#a lot of this applies to fic writers too and how we expect things from fandom and fandom-adjacent creators

[kiyokatokito]

Appreciation post for your friends?

♡Appreciation post🍃

Hello everyone, this task has been sitting inbox for weeks now😮‍💨 yes I've been on and off with Tumblr, but anyway, it is time to appreciate the people/mutual who became and admitted me as their friend, I'm grateful for almost everyone who has been so o generous to me their kind of way, it is very genuine, to me, I'm fortunate to meet these people.🤧

To the people who are very dear to me❤️♡

@ta-ni-ya Niya, 😩 gurl, the first stages of our friendship were mutual, I never thought or expected that we could come to this very close friendship, because of Sanemi and Muichiro we have become more than just mutual, ( now we are besties I may say😌) the day started talking non-stop, always makes me feel better and motivated to write, your art inspires me so much! And it feels so unreal to have someone draw for my ship! Still! It feels bad asking for it yk! But I love your art style! and everything about your blog hehe! Seeing any notification, from you makes me smile, I LOVE YOU SO MUCH! I can't explain it in words properly! And I'm very grateful for the friendship we created, it's more than I could ask for, 😩✨ we are made for each other, (even though sometimes I'm stupid you know what kind of stupid hahaha) I Ju-😩🤌but anyway, please always remember I'm here for you and ready to listen, all of your rants, yapps whatever topic you wish to talk about I'm all ears or eyes lmao, and also! Don't look down at your art, and be always proud of what you do or have done,(this also applies to all) because no one is perfect but at least you are doing your best, and it makes you happy, and I'm very happy if you are!❤️♥️ this is not enough to express my words for you Niya! We click right away I swear! And I hope we stay together, even if we are apart from each other, let's go! Create some more Aus in the future!

@colourstreakgryffin The very first person who approached me directly and role-played with me, I will ever and never forget the day you messaged me first. Love, I am ever grateful for your kindness and with me and everyone with whom you interact too, I love you the way are you right now, even though you changed fandoms, I'm still here to listen to every yap you would share with me HAHA! I love you! There are a lot more words for how much I appreciate you, Love, AND THANK YOU SO MUCH FOR EVERYTHING YOU DID FOR ME🤧 because of you Muikiyo is created too!😤🤧❤️

@unofficialmuilover ❤️And ate! The one who always guided me and also helped with things, I enjoy talking and having her share her days at work with me you know -🤭I just miss you very much! I'm very fortunate to have you as a mutual/ Friend, she also approached me first I'm very touched😩❤️♡♡, and your writing style, always touches the core of my heart!😩♡

To the Moots I always interact with, and they're generous, kind, and friendly:

@larz-barz is The very first person I've sent a MuiKiyo fanfic request to and at that time I didn't have any prompt, not even a background story for my oc, but still did my request. And up until now, the story made up for them lives in me, yes, she perfectly wrote their dynamic and I can't forget it😩 she is also the first person whom I requested to draw my ship, other than that she is really a kind and sweet person! I love her genuinely. (I love TanjiMilo)❤️♡

@kimetsu-chan The second person whom I requested Muikiyo fic and I really loved the way she wrote them😩, an amazing writer and artist too!❤️♡🥹(GiyuYuna is so cute!❤️🤭♡)

@slayfics She is my favorite Fanfic writer, not only her fics, but she is amazing, I love her confidence, and on my knees for the way she writes, ( I always reread her fiction, especially the Mui ones ofc! And I'm gonna be honest even tho I'm not part of the MHA fandom, her fics about them are irresistible!❤️, I'm a simp for your ship! Too🫣🤭♥️

@silliestsakura I really love her art style! It's so pretty and aesthetic too! I requested her once and also made art, especially for my OC as I appreciate, I cannot forget that it means a lot to me😩✨

@tokito-dulya20 dulya She also drew Kiyoka too, I requested her, and she is really nice to interact with!

@shycroissanti IMAA eat her art! 😩🤌 she draws really good, and her comics are fun to read!

@aceofstars0 they are very talented I just know it! And also draws really good!😩

@tinyperson00 The MUIKIYO comic she made for me!🛐 🛐🛐 I can't move on from that, all the ocs you created! I LOVE THEM!❤️😤

@lonesomelad PLEASE HER ART ARGRHENEND is so talented!‼️‼️‼️ Ima eat it up ( I miss her so much )

@chiharuhashibira Ateee! She is really fun to talk to, I've read some of her fics! it's really amazing, I wish I could write like you, @unofficialmuilover, and @slay literally, I won't get bored reading ur fiction, 😩🤌❤️💗

@aeolia DAMN LIKE SHE ALSO WRITES SO GOOD AND I FREAKING MISS HER! her stories are so hot!🔥 (I always reread your fictions yk!)😩♥️we are Mui simps HEHE🫣🤭

@giyubabe lI LOVE UR ART WMSMSMSJSJS would please let me eat it too?🫣🤌✨

@axolotl321 The artwork you do for us! Is very cute! I'm very touched by how try to include every oc we have!🤌🥹❤️ you are very kind!

@ashr0 t's ILEGAL TO WRITE THAT SO GOOD PLEASE AKDMDNNNANSDB IMAA DEVOUR UR FIC ALWAYS!😤😩🤌

@rion-isnot-an-ai your art is really good too, and I love it ship too♡♥️

@mrs-k0zume GURL I love you! Even your fiction and arts are so amazing eh✨😤 !❤️you re very friendly too♡✨

@gyutarowritings ❤️ please I am so lucky to find you yet another amazing writer! I hope to see some more fiction soon!

To the moots I appreciate so much they are great artist and writers too! Y alls inspire me so much!😩✨

@dreamcorechild ♥️

@frosty-lycanthropy❤️

@littlespring8 ❤️

@frostburn-shoto

@boo-simplified❤️Your art is amazing! I love how color them too!🤭♡

@ryn-loves-cheese ❤️ Baee! Your art is amazing!♡

@bottlecapsandotherthings ❤️

@ayunakatsukiwolfhashira ❤️i love your writings! It's one of i look up to!🥹💗

@missshinazugawa ❤️hihi I love your ship and art style too

@knyinfinity ❤️HEY new oc x Muichiro ship! I'm so happy to find another one again!

@local-giyuu-simp ❤️

@misty-sees-you and yes another Oc Muichiro ship I'm loving this 🤭♡♥️

@night-mince0 The art and videos you make are so swt I appreciate your efforts for us and your moots❤️❤️

@cloudymistedskies like I said before your art gives me healing vibes! Ima eat Marimui- /j

Joining tumblr has really changed my life! You are all inspiring! ♡♥️ Im very lucky to meet you all! Ily!❤️♡♥️please if I forgot someone, forgive me! I will add you so tell me!✨♡

#appreaciation post

[dipplinduo]

I love your writing style so much!! Do you have any tips for new fic writers?

Awww, thank you so much!! <3

I feel like there's a ton of things I could say, but I'll boil down what has helped me most to keep in mind, and I'll throw in some examples from the fic to better illustrate what I'm trying to say:

Remember that you're essentially helping the reader paint an image in their head - especially with action and scenery. If you have something specific you want to convey, assume your reader has no idea what the image in your head is and put that detail in. I do that a lot with Kieran/Juliana physical interactions.

If you're writing in a character's POV, remember that you're writing in their perspective. Their perceptions and thoughts are going to be limited and colored by their own judgement (all narrators are unreliable in their own ways!!) Sometimes another way to bring a deeper connection to your character's POV is to describe things the audience already knows if it's new to the character (e.g. a recent example I have done of this in S&S D is by spending time describing Chargestone Cavern. I know the readers are familiar with it, but it was Juliana's first time experiencing it. It also showed how beaten down she was from her sickness because her scenery utterly floored her once she did register where she was. Meanwhile, Kieran is unfazed since it's more of a familiar environment & he's more numb to what's around him in general, so we don't get any of that romanticized language or much acknowledgement about the scenery at all from his POV.)

On a similar note in the unreliable narrator category: if there's something you want to convey to the audience only from a character's limited POV, make the detail suggestive enough for the character to note, but not suggestive enough to the character for them to give it much thought (i.e., maybe it happened to quickly, maybe the character doesn't know something important that is already established, maybe the character makes an incorrect judgement call, etc.) Recent examples I've done of this include Drayton kicking Crispin under the table to go along with his setup of getting Juliana to call Kieran "Kiki" (Juliana was somewhat skeptical, but didn't give it too much thought) and the end scene of Chapter 6 when Kieran encountered Ms. Briar (since Kieran was literally compromised, we only get the snippets he was mentally present for. Kieran has already been established as having a debatable visual perception given what's going on with him, and the specific detail about Ms. Briar not being around when he awoke on a Saturday in an empty office hallway was deliberately designed to rile up the audience and call for speculation. Was she really there, and left? Was she never there at all? Giving your readers the chance to theorize and make sense of breadcrumbs can give your fic more momentum and make it more enticing. Your audience will have a reason to want to continue to the next chapter because they want to know what happens! And this can also apply to fluff, btw.)

On a related, personal bias and perhaps somewhat diabolical note: I also think some of the best storytelling is a bit of a give and take. Give your audiences the expected satisfying wins at times, but also don't be afraid to cop them out and take them somewhere else than they're expecting to make a stronger or more impactful point. I love doing this (sorry not sorry ;D) - whether to make a moment more cute than you'd expect or to pull at heartstrings and create more emotional investment for a character (e.g. there was a reason we got the Kieran/Sweet Applin moment right before...welp, rather than at any other part of thus far). Mostly because I think it's a more fun emotional journey as a reader!

