, our!Ciel needs to find out about his grandmother, about the lineage and about why his dad had to be killed amongst other things. The only people who can answer him are UT, Tanaka and Frances.

I believe UT and Tanaka are more connected to Claudia, but also both are by real!Ciel’s side for now, making them less accessible for a talk. This leaves Frances for the time being and, as Vincent’s sister and Claudia’s daughter, it seems appropriate that answers would be coming from her.

Also, in shonen series, usually the hero(es) have a mentor figure who will help them “unlock their potential” through training. Kuroshitsuji is not your usual shonen and I doubt our!Ciel can become better at fighting lmao, but Frances can certainly help him better appreciate the massive scale he’s bound to face when seeking his revenge. Especially if it all goes back to events from 3 generations ago and a worldbuilding full of supernatural elements, as well as a world war he doesn’t entirely comprehend yet.

Frances acting as a mentor/role model for her own kids also foreshadows that they’ll follow our!Ciel on his journey and, like him, they’ll definitely need her wisdom/knowledge to be able to reach the necessary level for survival by his side.

As to when all that is going to happen, well, I’d say Frances will probably take on a more active role in the plot when, to quote Seb in ch14, "[our!Ciel] will overconfidently believe that he cannot lose and that it will be necessary for him to carry himself with humility while striving for his goal". Because by then, "an adult who will be firm with him is what he'll need".

If that doesn’t foreshadow the current conflict between the twins, I don’t know what does. xD

Thanks for reading!! As always, let me know if I’ve forgotten anything !

#kuroshitsuji #frances midford #ciel phantomhive #sebastian michaelis #tanaka #undertaker #elizabeth midford #edward midford #2CT #vincent phantomhive #phantomhive dynamics #claudia phantomhive #yana toboso #kuroshitsuji theory #my analysis #as of:#kuro202

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arpmemething2 · 2 months

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Batman the Animated Series sentence starters

Send one for my muse’s reaction. Feel free to change pronouns as needed.

"All right, scum bucket, it's you, me, and thirty stories. You're gonna tell me exactly what I want to know."

"That's one way to remove a splinter."

"I have this natural immunity against poisons, toxins, the pain and suffering of others. Go figure."

"I failed you. I wish there were another way for me to say it. I cannot. I can only beg your forgiveness, and pray you hear me somehow, someplace... someplace where a warm hand waits for mine."

"Last time we met, you tried to throw me off a building."

"If you think I've been bad news before..."

"Old and infirm as you are, I'd trade a thousand of my frozen years for your worst day."

"What kind of a saboteur uses a six-thousand dollar Metronex to set a time bomb?"

"I never counted on being happy."

"A strong mind can fuel a frail body."

"I need a new car."

"There's no way you could have escaped from that explosion! How did you get out?"

"I'm gettin' too old for this."

"I suppose what they say is true: society is to blame. High society."

"Succumb to the fear!"

"Gee, it's amazing the things you find in people's glove compartments."

"Children and guns do not mix. Ever."

"I'm having a BAD DAY! I'm sick of people trying to shoot me, run me over or blow me up!"

"They're not stupid, and it's your party."

"Aren't they just the cutest family you've ever seen?"

"It's midnight darling, time to unmask."

"It's gonna be one of those nights."

"When you look too long into the abyss, the abyss looks back through you."

"If you're so smart, why aren't you rich?"

"You've got to admit there's something between us."

"There's always time to heal."

"I didn't realize you'd taken up listening to rock and roll."

"Choosing a weekend date?"

"I don't believe in fate."

"An entire city screaming in fear. I wonder if we'll be able to hear it."

"Some thought I'd gone mad. Others thought I always had been. And so they put me where they thought I belonged."

"Ask me no questions and I'll tell you no tales."

"This city would fall apart without you!"

"I love that trick but I can never make it work."

"Taking up video games, are we?"

"I hate it when he does that."

"You are strong... but not strong enough!"

"They don't make straight jackets like they used to. I should know."

"He's not samurai. He's NINJA. They're spies and assassins. Their only code is to get the job done."

"A pixel is worth a thousand words."

"I am vengeance! I am the night!!"

"And who says opera has to be boring?"

"He always knew how to make an exit."

"Hey! Do I hit your kids? Oh, actually I do..."

"Now boys, didn't your mommies teach you that's not the way to get a lady's attention?"

"Not the robot theory again."

"Freeze, maggots! You're all under arrest!"

"You said you'd never let me go home!"

"What was she before she went bonkers?"

"This used to be a beautiful street. Good people lived here once."

"'Tis better to have loved and lost, and made a small profit, than never to have loved at all!"

