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#Yugioh is funny because it tries to be a good anime by having interesting characters
fizzingwizard · 2 months
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Time for some semi-ritual bitching about one of my favorite bitch-worthy topics, Yugioh
Why couldn't they have just done Memory World properly
Why make us suffer through Doma... and especially KC Grand Prix, a single episode of which is more boring than filler in any other fandom... and they made an entire filler arc out of it! Like Doma has lots of faults but at least it tried to do something interesting. It tried to develop characters, which proooobably shouldn't have been undertaken by a filler arc with no canon script to follow, but gold star for trying! Had a shitty finale not remotely worthy of its awesome beginning, but did we really expect any better? lol. KC Grand Prix tho, no. That's just there to Idk be mean to men with pink hair and dumb names?? In the ridiculous hair dumb names anime???
cut because Fizz has the curse of long-windedness thanks my evil fairy godmother
anyway back to Memory World, maybe the issue was the story in the manga still lagged behind where the anime was. I don't remember. If so I guess there was no choice but filler. Still, did they have to blow the budget on it? They lost most of their good animators during Doma, where they also introduced a couple new crap ones who stuck around till the end of course -___- And no doubt the animators were getting paid peanuts for long hours of work, and if they'd run out of budget to even pay that... well clearly the show should have been shorter. Like two whole filler arcs shorter. Just take a break, take a pause, come back when you're ready to do Memory World the way it should be done. Back then no one took breaks, "The fans will forget us," nowadays TV shows just up and away for multiple years at a time x'D before returning suddenly with a new season.
The reason I'm still salty and plan to be salty to my grave is just this. Memory World is the one and only YGO arc since season zero that was not explicitly about card games. They'd been dropping hints since the first that we could expect ancient Egypytian shenanigans in the finale. We were supposed to find out about Atem's lost memories and recover his name. That was the driving force behind everything that wasn't filler. I specifically became a fan as a kid because I enjoyed reading about Ancient Egypt and thought the idea of a millennia-old feud between a pharaoh and whoever Bakura really was sounded neat. So I watched hours and hours and hours of card games all for the sake of making it to Ancient Egypt.
(don't get me wrong I enjoyed the card games lol. Never ask a YGO fan to explain how watching characters stand around and yell "Pot of Greed allows me to draw two cards from my deck!" for hundreds of episodes somehow stayed fresh and interesting)
So we reach Memory World at loooooooong last and. And the animation is the worst. Atem falls off a cliff it's just like "ow." Bakura isn't have as intriguing anymore now that he's a poorly drawn anime guy with scars. He arrives toting Atem's father's mummy it should be scary. It should be shocking. But instead, for some reason we watched dancing girls of questionable historical accuracy repeat the same frame several times, while Atem makes a face like a baby trying his hardest to go number two in his diaper. In the manga this scene is really funny, with Siamun being Sugoroku in every way, and Atem in his awkwardness being more Yugi-like than we've ever seen him. In the anime they are just going through the motions. There's no life in anything.
The one thing the anime version got right was understanding that this was the one and only opportunity we'd have to learn about Atem. You know, half of the main character for the whole show. Even the manga is really so busy doing plot stuff it kind of forgets to make us care about the ancient Egyptian cast. The anime took advantage of the need for pacing to give us a couple low key moments about Atem & Friends, but for some reason it decided we should 1) know what Atem looked like falling flat on his nose as a toddler, and 2) show us that from a young age he was making grand progressive speeches about equality. Seeing Atem portrayed as a nice guy who cared about people gave me mixed emotions after watching him struggle for seasons with the possibility that he might have been a bad king and not remember it. Because we got a whole season of him making mistakes and disappointing fans in Doma, and now in Memory World the final answer to what kind of person Atem was is just "well he's a good guy in the modern sense of the word lol" and then we move on. Also, neither that speech, nor Doma, are manga canon, but fans on the whole remember Doma much better than they remember nice guy baby Atem. Which is so very nice -.-;
So Memory World could have been so much fun, exciting, adventurous in a way you can't always be when you have to stay put on a holo-duel stage (card games on motorcycles hasn't been invented yet!), and insightful about a character who has been the central point of everything yet whom we knew next to nothing about. Instead it was a poorly animated clusterfuck of battle scenes that were difficult to make sense of. The Bakura stuff was the best. The Kaiba-insert filler was the worst. I was disappointed with Set's arc in the manga as well, another thing that had been built up for years and years and ended up more about the mysterious waif-like dragon girl than Set vs Atem. If the anime changed something to add in Kaiba, I wish they'd have rewritten the Set vs Atem duel so it was mildly interesting, and Idk maybe Kaiba could have teamed up with Atem against his past self, which would have aggravated him to no end? Instead of just wandering around insisting none of this could really be happening. Or he should just not have been there at all. Personally I go the DSOD route and pretend Kaiba was never in Memory World, same as the manga. It's not like erasing him from the anime version has any impact on events bahahaha. He was included for MONEY MONEY MONEY popular character NEEDS to stick around even if he has abso-fucking-lutely nothing to do because MONEY MONEY MONEY
I love DSOD to pieces. But my own dream for the anniversary project was a remake of Memory World. Even if it had been a 90 min movie version instead of several episodes, as long as it was better quality, and invested in Atem as a character instead of simply as a pawn in a game, I would have enjoyed those 90 mins better than the entire Memory World season. Doma and KC Grand Prix were a mistake if they played a role in how awful Memory World was.
But they did the Millennium Duel well. Not astonishing, but really, except for useless Kaiba being there, it was more than adequate. (And although Kaiba himsefl was useless, it was cool seeing him rejected as an opponent for Atem in favor of Yugi. Actually I kinda wish they'd made a bigger deal out of that...) Kid me cried buckets (actually I must have been well into my teens by then bahahaha. I def cried though). Thanks to those final two episodes, the series send-off didn't leave me with a bad taste in my mouth. If it had ended with Memory World it would have been an even bigger disappointment to me than the finale of Bleach. And I despise the finale of Bleach x'D
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arkadiaasks · 2 years
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What do you think of Atsushi Maekawa's work on Yugioh franchise?
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Let's see...
Duel Monsters
His Battle City stuff (Roba, God 5 Combo, the Anchor Duel, Bakura vs Yugi, Bakura vs Marik) were generally pretty solid competent adaptations along with Hikokubo's Duel Reconstructions.
I liked Jounouchi vs Big 3, and was a fun combination of Luck vs. BS Fusion Strategy. The Big 5 Merger was a pretty fun Duel in terms of intensity. The villains might of not had much to really forward them but you can't say it wasn't a fun hammy over the top Duel.
And Exodia Necross was pretty cool. Like at worst, it was just good over the top, at best DM tried to let Gozaburo have his 15 minutes.
He generally handled Alcatraz as showrunner/head writer at the time pretty well, I think, as most of the stretch bloat of that arc was giving Takahashi breathing room
I liked the Train Duel stuff in DOMA, yeah, that was fun? And his Memory World stuff was as good as any of that mess could really work out, since it felt like the writers got passed notes to make it more "Duel-y" and streamline it.
GX
Never was huge on the first Asuka focus Episode (3).
Liked Hayato's Dad, whose Duel was one of the most interesting in GX. (9)
Super Animal Learning (13) and Tennis (15) were fine filler. I think Tennis was a reference to him having worked on Prince of Tennis.
Umi Duel I always remember because of the damn joke from the beginning, and the "UNDERWATER DUEL ACADEMY".
ARC-V
Uh, I think he generally got handed a shit hand having Kamishiro Tsutomu as his superior, as did many of the writers.
I think his part of Edo vs Yuya was okay (110) but that was never a Duel that was going to please people.
I think 115 and 116 he did capture the spirit of GX's dumb randos of the week, but this probably wasn't the place to do that, or they should of felt more meaningful as like Elite Mooks on home turf.
119 he caught how Ruri vs Shun should of stayed as the result. That worked perfectly as a catharsis moment for Shun saving his sister from mind control, and Ruri have control in stopping her own brainwashing.
He sold Battle Beast in 120 pretty okay.
124 to 125. Was. Okay? He generally got a good energy with letting Yuto take over, but I think people are still mad from no corrupt Lunalight Fusion and Ruri's Deck being wholely Parasites basically, basically the thing just felt like a general L creatively.
Massively indifferent to 130-131.
Not fond of Z-ARC!
141-142 I liked for the Train Samurai Duel.
And 145 was a perfect capstone for Shun that got shat on by Mr. Kamishiro.
So Ambivalent but when he did good stuff he did good stuff for ARC-V?
VRAINS
6-7: Hot Take, this was fine for setting up Aoi's character, arc and world setting.
16-17: This was okay Duel fluff, which Mr. Atsushi does well.
24-26: Same as 16-17.
29: Someone had to write it.
Like, he does try to give Aoi a decent shake in a progression for her arc. So most of her early on stuff people liked was from him.
39-40: This was a pretty good Duel, I liked Go vs Revolver.
51-52: Go going psycho worked here in all honesty. Go was always driven by his shitty petty pride, and him going to become toxic out of his desire to cleanse his sense of pride works!
62-63: I view this mostly as filler fluff for Yoshida to escape Beer Bar Anime Hell, and it was generally funny to have Soulburner already dealt and approached a previous trauma.
66-67: I liked these, with Earth and everything. He made Earth feel pretty relatable.
76-77: Look, if you're going to have to stitch Aoi into the plot for Aqua and give her a cardboard cutout MacGuffin friend for her to chase, this works.
90-91: Don't like these but I realize Aoi's arc ending this way was chiefly the result of VRAINS' anemic as fuck pool of cardable opponents, wrestling lingo wise. And if I recall she did nearly bounce Bowman into a wall.