If your character is experiencing an emotion, don't just tell the reader that they are. Describe how that emotion manifests in them to the degree of its intensity, and remember that emotional experiences are often somatic and can look different from character to character. One technique I use to further emphasize this is to use certain diction depending on the narrator (i.e. the language used to depict Kieran's experiences of embarrassment has some differences compared to how Juliana's is described when she feels it; that being said there is deliberate overlap I put in from time to time in the way they think to show some of their likeness.)

Make sure you're having fun and writing things you're feeling passionate about! I, for one, have enjoyed doing this via interactions with readers & the community. Receiving feedback and hearing about what my audience is thinking is very helpful in both constructive and brainstorming kind of ways, and some of my favorite moments have been built around learning more about my audience/having a sense of what should be improved or expanded on. That being said, it's also important to stick to what you know you want to stick to if it's something you're confident about - even if it's different than what people might be expecting or hoping for. At the end of the day you are the writer and this is your story. You always get the final say-so. I also tend to keep this integrity in tack by limiting my awareness of what other fic writers are doing with related ideas so I don't feel unconsciously influenced in any way when I'm actively writing (I very much dislike doing this, but feel it helps me).

Wishing you the best luck in writing!! And happy to talk one on one, too. I'm no expert by any means - writing is more of a hobby and this is just some things I've learned along the way. I always appreciate learning from others too and I guarantee you that you have your own natural instincts that will be great insight for me and many others!!! <3

#asks #my fics #this was an awesome question

[not-poignant]

hey pia! i love your work, hi!!! im a young writer interested in posting some of my big projects online (not that i really expect them to get any traction lol). i was wondering how you protect your work from plagiarism, or how you deal with people plagiarizing your work. it seems like the internet is kind of the wild west, and that’s only sometimes a good thing :/ im probably a bit too poor to afford any sort of copyright or whatever online authors do, but maybe i can save up? 🙏🙏

PS - i didn’t actually care whether or not this ask was anonymous, but from my experience on tumblr it seems like an unspoken rule🤨 so i guess i’ll turn it on🫡

Hi anon!

Tbh the only real difference between anon and attaching your name is that I have the choice to reply to you privately if you send an ask under your name (which is sometimes preferrable if the question is personal or really niche!) and that gives me more options. Anon forces me to only answer publicly (which is probably why you're seeing that so much!!), but the downside is that sometimes I have to delete anon messages when I don't want the responses or even the ask/s on my public blog.

Anyway! This is something I'd respond to publicly anyway, because I think this is a fear a lot of new and young writers have. The tl;dr is that copyright is often assumed on the internet, provenance makes it easy to send DMCA takedowns, and letting a fear of piracy stop you from putting your work up is one of the biggest ways I see new authors handicap themselves on the web currently (idk if it's confirmation bias or what but it seems like I see this several times each month atm from specifically new authors), and it's like...not a thing...to be hampering yourself with.

Okay, now for the longer explanation:

The first thing with copyright is that it by and large depends on your country and what you want to do with the story. In Australia, every created work by default has legal copyright protection simply by being created by someone. We don't need to pay to apply for copyright on creative works, we automatically have it and if we can prove provenance (i.e. if we can demonstrate we created it first, with like a document date etc.) we are legally protected.

So I can't answer for the country you're in, anon, but honestly, this is how it works on most of the internet where you're likely to put a project online. AO3 will respect that a work is yours if it gets stolen, if you can prove you came up with it or published it before another person did (literally all you need is a screenshot or a link). In the Properties or Details of most of your documents, the 'date created' is your best friend.

I've had my work stolen quite a few times over the years. It's been stolen the most from AO3 over to Wattpad (it's almost like Wattpad authors don't realise that sometimes we look lol).

In one case, blanket commenting on one of the fics that the original fic was on AO3 *and complete and not stolen* was enough for the author themselves to take it down. x.x Otherwise what you generally do is send a DMCA takedown notice, which almost all creative sites give you access to when reporting theft (your readers cannot do this for you, you must do it.)

Similarly, on AO3, if this happens, you can just report it. The big downside here is that it can take the volunteers there some time - sometimes up to two weeks or more - to get on top of that, so it might feel like nothing at all is happening. Patience is recommended.

Look, theft happens, you can't avoid it. It is a normal part of putting your work out there in the world. And I can't tell you how many new authors I know who kind of shoot themselves in the foot trying to prevent the acts of thieves, while not realising they're hampering themselves in the process.

Pirating is the worst, but so is never putting your work out there, or waiting for a magical protection from piracy. It doesn't exist - and there's a general rule where the more steps you introduce to stop or reduce piracy, the more you actually alienate your general readers - think about how having right-click disabled on a website can feel, for example. It's considered hostile internet architecture that is often very inaccessible.

(There's also a phenomenon where the authors most scared of theft are the ones least likely to encounter it, because their works are new, and they'll need a lot of time to build up readers and engagement in the first place. Most of the time, those who plagiarise don't want to take the works of new/young authors over the works of experienced authors who just won't think to check the sites they're using. By the time you're popular enough for that to be an issue, you'll probably have more confidence in yourself and your ability to handle this. I will say theft of ebooks on sites like Amazon etc. is way more common than theft of original stories and fanfics on AO3, but both happen more often than they used to, that's just...sadly a part of life.)

Also, applying for copyright doesn't mean your work won't get stolen. You'll still have to send DMCA takedowns, and you'll still have to get in contact with websites. A lot of the time websites have a form you can fill out. You still have to do all that labour and pay to register copyright. The filing of copyright is sadly not a magical shield against theft of a creative work. It does make it easier to take someone to court, but that's expensive, often not worth it, and the labour someone can spend chasing down thieves is often better spent amongst the readers who actually give a shit (they're the ones who often notice the theft in the first place when it comes to serials).

If you plan on publishing ebooks, there's software and organisations you can pay a monthly fee to, who just exist to issue takedown notices to piracy sites so you don't have to. I've never used these personally, but from what I've read on Facebook writing groups, they're often not worth it compared to the past, because new sites spring up all the time. But different authors have different experiences with online theft (and different levels of income to combat it) so you'll hear different things on that front.

I'm...pretty zen about it. To me, it's only a worry when I have to send someone a notice about it, which I don't actually have to do all that often. Like, it sucks, but almost always it never happens as much as a new author like yourself fears it will. That doesn't mean you won't hate it when it happens, but you'll live, and your works will keep finding readers, and it won't be what you're likely imagining it will be. It's for most authors, just an occasional giant pain in the ass that we forget about a day or two later sdakfjdsa

#asks and answers #pia on writing #pia on publishing #it depends on what path you're taking #ebooks are more prone to it than serials or subscription-locked works #but as a result there's also more protections available for ebook authors #there's less protections for someone like me #except i can prove provenance #and i can be like 'hey i put this up 10 years ago and this person published it today so can you do something about it please' #and sites do because legally they have to #though some drag their feet sdlfkjas #but anyway yeah i'm very 'eh whatever it happens' #some authors will take it very seriously #but i am...more interested in my writing and my relationship to my actual readers #then the actions of people who aren't giving me a hard time #until they *actually* give me a hard time #and then i have things i can do y'know #maybe i'm too flippant but being too anxious about theft #seems like a one-way ticket to not putting yourself out there

[ashalsdream]

GW2 Commander Zine qna

SO I’ve got a lot of questions already, I will be adding to this as I get more but thought I’d answer them as there are some repeat questions! 

What if I don’t have a commander character?

That’s completely okay! As long as you’re drawing an oc FROM guild wars 2, that’s acceptable too and you’re still welcome to apply! It can be your main, your favourite oc etc! as long as they’re from gw2! 

-

I’ve never been in a zine before, what is expected of me?

Firstly, I’m honoured you’d want to join this as your first zine! Secondly, for artists it will be a fully illustrated piece (Full shaded, full colour full body. it is up to you whether it includes just your oc or other ocs!). For writers it will be a fic of at least 3k words! It will need to have a beginning, middle and end - open ended fics are allowed! For other contributors it will be discussed with the individual 

-

Would there be a sought-after style for artists? What would that selection process look like?

there is not a specific style - as long as its a full illustration in your style, it counts! 

For the selection process, I’m aiming to have 5 moderators at minimum and each of us will vote on each application. Creators will be judged on multiple categories:  Can they complete this piece in time? Do they have completed examples that we can work with? Which race are they looking to create for/how many of this race do we have already? For each race I would like to have an equal amount of creators for all 5 - of course this will be up to how many apply but I want it to be equal and one race not favoured above the other! 

-

Will there be a central place for contributors to discuss, share ideas, and the like?

Yes! there will be a discord server

-

Estimated timeline?

at the current moment this is still to be decided! Mod applications will be opening next month, 3 weeks after will be contributor applications that will stay open for a month! Our final release date for the zine is aiming for valentine’s day

-

Will submissions be popularity-based like in other zines?

Absolutely not! Everyone will be given a fair chance and be judged on what they can create NOT their popularity - if you can show you can complete a piece for the zine in time for the deadline, you’re in! And for those that don’t get in, if it does well I’d love to do a volume 2 and you’d get first chance if you wanted in! 

-

I would be worried about the commanders being skewed in favor of one or two races over the others.

As I said above, this WILL NOT happen. I will be looking to have an equal amount for each race! This will depend on how many people apply and for what race they’d like to create for but I will be aiming for a balance between all 5! 

