Please note I am going for comedy here:
You know the Triumverate could have easily gotten Apollo in their clutches if Nero and Caligula just looked at Commodus and convinced him to be the slightest bit nice to Apollo.
Have him show up, beat up whatever monsters are there in a very obviously staged way, present Apollo with a bouquet of flowers, and compliment something about the Lester form he's insecure about. Then ask him out on a date.
Everyone would know this was a trap, even Apollo. Apollo would still walk right into it anyway because "omg Commodus likes my frizzy curls? /Giggles, twirls hair, kicks feet"
637 notes
·
View notes
Käärijä and Erika reacting to Windows95Man winning UMK:
1:
E: AMAZING WINDOWS MÄN
K: windows is a new legend
2:
E: I DIED WHEN THE SHORTS CAME FROM THE CEILING
3:
Q: How does Käärijä like the winner?
K: downright loving it! but i am from vantaa
4:
Q: opinion on windows?
K: i am honestly feeling it! the circus at the end was the cherry on top. Probably not for everyone but it fits/strikes my silly sense of humor
136 notes
·
View notes
Resurrection AU: Void
In this AU, Void has been reincarnated as a little white puffball. He has no memory of his life before he was sealed away by the Heroes of Yore.
His main goal is to figure out who he actually was in his previous life. Aiding in this effort is Magolor, who's agreed to help in exchange for some assistance with his theme park work. He happens to be working on an ancient history-themed area, and could use a hand in the research process.
Personality-wise, Void is driven and has a no-nonsense attitude. He's not super thrilled about all this silly wizard theme park nonsense, but will do what it takes to get what he wants. He has a tendency to overwork himself. He doesn't seem to have retained any powers from his time as Void Termina.
(AU explanation here!)
142 notes
·
View notes
I feel like Japanese BLs use place and space and landscape differently. Perhaps it’s as simple as the fact that Japanese architecture and plant life looks different from Thai, Korean or Taiwanese architecture and plant life. Perhaps it’s just that the Japanese industry generally has higher budgets and more experienced/skilled people behind the camera, which creates a certain look. But there’s something about the use of space, either expansive and wide open, or closed-in and intimate that’s… I don’t know what it is, but it feels like it’s something.
This was brought on in part by watching Eternal Yesterday and then watching @iguessitsjustme’s HiraKoyoi video (which almost made me cry this time, now that I’m primed to). And they got thinking about the way there’s a certain… almost desolate emptiness? that’s not the right feeling. perhaps just… openness, realness, slight wildness… to the landscape in this trio of small town high school BL I’ve watched recently, the two above plus Takara-kun to Amagi-kun. Even Kabe Koji somehow felt that way when they returned to their hometown. Is that just what all small towns look like in Japan? (Are they even set in small towns?) Or are these locations deliberate choices.
And even in city settings there’s a certain way that buildings and spaces are shot, inside and out. But I don’t know enough about filmmaking techniques to say what it is.
If anyone else has any thoughts on this I’d love to hear them. I’ve never been to any of these countries and haven’t watched all that much other media from there, outside of BLs, so I have little context, just vague feelings.
868 notes
·
View notes
Ya know what’s curious to me? In Episode 2 when Crowley asks Aziraphale in the cellar whose side he’s on, Aziraphale responds “God’s, of course!”
Ya know why this is curious?
Well, for one, they’re talking about sides. Heaven and Hell. Their respective bosses. Crowley’s response of going along with Hell as far as he can makes sense, it’s what we expect to hear, but when he turns the question on Aziraphale, he doesn’t exclaim ‘heaven’s obviously!’ He immediately associates himself and his values with God directly.
Second of all, In episode 6, when talking about accepting the Metatron’s job offer as the new supreme archangel with Crowley, Aziraphale says “but heaven! Well, it’s the side of truth, of light, of good.”
For the entirety of Good Omens season 1, Aziraphale had always talked about following God’s ineffable plan, which was a noticeably different turn of phrase than those such as Gabriel used in heaven, always referring to it as the Great Plan. This is even the very thing that lead them to wiggling their way around Armageddon in the first place when confronted by Gabriel and Beelzebub.
Aziraphale has always made the distinction that he is an angel and does good because he believes that God is good and he trusts in their design.
Now I might just be loosing it, it is nearly 3am, but this sudden distinction and the choice of Aziraphale to not only discuss heaven in such a manner, but to refer to it as an entire Side, and use the adjectives he uses to describe heaven when we’ve only ever seen or heard him talk about God this way… it just all plays very intentional to me. It feel’s weird.
Especially once you take into consideration the flashbacks we’re shown of Beelzebub and Gabriel discussing the failed Armageddon in their little pub rendezvous. They never once mention their respect ‘boss’. Gabriel says “we are ready for round two.” And Beelzebub’s response is “as are we.” This we that they’re referring to isn’t God. It’s not Satan. They’re talking about the beings who reside in these respective places. The Angels and the Demons. And the conversation then continues with Gabriel admitting, “everyone in Heaven is all like, ‘Well, you’re the commander-in-chief, can’t you just make the war happen anyway?’ Like, I make the rules.” And whats Beelzebub’s response? “That’s exactly what my lot said.”
The pressure isn’t coming from God anymore. In the past, like seen in the Job episode, when there were divine tasks at hand they were dealt with by the angels for God, and God was directly involved in finding the outcome. There was no going through management or filing paperwork or monitoring miracles. And hey, I get it. As time evolves along with the humans, so does everything else.
My question is, is it possible that with these evolutions in the human world, that Heaven and Hell have perhaps learned a thing or two from humanity as well? Already they’ve mimicked the clothing, the office spaces, the entire design of heaven and hell down to the management hierarchy. Is it possible that these wars and these fights aren’t being started by God anymore, but an act of civil war amongst the Angels and Demons? We already see Michaels urge for power and control paralleled and almost foiled by Shax’s drive for control and power and both were the driving factors between any of the Major problems this season that lead to major conflicts between Heaven and Hell.
That brings us of course, to the Metatron. Who is he and where exactly did he come from? When did his position become necessary and why wasn’t he present as the ‘voice of god’ in the job minisode? Why suddenly are all of God’s plans, only being carried out by him?
Do you want to know why I think Gabriel was being demoted and not sent to Hell as a fallen angel? Because I don’t think they can. I think that’s something only God can do, but what kind of fear and control would that hold over all the busy bee’s? No, no, instead, let’s frame it as a Kindness. Heaven won’t cast you out because it will make them look bad! because it’s happened before, so they have no choice but to play a game of politics to keep everyone in check.
But here’s my question. Has there been a fallen angel since the great war? Why is it that after all this time, Aziraphale hasn’t fallen time and time again? Why is it that instead of an Angel falling from grace to join the armies of hell, the response to an act of rebellion is absolute destruction. The same could be said for hell. If you have demons walking around that are doing good, wouldn’t that simply just re-spark their halo’s? Why is it that they’d be destroyed by Holy Water instead of simply returning to Heaven?
It’s because God plays an ineffable game of their own design. They’re not playing with earth, or humanity. They’re toying with the Angels and the Demons. It’s why they’re placing bets with Satan.
When Crowley’s attempting to convince Aziraphale to run away for the last time, he doesn’t say Fuck God and Fuck whatever game this is, we don’t need to be a part of it. He says Heaven and Hell are toxic we need to get away from them.
It’s just so curious to me how this season has carefully and slowly taken us away from the idea of God and God’s Ineffable Plan and instead led us into this drama between Heaven and Hell, no mention of God whatsoever. No narrator.
258 notes
·
View notes