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#Well at least I think Dean Martin's in the video
deadcactuswalking · 5 months
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REVIEWING THE CHARTS: 25/11/2023 (Tate McRae, Drake)
Content warning: Holiday festivities (bah humbug)
For a second week, Jack Harlow - sadly - holds onto the #1 with “Lovin’ on Me” on the UK Singles Chart. Welcome back to REVIEWING THE CHARTS!
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Rundown
As always, as this is very much a regular November-era episode, Hell, probably the real start of the Christmas music era, also known as the end-times, we start with our notable dropouts, which are songs exiting from the UK Top 75 - since that’s what I cover - after five weeks in the region or a peak in the top 40. This week, we bid our farewells to an actually pretty considerable selection of big hits, those being “TOO MUCH” by The Kid LAROI, Jung Kook and Central Cee, “Can’t Play Myself (A Tribute to Amy)” by Skepta, “IDGAF” by Drake featuring Yeat - most likely making way for Drake’s debut this week and will be back the next - “3D” by Jung Kook and Jack Harlow (also potentially back next week thanks to the Justin Timberlake remix), “Say Yes to Heaven” by Lana Del Rey, “Party All the Time” by Hannah Laing and HVRR (Rest well, sweet prince), “It Goes Like (Nanana)” by Peggy Gou, “Everywhere” by Fleetwood Mac, “Iris” by the Goo Goo Dolls, “Flowers” by Miley Cyrus, “Escapism.” by RAYE featuring 070 Shake, “As it Was” by Harry Styles and finally, “Someone You Loved” by Lewis Capaldi. It’s likely that these end up back in the chart after Christmas, and really, there is no silver lining because we’re shoveling out old tracks for even older ones.
Now as always, I will never cover all of the Christmas songs but this is the week this year where we get the influx of the truly canonised classics, at least most of them, so for their first week in the top 75 this year, we have “Let it Snow Let it Snow Let it Snow” by the late Dean Martin at #69, “Snowman” by Sia at #67, “Do They Know it’s Christmas?” by Band Aid at #65 - wow, not off to a good start at all. Thankfully, we do clean up with “It’s the Most Wonderful Time of the Year” by the late Andy Williams at #57, “Fairytale of New York” by The Pogues featuring the late Kirsty MacColl at #53, “Merry Christmas Everyone” by Shakin’ Stevens at #51, “Underneath the Tree” by Kelly Clarkson at #49 and “Jingle Bell Rock” by the late Bobby Helms at #44. Wham! are at #14, Mariah’s at #16, Brenda Lee trails in third at #31. We do also see some non-holiday gains, namely “Lil Boo Thang” by Paul Russell at #36, “Angel Numbers / Ten Toes” by Chris Brown at #31 for whatever reason, “First Person Shooter” by Drake featuring J. Cole at #27 thanks to the video - more on Drake later - and “Can’t Catch Me Now” by Olivia Rodrigo at #13. We also see the bizarre re-entry for Ye’s 2010 track “Runaway” featuring Pusha T at a new peak of #34. Yeah, I assume there’s some TikTok virality here because I can’t figure out why otherwise, though it is a fan favourite - even if I think it’s pretty overrated, like the rest of that album. For the record, this is only its third week in the UK charts; it peaked at #56 for two consecutive weeks in 2010 and vanished thereafter.
And for THIS week in the UK Singles Chart, our top five starts with “Water” by Tyla at #5, in no doubt helped by remixes with Travis Scott and Marshmello of all people, and sadly not other Afrobeats artists as would have probably worked a lot better. Regardless, we then have “Stick Season” by Noah Kahan at #4, “greedy” by Tate McRae at #3, “Prada” by casso, RAYE and D-Block Europe at #2 and of course, Jack Harlow at the very top. Now to pick through our limited little bag of new entries.
NEW ARRIVALS
#75 - “Stay Another Day” - Jorja Smith
Produced by who cares?
Well, it’s that time of year again where we get the charts flooded with Amazon originals, tracks recorded for the Christmas season exclusively by artists working with Amazon Music that autoplay when you ask Alexa for holiday tracks. I think I would have loved to hear a Jorja Smith cover of “Stay Another Day”, personally, as her sultry voice would make the saccharine melodies of the boy-band original much easier to stomach. East 17’s 1994 original is barely even a Christmas song, it just happened to be released in late November and have a snowy video… well, they knew what they were doing with the sleigh bells at the tail-end. It’s not really a song I ever got, but it did spend five weeks at #1 and was the Christmas chart-topper for that year. So naturally, I’m going to talk about abstract hip hop. I made a Google form earlier this month asking for song suggestions to replace the Amazon originals, and got around 51 songs - all unique to be fair - sent to me, so I used a random number generator and selected two for this week. I probably won’t go into as much depth, and they won’t be covered in the conclusion out of fairness, and really for this suggestion, I don’t know where to start. “The Gods Must be Crazy” is a track from We Buy Diabetic Test Strips, the latest album from alternative rap duo Armand Hammer, consisting of rapper-producers billy woods and E L U C I D. With a beat from El-P, both rappers trade sarcastic, at times pretty funny, bars and some striking imagery regarding race, particularly the white misuse and misunderstanding of the black culture they use whilst also neglecting. E L U C I D goes for the abstract whilst woods is arguably more straightforward, but they both end up with some really poetic lyricism, often almost revolutionary and it definitely sounds like they’re leading a protest over some of the grooviest production I’ve ever heard from El-P, with the driving glitched-out vocals, with just enough fuzz to make it hit really hard, and a distanced, unpredictable set of drums. It’s a great track, but definitely one I feel will be much more effective in the context of the album, and I’d love to read a full analysis that puts some of what I simply don’t understand from E L U C I D’s brash delivery and woods’ as always effortless lyrical riffing into perspective.
#64 - “Surround Sound” - JID featuring 21 Savage and Baby Tate
Produced by Christo, DJ Scheme and Nuri
And bizarrely enough, we’re sticking with alternative rap though clearly, much less abstract. This was the lead single for JID’s great album The Forever Story last year, which peaked at #74 in the UK, and it was definitely one of the highlights for me, mostly because of the great use of Aretha Franklin’s 1965 track “One Step Ahead”, used similarly to how it was in Yasiin Bey’s 1995 track “Ms. Fat Booty” - which peaked at #85 in 2000, when Manic Street Preachers were at #1 - but instead layering it behind a killer trap beat. TikTok virality pushed this song back into mainstream popularity, but I’ve been bumping this one since release, with JID effortlessly rattling off flows as always, littered with breathy ad-libs and seamless rhyme schemes, so much so you almost forget most of this is just flexing. I love how the sample comes back in to act as an introductory jingle for 21 Savage, entering the ring with some of his coldest bars at that point, in a flow he hadn’t yet overused, and an overall brilliant if fleeting guest verse. Then Baby Tate strangely comes in, mostly moaning in a half-finished verse excerpt that blurts itself between the “banger” first half and a static noise that fills out the track before returning to a dark, fragmented beat that cuts in and out amidst JID’s grimier gangsta rap lyrics, with a menacing charisma honestly kind of reminiscent of Eminem, using flows and schemes that never seem to actually get a hold of the verse, it strays really far from the tightly-composed hit that makes up the first half and seems to show the grimmer reality of Atlanta that all three artists here are based in. Overall, I mean, it’s brilliant top-class hip hop, the kind you never expect to chart outside of the big-hitters like Kendrick and Cole, and I really hope it survives Christmas because it is fantastic.
#60 - “Lose Control” - Teddy Swims
Produced by Ammo and Julian Bunetta
I first heard Teddy Swims as a feature on a Meghan Trainor song, then discovered his real second name was Dimsdale so it really does not seem like a good first impression for Mr. Dimsdale or his pop-music Dimmadome but jokes aside, this has been his breakthrough hit in the US for a couple of weeks now, just hitting the top 40 on Billboard recently, and Mr. Dimsdale’s story is one we often see. He attracts a YouTube audience with cover songs and eventually sees industry attention. This is an original song and… well, wow, this guy can sing. That is probably the intended reaction to this, as content-wise, it’s not great, mostly because it feels a bit too obvious, but I mean, the whole song kind of toys on that boat of bombast, so it makes complete sense. The mix clips in the first verse with a slightly blocky-feeling bass and snaps that actually sound real and then that chorus comes in with the blasts of horns and the clanging percussion that despite the choir vocals, the clamouring of the production… it feels a bit empty, lacking in the actual composition, and I actually quite like that. It works for his raspy belt, the metallic attempt at recreating a big-band feel, it doesn’t feel “complete” or natural and this kind of breakup song where Dimsdale is rendered a broken man actually seems to warrant that sound. It even has a guitar solo that doesn’t deviate much from the chorus melody sadly but adds some needed grit before Mr. DImsdale really hits that note in the final chorus, and yet it doesn’t have a bombastic ending, or at least not as much as it needs. It just slips back out of existence, it’s kind of depressing in that aspect, I suppose. I guess, it’s not great, but I’ll take it.
#50 - “You’re Christmas to Me” - Sam Ryder
Produced by The Nocturns
The grip that Amazon has on the UK Christmas market is starting to be of concern. This is from the SEQUEL to an Amazon Prime-original Christmas film starring all British actors. There is a franchise at work, for God’s sake! At least this is an original song, and I will say this one is on YouTube but on principle, I will still refuse to review it and instead randomly select… “The Rose Song” by Olivia Rodrigo, which is also from a piece of visual media, that being the second season of High School Musical: The Musical: The Series. I have not watched that because, to put it bluntly, I’m not 12, but I’m sure it’s decent enough Disney sitcom fluff and you can definitely tell that Rodrigo still actually wrote this character’s songs, it wasn’t a screenwriter here, as it’s very much in the vein of her own solo work. It’s got similarly wordy moments, the actually pretty beautiful rising pianos amidst a shaky falsetto in the chorus, and none of the floaty over-production or attempts at grit that were on GUTS, despite one of her actually most impressive performances yet and a wonderful string swell that definitely sounds Disney but hey, there’s a reason why Disney still hits all these years on. The song’s content is about realising she’s more than what she is to this guy, who doesn’t seem to value her as a partner or really, human, and whilst it does go into clichés occasionally, it does it tastefully and with the power you can expect from a really good O-Rod ballad so… yeah, surprisingly enough, I really like this. It’d definitely be better than whatever Sam Ryder pushed out, at least. If I’m wrong, I don’t care.
#48 - “Body Moving” - Eliza Rose and Calvin Harris
Produced by Calvin Harris
I really didn’t expect Eliza Rose to grab a second hit after “B.O.T.A. (Baddest of Them All)” but I guess handing over most of the production duties to Calvin Harris is the best way to do so, and with sadly no relation to the Beastie Boys song, we have a song that feels pretty separate from “B.O.T.A.”, even if Rose has the same… interesting delivery and pretty terrible lyrics, which absolutely did not ruin that song, in fact they added to its charm. I’m not sure if I can say the same with this one, which just feels… random, for lack of a better word. The drums are all over this, layered to skitter and clatter over places where I feel they shouldn’t be, we have a whispery vocal loop from Ms. Rose in the back of the mix but still way too loud, not that you can hear it over the horn blasts that honestly don’t even sound in key, even if they probably are. They don’t build up effectively to a drop either, which just kind of crashes in with again, an overly-scattered set of metallic drum patterns, and Rose being interrupted by those gross, blaring horns. I like the keys and strings added in that second verse, probably the only real resemblance to “B.O.T.A.” here, but it doesn’t bother much with that atmosphere, neglecting it for the sake of a bombast that isn’t there. It really just doesn’t feel like anyone was in the same room making this, and it really is a shame because this collaboration on paper should have been way better.
#26 - “You Broke My Heart” - Drake
Produced by Vinylz and FNZ
Out of all the songs to chart from Drake’s deluxe edition of For All the Dogs, subtitled the “Scary Hours Edition”, it had to be the one perhaps least representative of those six new tracks, which mostly consist of sluggish, paranoid jazz-rap rambles, most of the time eschewing the need for an actual drum pattern and using endless loops for some of Drake’s most self-aware yet least sobered writings in years. For the record, I like all of them, but I am partially glad that say, “The Shoe Fits” or “Stories About My Brother” didn’t chart because they’re heady, conscious and introspective tracks, whilst this song… it’s the relapse. It’s the full circle moment where Drake gives up on trying to contextualise everyone and everything around him, resorting to monosyllabic chants in the bridge - or “hook” at a stretch - and barely landing on a coherent flow over a cascading sample beat, that seems to go for the same drumless, hypnotic feel of the rest of the bonus tracks, switching between samples of Major Harris and the Supremes before the bait-and-switch into a hard trap beat wherein Drake can just flex and dismiss instead of the bitter breakup balladeering of the first verse, back in the mode of For All the Dogs. Now why do I actually like it? Well, it’s silly, it took me by surprise, it does a good job placing the murky, desperate “Stoned Love” sample from the Supremes - which peaked at #3 in 1971 behind George Harrison’s “My Sweet Lord” at #1 - against the almost rage-esque beat where OVO protégé Smiley provides… juicy ad-libs. He eventually gets back into talking about his ex but it’s in these whispered yells and rants that are just comedy, it’s a fascinating listen to me, maybe not as good as “Wick Man” or the more lyrical tracks I mentioned earlier but very much still in good fun. It won’t last past this week, though, as Yeat will come back like Superman to rescue the UK Singles Chart from… Smiley, I guess.
#12 - “exes” - Tate McRae
Produced by Ryan Tedder and Tyler Spry
Well, that next Tate McRae album is coming sometime soon and with the help of pop songwriting giant Ryan Tedder, she’s definitely in full “pop girl” mode, and this time without an obvious Timbaland sample to back her up. And surprise, surprise - the song is not great. It’s hard to take McRae’s sing-songy chorus and fake laughter seriously when Dua Lipa does the same conceit a lot better and a lot sexier on “Houdini” whilst trying less, as Tate moves on with guys very quickly and keeps memorabilia of all of her exes even if the relationships mostly meant nothing. It’s a shame that this is awful, genuinely, like it took a while but this is driving my insane. Why do we have a random  blend of instruments functioning as the monogenre melody, and none of them mixed to be a focal point? Should I be focusing on the muffled, cheap and jaunty acoustic guitar line (which sounds especially terrible in the outro), the airy keys or the reverb-drenched rubbery vocal loop that is mixed in the chorus so it’s nearly as loud as Tate, who just sounds terrible because bless her, she’s not the best singer, and definitely not the most emotive, so she can’t sell this dead-on-arrival song with a rhythm that decided to add trap skitters for basically no reason when a more bass-focused funk groove or even a drum and bass backing would make this hit much harder. It sounds dated on arrival too, like this is something that Selena Gomez would have picked up in 2019, and McRae going for a semi-rap delivery sometimes just sounds forced and gross, especially coming from someone void of personality and full of Auto-Tune, and ESPECIALLY on the half-time trap breakdown in the second verse that made me have to stop the song just in shock of how insufferable it was. It never truly progresses either outside of layers of synth nothingness and vocal harmonies that basically register as Auto-Tuned whining baby noises from the back of the mix. God, this is just shockingly awful, especially from veterans like Ryan Tedder. Get this away from me before I start noticing more things to hate about it.
Conclusion
It should be obvious, Tate McRae gets Worst of the Week for “exes”, which is by and far the absolute worst song that debuted, and sadly, I do have enough disappointment to give the Dishonourable Mention to “Body Moving” by Eliza Rose and Calvin Harris, it is quite a shame. As for the best, we do have two great hip hop songs here, which feels good to say in a year that has been kind of lacking for mainstream rap. Drake gets the Honourable Mention with “You Broke My Heart” but the Best of the Week, similarly far ahead, goes to JID for “Surround Sound” featuring 21 Savage and Baby Tate, I really hope that one sticks around. As for what’s on the horizon, we’re safely in holiday territory now, so expect more of that. For now, thank you for reading and for once, I’ll see you earlier than next week. Stay tuned.
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jerrylewis-thekid · 2 years
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Pardners - Review
Last night I rented "Pardners" (dubbed in Italian) on Prime Video and have already reviewed it three times. It's a comedy but it really feels like a western movie. It is shot well, the sets are very accurate, the film is beautiful. It can easily be considered Dean's first western film! And then there are them ... At least this time the character of Dean is more "human" towards the character of Jerry. The whole scene in the woods, with the background music is similar to a romantic film between man / woman and the two of them with the attitudes of each other as a real couple, with Jerry (obviously) a bit exaggerated. It was still comedy. Dean was physically very beautiful, he sang, well, two good songs. Perhaps the first truly country songs of his career. I know, they were two good actors and they were acting. But everything seemed to be except that they hated each other. They were beautiful together that hurt the heart. What caught my attention: The character of Jerry, after the night spent together in the cattle car, wears the jacket of the character of Dean. A bit like that woman who wears her lover's shirt after a night together. Dean reads the letter that Jerry had written to his "mother" which said: "Dear mom I have the most extraordinary companion in the world, he is what they call a real man, he will teach me to ride, to hunt, to shoot and I bet that you won't recognize me anymore ". Those words could have written the "real" Jerry. Dean then turns to the bull and says "You see him as a puppy, he thinks I'm an extraordinary boy and I chased him away like a dog". It all seemed so "real", damn it. In the scene of the two of them in the woods (the character of) Dean says to (the character of) Jerry: "Come on, let's go to bed." Being two men, in the 1950s, it wouldn't have been more logical to have Dean say "I'm tired, let's go to sleep ??". And they actually lie down next to each other on a single blanket. Once again, as almost always in their films and in Colgate Comedy Hour: as if they were a "couple". The looks and sweet smiles that Jerry gives to Dean for the duration of the film seem so real ... and the two of them wearing "old" make-up were really so cute! The film is a York Production, the production house of Martin & Lewis, NOT a Hall Wallis production. But it is co-produced (strangely) ONLY by Dean with Paul Jones who is the only publicly credited. I don't know what percentage of Dean was involved in the production of the film but, in any case, being the co-producer Dean CONTROLLED part of the film. Joe Gray, Mack Gray's brother, was Dean's stunt double. You can recognize it in the rodeo scene.
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In the photo Dean, Jerry and director Norman Taurog are clearly joking with each other
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sarah-dipitous · 1 year
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Hellsite Nostalgia Tour 2023 Day 30
The Blind Banker
"The Blind Banker"
What makes me sad about the Sherlock episodes is I don't think I'm ever going to be able to formulate any fun little games like I have for Supernatural (and may yet develop for Doctor Who). They just come up too infrequently.
I forgot how weird the cinematography in Sherlock can get. There was just this really small segment where...it felt like when a video games frame rate drops. Lasted like 10 seconds and then........like, why did you do that?
Moffat, I think, should be allowed to come up with concepts, but not be allowed to write...and especially not write female characters. This is the coldest take I may have ever had. It's just this poor museum worker...
Man, I've either skipped this episode a bunch of times or just paid far less attention during it because, while I can recall a FEW scenes and something of a general outline for the mystery, there's an HOUR AND A HALF OF STORY. And I know I can't fill in that much from memory.
Yeah, there's a life or death fight with a guy with a sword at 221B, but OMG JOHN IS ME. I prefer using the self-checkout when shopping, but because I know how. to. do. things. right., it's so frustrating when the machine doesn't cooperate. I very recently got to the end of all my scanning, everything was bagged, I was just down to PAYING and the computer decided to call for assistance. Not me, the computer, for no discernible reason. Anyway, John, I feel your pain
"I had a row with the chip and PIN machine" "You had a row?" "Sort of. It sat there and I shouted abuse." Well, now he's just me with every machine I have at work.
(Guys, we're less than 10 minutes in. I'm...extremely sorry for how long the Sherlock ones get. In my defense, this was my main obsession of the three back in the day.)
I'm sure somewhere on this website there's a gifset of Sherlock going around this office, dipping between the cubicles alongside gifs of David Tenant doing the same in Partners In Crime. I probably reblogged it back in the day (but that might have been before I really started tagging things)
Sure, some of the deductions are bullshit, but figuring out who the message was for was pretty impressive. Also, I will also never be mad at him putting the cops to shame.
Ok. I'm starting to remember, this is a smuggling ring...backed by Moriarty question mark??? I know he gets a mention at the end (sorry, we're now four weeks out from seeing him and i'm going to be ANNOYING)
--At this moment, 8:10pm, I've paused for the gazillionth time, but this time to go through the tag for the episode...and it's a shock to know that this is either THE episode with THE tight purple shirt that is the entire reason I use purple for the Sherlock titles or it's just the FIRST one with it. Omg. I've been scrolling and scrolling the tag for ages trying to find anything with that shirt in its actual color. You couldn't escape it ten years ago. Now? Nothing.
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THIS shirt. God. I have to do EVERYTHING around here--
You can kind of tell that John's never done anything wrong ever in his entire life (save for the murder last episode, but even that was to defend someone who was about to be murdered-ish) by the way he didn't run the second Sherlock and the graffiti artist started running
One thing about John (and possibly just Martin Freeman) is that he really know how to yell at someone while barely raising his voice. I mean, suuuuure, is Sherlock getting attacked and nearly dying? Yeah, but John's annoyed with him.
Also, I didn't say this before, but I meant to...Sherlock's a lot better at lying to people to convince them to do things than Dean...or Sam, honestly.
Oh! Oh! Ohhhhh!! The number pairs are like...page number, word number of some book from that library book!! I'm piecing it together now!
Omg this Scotland Yard detective is insufferable. At least Lestrade knows he's outmatched and needs Sherlock's help. This guy won't believe there's a serial murderer even with three victims until Sherlock can prove it. Like won't even investigate it? At all??
I love Molly but I loathe how easily she gets played by Sherlock. How easily she's manipulated by him. The slightest compliment. Not even a compliment, honestly. First he just notices her hair is styled different, then says it suits her better like that. Dude. Stop falling for this, girl.
Look, I like Sarah and John, they're cute, but also my aro-spec ace ass could never accidentally (or not) say "good" when someone says they don't have a significant other after. ESPECIALLY if I've accused them of slacking on the job due to said non-existent partner. Good LORD.
How are you so bad at hiding that you almost get caught that easily??...No, you DID get caught that easily. John was right. You don't think anyone can compare to your massive ego, Sherlock.
You know what? The Black Lotus had every right to do what they did. The banker and the librarian were just two more in a long line of the English going to distant countries and taking shit that ain't theirs. They had every right to kill them over an artifact worth MILLIONS that the banker's secretary will now have to hide for the rest of her life.
Mrs. Hudson takes such good care of her boys.
Sorry, but if I got kidnapped and almost killed after a date where my date's roommate crashed to drag said date into solving a mystery with him, there wouldn't be a second date. There would only be my permanent 'fun fact about me.'
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davidfarland · 5 years
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NaNoWriMo Writing Tools StoryBundle
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This year's NaNoWriMo Writing Tools StoryBundle has 13 books and one video lecture, something for writers at all stages of their craft. Plus, you get a code for 50% off Jutoh and 75% off Jutoh Plus, a tool for formatting and creating your own ebooks! Pay what you want (minimum $5): You decide how much these fantastic books are worth. If you can only spare a little, that's fine, you'll still get access to exceptional titles.
Included at any price are:
Rock-Solid Newsletter by Andrea Pearson
My book Writing Wonder
On Being a Dictator by Kevin J. Anderson and Martin L. Shoemaker
Productivity for Authors by Joanna Penn
If you pay at least the bonus price of just $15, you get all four of the regular books, plus NINE more books, a video lecture and codes for up to 75% off ebook creation software!
5,000 Words Per Hour - Write Faster, Write Smarter by Chris Fox
Researching History for Fantasy Writers by Dayle A. Dermatis
WMG Publishing Presents: Stages of a Fiction Writer Lecture by Dean Wesley Smith
How to Make Money by Kristine Kathryn Rusch
Once More, With Feeling by Jody Lynn Nye
The Coffee Break Novelist by Kevin McLaughlin
How I Got Published And What I Learned Along the Way by Lyn Worthen and Renee Scandalis
The 7 P's of Publishing Success & Killing it on Kobo (two books in one!) by Mark Leslie Lefebvre
50% off Jutoh and 75% off Jutoh Plus! by Jutoh
Finish Your Novel! by Mark Teppo
This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books! Each book is DRM free meaning we won't stop you from sharing these products with people you think would enjoy them.
StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.
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20 Questions
Rules: answer 20 questions (???) and then tag 20 people who you want to get to know better.
thanks for the tags @laraslandlockedblues and @kierarutherford <3
Nickname: to the internet, Shakes. To my family: CheyDog
Zodiac: Leo. Apparently I’m a cancer cusp too, but most of my life I’ve just said leo.
Height: 5′8
Last movie I saw: In the theatre I saw a Star is Born again (I LOVE THAT MOVIE OK I DONT CARE WHAT ANYONE SAYS LADY GAGA IS QUEEN) By myself I watched Aladdin :3
Last thing I googled: well this is certainly NSFW. I googled the components of female arousal. (hehehe if you were on here you may know why, lol.)
Favourite musician: Of all time I love Fleetwood mac, the beatles, the four seasons, the beach boys, and many others. 
Song stuck in my head:  Little St. Nick by the Beach boys
Other blogs:  @deviant-shakespearean is where I post only DBH stuff
Do I get asks: actually I do get many! even when I don’t ask :)
Following: 600, but i think a lot are defunct now. 
Amount of sleep: I need at least 8 hours. I like getting up relatively early, but sometimes I sleep into the afternoon.
Lucky number: 8
What I’m wearing: a night shift with pink flowers. I need more pajamas. 
Dream job: I can live comfortably in a nice house and go on trips with my writing. I write books or movies or video games...doesn’t matter. I’m writing.
Dream trip: Whole tour of Europe. I have always loved Europe and the culture there, the architecture, scenery and food. Been to Italy and France and I need to go back.
Play any instruments: Not a one. I wish I could play the harp, that’d be cool thing to play. or a lyre. 
Languages: English, the littlest of French.
Favourite songs: Ummmmmm.......I like “I will” by Dean Martin a lot right now.
Random fact: I’m not even that far into it, but I think Read Dead 2 may be one of the best games I’ve played! 
tagging: @negotiator-on-site @gingerbreton @fourletterepithet @a-kitten-made-of-corduroy @bitchesofostwick @inquisitorsmabari
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What other fandoms are you familiar enough with to use as an AU prompt? Pokemon Trainer AU? Homestuck AU (they'd still probably die but at least there are lots of ways to come back to life)?
I’m not that familiar with Homestuck, definitely not enough to do an AU.  I read the novelizations of the Pokemon show as a kid but never saw the show or played any of the video games.  I did play the super-obscure Pokemon board game, but most of my trading cards were printed in Japanese (I had a strange childhood), so my experience there is, uh, probably not quite overlapping with everyone else’s.