-

if anything is available physically, do you already have an idea how to manage production in a way that would keep shipping costs prices within acceptable range for everyone? (if production happens in the us shipping to europe is often far too expensive, that kind of thing)

-

In truth? No. I don’t. I will say I am from the UK so it will be shipping from the UK. However, If i don’t get a merch moderator to help me with things like this and is more experienced than I am,  it will be a digital only zine as I don’t want to make a promise that I can do this when I personally know I cannot. I have made merchandise in the past but with a project at this scale I don’t want to make a promise when I can’t guarantee it. 

-

What are the mods level of experience with running a zine and what will be the primary method of communication between mods and participants

Currently we don’t have a mods so I can’t fully answer this for when the mods are chosen however as the host: I have been a moderator for zines in the past & been a contributor for over 5 of them as well! The primary method of communication will be through discord. Acceptance/rejection letters will be through email! 

-

Are short comics (2-4 pages, or 1-2 spreads) allowed?

Absolutely! I’d love to see some comics! Go wild :D

#gw2 zine #commander of your heart

[mammameesh]

Weekend Wip Game

thank you @jesuisici33

Rules: List your WIPs below (if you only write one fic at a time, feel free to include future WIPs/ideas!) then answer the following questions. Then, tag as many people as you have WIPs (or more)

Without a 2nd thought Fantasy Island By the Seashore Drabbles - Halloween Knotted Frozen Over

Which of your WIPs is currently the longest?

Without a 2nd thought (Schitt's Creek) (63,283 words)

Which WIP do you expect will end up the longest? I think Seashore will be?

Which WIP is your favourite to write/the most enjoyable to write? Why? Seashore

Which WIP do you find the most intimidating to write? Why? Fantasy Island. Um…plotting? I've started it several times.

Which WIP do you experience the most self-doubt about? Why? Fantasy Island. I've never written Magical Realism before. It starts as a rare ship.

Which of your WIPs will you seek out a beta/sensitivity reader for? Why? A-noble dragon is reading Seashore and has hopefully agreed to help me by betaing noted. I don't typically use a beta because I have a lot of self-doubt. If you are reading this, you can apply and just cheerlead (also I'm dyslexic so I do have issues with grammar and staying in the same tense)

Have any of your WIPs been struck by the curse of writer's block? Without a 2nd thought :(

Which WIP has your favourite OC? Tell us about them? Rose Hockley/Alex Hill from Without a 2nd thought. Barely OCs.

Which WIP is the sexiest? Knotted is ABO so….

Which WIP is the angstiest? Probably Fantasy Island?

Which WIP has the best characterisation (in your humble opinion)?

I'm so in love with my Autistic!David. His personality is quite different from canon David, but I've tried to balance canon traits so he's not too out of character.

Which WIP has the best scene setting (in your humble opinion)? I think Seashore since It's not in Schitt's Creek?

Which WIP have you worked the hardest on? Probably Without a 2nd thought since it's the longest?

Which WIP do you have the highest expectations for? Why? I don't know what this means! My Seashore is fairly popular?

Do you dream about any of your WIPs? Yes. All the time. Every night…

Do any of your WIPs have particular complexities that your other fics don't? I'm going to say Seashore because David is Autistic.

Which WIP is the funniest or has the most humour? maybe my drabbles IDK

Do any of your WIPs contain outside POVs or a deep dive on a character other than the main ship? How are you finding that process? Without a 2nd thought has Stevie and Alexis POV but they are the minor ship. Fantasy Island it's going to be David's POV, Stevie's POV and Patrick's so far…

Tell us one thing we don't know about one or more of your WIPs How am I supposed to know what you do or don't know?

@a-noble-dragon, @ramonaflow no pressure tags.

#wip weekend game

[dbh-bb]

Information on the DBH BB Writer Summary Submissions

Hey writers — We’ve gotten some questions about what you’re expected to submit for your summary (and I know a lot of you are going feral about being able to submit), so we want to provide some reassuring information about what you should provide and how to provide it so that you don’t stress out too much! This message will be pinned in the discord for reference, and this information will be posted on our Tumblr as well.

The most important thing we can tell you is that this information is really for the artists alone. The mods aren’t going to, like, check your final work against what you submitted here and be like HEY YOU CHANGED YOUR TAGS. We don’t have time for that and are tooooooo old anyway. Stories evolve as we write them, and you may end up adding cool stuff your artist suggests if you like collaboration like that. Nothing in this form is set in stone!

PAGE ONE: Your Information

This is the easy part. We ask for your email (required) and then for your tumblr / AO3 / Discord if you have them. This is to make our lives easier, and will only be seen by the mods. We’ll only be sharing your email with the artist(s) you’re matched with, too.

PAGE TWO: Your Fic!

Title: This doesn’t have to be the final title of your fic! If you don’t have one, feel free to be as silly as you need! Anything like “Air Force AU” or even like “Markus Learns He Likes Dogs” will work; it’s just meant to be a working title or a funny phrase. No stress if you don’t have one. Slap your favorite lyric on there or some shit. Idk.

Expected Tags List: Again, meant to help guide artists to stuff they like and away from stuff they want to avoid. Understood to be flexible.

Possible Ratings: Feel free to choose any that might apply if you’re still undecided.

Summary: Once again, not meant to be your final summary! But try to conceptualize your fic idea in, like, three paragraphs or less. At a glimpse, the artist should be able to get a feel for the general idea behind the fic.

Ideas for Arts: Keep in mind your artist has the right to draw whatever they want from your fic, but …some artists are drawn in by images the author thinks would be pretty neat, so if you have ideas, slap ‘em in here.

PAGE THREE: Uploads!

2000-word snippet: No, it doesn’t have to be 2000 words exactly. Find a sample scene around that length that gives artists a feel for the style of your story. You can, of course, go over, but keep in mind artists will be looking at multiple works — they may not want to read like 7000 words while trying to decide on fics.

Outline: Outline is a general term. What you want to show an artist is that you’ve thought through the main plotline of your story. It lets them understand the overall flow of the story to help them make relevant art while you, well, actually write the damn thing. It does not have to be formatted like a ‘formal’ outline, it just needs to capture the pieces of the overall fic in whatever way makes sense to you.

You’ll be asked to upload these as files; we ask for them to be in either .doc/docx (or similar) or .pdf format for space reasons. PLEASE FORMAT THEM AS FOLLOWS using one of the fandom names you give us in part one: - 2000_NAME (ie, 2000_sevdrag.pdf) - outline_NAME (ie outline_martine.doc) Your fic will randomly be assigned a number for anonymity. The mods will rename your file with that number rather than your name to keep everything anonymous, don’t worry.

PAGE FOUR: Matching Details Here we ask you for some additional information to help us match internally…

Are you a minor / over 18

What level of collaboration do you want with your artist

Some NO JUDGMENT questions about working with an artist who is a minor

A place for you to ask questions or more importantly praise your awesome mod team

Low stress no stress only fun! And yes, the mods will be releasing the full list of fics for writers to see once matching is over (for yall to go fucking feral over). We’ll keep it anonymous too, so if you’re the kind of writer who wants to keep it secret until the very end, you certainly can!

If you have questions, you can ask them here (anon if you wish), or join our discord to ask there, or DM a mod!

#dbhbb2023 #detroit: become human #detroit become human #dbh

[fuwushiguro]

I just looked at a bunch of the responses from @decayish’s survey and I... lmfao.

It’s really brutal. It’s brutal to read some of the hateful things that apply to me and I’m sure a lot of other writers here. It’s also weirdly validating to see that a lot of people are too fucking lazy to reblog and appreciate writers how they deserve, it’s almost confirmation that my writing isn’t shit and no one likes the content I’m putting out. It’s just laziness.

My relationship with Tumblr has gone so downhill since last year. Last summer was probably when I last enjoyed it here. I have taken many hiatus’ and left with no intention of coming back a few times. 

The reason I do keep coming back is because Tumblr is very addictive. 

I gaslight myself into thinking “it’s not that bad” and then I feel shit again. This hasn’t been as much the case recently because I genuinely have stopped caring. Do I feel shit about lack of interaction and validation on my writing? Sure. It would upset anyone, I think. But I’ve learnt to not care.

I don’t feel like I used to when I used to log into Tumblr. I’d be excited to chat with friends, share my writing, and see what people have to say.

Now, I feel like I’ve turned into something I’m not. A content machine. I write. I post. I move on. I appreciate when I do get sweet asks, reblogs and comments, obviously. But it’s so rare. So few and far between that I’ve come to terms with not expecting it. 

I used to be able to churn writing out. I’d write a 15k monster in a day and be proud. Now I struggle to get to 1k. I write, now, because of patreon. Seeing that people care about my writing enough to pay for it is incredible motivation which has helped me to stop caring about interaction. 

But even then, I feel under immense pressure to write. I didn’t write for a little while and I lost a bunch of patrons. I was so mentally ill, suicidal etc. and couldn’t bear the thought of writing. Not that I’m blaming anyone for deleting their pledges, but it’s made me feel like I’m not allowed to take a break even if I’m desperate for one. 

Seeing how many people will only read a fic if smut is included is very fucked up I won’t lie. There is a horrendous relationship with explicit content and porn here where people won’t even entertain an incredibly well thought out and beautifully written fic if there’s no smut involved. I have so many writing ideas that don’t include smut. I only write smut because I know that’s all most people here care about. It’s sad. Really fucking sad. 

There are so many beautiful and talented writers here that are suffering. Suffering with their blogs, personal lives, existence. Tumblr used to be such a cool place. A place where people could post what they want, write what they want, and spread love. It’s just not like that anymore. There is no life on my dashboard. It’s incredibly dead and I miss how it used to be.