94-95: This was. Okay. It was a shit arc, Flame and Soulburner got a pretty cool fight.
110: I generally liked Ai's arc.
VRAINS was fine, he was pretty good to Aoi, Soulburner and Go, main problem was VRAINS was a creature of its own creation conditions, but he seemed to give the cast decent time of day.
Like his tenure for the franchise has been fine, he gave characters decent focus and he was good at comedy episodes, and at worst, he did some some pretty kino boss fights.
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carmypen · 3 years
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When do I get to take photos of BEWD, Konami?
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cartermarcian · 3 years
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4Kids Korner - Season 2 - Episode 3
I'm a bit late this week because I got caught up with work and school-related dread, but now I'm back to bring you more 4Kids products! This week we have an epic trifepic: Winx Club Magazine Issue one - the castle, Kirby Right Back at Ya - Ice Kirby (DVDouble-Shot) and Kirby Right Back at Ya - Kirby Comes to Cappy Town!
Let's start by getting the smallest one out of the way. Here's Kirby Right Back at Ya - Ice Kirby (2005)
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There's something I oddly like about DVDouble-Shot. Starting In 2005, the DVDouble-Shot line was introduced featuring two-Episode DVDs of 4Kids most profitable shows as a way of promoting 4Kids TV. As for the consumer, the main selling point is that you could buy them for a low price, collect and possibly trade them with your friends, kind of like Pokémon cards. I like the idea of one kid saying to the other on the playground, "hey, wanna trade your Ninja Turtles for my YuGiOh?" How successful they were, I have no idea, but they're fun and easy to review on this show. Given their small portion size, practically every DVDouble-Shot is the same. This one had the episodes "The Chill Factor" and "DeDeDe's Snow Job," in accordance with the ice theme of the disc. It also features assorted promos for then-current and upcoming 4Kids shows identical to those seen in the 4Kids TV September demo disc (which I will hopefully review some time in the future.) Before we move on, though there's one little thing I want to point out about the box art. You can't see it in the photos I've provided, but the ice monster on the cover is far more pixelated than Kirby, if you look closely at it, so it appears to me that they lifted it right out of the episode and placed it on the cover. I guess that's just what happens when no official art of a character exists for your graphic designers to use...
Now that we have that one out of the way, let's talk about the stars of today's episode, which actually turned out to have much more historical value than most of the other stuff in my collection. So say hello to the Winx Club Magazine Premiere Issue, The Castle (2005)
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This is a very special addition to my collection not only because it's part of what I consider to be 4Kids' absolute peak year, but since the book was presumably printed in January of 2005, it means this was one of the first pieces of of merchandise to feature the now-famous 4Kids TV logo. Heck it might have even been printed before then. As for the book itself, it's quite cute as it features everything an 8-11 year old girl wanting to be a hip and trendy 2000s teenager could want, and contains surprisingly few ads for Winx Club merch. And even more adorable, is the publisher's attempts to fit that description using words like "slammin'" in sentences. I call it a magazine, but it's really more dedicated to the comic included, "The Castle," which I would have read, but I needed to get some sleep the day I read it, so I skimmed the book's numerous activities, instead. But for those still interested, the comic is a retelling of Bloom's enrollment in Alfea, with original art that's pretty accurate to the actual show. But the book's real allure is the activities. Like the free trading card you'll see in the photo above. It even comes with a full-page description of what a trading card game is, making reference to YuGiOh in the process, which I thought was funny since 4Kids owned that, and also because it heavily implies that only boys play YuGiOh when the show itself has many female duelists. After that, you have a faux interview with Bloom taken from the perspective of a fellow Alfea Student. What I remember most clearly about that, is that Bloom says she listens to top 40's, which made me think "man, she's got some trash music taste," even though I, myself have said on multiple occasions off of tumblr that I listen to basically everything. Also included on the magazine are a paper fortune-telling toy, a best friend diary which includes a "secret crush" slot to fill in, a page for writing down predictions about the reader's future, and even a personality test which assigns your traits to a type of flower, as suggested by Flora on the page. The funny thing about this is that one question asks for the reader's favorite kind of movie, and one of the options is "anime everything," which I thought was funny since anime was just starting to get big at that time in America, and the online anime community was just starting to grow. Finally, on the last page, probably the most creative of all, is a step-by-step slumber party plan by Musa, which details inviting everyone over, having them show up dressed as their favorite popstar (like Brittany Spears, for example) and bring their favorite CD from said popstar, then taking turns playing them and talking about them. It sounds quite fun, and it made me smile imagining all the little kids who tried this. That's exactly what I think is awesome about children's entertainment: it makes them happy and builds their imagination. So that's the Winx Club Magazine, a really good buy, but I must admit they used the same art of the girls more than once on a few occasions, and also wrote in a plot hole in the interview with Bloom, where she says she discovered her powers as a child, but in the show she unlocks them at her current age when saving Stella from the first monsters of the series. So it may have a couple flukes, but still quite enjoyable.
And last, but never least, it's time for Kirby Right Back at Ya: Kirby Comes to Dream Land (2002)
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This one is also historically significant for two reasons. One is that it was the very first release of one of the more famous non-Pokémon/YuGiOh shows 4Kids had to offer, but it also played a part in promoting the very launch of the Fox Box, as you'll see on the box art. This disc may only have the first three episodes of the show, but it super makes up for it with a plethora of special features, more than any of the DVDs I currently own, and that they strangely enough don't tell you about on the box. And speaking of the box, though you might not see it, the episode descriptions on the back are written entirely in comic sans. Yeah, it's clear to see 4Kids wasn't quite as sharp as they would be in the next few years... and the DVD menus are also written entirely in this font. But that doesn't take away from the outstanding value. much like the Fright to the Finish DVD, this one's special features are split between two menus. For this one, there's "More Kirby" and "Added Attractions," which is the far superior one, but more on that in a minute. The More Kirby menu features a character gallary telling you about the main cast, set to music from the show. Then there's "Kirbyoke," which is there to teach the kids the words to the theme song. And finally, we have a preview for the next DVD in the series, which at that point hadn't a proper name, so Mike Pollock's voice just refers to it as "Kirby Right Back at Ya Volume 2." Then, in the "Added Attractions" menu, we have a promo for Cubix - Robots for Everyone's first DVD release, a short promo for the newly-launched FoxBox.TV website, and the star of this review by far, "What's Inside The Fox Box?!" This incredible 14 minute long promo (which you can find on Youtube, by the way,) previews every single show in the Fox Box's initial lineup as a way of hyping up the network for it's September 2002 launch. Well, kind of... You see, 4Kids made multi-minute promos for their own productions, complete with plot synopses by Mike Pollock and others and theme songs for the shows. Meanwhile, Stargate Infinity, a third-party show, only got a promo featuring still images of the main cast, a paper-thin explanation of the plot and no opening, all clocking in at under a minute. So, yeah, pretty lame move on 4Kids part, but at least we get to see HD footage of 4Kids lost Ultraman Tiga dub. Ultimately, it's a really fun promo from 4Kids' very beginnings as a dedicated children's entertainment company, even though it uses some uncut clips of guns in Fighting Foodons since the dub wasn't finished at that point. One last thing to point out: the promo for Teenage Mutant Ninja Turtles (which hadn't even started production at the time,) features an unused theme song demo for the series which also made it's way onto the illusive Fox Box CD. So there you have it, one of the DVDs that started it all. Thanks for reading about it, as well as my other items this week. I will be back with more next week, so hang in there, and I'll see you all next time. Take care!
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browniesnivy · 3 years
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hiii brownie idk enough abt yugioh but *insert one of ur yugioh faves* and umm maybe franziska for that character ask game :]
Franziska Von Karma 
How I feel about this character- FRANZISKA LITERALLY SO AMAZING...I love how she’s introduced as just as terrifying and cruel as her father, but then you see that she really does care about helping other people throughout her determination to avenge Edgeworth and to help Phoenix save Maya in Farewell My Turnabout despite taking a bullet to the shoulder (such a good parallel with her father on its own!)... and then with the scene at the airport she’s is allowed to be emotionally vulnerable without being any less of a competent prodigy of law! She’s just... so fucking cool I LOVE HER!
All the people I ship romantically with this character- Maya Fey! I love the contrast between both of their personalities making them seem like total opposites, but when you look at their connection to a family legacy it becomes obvious they have a lot in common. I wish the games had expanded on their dynamic more, but unfortunately lesbians are oppressed :( 
My non-romantic OTP for this character- VON KARMA SIBLINGS... Mieke I know you agree with me on this! They grew up with the same terrible expectation that come with being a prodigy, and so they’re really the only ones who’s can comfort and understand each other... they obviously both feel such an obligation to protect each other and it makes me so CRAZY UGH. BROTHER AND SISTER! 
My unpopular opinion about this character- I don’t think this is an unpopular opinion but I wish she’d kept the shorter hair design from the concept art where her hair is slicked forward to contrast with her father’s slicked back hair, not only because I’m a lesbian and that hairstyle was SO GAY but because I think it could have highlighted or even foreshadowed how she differs from Manfred. Maybe since she hasn’t been able to abandon his influences by Justice for All it wouldn’t make since for her to have such a “wild” hairstyle, but I think that if she returns it would be amazing to see her with that hairstyle to represent how she’s moved on after a decade.
One thing I wish would happen / had happened with this character in canon- SHOW HER DENOUNCING MANFRED VON KARMA FOR REAL. I can understand that it would take time for her to fully accept that her father was not as admirable as she’d been least to believe, but by this point in the timeline I think it’s time for that aspect of her character arc to be resolved. The natural conclusion of her development requires her experiencing the same acceptance of defeat as her brother, so I really hope that if they bring Franziska back at some point she’ll be allowed to admit that her father was awful and that victory isn’t an indication of worth.