Anyway, if you want list of all my fandoms… Boy howdy.  I don’t think I can come up with them all.  However, I can list everything that comes to mind between now and ~20 minutes from now when I have to end my procrastination break and go back to dissertating.  So here it is, below the cut:
Okay, there is no way in hell I’ll be able to make an exhaustive list.  But off the top of my head, the fandoms I’m most familiar/comfortable with are as follows:
Authors (as in, I’ve read all or most of their books)
Patricia Briggs
Megan Whalen Turner
Michael Crichton
Marge Piercy
Stephenie Meyer
Dean Koontz
Stephen King
Neil Gaiman
K.A. Applegate
Ernest Hemingway
Tamora Pierce
Roald Dahl
Short Stories/Anthologies
A Good Man is Hard to Find, Flannery O’Connor
The Metamorphosis, Franz Kafka
I Am Legend, Richard Matheson
Dubliners, James Joyce
Flowers for Algernon, Daniel Keyes
Who Goes There? John W. Campbell
The Man Who Bridged the Mist, Kij Johnson
Flatland, Edwin Abbott
I Have No Mouth, And I Must Scream, Harlan Ellison
To Build a Fire, Jack London
An Occurrence at Owl Creek Bridge, Ambrose Bier
At the Mountains of Madness/Cthulu mythos, H.P. Lovecraft
The Adventures of Sherlock Holmes, Arthur Conan Doyle
The Things They Carried, Tim O’Brien
The Legend of Sleepy Hollow, Washington Irving
The Martian Chronicles, Ray Bradbury
Close Range: Wyoming Stories, E. Annie Proulx
The Curious Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson
Bartleby the Scrivener (and a bunch of others), Herman Melville
Books (Classics)
Their Eyes Were Watching God, Zora Neal Hurston
The Little Prince, Antoine de Saint-Exupery
The Secret Garden, Francis Hodgson Burnett
Treasure Island, Robert Louis Stevenson
Wuthering Heights, Emily Bronte
The Secret Annex, Anne Frank
Nine Stories, J.D. Salinger
Frankenstein, Mary Shelley
Tom Sawyer/Huckleberry Finn, Mark Twain
East of Eden, John Steinbeck
To Kill a Mockingbird, Harper Lee
The Bluest Eye, Toni Morrison
Slaughterhouse-Five, Kurt Vonnegut
The Stranger, Albert Camus
The Call of the Wild, Jack London
Brave New World, Aldous Huxley
Lord of the Flies, William Golding
Atonement, Ian McEwan
1984, George Orwell
A Tree Grows in Brooklyn, Betty Smith
The Iliad/The Odyssey, Homer
Metamorphoses, Ovid
Journey to the Center of the Earth, Jules Verne
The Time-Machine, H.G. Wells
The Tempest, Much Ado About Nothing, Twelfth Night, Romeo and Juliet, Henry V, Hamlet, MacBeth, Othello, and The Taming of the Shrew, William Shakespeare
Rosencrantz & Guildenstern Are Dead, Thomas Stoppard
Waiting for Godot, Samuel Beckett
Handmaid’s Tale, Margaret Atwood
Books (YA SF)
Young Wizards series, Diane Duane
Redwall, Brian Jaques
The Dark is Rising sequence, Susan Cooper
The Chronicles of Chrestomanci, Diana Wynne Jones
The Chronicles of Narnia, C.S. Lewis
Abhorsen trilogy, Garth Nix
The Giver series, Lois Lowry
The Hitchhiker’s Guide to the Galaxy, Douglas Adams
Uglies series, Scott Westerfeld
Tuck Everlasting, Natalie Babbitt
A Wizard of Earthsea, Ursula K. Le Guin
Song of the Lioness, Tamora Pierce
A Wrinkle in Time, Madeline L’Engle
Unwind, Neal Shusterman
The Maze Runner series, James Dashner
The Enchanted Forest Chronicles, Patricia C. Wrede
Sideways Stories from Wayside School, Louis Sachar
Ella Enchanted, Gail Carson Levine
Ender’s Game, Orson Scott Card
The Phantom Tollbooth, Norton Juster
Coraline, Neil Gaiman
Among the Hidden, Margaret Peterson Haddix
The True Confessions of Charlotte Doyle, Avi
Interview with the Vampire, Anne Rice
Poppy series, Avi
The Secret Life of Bees, Sue Monk Kidd
Tithe, Holly Black
Life as We Knew It, Susan Beth Pfeffer
Blood and Chocolate, Annette Curtis Klause
Peter Pan, J.M. Barrie
The Wizard of Oz, L. Frank Baum
Haunted, Gregory Maguire
Weetzie Bat, Francesca Lia Block
Charlotte’s Web, E.B. White
East, Edith Pattou
Z for Zachariah, Robert C. O’Brien
The Looking-Glass Wars, Frank Beddor
The Egypt Game, Zilpha Keatley Snyder
The Book Thief, Markus Zusak
Homecoming, Cynthia Voigt
Alice in Wonderland/Through the Looking Glass, Lewis Carroll
The Landry News, Andrew Clements
Fever 1793, Laurie Halse Anderson
Bloody Jack, L.A. Meyer
The Boxcar Children, Gertrude Chandler Warner
A Certain Slant of Light, Laura Whitcomb
Generation Dead, Daniel Waters
Pendragon series, D.J. MacHale
Silverwing, Kenneth Oppel
Good Omens, Neil Gaiman and Terry Pratchett
Define Normal, Julie Anne Peters
Hawksong, Ameila Atwater Rhodes
Heir Apparent, Vivian Vande Velde
Running Out of Time, Margaret Peterson Haddix
The Keys to the Kingdom series, Garth Nix
The Wolves of Willoughby Chase, Joan Aiken
The Seer and the Sword, Victoria Hanley
My Side of the Mountain, Jean Craighead George
Daughters of the Moon series, Lynne Ewing
The Midwife’s Apprentice, Karen Cushman
Island of the Aunts, Eva Ibbotson
The Night Circus, Erin Morgenstern
The Ear, the Eye, and the Arm, Nancy Farmer
A Great and Terrible Beauty, Libba Bray
A School for Sorcery, E. Rose Sabin
The House with a Clock in Its Walls, John Bellairs
The Edge Chronicles, Paul Stewart and Chris Riddell
Hope was Here, Joan Bauer
Bunnicula, James Howe
Wise Child, Monica Furlong
Silent to the Bone, E.L. Konigsburg
The Twenty-One Balloons, William Pene du Bois
Dead Girls Don’t Write Letters, Gail Giles
The Supernaturalist, Eoin Colfer
Blue is for Nightmares, Laurie Faria Stolarz
Mystery of the Blue Gowned Ghost, Linda Wirkner
Wait Till Helen Comes, Mary Downing Hahn
I was a Teenage Fairy, Francesca Lia Block
City of the Beasts series, Isabelle Allende
Summerland, Michael Chabon
The Geography Club, Brent Hartinger
The Last Safe Place on Earth, Richard Peck
Liar, Justine Larbalestier
The Doll People, Ann M. Martin
The Lost Years of Merlin, T.A. Barron
Matilda Bone, Karen Cushman
Nine Stories, J.D. Salinger
The Tiger Rising, Kate DiCamillo
The Spiderwick Chronicles, Holly Black and Tony DiTerlizzi
In the Forests of the Night, Amelia Atwater-Rhodes
My Teacher is an Alien, Bruce Coville
The Last of the Really Great Whangdoodles, Julie Andrews Edwards
Storytime, Edward Bloor
Magic Shop series, Bruce Coville
A Series of Unfortunate Events, Lemony Snicket
Veritas Project series, Frank Peretti
The Once and Future King, T.H. White
Raven’s Strike, Patricia Briggs
What-the-Dickens: The Story of a Rogue Tooth Fairy, Gregory Maguire
The Wind Singer, William Nicholson
Sweetblood, Pete Hautman
The Trumpet of the Swan, E.B. White
Half Magic, Edward Eager
A Ring of Endless Light, Madeline L'Engle
The Heroes of Olympus, Rick Riordan
Maximum Ride series, James Patterson
The Edge on the Sword, Rebecca Tingle
World War Z, Max Brooks
Adaline Falling Star, Mary Pope Osborne
Six of Crows, Leigh Bardugo
Children of Blood and Bone, Tomi Adeyemi
Parable of the Sower series, Octavia Butler
I, Robot, Isaac Asimov
Neuomancer, William Gibson
Dune, Frank Herbert
The Miseducation of Cameron Post, Emily M. Danforth
The Martian, Andy Weir
Skeleton Man, Joseph Bruchac
Comics/Manga
Marvel 616 (most of the major titles)
Marvel 1610/Ultimates
Persepolis
This One Summer
Nimona
Death Note
Ouran High School Host Club
Vampire Knight
Emily Carroll comics
Watchmen
Fun Home
From Hell
American Born Chinese
Smile
The Eternal Smile
The Sandman
Calvin and Hobbes
The Essential Dykes to Watch Out For
TV Shows
Fullmetal Alchemist
Avatar the Last Airbender
Teen Titans (2003)
Luke Cage/Jessica Jones/Iron Fist/Defenders/Daredevil/The Punisher
Agents of SHIELD/Agent Carter
Supernatural
Sherlock
Brooklyn Nine-Nine
Angel/Buffy the Vampire Slayer
Firefly
American Horror Story
Ouran High School Host Club
Orange is the New Black
Black Sails
Stranger Things
Westworld
Unbreakable Kimmy Schmidt
Movies
Marvel Cinematic Universe
Jurassic Park/Lost World/Jurassic World/Lost Park?
The Breakfast Club
Cloverfield/10 Cloverfield Lane/The Cloverfield Paradox
Attack the Block
The Prestige
Moon
Ferris Bueler’s Day Off
Django Unchained/Kill Bill/Inglourious Basterds/Hateful 8/Pulp Fiction/etcetera
Primer
THX 1138/Akira/How I Live Now/Lost World/[anything I’ve named a fic after]
Star Wars
The Meg
A Quiet Place
Baby Driver
Mother!
Alien/Aliens/Prometheus
X-Men (et al.)
10 Things I Hate About You
The Lost Boys
Teen Wolf
Juno
Pirates of the Caribbean (et al.)
Die Hard
Most Disney classics: Toy Story, Mulan, Treasure Planet, Emperor’s New Groove, etc.
Most Pixar classics: Up, Wall-E, The Incredibles
The Matrix
Dark Knight trilogy
Halloween
Friday the 13th
A Nightmare on Elm Street
The Descent
Ghostbusters
Ocean’s Eight/11/12/13
King Kong
The Conjuring
Fantastic Four
Minority Report/Blade Runner/Adjustment Bureau/Total Recall
Fight Club
Spirited Away
O
Disturbing Behavior
The Faculty
Poets
Edna St. Vincent Millay
Marge Piercy
Thomas Hardy
Sigfried Sassoon
W. B. Yeats
Edgar Allan Poe
Ogden Nash
Margaret Atwood
Maya Angelou
Emily Dickinson
Matthew Dickman
Karen Skolfield
Kwame Alexander
Ellen Hopkins
Shel Silverstein
Musicals/Stage Plays
Les Miserables
Repo: The Genetic Opera
The Lion King
The Phantom of the Opera
Rent
The Prince of Egypt
Pippin
Into the Woods
A Chorus Line
Hairspray
Evita
Dr. Horrible’s Sing-Along Blog
Fiddler on the Roof
Annie
Fun Home
Spring Awakening
Chicago
Cabaret
The Miser
The Importance of Being Earnest
South Pacific
Godspell
Wicked
The Wiz
The Wizard of Oz
Man of La Mancha
The Sound of Music
West Side Story
Matilda
Sweeney Todd
Joseph and the Amazing Technicolor Dreamcoat
Nunsense
You’re a Good Man, Charlie Brown/Snoopy
1776
Something Rotten
A Very Potter Musical
Babes in Toyland
Carrie: The Musical
Amadeus
Annie Get Your Gun
25th Annual Putnam County Spelling Bee
The Final Battle
Rock of Ages
Cinderella
Moulin Rouge
Honk
Labyrinth
The Secret Garden
Reefer Madness
Bang Bang You’re Dead
NSFW
War Horse
Peter Pan
Suessical
Sister Act
The Secret Annex
Charlie and the Chocolate Factory
Disclaimer 1: Like a lot of people who went to high school in the American South, my education in literature is pretty shamefully lacking in a lot of areas.  (As in, during our African American History unit in ninth grade we read To Kill a Mockingbird, The Adventures of Huckleberry Finn… and that was it.  As in, our twelfth-grade US History class, I shit you not, covered Gone With the Wind.)  There were a lot of good teachers in with the *ahem* Less Woke ones (how I read Their Eyes Were Watching God and The Bluest Eye) and college definitely set me on the path to trying to find books written/published outside the WASP-ier parts of the U.S., but the overall list is still embarrassingly hegemonic.
Disclaimer 2: There are a crapton of errors — typos, misspelled names, misattributions, questionable genre classifications, etc. — in here.  If you genuinely have no idea what a title is supposed to be, ask me.  Otherwise, please don’t bother letting me know about my mistakes.
Disclaimer 3: I am not looking for recommendations.  My Goodreads “To Read” list is already a good 700 items long, and people telling me “if you like X, then you’ll love Y!” genuinely stresses me the fuck out.
Disclaimer 4: There are no unproblematic faves on this list.  I love Supernatural, and I know that Supernatural is hella misogynistic.  On the flip side: I don’t love The Lord of the Rings at all, partially because LOTR is hella misogynistic, but I also don’t think that should stop anyone else from loving LOTR if they’re willing to love it and also acknowledge its flaws. 
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Fandom Newsletter #2
Today is Friday, October 5th of 2018 and welcome back to another Fandom Newsletter! You’re provider for all things fandom! 
Writers: Atlas, Blackpurrl, Fyne, YoursTruly 
Editors: Fyne and YoursTruly 
“Good, better, best. Never let it rest. ‘Til your good is better and your better is best.”
- St. Jerome
Let’s get started! 
First to YoursTruly with the Hannibal, Horror, Tim Burton, and Marvel fandoms-
Hannibal: Thomas Harris, author of the Hannibal Lecter books, is releasing a new book on May 21st of 2019! The book will not feature Hannibal or any of the characters from that series. This new book will be the first book he’s published in over a decade, his last book being Hannibal Rising which was published in 2006. The book’s cover and title have not yet been released, but it can still be pre-ordered on Amazon and other sources. 
Horror: Horror fans are awaiting the next installment in The Conjuring series. The next movie is set to be released next year, the title being The Crooked Man, a character from The Conjuring 2. 
Tim Burton: Tim Burton fans are ecstatic about Freeform’s 13 Nights of Halloween being changed to 31 Nights of Halloween! During this time period, Freeform plays many popular Halloween movies, including The Nightmare Before Christmas and The Corpse Bride. 
Marvel: Marvel fans are debating the quality of the upcoming movie Venom. It seems there’s a clean split: You either love it or you hate it. A lot of controversy is spreading over one particular scene which won’t be spoiled here, but many people who have already seen it say it’s amazing and accurate to the comics. The movie is not part of the MCU and exists outside of the Spider-Man universe, setting it up for the perfect Venom solo movie. The movie hits theaters this Saturday. I personally think it will be an incredible movie, what about you? 
Next to Blackpurrl with the Harry Potter, World News, and Animation fandoms-
Animation: New clips are out for Vivziepop’s Hazbin Hotel!
Harry Potter: The newest movie, The Crimes of Grindelwald, is set for release on November 6th this year. Just one month to go!
World News: Spiked Reports on Sexual Harassment in France. Follow the link to read more.
Now to Fyne with the Supernatural, Sherlock, YouTube, and Spooptober fandoms- 
Supernatural - The wardrobe on Supernatural has become a trademark for so many of the show’s favorite characters. Early on, things like Dean’s leather jacket took on a life of its own, playing an essential part of the Winchester storyline. Dean inherited it from John, turning his staple style into a sentiment of how much he idolized his dad. For the first five seasons, the brown leather jacket (which we first see in the pilot episode) was almost thought of as Dean’s superhero attire. Then, in season 6, without even an explanation, the jacket was just gone. Where did it go? Well As it turns out, there was a very real reason for this vanishing act. When the cast was in Los Angeles for a photo shoot, their wardrobe was flown over from Vancouver. In the process, a few items were stolen. Among them was Dean’s iconic jacket, which was worn in so many memorable scenes. Who stole it? To this day we do not know. Since then, Dean’s look has undergone a few subtle changes. At first, there was somewhat of a “normal life”-looking coat that appeared at the beginning of season 6. Thankfully, that fad didn’t last long. Eventually, it changed over into an evolving selection military-style jackets, each perfectly-suited for his character. It’s now hard to imagine Dean without his current signature style.
Sherlock - Did you know Matt Smith auditioned to play Watson? Yes our beloved less down to earth Doctor was almost our very down to earth John Watson. He may be best known for playing a less down-to-Earth Doctor, but before he got the keys to the TARDIS, Matt Smith auditioned for the role of Dr. Watson. Although he can do less eccentric than the role he's best known for, Smith himself admits he'd probably have been a little too skewed to work as Sherlock's foil. Why Smith didn't get the role is kinda obvious when you think about it. Before Doctor Who he had only a handful of TV credits to his name, with his only big screen role. Martin Freeman may not have been the blockbuster leading man he is now, but he was at the very least recognisable to a British audience thanks to The Office.
YouTube - Art YouTubers are currently confusing fans as, unlike last year, the ones participating in inktober aren’t making daily videos. We can’t help but wonder if this is because of the ad-pocolypse and shrinking revenue, or if it is because they simply don’t feel up to it. What are your thoughts?
Spooptober - It is officially Spooptober! Expect creepy fun facts, stories, and tidbits throughout the month of October! This weeks fun fact is - did you know that the average high school student prefers Halloween over Valentines day? Who woulda thunk?
Lastly to Atlas with the Voltron, Movies, And Celebrities fandoms-
Voltron: An interview with Josh Keaton was posted on YouTube. In the interview, he was asked about what he thought about the show ending. He replied, “All of us really love the show. We’re sad to see it go. As for me, I don’t think I’m ready to stop being Shiro.”
Movies: So, um. Live action Teen Titans anyone? No?
Celebrities: Lin-Manuel Miranda is going to play a small role in Mary Poppins Returns.
Now to your weekly movie review by YoursTruly- 
Movie review- Spider-Man 3
I’ve seen this movie many times before, and it’s my favorite in the Spider-Man franchise. The movie has a great plot and is throughly entertaining in general. The movie features Toby Maguire, who many people consider to be the best Spider-Man. 
Now to Blackpurrl with the weekly trivia fact- 
Trivia: A cricket's ears are on its front legs, just below the knees and they have four acoustic inputs. The openings in the crickets exoskeleton that act as ears, lead into chambers inside the legs, which connect to either side of the cricket, allowing sound to pass completely through the cricket.
And back to Atlas with the weekly book review- 
Book Review: Cornelia Funke’s Inkheart is a modern day/not-so modern fantasy that will leave the reader on the edge of their seat. With a fantastic plot line and lovable characters, this book is hard to put down!
The comic at the end of the newsletter is brought to you by our very talented Blackpurrl. It’s titled “Atlas Initiation”. That’s all for this week, we’ll see you next week with another Fandom Newsletter! 
Signing off, 
Atlas, Blackpurrl, Fyne, YoursTruly 
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nelioe · 6 years
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I have returned! And this isn’t going to be coherent, so bear that in mind if you proceed.
It was a good weekend, but I really missed Mark Ferguson. 
But at least instead we all got to meet Steve O’Gorman (no, you didn’t read that wrong or was it Steven? It kinda changed over the days of the weekend) and Babs.
The Comedy Hour was hilarious and I won’t ever forget watching Dean trying to say “Eichhörnchen” and Craig having to step in to correct him every time or how everyone lost it, when they did that dubbing movie scene and Dean first dubbed Lori’s long whatever-gibberish into a simple “yes” and afterwards turned a supposedly short phrase into an intense monologue. xD
Also I loved that story about that one time they had to film on location and Dean and Aidan went missing, because they were chatting and laughing so much that they didn’t pay attention to where they were going and ended up driving for an hour into the wrong direction, while everyone else wondered where they were.  As a side note, apparently Aidan and Martin were always the last to read the scripts (Stephen Hunter joked that they had a little game going on who would read it last and Aidan won.)
In his panel Graham was asked if he and Dean planned to continue their hostage story and Graham replied that he would need to talk to Dean about it. Apparently they did a follow-up video, but sadly I wasn’t able to see it because I had to leave early to be back at work this morning.
What else... oh yes, I already mentioned this scene with Dwalin and Bombur at one point, which they apparently actually filmed. Basically Graham was asked about the naked dwarf calender and he replied that it was something that came up in make-up like another thing he assumed would come out one day. (The real Adam Brown was also something that was mentioned in this context.) This thing was the Dwalin/Bombur “love story”. But anyway, Graham then started to tell the audience how they just acted out a scene in which Dwalin admits his love for Bombur, which Graham then replicated on stage. So they are at the end of the journey and Dwalin walks slowly towards Bombur saying stuff like “You are really quiet, I like that”, while Bombur watches him with a terrified expression. This goes on for some time, with Dwalin getting closer and closer and just when Bombur wants to say something, Dwalin puts his finger to Bombur’s lips and goes “shh, you will wake the dragon.” Still can’t quite believe that, but well, if they let them do the real Adam Brown, it’s not so far-fetched that they let them do this as well. 
Also, Dean said his man-bun was some kind of midlife-crises choice.
It’s so interesting, you think you can’t hear anything new and then stuff like this comes out. :P
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gonemarshall · 3 years
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About the New York Song, ‘Bazooka Joe Don’t Live There Any More’ by Singer-Songwriter Gone Marshall
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The New York song, ‘Bazooka Joe Don’t Live There Any More‘ (aka, ‘Bazooka Joe’), is an alternative folk & rock song I wrote as an homage to an old school New York neighborhood hero. The song was inspired by my association and friendship with long time resident of Little Italy’s MacDougal Street, Mr. Leonard Cecere, who ran a small but famous mailbox and card shop called ‘Something Special’ on the corner of Houston Street and MacDougal streets in New York City’s SOHO/Greenwich Village.
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I’d first stumbled upon Lenny and his shop, ‘Something Special’ when I was in need of a mailbox at the time, as I’d just relocated back to New York City, in a self-funded effort to complete a documentary about street booksellers in New York. (*Note: That movie, ‘BookWars’, went on to have a decent art house run and international TV sales; it’s now part of the Circulating Film & Video Collection at the Museum of Modern Art, NYC)
At the time, I had very little funds, and no real place to live, as I was in between rented rooms as a self-funded indie filmmaker. So, I needed a mailbox first and foremost.
I was living in a small rented room on Morton street in the West Village, so I went scouting around to find a mailbox in the neighborhood.
What I encountered was ‘Something Special’, an old-school, slightly dog-eared combination card, gift, trinket and mailbox shop on the corner. It was a real old time, independent establishment through and through, something that must have been standard in the village throughout the 50s, 60’s and 70s, up until New York really started to develop.
It would have been in the year 1999 or 2000 that I met Lenny and his shop. Even then, New York City was really beginning to change, with many of the dive bars and hangouts of the East Village being converted into condos, and the central village area becoming more posh and upscale – a far cry from its scrappy 1950’s/60’s roots.
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Yet, here was Lenny and his shop, ‘Something Special’. His shop was like a time capsule, not deliberately so, I think, but an actual neighborhood shop and corner store which had been planted there for decades and was still going strong.
Lenny and his wife, Lucy, were long time, original residents of that corner of SoHo-Little Italy, where it just meets up with the Village, and they were beloved by all. Basically, they were neighborhood heroes, as far as I could discern…
I didn’t realize this at the time, as I was just seeking a mailbox at first… it turns out that a lot of famous people (celebrities, writers, you name it) had mailboxes at Lenny’s shop too. Other notables who didn’t have a mailbox there would stop in for a coffee, or donut, or just to shoot the breeze with Lenny. I guess celebs needed a nondescript mailbox, and folks who appreciated the ‘real, old-school New York’ would stop by Something Special just to remind themselves of the original neighborhood spirit of the city.
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Sara Jessica Parker, one of many celebrities who had a mailbox at ‘Something Special’and whose headshot was on display
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Actor Matthew Broderick’s framed headshot stood atop a jumbled shelf in back of the register
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Lucy Lawless (Xena the Warrior Princess), whose framed publicity still also stood behind the register at ‘Something Special’. Some lyrics from the song refer to her ‘jungle dress’ and a ‘warrior princess in the mud’ 🙂
Lenny was not the time to proclaim anything, though he proudly displayed the photos that his celebrity fans would give him on the shelf behind the counter. Sarah Jessica Parker (‘Sex in the City’) had her photo in there, as did Matthew Broderick. Lucy Lawless (‘Xena the Warrior Princess’) had her photo in there; she was wearing a sort of leopard skin outfit which I refer to in the song as a ‘jungle dress’, feeding us with ‘fire and thunder’
There were a few other notables in the neighborhood too, there on the corner of MacDougal and Houston, who either had a mailbox at Lenny’s or just stopped in to say “Hi”.
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Patti Smith
As I recall, Patti Smith had a house next door or nearby, for instance. I bumped into her a few times while stopping off to get a donut or coffee soda, or to pick up my mail. Nobody bothered anyone if they were visiting ‘Something Special’, as if it were an unwritten code of conduct. I mean, you could run into someone notable there and just say ‘hey’ or ‘ how’s it going?’, and then go and get your mail.
Lenny would greet everyone the same way: ‘Hi Patti’. Or to me, when I showed up once with a box of videotapes of my movie after it had finally been released:
‘Hey Rosetti!’
(My real name is Rosette, which is French actually, though Lenny converted this into Italian)
‘Hey Rosetti. When you gonna’ be famous? You got a movie now. You wrote a book too.’
‘Ah…I don’t know Lenny. I’m just doing what I can.’
(It didn’t matter to Lenny that I was still scraping to get by – literally. I even painted his storefront once in exchange for mailbox rental, I was cutting it so close)
‘You want a cup of coffee?’
‘Sure.’
Anyway, Lenny and his shop, ‘Something Special’ is at the heart of the song, ‘Bazooka Joe Don’t Live There Any More‘. I’m quite sure that any listeners who knew Lenny or his shop, or some of the folks who hung out there, would recognize a lot from the lyrics.
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Actually, I should now explain how the song got its title. Lenny told me once, I think it was a winter day actually, maybe that’s how we got on the subject, how he’d served in the Army during the Battle of the Bulge, aka the Ardennes Offensive, in 1944. He mentioned that, while he was not a front line soldier (*I forget now what he told me he was doing, he could have been an engineer or support troop), the offensive took place so suddenly – per Hitler’s plan – that the US forces had no time to compose themselves properly.
So Lenny related to me how a seargent had come up to him with a Bazooka, which is a shoulder launched anti-tank weapon and told him:
“Cecere, take this Bazooka and guard that bridge. Nothing crosses that bridge. Not even if it’s one of our tanks or vehicles, ’cause the Krauts are using our stuff against us. If they try to send a tank across , you take them out with this. Aim at the ground just in front of the tank, so’s it bounces up underneath where the armor is thin” (All this is per my recollection now, from our discussion, I may have some details off but that’s essentially what Lenny told me).
Lenny took the Bazooka, without any training, and guarded that bridge. He told me nothing happened in the end, but for the few hours or a day that he was standing there, it was just Lenny with a bazooka against the Wehrmacht.
(*There’s actually an extended bridge section in the song which refers to this moment, but I had to take it out because the song was running too long. Here are the lyrics for this missing section:
EXTENDED BRIDGE (*extended version only, not present in current track)
When the battle lines bulged / I stood there at the bridge / My finger on the trigger / On the Ardennes grimy ridge
Take this rocket, son / Front line’s gone, pick up a gun / Punch it at the lip of Earth / ‘Neath the Tiger’s grey steely girth
I saw squirrels some birds / But no charging tank / Clouds broke for our Thunderbolts / I went back to my rank
Transition Back to Main Bridge C-> A -> C -> A
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So, I had to put the bazooka reference in the song, and I fit it into the title. It also made a bit of sense to allude to the popular Bazooka Joe bubble gum comics which were launched in the 50’s. The Bazooka Joe sensibility kind of matches the feeling of ‘Something Special’, which was in its multi-purpose way, also a candy shop for school kids passing by on their way home from school.
Now, WHY did I write the song? Well, per the lyrics, I found myself many years later, in 2017 or so, living far, far away, starting to make more music and writing more songs. I had pivoted from filmmaking to songwriting. So, I was poking around on the internet one afternoon looking for ‘Dean Martin songs’ (per the lyrics of the song), as I wanted something with a crooner-like aspect to cover.
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Then it occurred to me, as time had passed, and as life had grown busy (and sometimes frantically so, as I had been trying to make creative projects and stay afloat for a couple decades already) that I’d lost touch with Lenny over the years. He flitted into my mind though as I looked for Rat Pack music, you know, Dean Martin, Sinatra, and the like. Something about Dean Martin and Frank Sinatra reminded me of Lenny all of a sudden.
Well, I figured, that, yes, it’s possible or even likely that Lenny may have passed away – I think this was 2017 that I was looking for the Dean Martin songs – but I couldn’t know for sure until I looked.
Anyway, I did search for him online and found out that, indeed he had passed away, I think the year before.
Even though I now knew, logically, that time passes by and waits for no one, it still hit me very hard for some reason when I saw Lenny’s obituary there facing me online. Because he was a kind of neighborhood hero, along with his wife Lucy actually. Real life, everyday heroes, quite possibly saint, or at least saint-like, though I am not Catholic, I believe he and his wife Lucy were.
Not to mention that I had some great personal memories of him, his shop, the ‘real New York’ portal that it was, and all the folks who passed through and populated ‘Something Special’.
On the other hand, there’s also a wistfullness to the song, in that ‘Bazooka Joe’ does not live there any more. He (Lenny and many other old school neighborhood heroes) is physically gone. His memory is not gone, but that type of person – open, frank, character-driven – seems to be becoming scarce these days.
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Passing elephant nose man from the Greenwich Village, NYC documentary, ‘BookWars’
New York City’s character, well Manhattan at least, also seems to be homogenizing somewhat as it develops and prices the ‘characters’ out of the city, bit by bit. I’m not the first to point this out, by the way – this is also one of the themes that appears in the aforementioned New York documentary I made, ‘BookWars’.
I should also say though, in fairness, that Jackson Heights and other areas in Queens and beyond still seem to have a lot of character…but in terms of Manhattan and the Village, the old school people like Lenny and places like ‘Something Special’ are disappearing, bit by bit. It would be great if a new generation of ‘old schoolers’ may somehow emerge to take their place, if that may somehow be possible.
Anyway, I don’t know why it took me a couple years to actually gather the song fragments, formulate them, and produce them into a final track. Well, I’m still emerging music artist, with limited (self) funding – that’s one reason. My creative mind and momentum was also derailed here and there for rather long stretches when financial situations demanded my full attention.
Of course, that’s not my motivation with this tune, as it’s an homage, and is beyond strict valuation.
Which is why I had to push ahead with it…it’s really something straight from the heart.
So, I chugged ahead, along with some other great session players (some working remotely) and finally completed the song. The elapsed time from recording the first scratch guitar and vocals to the final master and mix was about 5 months.
The elapsed time from reading about Lenny’s passing to releasing the final track was about 3.5 years.
Who knows, maybe the song needed a long time to sit and brew, as it’s really rather a dense and detailed clipping of a real time and place, and full of memories to handle with grace and care. I think I approached this song like a documentary to some degree, maybe because of my filmmaking background?
Anyway: I hope folks can gather something nice from the song, and that they may be moved by it in a ‘Special’ way!
Gone Marshall, Songwriter, ‘Bazooka Joe Don’t Live There Any More’
‘Bazooka Joe Don’t Live There Any More’
A Song by Gone Marshall
CREDITS
Writing, Composition, Acoustic Guitar, Main Vocals: Gone Marshall
Fingerpick Acoustic Guitar: Richard ‘RJ’ Marshall
Female Vocals: Ieva Zdram
Electric Guitar: Jake Bisognin
Percussion: Brian Petry
Bass: Alan Reynolds
Mixed by: Skyler Taylor & Jason Rosette
Produced by Jason Rosette @ CAMERADO (ASCAP)
(c) 2020 Camerado Music & Jason Rosette obo dba Gone Marshall
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deadcactuswalking · 3 years
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REVIEWING THE CHARTS: 05/12/2020
Earlier this week, I finished and released by end-of-year list of the Top 10 Best Hit Songs of 2020, which, for once, was on time, being released on the 1st – or 2nd – of December, depending on your time zone. That means I’ve already spent hours discussing music, and to be honest, I have a pretty bad headache in addition to this, so you know, I’m not really in that chart-reviewing spirit. Thankfully, we have very few songs to review here, and a lot of it should be pretty inoffensive. Now, before that, let’s talk about the actual state of the charts because it is looking ridiculous. Ariana Grande’s “positions” spend its sixth week at #1, and welcome to REVIEWING THE CHARTS.