The lack of gratitude and appreciation on this site is just outright terrible. Please support us. Reblog our works. Comment on fics. Send asks. Make your favourite writers feel appreciated and seen. Valued. Because so many of us don’t.

I imagined a large problem with this is that there’s so many fic writers you think we are disposable. If one of us leaves you can run to another. But there might come a day where every single one of us quits writing for good. And then you’ll be so sorry that you didn’t give a few minutes of your time to show your gratitude to us writers. We aren’t disposable. Each and every one of us has a unique voice. Unique ideas. A unique way of storytelling and expressing ourselves. Thirty people can get the same prompt and still wind up producing thirty different pieces of writing. 

Some of the responses I saw on the server were just truly wretched. People being cruel about people’s writing choices. The way they write. The way they run their blogs and the content they post. These blogs are for fun. For freedom and expression.

Learn to be kind. We are people behind these screens. There is flesh and bone typing on the keys of keyboards to make the works you claim to love so much. But not enough to show us enough love.

Please, if you care about us at all, show us you care before it’s too late.

#tw rant #tw suicide #tw mental health

[wajjs]

This isn't judgment at all, but just genuine curiosity and I apologize if I missed this somewhere, but can I ask why you don't read fics for fandoms you're in? I'm just thinking about it from the POV of someone who teaches writing and how I tell my students that reading is a part of developing your writing so it was just surprising! Again, absolutely no judgment, I'd just love to hear your take on this! 😊

You're fine, don't worry! I don't think I ever explained it anywhere 🤔

I guess part of the reason is that I am mostly a self... contained? solitary? writer. I guess in a way you could say there's some degree of selfishness, which I do not think is bad, because I write for me first, for potential readers second.

As far as I recall, I have always been like this. I have always enjoyed my own writing and I do genuinely love my stories, so in a way I am self fulfilling any kind of need that may arise.

(I have been judged over this in the past as well, been told this is self centered etc or that I was too cocky, but it's genuine love that I feel for my writing and my stories. They are what I personally want, they're catered to my interests and needs. I am feeding myself, basically.)

But aside from that, and centering more on fandom, I am very peculiar (read as: picky) with characterization, grammar, and internal rhythm. I'm actually really sensitive to the latter, and I have found that a lot of fics out there do not have a "reading" rhythm I enjoy. They're either choppy, or dense, or going too fast, all over the place, etc.

I understand that a lot of people don't pay attention to that. While I think that maybe they should, I also can't force anyone to care, and I won't criticize anyone over it because it's not my place to do so.

Maybe that's their actual writing style, in which case it's a matter of it not being compatible with my tastes. Maybe they're learning. Maybe they didn't edit their work. Once again, it's not my place to say anything.

We are all writing fic for free, out of love, and as a hobby. It would be unreasonable for me to expect everyone to adjust to my preferences/standards for writing.

I do get annoyed easily, though, and when enough stories annoy me, my pettiness runs the opposite direction of taking direct action. Once I am annoyed, I drop everything about something and look for new pastures somewhere else. But I love to write for the fandom I'm currently part of, and I don't want to get annoyed at it, so it's just easier to not read other fics — except my own and the ones written by my friends/the ones they recommend because they already know my preferences.

I do read stuff for fandoms I'm not active in. Actually, in the past I read a lot of fics for the fandom I am now active in, and completely stopped once I started writing for it. I know a lot of writers do the same thing, out of fear of not wanting their writing to become influenced by fanon takes, etc.

I guess some of that applies to me, too. I have one characterization and consult back to canon to expand upon it. I don't really want fanon to affect my writing and go unchecked until the way I write a character is so detached from canon, the character becomes a new one with a known name (reason I stopped writing for the btfam fandom).

As a side note, I agree that reading is fundamental to writing, with the clarification that the one way it can be the most effective is to read everything and anything, from any genre and style. I think that only reading about the thing you're already writing for ends up creating a weird echo chamber that easily distorts the initial plot/characters/etc you once had into something that becomes irreconcilable with what it started as.

#blob talks

[orphee-aux-enfers]

Are you participating in the writers' strike?

So, this has a short answer and a long answer.

The short answer is that for the month of November, and likely starting now, I will be on a planned hiatus for my mental health.

I will not be updating my WIPs during November. I will be writing during November, but largely on a new project for NaNoWriMo that may or may not be finished and/or started posting after November.

I am not, however, willing to label this a strike. The explanation for that will be under the cut.

First of all, I was planning to be on hiatus during November before I found out about the strike. I was planning to write a post about it today to pin, but I guess this is that post. I am extremely burnt out and I need to step back from posting for a while because of it.

My number one struggle as I’ve been in this fandom has been the language of productivity being associated with the hobby that I specifically picked up to combat alienation (in a Marxist sense). My fanfics are the thing that I create that I see through from start to (hopefully) finish, that gives me back a sense of my own humanity.

In the last two months especially I’ve had a massive influx of readers/subscribers/commenters/interaction here on tumblr, and my mental health has suffered a lot as I both did not expect it and because the language I at time face, especially in anonymous asks on tumblr that I just delete, which implies people are entitled not just to updates but to have a say in my fanfics. I welcome enthusiasm but unless we are actually friends, I probably do not want to hear what I SHOULD or even NEED to do with my fanfics. I was unprepared for this shift in my readers, as I’d previously had a solid and consistent reader base who were hugely and kindly supportive, but that was nothing like it has become, and I was not at all prepared for the change and I still am figuring out how to handle it.

I am also a genuine union member irl. As in, I go to meetings and pay dues and my job is protected and impacted by that union and when my actual union votes to go on strike I too go on strike. This means that strikes mean something very different to me. It is a tool of collective bargaining by a united, organized group of workers who majority agreed to go on strike, and it is done in negotiation with a smaller managerial group with power over them. On of the main fandom issues at hand here is readers acting like they should be managing fanfic production. I do not feel comfortable reinforcing that by saying I’m a worker/producer going on strike for better working conditions. Fanfic writers also are not wage earning workers, and I personally do not WANT to be—I need it to be a hobby. So, for me, applying the language of a strike which implies several things that are not true just does not work. I just cannot personally do it for myself, especially because I am working so hard to disassociate my fanfics from the language of productivity.

I fully support others calling this a strike if it is what is meaningful for them. I wholeheartedly support people participating in No Post November. I also wholeheartedly support people not participating in this if it does not fit their best interests.

I did not want to get involved in drama. I’ve deleted a lot of asks specifically because I have zero interest in participating in drama. I’m here to write for fun. I am not a worker, and I am not on strike. I’m a human being who is ultimately pretty fragile, and who has a lot to deal with, and I love to discuss my fics in a lighthearted manner, and I love to hear when people are enjoying it. I was avoiding discussing anything heavier because I am outright anxious about backlash when the people who are supportive can at times be overwhelming.

However, I think it’s probably appropriate I make some things extremely clear. I am a huge supporter of “Don’t Like, Don’t Read”, I’m anti-Censorship, and I’m pro “so-called problematic topics in fiction should have space to exist in the world”. I am, by both trade and training, literally involved in actual archives and other information spaces. Information professionals are ALL ABOUT freedom of information/free speech/preserving problematic speech. I wholeheartedly believe that problematic (but appropriately tagged) content should exist in Archive of Our Own especially, because freedom of information and freedom from censorship are literally core tenets of my profession. Yesterday, in a class on learning to be information professionals, one of my students came up with this maxim, which I think we all could learn something from: “You know people are starting to become a Problem when they start trying to ban books or ideas!”

At the extreme, I might not write Dead Dove content, but I fully support the fact that other people do, so long as it is appropriately tagged when posted to (in case of where I interact with fic) ao3. I am actually old enough to remember how important ao3’s creation was in the world of Fanfiction. I stand by and in fact celebrate that it inevitably contains work with “problematic” themes.

I do not, however, support anyone attacking anyone else in any scenario, from any side of any drama. Fandom drama is not new, and it will not go away, but it is exhausting when it’s not that hard to just click-off if you disagree with something. Learning to curate your spaces instead of attacking people is a key piece to existing on the internet (except, perhaps, on Twitter, which I’m told is fueled by fighting).

I have hope that everyone can work through this and that maybe we can all learn to treat each other with just a little more kindness, and remember that fanfic is a hobby done on top of other things, and that no one here is making money off of it—we literally cannot. It is the only hobby I have that people cannot tell me to try and monetize. So. I personally need to also have it kept away from language of labor/productivity, too.

Okay. I think that’s my spiel for now. If you’ve made it this far, thank you. I hold no ill will towards anyone, and in fact, would outright say I adore my readers. I hope that after this, maybe more writers will also have that feeling.

(and also that maybe I will no longer feel quite so burnt out and like the only person I actually want reading my fics is my Beta Reader, because that’s where I am now).

#fic tag #jegulus #no post november #fandom problems tag

[prettyiwa]

Every multiple of 10 for the fic writer ask game!

adfadfasdf alright, let's do this—

10. At what point in the process do you come up with titles, and how easy or hard is that for you?

It depends on the story and whether I want it to be an actual fic. Sometimes it's a line that came up in the outlining process, otherwise, I'll go with a lyric that inspired me. Bittersweet Lotus Leaf is one I properly struggled with and that's because the story means a lot to me. I ended up settling on it because I like how it rolls off the tongue.

20. What is your favorite trope to write?

Political Intrigue, but from the periphery. I don't write it often, but it scratches that "I didn't study this for nothing" itch.