Rex Raptor
How I feel about this character- HE IS MY FAVORITE CHARACTER IN ANY PIECE OF MEDIA EVER. I know that he isn’t meant to be a deep character at all and he isn’t given much narrative focus at all but he is just SO DAMN ENDEARING TO ME OKAY. I have an unhealthy obsession with how he is initially introduced as being crass and inconsiderate while Weevil is more polite and strategic, but then it turns out Weevil is a total asshole while Rex is just... a kid who likes dinosaurs and duels for fun? Like even though he’s a total dumbass (the best character trait) who can be a bit rude (not even mean-spirited if we’re being totally honest, like most of his remarks are just him being snarky), the manga describes him as “having to the spirit of a true duelist” and he never really seems as bitter about losing as his counterpart Weevil (except in the Season 4 filler arc, which although I adore for giving me so much more Rex content, makes a lot mistakes by characterizing him as basically interchangeable with Weevil... BUT that’s ANOTHER STORY for ANOTHER DAY). I mean he has more justifiable reasons to be upset than Weevil given how he was LITERALLY cheated out of the Battle City tournaments by Espa (which Mokuba the official rule enforcer LETS THEM GET AWAY WITH and then doesn’t do ANYTHING to compensate Rex), and he STILL tries to warn Joey to stay away from trouble despite him being the guy he supposedly dislikes because he took his best card, totally disgracing him and ruining his entire career. I could keep going but this paragraph isn’t probably already sickeningly long and I still need to be able to make posts about him in the future, so in a nutshell... he seems like a funny and good kid. OH AND WHEN MAI ASKED HIM THE “what can you see but cannot see” RIDDLE AND HE ANSWERED TAKOYAKI BECAUSE YOU CAN SEE THE DOUGH ON THE OUTSIDE BUT NOT THE OCTOPUS ON THE INSIDE? LITERAL CUTEST SHIT EVER KING OF COMEDY I LOVE YOU I LOVE YOU I LOVE YOU. Ahem. Sorry.  
All the people I ship romantically with this character- Weevil Underwood. They’re both teenagers who got famous, let it get to their heads, and then lost everything... considering that they seem like the types of kids who would be bullied relentlessly (they're already constantly being made fun of by mostly of the character anyway), I think the fact that they end up befriending each other is a good sign that they can find some comfort in each other and discover other things to be fulfilled by beside card games. I love how even though this friendship is framed as a begrudging alliance between two self-servings jerks half of the time, the other half of the time it’s about best friends starting a shit together for petty reasons and always being by each other’s side no matter what. The way that they tease each other constantly but then always stand up for one another when others pick on them... it’s so obvious that they actually really care about one another! I just love their dynamic so much it’s unreal, hence the blog.
My non-romantic OTP for this character- Although I primarily think about his relationship with Weevil, there is still a lot of potential to be explored with other characters! Mako is another minor character obsessed with a type of animal, but where’s he differs from Rex and ESPECIALLY Weevil is his sportsmanship, being able to become friends with Yugi and Joey even after being defeated by them. I think that difference mostly comes down to Mako being significantly older than Red and Weevil and therefore having more perspective on gaming fame, so I feel like he would be a great influence on them. On Rex specifically, I think Season 4 missed a big opportunity to expand on Rex and Mai’s relationship. Mai had been a major contributor to Rex losing in Duelist Kingdom, but now they both feel like washed-up failures. I think given the circumstances they could have comeback to an understanding, maybe even have Mai apologize for throwing him under the bus to screw with Joey? I think showing Rex that not everyone who has wronged him in the past had/still has bad intentions would be really good addition to his character arc in Season 4. Then of course there is Joey... to me, the main difference between Rex and Joey is that Joey is stupidly lucky while Rex never seems to catch a break. Otherwise they’re both recklessness dumbasses who prioritize brawn over brain, but Joey is nevertheless able to triumph through sheer dumb luck while Rex gets anihilated over and over with basically the same strategy (minus the RNG cards, Joey’s strategy is just big monsters after all). While the previously mentions she relationships were hypothetical, this dynamic between Joey and Rex is actually given some focus in canon, and I found it very compelling! I only wish this difference between them hadn't only been used to increase Joey’s confidence in his skills as a duelist (which I will remind you is mostly LUCK, no offense to Joey because I do love him BUT I MEAN... only being able to beat Rex because of a lucky Time Wizard isn’t peak strategy ), but to develop Rex’s character somehow as well. 
My unpopular opinion about this character- JUST LIKING THIS CHARACTER IS AN UNPOPULAR OPINION MAN... tons of people hate him so much! I know he isn’t an important character at all but he isn’t nearly as much of a jerk as people make him out to be, and I mean even if he was he’s just a kid! I won’t pretend that he is always portrayed favorably by the narrative, but the fact that some people feel nothing but disdain for a child whose accomplishments were robbed from him by forces outside of his control and who received no sympathy for it, causing his self-worth to deteriorate... it’s a bit concerning to me that so many adults in particular are so disgusted by that. 
One thing I wish would happen / had happened with this character in canon- I’ve talked QUITE a lot already about things that I wish had happened to develop his character more, but above all else I wish his character arc in Season 4 had been given a proper conclusion. The writers set up this interesting conflict where the insignificant minor characters are upset that they aren’t allowed to be successful when the more important characters aren’t involved and shows the consequences that their defeat had on their lives and self-image... BUT THEN AFTER THEY’RE DEFEATED THEY ARE FORGOTTEN ABOUT FOR THE REST OF THE SEASON UNTIL THEY WAKE UP IN THE HOSPITAL AND INSTANTLY REVERT BACK TO BEING COMIC RELIEF GRRR GRRRRRRRR! There wasn’t no resolution to this arc AT ALL and it drives me UP THE GODDAMN WALL because it absolutely captivated me in concept... but like with many things in Yu-Gi-Oh! the execution was totally ruined :( 
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steve0discusses · 4 years
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Live Action Fullmetal Alchemist Pt 2: Winry
OK, it appears tumblr will let me edit a draft again (yay!) So I can go ahead and quickly edit this post I made long ago, before this corona situation, when I was just...so happy...all of the time.
Anyway, it starts out with meeting a villain
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So like, I don’t want to step on the toes of one of the biggest and most highly regarded fandoms but Lust wears more clothes than Envy and only seduced one idiot and yet her defining trait is that she’s Lust?
Just seems like she could’ve been more lusty.
And yeah she’s the first to die so it’s not like she had much time, but like, is she Lust just because she’s a lady with boobs? Boobs make you Lust? I see boobs every time I look in a mirror, and I’m pretty sure I’ve worn less clothes than lust on multiple occasions and I am a very prudish person. Whatever, that said, lets get to the good stuff, that’s right, it’s a train, this is what we’re all here for, step aside, Lust and your boobs, we want that good train action.
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Damn look at that train. Look at that good train.
Last we left off, Al was cleaning up the mess Ed made, although I’m pretty sure in the anime, Ed could easily fix this stuff in like half a second. But in the movie, they removed that particular alchemy superpower and just kind of leave the town wrecked and go “sorry guys, we’re gonna just leave it like this so we can hold it over Ed later, sorry about the fruit stand. We gotta get realllll catty with my older brother.”
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Which is when we introduce Winry.
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So like...you can’t really tell from here but they decided to put rivets on everything Winry wears and that’s about all we have here to make her into the Winry I recognize, and that’s OK. It’s OK they stepped away from blonde. They were just so completely exhausted after how many times they had to stick Ed’s braid back on that they just...gave up. However, she is absolutely wearing fake bangs. Just throwing that out there, it’s not a bad look, and I’m a little jealous of them, but no one has bangs like that naturally, as a person who tried Zooey Deschenel bangs for 6 years.
And also--I got a comment on the last post that apparently a lot of Ed’s hair is REAL and they dyed it for the movie. I don’t know which parts exactly, I feel very suspicious of The Braid, but...that is so unfortunate.
So, lets see what Ed’s been up to, considering he left about 5 minutes ago.
(read more under the cut)
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Yeah. Just don’t think about it. Maps don’t exist in this movie. It’s a little rough coming from the anime which was pretty map heavy, but this movie says “nah” to maps. This map doesn’t exist. The whole thing where they were making a big alchemy circle out of Amestris? Not a thing anymore, don’t think about it.
Ed and his substitute Dad, Roy Mustang, are too busy fighting about Ed’s only motivation in this movie. This scene happened in the anime as well, and it was sort of different, but again this movie has to abridge a hell ton of content so this is what we got.
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Enter, Hughes.
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So Hughes is great. Easily one of the best characters in the anime, who only exists just to die, and they made him just as likeable in this movie. This actor was clearly really jazzed to play a soon to be dead Hughes and he did a great job. Course, it’s a pretty wacky Hughes, but that’s fine, this is a weirdly wacky movie.
Also now this guy is here.
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(and sorry to let you all down but Ed’s Real Dad or Ed’s Real Dad’s Clone does not even appear in this movie. I know. You might be wondering...so what else is left when you remove...all of that...don’t worry. We’ll get there.)
General Hakuro, I had to look up, because I had completely forgotten who this tool was. But it didn’t really matter, because in their attempt to shorten the anime, Hakuro ends up taking the part of like 10 other people in the original. I mean yeah, you gotta edit, but I just didn’t expect all those people to be played by the part of Hakuro.
No one expects the twists to be honest, it’s...it’s really freakin weird.
Anyways, at least we get to enjoy some Hughes time before he kicks it and this actor will absolutely get his Hughes fill out of every line because he knows he’ll be dead by Act 2. Ah Hughes, the worst spy. I love Hughes. This movie did such a good Hughes.
