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#acclaim studios
davidhoangsworld · 1 year
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Vexx
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retrocgads · 5 months
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USA 1997
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zachfett · 16 days
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Turok 2: Seeds of Evil (2017, Nightdive Studios/ Iguana Entertainment)
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n64retro · 6 months
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Turok 3: Shadow of Oblivion Acclaim Studios Austin / Acclaim Nintendo 64 2000
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shinigami-striker · 6 months
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Crash Bandicoot: Warped | Friday, 11.03.2023
On this day in gaming, Crash Bandicoot: Warped was released on this date exactly 25 years ago on the original PlayStation console! Produced by both Sony Computer Entertainment and Universal Interactive Studios and developed by Naughty Dog, the 3rd game in the series introduces time travel to the game's plot, with the addition of playing as Crash's sister, Coco for the very first time. Not to mention that the game itself received critical acclaim for its solid improvements on its audio, gameplay, and graphics compared to the previous two predecessors.
P.S.: although Warped received several new sequels after it came out over the years, it was directly followed by Crash Bandicoot 4: It's About Time in 2020 as the official (and canon) sequel.
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He was my LI but sometimes I think PB should have followed through with Eli dying if MC takes the hard choice to shoot him. There was a lot of angst missing from WTD where the love interests are concerned, and it would actually make me want to replay
There was a lot of angst missing in general. All of the deaths were minor and the characters move on really quickly except for Brynn’s. Brynn’s death was the best death and the best angst we got, yet it still came with its own set of issues.
First, we lost Brynn way too soon in the story for her death to have any impact. It was sad that the main character’s sister died, sure, but we didn’t really know Brynn well enough to truly care.
Second, the final standoff with Brynn and the Queen against the main character was very poorly done. The writers didn’t seem to really know what to do with the scene and it was very evident while playing through it. The diamond flashback in the middle of the life-or-death standoff also didn’t help, as it interrupted the flow and progression and made things feel less tense.
And the Eli hard choice was so bad it was laughable. I think it was actually my least favorite hard choice in the book. It ultimately served no purpose whatsoever and didn’t add anything to the story in any way, because no matter what you choose, the outcome is the same. Eli survives his bite. They should have replaced that hard choice with something totally different.
Wake the Dead is the highest-stakes series in the entire app and yet we suffer no consequences if we do poorly throughout the book. The colony survives. The love interests survive. The forgettable side characters who had little to no development or screen time survive. The main character survives.
This book should have gone the route of It Lives, or maybe even The Heist: Monaco where if you fucked up, you’d pay the price for it. Leading by It Lives’s example, the love interests and main character should have died depending on different stats and choices made. Leading by The Heist: Monaco’s example, we should have gotten different endings: a good ending, a neutral ending, and a bad ending. Or, if PB didn’t want to go to the extra lengths of writing three endings, they could’ve just given us a good and bad ending.
The exaggeratedly saccharine and lackluster victory of the ending of Wake the Dead was unbefitting the zombie genre, as was the lack of emotional impact due to poorly-written and invincible characters.
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huyao · 3 months
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i should really watch white snake tho. the 3rd installment is coming out this year and the first movie has been on my ever growing list for years
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fourspiceblend · 1 year
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Rewatching the Hades 2 debut trailer and hearing the audience lose their shit just to feel something
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jjasportstudio · 2 years
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gamemories · 2 years
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davidhoangsworld · 1 year
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Vexx
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retrocgads · 8 months
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USA 1997
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numberxxisora · 11 days
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Last week, we went to the diamond to try out our first baseball demo.
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spielkritik · 4 months
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Im Schatten des Vergessens: Turok 3 und eine kurze Geschichte der Turok-Reihe
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wilwheaton · 9 months
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In 1960, SAG and WGA struck to force management to adapt to the new technology of television. Without that strike and the agreement it birthed, residual use payments would not exist.
My parents stole nearly all of my salary from my entire childhood. My Star Trek residuals were all I had, and they kept me afloat for two decades while I rebuilt my life. I have healthcare and a pension because of my union. The AMPTP billionaires want to take all that security away so they can give CEOs even more grotesque wealth at the expense of the people who make our industry run.
To give some sense of what is at stake: There are actors who star in massively successful, profitable, critically acclaimed shows that are all on streaming services. You see them all the time. They are famous, A-list celebrities. Nearly all of those actors don't earn enough to qualify for health insurance, because the studios forced them to accept a buyout for all their residuals (decade of reuse, at the least) that is less than I earned for one week on TNG. And I was the lowest paid cast member in 1988. They want to do this while studio profits and CEO compensation are at historic highs.
I mean, if not now, when? And I haven't even touched on AI and working conditions.
We must fight for the future of our industry in the face of changing technology, the same way our elders did in 1960. So today, my Spacemom and I went to the place where it started for us, way back when, to do just that.
I see all your support. It means so much. Thank you.
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sparrowlucero · 2 months
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The Last Airbender (2010) is better than the netflix adaptation because the art created by an unstoppable force (weird auteur director who's whole oeuvre is awkward, tongue in cheek horror movies) and an immovable object (studio execs desperately trying to crank out an inoffensive family fantasy movie to be their own bespoke harry potter) coming together to taxidermy the acclaimed 9.3/10 on IMDB source material into one of the most inscrutable films of all time is just inherently more worthwhile than a show that's primary goal is to meekly regurgitate the events of the original story in a roughly accurate and nostalgic way in the hopes that The Fans will think it's better than M Night Shyamalan
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