30. What's the most inspirational quote you've ever read or heard that's still important to you?

Oof, there are a lot. I'll stick to the topic of writing, though it generally applies to people. It's made writing people all the easier. ❝Everyone is hungry and not only for food—for comfort and love and excitement and the opposite of being alone. Almost everything awful anyone does is to get those things and keep them.❞ — Catherynne Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two).

40. Best piece of feedback you've ever gotten.

Mm. Feedback as in something constructive— "To make Y/N more inclusive, you could try something like 'you feel your face heat' instead of 'a blush is seen on your face.'" It was exactly the feedback I wanted, but it also helped me refocus my writing. I don't particularly care for describing the characters or their appearances too much. Receiving this particular bit of feedback helped me shift away from "What can we see?" to "How does this make us feel?"

50. Do you plan or do you write whatever comes to your mind?

I used to be able to write whatever came to mind, but now I have to plot things out.

60. Where is the most dangerous place you've written fic?

. . . . For legal reasons I will not answer this :)

70. Are you very critical of your own writing? How much do you find yourself editing (during or after the fact)?

I expect perfection from myself. No one is ever gonna be as hard on me as I am. I edit as I write and then I write and re-write a ridiculous amount OR I finish and throw it at the wall (tumblr) and check on its status a couple hours later and edit it to hell and back then.

80. Do you try to put themes, motifs, messages, morals, etc. in your writing? If so, how do you go about it?

For longer things, yes. Typically things relating to love. If the story is political, you can bet I'm saying something. A lot of it is subconscious but it's there when I look back. BLL is the first time that I'll be doing everything with 130% intention.

90. Do you notice your own voice in your writing style?

Absolutely. I would like to stop hearing and reading my voice.

#📨.incoming #💜.alisha #ahah thank you for sending me so many!~ #.get to know the author

[queerbrujas]

I've been thinking about interactive fiction and the ridiculous word counts these works have compared to traditional novels and the entitlement of fandom

these are not very coherent thoughts but like... an author of traditional novels takes years to write a 100k-200k book and nobody bats an eye

IF authors crank that out multiple times over, in an amount of time that is frankly unbelievable to me

and I don't think people appreciate that enough

I wanna ask every IF author if they're okay tbh

#a lot of this applies to fic writers too and how we expect things from fandom and fandom-adjacent creators #that we *don't* from creators of more traditional media #idk #gonna go back to not being here now #silv.txt #this was not brought on by any of the recent Discourse just some thoughts I've been having

[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

#THE GUIDE #metatext #fandom meta #fandom etiquette #Eiiri made this

[slightlyrebelliouswriter23]

Writing smut without cringing the whole time? How do you do it.

Writing Smut 101: Overcoming Smut Shame

CONTENT WARNING: NSFW RELATED CONTENT BELOW.

The short answer, nonnie, is: you don’t. 

That is to say, writing smut is always kind of cringe—especially if you’re new to it, or simply “not in the mood” to write. 

But rest assured, feeling embarrassed is completely natural. The trick is learning how to overcome the cringe when it does happen, instead of letting it deter you.

I’m going to break this up into a few sections: 1) Why you might be feeling this way, 2) How I, personally, combat the issue, and 3) Some more tips that might help you get the ball rolling.

1. Why You “Cringe”

It’s important to find the root cause of any form of writer’s block so you can pull the weed out instead of just trimming it back. Smut writer’s block is its own special brand, and generally, the main issue writers have when it comes to smut is stigma.

Speaking openly and honestly about sex, in Western society, is still very much a taboo.

No matter how “progressive” we like to think we are, the inherent shame surrounding pleasure-seeking experiences, and the detailing/consumption of them, has been ground into us since we learned how to understand the concept of gratification.

And I’m not just talking about sexual gratification. This applies to everyday things, as well. Eating, shopping, relaxing (or doing virtually anything in capitalist society that does not directly contribute to capitalism).

So it makes sense that you would feel any amount of embarrassment, awkwardness, or “cringe” when writing smut. It’s something our society teaches us is wrong to want. Unfortunately, that shame translates to writer’s block when we sit down in front of the computer.

A lot of this blockage might stem from not giving ourselves permission to write the thing.

We’re staring at the blank document, knowing we want to write smut, and suddenly the thoughts start streaming in: This feels wrong, is this wrong? What if someone comes in and looks over my shoulder while I’m writing? Am I describing this right? Is this too unrealistic? I have NO idea what I’m doing, and everyone is going to know it.

These are all perfectly normal thoughts, and definitely ones I still have from time to time. But they’re also probably the direct cause of why you feel so blocked. Luckily, I have some bits of advice to give you on how to unblock yourself.

2. How I Combat Smut Block

✦ First, when the intrusive thoughts occur, instead of ruminating on them, think of each one as an impermanent object. You can use any metaphor, but I like to use the imagery of leaves:

Each negative thought is a leaf floating down the river of your mind. If you focus only on the leaf, you’ll exert a lot of energy running to try and keep up with it, consequently miss everything else around you. But if you acknowledge that leaf as a temporary part of the scenery, and let is pass, you can process and appreciate the beauty of your surroundings a whole lot better.

Remember: you are separate from your thoughts. You are not defined by them. The things you think sound stupid might be incredibly exciting to someone else. 

If you can string a sentence together, you can write smut. This is all part of giving yourself permission to write the thing that makes you feel uncomfortable.

✦ Second, I’d suggest giving good thought to how you personally experience embarrassment, how you experience excitement (of the sexual variety), and how those two might sometimes commingle or feel similar.

For me, they are very comparable, like different shades of the same emotion—but there are differences which are important to note. 

If I’m making myself blush from excitement, this is a very good thing for writing smut. It means that what I’m writing feels real enough to evoke something in the reader, even if the reader, like me, knows what’s going to happen.

If I’m making myself cringe, however, it may be time to take a step back and readjust my perspective.

✦ Third, ease yourself into it! Don’t jump straight in the deep end and expect to know how to keep your head above water if you’ve never swum before.

The way I eased myself into smut was first by writing “Steam”—a category of fic I made up because the current vocabulary lacked an efficient term for fics that straddled emotional romance and explicit content. 

Essentially, steam is smut-adjacent but not explicit, and here’s a step-by-step example of how I transitioned myself smoothly from one genre to the next:

I first wrote my fics Wicked Game and You Are (both of which feature either a heavy make out session or teasing + lots of sexual tension) with this “steam” concept in mind.

I wrote the first chapter of Fine Line, which has brief but explicit descriptions of fantasies, framed by a very sexually charged scene.

I released my fic Crashing, which is probably more of a bridge between Steam and Smut, and features soft-focus fingering. Nothing in it is explicit—it focuses more on the emotions than explicit detail—but it’s very clear what is happening.

After I wrote those, I felt just confident enough to make that final stride over the threshold into smut. I wrote my fics Holy, King, and the second chapter of Fine Line all within weeks of each other.

And trust me when I say, once you get the momentum going and receive that validation from people who’ve read your work, it becomes SO much easier to sit down and start writing. 

You just have to finish that first piece.

✦ Finally (and I know I’m going to sound cliche when I say this), just like any other skill, the more you practice the more confident you will feel and the better you will get. 

So practice, practice, practice! 

If you’re nervous about posting smut for the first time, have a trusted friend/mutual Beta read it for you. It’s the online equivalent to someone holding your hand before jumping off the cliff, and works wonders for the nerves.

3. Keep The Smut Rolling

Now that you have some tools to help get you past the blockage of writing smut, here’s how to keep the inspiration flowing.

✦ Start by incorporating smutty fanfiction/erotic fiction into your regular reading rotation- 

Of course AO3 is a fantastic resource for smutty fanfiction. 

If you’re a fan of TFOTA or ACOTAR and want some of my personal fic recs, visit my fic rec masterlist.

In terms of erotic fiction, my personal favourites are anything Anais Nin (specifically Henry & June and Delta of Venus), The Thornchapel series by Sierra Simone, The Godwicks series by Tiffany Reisz, and The Original Sinners series by Tiffany Reisz.

There are also sites like Literotica and sexstories.com, which play host to explicit short fiction (not fandom based).

✦ Next, I’d recommend having a designated digital space for smutspiration- 

This can be a list of “smutty” words/phrases kept on a separate document on your computer, for those days when you just can’t think of the right way to describe something. 

Or you can create a private side-blog or Pinterest board for your favourite smutty fanart or other kinds of visual smutspiration.

✦ For that matter, try following some smutty/18+ blogs (ONLY IF YOU’RE 18+) here on Tumblr-

Many of them have a plethora of what I like to call “lemony snippets”, a.k.a. short text posts that describe (usually in conversational language) explicit scenarios. 

This is useful because it will normalise the concept of sexual fantasies in your brain, making it less weird for you when you try to come up with ones of your own to write into smut. 

Not to mention, your dash will be rife with inspiration.

✦ I would also suggest checking out 18+ ASMR on YouTube (AGAIN, ONLY IF YOU’RE 18+). 

My favourite account is Professor Cal Official, but Auralescent also has some good content. 

Headphones are highly advisable for this, as their stuff is very dangerous for work.

So, nonnie, I hope this has provided you with at least one helpful tip. Whether you took anything away from this or not, just know that the feelings of embarrassment when it comes to writing smut are entirely normal. And the best way to keep those feelings at bay is to confront them head on. 

-Em 🖤🗡

Writing Advice Masterlist

Writing Masterlist

2K Celebration!

#writing #writing advice #writing tips #smut #fanfic #writeblr #ao3 #writer things #em's 2k celebration #smut 101: overcoming smut shame #fluff #angst #writer's problems #asked and answered #em answers #nonnie #anonymous smut cringe

[blueprint-han]

[Image ID: A black picture with the title “HOW TO SUPPORT FANFICTION AUTHORS” written in bold caps lock, colored with a winter forest picture. End ID.]