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Listen I know that Winry and Ed are BELOVED. But like, I didn’t feel it in the anime. Be aware of my shipping immunity--I am sort of stone cold and I haven’t really shipped any fictional couples in my entire life. I have to really get sold on a ship to go for a ship, it’s just my weird superpower to be immune to shipping. I’m weird.
But I totally get that Ed and Winry are very beloved and so if you ship it, that’s wonderful. All ships are welcome here. However, this is a very different Ed and Winry dynamic. They’re actually attracted to each other from the get go and their dialogue is playful and they sync up really well like a married couple. And, they do all that without having Ed ignore her until she’s about to die and without any awkward underboob sequences (which was actually very funny in the anime, I’m not gonna lie). And again, this is entirely personal preference, but they do the bare minimum and it worked for me way better than the anime had in 50+ episodes.
Maybe it’s not for everyone, this, again, is just personal preference but...you do not need to torture your female protagonist to turn her into a romantic interest, you just have to have your characters romantically interested in each other. That’s really it. That’s the science. Yet, so many shows refuse to do the bare minimum.
Bear in mind, we also cover Yugioh here, so I might just be getting excited to actually cover a legit romance in a recap for once in my life that isn’t laced with so many bodies/cursed paper cards.
Also, while I make jokes about the sister vibes in the recap--the movie totally dropped any indication that they had been raised in the same house for a while (unlike the anime, which liked to remind you a lot).
Meanwhile, the General is having a really great conversation with himself and it’s like...all over the place. Maybe it was a translation error but this dialogue was kind of a mess.
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props to this actor for doing a really good “Oh no she stabbed me through the head!” face. I imagine this face was half his audition. It’s good.
Anyways, as this guy gets eaten alive, Gluttony’s shadow reveals it has a hellton of teeth coming out of it’s stomach. I remember these teeth being a really neat reveal in the anime because it was like halfway through the series, but like, I think this movie kinda expects you to have already seen the anime, so they didn’t really bother hiding this.
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Don’t worry we get to see real CGI teeth later and it is *bad*
By bad I mean really good.
Anyways, if you’re new here, I freakin love prop food and I will always take like a good minute to admire any food that is on set.
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Like it’s pretty blurry but I’m pretty sure there’s two soups and two salads. Maybe they just decided to raid the actor’s buffet table for this scene but it’s just a really random assortment and also a really huge ass buffet for like 4 people since Al doesn’t eat.
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Hughes’ cute girl was written out of the script but I don’t blame them because wow how many bad child actors do you need? That does mean we don’t get the sweet scene of Hughes pulling out his gun at a children’s birthday party, but this movie does have to end at some point so yes, the cute child antics got cut.
Much like moooooost of the people in this cast. At this point I’m just accepting it and moving forward.
Anyway, here’s a link you can click to read all of these in chrono order. There’s just 2 of them. I only have 2 left before I actually have to start watching this movie again so...hopefully by then I’ll...be better adjusted from this quarantine burn out I’ve been dealing with.
https://steve0discusses.tumblr.com/tagged/FMA/chrono
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synthient · 6 years
Note
Could you elaborate on what you mean about Death T re stanning and fairness? It sounds interesting and I'd love to hear about it if you don't mind sharing.
ajhfakj hoo boy. Okay.
So some time around the summer before last (judging by the point where the first baffled and frustrated readmores start showing up on this blog), I read Death-T. It made me feel…some kind of way. An…unpleasant kind of way.
Here’s the thing about me: I can’t just let myself have an emotional reaction to a piece of fiction. I have to, first, pick apart my own emotions to figure out why I had that reaction, and second, pick apart the story to figure out how it works and how it made me feel that way.
On the Feelings Front, I’ve isolated two main causes:
1. I have a brain that Needs Things To Be Fair. That doesn’t mean I can’t handle unfairness in a piece of fiction. Unfairness creates conflict, and conflict is what makes for good storytelling. But it does mean that I need the story to be aware of its own unfairness. I need the unfairness to be the point. Otherwise I start vibrating at high speeds and shaking my fist at clouds.
2. I’m a Kaiba stan. I accidentally got emotionally attached to the Funny Card Game Boy from the Funny Card Game Show. 
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There’s the feelings part. That leaves the “picking apart the story” side of the equation. And I’ve been trying to do that in nice punchy little one-or-two-paragraph text posts for the past year or so, but I don’t think I’ve ever really done the argument justice that way. So I guess that leaves only one option: writing a giant wordvomit essay on Yugioh (1996-2004).
Why This Is A Death-T Hateblog: The Masterpost
An important note: I like being able to back up my thoughts with Evidence From The Text, but I’m specifically working off the (Viz translated) manga. You can read Cards with Teeth here, Capumon here, and Death-T starting here if you want to check any of my facts or draw your own conclusions. Keep in mind that the Toei anime made pretty huge changes to the s0 Kaiba storyline, and the DM anime skipped most of it entirely–if you’re more familiar with those continuities, there’re some major differences in the manga.
(Also this thing probably reads better on desktop. I think the formatting got screwed up on mobile)
How We Got Here
Before we can actually dig into Death-T, we need to start at the very beginning (♫a very good place to start♫). So that means taking a look at “The Cards with Teeth (Part 1)” and “The Cards with Teeth (Part 2).”
For its first 8 chapters, the Yugioh manga chugs blissfully (if repetitively) along with an episodic, conflict-of-the-week formula. No overarching plot. Next to no sense of continuity. No trading cards in sight.
Then this asshole shows up. 
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His name is Seto Kaiba (or “Kaiba,” at least–not sure if this is just a Viz thing, but my copy of CwT never mentions his given name). Not that he bears a whole lot of resemblance to the Seto Kaiba we later come to know and love (and/or love to hate).
Almost none of his most defining traits are there yet. There’s no mention of Mokuba, no mention of Kaibacorp, no indicationthat he’s especially rich (besides the fact that he’s carrying around a wholebriefcase of trading cards), no reason to believe he has a specific obsession with Blue Eyes (he just thinks it’s a strong card and it’d help him win tournaments), and no sign of any special hacking/strategy/hand-to-hand-combat/etc. skills (the kid is hilariously incompetent). 
This dude was never supposed to be a recurring character, and it shows.
But anyway, let’s run through the basic series of events:
- Kaiba wanders into the game shop looking forbooster packs. Yugi recognizes him as an acquaintance from school (not as a famous kid CEO, and not as a recent transfer student)
- Kaiba happens to notice the Blue Eyes card lying out onGrandpa’s counter (in this version of events, he hasn’t been stealing rare cards for months before this, he didn’t creep on Yugi’s conversation and followhim home, he had no idea going in that the Blue Eyes was there, and he didn’t already have the other three)
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- He offers to trade all the cards in his briefcasefor the Blue Eyes (although he doesn’t tell Grandpa to name his price—again,the millionaire CEO element isn’t a thing yet)
- Grandpa refuses, so the next day Kaiba comes up with alaughably badly thought-out plan to steal the card
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- Shockingly, Yugi notices that the “color copy from the catalog” isn’t the real deal. He gently tries to confront Kaiba about it in private
- Kaiba (without showing an ounce of the cool head you’d think you’d need to take over and run a company) panics, starts stammering and unconvincingly denying it, and then smacks Yugi with his briefcase
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Annnd then Part 2 plays out like a standard s0 chapter.
“Yami Yugi” takes over. They play a shadow game. Kaiba cheats by slipping the stolen Blue Eyes out of his sleeve (Atem’s like “That’s my Grandpa’s card!” and Kaiba straight up goes “Whaaat, nooo, that’s my card that I, uh, found on the street just now.” A teen genius criminal mastermind, everybody). The shadow magic gives him a spritz from its metaphorical Karmic Cat-Training Spray Bottle and makes his Blue Eyes dissolve (I’d like to think that was Kisara going “I’m not mad, just disappointed,” and Memory World tries to retroactively make that connection, but it’s pretty abundantly clear that nothing about this series was planned that far ahead). He loses. Yadda yadda yadda.
And then Atem goes in for the penalty game.
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To recap: 
Some random 10th grader from Yugi’s school stole a trading card, hit someone, and was generally kind of a jerk. As punishment, he was trapped in a hyper-realistic illusion of being ripped apart and slaughtered by half a dozen monsters at once.
Y…ay…?
Let’s Stop and Reflect for a Sec
In theory, I shouldn’t be that much more upset about Cards with Teeth than I am about any other part of s0, right? It’s not like the manga framed it as horrific and wrong when Atem set off an explosion in some teenage bully’s face a couple chapters ago. Giving us the vicarious pleasure of punishing our bullies in over-the-top, Carrie-style ways without actually exploring any of the consequences is, like, the early manga’s whole thing.
But even taking into account the fact that I already had an attachment to this Nasty Bowl Cut Boy thanks to the anime, I do actually think that there are at least two factors that set CwT apart.
The first is that Atem’s karmic punishments are usually…well, karmic. If he inflicts physical harm on someone, it’s because they already inflicted or tried to inflict roughly the same amount of harm on Yugi & co. If the crime was relatively minor, then he only gives out a minor punishment–like, say, when the homeroom teacher was Just Kinda Mean, all he did was allow the class to see her without her makeup on (…setting aside the Let’s Get Into Gender Politics-ness of that chapter).
There’s even a few cases where you could argue that the punishment is too light to fit the crime. Ushio beat Jonouchi and Honda half to death and tried to murder Yugi with a knife, and all he got was this lousy t-shirt an illusion that made the trash on the ground look like money.
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In another chapter, the villain of the week tried to rape Anzu, and the only punishment he faced was having his side business exposed as a scam (Let’s Get Into Gender Politics).
