Season 2 Halloween Party AU Part Two
You can read part one here!
***
Eddie can't help but steal glances at his passenger as he starts the engine while Steve buckles himself in.
A streetlight flickers overhead bathing the front seat in strobing gold light; it's so distracting Eddie nearly misses the way Steve's hands tighten around the seatbelt, a slight tremor running through them.
The other man looks exhausted but incredibly on edge, his back straight and shoulders stiff. Eddie has to stop himself from rolling his eyes as Steve scans the dark street ahead of them.
If he's so embarrassed to be seen with the town freak, he can just get out and walk home.
Eddie almost says as much, but shakes the words off and flicks the small Snoopy bobblehead on the dash, before reaching for the edge of the passenger seat.
He feels Steve flinch at the sudden movement as Eddie braces himself on the seat to look out the rearview window.
Eddie tamps down the flicker of irritation that burns in his chest, he hadnt taken Harrington for a Bible thumping asshole that would believe the rumours circling Eddie, but then again, Eddie didn't really know Steve.
Eddie backs out of the space slowly, no need to wreck the paint even more by hitting some suburban moms stationwagon after all. He shifts into drive and pulls away from the street and the flashing lights of Tina's party behind them.
Steve is quiet as they drive, and as the sound of the dull throbbing bass and party goers begins to fade into the background, Steve slowly begins to curls inwards, tugging his arms around himself.
Eddie's eyes flick between Steve and the road, he's still not looking at Eddie, just out the window with a blank expression. It's the most quiet he's ever seen King-Steve, it's unsettling.
But, the more Eddie thinks about it, that really isn't true.
King-Steve hasn't been King of anything for awhile now, Tommy Hagan has seen to that.
Steve has been keeping to himself more and more, preferring to hang out with Wheeler and, surprisingly, Byers of all people.
Eddie isn't sure he'd ever be able to comfortably sit at a cafeteria table with someone who cleaned his clock, but Steve makes it look easy.
Eddie sneaks another glance and startles to find that Steve is already looking at him. He's chewing his lip, his eyebrows pinched and Eddie can't help but feel as though he's being evaluated somehow.
Great.
"Actually, you know what," Steve says after they've turned down yet another subdivision, just one street shy before the main road, "you can just drop me off up here, my house is close".
"You sure?" Eddie asks, ignoring the frustration that rises in his chest once more, "I can drive you the rest of the way, it's not like we don't all know where the King's Domaine is".
Eddie watches as Steve's expression turns stony for the barest of moments before it shutters.
"Okay".
Eddie nods with a grimace. He isn't even sure what he wanted to happen tonight, but it wasn’t this.
Eddie makes a left and another right before pulling into the long drive of the Harrington house.
It used to make him scoff whenever he dealt here. The huge house, the lavish furnishings and fixtures. For fucks sake, the master bath had two sinks and the closet was almost as big as his own bedroom.
But now as the engine dies and a strange silence falls on the pair, Eddie can't help but notice just how dark the house is.
"Your parents here?" Eddie says, craning his neck to see the upstairs windows, he doesn't even notice Steve has unclicked himself from the passenger seat until the door is open and he's halfway out of the van.
"Woah--"
"Thanks for the ride," Steve calls over his shoulder, "see you around Munson".
Eddie barely has time to open his mouth in protest before Steve is unlocking his door and slamming it behind him, leaving Eddie in the van alone.
He sits for a second before sighing and turning the key once more, coaxing the engine back to life. Eddie turns again, bracing his hand on the passenger seat, debating if he should head back to the party, before he spots something on the floor shining in the glow of the streetlights.
A pair of large black sunglasses, and there's no doubt who they belong to.
"Well shit," Eddie hums thoughtfully as he bends forward to grab the glasses from the floor, "guess I'll be seeing you sooner than we thought".
***
The first bell rings as Eddie closes his locker, he looks out across the sea of teenagers making their way to homeroom before the second bell and smirks.
Eddie should also be hurrying, considering how far his locker is from his first period class, but there's something about the way the teachers glare as he saunters in late that just fuels him.
Eddie smirks as he swings his backpack over his shoulder, the metal lunchbox inside clangs against something and Eddie winces at the sound. Shit.
He moves the pack off his shoulder and unzips the top, reaching inside to grab the sunglasses from where they've become trapped beneath his lunchbox.
They aren't broken thankfully, Eddie's sure that Harrington wouldn't appreciate his gesture nearly as much if they came back cracked or bent.
The thought makes Eddie stop for just a moment before he opens his locker again to place the sunglasses on the top shelf. Why is he even doing this? It's not as though King-Steve would appreciate this, he probably doesn't even know the glasses are missing.
What does Eddie care about some asshole jock?
An image of Steve with his head in his hands, his hazel eyes wet and wide as he looks up at Eddie has him slamming his locker shut, mortified by the unbidden thought.
It's a complete betrayal of his own God damned doctrine, and worse, Steve is straight. All Eddie is doing is hurting himself in the long run with all his pointless pining.
Especially over someone that didn't want to be seen getting into his van last night.
Eddie leans his head onto his locker and knocks it harshly against the metal, stupid.
The second bell rings and the last of the stragglers leave him alone in the hallway. Eddie taps his fingers on the locker and pushes himself away as he makes his way to the main door, throwing his backpack over his shoulder once more.
He needs a smoke, and definitely doesn't need Mrs. McBrayden telling him off for not handing in yet another essay today.
Whatever, it isn't as though Eddie hasn't read Macbeth, he knows that stupid play backwards and forwards --the witches speech is absolutely full of kickass creepy language and was perfect for this one campaign he ran a few years ago.