Well, this post has been made countless times, but I’m making one too because I’ve seen a lot of people say they’re new to tumblr and don’t know the whole “reblogging is better than liking” rule and other stuff. So without any further ado, here are ways YOU can support the fanfiction authors. Now keep in mind this applies to almost every author out there, not just the stayblr fandom, so if you’re a silent reader (or even if you aren’t), I advise you go through this post. Warning, this is a fairly long post going into detail, so yeah. I still expect you, the readers to read this, and if you’re a writer, feel free to lmk if i’ve written smth wrong or if you want me to add something! ^^

In this post I’ll go into thorough analysis of the pros and cons of each of the methods listed here and how YOU as a reader can show the authors whose fics you read more love and motivate them to produce content.

WARNING; LONG POST! GOES INTO A DECENT AMOUNT OF DETAIL. NOT EDITED, EXCUSE ANY TYPOS.

#1 : LIKING !

I think this is basic common knowledge, and a lot of people tend to do this. When you like the post, the author sees it, you see it, and if the author has their liked posts accessible (which majority of the time they don’t), and if someone deliberately goes to check it, then they see it. See why so many authors say just liking does nothing? Only liking says “Hey, I’m gonna tell you your story is not that good by simply liking it and not sharing it with other people. :D”

♯ PROS:

You’re telling the author that you've read their fic, and either you’ve enjoyed it to a certain extent, or you’re just saving it to read for later.

Likes are seen by you, the author and anyone who has access to your likes (which, most people don’t).

♯ CONS:

If you ONLY like, you’re not really helping the author’s work reach a wide audience because this site isn’t Instagram. Reblogging is the only way people can SEE our works. I’ll cover more on that in the next section.

In a nutshell, liking is good! But you should most likely use it in a combination with the other stuff I’ve listed below, because just the like itself doesn’t really do much in giving the author any feedback or interaction on their fics.

To clear shit up; I’m not talking about those people who don’t read the story or appreciate it in the first place. I’m talking about those who appreciate the fic, like it, but don’t leave any sort of feedback to show that.

#2 : REBLOGGING !

This is SO, SO important. I cannot stress on this enough. Let me explain WHY so many writers stress on reblogging content: 

Tumblr’s tag system is inherently fucked up, and has grown more so over the year. I’m not kidding, at first, the fic either used to show up in the tags or it didn’t, but now, sometimes your fic can be REMOVED from the tags because of,,, idk tumblr tag shit. Anyways, as you can see, it’s very demotivating for authors at that point, because the major way for people to find their content and expand their blogs has been blocked.  

Due to this reason, tumblr authors need to RELY on you, their followers to help spread their works to a wider audience. Now again, before you get me wrong, I’m not saying you ae forced to rb our works regardless of whether you like them or not. BUT, that being said, if you DO infact like the story, there’s no harm in reblogging, right? By doing this you’re indirectly telling the author — “hey! :D I liked your fic! Which is why I am gonna share it to my followers so they can read it too :D” Trust me, you’re doing nothing but helping the people who produce content for you to read. Seems like a worthy cause to hit the reblog button, right? It’s only a one, or maximum two step procedure.

Leave tags in your reblogs! Trust me, as an author myself and as much as I know from all my author friends, we oft check the tags of your reblogs to see if you found any part amazing or even if you have anything to say about the writing we put so much hard work into. Even a key smash or a “This was so [insert adjective] 🥺” is enough to leave a smile on your authors face. 

♯ PROS :

You’re !! Sharing !! Your authors !! Works !! This leads to them getting more recognition, so for the content they’re so graciously providing for free, you’re promoting their blog and helping them expand it.

If the tags are being a shit, which majority of the time they are, then you’re literally making an author’s day by reblogging! You’re showing them that you, a follower and appreciator of their works are willingly sharing their content because it deserves to be seen by more people. Again before any dumb people decide to attack me, i am talking about people who like the fic but don't bother reblogging and are silent/ghost readers. I am not forcing anyone to read anybody’s work.

YOU’RE MAKING YOUR AUTHOR SO HAPPY WHAT MORE REASONS COULD YOU POSSIBLY WANT !! 🥺

♯ CONS :

Literally none, because as far as I remember no author is against reblogging of their works. It’s quite literally the way this platform functions. Reblogging is IMPORTANT.

#3 : COMMENTING/SENDING FEEDBACK !

This kind of overlaps with the previous section, but THIS IS SUCH AN IMPORTANT STEP !! When you leave feedback, you are directly giving the author something so much more valuable to them than high follower/note counts or money. Your feedback is literally our serotonin. I kid you not the number of times I’ve received a positive comment and smiled and it has made my day. There’s a reason youtubers (though not the best example, bear with me here because it was the only one I could think of) ask people to subscribe, like and COMMENT. The subscription is like a follow, the like is ofc like a heart, and the comment is equivalent to an rb with comments in the tags. 

You might argue and tell me that a comment is basically like an ask so the reblogging step isn’t necessary, but I’m sure 99% of you use YouTube and you know that more comments leads to people’s videos boosted in the stream/trending charts. This is what reblogging does. Reblogging shares the piece with other people like minded, which leads to a boost in reads. You are literally helping your author grow.

It’s quite literally the same thing as youtubers. Youtubers NEED validation to keep their content creation going, so do writers, so do other ccs on this site. This post is however, focused on WRITERS, so keep that in mind.

♯ PROS :

By doing this, you’re giving author valuable feedback! It’s similar to what you do in rbing with tags. Interactivity with their fics boosts their note counts and helps expand their audience, so srsly, now think of it: your one comment is playing such a massive role to help ccs create more content.

Imagine how much of a difference the note counts will be in when every person who simply likes after reading the fic, reblogs, leaves a comment and sends an ask. the note counts would be high on each and every fic, which is validation in itself, but your comments would inspire the writer so much more! Please, don’t skip the commenting part. Even a simple one like: “this is so cute!” is wonderful. 

♯ CONS :

Remember, if you’re gonna give constructive criticism (which I’m sure you all are smart enough to know if different from hate), make sure the author is okay with it. Authors need to be in a specific mindset and must be ready to accept criticism, so if you’re gonna give constructive criticism to them when they’re at a low point, it may demotivate them.

Just commenting, instead of reblogging and commenting in the tags/ reblogging and then leaving an ask in their inbox, while it gives validation in plenty, will not lead to the author’s work being spread. Therefore I suggest either reblogging and commenting in the tags or reblog and then leave an ask, or comment under the fic!

!! reminder; I am not saying that if you don’t rb and just leave feedback, your feedback has no value. We authors truly appreciate every bit of feedback, but this post is aimed to help you learn how to interact with and support authors, and make them feel more motivated, because the current scenario of liking and scrolling is taking a toll on their creative abilities. Take it from a person who’s been writing for a year.

#4 : COMMSIONING VIA THEIR KO-FI/OTHER APPS !

Before any of you attack me, let me tell you that this is not a step that is 100% necessary to do. ONLY donate if you can and if you genuinely want to, and if anyone is forcing you to pay for something against your will, you need to get yourself out of there.

Regardless, if an author has a kofi and you’re able to and you want to donate, you definitely should! It’s also a valid form of support.

#5 : ADDING THEM ON REC LISTS/ RECOMMENDING THEM TO REC BLOGS

This is such an underrated option, to be honest. I can’t tell you the number of times I’ve seen my fic was recommended onto some rec list and it’s made me smile so hard. If you like some fics, create a rec list! They’re oft very popular amongst the fans too. Making rec posts is such a great way to share your favorite stories with others. 

Rec blogs! I’ve seen a couple going around, and needless to say they are a great way to get someone else to read your favorite author’s work whilst also giving them your own feedback. These blogs oft accept recs via a form or ask box, and they leave your feedback along with their own, or else they’ll oft tag the author in the feedback post, so look! You’re basically helping your author share their fic to many more people, because you’ve given them feedback and a reblog.

♯ PROS :

Validation! Feedback! Reblogs! More exposure! Helping a blog grow! Spreading love! basically a run down of the stuff I’ve said before!

♯ CONS :

Literally no con of this. Unless, a one in a million case, this author says they don’t like receiving feedback/being tagged, and I’m sure NO person has said this before, at least none that I’ve heard of.

#6 : FINAL COMMENTS; MISC !

When an author points out about how the interactivity is drastically reducing, don’t just give them blind apologies. Yes, you feel sorry for not interacting as much, we understand, but rather show that you’ll become a better content consumer through your actions. We need to see that we’re not just throwing words into a void and that people are actually trying to be better content consumers. 

Understand the fact that authors don’t get paid for this, and 99% of the time, these authors don’t take commissions either. They’re giving you novel worthy writings for free. Take Percy Jackson: You think the author would have felt motivated to write the subsequent parts, let alone two whole series based off of it if literally no one showed that they were interested? Rick Riordan has sales, he is being paid, there are millions of people and big agencies who provide him feedback. Now take that huge amount and simmer it down to an audience of maybe 10000 people This is what fanfic authors want. They don’t want your money, nor are they telling you to risk your lives for them. All they want is, a reblog, some tags, some feedback, some INTERACTIVITY.  A sign that they aren’t throwing fics into the void and that people actually like them, some motivation to continue. Seems fairly easy to throw an rb with some tags, right?