Yet in CwT, we see one of the most harmless villains in all of s0 (no prolonged beatings or attempted murder? unheard of!) receive what’s arguably the most horrifying penalty game in the whole manga. At least when that guy got set on fire, it was over fast.
And that brings us to factor number two: Kaiba is the first penalty game victim in s0 who comes back. 
Capumon: Gotta Catch ‘em All!
Well, technically he doesn’t come back in person, at first. Someone else shows up to fight in his name.
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Oh hey Mokie. How’s it going?
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Rather understandably (imo), Mokuba wants the guy who tortured his brother last week to face some actual consequences for it.
Now here’s an interesting opportunity that the manga has set up for itself. Is it going to dig deep into the balance between defending yourself vs lashing out and causing undue harm? Is it going to remind us that most of the penalty game victims so far, whatever their crimes,have been children? Is it going to demonstrate that when you take out your anger on someone, you don’t just hurt your immediate target, but their loved ones as well?
Nah, who am I kidding.  
Hurting or inconveniencing the Good Guys in any way is Bad. Anything the Good Guys do is Good and Justified. Using magic to stick an already-hurting eleven-year-old in his own personalized hell? Good and Justified.
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Before he’s shoved screaming into the Giant Vending Machine Capsule Where Bad And Naughty Elementary Schoolers Go To Atone For Their Crimes, Mokuba mentions that the other penalty game he heard about “made my brother go crazy!”
He also drops a hint of things to come with all the subtlety of an anvil. So I guess by this point, the numbers had come in and the card game chapter had proved unexpectedly popular enough that a sequel was in the works.
Death-Twink? Death-Tastic?Death-Two: Electric Boogaloo?
I’ve been pretty hard on Cards with Teeth and Capsule Monsters Chess so far. But you want to know the truth?
On their own, they aren’t necessarily that bad.
What really matters in a story isn’t the literal events: it’s how those events are framed. At the moment, we’re only midway through an incomplete storyline. Maybe we’re supposed to be horrified. Maybe we’re supposed to be questioning whether or not the hero is really in the right. It all hangs on what these chapters are building to.
As it turns out–as Mokuba just helpfully clued us in on–they were building to Death-T.
And that’s where the shit hits the fan.
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Over a dozen chapters after we first met Kaiba, a whole bunch of completely-unforeshadowed facts about him are suddenly dumped on us all at once. He’s rich! The kind of rich that allows for limo rides, a giant mansion, and flouncing around in a fur-lined cape like feudal European nobility! And he’s the president of a company, even though “Whaa?!! But he’s still in high school!” Speaking of which, apparently Kaiba “hasn’t been at school recently.”
The Death-T arc opens with Yugi and Jonouchi attending the world’s most awkward sleepover–the host never shows up, and they don’t even get to paint each others’ nails or watch movies. Also Mokuba tries to murder them in the night, but you know what? If someone tortured my brother, “made him go crazy,” and left him huddled in the house feverishly working on a bizarre project and refusing to go to school for the next few weeks, I’d probably poison them too.
The morning after the sleepover, we learn another new Kaiba Fact…
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Ever since the Experience of Death happened, he’s been having horrible recurring PTSD nightmares about it. As you do. When you get tortured.
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(This is why, even though I know intellectually that it’s Not That Deep and people arejust having fun, I still get a little skeeved out when I see jokes about howDeath-T happened “just” because Kaiba was that mad about losing a card game or “just”because he had a crush on Yugi and he didn’t know how to deal with it. I’malways internally like “Nnno, I’m pretty sure it was the torture?”)
So far we’ve been shown in pretty brutal detail that our “hero” psychologically broke a fifteen-year-old for no good reason. The manga’s going to have its work cut out for it if it really wants to do a convincing redemption arc for its protagonist. And there’s no way it could possibly try to spin that random act of torture as an acceptable thing, right?
…right?
Crime and Punishment
That’s one of my first big problems with Death-T: to me, it reads as a way of trying to retroactively justify the Experience of Death.
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That seems to be the purpose of suddenly giving Kaiba all this wealth and power that was never hinted at in Cards with Teeth. See, he wasn’t just some random high school kid who had the bad luck of crossing someone with magic powers; he was (however improbable that is, as the story lampshades) a high school-aged CEO. He’s so ludicrously powerful that he can torture an old man in front of a live audience and get away with it. Punching up looks a lot better than punching down, doesn’t it?
And you can’t really fault the hero for torturing someone evil, can you? Kaiba used Grandpa’s sanity as a blackmail chip! He ran experiments on human test subjects! He wants to kill Yugi and everyone he loves! Surely a little torture is no worse than he deserved.
There’s only one one problem with that: the Experience of Death happened before Death-T. There’s no way Atem could have known any of this was coming. The audience couldn’t have known it was coming. Takahashi didn’t know. Chronologically speaking, the Experience of Death wasn’t revenge for Death-T. It’s the other way around.
Best Served Cold
So Death-T is a form of eye-for-an-eye vengeance: “Yugi” beat Kaiba at Duel Monsters and tortured him, so now Kaiba’s gonna beat Yugi and torture him, using his own perfect virtual recreation of “Yugi’s” penalty game (oh yeah, that whole “the average person goes insane in about 10 minutes” thing? Kaiba was able to program that detail from personal experience).
But wait! This isn’t really eye-for-an-eye! Kaiba’s going after Yugi’s loved ones, not just Yugi, and that’s worse than what Yugi did to him! And even if it was proportionate, revenge is bad and wrong. That’s how you get endless back-and-forth chains of vengeance and generational blood feuds and stuff. Two wrongs don’t make a right!
And those could all be reasonable points, except…
This entire story is about how great and badass eye-for-an-eye justice is.
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“Wouldn’t it be cool if you could take everyone who ever hurt you and make them suffer even worse” is practically the thesis of Season 0. You can’t make something look awesome when the protagonist does it and then turn around and make it seem evil and inexcusable coming from anyone else.
And while Kaiba does wind up targeting Yugi’s friends, that wasn’t part of his original plan. He’s surprised when random people start jumping out of the bleachers/the Kaibacorp employee roster and insisting that they won’t let Yugi do this alone. The writing uses his surprise as proof that he just doesn’t understand The Power of Friendship, but it’s also evidence that his original target was just Yugi.
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“If you’re gonna side with my torturer, then you can have the same fate as him, I guess.” It’s not even that far outside the logic Atem’s been using all this time. Just because there’s only one main gang member who personally hurt his friend, that doesn’t mean that Atem won’t rope every random mook who gets in his way into the death game too. (Granted, this doesn’t really apply to Kaiba’s treatment of Grandpa. Or the offscreen experimentation/blackmailing. Or Mokuba, but…we’ll get to that).
…But like I said before, the big issue isn’t the events. It’s the framing. Maybe the point will ultimately be that if penalty games are wrong when the bad guy does them, then they’re wrong when the hero does them too. Maybe this is all leading up to a big reexamination of Atem’s moral code and some much-needed character development.
Maybe. Let’s keep going and see.
*Great Gatsby comic voice* Baby? What Baby
Death-T runs for 14 chapters, but Kaiba isn’t actually there for, like…half of them.
I mean, he’s technically there? Occasionally? He’ll show up long enough to dramatically play chess for a panel or so, or to stick his head on a TV monitor and provide some Helpful Death Game Hints. But for all practical purposes, he’s pretty much absent for the entire middle section of the story arc.
And, uh…let’s just say I 100% understand and respect the DM anime’s decisionto go straight from Grandpa’s heart attack to the final duel and skipeverything in between.
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If Kaiba’s real goal is to beat Yugi at Duel Monsters, then all the death games leading up to that one are basically filler. And they manage to be just as contrived and nonsensical as any anime filler arc, without a fraction of the fun.
It’s largely a tonal issue. The writing swings wildly between grimdark dramatics, sentimental conversations about friendship where everyone hugs and cries (tbh that’s one of the few redeeming qualities of the arc), and “comic relief” where the “““comedy””” is all either bodily function jokes or sexual assault jokes (L̠̤̯͍̦e̮̪͎̞t's̞̮̳̱̰̦̲ ̲G͖͉̹̻̯͉͖e̜̝̗͓̟͚t̖͚ ͚̰̞̮̝̫͎I͓̜̦̳̭͚͎n̪̪͈t͍̥̰̼o͚͎͇̣̘̝ ̪̼̜̣̳G͈̠̫e̳̝̗̪ṋ͚̞͎ͅd͔̙͓̯̹e̯̺̯̩r͔̣̲͔̳̗ ̘͙P̖̦o̩̺͖͎̞̬l͎̺͕̹i͇̣̼̦t̰i̬̰̝͙̗̝c̜̼̺̪̲̞s).
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Honestly, in terms of the “stanning and fairness” argument, there’s not much to talk about here. It just adds insult to injury that not only does Death-T throw my fave under the bus, but it’s really badly written.
The Mokuba Thing
Okay, let’s fast-forward through the filler zone and stoppp…here. 
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In the context of the anime, where we know (and see multiple flashbacks demonstrating) that their whole life has been an “us against the world” story, this scene is tragic. Seto’s trust in people has been eroded so much that he even thinks Mokuba is conspiring against him? Their love and support for each other, which has survived through so much hardship, has finally cracked under the weight of this latest trauma? There’s a lot of dramatic and tearjerking potential there.
I think it’s pretty safe to say that most of us bring our baggage from the anime with us when we read the manga. The vast majority of the western Yugioh fandom did start with DM. 
But if we look at this purely in the context of the manga–if we can pretend, for a second, that none of us have ever heard of the anime–this is the first time we see the two of them interacting onscreen. And none of those touching flashbacks of Seto comforting Mokuba and defending him from bullies and promising to be his father exist here. All we ever really learn about their relationship before this point is “They used to be a little closer when they were younger. Source: one (1) photo of them playing chess.”