"Chance is everything. Whether you're born or not, whether you live or die, whether you're good or bad. It's all arbitrary."

"But you've forgotten the first rule of comedy: if you have to explain the joke... THEN IT ISN'T FUNNY!"

"I told you not to speak!"

"Coming through! Hot stuff!"

"The snow is beautiful, don't you think? Clean, uncompromising..."

"When the going gets tough, the tough go shopping."

"What a pleasant surprise. Though I should warn you - breaking and entering is against the law."

"This could cause a stampede to pork."

"You really know how to put the fun in funeral."

"You ought to put your toys away."

"Would not, could not... would not, could not... oh, could not join the dance."

"Home. I never thought that could sound so good."

"Then I'll see you in your nightmares!"

"As the Bard said, "the fault lies not in our stars, but in ourselves.""

"You know what I'd have given for a death scene like this. Too bad I won't get to read the notices."

"He's a little protective of all this. I think he likes bats better than people."

"All your power and money has bought you an empire of misery."

"Don't try this at home kids!"

"I feel ill."

"Well, that was fun! Now, who's for Chinese?"

"You're about to fall out of orbit."

"Why can't he ever stay dead?"

"They can bury me in the ground, as deep as they like. But I'll grow back. We always grow back. Don't we, baby?"

"All men have something to hide. The brighter the picture, the darker the negative."

"You thought I was just another bubble-headed blond bimbo! Well, the joke's on you, 'cause I'm not even a real blonde."

"When the wage slaves start acting like they own the place, it's time to pull the plug."

"I've been known to be foolish, but ain't nobody calls me a liar and goes to bed happy."

"Since you don't like my side-splitters, how 'bout a skull-splitter?"

"This is kidnapping, mister! Last time I checked, it was highly illegal!"

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agentnico · 2 months

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Dune: Part Two (2024) review

I’m fully aware that the Dune sequel has been hit by acclaim from both critics and audiences, and I shall share my own thoughts in due course, but also whilst presenting itself as a serious and sophisticated piece of artsy science fiction tackling challenging themes of religion and politics, from a marketing standpoint this film has been a major farcical meme. From the popcorn buckets shaped like suggestive sand worms (or more so accurately as deformed buttholes) to the viral TikTok video of an unnamed man riding a makeshift sand worm around a cinema lobby on his way to Arrakis, or more likely to one of the gazillion screenings of Dune: Part Two. But yes, absolutely mad bonkers advertising techniques, and not at all reflective of how seriously and straight faced the actual film plays. Anyway, let’s talk Duuuuuuuuuuuuuuuneee…..

Plot: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee.

Controversial opinion - I was not a fan of the first Dune. I thought it was all spectacle and no substance, and even then in regards to said spectacle, it was just sand. Lots of sand and bland dark visuals. I understand that the first movie acts as a massive exposition piece with lots of world building and introductions of all the characters and various political families and the spice trade and all that sweet jazz, but honestly it all felt so dragged out. Also a lot of narrative choices felt really immature and I did not buy it. In fact, the only memorable part for me was that female voice screaming on the music score every time something crazy happened, and my does that woman have some strong vocal pipe work! Like damn, her screams…. I really felt them!

Going into Dune: Part Two, I was very much of two mindsets. One was more so a feeling of obligation to watch it, as I wasted 3 hours of my life watching the first one that I felt I deserved some kind of closure for my efforts. The other being Denis Villeneuve. Aside from the first Dune, he’s a director that has constantly impressed me with his unique vision and style. Simply look at his past filmography! Prisoners. Enemy. Arrival. Sicario. All impressive pieces of genre filmmaking. Then there’s Blade Runner 2049, that took the classic Ridley Scott movie and managed to improve on it and become one of the most thrilling science fiction epics of the last decade. Also the trailers looked appropriately exciting, and it seemed like the second movie was actually gonna deal with some serious shit finally. Again, my problem with the first Dune wasn’t that it was slow. I mean, I can happily watch Paris, Texas any day of the week and be mesmerised by the empty yet beautiful takes of the American desert. It’s more-so that the first Dune felt aimless and messy. As for Dune: Part Two?