Don’t bother to tell me that we do this for ourselves and we shouldn’t ask for likes and reblogs and feedback, because 1) you are consuming the content that we “write for ourselves” and 2) writers post their content here for interactivity and feedback. We could just not post and write and save our fics in our dungeon drafts for years. But we choose to post to entertain the readers, the consumers. And we aren’t even asking that much in return.

Don’t give me the whole “I’m scared that authors feel that comments are annoying” excuse either because seriously this has been DEBUNKED SO MANY TIMES. Istg, in the nicest way possible, if you still think writers are annoyed by interaction and feedback, after so many posts, long rants have been posted as to how we’re not, then you must truly be living under a rock. There, I said it. Please stop thinking this way, I’ll say it again, AUTHORS ARE NOT ANNOYED OF FEEDBACK, COMMENTS, TAGS, REBLOGS. WE LOVE IT. Saying this is like saying that the audience in a theatre play shouldn’t clap when the play ends because the actors would find it noisy. 🤡

I’ve seen some people saying they have anxiety issues and such, so pls note that I’m not invalidating your condition. If you’re trying to be more interactive, I really appreciate it! If you can’t, that’s fine too. You’re trying.

But for the people who have no reason other than feeling lazy to rb and comment, your lack of interactiveness is not excused. Please. Tumblr is a reblogging site. If you’re gonna consume content like authors are some sort of machines, I encourage you to go get some more perspective.

This site is not Instagram or the satan bird app. Your likes are appreciated but frankly speaking, they do nothing to the author except tell them “Hey i read ur fic but i'm not gonna support u :D” and honestly, that is detrimental to their creative capabilities and mental health. 

DON’T FOLLOW AN ACC JUST TO MINDLESS RB THEIR SIGNAL BOOST POSTS AND THEIR REBLOGS OF GIFS AND NOT INTERACT WITH THEIR WRITING AT ALL ! Trust me, authors prefer a lower amount of interactive followers than a high count that doesn’t even give them any feedback. Again your follows are appreciated, but when you’re following, you know the type of content the author creates, so the author expects that the more followers, the more interactivity. These days, this is just becoming the opposite. So don’t do it! If you’re gonna follow to read, interact with their works. I promise, this will make both you and the author happy. A win-win situation.

In conclusion: SUPPORT YOUR FUCKING AUTHORS! THEY ARE NOT MACHINES THAT HAVE NO FEELINGS TO PRODUCE CONTENT FOR YOU! FICS TAKE DAYS AND DAYS OF PLANNING, PLOTTING, OUTLINING, WRITING, EDITING, MAKING TEASERS. SO JUST SHOW THEM YOU APPRECIATE THEM WITH AN RB. IT’S THE L E A S T YOU CAN DO.

I will be liking this post here written by the lovely @chaninfused​ and @scriptura-delirus​ . Please take time to read it because if you weren’t convinced by my arguments, you will see how much frustration we as writers face on a daily basis. Please, just show support. Here is the post by @stayndays​ about how to get more people to read your work, because it also has a note on reblogging. Please educate yourself, and put an end to this mindless consuming culutre and bring up some interactivity.

If you’ve read this far, I want you to go to two of your favorite authors and leave some feedback in their inbox, and tag me in it (either tag me yourself or ask the author to do so, they won’t mind). Show your writers that our words are taking effect and you are becoming better consumers. I mean it. I’m serious. I want every single one who reads this post to do this. besides valid reasons, if you’re lazy to do this, you’re a part of the problem. PLEASE get more perspective.

Also, feel free to add to this post! I’d love to read your thoughts too, remember to be kind though. And, if I think your rb is somehow contradicting my points and is bringing down the reason I made this post, I will politely ask you to delete your comment, because this post is about being truthful about the harsh reality of tumblr consumers and how we can change it. I’m sure none of you will let it get to that point, though. <3 love you guys. 💓

And, just a reminder, don’t just blindly like this too. Do what I said before, and while I am not forcing you, I’d appreciate your reblog, because seriously, it took me 3 whole days to write this, plus, I’m sure this will help more of your followers understand the fault in consumer culture. haha, that’s it! This post was way too long uff.

also, this is ur cue to not be stupid in my inbox. You have something to say? Think I worded smth wrongly? I’m sure it wasn’t my intention to do so, point it out with manners. 

#skz smut #stray kids smut #skz fluff #stray kids fluff #skz angst #stray kids angst #skz imagines #stray kids imagines #bts imagines #day6 imagines #got7 imagines #enhypen imagines #nct imagines #ikon imagines #treasure imagines #dawn.txt #writers on tumblr #blackpink imagines #twice imagines #red velvet imagines #tagsplsworkaaa

[elamarth-calmagol]

What actually is LACE? (an informal essay)

What’s LACE?

Laws and Customs among the Eldar, or LACE, is the most popular section of the History of Middle Earth books.  It's available online as a PDF here: http://faculty.smu.edu/bwheeler/tolkien/online_reader/T-LawsandCustoms.pdf .  There’s a lot of LACE analysis in the fandom, Silmarillion smut fics are usually labeled “LACE compliant” or “not LACE compliant”, and I’ve been seeing the document itself show up in actual fics, meaning that the characters themselves are discussing it.

LACE is an unfinished, non-canonical essay split into several parts.  It covers the sexuality of elves, which is mostly what people talk about.  It also covers elvish naming (which I want to make a whole different post about), the speed at which elves grow up, changes that happen throughout their lives, their death and rebirth, and finally the legal and moral issues of Finwe remarrying after Miriel’s death.  The discussion about rebirth conflicts with Tolkien’s later writings about Glorfindel’s re-embodiment, but to the best of my knowledge, LACE is the best or only source for most of the topics it covers.

However, LACE is not canon since it doesn’t show up in the Silmarillion.  Counting all of the History of Middle Earth as canon is literally impossible, considering Tolkien contradicts himself all over the place.  It is only useful because it has so much information that is never discussed in the actual canon.  Many people consider it canon out of convenience.

Another important thing to remember is that, other than presumably the discussion of the growth of elvish children, the information is only supposed to apply to the Eldar (meaning the Vanyar, Noldor, Teleri, and Sindar) and not the dark-elves such as the Silvan elves and Avari.

The rest is behind the cut to avoid clogging your feeds.

Problems with LACE interpretations

But because it’s hidden in the History of Middle Earth (volume 10, Morgoth’s Ring), barely anyone actually gets the opportunity to read it.  I don’t think most people are aware that you can get it online, so it doesn't get read much.

I feel like this leads to a handful of people saying something about LACE and everyone else going along with it.  I definitely did this.  I was amazed by all the things that were in the actual essay that nobody had ever told me about, or had told me incorrectly.  For example, most people seem to believe that elves become married at the completion of sexual intercourse (whatever that means to the fic author).  In fact, LACE explicitly says that elves must take an oath using the name of Eru in order to be legally married.  Specifically: 

It was the act of bodily union that achieved marriage, and after which the indissoluble bond was complete… [I]t was at all times lawful for any of the Eldar, being both unwed, to marry thus of free consent one to another without ceremony or witness (save blessings exchanged and the naming of the Name); and the union so joined was alike indissoluble.

I’ve seen a marriage oath being included in a few stories recently, but most writers leave out the oath entirely and just have sex be automatically equivalent to marriage.  What would happen if elves had sex without swearing an oath?  I don’t know, but I’d love to see it explored.

Then there’s a footnote that might explicitly deny the existence of transgender elves... or not, but I’ve literally only seen it mentioned once or twice.  Overall, I feel like all of LACE is filtered through the handful of people who read it, and we’re missing out on a lot of metanalysis and interpretations that we could have because most fans never see the actual document.

Who wrote LACE?

I mean within the mythology of Middle Earth, of course.  Since LACE appears in the History of Middle Earth and not the Silmarillion, we can be pretty sure that J.R.R. Tolkien himself wrote it and it wasn’t added to by Christopher Tolkien.  But that’s not the question here.  Remember that Tolkien’s frame narrative for all of his Middle Earth work is that he is a scholar of ancient times and is translating documents from Westron and Sindarin for modern audiences to read and understand.  The Hobbit and The Lord of the Rings come from the Red Book of Westmarch, and I believe The Silmarillion is meant to be Tolkien’s own writings based on his research (though it might also be an adaption of Bilbo’s “Translations from the Elvish”, but I haven't looked into that).  So what does LACE come from?

Christopher Tolkien admits in his notes that he doesn’t know.  He says, “It is clear in any case that this is presented as the work, not of one of the Eldar, but of a Man,” and I agree, because of the way it seems to be written as an ethnographic study rather than by someone who lives in the culture.  Honestly, it talks too much about how elves are seen by Men (e.g. speculating that elf-children might look like the children of Men) to be written by an elf.  This changes once it gets to the Doom of Finwe and Miriel, but that could be, and probably is, a story told to the writer by an elf who was there at the time.

Tolkien actually references Aelfwine in the second version of the text.  The original story behind The Lost Tales, which was the abandoned first version of the Silmarillion, was that a man from the Viking period named Aelfwine/Eriol stumbled onto the Straight Road and found himself on Tol Eressea.  He spoke to the elves and brought back their stories to England with him.  So it makes a lot of sense that Aelfwine would also write about the lives and customs of the elves for an audience of his own people.

Does LACE exist in Middle Earth?

I keep finding fics where first age elves discuss “the Laws and Customs” openly, as if it’s a text in their own world.  I usually get the impression that it was brought by the Noldor from Valinor.  But did the document actually exist in that time period?  For me, the answer is definitely not.