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Rundown
Much like last week, it was an absolute bloodbath for any non-Christmas song this week, and this especially affects the hip hop and R&B on the chart. In the UK Top 75, which I cover every week, there’s a drastic difference to the US Billboard Hot 100, and that is the lack of radio. Radio impressions or plays have never been counted on the UK Singles Chart, and whilst in the States, I understand that a lot of Christmas songs rely on the radio, this is not true at all across the pond, because, for whatever reason, Christmas songs are streamed and bought a lot here even 60 years after the song’s original release. This is likely due to a smaller, arguably less diverse population and the immense amount of streaming service-curated playlists, which serve the same purpose as radio and often have the exact same label gimmickry and payola. Regardless, there is a stupid amount of drop-outs and fallers this week, for pretty big tracks as well. Now as I said I only cover the top 75 of the UK Singles Chart because it’s just easier and really, who cares about those last 25 songs? On the UK Singles Chart proper, Lewis Capaldi’s “Someone You Loved”, one of the biggest hits of 2019 and 2020, just spent its 100th week on the chart, which is insane, especially for a modern song. I think the song is dreadful but it is one of the biggest songs of all time here on the Isles, and since we’re going by my measures, it just dropped out (after spending seven weeks at #1, mind you). Of course, that’s not the only notable drop-out – and to be notable, you have to have spent five weeks on the chart or peaked in the top 40 – this week. Let’s list them, shall we? We have “Watermelon Sugar” by Harry Styles, which spent 40 weeks on the chart, as well as #1 hit “Savage Love (Laxed – Siren Beat)” by Jawsh 685 and Jason Derulo, “Giants” by Dermot Kennedy, “Mood Swings” by the late Pop Smoke featuring Lil Tjay, “Lighter” by Nathan Dawe and KSI, “Take You Dancing” by Jason Derulo, “Holiday” by Little Mix, “Tick Tock” by Clean Bandit featuring Mabel and 24kGoldn, “Come Over” by Rudimental featuring Anne-Marie and Tion Wayne, “Lasting Lover” by Sigala and James Arthur, “Holy” by Justin Bieber featuring Chance the Rapper, “One Too Many” by Keith Urban and P!nk, “Papi Chulo” by Octavian and Skepta, “Heat Waves” by Glass Animals, “Deluded” by Tion Wayne and MIST, “Confetti” by Little Mix, “pov” by Ariana Grande (to make way for another one of her songs we’ll get to – also probably the only actually good song that dropped out this week) and finally, “Life Goes On” by BTS off of the debut at #10. On the chart proper, this is one of the biggest free-fall drops of all time, and honestly, who wasn’t expecting this? Speaking of falls, we have a lot of those too. Whilst these are fallers, you should consider how impressive they are for even trying to survive the holiday season, which just can’t be done for a lot of these songs, even the biggest hits of the year, some of which we just mentioned. One of the funniest parts of this to me is that KSI of all people survived the overload of Christmas songs through his Craig David chorus on “Really Love” with Digital Farm Animals down to #17. For a former YouTuber, he has an immense amount of star-power and it’s kind of worrying. Otherwise, our notable fallers include “Paradise” by MEDUZA and Dermot Kennedy at #24, “Train Wreck” by James Arthur at #25 (not a good week for either of these guys – or anyone), “Monster” by Shawn Mendes and Justin Bieber at #26 off of the top 10 debut, “Mood” by 24kGoldn featuring iann dior at #27, “Head & Heart” by Joel Corry and MNEK at #29, “Get Out My Head” by Shane Codd stripped of all of its gains at #31 (seriously, whilst most of these songs were fading naturally prior, this is worrying), “Lemonade” by Internet Money and Gunna featuring NAV and Don Toliver at #34, “Lonely” by Justin Bieber and benny blanco at #42 (giving him four songs as a lead artist on the chart – OCC, that’s not how your dumb rules work; be consistent), “See Nobody” by Wes Nelson and Hardy Caprio really having the most intense combination of streaming cuts and Christmas music at #44, “Wonder” by Shawn Mendes flailing at #45 (it will probably rebound next week), “Blinding Lights” by the Weeknd at #46 (same here), “Golden” by Harry Styles at #47, “Loading” by Central Cee at #48, “What You Know Bout Love” by the late Pop Smoke at #49, “i miss u” by Jax Jones and Au/Ra at #50, “Sunflower (Spider-Man: Into the Spider-Verse)” by Post Malone and Swae Lee at #52, “UFO” by D-Block Europe and Aitch at #55, “Plugged in Freestyle” by A92 and Fumez the Engineer at #56, “Princess Cuts” by Headie One featuring Young T & Bugsey at #60 (which happened to play as I was writing this), “Looking for Me” by Paul Woodford, Diplo and Kareen Lomax at #61, “WAP” by Cardi B featuring Megan Thee Stallion at #62, “Diamonds” by Sam Smith having the biggest fall to #63, “Ain’t it Different” by Headie One featuring AJ Tracey and Stormzy at #65, “Chingy (It’s Whatever)” by Digga D at #69, “Come Over” by Jorja Smith and Popcaan at #70, “SO DONE” by The Kid LAROI at #71 and finally, “Flavour” by Loski and Stormzy at #74. A YouTube comment on the video version of this chart read, “RIP to hip hop and R&B in the UK, 2020-2020”, and, I mean, it’s a fair assessment. That’s not all though, folks, as we have the returning entries, most of which are very explicitly Christmas songs. Let’s start with “Have Yourself a Merry Little Christmas” by Sam Smith at #75, and continue up the chart with “Cozy Little Christmas” by Katy Perry at #73, “Christmas Lights” by Coldplay at #72 (always the best song on the entire chart whenever it returns), “A Little Love” by Celeste from the John Lewis advert at #64, “Feliz Navidad” by José Feliciano at #54, “Santa Baby” by Kylie Minogue at #57, “Let it Snow! Let it Snow! Let it Snow!” by the late Dean Martin at #54, “Sleigh Ride” by the Ronettes at #52, “Mistletoe” by Justin Bieber at #43, “Happy Xmas (War is Over)” by the late John Lennon, Yoko Ono and the Plastic Ono Band featuring the Harlem Community Choir at #40 (always the worst song on the chart whenever it returns), “Wonderful Christmastime” by Paul McCartney at #39 (this is an accurate ranking of the Beatles), “Jingle Bell Rock” by the late Bobby Helms at #38, “Holly Jolly Christmas” by Michael Bublé at #37 and “It’s the Most Wonderful Time of the Year” by the late Andy Williams at #36. Yes, that’s five consecutive Christmas songs returning to the top 40, made all the more ridiculous when you realise it’s topped off by “HOLIDAY” by Lil Nas X... at #41 – and it actually gained this week! Oh, and we don’t stop there either as not only do we have “Santa Tell Me” by Ariana Grande returning to #16 as well, but we also have all of the gains this week. All of our notable gains are in the top 40 and all but one are Christmas songs, so let’s start with “One More Sleep” by Leona Lewis up to #33 (our greatest gain this week) and continue up the chart with “Merry Xmas Everybody” by Slade at #32, “This Christmas” by Jess Glynne at #28, “I Wish it Could be Christmas Everyday” by Wizzard at #23, “Driving Home for Christmas” by Chris Rea at #22, “Rockin’ Around the Christmas Tree” by Justin Bieber and Brenda Lee at #21 and #19 respectively, “Underneath the Tree” by Kelly Clarkson at #20, “Step into Christmas” by Elton John at #18, “Do They Know it’s Christmas?” by Band Aid at #15 (looking at this chart, I think we ALL know exactly what time it is), “Merry Christmas Everyone” by Shakin’ Stevens at #14, “It’s Beginning to Look a Lot Like Christmas” by Michael Bublé at #13, “Fairytale of New York” by the Pogues featuring the late Kirsty MacColl at #9, “Last Christmas” by Wham! at #3, and finally, “All I Want for Christmas is You” by Mariah Carey at #2. I don’t know if I’ll be happier if a 1994 classic hits #1 for the first time this Christmas, or an Ariana Grande song about sex positions takes the Christmas #1, given, of course, that LadBaby doesn’t pull something out of his ass last minute. Christmas also actually lands on a Friday this week, so there’s potentially two Christmas #1s: the #1 on Christmas Day and the #1 that includes Christmas Day. I mean, there’s this issue every year but since the chart week literally starts and ends on the day this year, I guess we’ll just have to see what the Official Charts Company decides. For now, after not-so-swiftly covering all of that garbage – and there’s three weeks more of it to come, folks – let’s discuss some of our new arrivals, none of which I imagine will be all that interesting but, hey, at least they’re not Christmas songs. In fact...
NEW ARRIVALS
#68 – “Body” – Megan Thee Stallion
Produced by LilJuMadeThatBeat
...It’s the antithesis of what it means to be wholesome, commercial and festive. You all know and love Megan Thee Stallion by now, and whilst I didn’t listen to that debut record yet – it is 17 songs after all – I have heard pretty positive reception so I will check out Good News at some point. Rico Nasty did release a record that’s only one less track and 13 full minutes shorter, so to be honest, I’m a lot more excited to check out that album, even if it won’t have any impact here. I did laugh at the track list when I saw “Intercourse (feat. Popcaan & Mustard)” though, which is one of the few times I have genuinely laughed at just a track list. “Shots Fired” is a pretty great Tory Lanez diss track though, so I’ll say that. “Body” is relatively deep into the track listing, yet seems to be the biggest hit, mostly because of that polarising earworm hook and the music video. Oh, yeah, and it straight-up samples a woman having an orgasm, so don’t expect this to stick around. In fact, that’s the only melody behind this dirty South bounce-adjacent track, and even with that, it only comes in on that chorus, which is less annoying to me as it is just catchy. It’s not like men haven’t done the same thing, though, I mean, Dr. Dre famously – or infamously – “paused 4 porno” on his album 2001, and just in 2018, Kanye released “XTCY”, a song that is hilariously lacking in any kind of moral compass, let alone born-again Christianity. It did the same thing that “Body” does with the moaning yet it also covers it in this really eerie sample, as well as spare 808s and a drum beat that doesn’t feel like it gets in the way of whatever the hell Kanye’s doing on this track. It also helps that the moaning doesn’t just come in on the chorus, instead we have a string swell to distinguish it, and that Kanye has more of a comical lyrical nature on “XTCY”. This comparison is only fair when looking at the production, though, as whilst Kanye has “sick thoughts”, Megan is just bragging about her own body-ody-ody-ody-ody, etc. over a pretty mainstream, accessible beat, even if it has really ugly, loud 808s that kind of do get in the way of the rapping here. Thankfully, Megan rides this beat forcefully – no pun intended – and with some really great wordplay, even if there are a few immediately dated references here and there. That third verse is also pretty funny, and whilst I don’t want to focus too much on this song – it’s a family show after all – this is pretty lively and whilst I’m not a fan of this beat, Megan makes it worth sitting through and honestly, the song sounds a lot shorter than it is. Check it out.
#67 – “Love is a Compass” – Griff
Produced by PARKWILD
I didn’t say the word “compass” on purpose knowing this song would be next, although perhaps I subconsciously snuck the word in. Maybe I should have made it seem like I foreshadowed this song, but honestly what about this warrants foreshadowing? I don’t mind Disney music at all. In fact, a lot of the films are full of really classic compositions that have aged incredibly, including the Renaissance era of their films, especially. In fact, “I’ll Make a Man Out of You” from Mulan – the original – is one of the few soundtrack songs that is directly related to and featured in the film yet I can still listen to outside of that context. I’ve not even watched either Mulan – or have Disney+ - so it’s not like I’m a big fan, but I can appreciate the music when I find it, even if I mostly despise everything Disney stands for as a company. The issue with this is that it cannot apply to “Love is a Compass”. I’m sure Griff and her producer PARKWILD are talented musicians, but this is purely a product. This wasn’t even made for an original animated feature, or a painfully weak adaptation of one of their original animated features starring Will Smith as the Genie. This is a generic piano ballad made for an advert, because just like literal shops and manufacturing companies like John Lewis, Disney has a Christmas advert. There’s nothing artistic about this. This “emotional” piano ballad is layered in reverb and egregious Auto-Tune that drains Griff of whatever emotion her delivery could have had. It doesn’t sound good in this context at all and it is so obvious, which is unfortunate because her voice, Auto-Tuned in a similar way, could easily work over more lo-fi and interesting production. As it is, this is repulsive, sonically and on every other level beyond that.
#66 – “Angels Like You” – Miley Cyrus
Produced by Louis Bell and watt
So, Miley Cyrus dropped her album, Plastic Hearts, last week and I expected more impact on the chart but the two singles are really THAT big that not any of the album cuts had much of a chance, even if “Prisoner” dropped a few spaces. Other than that, “Midnight Sky” is still in the top five and near the end of the chart, we have a debut: “Angels Like You”. It’s clear why this charted because this isn’t just a highlight from the album or a personal favourite of mine, but it’s a fan favourite honestly, a career highlight – which may not be hard to make, I mean, it’s Miley Cyrus we’re talking about – but it still impresses me with how much I really love this song. This is more of a mellow ballad than many of the tracks surrounding it on the record, with Cyrus’ raspy country twang finally met with a fitting blend of acoustic guitars and a genuine orchestral swell in the chorus, even if at times it decides to start clipping. The shift in guitar tone to a dirtier, aggressive one after the first chorus is a genius touch, and even the pretty stiff drum machine here feels like it adds a lot to the power of this song, especially when it starts kicking behind the screeching guitar solo, leading into an admittedly anti-climactic final chorus... that might even be fitting for the content, which is a break-up song but not one that decides to deflect blame or even focus entirely on the break-up, rather being an acknowledgement of what both parties here did wrong, and why they ended up in the relationship to begin with. Both Cyrus and her ex-girlfriend Kaitlynn Carter were in rough spots coming off of previous relationships in late 2019 and those dark spots are what Cyrus understands lead to the collapse of this relationship. She discusses the lack of connection between the two in the first verse, leading to a literally nameless relationship where it was full of romantic gestures but not any depth. The chorus is a complex look at how Cyrus knew she would look back on the relationship as little more than a fling, but how she regrets that this is her only view of the relationship. She didn’t want anything more and split after things started getting too serious, and feels genuine guilt for using Carter to heal her own depression, because “misery needs company”. She uses the biblical metaphor to demonstrate how she feels she tugged down her girlfriend, described here as an “angel”, to the hell Cyrus thinks she resides in, which may be melodramatic, sure, but I’d be lying if I said Cyrus doesn’t completely sell it here, with some of her best vocals to date, backed up by gorgeous production and really well-written lyrics. This is a genuinely brilliant ballad, give it a listen.
#58 – “Naughty List” – Liam Payne and Dixie D’Amelio
Produced by TMS
I’ve been writing these producers as “TM5” for so long without realising it’s an abbreviation for “The Music Shed”. Anyway, I hope we can all agree that Liam Payne is probably the worst off when comparing the One Direction boys and their solo careers so far. Harry Styles is one of the biggest stars in the world, making a twist on 70s classic rock that I don’t like at all but he IS making headlines and having massive chart success. Niall Horan is having mild success making rock and folk albums that are honestly alright, ZAYN has two albums under his belt that may not be listenable but at least the first one was a success and he did go into a more mature R&B direction, and Louis Tomlinson might not have been met with any success from his album earlier this year but at least there’s some quality there. Liam Payne, however, has been releasing straight garbage to no fanfare for the past three years, dating back to “Strip that Down” with Quavo, and continuing down the path of feigning maturity and development with music clearly not backing it up, demonstrated by the bisexual fetishism on his delayed debut album and how his collaborations went from relying on Zedd to relying on J Balvin to relying on TikTok stars on a sexually-charged Christmas single that couldn’t even crack the top 50. I have no idea who Dixie D’Amelio is other than seeing her sister’s controversies on Twitter in passing, but it is depressing that a major-label pop star needs D’Amelio to chart this high – and no, given his most recent singles with bigger features like A Boogie wit da Hoodie and Cheat Codes, as well as the shoddy performance of his last Christmas song, I’m not even considering that it’s the other way around. This immediately, in its first 15 seconds, makes sure you know this will be awful, with its tedious acoustic guitar strumming fused with cheap sounding sleigh bells and dated trap percussion, even with little “hey!” gang vocals straight out of 2014 that make this sound a lot less new and fresh than I think Payne thought it did. Also, something about these lyrics sounds really odd when you consider the age gap between the two vocalists. I mean, D’Amelio’s 19 years old, so it’s not like this is illegal in any way (and they didn’t have any chemistry to begin with), but the childlike imagery in the chorus just makes this gross. “Santa saw the things we did and put us on the naughty list”? This has less subtlety than 3OH!3’s Christmas song they released this year. Yes, that happened, and somehow the two washed-up early 2010s pop stars made a “dirty” Christmas song that is miles better than Liam Payne’s, probably because of the more interesting lyrical detail, and that, you know, it isn’t a duet. Check out “KISSELTOE” if you’re interested, it’s really good. I liked their comeback single with 100 gecs too so I’m pretty excited for whatever comes out of 3OH!3’s recent productivity. This song, on the other hand, as well as the upcoming joke, is just Payne-full.
#53 – “No Time for Tears” – Nathan Dawe and Little Mix
Produced by Tré Jean-Marie and Nathan Dawe
Okay, so, I understand the marketing of releasing a single after a long time of not releasing a single and after your singles have all dropped out of the chart, but Little Mix are just being managed horribly here. Why would you release a single in the Christmas season that you want to be big? This isn’t a holiday song in any way and doesn’t even sound like one, so releasing it this early into the Christmas season is just begging for it to be forgotten and eventually flop. Nathan Dawe is an EDM DJ so he doesn’t need this type of promotion as long as he can tour next year and he’s got big features, and Little Mix don’t need any extra singles because they’re still in the top 10 and they’ve branched out to reality television. Just let the girls breathe for a second and enjoy their success. Oh, and this song isn’t just logistically unnecessary, it’s sonically unnecessary, acting as a house-pop club banger with that standard piano sound reminiscent of 90s house that has been adopted recently by DJs, with any of the infectious melodies and genuine drive sucked out of it, especially if Dawe is going to add a Goddamn trap breakdown in the second verse with the most pathetic set of percussion I’ve heard in years on a house track. It’s not like Little Mix are saving this either because the lyrical content is re-tread and their performances are largely unrecognisable from each other and songs they’ve made before. Yeah, this isn’t offensive, but it isn’t interesting, outside of that bridge, but even then it builds up perfectly to a chorus that’s interrupted by a pointless, repetitious interlude. This song isn’t just uninteresting, it’s inherently unnecessary on all fronts, which if anything, is just kind of sad.
#35 – “All You’re Dreaming Of” – Liam Gallagher
Produced by Simon Aldred and Andrew Wyatt
Surely out of all of these songs, I’d have the most to say about our top 40 debut, with Liam Gallagher, former frontman of legendary rock band Oasis,  and his new lead single, right? Well, no, because here are some unfortunate truths: Oasis made two good albums, and they’re not as good as you remember. Liam Gallagher is an awful person who continued to rip off his own band with his new one, without the songwriting ability his brother Noel had. Liam continues to be persistent in his making of enemies for no other reason than publicity. Noel’s reaching out to Liam for the sake of at least reconciliation goes completely unnoticed, ignored or criticised by Liam for no discernable reason other than an on-and-off again facade that’s been going on for more than a decade. Noel wasn’t even that great of a songwriter, relying mostly on musicianship and other people’s melodies he liked to co-opt for his own tracks. None of their solo work has been listenable yet still gathers attention that I imagine is to the dismay of those other band members in Oasis who, ultimately, made those classic albums as much as the Gallaghers. Where’s the praise for Bonehead, Guigsy or even Gem Archer, who stuck it out despite decreasing popularity, utter lack of musical quality and increasing tensions between the people who kept the band afloat until they decided to break up? Both Noel and Liam look at Oasis with regret or admiration depending on how they feel that day but when you look at who REALLY won that Britpop battle tabloids liked to hype up in the 1990s, you realise how far away Oasis was from Blur or even Pulp in terms of not only their songs but having their stuff together. This new song is complete garbage as well, with a pretty awful mixing job, Liam being as distinctively nasal and infuriating as he is with any of his songs let alone his uninteresting ballads, and the COVID-19 charity pandering that comes off as really false, especially since even after Noel released an Oasis track this year as a result of the lockdown – and Liam whining about how he wants to bring the band together to help the NHS – he criticised the honest release of the demo, which Noel wrote and sang himself. It’s also especially telling how the proceeds are only going to benefit charity for its first month of release. Afterwards, Liam and the label can scrape up whatever leftover streams they get from diehard fans. I don’t like Band Aid at all, in fact the song is pretty damn rancid, but at least they keep on recording updated versions to give to modern charities. Liam, you’ve got a bank account the average Manchurian would dream of. This charity single is a fraud, and a pretty hypocritical, immoral one at that.
Conclusion
I think on principle on how fake it is and how awful the song is, I have to give Worst of the Week to Gallagher... but I have a rule against crowning any kind of charity single with that title. At the end of the day, at least something at some point is going to the people who need it. Worst of the Week in that case goes to “Naughty List” by Liam Payne and Dixie D’Amelio, with a Dishonourable Mention to the product that is Griff’s “Love is a Compass”. Best of the Week should be obvious as it’s going to Miley Cyrus for “Angels Like You”, with an Honourable Mention to Megan Thee Stallion’s “Body”. Here’s this week’s top 10:
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May I remind you this is the first week of December? Anyway, I doubt Shawn Mendes will make anything through the barrage of holiday tracks, but if he does, that’s next week. Thank you for reading and follow me at @cactusinthebank for more ramblings of this sort, I suppose. See you next week!
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geek-gem · 6 years
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Sonic Movie Series Casting
Tags done and 11:24 pm including that first tag deleted three times and put it back and just whatever. Basically I made this and not using the long intro from Deviantart including standing now I'm rambling.
Zac Efron(Neighbors 1 and 2, The Greatest Showman, 17 Again, Baywatch) as Sonic The Hedgehog.
Some thoughts on this I do really like Ryan Reynolds yet I worry because he's been casted for some reason as Detective Pikachu and I've been thinking would they allow that since Pokemon is a Nintendo property and this is Sonic from Sega. Yet I don't know it's not like Marvel and DC where certain actors can't be in each other's franchises or shit like that. Their are other choices and this worrisome idea about age. Yet I think he's perfect and fits the job.
JK Simmons(The Sam Rami Spider-Man Trilogy, Zootopia, Whiplash, Justice League 2017) as Dr. Eggman/Robotnik.
Some thoughts got this idea from a comment on a video and I think it's perfect it's a comment deep within comments on I'll find the video. https://m.youtube.com/watch?v=JSQhho0hjRw the name is The Real Delphox 616 checked that three times okay got that.
Collin Dean(Over The Garden Wall, The Loud House) as Miles Tails Prower.
Anna Kendricks(The Pitch Perfect Trilogy, Trolls 2016, The Accountant) as Amy Rose.
John Boyega(Attack The Block, Imperial Dreams, Star Wars The Force Awakens, The Circle, Detroit, Star Wars The Last Jedi, and the upcoming Pacific Rim Uprising) as Grant.
Some thoughts almost left s behind Grant, this character was revealed in the supposed leak of the story a human character. While originally KJ Apa was the casting choice. I've decided to change it to this. Including KJ was up in another casting choice.
Alan Tudyk(Star Wars Rogue One, Moana, I Robot, Frozen) as Orbot.
Liam McIntyre(Gears Of War 4, Spartacus, Pulse) as Knuckles The Echidna.
Scarlett Johanasson(The Marvel Cinematic Universe, Lucy, The Jungle Book, The SpongeBob SquarePants Movie, Her) as Rouge The Bat.
Some thoughts to be honest this is indeed type casting because the way it is. Yet it's basically perfect and fits and glad that comment on YouTube agrees with me.
Brie Larson(Kong Skull Island, Room, Scott Pilgrim Vs The World) as Madonna.
Again going by the supposed leak story and that comment really mainly it's a casting choice I'm not worried about and I like Brie too as an actress.
Zac Efron as Metal Sonic.
Some thoughts an original casting choice was of Dane Dehann but to make it easier because Metal is basically Sonic in way a more darker version. Including the idea that Metal thinks he's the real Sonic. So it's Zac doing a more kind of disguised by sounds of machine. But basically a darker and serious voice compared to Sonic's actual voice when Metal develops to talk. To become the real Sonic.
Sebastian Stan(The Captain America Trilogy, The Martian) as Shadow The Hedgehog.
Talitha Bateman (Annabelle Creation, Nine Lives) as Maria Robotnik.
Jeremy Irons(The Lion King, Batman V Superman Dawn Of Justice, Assassin's Creed 2016, Justice League 2017) Gerald Robotnik.
Ben Affleck(Batman V Superman Dawn Of Justice, The Accountant, Justice League 2017) as GUN Commander/Abraham Tower.
Some thoughts well looked on the wiki his name came from the comics. Including other casting ideas were William Hurt and Idris Elba. No offense yet decided to choose Ben Affleck considering in a way the look and him close to maybe his age or....I like Ben Affleck yet I feel my ideas of race bent might bother people and just Been Affleck is perfect okay.
Aulii Cravalho (Moana) as Tikal The Echidna.
Catherine Taber(Star Wars The Clone Wars, The Loud House) as Blaze The Cat.
Some thoughts this was basically a last minute decision as of now. The other choices were Emma Watson and Lili Heinhart but decided to go with Catherine because that Star Wars one and also the idea of The Loud House. Hey at least she's done serious roles. Including she was a casting idea for Amy but decided to go with Blaze so we now have our Blaze in this universe.
Cole Sprouse(Riverdale) as Silver The Hedgehog.
Danny McBride(This Is The End, The Angry Birds Movie) as Vector The Crocodile.
Martin Burke(Sonic OVA) as Classic Sonic.
Some thoughts just yeah honestly it's a personal casting and I do wonder of how his response would be if he was ever approached to even voice Sonic again. Including you can laugh at it if you want.
Jessica DiCicco(The Buzz On Maggie, Adventure Time, The Loud House) as Marine The Raccoon.
Some thoughts can she do a Australian accent in some way. Including almost forgot to mention this before the next casting of a character I wasn't gonna put but might as well since I put Marine. Now remembered this was seriously last minute casting. Might of had thought of her but today I was thinking well might as well go with her she fits.
Nev Scharrel(Despicable Me 3) as Cream The Rabbit.
Chadwick Boseman(Captain America Civil War, 42, Get On Up, and the upcoming Black Panther) as the president.
KJ Apa(Riverdale) as Buddy The Wolf.
Some thoughts yeah this is where KJ is at. Including this prediction if Buddy was ever gonna be introduced in a movie. People making jokes or actually complaining their character isn't canon. Along with the idea how a custom character is gonna work. Including I keep thinking the whole Buddy The Wolf is the canon part. Or Gadget The Wolf or Rookie The Wolf you may go with. Yet what I know no offense the Buddy The Wolf name seems canon.
Adam Driver(What If, Star Wars The Force Awakens, Patterson, Logan Lucky, Star Wars The Last Jedi) as Infinite The Jackal.
Some thoughts this casting choice I had thought of when seeing The Last Jedi a 2nd time and also the jokes and comparison people make of the two characters Kylo Ren and Infinite. It was a surprise Mzimmer made that casting choice of Adam as Infinite. While at first before seeing the cast was trying to imagine it. Yet when thinking about it more makes sense and is perfect.
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saraseo · 4 years
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binchesbrew-blog · 6 years
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My Fav Christmas Traxx
Well, ‘tis the season of Christmas music or X-mas music or seasonal selections. No matter how you celebrate the holidays, it’s hard to escape all the radio stations, department stores, co-ops and coffee shops pumping out the same hits every single day. I love the seasonal standards. But I also know people have very strong opinions about this. So, for my first “real” post, I’ve come up with a list of a few songs  that I hope can allow you to approach the holidays with new ears. Or, if anything, help you discover some new songs you haven’t heard yet...or at least too many times. Also, it’s my blog, I do what I want.
Ok! 1.  The Ventures - “Sleigh Ride” https://www.youtube.com/watch?v=fVwceVBY-HE I like to kick off the holiday season with a track from this album. The classic ‘60s surf rock band from Tacoma, Washington known for their instrumental hits like “Pipeline” and the theme to “Hawaii 5-0″ released “The Ventures’ Christmas Album” on Dolton records in 1965. And keeping with the times, they incorporated popular hits from the era into the Christmas arrangements. For example, check out the intro to “Santa Claus is Comin’ to Town,” or the tease of their own “Walk Don’t Run” in “Sleigh Ride.” This whole record is instrumental and it’s perfectly orchestrated. It’s one I never get tired of hearing. 2. Slade - “Merry Christmas Everybody” https://www.youtube.com/watch?v=apoFZv5J6xo       This ‘70s glam rock track is ridiculous, nonsensical, glorious and charming all at the same time. And the chorus manages to carry it all the way home. I love this song. You might know Slade as the original authors of “Come on Feel the Noise,” an anthem that would later unfortunately be covered by ‘80s hair-metal whatevers, Quiet Riot. P.S. Slade’s version is better.   3. Wizzard - “I Wish it Could be Christmas Everyday”   https://www.youtube.com/watch?v=bnczB6LXkqE Keeping with the glam rock motif. Next up is Wizzard’s “I Wish it Could Be Christmas Everyday” from 1973. A tender, beautifully crafted pop song by the band’s primary songwriter and former ELO member, Roy Wood. Good work, Roy. Music video’s weird though.  4. The Ronettes - “Frosty the Snowman”  https://www.youtube.com/watch?v=76sh1BWCQSc 
I recently saw this song on a “strangest Christmas songs of all time” list and thought that was ludicrous. Thus, I decided to - hopefully - redeem it by including it in my list. The song comes from “A Christmas Gift to You from Phil Spector” compilation record and is essential for any collection.   5. The Kinks - “Father Christmas”  https://www.youtube.com/watch?v=fPPCPqDINEk  A power pop classic. You can’t go wrong with this one. It has a nice edge to it, especially if you’re not too stoked on the holidays.  6. Nick Lowe - “Christmas at the Airport”  https://www.youtube.com/watch?v=oiSf083QM_U  Sometimes your Christmas travel plans don’t work out too well. Sometimes, weather complicates things. Sometimes you need the warm, soft grandfatherly voice of Nick Lowe to make you feel better. 7. Vince Guaraldi Trio - “Christmas Time is Here” https://www.youtube.com/watch?v=YvI_FNrczzQ  This list is nothing without something from “A Charlie Brown Christmas.” This song and this record need no explanation.  8. Nat King Cole - “The Christmas Song” https://www.youtube.com/watch?v=6usS7Yi3PLE  Legend has it, Nat King Cole would smoke nearly a pack of cigarettes before recording because he thought it made his voice sound smoother. Even if that’s not true, something must’ve worked for him because despite being one of the most generic song titles of all time, it’s definitely one of the smoothest.   9. Dean Martin - “Marshmallow World” https://www.youtube.com/watch?v=-BOu3IMMzFc Oh, Dino. You drunken buffoon. At least you can croon your way onto my list with this one. 10.   Harvey Danger - “Sometimes You Have to Work on Christmas (Sometimes)” https://www.youtube.com/watch?v=k8Zq1jRrHDc Lastly, it’s important to note that not everyone gets to spend the holidays with their loved ones. Sometimes, you have to work through it. Sometimes the holidays can feel lonely. And it sucks. But other times you get to look forward to the future. To better holidays. To better politicians. To fewer dying rock stars. Y’know, normal stuff.     So, that’s that. My fav holiday trax. Just so you know, I think I come up with a different top 10 each year. But that’s between you and me. 
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movimblog · 5 years
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After Le Grice: on inciting a new culture and infiltrating institutions A conversation with Malcolm Le Grice, A Coruña, June 6 2019.