Well, if we’re going to use The Lord of the Rings terminology, and boy am I happy to refer to the dear-to-my-heart Middle Earth whenever I have the chance, then Dune: Part Two holds the scale of The Two Towers. I may not agree with all of it, and there are still some moments that drag, though The Two Towers is also guilty of that - I’m looking at you Treebeard! But overall this is one hell of a cinematic experience and achievement. Visually for one this is eye-candy. And yes, yet again there’s lots of sand, but this time around Villeneuve manages to find very creative ways to add/take away colour to make many sequences truly impressive. There’s an early scene where the Fremen are fighting Harkonnen goons in the desert and the entire thing is seeped in this blood orange palette, reminiscent of the Martian Chronicles, and then there’s the part where we are introduced to the Harkonnen home planet where the entire screen is drenched in hardcore intense black-and-white due to their sun only giving out white and black light, and instead of fireworks there are these watercolour stroked exploding in the sky, to of course the much talked about eye-dropping sand worm riding into battle scene that had the feel of the giant elephants appearing in The Return of the King, and yes that was another most delightful reference to Lord of the Rings! As I was saying though, the entire movie visually is certainly something to be in awe of.

Also Hans Zimmer’s score!! Of course the man’s a genius, having composed so many of cinema’s greatest musical compositions. I can recommend his Live in Prague performance! Hit after hit, and I find myself spinning it on my record player a good few times. Hans Zimmer’s Dune: Part Two soundtrack feels like a thunderously bombastic continuation and expansion of the first film’s more quiet and moody opener, and that shift in tone allows for some truly spectacular weaving of the composer’s thematic tapestry for Dune – with the finest new thread being the absolutely gorgeous love theme for Paul and Chani. A truly beautiful piece that echoes the heartbreaking tragic nature of the central romance of the film. Needless to say I’ve already pre-ordered the limited edition coloured vinyl of Dune 2’s soundtrack from Mutant (the new Mondo).

As for the narrative, as that is where I felt the first film faltered the most in my humble opinion (which I share so publicly online). I really do feel like the sequel is a major set up, for since the first one focused more on the endless word building and set-ups, this movie is all about the character developments. The scope is still big with the various political and religious elements that are tackled and explored throughout, however at the same time Dune: Part Two manages to feel more intimate compared to its predecessor, with the unravelling of the romance between Paul and Chani, but more so the inner struggles of Paul Atreides, as he tries to balance his emotions of revenge with the feeling of wanting to belong somewhere, as well as his denial of being called the so-called Messiah to the Fremen people. Look, the idea of the chosen one has been a concept that has been done over and over again, however I felt here they managed to really make it feel unique and different, with Paul choosing not to take this major responsibility due to visions of the future where he sees this choice result in darkness and dread, yet at the same time realising he has no choice but to follow his destiny and calling. It’s powerful stuff.

The cast list is stacked in this one. Timothee Chalamet is a rising star, having previously excelled his dramatic chops in Call Me by Your Name and his charismatic whimsy in last year’s Wonka, but this is by far his most impressive acting feat. You truly feel his character turning from boy to man, and it’s a real and raw performance. Zendaya shares great chemistry with him, but also in her own right gives a strong turn as a warrior Fremen conflicted with what she sees and thinks. Javier Bardem’s Stilgar adds a slice of surprising humour to the mix, being so obsessed with Paul being part of the prophecy that anything he’d do, Stilgar would find that to be part of what has been foretold. Paul Atreides could literally fart and Stilgar would observe in wonder proclaiming “as it was written”. There’s also a tiny No Country for Old Men reunion with Bardem being joined by Josh Brolin, who’s alright by the way, though it’s a typical Brolin brute role. Charlotte Rampling as the Reverend Mother continues being truly despicable and honestly that wench deserves to be put in her place - the movie’s ending is very satisfying in this regard. There’s also some newcomers to the Dune world too. Florence Pugh as the Princess reminded me a lot of Padme from Star Wars, and Christopher Walken I felt was tad miscast as the Emperor. Don’t get me wrong, Walken is a great actor, but his way of speech has been impersonated and overdone so many times that it is difficult to take him seriously in a role like this. Minus a couple of strong deliveries Walken felt really lazy here. You know who wasn’t lazy though? Austin Butler! This guy understood the assignment, playing the psychotic nutter Feyd-Rautha and he’s truly unrecognisable. Even his voice is different. Gone is Elvis and in cometh his Skarsgard impression! He’s brutal and maniacal and was honestly superb, and I wish there was more of him in this movie.

Again, it’s far from a perfect movie. There are parts still that drag, and certain times where things feel surprisingly rushed, but overall this is an experience through and through, and unlike my feelings after the first film, here I find myself really looking forward to the inevitable third part. In fact f*ck it, who am I kidding - this movie is bloody incredible!! Like I can’t even - it’s abso-fricking-lutely spectacular!! And by the way I read a bit about the Frank Herbert Dune books now and the future sequels are gonna be mad, just saying. Paul’s son becomes this half-man half-worm known as the God Emperor! Things are gonna get weird! Anyway, Dune: Part Two - go see it if you haven’t already. And in Austin Butler’s voice: “may thy knife chip and shatter”.

Overall score: 9/10

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