First of all, LACE was probably written by a Man, meaning it could not have dated back to Valinor in the years of the Trees, because Men hadn’t awaked yet.  In fact, the closest thing to an established frame narrative for it is that it was written by Aelfwine, who comes from the time period around 1000 CE (though Tolkien doesn’t seem to have pinned him down).  This is at least the fifth age, if not later.

But what if you don’t believe that it was written by a Man?  It still couldn’t have been written in the First Age, because it discusses the way the relationship between elves’ bodies and souls changes as ages go by.  For example:

As ages passed the dominance of their fear ever increased, ‘consuming’ their bodies... The end of this process is their ‘fading’, as Men have called it.

A lot of time has to go by in order for elves to get to the point of fading.  As a bonus, here’s another reference to the perspective of Men. LACE also discusses the dangers that “houseless feas”, which are souls of elves who do not go to Mandos after their bodies died, pose to Men.  How would they have known about that in the First Age?  It further says that “more than one rebirth is seldom recorded” (which isn’t contradicted anywhere I know of), and that’s not something you would know during your life of joy in Valinor, where almost nobody dies.  That’s something you learn after millennia of war.  This has to be a document written well after the Silmarillion ends.

So what about the sex part?  That’s all we care about, right?  Well, it is entirely possible that this was written down by the elves and Aelfwine translated it (though my impression is that he mostly recorded stories told orally to him and that elves were not very much into writing, at least in Valinor where you could get stories directly from someone who experienced them).  However, why would the elves write this down?  They know how quickly their children grow up.  They’ve seen actual marriages.  They don’t need that described to them.  And if they did have a specific document or story explaining the expectations of them when it comes to sex and marriage, why would they call it “Laws and Customs”?  That’s a very strange name for a set of rules for conduct.  I’m sure they had a list of laws written out somewhere in great detail, like our own state or national laws (that seems very in character for the Noldor, at least).  But I seriously doubt that those laws are what we’ve been given to read. LACE is not an elvish or Valinoran document.

Is LACE prescriptive or descriptive?

Here’s the other big question I’m interested in.  Prescriptive means that the document describes the way people should behave.  Descriptive means that it describes how people do behave.  And the more I worldbuild for Middle Earth and the culture of elves, the more I want to say that LACE is prescriptive in its discussion of sex, marriage, and gender roles.

But wait.  I’ve been saying for paragraphs that I think LACE is Aelfwine or another Man’s ethnographic study of elvish culture.  Then it has to be descriptive, right?

Does it?  How long do we think Aelfwine stayed with the elves?  Did he wait fifty years to see a child grow up?  Did he get to witness a wedding ceremony?  Did he meet houseless fea?  I don’t think he could have done all of that.  Maybe a different Man who spent his entire life with the elves could, but then when was this written?  When the elves were still marrying and having children in Middle Earth or when so much time had gone by that they had begun to fade already?

Whoever wrote this was told a lot of information by elves instead of experiencing it firsthand, the same way he heard the stories from the First Age from the elves instead of being there.  Maybe it was one elf who talked to him, maybe several different ones.  But did those elves accurately describe their society the way it was, give him the easiest description, or explain the way it was supposed to be?  If I was describing modern-day America, would I discuss premarital sex or just our dating and marriage customs?  Maybe people would come away from a talk with me thinking that moving in together equated to marriage for Americans in the early 21st century.  And I don’t even have an agenda to show America in a certain way, I'm just bad at explaining.  Did the elves talking to what may have been the first Man they had seen in millennia have an agenda in the way they presented themselves?

Or did the writer himself have an agenda?  Imagine going to see these beautiful, mythical, perfect beings, and you find out that they behave in the same immoral ways Men do.  Do you want to share the truth back home?  Or do you leave out things that don't match your worldview? Did Aelfwine come back wanting to tell people what elves were really like?  Or did he want to say “this is how you can be holy and perfect like an elf”?

Anyone studying the Age of Exploration will tell you that Europeans neber wrote about new cultures objectively, and often things were made up to fit the writer’s idea of what savages looked like. For example, my Native American history teacher in college told a story of how explorers described one tribe who (sensibly) didn't wear clothes as cannibals, because cannibalism and going around naked went together in their minds and not because of any actual incident.  Unbiased scholarship barely existed yet. Even Tolkien was extremely biased and tended to be imperialistic, as we all know.  There’s absolutely no reason to think that Aelfwine wasn’t biased in his own way.  (Of course, now we have to consider what biases a Danish or English man from the centuries around 1000 would have when it comes to things like gender roles. I assume he would have been more into divorce and female warriors than the elves are said to be.)

But is that what Tolkien intended? Probably not. He probably wanted LACE to be descriptive. But he also never got much of a chance to analyse the essay after the fact, which might have led to him discussing its accuracy and even the exact issues I just pointed out about explorers. Anyway, we know he's biased, and honestly, what he intended has never slowed down the fandom before.

Conclusion

In short, I take LACE to be a prescriptive document describing the way elvish culture is supposed to be, not a blueprint I have to stick to in order to correctly portray elves.  I also don’t believe the document that’s available for us to read existed even in the early Fourth Age, where The Lord of the Rings leaves off.  There maybe have been some document outlining the moral behavior of elves, as a set of laws, but thats not the Laws and Customs we have.

Of course, canon is up to you to interpret.  If you want Feanor discussing LACE with someone back in Valinor, go ahead.  If you want to throw out LACE entirely, go ahead.  It’s not even a canonical essay.  All of this analysis is honestly useless when you consider the fact that no part of LACE exists in any canonical book.

But that’s Tolkien analysis for you.

#lotr #silmarillion #tolkien #laws and customs of the eldar #history of middle earth #silm #analysis #meta #headcanon #long post #mine

[relatablegenzwriter]

How to write erotic moments or short stories without making it convoluted, cheesy or tacky? I grew up very religious and although i no longer believe have lots of trouble with sexuality in general. I'd like to try writing stuff as exploration cause i find p*rn too exploitive and iffy and dont wanna support that industry. but i'm not really sure what to do to do it "right" instead of dull or cringy. I just sit for hours with a blank paper till i give up

Writing Non-Tacky Sex and Romance

I'll start right off the bat by saying that this is definitely not my writing area of expertise, and I don't know how much I can tell you that you don't already know. So I'm gonna offer a couple of tips and then send you to a lot of posts that might answer your question better than I can! (P.S. I know your question was about sex specifically, but as you can see from the title, all of this can be applied to romantic scenes as well, which I got similar questions about.)

1. Be careful with metaphors. Of course, no writing style is "right" or "wrong", but flowery language can often make or break any scene, especially romantic ones. Many times, the overuse of dramatic, romantic metaphors can overload a scene and make it feel cheesy and cliche. And let's face it, millions of tiny stars aren't bursting around a couple every time they kiss, and we all know that sex is not magical in the slightest. I think the biggest problem with these kinds of descriptors, though, is not that they make you groan with how sappy the writing is, but because they often feel impersonal to your characters. So instead of your character "hearing a symphony swell around them", maybe "for a moment all their worries about [plot conflict/subplot conflict] seemed to move toward the back of their head". (not my best descriptor i could come up with on the spot but you get it) Although, while this will remove the cliche aspect of your scenes, it can still go overboard. Bringing me to my next point…

2. Be realistic. Like I said before, not every romantic or sexual interaction your characters have is going to feel like a Nicholas Sparks movie. There are lots and lots of awkward, ordinary moments. Include these! Of course, you probably won't want to make every moment of every sex scene say "yeah it wasn't that special" (unless of course this is the direction you want your story to take). If your character enjoys kissing or sleeping with someone, say that. But there are very few people whose worldview has shifted after one night together, and I doubt this is true for your characters, either.

3. Be careful about your source information. It's okay to take inspiration from everywhere, but it's important to take everything with a grain of salt. Particularly with sex scenes, writers tend to take inspiration from two major places: porn and WattPad (you know, THOSE fics). Keep in mind that porn is not meant to be realistic in the slightest, and I could go on a whole other tangent about the horrible expectations it sets for sex in real life. And don't get me wrong about wattpad: there are great writers on there and it's a great option to share and read fiction (for free, too!). But a lot of the ridiculously smutty fics, while entertaining and well-written, depict fun-sounding but sometimes unrealistic sex, that may not fit into the fantasy novel you're writing, @sjmaas. (Disregard that last bit if you are writing something akin to wattpad smut) Also, just a little side note that you should never be treating porn or wattpad as legitimate sex ed for real life!

4. Try building your scene from the ground up. I did a post on this a while back, but I used to really struggle to write romantic scenes until I figured out a method that works for me. Basically, you picture your scene as a building that you first need to lay the framework for, then fill in the cement/bricks/whatever, then furnish and decorate. First, I go through and write all the dialogue that will be taking place and mark crucial events. (example: "Hey, can I tell you something?" "What?" "I think you're the best thing that's ever happened to me." [kiss]) Next, I rewrite the scene almost monotonously, in the plainest way actions can be written. ("They held hands." "She took her jacket off." "He walked across the room.") Once I have my "building", then I can go in and add all the emotions and little details. I do this so that I don't have to stare at a blank page, since I already know how my scene is going to go. Then all I have to do is fill in some little details that make the scene more personal to my characters. I highly recommend this to you, since you talked about how you know what you want to write but can get scared of a blank page (hey, me too!).

5. Extra Resources! Here's some people that can probably help better than I can with specifics:

Including Consent In Writing (SUPER IMPORTANT)

Non-Explicit Scenes

Explicit Scenes

Romance In General (with a section containing tons of nsfw writing advice)

Good luck with your story!

#answering asks #writing tips #writing advice #my advice posts #writing romance