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Prelude
In May 2016 I was in London, at the BFI, to attend a special evening of performances by Malcolm Le Grice. An event so rare that I asked myself whether that would be my first and last chance to see Le Grice performing his iconic Horror Film 1 (1971). The evening programme also comprised Threshold (1972) and After Leonardo (1973), of which you can watch below eighteen fragments:
Three years later, the curators of (S8) Mostra de Cinema Periférico proved me wrong by inviting Le Grice (now aged 79) to A Coruña for a retrospective and a master class. The intensity of the retrospective last programme – composed of Castle 1 (1966), Berlin Horse (1970), Threshold and Horror Film 1, all presented in 16mm – moved the audience, some of them broke into tears. After performing Horror Film 1, Le Grice said that it was maybe his last performance of the piece, adding "I'm actually offering it to anyone else who wants to do it. There is a person in New Zealand, a woman, who does it, and I've given her all the materials for it, and she does it occasionally. She also does it with students.". The emotions of that evening are still violently pulsating, and all I can say is: I don't want to believe you, Malcolm. You'll perform again, and we will all be grateful for that.
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After his master class at Filmoteca de Galicia, I sat down with him for a short conversation on his first book, academia and more.
* *  *
I would like to start this conversation by engaging with memory. I have with me a copy of your 1977 book Abstract Film and Beyond. Can you tell me something about the time when you were writing this?
Well, it's interesting because I was working on it for at least two years, I think, but mostly the writing was done in six months. But then nearly a year and a half was spent in editing and getting the publication done. Now, goodness, how do I get my brain back to what was going on then? First of all, I wrote the book because there were things which I didn't know. So I had to do real research into the early period of experimental cinema, which was Léger and Man Ray, and even Oskar Fischinger and Hans Richter, all of that. And not just abstract: my understanding of abstract is not the same thing as non-figurative. My understanding of abstract is when you draw out the properties and separate the properties from each other: that's abstraction. If you take the colour from the form, so you got an orange or whatever, and you take the colour away, you've got orange and you've got the form. And those are two abstractions. So, once you've abstracted, instead of putting back orange you could put back green, or blue, or whatever. That, for me, is for example what Matisse does in the Fauves. So, for me abstraction is not just about films with no representation. I took the interpretation that you could take films that had photographic images and they could still be abstract. So, Léger's Ballet mécanique, for example, is abstract.
Then, there was a polemical question as well, although it didn't play so heavily in this. A very important polemic at that time was to establish the British and the European artists in the experimental cinema, when it was completely dominated by the American. Because the Americans had a lot of developed artists, but they also had all the publicity system, they had promotion. You know, I talked about the CIA this morning, but actually, the CIA was promoting artists, as a cultural promotion. It's not true that I was cynical, because actually a lot of people involved in the CIA liked the work, they actually appreciated it. From the politics of American culture it was very important to make an establishment of the European work in a way that could be compared with (and compete with) the American work, so that polemic is in there.
I've always felt that Abstract Film and Beyond was more of an artist book than an academic one – I don't think you like the word academic. I see it as an artist book because the research you were doing, the type of questioning, has the urge of a creator, of someone who wants to understand something, reach a perspective, in order to keep creating. You've also inserted yourself, your artistic practice, in the book: you write, briefly, about your work, one can see reproductions of film strips from Little Dog for Roger and Berlin Horse, and also a picture of you performing Horror Film 1. Because of this aspect of your book, I wonder if you've ever been questioned about research rigour, in an academic context.
Not at all. I mean, there wasn't the same academic establishment then, that there is now. Now, a lot of publication is done in universities to make sure that your research rating is high. And that you could get your money for research. So it's a gain now. When I wrote this I didn't think of it being in the university at all, for me it was in the public domain, it wasn't for the university. In fact, there really wasn't any experimental film in the British universities at all, at that time. Even the art colleges, many of them didn't even offer degrees, they didn't offer a Bachelor of Arts or a Master of Arts, a lot of the art colleges simply offered diplomas, so there was no establishment of a research culture within the universities. That changed, and I was part of the change, because when I became Dean of Faculty [
at Harrow College in 1984, Ed.
] and then Head of Research [
at Central Saint Martins in 1997, Ed.
] it was at a time when first of all we established that art could be a subject for a bachelor's degree, that it could have master's degrees and that it could have doctorates. That didn't exist. By the nineties we were establishing all of that, the BAs earlier, and I was part of this because the money for teaching was going down and down, so the only way of making up the difference of the money in the university context, was to build your research funding. I got very involved, I was on the national committee for how to define research in the arts, and that committee then decided on the equivalences for research. After that, the universities that had art departments were able to apply to the government for research funding. Of course that made a big difference to the teachers mainly, because the research money went to the teachers for their research activity. Some of it went to students for PhDs, but the main amount was going to the teachers. So that didn't exist at the time this book was written. It was very naïve and very undeveloped. The awareness, the culture, was very undeveloped for experimental cinema and there was a sort of still uncertainty. The production money came from the British Film Institute or the Arts Council. The British Film Institute didn't have any understanding of experimental film at all, they brought me on to the committee of the production board of the British Film Institute [
from 1971 to 1975, Ed.
] and then I was the chair of the committee at the Arts Council, for artists' film and video [
from 1986 to 1990, Ed.
]. In that way, it was all about building up a basis for the culture.
You were creating tools for the future generations.
That's right, I don't think I'm making this up in retrospect. What I realised was that we needed a culture for this. We needed something more than individual artists trying to make films. We needed a culture. And obviously the focus for that culture, to start with, was the Arts Laboratory. It was more important than people realise. The Arts Laboratory in Drury Lane was the centre of counter-culture. But there was also the group who started the London Film-Makers' Co-op, they were all really cinéastes, not filmmakers, as far as I can recall, the only filmmaker in that group was Stephen Dwoskin. He was the only one, all the rest were all saying "Wouldn't it be nice if we had a film culture?". The London Film-Makers' Co-op was modelled completely on the New York's Film-Makers' Cooperative, but all the production idea came not from there, but from the Arts Laboratory.
In regard to building an experimental film culture, can you tell me more about the days at the Arts Laboratory?
It was me and David Curtis, we talked a lot about how to encourage and stimulate filmmaking, and David was very important in this. He dug up other artists and put on performances and various things in the Arts Lab. He was a very significant figure really, and he set a cinema up and really promoted experimental film. He and I were a lot together, it was he and I who really had the idea of a filmmakers' workshop. Then, he was always very supportive and he was working at the Arts Council as well. We were infiltrators.
You were injecting something new into the country's institutions - that were still not understanding what you were doing. Were you fully aware of the strategic possibilities given by this chance to infiltrate institutions like the BFI and the Arts Council?
There's something strange about the English: if somebody opposes, then what they try to do is not stop it but try to include it. I was a big, big critic, of the British Film Institute in relationship to contemporary and experimental cinema, so what did they do? They asked me to join the committee. So I'm infiltrating, and of course I don't say "Oh no, I'm not going to go in that committee". It's how the British at that time worked.
I would like to go back to Abstract Film and Beyond. Speaking in terms of research, of conceptual understanding: when you finished the book, do you recall of achieving something that you needed for your artistic practice?
The research and the thinking increased the intellectual content, the understanding, of what was going on. It is more analytical than it is theoretical, analysing what was going on in experimental film. I'm more of an analyst than I am a theorist. Peter Gidal is more of a theorist, I am a theorist, but mostly I'm looking at things and see how does this work, what's going on with it, what's actually happening.
Do you think that this analytical modus operandi is also reflected in your films?
I don't know, I think that's different. Again, Peter Gidal and I we've talked a lot over the years. One of the things I think we both agreed with is that none of us begin our work from theory, we always prefer a more spontaneous practice. Virtually none of the films that I made began from a theoretical position. The theory came as an analysis afterwards, by including what actually is now a very important essay, which is the Real time/space essay1. But Real time/space did not lead the work, the work led the concept. And, certainly for my part, I've always trusted an unconscious instinct as a filmmaker. Writing the book gave a stronger rationale to the work, but it didn't actually change the work. I would go and do things like Little Dog for Roger for example: you could not begin that from theory, there's no way. When I look at it, I now know that there's a common set of aesthetic notions that come from Little Dog for Roger, Birgit and Wilhelm Hein's Rohfilm and George Landow's Film in which there appear Sprocket Holes, Edge Lettering, Dirt Particles etc. When I made Little Dog for Roger I was not thinking of Rohfilm, I was not thinking about George Landow, I was making Little Dog for Roger, and I was making it in the same way I would make a painting. Only when I looked at it I would think "What's happening here? What's the difference between this and other non-materialist film practices?". It's still pretty much true that a lot of my filmmaking and videomaking comes out from the unconscious. I may have strategies of various sorts but [he pauses to think, Ed.]. There were a few films, the long feature-length films, which are Emily, Finnegans Chin and Black Bird Descending2, which address issues around narrative - they're works with a certain amount of theory-preceding-the-work, which was a bad thing. Fairly quickly after making them I said to myself: you're on the wrong track. You know, it was a big discussion going on at that time around deconstruction, narrative and feminism, with Laura Mulvey, who was a great friend of mine. Laura Mulvey and Peter Wollen shot one of their films in my kitchen.
The kitchen in Riddles of the Sphinx?
It's my kitchen in Harrow. There was a lot of that kind of cross-discussion and influence. And I was influenced by the debate about feminism, but in particular about the semiotics of cinema. But that was the only time, I think, in my filmmaking, where the theoretical got into the films ahead of the making. Also partly because I got a lot of money for those from Channel 4 and from the Arts Council, and you don't take as many risks, if you're working with a big budget. With a big budget you got a cameraman and a crew. I've looked at them recently, and they're not as bad as I think. But I realised that my earlier work was more in the right direction. So I then went back. That's when I started making short videos. I went back to saying "OK, I'm going to make short films, I'm going to respond to the material, I'm not going to take on that kind of wrong ambition".
1Malcolm Le Grice, Real time/space, Art and Artists, December 1972, pp 39-43.
2Emily - Third Party Speculation (1979), Finnegans Chin - Temporal Economy (1981) and Black Bird Descending: Tense Alignment (1977).
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thisdaynews · 5 years
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Premier League 2019-20: What are the trends of the season so far?
New Post has been published on https://thebiafrastar.com/premier-league-2019-20-what-are-the-trends-of-the-season-so-far/
Premier League 2019-20: What are the trends of the season so far?
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We’re only days into September but more than 10% of the 2019-20 Premier League season has already been voraciously consumed.
Some things, like Liverpool and Manchester City pulling away from the rest, seem only too familiar.
But others, like the longing gaze at the video assistant referee (VAR) decision on the big screen and the new goal-kick rule, seem utterly new.
What, then, are the key trends from the opening few weeks of the season?
VAR has had less of an impact than you might think
The establishment of our new VAR overlords in Stockley Park was always going to make for an intriguing period but despite some high-profile reversals in the opening few weeks, it seems the officials have been determined the league’s new system of justice should not have too major an impact.
Who can forget the 2018 World Cup, which saw 29 penalties, shattering the record for a single tournament, as VAR honed in on grappling and barging?
This season, in the Premier League, there have been only nine spot-kicks awarded (a third of them to Manchester United), which is below average for the past 10 seasons.
Indeed, back in 2012-13 when video referees were the stuff of science fiction, seven penalties were awarded on the opening weekend alone.
It’s a similar story with red cards, with the five this season being only half as many as at this stage two seasons ago, and four fewer than last term.
How seasons compare after four weeks Season Penalties Red cards 2010-11 14 9 2011-12 15 7 2012-13 15 6 2013-14 11 5 2014-15 5 5 2015-16 8 11 2016-17 15 2 2017-18 5 10 2018-19 14 9 2019-20 9 5
Overall, of more than 30 incidents that have been played out on the big screen so far, only six decisions by the on-field officials have been overturned.
Intriguingly, two of those have ruled out goals for Manchester City striker Gabriel Jesus (away to West Ham and home to Tottenham) and those have been the interventions that have driven the most debate about the new system.
Tiny signs that the furious arguments may settle down as the season progresses were seen in matchweek four as only three incidents went to VAR and all of them backed the referee’s decision.
Good officiating or reluctance to cross to the leafy judgement palace of Stockley Park?
Maybe we need VAR for the VAR.
Brighton love playing out from the back as much as Man City
Another change for the Premier League (and football in general) in 2019-20 is the new goal-kick law.
Previously the ball had to be played outside of the penalty area before being touched by a team-mate, and in the long-ball era of the 1990s and before, this was not an issue.
A Mitre ball, pumped up harder than the surface of one of Jupiter’s moons, would be “distributed” upfield by a goalkeeper in remarkably high shorts and play would commence in the immediate vicinity of the halfway line.
Now goalkeepers can stroke a short one inside the box (I posit that this is the most unsettling visual change to football since the backpass law in 1992, it’s certainly taking longer to get used to than the one-man kick-offs) and stretch the play.
Proportionally, Manchester City’s Ederson jointly leads the way in short passes from goal-kicks with Brighton’s Mat Ryan (69%), but the Albion man heads the division in terms of raw numbers, with 22 of his goal-kicks being played to a team-mate inside the box, putting him just ahead of the north London pairing of Bernd Leno and Hugo Lloris.
At the other end of the spectrum, Watford’s Ben Foster has hit almost as many goal-kicks (two) to the other penalty area as he has in his own (three).
A few other goal-kick highlights include:
All of Ederson’s goal-kicks are either stylistic penalty-box modernism or absolutely gigantic pitch-length knocks. Truly a man for all seasons.
Liverpool’s Adrian really likes left-back Andrew Robertson.
Wolves keeper Rui Patricio is one of four keepers yet to attempt a goal-kick to a team-mate inside the box, along with Sheffield United’s Dean Henderson, Newcastle’s Martin Dubravka and Burnley’s Nick Pope. Patricio also loves the right-hand touchline, hardly befitting a man in the number 11 shirt.
West Ham’s Lukasz Fabianski tried a short goal-kick once but didn’t enjoy it and went back to the old style.
Salah really isn’t selfish
Sadio Mane and Mohamed Salah tied for the Golden Boot on 22 goals last season, along with Arsenal’s Pierre-Emerick Aubameyang
The most memorable image of last weekend was Liverpool forward Sadio Mane’s fury after his substitution at Burnley.
The apparent cause was Mohamed Salah’s decision not to pass to his team-mate, which makes you wonder if sharing the Golden Boot last season was a source of irritation rather than collegiate pride, and has led to the resumption of one of 2018-19’s most facile debates: is Salah selfish?
Given that Salah has scored or assisted 77 goals in 78 Premier League appearances for Liverpool, and that this is the first time in the club’s top-flight history that they’ve won their opening four league games for two seasons in a row, it is fantastically unlikely that Jurgen Klopp cares one bit.
Even so, is Salah selfish? Well, there’s no definitive way of judging this but a reasonable proxy is surely the ratio of big chances created by a player to the big chances he’s taken himself.
Of course, there’ll be plenty of the former where the only real option was to pass to a better-placed team-mate, and lots of the latter where he himself was in that position just described, but even so, a deviously selfish player’s ratio of created-to-taken would surely be unbalanced, and as the table below shows, Salah’s is anything but.
Player (August 2018-now) Big chances created Big chances for himself Ratio
Premier League only
Ryan Fraser 29 8 3.6 chances created to chances for himself David Silva 19 11 1.7 Eden Hazard 18 18 1 Mohamed Salah 17 36 0.5 Kevin de Bruyne 17 1 17 Andrew Robertson 16 0 – James Maddison 15 8 1.9 Trent Alexander-Arnold 15 1 15 Raul Jimenez 14 21 0.7 Callum Wilson 13 32 0.4 Raheem Sterling 13 27 0.5 Gylfi Sigurdsson 13 16 0.8
Hats off to the departed Eden Hazard, who managed to achieve a zen-like 1:1 rate last season, but Salah’s ratio of one big chance created for every two for himself is the same as Raheem Sterling in the same period, and few people are calling the Manchester City man greedy.
Andrew Robertson and Trent Alexander-Arnold appear on this list of most big chances created, naturally, but where are Roberto Firmino and Sadio Mane, presumed victims of Greedy Salah’s Monstrous Appetite?
Firmino’s numbers are very similar to Salah’s, with 10 chances created, and 21 for himself for a ratio of 0.48, but Mane’s are nine created and 29 for himself (0.31), meaning that in this semi-scientific study it is the supposed victim of the selfishness who is the least generous of all.
In truth, though, those numbers just reveal how stellar Liverpool’s front three are. Double up on one and the other two will destroy you. Divert all your resources to stopping them and watch as you open up oceans of space for the two full-backs.
In attacking terms this is gluttony more than greed.
It’s probably too early to look at the table. Maybe
If you believe those who can remember the old days then not only did nobody even glimpse a league table until mid-autumn but even expressing an interest in how the division was shaping up was an actual criminal offence.
The late 1980s was a world where live television coverage of England’s top flight only started in October once the clocks had gone back, on the genuine reasoning that people would only fully concentrate on First Division football once the opportunity for gardening had been reduced.
Now we luxuriate in the table at half-time on the opening day, and why not. The three highest points totals in English top-flight history have occurred since May last year so not looking at the standings early on is tantamount to missing the first act of a play.
As we learned above, Liverpool have won their opening four in consecutive seasons for the first time (and only the fifth time overall), while City have averaged 9.2 points in their opening four games this decade, last losing against Mark Hughes’ Stoke back in 2014.
Ten points from four has been enough for Pep Guardiola in each of the past two campaigns, so the two-point gap to Liverpool won’t be concerning him yet.
Elsewhere, this season was the first since the 1950s to see 15 or more teams on exactly one win after three games and the first time since the early 1980s that there had been 19 or more teams with at least three points after three games.
After getting thumped 5-0 and 4-0 respectively on the opening weekend, West Ham and Chelsea are showing signs of bouncing back.
No team has let in five in their opening game and finished in the top six since 1913-14, while the last team to let in four on the first day and win the title were Everton in 1984-85.
Tottenham, meanwhile, have already drawn as many league games – two – this season as they did in the whole of 2018-19.
What does it all mean? At this stage, I’m afraid it, er, may be too early to tell.
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THE BEGINNING OF THE BOOK
PLURAL IS THE NEW SINGULAR
    Roses are red. Violets are blue. I'm a schizophrenic and so am I So what the hell is a couple of weird guys like us doing in a nice place like this.
   As usual, we are trying to make something out of nothing and then make a big deal out of that something while preserving its basic obscurity so it won't escape and wreak the havoc it usually does when the recluse becomes a wreck on the loose.
    We offer proof that plural is singular as we try to discover what we've never possessed and try to rediscover what we possessed and lost while hoping this is the last place that we will have to look.
    We come to this place for what fills the space rather than for the blank space that is this place before we begin to fill it.
    Somebody built it so we come like pilgrims minus our Mayflowers.
    We come to this place to forgive as the hyacinth leaves its gift of fragrance on the heel that crushes it. Even if that heel is Mark Twain or Sam Clemens who was himself another plural singular.
    We're here because we're on vacation between infinities and yesterday we came out of sedation.
    We're here for the beer, the ballgames, the movies and for everything except a paycheck because we're here for the art.
    I and Me and Thornton too if the time is right.
    We're here because faith has revealed to us that we still have a job to do and this place is part of that job, a legacy according to my doctor
    Stop in and watch us work. You'll laugh. You'll cry. Warning; there is plenty of death, a dearth of sex, a presence of yearning and way too much urine.
    You'll learn and as you learn, you teach and all teaching is about forgiveness.
    Just remember, all generalizations are false including the last two which causes a contradiction which means one of them may be true in spite of itself or this whole place is one beautiful paradox or two.
INDIANA SPIN
    We thought we had located heaven but we had to pass through Indiana first. I was wondering why the hell somebody decided to name this state “Indiana” when we cruised into a blind spot.
    The first moment that I realized we were in a blind spot was when I saw the front fender of a semi smashing through the driver’s side window. We were going 70, I don’t know how fast the semi was going but somehow the driver never saw us when he attempted to change lanes.
    I remember flying up in my seat and hitting my head against the roof of our vehicle. Then the swerves began as the semi hit the brake while it pushed us down the road. For a moment we were perpendicular with the eighteen wheeler and taking up both lanes. I remember thinking….we can’t die here. I’ve got to teach next week. Nobody will know who the hell we are….our friends back home will never understand how we came to crash and burn in this weird place.This can’t be the end but it must be. Nobody ever lives to tell this story.
    We disengaged from the semi and the high speed spin began.The laws of physics must be obeyed. The swerve into spin continued forever. I lost consciousness. When I came to a second or a minute, an hour or a lifetime later, our totaled van was in the median between the lanes of a four lane highway. I figured that I had just learned how to die. It was simple really. You hit your head and the video tape called life goes dark for an undetermined time and when you wake up, you’re in a median in Indiana.
    Slowly, I got the impression that I might be alive but what about Lynn? She.was driving She must be dead. I saw the fender smash through her window. I saw the flying glass Her head was against the steering wheel.
There was blood.
She had to be dead.
The whole goddamned thing was my fault.
I was the one who thought we could find heaven.
Whatever this was; it didn’t look like heaven.
I had a lot to learn about heaven.
    I had a video camera. Soon I would use it. In my dreams, the camera never works. I hit the “on” button and the light flashed. Whatever this was, it wasn’t a dream.
to my mortal amazement, Lynn was as alive as I.
To my immortal wonder, perhaps she was as dead as I.
    I saw the truck coming through her window. No way that she could have survived that collision as long as there were laws of physics that governed force, mass, speed and velocity. If she was alive…these natural laws had been circumvented which put us in the realm of the supernatural where we have remained ever since.
    And the blood? We both had slashes above our right elbow from the shattered glass….nothing serious. We were able to exit the vehicle without much trouble. I went to my video camera It seemed to be working.
    I turned on the camera and started recording. The semi had come to a stop about 150 yards in front of us. The driver was still in the cab. I pointed the camera in the other direction and noticed a person coming towards us.
    I kept the camera aimed at his face so I got a closer up look than I would have without the camera. I focused on his eyes. For all I knew, this might have been St. Peter. His eyes told me that he thought he was looking at a couple of ghosts. When he got within speaking distance, I put down the camera.
    “I saw the whole thing”, said St. Peter I thought you guys were goners? Are you okay?”
I wasn’t sure.
    We walked around to the side of the van. Lynn was leaning up against it. I kept the video running. The tape would later be seen at least three times on national teevee.
FORWARD FIFTEEN TO DREAMLAND
    We have blizzard conditions in upstate New York.
    On polar vortex days like this,we hibernate and daydream of Summers past and Springs to come We  thank God that it's February and not November as the end is now in sight.
   I remembered back to the afternoon that Lynn and I celebrated our fifteenth wedding anniversay  on a sunny afternoon 15 years ago.
    We thought it would be loverly to re-visit some of the places where our relationship began and our love blossomed. After stopping at a few such places, we decided to drive to Sea Breeze, good old Dreamland Park on the shore of Lake Ontario. Dreamland Park is an old fashioned amusement park featuring the famous Jack Rabbit one of the first of the wooden roller coasters.
    Dreamland Park was the site of our very first date which occurred the afternoon after the dance where she saw me standing there and astonished me by asking if I wanted to dance.
    I don't think I would have had the nerve to ask her, so radiant was she as she continues to be.
   I did have the nerve to kiss her during our second slow dance which was our third dance in a row. I'll never forget those first three songs. "Hurt so Good" by John Mellancamp. "Loving You" by Elvis and "It's All in the Game" by Tommy Edwards. When in "Alli in the Game", Tommy sang "and he'll kiss your lips" I kissed her lips.
    Our lives were changing by the second. She was at the dance with a gal pal of hers and had to take the friend home. She gave me her number and wondered if I would call. We kissed goodnight. I raced home and called her immediately.
    We talked on the phone until sunset and decided to rendezvous the next day.
    She asked me where we should meet and I picked Dreamland Park, which was closer to her house than to mine. I suggested we should meet at three on the merry go round.
    She agreed
    I got there twenty minutes early so had my choice of what horse to ride. I chose the white one that went up and down. Even then, I sensed that this was going to be an afternoon we would never forget. I rode the carousel a few times before she showed up. Her first sighting of me would be aboard the white horse. She made me feel brave. I wanted to be a hero. Prince Charming Valliant.
    She appeared like a dream, exactly on time. I signalled her to climb on the carousel. She did and we began to go round and round as the ancient calliope added more melody to our moments and memories. I was cool and in control. I knew I was making a good impression.
    Fifteen minutes later,  we took a whirl on the Tilt-A-Whirl one of those rides in which the cars are traveling in one direction while spinning in another. This is when I discovered vertigo. Vertigo is impossible to be cool with. Suddenly I was sweating profusely and whispering to myself 'stop the machine' as I closed my eyes and tried not to hurl.
    My heroic facade was permanently as blurred as my temporarily whirled veritginuous vision. She took it all in stride. We staggered over to a bench next to the Jack Rabbit. I had to lie down. My equilibrium was gone. Even prone, the world was barely tolerable. The mighty had fallen. She could deal with it.
    Twenty six months later we got married. We've been on the merry go round ever since with more than an occasional side trip to the Tilt a Whirl.
    So fifteen years later, we returned to Dreamland Park for the first time in all those years. Things had changed in the park.The original merry go round had burned to the ground and had been replaced. The only way you could get in Dreamland was to pay for an all-day ticket.
    We only wanted to take one ride on the carousel.
    As we approached the gates, a burly security guard was comforting a little girl who had become separated from her parents. We waited for the guard to finish before we asked his advice on how we might celebrate our anniversary with one ride on the carousel.
    He directed us to the Park office where someone would be gald to take care of us. We made our way to the office and related an abbreviated version of our love story to the person behind the window who said "what a great story. I'm sure it will be no problem. Lert me check with my boss."
    A few minutes later a very friendly young woman who looked disconcertingly like Annie from Field of Dreams emerged and said "I just heard your story. Let's go take a ride on the carousel or two or three if you'd like. Right through these doors"
Beautiful.
    The three of us walked through those doors. We headed over to the carousel. I climbed aboard the white horse and she got on the chestnut horse next to mine. The night was warm. The Polar Vortex was unimaginable. Romance lives in memories of Dreamland even in the midst of February hibernation.
Whenever she loves me, I am brave.
BEATLEJUICE
    I had zero symptoms and was felling fine. I just wanted to get the hell out of the office.
    In his ongoing attempt to convince me that my situation was serious when I refused biopsy because “I didn’t want to know”, the urologist asked the old question in a new way. "what's the difference between ignorance and apathy?"
    We answered the new question in our old way. "we don't know and we don't care"
    This time the doctors said; "wrong answer" and made a decision.
    A month and a half later, we were sitting in the pre-op room telling the nurse, who had recently graduated from groin holding, our life story and our love story and how hard it was at times to know the difference between Iowa and heaven but after all these years, if it were anything Iowa would have been purgatory at best.
    We started to wake up when the IV needle went into our hand. Apparently what we were doing was real yet nobody seemed particularly worried not even us. We were in a place like this. When the doctors came in, we tried to apologize to them for our past hostile, ignorant and apathetic behavior which they couldn't possibly have forgotten although they seemed to be pretending that they had.
    Next came in the doctor who was going to knock us out. We had been told that he looked like a kid but he was very good at what he did. We told him all we wanted was some Beatle juice. He sorta smiled and said "I can do that". The nurse said we can play some Beatle music in the operating room if that's what you would like.
   They wheeled us into the OR. Sure enough we heard the Beatles singing "Love is all you need".
   A couple of hours later, we woke up. We had confronted our first fear, The biopsy was over. We went home and resolved to forget that this was probably not the ending, this was more like the beginning. But soon we would know and now we cared. Not in the old way but in a new way.
Yes, we have cancer.
    Who are we? We are I, in all my different hats and moods. We are all those who love me and all those whom I love and all those who love them. We are everybody who knows me and everybody who knows them. We are everybody who reads about us.
    You are we.
    Our cancer will affect you as it effects all of the we's of all the folks who have or had this cross to bear. You know us, some of you know us better than others. We are public people who seek a private place; a place like this. We've been in a lot of places from the front page of the New York times to the middle of Entertainment Tonight ahead of Bob Hope. We stay awhile, make a difference and head out for some place else.
    Now, we are here in a place like this.
    Some of you, even in a  private place like this recognize us from our work and from our past shared experiences and now know my great secret.
   We don't want to be the "about" in the "holy shit did you hear about them?"
    We have cancer and we don't want the whole world to know until we want the world to know  and we'll let you know when that day comes. We promise.
    We intend to describe this journey with accuracy and honesty soo, you can tell others what we say but please don't tell them whom we are unless you are speaking for yourself because you are we and we are you and we are altogether
    Goo Goo ga joob.
    So what do you think when we say the word "cancer".
    Everybody thinks something different and everybody is probably right to some degree. We've changed our understanding of the C word  as well as the meaning that we give to the C word since we now have to apply it to ourselves and thus to you. The word that best conveys our current interpetation of the C word is this: TREATABLE.
    Please stay tuned; for we're very sure that this is part of the job we were put here for, especially in a place like this.
   You are welcome here as welcome as we are.
DOIN DA DEAN
    You've had a tough day. Nothing traumatic but deadly in its own way. Repetitive. Uninspiring. Marginalizing. Alienating. Too listless to even qualify for frustrating. One of thousands of days like this that will be forgotten by everyone everywhere including you except in your subconscious where it will feed into your recurring nightmare of helpless, hapless abandonment.
    Ya know what I mean?
    Of course you do.
    Well, I have come up with a remedy.
    Actually James Dean started it in Rebel Without a Cause. Here's how it works.
    Position your hands so that your left thumb is under your left ear with the pointer finger above the ear....your litle finger should extend almost to what is/was your hair line. Now do the same with your right hand.That's right...thumb under ear...pointer finger....little finger....yeah..yeah...you got it.
    Now pull backwards with both hands as if you're trying to remove the wrinkles from your forehead and widen your eyelids....really pull Goddam it...pull.
    Now, look in the mirror and scream at the top of your lungs...."YOU"RE TEARING ME APART". Hold the pose for three seconds...keep pulling....now open your eys as wide as you can just before you stop pulling.
    There you did it. Are you starting to feel a little better?
    Does your day seem a little different from all the other days that were exactly like all the other countless days/daze until you did the Dean and tore yourself apart?
    If not do it again or even better yet, if you live with someone ask them if they have a moment and repeat the exercise right in front of them.
    Having a forgettable argument with the spouse? Dean me up, Scotty.