So instead of serving as the tragic lowpoint of their relationship, this scene sets the baseline for it: Mokuba desperately wants to make his brother happy and earn his approval, while Seto responds with dismissal and cruelty.
In the anime (and to a certain extent in the later manga), Mokuba’s purpose in the narrative is to humanize Seto. But in Death-T, he serves the opposite function. Every interaction they have is an opportunity for Seto to kick the dog and prove what a monster he is.
And it’s all downhill from here.
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………………
…So.
I have…mixed feelings about this.
On one level–a meta level–I think this scene serves the same purpose as taking that random high schooler from CwT and suddenly giving him ridiculous amounts of money and power and mustache-twirling levels of villainy. It’s a way of making the Experience of Death seem retroactively justified (and also a way of making the upcoming penalty game look fair).
On the other hand. It’s. 
Horrific.
This scene is supposed to make us hate Kaiba, and it does it’s job really really well.
Personally speaking? I’m of the opinion that trying to hurt the child under your care as badly as you conceivably can is a “don’t pass go, don’t collect $100″ kind of deal. There’s no coming back from that. There’s no fixing or salvaging this relationship.  
(God, this whole thing is wrapped in so many layers of fantasy that I’m not even sure what the real-world equivalent would be. Trying to beat your child not quite to death?)
Mokuba should not have had to continue living with his brother after this, any more than the Ishtars should have had to stay with their dad or Seto should have had to stay with Gozaburo. Mokuba forgiving Seto for this isn’t touching to me, it’s gut-wrenching. Every “heartwarming” brotherly moment in the later manga (all, like…2 and a half of them) feels hollow and sad.
As far as I’m concerned, this scene doesn’t “complicate” their relationship in any interesting or meaningful way. Their anime relationship already has plenty of complications–their sometimes unhealthy co-dependence, the fact that Seto is still a kid himself and he’s not really equipped to be a parent,Mokuba’s difficulty understanding that Seto can’t just “go back to who he was” before his trauma, the times when Seto is too caught up in his own pain to really be there for Mokuba, the manipulation involved in Seto’s takeover plan, etc. This just makes their relationship outright child abuse.
But hey, they hugged that one time in Duelist Kingdom, so it’s fine, right?
ExODiA iiiIIIIT’s not pAHsible
The final duel happens. The big Blue Eyes vs Exodia showdown.
*Bill Wurtz voice* So that’s pretty nifty, I would say.
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It’s..? A genuinely cool and dramatic duel. There’s a reason it’s one of the, like, three Death-T elements the DM anime actually bothered to keep. Not much to say about it.
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Sure was a whole lot of buildup just to end things with one (1) deus ex machina instawin card, tho.
The Tragic Backstory
So if all this happened because of a penalty game, what do you think the solution could be?
Did you say “another, even harsher penalty game”?
Ding ding ding!
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This time, instead of torturing the fifteen-year-old, our hero puts the fifteen-year-old in a vegetative state as he begs for mercy.
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Yaaaayy! 
Some fun facts about the Mind Crush that we don’t actually learn until Duelist Kingdom:
1. It lasted for 6 months
2. Mokuba spent that entire time alone, in the big empty mansion, with no parental guidance or adult supervision except the butlers and maids, caring for his brother’s comatose body 24/7
3. When Atem put Kaiba in that coma, he had absolutely no idea if he’d ever be able to wake up or not. He thought he could, maybe–Kaiba’s pretty strong, right? But he also finds the idea that Kaiba died in his coma and came back to haunt him perfectly believable. “Fixed,” dead…eh, it was kind of a coin toss.
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But wait, the story’s not over yet! First we have to find out Why Kaiba Is The Way He Is (“Because your buddy tortured him last month” isn’t enough of an answer, apparently).
This is communicated in the most natural way possible: Mokuba just starts monologuing about all his brother’s deepest darkest traumas to a bunch of strangers his brother hates.
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The claim that Kaiba’s backstory is “more complex” in the manga than it is in the anime has always confused me, because this is…it. These three pages are the whole backstory. I mean, in Battle City we do get one more passing line of dialog about how Kaibacorp used to be a weapons manufacturer and Gozaburo “sold Seto’s soul to the military industrial complex,” but other than that… The anime took these bare bones and fleshed them out significantly, but from a pure manga canon standpoint, it’s not a whole lot to work with.
But there’s still enough here to rub me the wrong way.
For one thing, this sequence is almost an exact parallel to two later moments in the manga: Pegasus’s backstory dump at the end of Duelist Kingdom, and Malik’s backstory dump mid-Battle City. In both of those cases, the purpose of the scene is to take a villain whose motives seemed cruel and inexplicable and finally reveal the reasons behind his actions. We’re supposed to be seeing these characters in a sympathetic light for the very first time.
But Kaiba’s motives in Death-T, uh, weren’t exactly a mystery. He already made it pretty explicitly clear that this was about the torture. So as a narrative tool, Mokuba’s monologue:
1. seems a little superfluous
2. seems like a way of taking any responsibility out of the protagonist’s hands. Kaiba didn’t snap because of anything Atem did, he just had a bunch of fucked up baggage that Atem couldn’t possibly have known about or accounted for. Who knew some people take it badly when you torture them??
3. seems to suggest that we weren’t supposed to be sympathizing with Kaiba before this point. If this is the big “oh, now that I know why he did it, I guess I feel a little bad for him :(” moment, then that means the part where he got tortured…wasn’t?
And, as always, there’s the issue of the framing.
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The grace note of the monologue–the thought it leaves us with, the intended takeaway–isn’t “If only he hadn’t gone through years of abuse, in circumstances he had no real control over because he was a child.” It’s “If only he hadn’t brought all this upon himself by cheating.”
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Even if we ignore the fact that it’s physically impossible to cheat at chess (which seems like kind of a big oversight for a gaming manga, but oh well, That’s Yugioh Babe)…
How can you possibly present a ten-year-old cheating at a board game in a desperate gambit to get himself and his brother out of an orphanage as his start of darkness?
Yet that’s exactly what the writing does. This is a story about how games “reveal the true hearts” of their players and bring karmic retribution down on anyone who doesn’t respect the game and follow the rules. The implication is that the child abuse Seto suffered was karma. He rightfully earned it by cheating at chess, just like he brought the Experience of Death upon himself by cheating at Duel Monsters.
Oh yeah, speaking of which…
Wheel of Morality, Turn Turn Turn, Tell Us The Lesson We Should Learn
What was the outcome of Death-T? What impact did it actually have? 
Did it bring about any big moral reckoning? Any questioning of the heroes’ values? Did Atem learn the difficult but important lesson “torture bad”?
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Nnnnope!
Death-T is immediately followed by a series of episodic chapters that take us right back to the status quo like nothing happened. Atem keeps merrily handing out penalty games all the way up to the very end of Duelist Kingdom. When he does finally stop doing them, his decision has nothing to do with Death-T. It takes a comment from Pegasus about the Millennium Items having an “evil intelligence” to make him wonder “wait…I’m from a Millennium Item…I’m an intelligence…could evil…maybe include…torture????”
And even after the manga lukewarmly reverses its position to “torture sort of bad I guess,” it never really does anything with that revelation. None of the past penalty games are ever reexamined. No apologies are made. The Experience of Death is quietly swept under the rug, and the Mind Crush, when it’s brought up at all, is framed as noble act that “fixed” Kaiba (because “if you make someone suffer badly enough, you can hurt them into being a better person” is a great message).
Basically, we learned nothing from Death-T, nothing changed, and our takeaway is supposed to be “Atem was 100% in the right and Kaiba was 100% in the wrong, and also he’s an evil monster who deserved everything he got.”
Guess I Need A Satisfying Conclusion of Some Kind Even Through Death-T Didn’t Really Have One, Huh
Wow.
That was…a whole lot of words of Death-T rage that I apparently had in me zjkghzkkf. 
I tend to feel less justified about constantly harping on Death-T then I do when it comes to, like, the racism in Memory World, or the series’ general Miss O’Gyny. It’s not like “magical vigilantism” is exactly a real-word social issue that’s being reflected in this piece of fiction. I realize a lot of my anger pretty much boils down to “hey,, ! thats…my fave. stopp...being mean to him >:(”
But I also feel like the issues in Death-T aren’t limited to Death-T.
The manga has this…this thing where it wants to be able to pinpoint a few clear, unchanging moral rules (“cheating is bad!” “graverobbing is bad!” “patricide is bad!”) and just apply them neatly to every situation, without having to take into account any of that inconvenient stuff like “what were the circumstances of this specific situation,” or “how many choices were actually open to this person,” or “how much harm was done by this choice compared to its benefits in terms of basic human well-being.” Yet at the same time, that moral absolutism is somehow coupled with a reluctance to apply any moral judgement to its protagonists at all. 
The two points where that becomes clearest are Death-T and Memory World. And I feel like even when people acknowledge the issues with those arcs, they still want to be able to write it off as “oh, that was just a problem with the early chapters, it was fixed as the writing matured,” or “oh, that was just a problem at the end because of the mad rush to finish the story before it got canceled, it was never a thing before then.” But it’s not an isolated problem. It’s there at the beginning of the story, it’s there at the end, and it’s baked into everything in the middle.
