#Wildstorm FX

[the-gershomite]

Resident Evil #4 -December 1998-

"Zombies Abroad" (1-11 of 15)

story by Ted Adams

art by Norman Felchle

letters by Rob Robbins

colors by Wildstorm FX

#wildstorm comics #resident evil #comics #ted adams #norman felchle #rob robbins #wildstorm fx

[dc-trinity90s]

The Superman Gallery - Shipbuilding By Mike Wieringo, José Marzan Jr., and Wildstorm FX

#dc comics #superman #clark kent

[fictionz]

New Fiction 2024 - January

"Osee" ed. Richard Challoner (1752)

I can't go back to check what Osee was on about. All you need to know about this phase of the bible is guys were prophesying, and pretty much every prophecy is about how the Hebrew people were fuckin' it up. This all feels like items in what should have been the appendix, but since I'm reading a Catholic bible it's all just filler until JC shows up. (And we're just under 70% after two solid years of gettin' through it.)

"Joel" ed. Richard Challoner (1752)

Another dull prophet.

This Gray Spirit by Heather Jarman (2002)

I want to love every DS9 book. It's a struggle to not enjoy them. But there's a trend here in the Mission Gamma series of trying to do Too Much. The last book was very long, but also very focused, and the premise of taking the Defiant out into the Gamma quadrant sounds fine until they do it again... and again... and again. And it gets to the point where I just don't care what they're doing. I want DS9--the setting--and its beloved cast of characters to do their thing there. I'll read on but this one really should have been two books instead of this A plot-B plot structure.

Divided We Fall by John J. Ordover, David Mack, Andrew Currie, Michael Collins, Richard Bennett, David Roach, John Nyberg, Jenna Garcia, WildStorm FX, Alex Sinclair, Jeff Mariotte (2001)

This one contrasted nicely against Revenant by Alex White. Both stories focus on Dax and how the Trill symbiont managers are real bad at transparency. The more I learn about this world, the more it sounds like a pretty clear caste system that should get them booted from the Federation. But then, I suffer the flaw of binary judgement, and there's probably some nuance there to consider.

Gargoyles the Movie Game dev. Buena Vista Home Video (1995)

Wow, this was the most broken version of Chutes and Ladders I've ever played. I recommend a house rule of doubling each number on the spinner if you want any chance at winning. The event cards are just so punishing and the strict time limit makes it a steep uphill battle.

Gargoyles Remastered dev. Walt Disney Computer Software & Empty Clip Studios (1995, 2023)

I had a problem with input lag in the original version that ruined my initial impression, but that was on me. Playing the remaster with no input lag and the extra features like updated art, music, and the rewind all added up to a more enjoyable, if short, experience. It's otherwise an interesting artifact from that transition out of 2D platformers and into chunky polygons and pre-rendered 3D visuals.

Gargoyles: Night Flight dev. Tiger Electronics (1995)

I've played a few of these mid-90s Tiger handhelds and it's fine for a car ride, which is where I always imagine these things were played at the time. It's so overly simple that I can't say it's worth playing, unlike the classic Game & Watch titles that had real challenge and replayability to them.

The Color Purple dir. Bazawule (2023)

I never caught the original movie or book, but this musical was great. And those events are some real fucked up trauma.

The Iron Claw dir. Sean Durkin (2023)

As period biopics go, this one's fine. Not too wild or revelatory, other than its highlighting a segment of the wrestling scene which I had no idea about. The performances were all solid and Ephron clearly committed to the role. The story is from that period of simpler costumes and narratives before my friends and I came aboard in the later 80s and 90s, so it was neat to understand a fictionalized buildup to the more familiar stories.

Poor Things dir. Yorgos Lanthimos (2023)

It was great, stylized, and I suppose does have an act structure but it feels a little loose with it, which I'm all for. It just doesn't match up to the amazing work in The Favorite.

Night Swim dir. Bryce McGuire (2024)

A snoozer, I'm afraid. The seed of it is interesting but it doesn't quite grow enough to make it compelling.

Aquaman and the Lost Kingdom dir. James Wan (2023)

Another snoozer. It's not as fun as the first one, and if these superhero things aren't fun then what're we doing here?

The Beekeeper dir. David Ayer (2024)

Yeah this was a rough stretch. Another action snoozer that maybe could have highlighted something interesting about exploitation of elders but just uses that as an excuse for Statham to go around punching dudes in a boring way.