    Just found out ya got cancer? Do Da Dean
    If you want to have a truly memorable, good or bad, day...go downtown and start doing the Dean in front of people that you don't even know
    In the  movie Disaster Artist James Franco who once played James Dean in a biopic did a tremendous imitation of Tommy Wiseau doing a crappy imitation of James Dean doing the Dean.
    Look at all the attention Franco has gathered.
    If you can get somebody to take your picture while you're doing the Dean and you paste it on facebook without any further comment, you will gert some likes which will brighten up your day.
    Caution, when you're doing the Dean and the photographer is getting ready to snap the image....don't anticpate the climax. It's hard to do especially if the photographer is one of those "okay one, two, three" types. At the count of  two, your liable to pose a little bit which cuts down on the vulnerability which gives the exercise its authenticity resulting in an homogenized look referred to as a Clean Dean.
    A great place to do the Dean is at a sporting event where you can exercise at will and yet give the illusion of containment.
    Once a year, the State of the Union speech is a great motivator. I did the Dean at least a hundred times during the last one...slighly more than one a minute. When I went to sleep that night I dreamt that Elvis Presley was president.
    Finally, a wonderful time to do the Dean is immediately after reading an instructional essay on the cathartic effects of the exercise.
    Like right now.
    Try it.
    Your dreams will improve.
STILL IN THE GAME
    I'd miss Mr. Baseball more if I didn't dream about him so often.
    I dreamt about him again last night. He was laughing and healthy. I remember telling him in the dream "Hey Dude, I thought you were dead”. To which he responded "Do I look dead to you”. In my dream/s he looks as far from dead as imaginable. He's radiant with vibrant light. He even looks like he dropped twenty pounds. We're laughing like we always were. Laughing and talking wonderful trash. 
    I call him Mr. Baseball because he won a bet with me and the stakes were whoever won the bet had to be called Mr. Baseball by the loser for the rest of their lives.
   I didn't mind calling Mr Baseball Mr. Baseball because it ended another argument we had going. His first name was Gerry and my given first name is Jerry. We both claimed that one of us was an imposter with the wrong letter starting his name. I'm Jeremiah, he's Gerard.
    Mr. Baseball taught Spanish. One day I walked past his classroom and we exchanged winks. He held up five fingers which I knew meant that he had five weeks left until retirement.
    He was a world traveler and had big plans.
    His wife Rosie had her retirement dinner that very night.
    Rosie and Baseball attended Rosie's dinner and midway through, according to Rosie, Baseball turned to her and said "I feel like I've just had a shot of novacain."
    With that, he collapsed on the floor.
    They rushed him to the hospital. He had suffered a massive stroke. The doctor's said he wasn't going go regain consciousness. Rosie was faced with the decision....should they keep him on life support or let him go.
    Rosie chose support.
    Mr. Baseball was still in the game, at bat but it was the bottom of the ninth with 2 0uts, two strikes on the batter and the home team down by 10.
    Much earlier in Mr. Baseball's game but only a couple of years in the past. We were walking in the hallway together when the secretary from the main office breezed by us. As she passed Joanne observed "you two guys are the slowest walkers I've ever seen."
    Then in a flash she was down the hall at full giddyap with what she called her purposeful stride.
    I've always been a slow walker unless I was late for a class or headed for the men's room.  In retrospect, I'm not sure if Mr. Baseball was a naturally slow walker. The extra weight that he had gained over the years had resulted in a bad back and bad knees. Both the back and the knees would become factors as the innings of our lives passed at differing velocity.
    Of course we were talking baseball. The prospects of the Chicago Cubs was the subject when Baseball, as he liked to do, swerved into another ursine subject from a Christmas party past.
    "Remember that fiberoptic bear", Mr Baseball asked.
    I did and he knew damned well that I did.
    That's why he asked the question in the first place. To piss me off.
As I was remembering, Joanne still in giddyap passed us going in the other direction."Whatever you two guys are talking about it must be interesting" Jo observed.
"It sure is" said Mr. Baseball.
    Mr. Baseball and I had been talking about a Christmas Party and the jist of a Christmas Past.
    I hadn't attended a Christmas Party for 30 years. At the last one I attended everybody got smashed which presented a vibrational, intuitional overload resulting in way too much information and a couple decade long grudges
    I was working in the building where Mr. Baseball was teaching Spanish.
    A few weeks earlier, my wife Lynn and I had gone to the movies with Mr. Baseball and his wife Rosie.  We had dinner at Bugaboo Creek after the movie and somehow the conversation turned to an oncoming Christmas party. Although I was now retired, I had been filling in for a woman who was on maternity leave. I wasn't crazy about the assigment. I had been a twelfth grade teacher and all of a sudden I was teaching ninth grade.
   God bless anybody who teaches ninth grade.
    I had started my career there. It was kinda cool that I was finishing it in the same building, the same room in fact that I had begun thirty five years prior. I liked the people, teachers and staff, who worked in the building. They treated me with respect and kindness. They liked to say that I was their idol because I was retired.
    When I shared my hang up about Christmas parties, Rosie ,Lynn and Baseball gave me a collective 'get over it" response. To my surprise, Lynn seemed interested in attending the party. She told Mr. Baseball to” pick up two tickets for us” and we'd pay him at the party.
    Since I hadn't been  to a faculty party in decades, I wondered how the attendees passed the time before and after the buffet. Baseball told me that a "white elephant" activity was on the agenda. I didn't know what a white elephant activity entailed so I asked Baseball to sum it up for me.
    "You bring in some piece of junk you've got hanging around the house that you don't want, you don't know what to do with and yet you don't want to throw out. You wrap the junk up as nice as you can or in your case have Lynn wrap the junk up. You give your precision wrapped junk to somebody else. They give the piece of junk that they don't want to you and everybody's happy, sort of"
    The whole exercise sounded like a microcosm of most of the relationships that I'd observed in my lifetime and thus possessed a certain minimal degree of valididty along with existential possibility....
    A week later, on a snowy December night, Lynn and I arrived at the scene of the party. I had forgotten about the "white elephant". I asked Lynn if she remembered and of course she had it "covered".
    We entered a little early so we had our choice of seats. We saved two places for Rosie and Mr. Baseball. As it turned out Chris, the principal and his wife along with the vice principal Ken and his wife chose to sit with us.
    Once the crowd had gathered, Chris went around with a manilla envelope which contained a bunch of numbers. I found out that I had to draw a number from the envelope. The number that I drew would have something to do with the order in which I would select from the well wrapped white elephants on the "elephant" table.
    Mr. Baseball picked first and pulled out the number 4 which he immediately described as "Lou Gehrig" the famous first baseman of the Yankees....the Iron Horse....the luckiest man....wore number 4. Lou Gehrig was Mr. Baseball's father's favorite player. Lou had died with the disease that now carries his name.
    I picked next and pulled out the number 32 (Jim Brown)
   I shrugged as once again, I was at the bottom of the barrel. I glanced at Mr. Baseball and tried to make the best out of yet another calamitous draw.I expected to see a big shit eating grin; instead I saw a shadow of worry cross Mr. Baseball's face. The cause of the umbrage was not yet discernible to me.A few minutes later I understood why the moonshadow had danced across the face of Mr. Baseball.
   Sadie, the school psychiatrist, explained the rules of the White Elephant game. "Each person draws a number. The person who draws number 1 goes first, picks any gift/elephant....opens it and sits down. Number 2 person has a choice, he/she can pick a gift from the unopened/mystery elepant prize table  OR if  he/she likes the gift that number 1 opened, he/she can ignore the mystery pile and STEAL what number 1 had just pulled from the pile which would send Number 1 back to the pile to pull another prize and on and on until all the elepants are gone and everybody has what they have. The higher the number you drew, the more elephants you have to choose from. Stealing is encouraged but no elephant can be stolen more than three times and no elephant can be stolen back to back"
   I had the highest number which meant I would have the choice of any elephant that hadn't been stolen three times OR the last wrapped prize in the pile.
   The person who drew Number 1, a math teacher named Betsy, stepped up to the table and picked out a nicely wrapped medium sized prize. She opened the prize package and inside was a little teapot, short but not particularly stout. Person 2 stepped forward, inspected the teapot, shook his head and opened a package that contained three frosted martini glasses. Person 3 a business teacher  unwrapped an elephant that contained a dozen castte tapes from the 70s/80's.
   The next person to choose was Mr. Baseball. Baseball slauntered up to the prize table. In case you haven't heard the word 'slaunter,' it's an uncomplimentary verb that Lynn used to describe the slow walk employed both by me and by Mr. Baseball. Slaunter means a slow, sloppy saunter.
    When Mr. Baseball got to the table, he turned his head to look over his left shoulder then turned it to look over his right shoulder then shook his head and shrugged. His body language indicating that he didn' t want anything that had been chosen so far so WTF, he  might as well choose from the pile where he picked the very package that Lynn had wrapped and which contained an empty wooden box containing A to Z dividers in which coupons could be kept and organized.
    Lynn was delighted, Mr. Baseball not so much. His thrall diminished even further when he returned to our table and I loud whispered to Lynn in a volume meant to be overheard  "we've been trying to get rid of that piece of junk for years".
    Once again it dawned on me that we had a decent deal. I didn't know if Lynn understood our good fortune so I mansplained to her that we had the last number  and that meant we could steal ANYTHING that had been chosen. To illustrate my superfluous explanation, I asked her if she wanted the martini glasses. She said that "we had more martini glasses than we needed already".
    Next, a very pregnant woman picked a huge package from the table which was obviously a stuffed animal of some sort. The package turned out to be a gigantic teddy bear which  Laura said would be perfect for her baby to play with in a couple of years and for the rest of her life. Everybody, almost everybody oohed and aahed at the appropriate cuteness of the story. Lauara was the first person to be pleased with her selection.
    Almost everybody was shocked when two picks later, Rose a recent grandmother said "I'll take Teddy, thank you”. Rose went over to Laura and took the teddy bear that Laura's child would seemingly never cuddle.
    Laura, clearly disappointed, picked again. This time the elephant turned out to be a series of interlocking picture frames for three by five photographs which Ivan a photography teacher commented, "Oh that is so stolen." and took the frames from Laura who immediately took the teddy back from Rose.
    The game was heating up.
    Lynn nodded, willing now to steal.
    And Mr. Baseball still had our junk.
    Two picks later, Ava stole the teddy bear from Laura. According to the rules, Ava owned the bear.
    Next came a random stampede of elephants including but not limited to an attache case, a toaster, a fiber optic bear, a plastic chess set, a glass sculpture, a glow in the dark snowman, box of golf tees, a wallet, a pair of gloves and another ten items whose non-descript existence escapes my recall.
   As the game went on, patterns seemed to emerge, Laura kept opening the best packages and those packages would be stolen from her. This happened at least three times. The later it grew, the more enthusiastically folks waved their newly acquired pieces of junk hoping that whoever's number was up would steal the junk from them and give them another shot at the elephant.
   Remember, the junk that each of them  was trying to get rid of was the very junk that somebody else had already successfully gotten rid of by getting rid of it to the very people who were trying to get rid of it again in the hopes of getting yet another piece of junk that they would be less willing to get rid of..
   The usual.
    "This box contains all twenty six letters of the alphabet. Great for coupon clippers and debt collectors."
    "Everybody loves to play chess. Chess sharpens the mind. Here's a beautiful little chess set."
    "Don't you dare come over here and take my fiber optic bear."
    "This whatever it is would make a great whatchamacallit."
    When only a few items remained on the table, we had to get serious about our decision making. Like most husbands, my happiest moments come when I'm able to put a smile on the face of my wife. Like most husbands, I always want to know what it is that my wife wants  Like most husbands I ask her what she wants too much which irritates her because at a certain point I'm supposed to know what she wants without asking her and if I ask her what she wants at the point when I'm supposed to KNOW what she wants without asking well, she "doesn't want anything, thank you" and that's not good.
    I was approaching that sensitive point when Lynn astonished me by looking directly into my eyes with an expression that was very close to "kiss me" and saying with purrfect clarity. " I love that fiber optic bear. Get it for me."
    All of a sudden I was elevated to the next level...Knight errant...man on a mission. I had an opportunity to earn a smile.I was in perfect position.
    The fiber optic bear had drawn zero attention through the entire game and this was the end of the game. Brad the librarian had drawn the bear early and throughout the game he had used reverse psycholgy "Don't you take my fiber optic bear. I love this bear. etc" all of which proved ineffective as he was still stuck with an unwanted bear which would be in Brad's garbage can within 24 hours.
    When my turn came, the bear was right there.I went to the table. I listened to the various offers. "I know this is gonna break your heart, Brad, but give me that bear."
    Brad didn't even fake heartbreak, when he handed me the bear.
    I took my trophy back to the Lynn. She looked at the bear with tenderness and then turned her loving eyes for towards me.  She gave me a sweet kiss on the lips as almost everybody ooohed and aaahed. Momentarily I was young and brave.
   In the meantime, Brad had decided to keep the game going by stealing once again from Laura. I wasn't paying much attention. I was focused on my refountained youth and courage. The reverie was rudely interrupted when Laura, the oft-wronged Laura, burst into my space. "I'll take the bear,Jer."
    "Don't take the bear, Laura," I pleaded as my courage began to dissolve.
    "Hey, you're retired and you make more money than anybody here so say goodbye to the bear, Jer"
    Laura and the bear trundled back to the other side of the room.
    It was my turn to choose again. If I took the last elephant, the game would be over. On the way to the table, I forgave Laura. She had a bambino on the way plus she had been stolen from at least four times and was still being tortured by Ava and the teddy bear. Mr. Baseball was still saddled with my piece of junk.
   I decided to keep the game going, maybe I'd get another shot at the bear.
    Once again I heard the cacophony of pleas.
    One plea stood out. "Jerry, take this whatever it is and assign your students to write a composition to figure out what the hell it is."
    I stole the whatever it is/was from a weird guy named Chuck, a science teacher welll known for incomplete passes at female colleagues.
    The stolen object was a glass "sculpture" about a foot long and ten inches high. The "sculpture" looked vaguely like some sort of drug delivery system or a synthesis of Sideshow Bob and a snake crawling out of a saxophone resting on lava. Trying to be good natured and retain composure. I said that I would indeed use this as a composition subject. I brought the questionable "sculpture" back to my seat where Lynn looked too flabbergasted to speak.
    Chuck followed me over to my table and stole from Mr. Baseball our cardboard classification system.
    I heard Chris, the principal mutter under his breath...."what's Chuck gonna do with THAT? Keep record of his strike outs?"
   Mr. Baseball jumped to his feet and slauntered over to Laura."I'll take the fiber optic bear." Baseball came back to our table, and set the fiber optic bear next to Lynn within her reach but far beyond her grasp.
    Laura took the attache case from Ken.
    Ken ended the game by choosing the last elephant which turned out to be a candy jar full of Hershey kisses.
    For a moment, I thought that Baseball had redeemed the bear in order to gift it to Lynn.
    "Hey Baseball, I'll give you this beautiful glass sculpture for the bear."
    "Baseball turned to me with  the previously absentshit eating grin and said: "why should I take that ugly thing back, I've been trying to get rid of that piece of shit for the last five years."
The party was over.
A few minutes later Lynn and I were silently driving home in frigid, black ice weather that could be described as an Arctic assault appropriate only for polar bears.
MAN HAT ON
    Sixty eight years ago, Doc Zilla bought a Stetson. Doc died thirty five years ago. He passed the Stetson on to my father who immediately passed it on to me.Vin thought that I would think that the hat was retro.I did.
    I thought the lid was retro which meant I thought it was gimmicky in a cool way and would separate me from everybody else. I was too young for the hat.It separated itself from me.
    I proved that conclusively a couple years later at a disastrous cabin party. It's always nice to have Jack Daniels in the room but not a good idea to give him the mike. Consequently, I told everybody off  in a tragic effort to save the world before peeling out bareheaded at 90 miles per hour. Not only had I left behind a few acquaintances but more importantly I left behind the Stetson. I never saw the hat again. I hope it found the head of someone more worthy.
    I vowed that someday, somehow, when I was ready, I would get that hat back again. I had faith that a path to the Stetson would be revealed to me.I started wearing baseball hats as a penance. They separated me from nobody except Yankee  haters and Red Sox fans. I can't say that I missed them.
    I am a patient man.
    I also believe that vocabulary shapes destiny. I didn't have an articulate enough hat vocabulary to describe the Zilla Stetson that I was seeking and until I did, the lid would linger somewhere out there beyond my destiny.
    All this happened during my first marriage. The marriage outlasted the hat but not by much even though Jack had permanently left the building.
    Lynn came into my life after both my hat and my first wife were long gone.Lynn never saw my hat and I had trouble explaining it to her. Lynn had seen my first wife a few times and had no trouble explaining her. Because we are human, it is easier for us to explain than to understand.
    Lynn also had no trouble explaning baseball hats and how juvenile she thoght they were especially for a guy like me who still had "good hair".
    I began this story as a thirty year old kid trying to ironically wear a man's hat and then I devolved into a man wearing a kid's hat. One day, Lynn and I decided it would be better if I tried being a man wearing a man's hat. With this agreement, revelation ignited somewhere in the near future, we simply had to make our way into that future and the mystery would appear to us in the form of realization. That's the way the world works. When you say somethng in the present and you really mean it, that something starts to happen in the future. As we approach that future, the gimmick is to hold onto the vision we had and keep it in place until we reach that future and POW there it is.
    Of course, you've got to really mean what you say and since most of us most of the time  don't really mean what we say the future is catastrophically non-linear brightened by the good fortune randomly generated by occasional, almost accidental outbursts of optimistic sincerity from a nearly forgotten past.
    About a month later a visual clarity trumped my vocabularic inadequacy and a path to the hat suddenly appeared. Then, out of nowhere, Lynn suggested that we go see The Aviator which is screening in the discount house a couple of miles away. The discount house known as Movies 10 is the last stop for feature movies before the brief hiatus when they disappear and are prepared for Netflix etc.
    In other words this is their last stand at the box office. The popcorn costs as much as the viewing of the movie which is a straight up perk to the discount chain dispensaries.
    I'm not a fan of bio-pics especially if they are built around people and events that I can remember. I always remember the people and the events depicted as so much more complex and dramatic than the condensed imitations that constitute the majority of biopics. I already had a full dose of the real Kate Hepburn and wasn't thrilled about watching Blanchett channel Hepburn in a battle of dueling Kates.The deciding vote as usual belonged to Lynn.
    We went.
    During the showing itself, I fidgeted in my seat. I put my elbows on the back of the seat in front of mine and rested my chin on my palms. Typical sulking jerk exercising a little pent up passive aggression.
    We were the only people in the theater.
    All of a sudden on the screen, DiCaprio gets out of a plane or a car or something. I'm shocked to see that he's wearing my hat.I leaned back in my seat.
    "That's my hat. DiCaprio's got my hat", I whispered too loudly.
    Lynn shushed me.
    A little later DiCaprio and the hat appeared again on screen. This time, Lynn whispered to me in a far more appropriate volume, even though we were the only two nuts in in the dark. A light had gone on in her head. "Oh THAT's your hat. I like it."
    I said "that is exactly my hat."
    I didn't have the words but I had the image, the  visual. Usually when I write, I have the visual and the vocabulary comes to me. In the case of the hat, I had the image and now so do you but I still can't give you the words. But we're making progress, ain't we?
    With visual vocabulary firmly in place and with destiny drawing closer to revelation, I made an appointment to meet the Master Hatter.
Lynn and I went to lunch before the appointment and our conversation dangled a few minutes past the appointed time to meet the Hatter. We arrived late and were informed in no uncertain terms that we would have to wait because the Hatter "is a busy man". Or we could just leave. Whatever.
    We waited an hour in his tiny vestibule while people came and went, collecting their laundry. Eventually, the Hatter made his way to the counter of the dry cleaning establishment that serves as a front for his creativity. He makes his hats in the back. The dry cleaning joint is the cottage for his industry.
    It became very evident that when you talk to a clear eyed man like the Hatter about hats, you better know what the hell you're talking about and if you don't have the coin or the courage to purchase the hat that you better know what you're talking about well then, he knows that you know that he knows that you're just wasting his time as well as your own, only his time is more valuable than yours because he knows what he's doing and you don't know what the hell you're doing. Etc.
    I told him I was in the market for a hat. I told him about the Doc Zilla hat; how I had come to own it and lose it. He seemed interested or at least interested enough to ask the essential question. "So, what kind of hat are you looking for?"
    I knew the answer, sort of. I told him I had just seen The Aviator and the hat in that movie was exactly the hat that I had lost and wanted to regain. I asked him if he had ever seen The Aviator.
    As soon as I asked him that question, something in his demeanor changed. Up to the Aviator question  he had been more business like than friendly, more challenging than engaging. He was sizing me up. As a hat maker, size definitely mattered.
    At that point, he invited us to step out of the vestibule, past the counter, past the racks and racks and racks of other people's clothing. The Hatter invited us into the backroom where he interviewed serious hat seekers. We had passed the entrance exam.
    As we made our way to the inner sanctum, we passed a stool upon which was a beauty of a hat.
"Now, that's a hat", I said in passing.
"That's MY Hat" replied the Master Hatter.
    I still lack the chapeau vocab to describe that hat on the stool but suffice it to say that a hat made by a master hat maker for his own dome is indeed a joy to behold. The Hatter picked up on my joy regarding his hat which made the dozen steps into his back room much less threatening.
   I knew the Hat makers name but he didn't know mine. Many more people seek the Hat Master than are sought by him. I had told him my name when I called to make the appointment. I told him my name again when we met at the counter. When we got to the backroom, he told me something I already knew and asked me something that I had already told him.
    "My name is Brown" said the Hat Maker, what's yours?"
    After he said Brown, I resisted the urge to say "if you tell me again, I'm gonna knock ya down".
    "They call me Ice" I said.
    Brown resisted the urge to say "that's cool".
    We shook hands.
    "Now, tell me again. What kind of hat do you have in mind?"
    "Did you see The Aviator?", I replied again.
    "Oh yeah" said Brown.
    Once again, I felt more at ease, more connected. Movies are readily available cultural metaphors. Whenever we share metaphor we share a bit of truth."Leonardo DiCaprio was wearing my hat in that movie. Do you remember that hat? That hat is my hat or should I say that hat was Doc Zilla's. THAT is Exactly the hat I'm looking for.”
    "Exactly THAT hat?" Brown asked
    "Exactly", I asserted.
    Brown said " Look at the top of that hat rack. Do you see that hat? That is exactly the hat in the Aviator. Reach up and get it. Take a look for yourself".
    I followed his directions. I pulled the hat down and took a close look.
    "It looks like the Aviator hat" I estimated.
    "I've got news for you Ice. Not only does it look a lot like the hat DiCaprio wore in the movie. It IS the hat he wore. I made that hat for the movie and you've got that hat right in your hands."
    "THIS is the hat that Leo wore in the movie? What's it doing here?"
    "Often when I make hats for movies, they send the hats back to me. I hold on to the hats and keeps them safe in case the film makers have to reshoot a scene and they don't want to screw up the continuity. That's the actual hat I made for Martin Scorcese to use in The Aviator to go on the head of Howard Hughes as played by Leonardo DiCaprio.
    "Leo wore this hat," I asked incredulously.
    "That EXACT hat" said Brown.
    I tried on the hat.
    Size matters. The hat was too big.
    "Whoa, Leo's got a big head" I observed.
    "Why don't you try Richard Gere's hat from Chicago. That one's on the back behind Leo's hat"
    I pulled down the Chicago hat and tried it on for size. Gere's hat was too small.
    " I think you're closer to Leo than to Richard, Ice. Gere wears a seven and a quarter. Leo wears a seven and five eighths. Figure you're about the size of George Clooney. I'm working on his hat right now"
    When Lynn and I were waiting in his vestibule, Brown had been making a hat for George Clooney. "George is a seven and a half" said the Hatter. "It's better to have a fit that's a little loose rather than a little tight. We call that 'headroom'.
    Brown took out his measuring tape and wrapped it around my dome. "Seven and a half, Ice. Same size as George."
    I had my size. I had my style. Not bad for a guy coming in with zero hat vocabulary. Still, as I looked at the Aviator hat, something was wrong. It was the hat band. The Doc Zilla brand was a darker brown. Hatter grabbed a darker brown band, a 'chocolate' brown and wrapped it around the Aviator hat that I had on my head.
    Thanks to Jack Daniels, I couldn't remember the last time I saw the Doc Zilla hat. I could remember a picture someone had taken of me the last time I wore the hat when I was trying to save the ozone and preserve the integrity of art with profanity while insulting everyone around me in a dazzling triple play of boorishness.
    Not a pretty picture, except for the hat.
    The picture was in black and white. I recalled a differentiation in the tone of black between the hat and the hatband. The hatband was definitely darker as was the one that Paul wrapped around the exact Avaitor hat. Still uncertain, I asked for a second and third opinion.
    Both Lynn and Brown agreed that the combination looked great but the final decision was mine. I decided I would go for MY hat which was Doc Zilla's hat which because of the darker hat band wasn't EXACTLY Leonardo's hat which wasn't actually Leonardo's hat anyways but Howard Hughes's hat as played by Leo as envisioned by Martin Scorcese and his wardrobe director. I am my own wardrobe director and I sure as hell am not Leonardo DiCaprio nor Howard Hughes nor Matin Scorcese.
    As if reading my mind, Brown said "Leo's surprisingly tall"
    "Do you know Leo?" I asked
    "I fitted him for that hat you got on your head. I'll tell you something else, Leo's weird."
    "Whaddya mean Leo's weird", I wanted an answer because I didn't want to believe that Leo was weird. Considering Brown was running his hat business out of a dry cleaning store, I thought maybe it was the Hatter who was mad. That's been known to happen.
    "Let me tell you about his fitting", Brown began.
"First of all, Alec Baldwin didn't like the hat that I made for him. I had to calm Baldwin down by explaining that the hat was authentic to the year and to his character as well as the fact that the hat had been made to the exact specifications sent by the wardrobe director and approved by Marty himself.
"Baldwin finally calmed down and headed back to his trailer, hat in hand. Without Baldwin around, the atmosphere grew less tense and more expectant. Everybody knew that Leo was next on the schedule which was a big deal all the way around. Right on schedule, the door opens and in walks Leo. A silent, barely visible swoon filled the room. Leo's a lanky guy, surprisingly tall as I said before and very thin. He introduced himself as Leo. I introduced myself as Dave. We shook hands. I pulled the hat out of the box. This is when Leo got weird.I stepped forward to put the hat on his head. Leo stepped backwards, spooked, and he disturbed the air between us with a double open palm, ten finger pushback. The signal was clear. 'don't touch me, man and get that hat away from me'. "Feeling like I had caught the plague after stepping in a pile of dogshit, I took a few steps back", Dave recalled.
    "With that, Leo turned his back on me and walked across the room to the full length mirror. He stood in front of the mirror, studying his reflection for what seemed like an hour but was probably five minutes. The room was completely quiet. After about forty five minutes or maybe four, I whispered to the wardrobe assistant on my left. 'What the hell is he doing?'
    "She whispered back, 'I think he's getting into character'.
    "A minute or fifteen later, Leo turned away from the mirror and headed over in my direction. The guy coming over to me, however, was no longer the guy who had turned his back on me 300 or 3000 seconds earlier. The guy coming towards me was Howard Hughes. Leo was gone and Howard Hughes was ready to be reunited with his hat.
    I put the hat on Howard's head. The fit was perfect as I knew it would be. The studio had sent me the exact measurement of Leo's head as a reference. With his hat on his head, the reincarnated ghost of Howard Hughes walked back to the mirror. He tilted  his head from the left to the right. He pulled the back of the hat down, which made the fron of the hat tip up slightlt. He nodded in approval.
    Howard Hughes turned away from the mirror and paused for just a moment. In that moment, Leo took Howard's hat off his head. He walked towards me, hat in hand. He was a different man from the man on whose head I had placed the hat a minute ago. In the space of about ten minutes, this guy had become two entirely different people.
    Leo/Howard looked at me and said ' that's exactly the hat, Dave'.
 Dave continued “We shook hands again. I'm pretty sure I was shaking with Leo and not Howard because the handshake was strong and Howard Hughes wasn't known for the strength of his handshake. I  thanked him for the compliment. Apparently I had the right guy as I called him 'Leo'. He after all had called me 'Dave'. I guess it was right because he went on his way and as he left, the swoon in the fitting became more visible as did the relief. That's what I mean when I say 'weird'. I've met a lot of actors but I'd never seen anybody do that or have that effect. Baldwin,the actor, didn't think his hat looked good on him. DiCaprio had no concern how the hat would look on him because it wasn't his hat anyways. The hat belonged to the character of Howard Hughes. Before Leo could evaluate the hat, he had to see the hat through the eyes of the character. Like I said, concluded the Hatter. Leo's weird."
    By the time the Master Hatter had finished his Hollywood tale and the weirdness of Leo, I had already decided that I wanted the hat.
    But there were complications.
   I didn't want Leo's hat or Howard's hat. I didn't even want Doc Zilla's hat anymore. I wanted MY hat and the hat that the Hatter put on my head with the darker band was exactly that hat. The deal was almost done.
   The price tag was next and it was hefty.
   We entered the area between stiumulus and response.
   That time of final objection which comes before the moment of acceptance or rejection.
Lynn, who is all about maintenance, found her voice. "Well it's a nice hat but a very expensive hat. I'm concerned about the care of the hat. How will it stand up to water?. What if the hat loses its shape? If he gets caught in the rain, can he bring the hat back to you for reshaping. Will rain ruin this hat? Can he wear it in a rainstorm?"
    The whole deal was up in the air with the machine gun of those questions.
    I was worried.
    I should have had more confidence in Brown.
    He looked Lynn straight in the eye and said, "Mrs. Rivers, the hat is made of beaver and beavers are pretty good with water."
    Bam the first volley returned
    "And remember," the Hatter continued, "When it begins to rain, that's not the time a man takes OFF his hat. That's the time he puts it ON. He'll be wearing this hat for the rest of his life so if you divide cost by years, this hat is a bargain."
    Game, set, match.
    We ordered my hat.
    I've worn it ever since.
    I don't wear it everywhere. I only wear it on those occasions when I want to look exactly like myself.
    One of those times occurred a couple of months ago when I was invited to a beer tasting event put on by the alumni foundation of one of my colleges. By this time I was full of radiation and barely able to control my urges and there was only one small water closet at this event so we stayed very close to it and I rushed it a couple of times in the hour that we spent.
    At this event, I noticed someone at the bar. I couldn't take my eyes off this guy. Everytime I looked at him, he was looking somewhere else. When I find myself in that situation, I'm pretty sure that the person looks back at those moments when I'm not looking.
