"what's the most important thing in life?"
Well, life itself. I have the feeling that if we say things like "health, love, money" etc, then... What if a person doesn't have good health? Or doesn't have love in their life? Or doesn't have any money? What message would be delivered to those people who doesn't have "the most important things in life"? Maybe that, if they don't have those, they're doing it wrong. That their life has less value. That your life is only worth it if you have those "most important things in life". And that's cruel and I think that can easily create feelings of shame, guilt and thoughts like "I must accomplish so many things in life to be worthy" and the like.
Life is the most important thing one has. Everybody deserve to live regardless of what things they have or have not. There shouldn't be conditions to live.
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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These little fuckers are round gobies. They are a freshwater goby that's invasive in Michigan, and they're in the nearby lake. They're distinct from the four native species due to their fused pelvic fins (middle pic) and a big black dot at the rear of their front dorsal fin. Though some other gobies have spots on their fins, NO Michigan-native species has a fused pelvic fin. These guys are very aggressive feeders and are very good at outcompeting native gobies.
They're also extremely good at stealing bait off big hooks as people on the docks reel in their lines. In particular, the bastard in the bottom photo stole my bait two days ago, so I caught him and filleted him for Bug.
Today, after acquiring smaller hooks, I went back and got 16 more, and educated several other fishers about their invasive nature. I got two turned over to me by others, and caught 14 more myself.
One man wandered over and asked why I was catching them on purpose. It was too much trouble to explain my feelings about invasive species, so I just told him, one of them stole my bait two days ago. He stopped watching my bobber and boggled at me and goes:
"You're doing this for revenge?"
So now there's some guy in town that thinks I am exacting revenge upon fish kind for a single stolen worm.
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"Kuina's death is ridiculous" yes! That's the point! You do realize that falling down the stairs is a way of showing Zoro how fragile human lives are, right? You are aware that the point of Kuina's character is the unfairness of the world towards women in comparison to the privileges men have, like living in itself and fulfilling their dreams, right? You know that Kuina's death is "ridiculous and dumb" because it's meant to show that even the strongest person Zoro knew could die from something so little, right? You understand that the value Zoro gives to life is fucking immense, right? Right?? You realize Zoro can't seek revenge because nobody took her away from him and now the only thing he can do is become the world's greatest swordsman to avenge her death, right? You get that Zoro's character is an atheist because he doesn't believe in anyone and he can only rely on himself when it comes to Kuina's sudden death, right? You are aware that sometimes people die in the simplest of ways and that doesn't make them weak because death doesn't discriminate, right? You know that all of these things are what make Zoro's character so interesting and important, right? Right??? You know, right?
Well, of course you fucking don't because if you knew you wouldn't be saying her death is ridiculous <3
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grian, etho, and cleo are just....
sometimes love is three damaged people knee deep in lifetimes worth of loss and grief, painting their walls green together. maybe love is those three people thinking over a dinner table, "you wouldn't die for me, and there's no greater solace than that."
love, actually, goes like this. let me look at all the damage you've done, both now and before, and let me raise you this: every wound you have inflicted, i too have exacted. all the havoc you have wreaked sits in a mirror with all the desolation i will soon impose. because if all six of our hands are stained bone-deep with blood, and there are no others to compare, doesn't that make them just hands?
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