I.S.S. dir. Gabriela Cowperthwaite (2023)

There's this particular subgenre of space movie where people are just out there in their tin cans, then they're stuck or screwed, and the drama plays out amid a desperate race to get out of that sitch. Hell, I will myself to sleep by conjuring a little scene I've developed where I'm out in my little space tug boat and need to shut down systems and go to sleep for the cycle. Gravity, Interstellar, and Life are all recent examples of this kind of movie that come to mind, and now we can add I.S.S. to that list. And I love these. I love space trouble. I ran into a bunch of these stories in my recent watch of The Outer Limits (1995), and I really can't get enough. I.S.S. has this uncomfortable angle on what if Earth annihilates itself, huh, smart guy? (Art reflecting reality, etc.) And that's a bummer to consider. But the story that plays out onboard the station is still neat and I would definitely watch this again.

Mean Girls dir. Samantha Jayne & Arturo Perez Jr. (2024)

Dug it! Maybe more than I did the original. Mostly because the musical sequences are great.

American Fiction dir. Cord Jefferson (2024)

Stories about writers can be a little too navel-gazey for me to handle, but I'm glad I caught this.

The Book of Clarence dir. Jeymes Samuel (2024)

It comes from the angle of true belief, so you have to buy into that going in, but the questions it raises and the general production all make it worth the watch. Plus, they tackle the question of why even is Jesus a white guy (well, we know why), so that makes it extra fun.

Battlestar Galactica - "Saga of a Star World" (1978)

Doofy? That's the word. Definitely of its time, but I'm gonna get through it all later this year.

The Twilight Zone - "Shatterday" (1985)

Ey Bruce Willis being moody before that was his brand. I watched the 60s version and now I feel obligated to see what issues of the day were popping up for 80s TV people.

Stargate SG-1 - "Children of the Gods" (1997)

Oh, okay, I didn't realize they were angling for the Showtime adult crowd with this. I was so used to the sanitized Saturday afternoon syndication version of the episodes. In any case, still a good start. Another show to watch in full later on.

Farscape - "Premiere" (1999)

Hm, more white guys as leads/captains isn't as appealing, but the puppety goodness of Henson aliens compels me to continue.

Fringe - "Pilot" (2008)

Holy shit, those first five minutes! I knew immediately I'd enjoy this show, whatever it's going to be. I heard enough good things that I figured I gotta.

Yellowstone - "Daybreak" (2018)

My mom wouldn't stop talking about this show so now I'll have to see what's what. So far it's Kevin Costner as an old asshole who raised his kids to also be assholes?

#new fiction #new fiction 2024 #january

[savage-kult-of-gorthaur]

"A MASTER ASSASSIN DEVELOPS INNOVATIVE WAYS TO DESECRATE THE HUMAN BODY."

PIC INFO: Resolution at 1073x1650 -- Spotlight on a splash page of Deathstroke the Terminator ready to slit Lourdes Lucero's throat, a.k.a., "La Encantadora," from the pages of "Action Comics" Vol. 1 #767. July, 2000. DC Comics.

"I'm doing you a favor. Honest. Senseless from the concussion grenades. A butcher's cut with surgeon's skill. Had our employer taken your betrayal personally, they could have paid me to... a master assassin develops innovative ways to desecrate the human body. It's a good death, Encantadora. A gift. Because I'm such a bleeding-heart Samaritan. I do wish you hadn't run, though. I wish you'd stood ground and snarled and spit and fought. It's so much easier when they fight."

-- DEATHSTROKE to La Encantadora (story/script by Joe Kelly)

Pencils: Kano

Inks: Marlo Alquiza

Colors: WildStorm FX

Letters: Comicraft

Source: www.dcuniverseinfinite.com/comics/book/action-comics-1938-767/0b28c65c-aead-423b-90d1-0dfbfe72a0f7.

#Deathstroke #DeathstroketheTerminator #SladeWilson #DCVillains #Supervillains #ActionComics2000 #ActionComicsVol.1 #DC #LourdesLucero #LaEncantadora #DCUniverse #JoeKelly #TheTerminator #DCLadies #WomenofDC #Splashpage #Assassin #MasterAssassin #DCComics #ActionComics #Encantadora #Mercenary #BountyHunter #LadiesofDC #DCWomen

[gepetordi1]

 Captain America (1996) #13 by Ron Lim, Danny Bulanadi, Wildstorm FX, James Robinson and Comicraft

[shadowwingtronix]

"Yesterday's" Graphic Novel> Star Trek: Voyager--False Colors

BW's "Yesterday's" Graphic Novel> Star Trek: Voyager--False Colors

Two photo covers in a row. Wish I could reuse the same joke. Star Trek: Voyager–False Colors WildStorm (January, 2000) WRITER: Nathan Archer PENCILER: Jeffrey Moy BACKGROUND ASSISTS: Philip Moy INKER: W.C. Carani COLORS: WildStorm FX LETTERER: Ryan Cline SELECTED PHOTO COVER: Alex Sinclair EDITOR: Jeff Mariotte (more…)

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#Borg #Seven Of Nine #Star Trek: Voyager #WildStorm

[wwprice1]

Iconic J Scott Campbell art from Gen-13 #3!