    Finally, I went to Lynn.
    "See that guy sitting at the bar? Is that Beau?"
    Beau is my son from my first marriage. I hadn't seen him nor spoke to hime in almost twenty years.
    Lynn said she thought it was Beau.
    I tried to figure out what I would say to him of if I should even say anything after so much pain. I decided I would say something. I didn't know what. I figured the words would come when I got there. I headed over in his direction.
    He was gone.
    I don't know if he saw me or not but if he did, he saw me looking like myself.
DEER LAKE AND BEYOND
    I read his auto-biography, The Greatest.
    Towards the ending of his book, Muhammad Ali invited anyone who had read the book that far to come and visit him at his training camp where they would be welcome. He even gave simple directions. Go to Deer Lake. Go to the gas station in the middle of town. Turn left at the gas station. Come up the mountain road. Watch for the boulders along the side of the road. The boulders have names of past champions painted on them. If you see them. you're in the right place.  Drive to the top of the road. Park your car.
    I had a few days off with no particular place to go. I had a truck. I had a wife and a three year old son. We got in the truck. We trucked to Pennsylvania. We drove to Deer Lake. We found the gas station.
    (Oh my God there's the gas station)
    We turned left on the mountain road.
    Oh My God, there's the boulders.
    We were unmistakably on the turf of Muhammad Ali.. We kept going. We parked the truck.
    I couldn't believe how simple it was. Exactly how Ali described it in his book. We were on the property of perhaps the most famous man on earth. No one had stopped us. Searching for parallels. I tried to picture myself pulling into Ronald Reagan's ranch. I imagined security guards with sunglasses and rifles. I imagined a few years in federal prison.
    Here there was no security, only a collection of cabins and 7 A.M. Pennsylvania morning silence and fog. I was happy just to be there enjoying the electrified serenity. I didn't dare wish for anything more. For all I knew, I was breaking a law. What was I going to tell the cop? "I read the book. I turned at the gas station. I thought I was welcome etc." I didn't think that sounded too good.
    My son climbed out of the truck and headed over to a boulder. We looked at a few of the boulders. I told him a little story about each of the names on the boulders.
    Then I heard my wife say, "Ice"!I walked back to the car, just a few steps away.
    "Does Muhammad Ali have a moustache", she asked.
    "Not that I know of. Why do you ask"
    "Because some guy with a moustache just walked into one of those cabins"
    She pointed.
    Almost immediately, I saw a back emerging from that cabin. Only one person on earth had a back like that. Muhammad Ali
    "It's him", I whispered in alarmed awe. In fright, the usual choice of fight or flight arrived. Fight? Well this was the heavyweight champion of the world I was looking at and I was an interloper on his property. Fight wasn't going to work for damn sure. Flight? I could back up, grab my son and take off, if not like a robber in the night certainly like a stalker in the sunrise.
   By this time, Ali was a few feet from my truck.
    I stepped out of the truck and walked towards him. "Good morning Champ" felt about right so I dropped it on him.
    He looked at me, through me and somehow spotted my son.
    "Be careful your boy over there on the rock"
    I glanced over and there was my boy precariously perched on the Jake LaMotta boulder. When I came back to the truck, Ali was waiting for me.
    "Ya wannna see a magic show" said the Greatest to my boy and me.
   I said "Sure,I'll get my wife"
    He nodded. He waited.
   A few moments later, my wife, my son and I were following Muhammad Ali into his empty mountain gymnasium. He opened the door, we four went inside.Ali locked in on me. He asked me what I did.
    I told him I was a teacher.
    He replied in a voice so soft barely audible, the whisper of an old man. If"you so smart? What did Lincoln say when he woke up with a hangover?"
   "I don't know Champ" I responded.
    "I freed the who?", Ali answered.
    And there it was, one of the most heavily identified and analyzed racial figures of all time was making my acquaintance with a complex little ethnic joke.
    I didn't know what the hell to do.
    I laughed.
    We all did.
    It was the right thing. I was still the most important man on earth in the eyes of the most famous man on earth.
    For the next half hour he made scarves come out of my ears and made cards disappear all the while making the three of us, feel as if we were the absolute center of his universe. A couple of times I almost felt sorry for him, he was trying so hard to please. Then I would remind myself where I was and whom I was attempting to feel sorry for.
Muhammad Ali
    Somewhere during the half hour, other people began to show up.
    Soon the number was up to fifty and Ali was still locked on us.
    He had other people to lock on. Another day in training camp was beginning as our time together was ending. Ali knew hows to close.
    His last few words to me were these
    "You a teacher...be good to those kids. Tell 'em this story"
    Then he feinted that left jab at me.
    That was goodbye.
    We would meet again.
FLASHBACK
    I got blizzarded and sold out of the first Ali-Frazier fight.
    Yes, a March 8 blizzard made driving nearly impossible and I lived a long way from the Auditorium. The Auditorium was the theater that screened the HBO production of Ali-Frazier. Back in those days, a pay per view event did not appear on teevee. We had to travel if we expected to participate. By the time glascaded to the Auditorium, the unthinkable had happened. The venue was completely sold out and occupied. Absolutely zero tickets were available.
    We cross-countried home and listened to a heavily edited version of the fight on the radio in my living room along with brother Deke and the great Johnny Crown. I'll tell the story of that evening some other time, for now it's merely prologue. Let's just say we lit our victory cigars too early and with fake confidence.
   Ali lost.
   I vowed I would NOT miss the rematch.
    As usual, I overcompensated.
    When the inevitable rematch was scheduled for Madison Square Garden, I contacted my buddy Kevin in New York City and asked him to pick me up two ringside seats for the fight; one for me and one for Deke.
    The ringside tickets cost an unheard of 100 bucks apiece.
    The day of the fight arrived. We put on our rented tuxedos and flew to New York. All of our buddies were going to watch the fight on closed circuit again at the Auditorium. This time everybody bought their tickets in advance. My pals gave us a big send off at the airport as part of their pre-fight celebration.
    We arrived in The Apple and made our way over to Crazy Joe's apartment. We had a few beers at Joe's and headed to the Garden. The gigantic poster in Times Square at the time was of Al Pacino as Serpico.
   We made our way to the Garden.
   We paused outside for gyros and souvlavki.
    We went inside.
   Our "ringside" seats proved to be pretty far from ringside because even though we wore tuxedos our name wasn't Sinatra or anything close to that although the actor who played the Son from Sanford and Son had the seat next to mine.
   Big time, baby.
    I had a nice new 35 millimeter Canon DSL. I was proud of that camera and thought I was Ice Sports Illustrated Photographer Pacino. This was the first time that I was ever in the same room as Ali and Frazier. It would not be the last
 Chan Shake Handshake  
    There's a line in the Grateful Dead's “United States Blues”. "Shake the hand that shook the hand of PT Barnum and Charley Chan." Now if you shook that hand, then anytime anybody shook your hand they would also be shaking the hand of Charley Chan.
   That's a Chan shake.
    We're all in one big fraternity without the gender restriction and the secrret handshake. The unifying, not so secret handshake is our humanity. When we literally do shake hands, we emphasize the familial nature of our humanity and we pass it on. We drop our weapons.We've all got powerful Chan shakes to pass on to one another. Here's a very brief snapshot of what you get when you shake my hand.
    I shook hands with Jim Irwin, a man who walked on the moon.
    I shook hands with Norman Baker who navigated the papyrus raft the Ra across the Atlantic from Africa to South America.
    I took part  in Hands Across America. I was standing at the very begininng of the East Coast line in Battery Park looking directly at the Twin Towers.
    On my way home, a couple of days later, I happened to run into a woman who had been at the end of the line in California. Naturally, we shook hands which linked the line in the East with the line in the West; a cross country handshake.
    So that covers the United States from shore to shore and extends to South America to Africa and then flies us all to the moon.
    Not a bad distance.
    To fill in some other blanks, I shook hands with Muhammad Ali. Imagine all the hands that have shaken Ali's hand and all of the hands that have shaken the hands that Ali's hand. Lot's of people starting with uh, pick two, Malcom X and the Beatles.
    Let's call our individual articulated collective handshakes our Chan Shakes. Chan shake with me and you get all of the above.
    Before leaving the Chan Shake, let's momentarily go in another direction.       Let's call it Face in the Crowd.
Thousands of people saw Buddy Holland and Bobby Darin perform live.
Thousands of people saw Elvis perform live twice.
Thousands of people saw George Harrison perfom live.
Thousands of people saw Dylan and the Band on their Planet Waves tour.
Thousand saw the Dead on their Wake of the Flood tour.
Thousands saw Secretariat win the Triple Crown at Belmont.
Thousands saw the Mets clinch the National League Pennant at Wrigley Field in 73.
Thousands saw Affirmed win the Triple Crown at Belmont.
Thousands saw Seattle Slew win the Triple Crown at Belmont.
Thousands saw Foolish Pleasure win the Run for the Roses under the Twin Spires.
Thousands saw the match race between Foolish Pleasure and the mighty Ruffian which ended in tragedy at Belmont Park.
Thousands have seen World Series games between the Yankees and the Dodgers at the old Yankee Stadium.
Thousands of people saw Joe Frazier fight Muhammad Ali at Madison Sqaure Garden,
Thousands have visited the Field of Dreams in Iowa.
Thousands have been on the front page of the New York Times.
Thousands have been on Entertainment tonight.
Thousands of folks have given commencement addresses at a high school graduation.
We're probably gettng close to a million here.
That's a lot of people.
How many people have done all of the above.
I'm guessing one. That would be me.
Whereas the Chan Shake is an exercise in universality, this one is an exercise in uniqueness. We're all unique and we're all faces in the crowd.
Let's shake on it, while we still have time.
FRONT PAGE TIMES
    Thousands of people have had their picture on the front page of the New York Times. Aside from possibly Muhammad Ali, I haven't met any of them. Except for myself. Yup, my picture made the front page of the Times. Here's the scoop. I was sitting around my house one day when the phone rang. The caller was a researcher from the Times who was gathering information for a writer who was planning an article about feminism in America.
    I hit it off with the researcher. I had her laughing hysterically as she asked me yes or no questions about feminism that I turned into short answer/essay replies. Most of my answers were coming from the perspective of a guy whose marriage was on the brink of ending and who was realizing how little he knew about women, marriages, feminism, and life in general.
    I was skinny as a rail from the worry of impending marital catastrophe. I had even shaved off my beard for the first time in many years so I had a weird mustache working on the grill of a guy who still was learning how to wear the expressions on his face without the benefit of the beard to camoflauge a startling degree of vulnerability.
    I was suffering from soberiety as well.
    So, I was bitterly honest in my conversation with the researcher which she found hilarious. Nothing as funny as sad truth.
    She said that she would pass on my opinions to the lead reporter and recommend that the reporter get back in touch with me because, according to the researcher, my answers were not only honest and hilarious but as near accurate and sensible as any she had received during the entire process of the researching that she had done on the subject.
    Sure enough, the writer doing the story called me back a couple hours later. Same thing all over again. Different questions....similar wounded, truthful, ironic replies. The writer had the same reaction as the researcher. Laugh,larf, laugh.
    After about ten minutes into this routine she asked if she could use my quotes in the paper. I said sure.
    The interview continued......the larfing, the wisecracking, the comedic pain, the receptive audience.
    After 10 more minutes she asked "Can we use your picture?"
    Again I said sure. She thanked me for the various permissions.I thanked her for the patient, active listening. A couple hours later, I got a call from the local AP photographer. Would I be available for a picture in the next hour or so? I told him that I was ready now and wouldn't be any less ready in an hour... so come on over. The guy showed up. Big guy. Big beard. He wanted to know for what subject the picture was being taken. I told him it was for my opinions on feminism. The guy took a spit take and asked me "well what are your opinions on feminism".
    I told him that I was glad he asked. I'll rant them to you and instead of posing, you can just shoot all you want during the rant and then pick out something you like." I only remember the beginning of the rant. It started like this: "Women? I'll tell you about women!", slapping the back of my right hand against the palm of my left. This was followed by a ten minute imitation of Ralph Kramden going off on "goddamned bitches, kings and castles and flights to the moon” etc with forehead slapping, hand clapping, finger snapping, eye rolling gestures as Gleason-like as I could make them.
    All made tongue through cheek.
    The photographer was laughing so hard that he could barely snap the pictures. He took at least a roll of film during that ten minutes.
    Remember rolls of film?
    36 exposures.
    Now all of this was pre-internet. I didn't have a subscription to the Times.
    For the next couple of weeks, I went to the drug store near my house that sold the Times. I'd pick up the current issue, scan through it and put it back.
    I was beginning to think that I had imagined the whole thing.
    Then, one Sunday, I went to the drugstore. I didn't have to leaf through the pages. There it was. My picture, front page under the headline "Americans Assess Fifteen Years of Feminism".
    And there I was.....mid rant.......palms up....shoulders ashrug....body language screaming "I don't know what the hell to make of it"
    They included only one of my quotes in the artcle itself as apparently they figured they could let my picture do my talking and in retrospect....it kinda did.
    After fifteen years, Americans didn't know what the hell to make of feminism.
JUST US
    On balance, I'm not a fan of the word "just". "Just" as an adjective is fine and in the case of this sentence, it is fine as a noun.
   "Just" as an adverb is a walking red flag.
    I hate it when I say or someone says to me "just relax" or "just have fun". I realize when I'm in a tense situation that I should relax. In a tense situation it's difficult to relax.Nothing "just" about it.
    If I'm not having fun, I can't "just" say this is fun. Not having fun is not fun. Just or not.
    I very rarely suffer from writers block but if/when I do, I'm not gonna tell myself to "just write" or "just relax" or "just have fun". On a more sinister level..." I was just whatever" is often a sign that the person who "was just" is a person who is often accused and in all probability abused regularly with false accusation.
    "I was just" becomes a reflex mechanism for the shock of abuse. Abuse is almost always a shock. A shock is more demoralizing than a surprise. Abusers are not abusive one hundred percent of the time. So, when out of nowhere an abuser or accuser asks "what the hell are you doing" the usual shocked response is a variation of "I was just".
    I was just in the bathroom.
    I was just taking a walk.
    I was just standing there.
    I was just on the computer etc.
    I was just minding my own business.
   ad nauseam.
  So how often are you shocked? Who's doing the shocking? Can you just please effing relax.
    I'll tell you who seems to be shocking America every day. Our President. I was just watching CNN. I was just getting over the last outrage.I was just thinking that maybe this is gonna calm down.I was just starting to relax.Then, another shock.Oh well, it's just another shock.
    We can just deal with it.
   It can't be abuse or false accusation.
    This America.
    This is just us.
    This is justice
    This is just.
    I'm just sayn'.
   We'll just adjust.
SHOWDOWN ON MAIN STREET
Every so often, I'll find a volume in my office library that takes me by surprise. I don't remember acquiring the book so I don't remember the moment that it arrived in the brary nor the duration of its shelving.
Such a volume was “Main Street” by Sinclair Lewis . The volume is paperback and the publishing date is 1980 so it couldn't have been hiding for more than thirty seven years before it leaped into my hands.
Although I don't remember when or how I got it, I can understand the reason why. Sinclair Lewis was a favorite author of my father who kept in HIS library both “Babbit” and “Arrowsmith”. When I first became aware of his library shortly after becoming aware of reading and books, I asked him about the books: “Babbit” which I hoped was gonna be about baby rabbits and “Arrowsmith” about Robin Hood.  I was probably five years old at the time.
After he told me that they  weren't about rabbits nor archers, I asked the inevitable followup question "what's are they about?".
He explained that they were  big person's book and I probably wouldn't like them until I got big but when I did, I would.
I opened the book anyways hoping to find some pictures like I had found in his history book and his book by a guy named Collodi named “Pinocchio”.
No pictures in Babbit or Arrowsmith.
I stashed the disappointment/anticipation away in my memory with the vague concept that someday or other, someway or other I would be big and would read “Babbit”.
Many years passed and some how someway Donald Trump became president of the United States. In the furious backlash that followed I became aware of a book by Sinclair Lewis called "It Can't Happen Here" which was regaining relevancy at the conclusion of 2016.
I went to the public library to get a copy but they didn't have one.
I ignited a search on Kindle fire and found a copy. I bought it, read it, loved it was amazed how horrorific  and hip it was. Sinclair Lewis was in the pipeline.
Fired up another look in the pipeline and there it was; “Babbit”.
99 cents.
I'm big now. Much older than my father was when he read it. I figured I could read it now. I did. Loved it. Found it totally relevant. Started talking to my reading pals about Sinclair Lewis most of whom thought I meant Upton Sinclair.
"I haven't read him since high school. His book made me sick that's about all I can remember" as they remembered “The Jungle” by the wrong Sinclair.
So I took a detour and read “The Jungle”. It was as depressing as I knew it would be but the price was right on Kindle.
99cents.
I  read and appreciated the novel for its historic and reformative value but Upton Sinclair was no Sinclair Lewis.The next day, I was browsing through my private library and there it was.....”Main Street” by Sinclair Lewis.
Now comes the showdown. I had the paperback in one hand, my Kindle in the other. I searched for “Main Street” on Kindle.
Found it.
99cents.
I hit the button to buy.
Now the two formats of “Main Street” walked down a dusty Main Street at high noon in my mind.
Kindle drew first. I opened up that format. I went the distance. I never opened the paperback.
Given the choice between new school and old school reading. I chose new school.
The showdown and the result of the showdown shocked the hell out of the dusty little town called my intellect.
Here are some of the reasons why Kindle won.
I can read the Kindle in the dark. I prefer darkness when I read. It reminds me of my childhood when my parents demanded that I turn the lights off at night and I wished I had a little tiny night light that I could read by without turning on the bedroom light and getting busted. Now I have one. I can even read without waking up my wife.
I can change the font size on the Kindle. I have learned that during some sessions I prefer larger print which is of course less a strain on the eyes. Other days I shrink the size so that I can read faster. I find a co-relation between the two.
Kindle comes with the dictionary and wikipedia link up. Prior to Kindle, I never bothered to look up a word that I didn't know. I wasn't gonna go from paperback book to paperback dictionary and slow down my reading time. I read everything in context so it didn't matter at all if I didn't recognize a word. I still got the picture. Now with Kindle, I can get that definition almost instantaneously. My vocabulary is growing which is enlighteneing my past life as well as enriching my present life even as it influences my destiny.
In other words, I'm learning to read all over again.
As I learn how to read, I will learn to take firmer possession of the intellectual property that my reading has gained for me. As you can see from these words that stay, I am becoming more interested in writing ABOUT what I have read which locks down that comprehension and retention in my mind.
When I read, I make mental notes about concepts that come up in the source material that remind of an idea that I am approaching. With the Kindle I am learning how to highlight that particular material and lend my notes permanancy. An infinite set of inspiration points that tend to piggy back one another, when I compose.
Yup, when I got "big" enough, Sinclair Lewis leaped into my hands and changed my life. When the student is ready, the reacher will appear.
Now to wrap this up, let me compare and contrast Sinclair Lewis with Upton Sinclair or vice versa.
Let's look at their awards.
Upton Sinclair won a Pulitzer which makes him a literary All Star.
Sinclair Lewis won a Nobel which makes him a literary Hall of Famer.
In other words, Upton is no Sinclair and Sinclair is no Lewis.
HENRY THE BARBER
Just as dogs were once wolves, barbers were once doctors.
I remember going to the doctor before I remember going to the barber. Perhaps this is why I was afraid to go to the barber as a child.
My father took me for my first hair cut.
He took me to Henry.....the neighborhood barber. Henry cut everybody's hair in the East Side of the eighteenth ward. He had been cutting my father's hair since my Dad had come back home after his time in the Phillipines during WW 2.
When I saw Henry in his white smock, I didn't want to enter his shop. I was afraid that it would hurt. My father reassured me that it wouldn't hurt but he had told me the same thing the last time we went to the doctor's office.
It had hurt.
I was comparing smock to smock while standing between the barber poles. Henry, in his momentarily empty shop must have seen the terror outside on the sidewalk. Pretty sure my father had been telling Henry about me every two weeks when he sat in Henry's chair to get his trim.
Henry stepped outside his door.
"Vinnie is this big boy your son?"
"Yeah, Henry he is"
" Nice to meet you, son. Your Dad is so proud of you."
Henry shook my hand and before I knew it, I was sitting in his chair.
Now that I think about it, I'm pretty sure that Henry was authentically moved as he must have recalled my father as a boy sitting in the same chair that I was sitting. Pretty sure he had been concerned about my father during the war and happy when "Vinnie" had returned. Pretty sure a lot of neighborhood guys who went to war never returned to Henry's chair. Pretty sure he had known about my Mom's pregnancy. Pretty sure my father had sat in this chair the day that I was born. Pretty sure Henry had smoked one of the celebratory cigars. Pretty sure, they had discussed well in advance. what kind of haircut I would get this first sitting and what my mood would be.
Henry was more ready than I.
He gave me the same kind of haircut my father had been getting for years.
It was called a GI.
Henry had cut many a GI. He was good at them. He didn't hurt me one tiny bit.
I liked that.
I would return to Henry's shop for many years always getting the GI.
Always feeling relieved and connected.
Pretty much up until the Beatles hit, when I stopped getting haircuts for a long time.
Every once in awhile I would walk past Henry's shop but I didn't want to visit. I was kinda guilty that I wasn't seeing him regularly anymore. He hadn't done anything wrong.
I don't think many people were seeing him regularly anymore.
I went to college.
Whenever I came home, I cruised past Henry's shop until Thanksgiving. The shop was gone. Salons were destroying barber shops. Henry had sold his shop and according to rumor had moved to Florida.
The neighborhood had changed as well and was on it's way to dangerville. Neighborhood kids were getting GI's courtesy of Uncle Sam and heading to Nam.
People were getting hurt.
The barber poles were fading memories.
I still hated doctor's which almost killed me 40 years later.
I never forgot the day that my Dad told me the truth.
He told me that it wouldn't hurt.
Barbers were no longer doctors.
DADDIO
When I was a pre-school child I played with miniature plastic cowboys and Indians. My parents referred to them as “characters”.
I liked ‘em all, the cowboys and the Indians. Sometimes they got along, sometimes they fought. They always had personality, thus individuality.
They were part of an ongoing story that I was continuously creating.
When they fought, someone would get wounded usually in the shoulder.
At some point, I became aware of the concept of death.
And the concept of loss and burial.
One day there was a big war in the story and four characters died.
Two of my favorites died in that war, an Indian swinging a tomahawk and a yellow, plastic cowboy who was charging forward with a rifle.
For some reason I called the yellow soldier Daddio and the Indian with the tomahawk was Tommy. Tommy was made out of some kind of weird rubber.
After the war, I couldn’t just bring them back…they were dead.
They needed to be buried.
I buried them one day.
Literally. I dug four little holes. Four shallow graves.
I put rocks/sticks over the spots where they were buried; two in the front yard and two in the back. The back yard had a cherry tree; a hill, a garage and barbed wire keeping our yard separate from the yard next door. It was big enough that later we would learn to play baseball back there.
Daddio was in the front yard. Tommy was in the back. Another character was buried near each of them
I didn’t want to lose them forever. I just needed them to be dead for awhile…a week or two.
I was interested to see what the other characters would do when Tommy and Daddio were gone.
I wondered if the survivors had learned any lessons about love and war and death and loss while I was learning about their learning.
The surviving characters were alarmed when they heard about the four burials. They indicated that the loss of life was not as frightening as the undertaking.
I learned that they realized that they were not actually alive so the loss of life was no deterrent to their belligerence. Burial was a different story as they were afraid that I would not be able to locate the burial sites and therefore Daddio and Tommy et al would be lost.
As I learned then and we all know now, toys fear being lost.
They immediately went back to war and said they would continue the carnage until I buried them all or I brought Tommy and Daddio back to the surface.
Furthermore, they wanted me to start using red nail polish to indicate their war wounds.
I thought that was a good idea so I did.
A couple of weeks passed
After a lot of bloodshed, I decided enough was enough so I went out to retrieve the buried leaders to stop all the suffering.
I found Tommy and his companion in the front yard. No problem.
I found Daddio’s companion in the backyard but I couldn’t find Daddio.
I must have forgotten to put a marker over his location.
Daddio was gone. I dug a dozen holes and I got the kid from across the street to dig a few holes with me.
Suddenly the backyard was a real big place.
My parents were getting worried.
We never found Daddio.
I returned Tommy and his companions to the wounded.
The polished characters decided they didn’t want to play anymore and neither did I.
Lost and loss and learning.
That same week, I saw my first baseball card.
Roy Face
Everything changed.
I’ve just seen a face. I remember the time and place.
The face that I’ve just seen is the face of Roy Face. What a face on Roy Face.
He looks like a juvenile delinquent skeleton skull with a Pittsburgh Pirate lid on its dome and a forkball on its mind.
I see him in my memory as I remember the buried Daddio.
Roy Face’s face was on the first baseball card I remember which was the moment I stepped away from wounded plastic characters.
I haven’t thought of Roy Face’s face nor of Daddio for a long time.
The last time I thought of Daddio before yesterday was when I remembered a poem that I had written 40 years ago called One of My Childhood Burials.
That poem disappeared as well.
I gave it to a fake Elton John who was going to use it as the lyrics to a song he was supposedly writing. According to his plan, I was gonna be the fake Bernie Taupin within that collaboration and we were gonna get rich.
Right around that time another person wanted to collaborate with me on writing porno. She was the wife of the man who once was the kid across the street who helped me dig some holes when we were looking for Daddio. Her name was Christine Sullivan but she called herself Michelle Le Carte.
This was Michelle’s proposal to me: “I’ve got a filthy mind  and you know how to spell.”
She disappeared almost immediately as did the poem, the fake Elton John, the imaginary song and the anticipated riches of each goofy dream.
The Roy Face card had disappeared long before that, 3 or 4 years after the burial of Daddio.
But here’s the kicker. Here’s what I know now that I didn’t know then.
Nothing ever disappears.
Things get buried.
Things get lost.
We forget.
Matter is indestructible.
If I went back to my old backyard and dug it up,
I would find Daddio.
Daddio is plastic so Daddio didn’t decompose.
He’s still in that backyard,
two miracles and a life short of sainthood.
Buried.
The backyard is more real than real estate
The backyard is also the subconscious.
Everyone has a backyard.
Daddio is one of millions
of memories
that lurk in my backyard.
Everyone, everything and every thought
ever is in all backyards.
Daddio is everywhere.
In the backyard of everyone
reading these words.
Always been there
Everything in the backyard is trying to come to the surface,
to get back into memory,
to be unearthed,
discovered,
remembered,
analyzed,
misunderstood,
turned into an idea
an elaboration
a formulation
a realization
an inspiration……
Roy Face
Fake Elton John
One of My Childhood Burials
Michelle LeCarte
Linda Lipstick
They all made it to the surface yesterday
because Daddio came to the surface and elevated them with him.
They connected.
They ascended.
Happens everyday to all of us all the time.
Occasionally we write it down
or play it on a trombone
or dance in the moonlight all alone
YES WE ARE AFRAID
We are afraid.
We've been cat scanned and bone scanned. Our secrets photographed. Even the secrets of our secrets are now up for inspection; an invasion of privacy in search for a truth that is out there and in here at the same time.
Today is Saturday.
Our day of reckoning is Monday.
Monday is the "consultation" with Dr. Somebody who performed the biopsy and is the office mate of Dr. Somebodyelse who made the bad news call and described the secret secret by a number; Gleason score 7.
The various scans will reveal the level of spread that the cancer has achieved in its attempt to take over our world. All we know so far is that it's a Gleason 7 and has been around "for years".
Trying to imagine the first words of the consult......the first dozen words.
Gleason score 7 might be amongst those dozen words.
Like many guys my age, 7 is my favorite number because it was on the uniform of Mickey Mantle and of course we all love Ralph Kramden aka Jackie Gleason. Both men, however, are long deceased which is a condition more in my mind than ever as we go forward with the pessimism of intelligence, the optimism of will and the courage of caution.
We are afraid but we are not worried.
Fear is the natural reaction to mortal threat and the place where courage can be found. Fear is the department of defense. The only thing we have to fear is fearlessness itself. We embrace our fear. We confront it with a minimum of worry and awareness of faith.Yet there is regret as we prepare to confront the scans of my secrets. It's as if I'm expecting to see all of the cigars, the cigaretes, the potato chips, the red meat, the diet cokes, the pasta, the reefer, the Budweisers, the lack of sunsceen during all that golf and swimming, all of the things that over the years have been revealed as carcogenic killers all of which we have enjoyed. We are about to see the damages and fear the "I told you so" as much as the damages themselves.
We don't dread the reckoning as much as we are afraid of it. We can handle it, whatever it is. Worry or dread is not going to change the results of the cat or bone scan. We can even write a little bit. Ice Rivers has taken over that delight in the last week or so and managed to keep the cancer on the low, which we very much appreciate.
Stay tuned and focus on the word TREATABLE.
One way or the other, we'll be back soon.
See ya on the other side in a place like this.
WHY DO WE FEAR FEAR
The only thing we have to fear is to fear fear itself.
Why do we fear fear?
Fear is an involuntary response to the possibility of pain or death. Fear is intuitive and will do the best it can to help us survive and/or endure.
Fear is different from worry.
Worry is voluntary.
We can choose to pick that worry phone up or we can choose to put that phone down or never answer it at all. If the worry is connected to pain or death, don't worry, fear will take over and do it's best to see us through.
For those of us who worry a lot under the mechanism that most of what we worry about won't come true which makes worry sort of a protective amulet, we need to be careful to make sure that this worrisome weather doesn't turn into a climate of anxiety.
So here's the deal...if you're worrying about say the results of a biopsy that you took last week...worrying won't change the results of that test and you will be dealing with those results soon enough anyways so why let them get in the way of enjoying the days before the result is revealed?
I know this sounds simple and truly it is, we just love to make things more complicated for various, very human reasons. Perhaps we should all return to the mid-20th century to our once and future idol Alfred E Neumann and "what, me worry?"
Some of my teachers said reading Mad magazine would ruin my life. By that time, of course, I was already a faithful reader of Mad magazine so I began to worry that I was already in trouble or my teachers were not as infallible as I thought they were.
It's almost impossible today to recognize how popular, subversive and influential Mad magazine was in the middle to late fifties and early sixties. The price was 25 cents (cheap) and Alfred E Neumann appeared on every cover.
Alfred E was the "what me worry kid" and free as he was of worry, his dim grin suggested a wacky degree of self-satisfied over confidence mixed with despair not recognizing the validity of anything or anyone including himself and the very magazine he was representing.