Eddie could tell you all the major themes and conflicts no problem, it was writing it in such a way that his teacher would believe he actually wrote it that was the issue.
The last time Eddie actually tried on one of his assignments, he had been immediately accused of plagiarizing someone else's work.
So, why bother.
Eddie's already got a cigarette between his lips as he pushes the door open and makes his way to his favorite picnic table by the treeline when he hears a familiar voice behind the gym.
"Tell me--"
"Tell you what?" another voice scoffs, a woman's this time.
Eddie pokes his head tentatively around the corner, spotting the man he had driven home just the night before and his girlfriend alone, clearly fighting.
"Tell me," Steve says firmly, even as his voice waivers, "you love me".
Wheeler stands there, her arms wrapped tightly around her books, "really?"
The word comes out, wrapped in a smile, like it's a joke.
Steve doesn't move, he doesn't laugh, he doesn't make a sound.
Nancy's mouth opens and closes as her blue eyes search Steve's face for a long time. She tries for a laugh again, but her smile cracks as Steve continues to stand there expectantly.
Eddie can't see Steve's face from where he's standing but he does hear the low curse he lets out eventually before turning abruptly, swinging a towel over his shoulder as he jogs back to the field to join the rest of the class.
Well shit.
Eddie watches Nancy as she remains rooted to the spot, her face tipped down to the gravel. She breathes out a long sigh and raises one hand to brush through her hair before it drops heavily at her side.
Eddie can't help but feel a twinge of sympathy as he slowly turns away, shaking his head as he continues to the picnic table.
He lights the cigarette as he takes a seat facing the school, letting the edge of the table dig into his back. He pulls a long drag from the cigarette and breathes out, watching as the smoke billows away in the cool November air.
If it wasn't officially over last night, it definitely was now. The priss and the jock were no more, and knowing Hawkins?
It would be all over the school by lunch.
Part Three up!
Tag List: @eriquin @luvinthefreaks @cinnamon-mushroomabomination @goodolefashionedloverboi @ellietheasexylibrarian @bambibiest @sadboislovebeans @howincrediblysapphicofyou @coleys-a-nerd @whycantiuseunderscore @airconditioning123
and for some peeps that I think may be interested! @strangersteddierthings @steddierthings @steddie-there @steves-strapcollection @outpastthebrakers @henderdads
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ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
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I was looking at a few posts about autism (as one does) and it just suddenly clicked into place a fundamental thing about Yuri's character that I'd been grasping at, but hadn't really been able to adequately identify. I still have a much longer and more thorough analysis going through a whole lot of my thoughts on Yuri's character and her experience of autism that i'm working on (of which this will likely be a component), but I thought I'd share this separately just to emphasize.
Post I saw which made this click for me was making fun of the fact that most media depicting impaired empathy in autistic characters explicitly depicts them with this unflappable confidence of never having been rejected by people they love. The crux of this is that in actual reality, autistic people almost always have that experience at some point, for some behavior, for reasons they don't really understand. "There is an invisible line where people will get sick of you, and you have no warning of when you're about to cross it." So frequently, autistic people attempt to ride a razor thin edge, walking on constant eggshells to desperately attempt to avoid crossing that line.
Very often autistic people will attempt to avoid doing anything at all which could be considered weird, or off-putting, and will try their absolute hardest to do things in a way that is acceptable to other people, sometimes to the point of outright suppressing their emotions, because they are afraid that they'll say something just wrong enough that the people they care about will push them away, and they don't understand WHY it happened, but they know it's THEIR fault. Sometimes masking is fighting to appear aloof all the time because you can't regulate your emotions in a way that is acceptable to other people.
And holy fucking Jesus, that fits the exact mold of what I've been trying to talk about with the particular way Yuri's anxieties manifest.
It really feels to me like Yuri has this constant fear of breaking the "rules" of socializing, despite not really understanding what those rules even are. She's constantly afraid of saying something wrong, when she doesn't even know what wrong would be, she's just sure everyone ELSE will know it when they hear it. I think a huge part of her social anxiety comes from her own understanding of herself as a very weird person who doesn't really get a lot of how to socialize, and it seems to me like she's probably dealt with her fair share of social rejection and isolation based on those traits. She then felt she had to take responsibility for those traits, probably because it's the one thing she can change, and she is the one common denominator in all of these bad situations (This is something which is pretty common, actually! "Everyone else can socialize just fine, and I have so much difficulty with it! I must just be broken in some way. I have to try super hard to be normal to make friends!")
I think a big part of why it's so apparent in the Literature Club is because she really thinks she's found a place where she can make friends in spite of all of her issues, so when she starts...being herself, and receives even the smallest HINT of pushback, she overcorrects and tries to rein all of herself in to fix her "mistake", because she really wants to make friends here, and doesn't want them to reject her as well.
She's had this experience of others pushing her away for being weird so often that, coupled with her acknowledged trouble for reading situations, when anybody responds poorly to something and she recognizes it, she immediately overcorrects out of fear of being an annoying burden to everyone around her, and that "correction" consists of suppressing herself into being "normal" (or at least "less weird"), because she believes nobody could actually like her just for being who she is. There's something wrong with her fundamentally, and to make friends, for people to like her and want to be around her, she has to "fix" herself.
it's just, like...
it's really hard for me to interpret Yuri's character that doesn't involve her being somewhere on the spectrum, bros. she's written with such delicately constructed autistic coding, despite the appearance of just being a hackneyed weird girl visual novel trope. she deserves the world.......
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