#dc comics #dc heroes #dc women #wildstorm universe #wildstorm fx #wildstorm comics #caitlin fairchild #fairchild #roxy spaulding #freefall #gen-13 #alex garner #j scott campbell #image comics #90s comics

[i-r-readcomics]

Albion

Volume: 1 #2

Penny Dreadful

Writers: Alan Moore, Leah Moore, John Reppion

Pencils: Shane Oakley

Inks: George Freeman, Richard Friend

Colours: Wildstorm FX

Covers: Dave Gibbons

Featuring: Penny Dolmann, Robot Archie, The Spider, Tim Kelly, Steel Claw, Fred Akely, Captain Hurricane, Zip Nolan, Grimly Feendish

WildStorm

#Albion #Penny Dolmann #Robot Archie #The Spider #Tim Kelly #Steel Claw #Fred Akely #Captain Hurricane #Zip Nolan #Grimly Feendish #WildStorm #Alan Moore #Leah Moore #John Reppion #Shane Oakley #George Freeman #Richard Friend #Wildstorm FX #Dave Gibbons #Comics

[vict0r04]

“Tom Strong: Libro 3” (Alan Moore, Chris Sprouse y otros, ECC Cómics)

Tom Strong y su familia aparecen en el desplegable de la portada de The Terrifics. Un nuevo título de DC comics que irrumpe en la flamante nueva línea de cómics de la Editorial, y que pretenden ser la respuesta a Los 4 Fantásticosde Marvel. Un resurgir del héroe de la ciencia que posiblemente dispare su popularidad y obligue a reeditar los tres fabulosos tomos que hace poco vieron la luz en…

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#Alan Moore #Alex Sinclair #Ben Oliver #Brian K. Vaughan #Chris Sprouse #Dave Sterwart #ed brubaker #Geoff Johns #Jimmy Palmiotti #Karl Story #Matt Hollingsworth #Shawn Mcmanus #Tom Strong #Varios autores #Wildstorm FX

[the-gershomite]

Resident Evil #4 -December 1998-

"Zombies Abroad" (12-15 of 15)

story by Ted Adams

art by Norman Felchle

letters by Rob Robbins

colors by Wildstorm FX

#wildstorm comics #resident evil #comics #ted adams #norman felchle #rob robbins #wildstorm fx

[omniversecomicsguide]

The momentary merging of the WildStorm and Heroes Reborn Earths during WORLD WAR 3 (1997). 

Check out Mike Wieringo's awesome splash page!

MORE: 

- - -

Artists: Mike Wieringo, Richard Case & WildStorm FX

Script: James Robinson

From: Fantastic Four #13 (interior)

Featuring: Giant-Man, Grifter, Gorgon, Void, Cyblade, Zealot, Warblade & Emp

#World War 3 #WildStorm #Heroes Reborn #Avengers #Hank Pym #WildCATs #Marvel Comics #Mike Wieringo

[comicweek]

Is She -- Like Me?

Batgirl #64 "Could've Been" Part Two - Gone, Daddy, Gone Written by Andersen Gabrych Penciled by Ale Garza Inked by Jesse Delperdang & Andrew Pepoy Colored by Wildstorm FX Lettered by Jared K. Fletcher

#batgirl #Cassandra Cain #Rose Wilson #batfamily #ale garza #jess delperdang #andrew pepoy

[jimleecomics]

Divine Right #10 (1999)

Scott Lobdell & Jim Lee -- writers   Jim Lee -- roughs Richard Bennett -- finishes/inker   Justin Ponsor & Wildstorm FX -- colorist  Albert Deschesne & Richard Starkings -- letterers  

#jim lee #wildstorm #image Comics #Jim Lee Returns #Final Issue

[gepetordi1]

WildC.A.T.s/X-Men: The Golden Age by Travis Charest, Wildstorm FX, Scott Lobdell and Comicraft

[lishminstyle]

Robin in Robin vs. Robin in Batgirl.

These two issues are part of the same crossover storyline (“Fresh Blood”). You’re meant to read one right after the other, but the stylistic differences between the Robin issues and the Batgirl issues are a little jarring.

Left is from Robin #132 by Damion Scott and Guy Major. Right is from Batgirl #58 by Alé Garza, Jesse Delperdang and Wildstorm FX.

#robin #tim drake #batgirl #damion scott #ale garza #alé garza #dc comics #dc

[wwprice1]

More incredible Adventures of Superman art by Mike Wieringo, Jose Marzan Jr., and Wildstorm FX!

#dc comics #dc heroes #superman #clark kent #Kal-El #man of steel #man of tomorrow #adventures of superman #rip mike wieringo #mike wieringo #jose marzan jr #joe casey #wildstorm fx #our worlds at war