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#abdellatif kechiche
beautifilms · 1 year
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Adèle Exarchopoulos in Blue is the Warmest Color (Abdellatif Kechiche, 2013)
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lucaf2019 · 6 months
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Festival di Cannes, 23 maggio 2013 - conferenza stampa del film "La vie d'Adèle "
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Adèle Exarchopoulos in La vie d'Adèle, Abdellatif Kechiche, 2013
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ulrichgebert · 4 months
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Wo wir gerade schon im 3-Stunden-Film-Modus waren, befassten wir uns gleich noch mit dem Leben von Adèle. Als Teenager mit etwas doofer Peergroup probiert sie es mal mit einem netten Jungen, interessiert sich aber mehr für die blauhaarige Kunststudentin Emma, mit der sie vielbeachteten lauten und ausgiebigen Sex hat, was für den Fokus der Filmbesprechungen nicht ganz ideal war, aber das ist natürlich auch nicht das Happy-Ende, sondern das Leben kommt ihnen dazwischen. Es ist ein großes Schauspiel-Fest und sehr bewegend, geht einem nach und entzieht sich jeder Beschreibung, weshalb ich jetzt aufhöre.
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moratoirenoir · 4 months
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sslimbo · 2 years
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movie-gate · 2 months
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Venere Nera (2010) Abdelatif Kechiche
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cieuxgris · 20 days
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Blue is the Warmest Colour (2013)
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sasa-chan · 6 months
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surprendslejour · 11 months
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La Graine et le mulet, 2007,  Abdellatif Kechiche
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60minutesin · 2 years
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Blue Is the Warmest Colour (Abdellatif Kechiche, 2013)
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beautifilms · 6 months
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Blue is the Warmest Color (2013) dir. Abdellatif Kechiche
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lucaf2019 · 9 months
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"La vie d'Adèle", 2013 - the first kiss
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La vie d'Adèle, Abdellatif Kechiche, 2013
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byneddiedingo · 1 year
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Adèle Exarchopoulos and Léa Seydoux in Blue Is the Warmest Color (Abdellatif Kechiche, 2013)
Cast: Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche, Aurélien Recoing,  Catherine Salée, Benjamin Siksou, Mona Walravens, Alma Jodorowsky, Jérémie Laheurte, Anne Loiret, Benoît Pilot. Screenplay: Abdellatif Kechiche, Ghalya Lacroix, based on a graphic novel by Jul Maroh. Cinematography: Sofian El Fani. Film editing: Sophie Brunet, Ghalya Lacroix, Albertin Lastera, Jean-Marie Lengelle, Camille Toubkis
Though it was cut down by its team of five editors from 800 hours worth of footage, it's still at least half an hour too long. And considering the controversies that have arisen since its release, including charges of abuse by the director of not only the lead actresses but also the crew, the sex scenes inevitably have something exploitative about them. But Blue Is the Warmest Color remains exceptional in large part because it's one of the most intimate portraits of a human relationship on film. The jury at Cannes was right in citing not only the director but also the two actresses, Adèle Exarchopoulos and Léa Seydoux, when it gave the film the Palme D'Or. Exarchopoulos in particular demonstrates a rare courage, not for exposing her body but for allowing the rawness of her emotions to show forth. There are moments when her character, Adèle (Kechiche changed the character's name from "Clémentine" when he cast her), becomes almost pitiable in her helpless infatuation with Seydoux's Emma, Exarchapoulos's fresh beauty becoming disfigured in her portrayal of Adèle's suffering at the inability to make the kind of fusion she desires with Emma. It's a fable about the limitations of love that transcends sexual orientation. The film's NC-17 rating once again demonstrates the wrong-headedness of the American ratings board's approach to sexuality, as opposed to its blithe acceptance of any extreme of violence in film.
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moratoirenoir · 4 months
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