…but anyhow. 
hey,, ! thats…my fave. stopp...being mean to him >:(
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itstimetodrew · 7 years
Text
All the Reasons Why I Like Drew
The Big Essay
To truly celebrate this Drew Day, I’d like to talk about why I like Drew and what he means to me. This whole blog is kind of dedicated to that idea, but it’s not all stated outright, and definitely not all in one post. So…. here’s the granddaddy of them all. Happy reading! :D
How I found The One
So, the matter-of-fact portion: How did I get into Pokémon? When did I decide I liked Drew as a character? It was mostly on accident. I remember I was 10 and getting over my big interest in the Tokyo Mew Mew/Mew Mew Power series. I always had some sort of Big Interest, and it was boring to be without one (it had been Yugioh before and original Pokémon before that, funny how all my favorite things came back). Since I had dropped early Pokémon for Yugioh, I didn’t care for Pokémon. It was old news, not that great, not worth going back to. But then one morning before school I went through the TV channels and stumbled upon an airing of Pokémon. All the characters except Ash and Brock and Team Rocket were foreign to me…and who was that green haired guy? I thought he was cute and needed a rebound anime crush.
By 10 years old I had started using the internet a lot, and so I found out about this new series of Pokémon, and that what I saw on TV was part of the Hoenn Grand Festival, which included that interesting Drew character. Then I found out about what a fandom was, fanfiction, AMVs, fanart, everything. It was hard not to get sucked into a fan base that had so much content and excitement surrounding it! I really doubt 10-year-old me would have imagined liking the same characters at age 21, but here I am! So, the next question…
Why Drew? (Let’s do bullet points for convenience.)
-        He’s smart and resourceful! He’s sharp enough to see through Team Rocket and Harley’s plans more than a couple times. His appeals and battle techniques can also be pretty neat…mostly. Sometimes it’s just a Petal Dance and he gets a perfect score for it pfft but stuff like that Dragonbreath + Razor Wind combo? Neato.
-        The snark…I love the snark. I like that Drew brings some comedy to the show and says what I sometimes think as the viewer (The infamous scene...
May: What’s extremespeed, Brock? 
Brock: It’s when a Pokemon uses its speed to the extreme! 
Drew, appearing from offscreen because he never misses a chance to make fun: Only an amateur would ask a question like that, May. 
(like honestly girl what did you think it meant))
-        Drew is helpful! He’s obviously a challenge and barrier to May, but he doesn’t want to see her fail. Drew helps to get May, Ash, Brock, and Max out of 4 situations with Team Rocket, and his eagerness to do what’s right is cutely summed up in his first appearance 
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“No clue what’s goin’ on, but happy to assist!” 
He’s a gem and has a good heart.
-        He’s so talented! This boy is a winner plain and simple. …Ok most of the time. …Some of the time. It just isn’t onscreen. You know, it’s the attitude that counts. But really!! He got to the final round of his first contest? That he got the final round of his first Grand Festival (I assume)?? He’s a STAR. A prodigy.
-        He has realistic flaws: doesn’t like spontaneity, doesn’t display emotion well, not the best with some social interaction, stubborn, secretive etc. He is definitely not a perfect character, which makes him that much more likable.
-        Drew’s motivation and dedication inspire me. He’s so passionate and focused about what he does, and he’s worked hard to get where he is. It’s difficult for me to not want to see him succeed!
-        He’s polite and respectful! Drew isn’t a jerk to everyone, he just likes riling up May sometimes, and even then, he knows when to knock it off and be a friend. Also, when he’s uncomfortable around over-excited fans, he thanks them for their support and tries to make a quick but smooth exit. He could just as easily be mean or look down on people who think of him so highly, but he doesn’t take anyone’s praise for granted.
-        That aforementioned awkwardness around fans? Absolute plus. The irony of Drew pursuing a path that’s filled with glamor and style but being weird about personal compliments is adorable, 10/10. (But it does highlight how he loves contests for the sport itself, not for fame or vanity!)
-        He means everything he says. Drew never once apologizes for his outbursts, which can be a problem and highlights a stubbornness in not wanting to admit he was wrong. But I think it also shows how Drew is careful in what he says and has little regret about his opinions, despite how they come across.
-        Drew is mature! It’s fun seeing him become more mature over the course of the series. At first he’s a typical brat and instigates conflict with May to an obnoxious degree, but by the end we see him and May having nice heart-to-hearts about losing and how to regain motivation to try again. Amazing.
-        His bond with his Pokémon. Drew is tough and not overly affectionate with them, but it’s those little hints of friendship that make it all the better. Especially him and Roselia. They’re my lifeblood. That he keeps Roselia out of its Pokeball to see fireworks? To sunbathe? Adorable. Look at them....
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And knowing Roselia was Drew’s only Pokémon for the first few contests we see him, it makes his sadness over Roselia getting hurt that much more important. His small conflict and resolution with Absol is great, too. I kind of think May and Drew’s differing opinion during the Kanto Grand Festival is the same theme that goes on to compose a large part of Ash and Paul’s rivalry. That idea of what a ‘proper’ way to train is to get results. I’m getting sidetracked and wrote about this before but anyway!! They’re all great, the whole team is great. And I can’t believe Drew’s Roserade is making lovely teas for the whole region of Alola.
-        And of course……. he’s so cute. You know this point had to come in somewhere. But look at him! 
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Those bright, sharp eyes. Those lovely lashes. That smirk and – if you can catch a rare glimpse – genuine soft smile. His hair, that signature hair flip he does when he wants to seem Really Cool, his controlled mannerisms, his clothes that are way too warm for Hoenn and I don’t know why he wears them but he obviously doesn’t care---- everything!!! He’s so cute and cool and lovely and 
I Adore Him.
He’s a bit of an idol of mine at this point. Some sort of ideal self. Which sounds weird since he’s a 10-year-old secondary anime character who hasn’t been seen onscreen in like 8 years, but whatever. I admire Drew’s drive to succeed, how he helps others, respects their feelings, and doesn’t change just to impress other people. I wish I could be as unconcerned with other people and follow my own path the way he does.
But his flaws are good to reflect on, too! His strict means of training make him inflexible, and I think his lacking ability to adapt is what holds him back a bit. It’s nice to know what you’re good at it, but if you focus only on your strengths, weaknesses become that much more obvious, and new opportunities for growth may be missed! I relate to this a lot because I’m afraid of doing new things because I’m so uncomfortable at appearing unskilled. But there’s no way to improve at something if you never attempt it!
His line about there always being someone better out there than you sticks with me, as well. I think Drew takes a different take on his own advice (“I guess there’s always someone better”) between the two grand festivals we see him in. In Hoenn, Drew uses the idea of someone always being better as a consolidation as to why he lost to Robert, he doesn’t seem too upset about it because I think it was more about the person he was facing. Robert is older, presumably more experienced, so it’s fine and understandable to lose to him. 
But when he’s faced with the prospect of May having a good shot at beating him, he’s agitated and nervous. Scared. Because May wasn’t just a ‘someone’ that could be better than him. He had seen her as a novice, and so the idea of losing to this kluzty beginner girl wasn’t acceptable. When Drew has time to sit and think about why he’s so upset, with Ash and Brock giving him some thoughts, I think Drew realizes that if he comes out of the competition stronger and more experienced than when he went in, having won or not, that is more valuable than focusing on being better than specific competitors. That’s what rivalry is. The end goal of a rivalry shouldn’t be to definitively be the winner in the relationship, but to keep challenging each other to become more skilled. You hope your rivals and friends help you improve, and you want to see them experience that same growth as well.
Pursuing any goal in hopes of being the best will get discouraging fast because there really is someone better than you, eventually, if not now. The most reliable thing is to just keep improving yourself. Hope that your past self would be in awe of what you can do now, and know that you still have a lot of growth and accomplishment ahead of you.
The reason I love Drew so much, and why this essay is so ridiculously long, is probably because I’ve locked myself into a bit of an echo chamber, honestly. Since I watch episodes with Drew most often and reflect on him a lot, he’s become extremely important and fascinating to me. I realize he’s a standard character from an objective view: the love interest and classy, arrogant rival…but after a full decade he’s developed a whole life of his own in my mind. Making headcanons and backstories and predictions for the future is so much fun! I know I build him up to be a lot more than he is in the series (I mean I usually get disappointed at the lack of depth he has when I go back to watch episodes) and it seems silly but…I’m okay with that silliness at this point. I kind of have to be after a solid decade lol
After all, I only picked up art again after wanting to bring fanart ideas to life when seeing a challenge for drawing favorite characters. Is that a laughable reason? Yeah! But do I enjoy art and I’m glad I decided to try again? Definitely!
And I thought AMVs with Drew on YouTube were so neat that I decided I wanted to make my own. So, I tried video editing, and I liked it! I still do video work and may incorporate it into a career. A career – from wanting to put clips of Drew and May to cool music. It’s so bizarre, but I’m glad that started me on this path!
Last year I also decided to finally get serious about learning Japanese which unsurprisingly, probably wouldn’t have happened if I wasn’t so interested in the Pokémon anime and my doujinshis with you know……. Drew. Learning a new language is rewarding in itself because I think it’s so neat to develop the ability to communicate with an entirely new group of people. To share ideas and culture and conversation…it’s amazing! Speaking of which – the people.
I’ve met so many people because of my love for Drew. Quite literally all of you reading this. Otherwise my YouTube account wouldn’t have existed, this blog wouldn’t, the videos, the shitposts, the fanart, all the cards and packages sent to one another, the hilarious, thoughtful, bizarre, uplifting text messages, every interaction and friendship online…none of them would have happened. Not that I don’t have bonds built on things other than Pokémon (it’s hard to believe, but some people have no clue how much I like Pokémon, much less Drew lol), but it seems like a butterfly effect. Since I’ve loved him for literally half of my life and I’ve gone through my teenage and now early adult years with this Thing for him, I don’t even know how much of my own personality and experience living as myself would be different. It’s wild and weird. My time in the Pokémon fandom has factored into so much of my life that I can’t possibly imagine what my life in some Drew-less parallel universe is like. Not to say my life would be bad without this fixation, but it’s too much change and I love my life the way it is!