The epitome of authentic absurdity resonant with the times and reflective of the times ahead. The fifties ended and not everybody was worried.
But I was and still am.
I worry a lot, always have.
Trump just landed in Saudi surrounded by Arabs with swords.
Yeah, I'm worried but I'm not afraid of fear.
Maybe my teachers were right.
LEARNING TO MISUNDERSTAND SEX
When I look back at my childhood, I'm staggered by the innocence.
I grew up deep in a city in the time that it was inevitably turning into a war zone.
My next door neighbor was named Mrs. Good. Her yard was separated from our yard by barbed wire.
I always called her Mrs Good. I called her husband Bill.
Bill was easy going. I found out decades later that one of the reasons Bill was so calm was that every day he drank whiskey on his walk down the Avenue from the bus loop on the corner of Parsells and Culver so that by the time Bill  got home to Mrs. Good, Bill had a good buzz on.
Next to Mrs. Good lived the bad influence of our neighborhood...a kid a few years older than me and my friends. His name was Kenny but he called himself Duke. We were all afraid of Kenny/ Duke and that's the way he liked it.
When he wasn't listening, we called him Big Duke Clod. Of course, he never knew that.
Needless to say, there was bad blood between Duke and Bill and Mrs Good especially if a ball got knocked into her yard. Clod's house was also separated from the Good House by barbed wire.
We learned how to climb barbed wire early on the Avenue.
When we got into Good's backyard, we were amazed at how well taken care of it was. Fountains, flowers a cherry tree etc.
Duke's backyard was all concrete.
My backyard was almost as nice as Good's.
We had a cherry tree back there and a summer house and a shrine to St. Theresa which of course had been blessed by Father Murphy one proud day.
We learned to play baseball in my backyard.
Every once in awhile, a pop foul would land in the Good yard.
The Goods' didn't mind if we went in their backyard as long as we asked them.
Duke wasn't gonna ask anybody about anything, especially when he could pound one of us until we climbed the barbed wire.
Mrs Good loved my parents who called her Connie.
Every once in awhile. she'd catch us in her yard without asking. When she did so, she immediately told my parents. My parents would get kinda mad at me but they also thought that Connie was overreacting.
Before baseball, I used to run around in my beautiful backyard and didn't always have clothes.
No problem.
I hadn't yet learned about shame.
That would take awhile.
Duke helped with that.
He also helped me to misunderstand sex.
One of the first sexual misrepresentations that Duke hit me with was this:
"How'd you like to go to bed with THAT"
Duke would ask this as a reaction to seeing a pretty girl walking down the Avenue. He would say this when looking at an actress in a movie magazine. He would say this all the time.
I didn't know what the heck he was talking about but I kind of figured out that what he meant was the girl or woman or picture of a girl or woman that he was questioning me about was someone he thought was attractive.
I learned to say " Yeah, I'd love to go to bed with THAT".
I can't be more than six years old at the time.
Later he would ask if I'd like to JUMP in bed with that BROAD
Of course I would LOVE to JUMP in bed with that BROAD.
I figured Broad mean't woman and jump in bed meant that the woman was good looking.
Other little neighborhood kids my age didn't quite know how to answer Duke's question.
He called those kids Fairies.
He made them eat grass
The only fairy I knew about was Tinkerbell who I kinda liked. I couldn't figure out what was wrong with being a fairy but I didn't want to be called one. I could avoid this by giving Duke the right answer when he asked that question.
"Of course, I'd LOVE to JUMP in Bed with that BROAD"
I'm no fairy.
I don't need to eat grass.
In the twenty first century, I knew that there was a relationship between distance and time.
Back in the fifties, at the age of eight, thirty miles was a world away from Parsells Avenue
Crystal Beach was thirty miles away.
In the summertime, which in itself was a loooonnng time, I spent most of my weekends far, far away from the city at place called Canandaigua Lake at a beach called Crystal.
Duke Clod was nowhere in sight but his influence tended to linger.
I was blessed to be relatively middle class so guess who WAS in sight...that's right my relatives especially those on my father's side.
Many of them had collaborated on the actual construction of 'the ranch house' which was the name of the second cottage that my grandfather built in 1952.
I caught a lot of that sound and fury which later proved to have great significance
By 1954, the arguing, cursing and drinking that went on during the building of the Ranch House had dissipated. The place was inhabitable and open to all my kin.
Not all my kin appreciated the muddy road to the ranch house nor the 'honey bucket' that passed as the toilet nor the fact that the only water available other than the lake required a trip to the well and a return trip bucket lugging fifteen pound of water,
None of this bothered me too much so we were the most regular visitors to the Ranch House.
One time, we were down there and my Uncle Bill showed up.
Uncle Bill was an elegant old guy. Always well dressed and in great posture, Uncle Bill was an engaging figure whom I saw rarely enough to render mystical. The main thing about Uncle Bill is that he was ancient. My grandfather, even though everybody called him Danny Boy was old but his brothers Mike and Bill were older still. Bill was the oldest of them all.
He was known, naturally, as Old Uncle Bill.
Me, I was the first son, the grandson, the first nephew and the youngest kid at the Ranch House. I was held in a position of esteem.
Everybody knew my grades were excellent, that I read with uncommon comprehension as well as speed. I had a commensurate vocabulary and consequently admirable spelling ability. Most important of all for life at the Lake, I could swim.
All my relatives knew this.
What they didn't know was the influence and existence of Big Duke Clod.
Sooooo, one July weekend, I found myself alone in the company of Uncle Bill. I found a movie magazine lying around. I was looking through the magazine when I came across a picture of Anita Ekberg.
I had never seen anyone who looked quite like Anita Ekberg.
I figured I'd ask Uncle Bill if he had an opinion about Anita Ekberg.
I called him over. I showed him the picture and asked 'Hey Uncle Bill, how would you like to jump in bed with that BROAD'
It's hard to describe the look that crossed Uncle Bill's face at that moment. It was a look that reflected him pulling a visual of his 200 year old self jumping in bed with Anita Ekberg which he must have been spontaneously cross-referencing with the dueling visual of his 60 pound, 8 year old grand nephew jumping in bed with Anita Ekberg.
The expression transmogrified and concluded ended when he must have visualized all three of us ...he, me and Anita Ekberg all jumping into bed together.
To this day, I've never seen an expression like it.
Basically it was a look of astonishment with shades of consternation, curiosity, fear, hopelessness, surprise and suspense all colliding in a complicated, asymmetrical smile.
A smile was his answer to my question.
So I took it to the next level.
'I'd LOVE to JUMP in bed with that BROAD.
Silence again.
Even more complicated smile accompanied by a couple blinks that might have been intended to be winks.
Somehow, I stopped myself from asking Uncle Bill if he was a fairy.
I knew Goddamn well thatI wasn't.
I definitely wanted to go to bed with Anita Ekberg.
EXACT ROCK BUBBLES
Every time I make the effort to look at the past, positive experiences look the same only better.
One hot July afternoon in my boyhood, my father and I were splashing around and cooling off in the shallow waters of Crystal Beach, Canandaigua Lake. Crystal Beach is very rocky bottomed in the shallows.My father picked a rock from the bottom, examined it closely and showed it to me and said "take a close look". After I looked at the rock closely or at least what I considered closely at the time,he took the rock from my grasp and threw it in the water, maybe ten feet away.
"Bring that rock back to me, Son."
I walked 10 feet to the approximate spot where I thought the rock had entered the water. When I looked into the crystal clear water, I saw what sorta looked like the rock, The only problem was that the rock next to the rock looked like the original rock as did the rock next to that rock as did the one next to that one as did all the rocks in the area as in fact, I realized, did all the rocks in the lake. I became aware that the lake was full of thousands if not millions of rocks. I chose one and brought it back to my father.
"Is this the rock that I threw?", he asked.
"Yes" I answered.
"How do you know for sure."
"It looks like the one you threw, doesn't it?" I answered his question with a hopeful question of my own.
"Did you notice that they all look like the one I threw?'
"Uh huh."
"Only one rock in this entire lake looks EXACTLY like the rock I threw, precisely like itself in every way. The rock that you brought back, is not the one that I threw."
I could have been discouraged, could have pouted, could have left the water but knowing what a good teacher my Dad was, I realized I was about to learn something so I was curious rather than afraid. I asked the question that he clearly wanted me to answer, a question that would change my life.
"How do I find the exact rock?"
"The exact rock is the one with bubbles coming from it. Look for the bubbles and you'll find the exact rock."
I picked another rock from the bottom. I examined it more closely and noticed a couple of unique features.I gave it to my father to scrutinize. Before throwing the rock, he gave me another bit of advice. "Don't walk to the rock. Don't run to the rock. Running riles up the water and makes the bubbles harder to see. Swim to the rock like a fish, underwater with no splashing and eyes wide open. Shallow dive for the rock as soon as I throw it. The faster, the clamer you get to the rock, the more bubbles you will see."
He threw the rock into the water again about ten feet away. I hit the water as soon as the rock did. The moment that I opened my eyes under the surface, I could see the bubbles.I swam to the bubbles rather than to the rock. The exact rock was right where it was supposed to be, under the bubbles.
My father was telling the truth. I grabbed the exact rock and brought it back to him.
He kept throwing that rock, I kept finding it. The throws kept going further and further. The further the throw, the fainter the bubble trail by the time I got to the rock. When I focused on the bubbles, I didn't have time to complain about the distance. When focused on the bubbles, I didn't have time to worry about the depth even though I was now in over my head. The depth made the bubbles fainter, yes, but the bubble trail grew longer and even more beautiful in its fragility.
Eventually, I reached my childish limit for distance and depth and breathless time under water.I lost the exact rock.
I came back to Dad empty handed. I had transformed that rock into a kind of treasure and now it was gone forever.
My father could read the loss and disappointment in my eyes.
"Don't worry Ice, there's a million rocks in this lake and most of them haven't moved for decades. By moving your rock so many times, you changed the lake a little and for the better. Let it go. It's safe and it's where it belongs. Let it go and let's get something to eat."
We climbed out of the water. We walked up the steps to the road leading to our cottage. When I got to the top step, before I hit the road, I looked down at the water.
Another treasure had been added.
An every day rock had been paid attention to, thus enriched.
My Dad had taught me a lesson.
The lake looked the same only better.
And that as they say, was just the top of it.
FULL
At first, I was a "when are we gonna get there" type kid, like every kid on early journeys.
The monotony of every journey was interrupted by stops at service stations. Whenever we stopped into a station, my father would ask for ​"a dollar's worth". My first memory of that request  goes back to a time when gas was probably about a dime a gallon. My Dad' dollar's worth of gas bought us ten gallons.
I didn't understand what " a dollar's worth" meant until I was about 10. By the time I was 10, I had a brother to share the ride with so the trip wasn't so boring. He took over the "when are we gonna get there" duties while I was punching him in the shoulder.. He had no idea about the cost of gas.
Gas stations were on every corner. Occasionally, they would drop the price on one corner only for the purpose of luring the customers to that corner and away from the other three corners.
Eventually, they all drove each other out of business but that's another story.
I was 12 when we took a trip and got caught in a gas war.
My Dad noticed the economic combat. He drove and drove looking for a station that was selling gas at 16 cents a gallon. He passed many a station  selling at eighteen and a couple selling at 17 cents. Finally, on the verge of empty, with my 5 month pregnant mother making that condition VERY clear, my father spotted a sign that read "gas sixteen cents a gallon a mile ahead". My old man said "that's as low as it's gonna get."
We made the mile on fumes. We pulled into the station. Sure enough, the price was right. Dad said something that I'd never heard him say before. He said "Fill er up' and he did so with pride and a wink at Mom. We caught the wink in the backseat. Mom was looking out the window. She missed it. Intentionally.
The attendant filled the tank, wiped the windows, checked the oil and wished us all a good day. We felt like we were rich.
We pulled out of that station. We went down the road, not even half a mile when another sign appeared "absolute lowest price on gas.... 15 cents a gallon". We all noticed the sign but out of respect for my father we didn't say anything (although my mother turned and winked at us and we winked back).
When we reached the 15 cents a gallon station, my Dad immediately pulled off the road and up to the pump. For the second (and maybe last time) and the second time within five minutes, he said "Fill er up".
The attendant agreed to do just that and he had a grin on his face as he realized that for this car, for this family, on this trip, his price had won the gas war with the morons down the road.
He stuck the nozzle in the tank and began pumping. The price on the pump read 2 cents when the overflow began. The attendant stopped pumping, rubbed his eyes in astonishment and said two words...two words that live today in cherished memory as we think of journeys, times and lives passed.
The attendant said "It's full."
My dad handed the kid a dime and told him to not bother with the windhshield  “keep the change”.
For the rest of our lives, as we tried to figure out our father, at those moments when his wisdom, common sense, sense of humor, cheapness and courage was beyond our reckoning, my brother and I would look at each other and simply say "it's full".
When his life journey ended. When I held his urn before passing it to my Mom who would put it into the ground, I whispered to my brother "it's full".
SKINNING THE CAT
The swing set was on a hill overlooking the crystal water of Canandaigua Lake. Nothing fancy at all. Two swings suspended by thin chains. We had learned how to swing in the city, in the playground, fifty feet from the jungle gym.
We had left being pushed behind.
We knew how to walk back wards as far as our legs would take us and then jump on the swing. Thus we gained momentum.When we swung back to the start position, we would cross our legs as the momentum reversed. When we reached the limit of backward momentum we would stretch our legs straight out. This initiated and accelerated the forward motion taking us higher faster.We called this “pumping”.
When we really got going, we’d stretch that chain out to its maximum and our height was nearly as high as the balancing bar on the set.Twelve feet high.
The swing set on Crystal Beach was the same swing set that my father had used when he was a boy.
He knew all about it.
He told us about the leap of death.
When the swing had gone forward as far as the swinger dared to take it, the leap began.With legs outstretched, the swinger released from the swing and flew into the air with all the momentum that physics would allow. Regaining balance in the air, the swinger would drop to the ground and land on both feet.The further the drop, the more deathly the leap.
The first leaps were tentative but as confidence grew so did the risk and the thrill.We learned to launch ourselves into motion on that hill above the lake.
At first release on that hill above the lake, it looked as if we would fly all the way into the lake.
We knew what we were doing and we were fearless.
We were kids having fun.
Then my father told us about the ultimate.
Skinning the Cat.
To Skin the Cat meant to gain so much momentum from your pumping that the swing went all the way over the top of the swing set. After skinning the cat, a leap of death was the coup de grace.
My father claimed he had done it.
Thinking of the possibilities, we tried all summer. Although there were many leaps of death nobody ever skinned the cat.
Finally on the last day of summer, we convinced our father to get on the swing.
He got on the swing and took off. He took it higher than we had ever seen.So much power...so much grace..so much skill...so childish. When he had gone higher than any of us had gone...he took the leap.He landed perfectly.
Like a father should.
“What happened to skinning the cat” we asked.
“Wait until next summer” He replied.
We thought that there would always be another summer.
TERRI AND BILL AND KEN
My wife was telling me about the intoxicating smell that came from the packaging of Barbie dolls and Barbie accessories back in the day. I related that smell to the smell of a pack of baseball cards back in my day.
My father was a smoke eater. Neither the Barbie smell nor the card smell opened his olfactory doors to any extent.
He knew as much about dolls and cards as we knew about hooks and ladders.
Fifty years ago, I was losing the urge for cards. My sister, however, was in the ‘She Loves You’ stage of her Barbie mania.
She wanted/needed a companion for her Barbie. She needed a Ken and Christmas was approaching.
My father was all over it.
Pretty sure he told my Mom “I got this”.
Christmas arrived.
The gifts were under the tree.
One of the packages was a man wrapped rectangle.
Everybody knew what that rectangle contained under the ribbons and bows.
My parents distributed the gifts. Sweaters and shirts and socks came first while anticipation for the ‘good stuff’ built to a crescendo as the packages dwindled.
The good stuff was always at the end and the best thing was the last thing.
Finally, the only package left was the rectangle.
My sister was getting warmed up for that fake cry of surprise that we gave when we got what we wanted although we knew that it was coming.
My Dad, full of confidence and good cheer handed her the rectangle.
Terri opened the package slowly, savoring the moment. All eyes were upon her.
“ oh my God…thank you Sooo much…it’s a …..”
She hesitated to make sure…..the plastic didn’t smell right.
“ a Bill!?”
“You got her a Bill, Vinnie” asked my mother in subdued shock.
“yeah”, answered my Dad. The guy at the store told me Bill was better than Ken”.
He knew he was in hot water. Even though he was used to heat, This heat grew to stifling in a matter of seconds. There were no hoses available.
My sister, to her credit, refrained from dousing the fire with tears.
I’ll never forget the way she said “it’s a Bill.”
The celebration continued although smoke was filling the room.
As I recall the moment today, I can imagine what was going through my father’s mind when he bought the Bill.
To him, a doll was a doll and the fact that one doll looked exactly like the other doll and yet cost half as much made the Bill a much better doll than the Ken.
Hands down.
No doubt.
My sister guessed the inevitable solution so she wisely underplayed her reaction.
She took the Bill upstairs to meet Barbie.
The meeting was awkward, I found out later.
Neither Bill nor Barbie knew quite what to say.
Of course, my mother knew what to do.
The next day, Bill disappeared and Ken had a great first date with Barbie.
Everybody was happy. Including my Dad.
Over the next year. he would ask Terri about Bill.
One day, he walked into her room to watch his beautiful daughter play with her Barbie and her Bill.
My father looking at Ken and mistaking him for Bill said “Bill and Barbie look happy.”
My sister agreed.
So did Ken and Barbie.
FICTION IS THE NEW TRUTH
I’m pretending to be a writer. I’m also pretending to be the narrator in an ongoing story in which I am pretending to be one of the main characters created by the writer that I am pretending to be.
And most of it is true except, of course, for the lies which I tell to the characters that I pretend to create as a fictional writer and whom I pretend are my confidantes.
In return, I realize that the characters that pretend to confide in the character that I pretend to be are also telling the truth most of the time except when they lie to me which sort of defeats the purpose of them pretending to confide in me which is quite an amusing technique for the writer who is pretending to be me and as such is pretending to write about pretending to be amused by a technique that reeks of despair and mistrust.
It all goes back a few years ago to that moment when Jeff Bridges came to town and I pretended to be sitting next to a character who was pretending to be Stingray. Stingray was pretending to agonize over the integrity of taking a picture of Jeff Bridges after he had learned from a character pretending to be a blue haired old bitch that photography of any kind was prohibited.
Very near to that moment, Stingray realized that he was in fact The Dude that Bridges had tried to portray in The Big Lebowski and therefore he was a fictional character looking at the actor who had pretended to play him.
Of course, even that fictional character was me pretending to be him.
When it all became too much for Stingray, he spotted me pretending to be Thornton Krell sitting next to him. I pretended that Sting was perceptive enough to realize that the guy who was pretending to sit next to him was also the guy who was pretending to be the writer that had got Sting into this situation in the first place and who therefore probably knew how to get him the hell out of there.
And that’s where fiction started to become the new truth. Remember?
It’s all there in black and white if you go back to the beginning.
Or even better
Pretend to go back to the beginning and I’ll pretend to believe your lies. I’ll believe you understand the back story to all of this illusionary pretension and we’ll start all over again.
And that’s the truth
CALL ME STINGRAY
    Clearly, I’m not as stupid as I appear to be or pretend to be, that wouldn’t be possible although it might be preferable to the marginal state of bliss that I occupy now as I try life with double elephant ears for pockets,while I wander from the concrete concession stand that I call home.
    No, I’m not stupid. Ya see it’s a combination of the oversight committees of my internal legislation combined with poor intelligence gathering that is responsible for the current comedy of errors that I laughingly call my existence. It’s not Trump’s fault nor Pelosi’s fault that keeps me from dreaming the American dream.
    I’m all about the Dream.
    Dude is the American dream for me.
    Dude is Jeff Bridges.
    Big Lebowski.
    Dude is my idol.
    I love the Dude, man. When I found out the Dude was coming to town, I rubbed a couple of nickels together and headed to the Dryden Theater at the George Eastman house where Mr. Kodak himself screened movies for his guests until he decided that his work was done and he shot himself in the heart at this very house. Somehow, I had another double sawbuck so I took the tour of the house, checked out the elephant head in the lobby overlooking the giant organ and an array of flowers and gingerbread houses. I strolled into the exhibition hall and looked at the photos on display taken by Jeff Bridges.  Next, I bought my ticket for the flick that Dude was going to introduce in the theater.
I’m an hour early. I walk down to the front. Figure for the money I’m paying, I might as well get as much indoor times as I can. Rochester is one cold, dark, dangerous town. So, there I am sitting safely, minding my own business when out of nowhere, a gray hair walks up to me and spying my unhidden camera says in a real snotty voice..“You can’t take pictures in here.”
Wait a minute, I think to myself. I’m in the home of the guy who popularized photograpy, the guy who made the art available to the masses as well as the messes and here’s some drainer telling me I can’t take pictures even though I’m using a Kodak camera loaded with Kodak film and I’m wanting to take a picture of a guy because HIS photographs are on display in the exhibition section of the museum. In other words, I’m a photographer in the birthplace of photography trying to take a picture of a photographer and somebody tells me “no”.
I should be more specific about the drainer. She looked a lot like Barbara Bush in Bar Bar’s days as first lady with the shocking white hair. The imitation was breathtaking. Part of the breathtaking aspect was the “perfume” she was wearing. Imagine the smell of lilacs inside a trash bin, well that was the stench that was taking my breath away. I whiffed her before I saw her and by the time I saw her, she was in my face telling me what not to do.
God I hate that.
I had paid six bucks to get in and six bucks is a whole different ballgame to me than it is to the fake Barbara Bush. Six bucks has bought me four days and four nights of winter warmth at Movies10 which costs a buck to get into the show and once you’re in, if you play your cards right, you can hide out for twelve hours. Six bucks is what I paid to get a picture of Jeff Bridges. Six bucks should entitle me to that.
BarBar stalked away leaving a trail of fetid flower stank residue. The guy sitting next to me, another  early arrival, looked astonished or alarmed or whatever you call an expression that is a combination of thunderstuck bemusement and outrage. I’m no stranger to that expression.  I get and give that kinda look quite often
I had been talking to this guy a few minutes earlier and I can tell you what kind of guy he was. He was the kind of fiftyish guy who looks like he’s pretending to be someone else and the person he’s pretending to be is a shorter version of a fake Donald Sutherland.
He told me his name was Ice.
I don’t need notes to remember stuff like this so I never take ‘em.
I would hesitate to call Ice a dude although he was too old to be a nerd, to tall to be a dweeb, too small to be a doofus, too friendly to be a dork and too well informed to be a nimrod. I guess he was just a normal guy . Still, even he didn’t know what to make of the fake BarBar.
I said to Ice, “There ain’t no signs around here that say you can’t take a picture.”
Ice reached into his pocket and pulled out one of those fancy phones.
“I didn’t see any signs either,”  he said with a ‘we’re all in this together but you’re the one who got busted by a fake Barbara Bush as if you were Al Franken on a plane’ kind of wink.
I wondered if the photographic prohibition was posted on my ticket. I looked at the ticket which didn’t look much like a ticket,just a crumpled piece of  green paper featuring a large ADMIT ONE.
Nowhere on this ticket did I see anything about not taking pictures.
I showed Ice my ticket and he pulled out HIS ticket and goes right to the fine print.His ticket cost thirty five bucks and since we were sitting right next to one another the main thing his fancy ass ticket bought him was more writing because his ticket said that photography was prohibited at the request of the artist.
Let’s see…no prohibition on my later cheaper ticket …clear prohibition on Ice’s reserved more expensive ticket.  This pretty much sums up my life. Forget about being reserved. Show up early and the cheaper you live, the more freedom you have.
So me and Ice sat there like twin particles ready to collide at the edge of a black hole. Something was about about to happen but nobody knew exactly what. I wondered if perhaps Ice’s last name was Jones.
We both got out our cameras and our contradictory tickets. I’m trying to feature the Dude prohibiting photos in a situation like this and I can’t see it.
One thing we know about the Dude…he abides.
I’m tawkin’ bout the Dude who always adhered to a pretty strict drug regimen to keep his mind, ya know, limber. What kind of limberminded photographer like Jeff Bridges would bar other photographers from taking pictures of El Duderino himself.
Also, I hoped to ask Jeff a few questions. Did he do his own bowling scenes and because of the whole brevity thing did the Dude prefer being called El Duderino, Duder, His Dudeness or simply the Dude or Dude?
Decisions were soon to be made.
Making decisions without accurate intelligence is like applying mathematical theories to non-mathematical facts. It’s like grabbing a pool rack and putting the rack into sink full of swamp water in the hopes of creating a liquid triangle or a fertle delta. It don’t work. I’ve tried versions of that experiment many times if not most of my life.
And once again, at the Dryden, I found myself trying to rack up innocent water although this time I was closer to Ice than to actual water. I’ve also learned that when you subtract mathematical theory from contradiction, you eventually wind up with paradox. Ice, although heavier than water floats upon it. Paradox means you face a crossroads of two clear ,equally balanced, oppositional ideas options that are uncompromisingly win/win or lose/lose in their execution.
Sink or swim
Contradiction also abides
Then, the curtain rustled and out comes the Dude himself in the person of Jeff Bridges. Dude looks exactly like he does on screen except a whole helluvalot smaller. As I decided whether or not to take his picure, at least ten guys ran down the aisle like stealth bombers in hoodies and beards, snapped off several rounds of flashes and then ran back down the aisle, out the door, into the parking lot, into their POS cars and down East Avenue towards Wegman’s before BarBar could even get her panty hose unwadded.
Dude didn’t look like he minded the snapping. I suppose it helped that the stealth crew snapped him before he even had a chance to give two shits.
Dude, as Jeff ,started to speak about how misunderstood his father Lloyd’s career had been as Sea Hunt became a mixed blessing for the Bridges family. The money was the good part. The bad part was that the viewing audience thought that Dude Dad Lloyd actually was a skin diver, actually was Mike Nelson the role his Dad had played on the teevee show. Dude said most of his life somebody has been coming up to him all teary eyed and saying “Thanks to your father, Mike Nelson, I’ve become a skin diver and all my children want to become marine bilogists or harbor masters.”
Imagine, confusing an actor with a role that he played
One of my childhood friends had the same confusion, sort of. I guess that’s why he started calling himself “Mike” and strapping a waste basket on his back, sticking a garden hose in his mouth, putting a pair of underpants over his face and a huge pair of rubber galoshes on his feet, he would “skin dive” by crawling around on his belly in his backyard in the rain until he reached the end of his hose and crawled back before his air ran out remembering all the while to keep the crawl slow as to avoid the bends.
Good thing my friend didn’t see High Noon when he was a kid, otherwise he might have grown up either a craven coward or a “boy not a man” as Katy Jurado had called Dude’s Dad when Dude Dad bailed out upon the return of Frank Miller as the clock ticked real time towards noon.
In real time at the Dryden, Dude was five feet away and looking straight at me, I was coming to a conclusion of my own. It was the flash in his face not the photo itself that the Dude objected to and wanted to minimize with the small print on the fancy ticket. Since my disposable didn’t have a flash, all I had to do was wait until Dude looked away for a second and I could snap his picture as I felt that I had the right to do. In all likelihood, the flashless picture wouldn’t come out anyway. Dude wouldn’t know that I had taken a picture that didn’t come out and everybody would have a win. Paradox confronted and overcome. Slick as snot on a doorknob.
While I waited Dude kept rappin’ and looking right at me while he spoke.
The way he was looking at me, reminded me of the phenomena of paired neurons. You see, when we watch somebody do something that we’ve done, paired neurons fire off in our brain similar to the neurons firing off in the brain of the person who is doing something that we’ve already done. If you play the guitar and then go and watch somebody else play the guitar, you are having a whole different neurological experience than a person who doesn’t play the guitar. And the guy playing the guitar can usually recognize you in the audience because he can feel your neurons firing in synch with his which makes him play the guitar better which makes you get more into his performance and fire more neurons which makes his guitar play even better and refire etc ad infinitum.
Anyways, this is the way that Dude was looking at me.
Certainly, I was firing ‘you are the Dude" neuronic vibes to the Dude but to my amazement he was firing back 'no YOU are the Dude’ neuros back at me.
I wondered if anybody else noticed.
I took a quick look over at Ice who was trying to pair up with the vibe and cop off it but he was unable to but he was taking notes, just as I suspected.
I turned my attention from Ice back to the Dude who took my glance at Ice as a vibe breaker rather than an icebreaker. Dude looked away.
My opportunity arrived.
I snapped my camera.
The camera didn’t flash.
Dude never noticed.
The whole transaction didn’t count.
Like an at bat that takes six pitches; two fouls and four balls.
And just like that, except for reflection and analysis minus thought and regret, it was pretty much over. Dude never looked back. He finished his spiel and took a seat in the middle of the theatre to watch the screening of his Dad’s old flick. He didn’t take any questions from the audience. Pretty sure he snuck out early.
My job was done as well. I didn’t sere any sense in keeping my seat way over to the right of the screen in front of the vacated rostrum.
I went up to the balcony and found some degree of calm along with an opportunity to reflect using my feelings rather than my thoughts to process what my intuition had gathered.
Certainly, paired neurons were firing between the Dude and me. What was he doing that I do? What was he doing that I was going to do in the future? What had I done that he had done? What did he know that  I knew that only we two knew? What did I know that he NEEDED to know and was surprised to find out that I knew it and knew that he knew that he needed to know.
Or vice versa.
First, I  felt that it was the Big Lebowski film that had brought us together but my intuition told me that the neuron firing was too intense for that shallow of a conclusion. There is a big difference between a guy in a movie and a guy who’s a fan of that movie, not that Jeff wasn’t a fan of the Dude. Even I know that. I recognize the difference between illusion and delusion. Movies themselves are an illusion created by light and dark. Believing that movies are real and not reel is a delusion.
Dude had been in movies, I considered my whole life to be a movie or if not a movie, at least a book and if not a book at least a story and if not my WHOLE life than at least the last three hours of it or maybe my short term life was three hours within which a story could be noted, imagined, located, decided and written by somebody else and that was the purpose of my life and after that I would disappear and exist only in words that stay or in the memories of everyone who read those words.
If this was true, then I was a fictional character.