Although this Drew Day is entirely arbitrary and June 12th has no real significance for him as a character, it’s great to get all my thoughts and feelings focused on one date. It all probably sounds ridiculous, all the importance I put on Drew as a character, but I’m aware of that ridiculousness. I thoroughly enjoy it! Drew will likely always be my favorite character in all of media. Perhaps someday I won’t think of him much anymore, but I would have guessed that as a 10-year-old thinking of her 21-year-old self, wouldn’t I?
All I can hope for is that I continue to have a great time with the Pokémon series, and that maybe my love for Drew will end up leading me to new passions and interests even further in my life. I’m so thankful he exists as a character and that I’ve had such a great time discussing him in stories and jokes and art with so many others. So, thank you! Everyone!!
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steve0discusses · 4 years
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Yugioh S4 Ep10 pt2: Yugi’s Never Ceasing Commute Continues
Last we left off, it was time to eat. Thank you. Thank you, Yugioh. You get me.
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Not one of their better spreads, TBH.
No cheese wheels, too. They are truly living in hard times.
(read more under the cut)
Rex and Weevil decided to look for rare cards in the rubble of Arthur Hawkin’s house.
I don’t know why they bothered with this, everything was very clearly exploded and on fire, but youknow, these two just seem to be very hellbent on being bad at life. Just two jokes that are here just to be jokes, wearing these duel disks that they’re not going to use until it’s finally time for them to betray us. Checkov’s jokes.
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And I hate to say this but they really are this season’s Bakura.
I know I just said that.
But this show really likes having at least one character that might turn at any moment and stab our protagonist in the back. They like to have at least one at all times there, hovering over Yugi’s oblivious shoulders, with that figurative knife (or literal, in the case of that time when Bakura stabbed himself without nearly any provocation).
In the past, when Bakura was out to lunch, we would have betraying friends like Kaiba, who would go solo in the middle of his own card game and end up throwing everyone in danger, and also Tristan who got full on possessed by the Big 5 and tried to murder everyone, but I guess after 4 seasons they were like “Youknow...I think Kaiba got over it.” and like...you can’t have Rebecca stab us in the back so lets bring Rex and Weevil.
At least their showtime is minimal, because unlike Bakura, who is pretty likeable even when he’s being an asshole, Rex and Weevil never turn off the asshole and are mostly just visual gags stumbling over eachother. Bakura was quite clever and had a bit of depth and mystery, while I don’t think Rex and Weevil are smart enough to even know how to spell mystery.
And if Rex and Weevil end up being good guys and the saviors of the whole show then my sincere apologies, but they are still kind of grating.
Now Rebecca gets a duel monster’s card that has a death threat on it, which is probably the normal way to sign your duel monsters cards in this universe. I imagine every card in Yugi’s deck has a couple death threats on each of them by now. Probably makes them more lucky.
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Ya so...
I can forgive this. The people who made this looked at a map of California, forgot that California is roughly the same size as Japan, and were like “I mean, there’s like 50 states, it can’t be that big.”
But here’s the thing about Death Valley. I am a Californian, but I have never been there. This is why.
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Death Valley is ASS to get to. Barely anyone lives there. Nothing goes there. You can’t just take a train, you have to drive there by going south past it and then turning around. It’s real round about and just in the middle of nowhere. May as well get there by flying into Las Vegas, and if you are flying into Las Vegas, chances are slim that you will leave that Vacation Town USA to vacation in a literal desert.
Clearly they saw the name “Death Valley” and got super excited but y’all...there’s a reason why we call it that, and everyone who knows about geography or is a Californian is kind of like “um...is Yugi...going to Death Valley???? That city slicker?”
Cuz this is not a normal desert. Normally, a human can survive 3 days without water, in Death Valley you apparently can only survive for 14 hours. It is the lowest point in the US and also the hottest point in the US and the place where the highest temperature was ever recorded on the Earth. And while that heat is only for 5 months of the year...it’s not winter in the show, is it? It’s fairly warm. San Fransisco wasn’t even foggy?
Like even the Death Valley website is like “please don’t leave the main roads and hike during the hot months” because y’all, this park is damn serious. Like this is one of the only National Parks that has not just one, but multiple ghost towns in it.
Don’t get me wrong, Death Valley’s very pretty and very fun I’ve heard, and it has like a very fancy dayspa in it, and if you like geography and like to rough it, then you will absolutely love how freakin weird Death Valley is. So, if you’re safe and know how to pack your gear, you’ll have no problem, but...Y’all, Yugi Muto, who barely survived Pegasus’ island (and only because Mai fed him) is going to just casually go into Death Valley.
In that outfit.
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Then, in some barn somewhere (I have NO IDEA where this exchange takes place) Rafael is grilling Arthur only to realize that this is a very pointless conversation.
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And in case you forgot Darts exist, he’s still out there, murdering people off for kicks. we’ll just add 20 more to the death count, the internet told me that’s the average amount of people on a fish boat of average size (although sometimes this boat seemed like the size of a shipping container barge but youknow...)
And in case you missed it, I have been doing the death counter wrong so I was 2 people behind--it’s correct now. With the rate this show goes I feel like we might see death 666 eventually. But, yes we did pass 269 so we’ll have to wait another 100, I guess, because it went to some rando on this boat. Nice.
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(The highest surface temperature of Death Valley ((not the air, but the ground)) ever recorded, was 201° F.)
(That’s 94° C for those in the back.)
I mean Yugi is part Pharaoh so I guess he just has a strong attraction to really terrible deserts. He’s also half a dead guy so maybe he also just has a strong attraction to being dead.
But I dunno, maybe this is the months of the year where Death Valley is manageable? Maybe? Possibly? We’ll just assume that it is.
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Now you can go horseback riding in Death Valley, as you can in any National Park, but it isn’t real normal to ride your horse all the way from San Fransisco. And like you can’t even let your dog off a leash in Death Valley. This is such a bad park for pets!
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Also, I found out some fun facts about horse travel, for anyone interested in writing fantasy and wants to know the average speed of a horse.
So a horse can go about 100 miles in a day, but only for one day. If you do 250 miles, the time has to be more spread out since you must recharge your horse. According to some horse-specialist on the internet who does horse marathons from coast to coast, if you have to do 500 miles, then you average about 24 miles a day, accounting for horse-recovery time and assuming it’s a horse that wasn’t bred for super long distances. (this is about a 500 mi horse ride, ps)
The pony express of old, the iconic Wells Fargo, would actually have horse stations along the prairie, where you would trade in your tired horse for a new horse, so that way you would never have to stop going 100 miles in a day. Since Yugi never changed his horse, this ride would have been absolutely ridiculous, and Copernicus the horse, would have stopped somewhere in Gilroy.
But this is a kid’s show so wtv, we’re gonna ignore that.
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(reminder that Yugi decided not to unhitch the perfectly serviceable truck and drive away with air conditioning.)
And Yugi really did make Rebecca promise not to tell these much older teens that he took off (something about how he doesn’t want to put more people in danger yada yada, normal Yugi stuff), but the show kind of blames this on Rebecca...but like...she’s 12. This one is on Yugi.
But, if Rebecca were older, maybe she would have done the same thing. Rebecca seems like maybe the type that realizes that when you like an idiot boy, you gotta let them do idiot things, and make idiot mistakes. You can’t just control what your friends do all the time, unlike this crew, which is controlling because that is the only way they keep eachother alive.
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So Joey decides to ignore both of the cars right next to him, and just book it to save his stupid ass friend. On foot. To Death Valley. From what the show insisted was just outside San Fransisco.
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And I guess that Rafael decided to just let Hawkins go?
Probably because Yugi got on a horse and Rafael was like “of course I know Yugi is chasing me on horseback off the main roads. Of course I know that.” and then he just...let Hawkins walk all the way back...
Hawkins should be dead, but not yet.
So lets check out Death Valley.
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So like...again I just think they probably boarded everything and had a rough idea of “America has a bunch of natural canyons, right?” and didn’t realize that the Grand Canyon was soooo far from California.
There are actually canyons in Death Valley but like...I dunno if the art matches that so much? They aren’t nearly as massive as the canyon situation farther East.
Again this was their art choice that they made and it’s...a choice. And they committed to it.
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And this bike thing happened?
This tandem bicycle for children lost among the wreckage of Rebecca Hawkin’s home is like a whole “baby shoes, never worn” short story in itself. Rebecca has nooo siblings or parents, right? She has a really old grandpa who is like 80 and doesn’t bike? Just uh...bringing that up...was this tandem bike for her to hang out with Yugi? Does Rebecca even have friends her own age? She already graduated college.
So much inferred by the bike that I know is just here because it’s a funny joke to see Rex and Weevil on a stupid tandem bike.
So I’ve heard about the bike/car/horse paradox before in regards to this season, (it’s one of the few things I knew about this season before going in) so I’m happy to see I’ve recapped enough Yugioh to see it play out.
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The paradox being, if Yugi is on horseback, and Rex and Weevil are on a bike, and the rest are in a car, who arrives first?
Apparently the show itself isn’t even sure because Rex and Weevil can keep up with a horse???
Anyway, the correct answer to the paradox is that everyone not in a car is dead for not bringing any water.
Everyone except for Raphael, who probably put a camel pack into each of his shoulder pads.
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OH NOW IT’S AN ANIME.
I don’t get why this is happening. But it’s a thing now. Rafael has either literal or metaphoric wings. Bear in mind I thought Pharaoh was Metaphoric for like 14 episodes. These Icarus wings might just be real. Rafael might have been a card this entire time, and I wouldn’t even blink.
Anyway, if this is your first post of mine you’ve seen of this, my apologies, we’re in S4 and this is very confusing. You can read from S1 ep 1 in chrono order by clicking this very handy link here!
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