Now, one thing a movie star knows a lot about is fictional characterization. Stars earn their money playing them. When Jeff looked at me, his realization neurons fired off this message. “the guy in front of me with the crappy camera is LIVING what I do for a living. He’s a fictional character in a story and he doesn’t understand that a) he’s fictional b) he’s in a story c) as a fictional character he’s got a lot more in common with the Dude than I do and d) this whole realization/connection/ neuron firing thing (myself included) is part of the story that this guy is the only fictional character within but also the unreliable narrator of.
That’s exactly the moment that Jeff ricocheted my "you are the Dude” vibes to him with an even more powerful “no dude, you Are the Dude, dude vibe back at me just before I turned away and looked at Ice and snapped my flashless photo.
With that, I realized the truth of my situation. I was fthe fictional part of a factual story.
I was part of a faction.
I was and am a factoid like Thornton Krell.
That’s my story folks although I didn’t write it.
Ice Rivers wrote it.
He gets the credit or the blame.
GOLF
    Golf took a gigantic leap forward with the invention of the hole.
    Up to that point, golf was simply a lot of people with sticks and balls walking around some very lovely terrain doing all sorts of things with their sticks and balls.
    Most of the people with balls were men who were trying to get the hell outta the house/cave because the "woman’s driving me bonkers etc.” I’m sure it was all very spontaneous, creative, individualistic, time consuming, non-judgemental; usually comic in its pointlessness but occasionally tragic in its masculine temperamentalism.
    Then somebody dug a hole in the middle of the environmental splendor. The idea was to try and use a stick to put the ball into the hole. Since putting the ball in the hole was the final act of each hole, the stick used to ‘put’ the ball in the hole came to be known as the ‘putter’ which originally rhymed with footer because sometimes a golfer in frustration would just kick the ball into the hole. Eventually the stick for putting the ball in the hole took on a new rhyme. Putter began to rhyme wiith both nutter and mutter. A lot of nutters muttered about their putters until they just kicked the ball in with the foot which was counted as a put not a putt.
    In another example of the beauty and simplicity of our language amidst the wonder of rhyme, the word hole rhymes with the word goal. At first there was only one hole in the whole three mile walk and players counted the number of swings it took to finally put the ball into the hole. Putting was not as essential a skill  as it is now.
    The goal of the hole, although it increased judgmentalism and decreased individuality, proved to be a such a great idea that another goal was eventually dug into the ground and then another and another and another until somebody said “Damn, how many holes we need for this game?”
    With our human tendency toward excess, 175 holes were dug before the guy who was digging the holes realized that he had enough of this and decided he would just as soon go home and listen to the troubles of the wife than dig any more of these goddamned holes which were a lot bigger than the  tidy holes that we have today.
    The first holes were big enough to bury an eagle in case one of them got killed during the invasion of their air space by the men with sticks. It became a short-lived superfluous tradition because no one ever killed an eagle although many smaller birds were dispatched. Dispatching a small bird was considered a good thing and came to be known as a birdie.
    Eventually the size of the hole was reduced to the height and width of three golf balls which because they were made of wood and were almost impossible to hit into the air was a lot bigger than the golf balls of today.
    After playing a couple rounds of 175 hole golf, it was determined that too many goals produced a “game” strikingly similar to no goals at all because everybody quit at different time and in various degrees of rage having long lost the number of swings needewd to reach the breaking point.
    It was at this juncture that Lord Ferguson Calloway, came up with his revolutionary idea. “ A half dozen isn’t enough,” thought the good Lord “and neither is a dozen. I got it. Of course, a dozen and a half is ideal.”
    And thus we arrived at the first course of eighteen holes.
    Par is the standard for each hole.
    Par is an exemplar representing skillfull reaction to the specific problems presented by each well defined goal/hole.
    As each hole developed a standard level of difficulty measured by the number of swings required to put the ball into the hole, someone else came up with the idea of adding all the standards together and coming up with a standard for the entire course.
    Shortly after coming up with the standards for each hole and then the entire course, some other wizard…perhaps Lord Bellamy Foxtrot decided to record all of those standards so that each golfer at the beginning of his walk had a clear idea not only of the goals of the “game” but also of the standards of each individual goal and each individual course. Individual holes from different courses could be compared as well as courses themselves.
    The longest most difficult holes required five swings of the stick to put the ball into the hole.
    Shorter holes required four swings.
    The shortest holes required three swings.
    Since most courses contain four holes that allow five swings to meet the standard, four holes that allow three swings to meet the standard and 10 holes that require a standard number of swings to be four. Add that all up and most courses have a par of 72 swings to put the ball into eighteen holes.
    A score of less than 72 on most courses is considered under par.
    Under par is good because it means it took less swings to complete the course than the standard requires.
    A score of 72 means, a round of golf played exactly to the standards of the course.
    A score of 73 or above means over par which indicates a playing of the eighteen holes with a number of swings more than needed by better players to complete the course. Each hole is its own measure of standards. If the goal is achieved on each hole by taking one less swing than the standard, that effort is called a “birdie”. If it takes 4 swing to put the ball into the hole of goal that has been established as needing 4 swings to complete. that effort is known as a “par”.
    If it takes one swing more than the standard for putting the ball into an individual hole, that effort is known as a “bogey”. Two strokes over is a “double bogey” Three strokes over is a “triple bogey” Four strokes over par on a par four is known as a “snowman”
    Five strokes above par has no general name but there is a name for anyone who regularly needs more than five extra shots  and there is a term. That name is “duffer” and that term is “pick up the goddamned ball and either get off the course or go on to the next hole.”
    Most of us are duffers in this world. It takes us a lot more time to finish a task than it takes other folks to finish that same task. We keep reinventing the square wheel.Not only does it take us more time but the task we completed is a shittier version of the task completed by people who possess what I have come to know as “talent”.This lack of talent however usually doesn’t stop us from trying to achieve the impossible while ignoring the possible.
    Not too long after the invention of “the hole”, another great moment in golf arrived; the invention of the green. The green is the closely mowed area immediately surrounding the hole. If the hole stands for the essential goal then the green stands for the important goal, a more general place to aim. To reach the green predicts looming realization of essential pursuit.
    A century or two after the invention of the green, another great moment occurred; the invention of miniature golf. Let’s skip the whole driving and fairway thing. We’re not as interested in the journey as we are in the destination. We read the last chapter of a mystery novel first so we know who did it all along and who cares about anything else?
    Miniature golf is a concentration of essential goal with a diminishing interest in  important goals. As it turned out, many people became activated by the single minded pursuit of the essential and thus the world dicovered a new use for  miniature windmills, aquarioums filled with enamel fish and plaster dinosaurs holding fake candy canes.
    Shortly after the concept of truncated activation peaked with miniature golf, some true star invented yet another form of abbreviation namely the “driving range”. This one deals with the other end of the spectrum and once again gets rid of the “hole” as history once again rhymes with itself in a colossal retreat. Here the golfer can exercise a specific strategy, while sacrificing other important activities including the essential goal.
    Both of those innovations diminished the concept of “walking” which at one time (before the invention of the hole) was in fact the primary goal of the game. Unless you count the husband’s goal of getting the hell out of the house and the wife’s goal of getting him the hell out of the house yet keeping him away from the harlots. Everybody used to win.
    Miniature golf requires some walking while the driving range requires only getting out of the car and waking to the tee, usually grabbing a beer on the way. This means that the guy gets home before either he or his wife wanted him too or he stretches it out by stopping off somewhere and sometimes with a “golf instructor”
    Shortly after the appearance of driving ranges and miniature golf courses, another synthesis reared its head. This manifestation included some walking, some iron driving, an important goal  (The green) and an essential goal (the hole). This innovation became known as par three golf as the fairways were shorter and narrower and the expectation is to be able to reach the essential goal with two swings and a putt..
    Even with this myriad of manifestations, golf has remained a non-essential activity. Therefore, people discover or ignore the game based on their own interest and time table. Some folks activate through miniature golf. Others activate through the driving range. Still others activate because of the par threes. It’s imposible to choose betweeen the game of golf and these three activators other than for purely personal reasons including the need to go “shopping” by the wife and the need to get the hell out of here by the husband who fully realizes how much his wife cherishes her private time.
    I’m going to step away from the history of golf, like a pro who hears a fart in the gallery.
I’m gonna talk about My game.
Talkin Bout My Game
    I’ll tell you about MY game. Since it’s my game, it’s my rules. This is why I prefer to play alone. When I do play with someone else, the game is best ball. My partner and I are playing against the course by co-operating with one another.
    Here’s how it goes; my partner drives.His drive is straight and true and right down the middle.I hit my drive straight into the woods. Together we go look for my ball.We find it and we head to HIS ball, the Best ball…hence the name of the game.
    We take our second shots. His shot lands in the trap. My shot lands on the green.We retrieve his ball from the sand. We putt from my ball on the green.
   My approach putt is short. He knocks his putt in. We have a birdie…The hole was a par four and we took three strokes to get it in. We’re pulling for each other on every shot.
Best ball.
    When I play alone, I start out with a mulligan. That means sometime during the round, I won’t count a shot that I hit. That non-shot is called a mulligan. I only allow two putts of the first green.I’m not warmed up yet so…two’s the limit.
    When I hit the ball into a trap, I just pick the ball up and underhand it out of the trap onto the green.
    If I hit the ball into the water, I go to the place where my ball hit BEFORE it went into the water and I hit it from there. Every horrible shot I hit, I find solace in the reality that no matter how bizarre the shot…I’ve definitely hit worse.
   If  the ball gets lost in the woods, I play as if it went into the water. I never forget that I’m here to relax and now here to recover.
   I usually have my camera with me and I take pictures. I keep score in my head. If I score five on each hole that’s 45 as I only play nine holes at a time.45 is pretty good.
    That night as I go to sleep, I replay all of the forty five shots in my head which usually puts me to sleep.Sometimes, I’m out on the course all by myself with no one else in sight.
At those moments, baby I’m a rich man.
    Today, I’m a richer man. I won’t be alone. I’m playing a best ball threesome. Because we have three guys hitting every shot, we’ll have a lower score than any of us would have had if we had played alone.My partners are Deke and Crown.
    Deke, Crown and I have done a lot together. We did the great American road trip in my truck from the Atlantic to the Pacific. We camped out almost every night under the stars down by the river. We visited the Ponderosa Ranch in Nevada and got drunk in  the saloon where the Cartwrights drank. We played blackjack every day and learned to count cards only to lose everything one endless night in Lake Tahoe. We got kicked out of Candlestick Park.
    We’ve been to the Kentucky Derby, the Preakness and the Belmont.
    We’ve been through births, deaths, wedding, divorces, sickness, health and every stop in between.
    We’ve climbed mountains and worked on Horse farms.
    When Crown was an MP, he arrested Jane Fonda.
    Deke got married at Graceland
    Deke and Crown were there the night that Pete Rose broke the record for all time hits.
    Crown and I saw Secretariat win at Belmont.
    Deke helped my dying father into the ambulance in which he died.
    Crown had a heart attack at the Kentucky Derby and since then has had colon cancer and open heart surgery.
    Nobody can plank like Deke.
    One thing we had never done before is play golf. Two years ago, it looked like Crown wasn’t going to survive his illnesses. Last year, I had my moments of doubt. Deke is the youngest of us and still is in great shape. He doesn’t owe anybody anything. Everything is paid up. His house. His car. His college loans. His credit cards. Everything. So we’ve lived this great life together but until yesterday we had never played golf together.
   Deke hadn’t lifted a club in 10 years.
    Crown, like me, played only 27 holes last year.
    I can’t lift the ball out of the hole anymore which explains why I NEVER miss a five foot putt.
   Crown can’t get the ball out of the  hole either. At least he thought he couldn’t. Yesterday on the third hole, he reached down and plucked it out.
    Way to go, Johnny
    Now, because Deke is still flexible enough to pick the ball up out of the hole, we had no excuse to take gimmes on any putt. That killed us as we missed one five footer after another over and over and over and over ad museum. We played amazingly from tee to green and from a distance might have passed as younger men but when we got on the green……fuggedaboudid.
    Of course we used carts as this is the reason that God invented them.
    And brothers
    And friends
The sky was blue, the clouds beautiful. We talked about life. We laughed. We rejoiced. We remembered. We were present with our eyes on the ball. It was worth the wait.
Golf they say is a sample of sorrow
A walk in the park scarred by frustration
Then we hit THAT shot…come back tomorrow
For more sorrow amidst celebration.
We retain our most ironclad of grips
We visualize keeping elbow tight
We take dead aim and we let er’ rip
When we lift our eyes we see ball in flight.
When we lift our head a little too soon
Too anxious to see the ball in the air,
We won’t see the sky, the sun or the moon
We’ll see our ball on the tee sitting there.
We promise to always keep our head low
Then we strike a beauty and on we go.
SALAMANCA FUNDAMENTALS
    My former brother-in-law Tim and I were great friends before both our marriages crashed. Tim was a lumberjack, a master with ax and chain saw.
    One afternoon, Tim and I were working on a case behind the cabin that he had literally carved out of the forest for himself and my first wife’s sister deep in the hills of Salamanca. Somehow or other after about ten beers apiece, the conversation stumbled towards golf, specifically the origin of the game, more specifically the origin of golf clubs and finally the origin of the clubs called woods/ woods called clubs.
    I speculated that in its most primitive incarnation, cavemen just used the all purpose clubs they had for survival, courtship and domestic tranquility. These clubs were made of wood. From the first moments of civilization, clubs have been a factor.
    Tim liked that idea. Next thing I knew Tim had his chain saw fired up and was cutting into a log. Wood chips flew everywhere as  Tim transformed the log into an L shaped object, handed it to me and said “here’s a wood.”
    I held the club in my hand. The “wood” weighed about seven pounds. I told Tim the club was a little too cumbersome. Tim fired up the chainsaw again and trimmed about two pounds off the club while shaping a bit of a handle on top and leaving most of the weight on the bottom.
    He handed me the reshafted club and I took a few swings beteeen a few swigs. The club felt great but what I wondered  was what did the first golfers hit with the first club. As we worked a little deeper into the case, we began to speculate on that problem.
    Once again, Tim fired up his chain saw this time transforming another piece of wood into a solid kinda round object about tthe size of a baseball. Tim handed me the object and said “here’s your ball.”
    As I looked at the “ball” I was amazed to observe that an object with so many flat sides could resembles something round. The invention of the ball caused more casework and label laughter.
    Here’s where I made my only contribution. I went over to the nearby woodpile, found a sturdy splinter, handed it to Tim and said “here’s our tee”. Tim took out his jack knife and whittled a roundish, flattish hollow at the top of the splinter. We put the “ball” on the 'tee" and returned to the case.
    At this point our wives, annoyed by our prolonged absence from the cabin , burst upon the scene and were immediately aggravated by what they saw. In the midst of her aggravation, Tim’s wife grabbed the “club” that was leaning against a tree, walked over to the “teed” up “ball” and furiously and unknowingly hit the greatest golf shot I had ever seen with the first and only swing of her life. “The "ball” flew twenty yards, bounced off a couple of rocks, rolled a few feet and disappeared from sight.
    Fueled by the combination of apology, concern and amusementthat most men use to confront aggravated spouses, Tim and I went to look for the “ball” as the sisters stormed back into the cabin muttering something about “five more minuted” and “wastes of time”.
    The ball had  found its way into a “hole” dug at some time long ago by some person or something. The “hole” was almost the exact size of the “ball”. Up till that point, this was the first hole in one that I had ever seen.
FACTION IS THE NEW FICTION
    As our president demonstrates each and every day, alternate truths are just a click away. Trump has already presented more than a thousand versions of the truth and since our country is based and was founded on the concept of a fantasy land, we get to choose how many of these alternatives we will swallow to determine whether or not we are red or blue with white still being a wild card.
    Currently, we are trying to interpret the alternate truths that have led to the “invasion” of immigrants. Red is more convinced of invasion than blue. Red folks are even more convinced of invasion by whites and they have the history to prove it which everybody kinda ignores and for which ignorance many a casino has been built and many tobacco products sold.
    We don’t really know who shot either Kennedy. Even Helter Skelter begins to wobble as yet another alternate reality by Vincent Bugliosi to avert attention from Hollywood. Oh and OJ was not guilty until he was.
    As usual, Tarantino got ahead of the game with his altered visions of the past including the death of Hitler (Inglorious Basterds) and the once upon a time cancellation of Helter Skelter by Leo and Brad.
    All of this alteration of history can be summed up in the word “faction”, Faction is both more and less than fiction and non-fiction. Faction is the intentional fictionalization of non-fiction in order to tell a better story. One of the ways to achieve faction is to have the story itself written by a fictional character If the author isn’t real neither is the story no matter how closely it sticks to the facts. If the author is “real” person, she/he can grab the faction mantle by the utilization of an unreliable narrator.
    Holden Caulfield admits to being a liar, right off the bat.
    The Girl On The Train was drunk.
    The Woman in the Window is a man
    So faction is reality filled with interesting, conspiratorial lies.
    Faction is the new fiction as well as the new non-fiction.
    All it takes is a fraction of fiction to turn non-fiction into faction
    And a fraction of non-fiction to turn fiction into faction.
    Then all you need is some characters and action
    And ya know what else helps a lot
    Some rudimentary semblance of plot.
    And for a dash of innovation
    Add some internal motivation.
   Who cares about “truth”. Truth is 'soo’ two years ago and it was shakey then.
    We don’t need it.
    Fuggedaboudid. We got faction and I know you love it so I’m gonna give you some more. Because I’m neither real nor reliable although, unfortunately, I’m sober.
FUZZY SCIENCE
    Meanwhile, I’ve been poisoning a patch of innocent pea pods just to see what would happen to the peas.
    Other pods, I’ve left alone just to give those routine peas a chance.
    Naturally I’ve been raising almost as many caterpillars as I’ve been poisoning pods.
Just to see what might happen to the moths. Most of the caterpillars that I’ve raised are immune to the poison that I’ve been putting in the pods. They can eat all the poison they want and live to eat more on another day. God knows that there’s enough poison to go around.
    The main reason I’ve been poisoning the pods, besides seeing what might happen to the peas, is to see what might happen to the spiders. Ya see eventually the caterpillars that eat the poison peas will turn into moths. These moths will look exactly like the moths that emerge from the caterpillars who ate the unpoisoned peas.
   They will look the same and maybe even taste the same but the immune caterpillars who ate the poison peas will have a different truth when they become moths then will the other batch of moths whose pea digestion was restricted to the non-poisonous peas back in their respective caterpillar days.
    “Different truth, different consequence” as Aristotle might have whispered to Krell if they had ever met. Of course, the likelihood of fictional meeting non-fictional is always very poor no matter what happens to the spiders, if ya smell what I’m cooking.
    And there’s a lot cooking in California.
    Too bad we couldn’t have doused the fires of California with the floods of Katrina and called the whole thing a wash.  
    But so much for wishful thinking, even thought it is my favorite defense mechanism ( especially when the perceived threat is emotional rather than physical)
Let’s return to the practical and the poisoning of peas.
What will happen to the spider? Since all the caterpillars looked exactly alike whether or not they had eaten the peas from the poisoned pods, they would eventually grow into identical moths that I could throw into spider webs just to see what the spiders would do. Moths fly into spider webs all of the time whereas the odds of a caterpillar showing up in a spider web are roughly those of a turtle sitting on a fence post.
    I had to make sure that the caterpillars weren’t gonna turn into butterflies. Butterflies are too strong for most webs. I made sure to use the fuzziest of caterpillars. Fuzzy happens to be my nickname because my last name is Fuzzier
    Both the turtle and the caterpillar would need help to get to the top of the fencepost or the silk of the web and spiders are a lot smarter than fenceposts. A fencepost ain’t gonna worry about how a turtle got upon it whereas a spider might have some concern about how a caterpillar got into the web. The spider might be a little suspicious.
   Since spiders are smarter than fenceposts, suspicion is a form of intelligence. Nothing breeds suspicion like jealousy. Nothing breeds jealousy like love. Love always begins with attraction.
    Attraction begins with notice.
    On their way to delectable mothhood, two fuzzy little caterpillars noticed one another. The male caterpillar was named Yar. The female was named Asil. Asil was the more mature of the two which meant she thought more about reproduction than did Yar who was concentrating on chewing and crawling.
    How much did Asil think of reproduction?
    Let’s put it this way, she was jealous of fireflies. Asil had no idea that the peas she was eating were from the poison pod patch, unlike the peas that Yar was digesting.
    Yar’s peas came from a totally different patch.
    I know this for a fact because I’m the guy who personally poisoned the pods and I’m the guy who determined which caterpillars got the poison peas and which ones didn’t. And I kept em separated. I’m also the guy who fed the caterpillars. I’m the guy who bred the caterpillars. Like most breeders, I’m a feeder.I knew lots of things that the caterpillars didn’t know. I’m a man for God sake. Let’s hope I got more brains than a caterpillar.
    Here’s what I knew that the caterpillars didn’t know. I knew that they were immune to the poison peas that they didn’t know they were eating. I also knew the purpose of their lives and why they were bred and fed in the first place…….Just to see what would happen to the spider.
    Although Asil was jealous of fireflies, she didn’t love fire flies. A caterpillar loving a firefly would be sick. Asil wasn’t jealous of fireflies because they could fly.  Asil knew that someday, somehow she too would be able to fly. Asil wasn’t jealous of fireflies because of their fire because Asil sensed something that almost everybody senses unless they’re sitting around a campfire.The sparks coming from a campfire are very different than the fireflies flying near the campfire.
    What appears to be fire in fireflies is really a mixture of luciferin and luciferase. The resulting mixture is not a fire. Fires, like truth, emanate light and heat. Firefly fire contains no heat, only light. Sort of like compassion. Asil wasn’t interested in truth or compassion. Asil was interested in breeding and feeding.Asil was more developed than Yar who was interested only in feeding.
    No, Asil wasn’t jealous because she loved fireflies. Asil was jealous of the way that fireflies loved fireflies Fireflies flash when they’re hungry or when they want sex. Every flash is a semaphor of desire either to feed or breed.In this scenario, the female waits in the weeds untl she is luciferinated for a half second by the flash of the male flying above her.
Asil had seen this seductive behavior frequently from fireflies. She thought it was cool. Cool as a fire without heat yet hot as a fire without light.
FUZZY’S BLUES
    I’ve watched the caterpillars grow into moths. I’ve picked out the two moths that look the best. I’m gonna throw them one at a time into a spider web that I’ve found. In the meantime, I want to sing you folks some blues before we all find out what the spider’s gonna do. Maybe I don’t have the voice or the strum of Genesee Johnny but here we go…..
Well, it looks like it’s come down to the final two
Yes, it looks like it’s come down to the final two
One looks at the other and says “up to me and you”.
I don’t know if caterpillars have names.
I don’t know if caterpillars have names.
If they don’t they oughta cause they both look just the same.
I’ve chosen the spider, I’ve approved her spinning.
I’ve chosen that spider, I’m down with her spinning
The game is sudden death, I can’t see two moths winning.
Both of the pillars have grown up to be moths.
Both caterpillars have grown up to be moths.
They’re gonna get all caught up in a game of webtoss.
The lady caterpillar’s chock full of poison peas.
Yeah, the female pillar all fulla poisoned peas
Yet the moth she became ain’t suffereing no disease.
The male caterpillar of poison peas is free
The caterpillar man of poison peas is free.
There’s a load of silk underneath the apple tree.
I’ll conclude my experiment when I’m done with strummin.
I’ll end my experiment when I finish this strummin’
Spin on Mona, Your poison trick or treats a comin’.
I’m gonna have some rum and apple cider too
Gonna drink some rum and suck some cider too
Then we’ll find out what the spider’s gonna do.
EVENTUALLY
    Of course, the caterpillars eventually became moths. When they took wing, Asil became Lisa and Yar became Ray. By the time they became reacquainted, Ray’s scent brushes were loaded with alkaloid. Lisa could smell that from ten feet away. Lisa was sitting on a wire perch chemically treated with poison peas. The chemical treatment lured Lisa to the wire and Lisa lured Ray.
    Lisa had already lured a dozen others to her in her four days of fertility but there was something about Ray that suggested that his alkaloid package would be the package selected for warrior offspring.
    Maybe it was his size. The bigger the moth, the more the alkaloid. The more the alkaloid, the more the male moth advertises his reproductive eligibility.
    This is the message Ray was sending to Lisa. 'Look at all the alkaloid I’m carrying. I get this from the flowers. If you want your kids to be able to gather a lot of alkaloid from the flowers make sure that their old man brings a load of alkaloid to the bargain’.
   Ray looked big and he smelled big. Ray hovered over the wire. Lisa called to Ray. Lisa called with her scent. Although Ray was not a butterfly, he did know how to flutter by. He did just that.
    His scent brushes came out when he got in range. Once, twice, thrice, in less than a second. Lisa was impressed. She accepted Ray. The rest is moth love, too private and exquisite to describe.Even on a weekend when practically no one is looking.Except just a few who wonder what the spider’s gonna do.
MONA
    Mona the spider is fastidious. She knows how to use her silk. Her silk will be far less useful if it becomes cluttered so Mona spends most of her visible time cleaning the debris from her web. The more debris in the web, the less clear the signal becomes when something of value is caught up in the silk.
    Mona can not see all of her web so she waits between spinnings and cleanings. She stays out of sight and waits for a signal. Her web is filled with silk spun of different levels of water content. The more water in the silk, the more elastic. The most elastic silk is in the middle of her web. These are the waterworks. When prey falls into the web, they are confronted with mysterious elasticity far beyond rubber. Caught in the center of the silk, the prey in its struggles puts very little tension on the web. Every attempt at escape only results in tighter wrapping.
   Mona reads the level of tension. She has her escape routes well designed when the tension gets too high. Mona only feeds upon appropriate tension. All the prey can do is pray. Mona isn’t looking for a fight. Mona is looking for food.Even on weekends, when things are so quiet elsewhere.
    I know all about Mona but not yet enough. I’m gonna use Lisa and Ray to find out what the spider is gonna do. And Lisa will be a momma soon, if she survives the tension.
    Moth tossing is a skill. I’ve had a lot of practice. I’m a professional. I wouldn’t try this at home if I were you.
    I kept the two moths that I had raised from caterpiilars and poisoned or not poisoned in two separate vials. I took the bigger of the two out first. I knew he was the male. I figured that with his strength, I would have to get him closer to the center of the web. I grabbed him by his wings and tossed him.
    My hours of practice paid off. He landed right smack dab in the middle of the web.
    I opened the second vial and removed the female. I wanted to get her off to the side of the web, closer to the spider. I grabbed her wings and tossed.
    Perfecto.
    The female landed off to the right, very close to where I knew the spider was hiding. The male flailed more then the female but the elasticity at the center was greater. He got all wrapped up in the web. His strength and struggle didn’t cause much tension on the web. The elastic web was more water than fire.
    The female landed on a portion of the web that was more adhesive than elastic. She would have generated more tension on the web if she weren’t so tightly stuck to her spot.
    I couldn’t help but notice that they seemed to glance at one another intermittently as they tried to escape. Each of them had a clear look at the fate of the other. I wondered if they wondered what the spider was going to do.
    I wondered if they even knew that spiders existed. I wondered if they were afraid. I wondered if they were sympathetic towards each other.The male got even more wrapped up when he realized the female was in a predicament. Was he trying to rescue her?
    Of course the possibility existed that they thought this was play, perhaps even foreplay. I know I wasn’t playing. I know there is such a thing as spiders.I wondered what this spider was going to do.
    Mona was middle aged. She was six months old. Every spider month is equivalent to seven years of human life. In human terms Mona was forty two. The last of her spiderlings had balooned away. Her mate died right after mating with Mona. Such is nature.
    If you’ve seen Spiderman, you know what balooning is. The spiderling projects a single thread of silk which sticks to a nearby object. The spider then swings to that object and baloons again. Depending on how far they want to get away from their mother, the spiderling continues to baloon and baloon.
    As a mother, Mona paid attention to the spider parental creed. Make sure the spiderlings get webs and wings. This creed meant that it was important for each spiderling to feel a sense of security so that they would be willing to leave the web and establish a home of their own. The stronger the sense of web the stronger the sense of wing. The more that a spiderling loved his mother’s web, the further he would distance himself from it when he finally balooned. The further away he got, the less competition his web would be for the web of his momma.
    Mona’s spiderlings were far, far away. They had been well raised and they loved their mother.Mona was an empty webber.
    She was acutely aware of the double disturbance in her web as she sat in her den. Her experience had taught her that it was very unlikely for two disturbances to occurr so simultaneously. She figured the commotion could be traced back to one of two possibilities. The disturbances, soon to become prey, then to become liquid then to become food, must have been romantically involved. That’s why they were fluttering so near to one another.
    And flying blind.
   Or else the Giant had delivered them.
    The Giant had been feeding Mona since she was a girl, before the mating and the spiderlings and all that jazz. She had grown to trust the Giant. Most urgent, however, was the hunger.
    I should be more specific. Mona wouldn’t take a nibble. Mona would take a suck. Before sucking, Mona would inject either Ray or Lisa or both with venom that would turn their insides into liquid. She would go back to her den and wait for the innards of her prey to liquify. Then she would begin to suck. Sometimes, the sucking took place right out in the open. Other times, Mona would take her silk wrapped supper into her den where she could suck in private.
    I’ve tried to imagine what it must be like to feel my insides turning into liquid. I had food poisoning once and that did some serious liquefying. Maximum diarrhea mixed with technicolor yawning.
    I have experienced emotional liquification more frequently than physical liquification over the course of my life. When I am injected with the contempt of another person, my convictions tend to liquify. Contempt is a powerful venom. For every action, there is an equal and opposite reaction. Resentment is the natural reaction to contempt.Here’s the equation to avoid.
    You have contempt for me, I have resentment for you. Or vice versa.
    If turning someones insides into liquid can be viewed as a physical manifestation of contempt, then I suppose the prey being liquified must be pretty resentful. Resentment resembles jealousy and jealousy is the green eyed monster that mocks the meat it feeds upon according to Shakey.
    Contempt is an eight eyed, eight legged empty webbed widow who injects whatever she has trapped with a poison that turns their convictions into liquid so she can suck them dry and ignore their resentment. Does contempt poison itself when it inadvertently sucks up poisoned convictions concealed within resentment? I wondered if I would be able to pick up on any of these emotions or answer any essntial questions as I patiently sat and watched and wondered
what the spider might do.
PALP FRICTION
    I play the guitar a little bit. I drink a little bit. Sometimes I drink a little bit before I play the guitar. Sometimes people tell me I sound better on the guitar after I’ve drank a little bit. I’m pretty sure I don’t sound any better but somehow when I play, I make the people who listening to me want to drink. The more I play, the more they drink. The more they drink, the better I sound.So I drink even more so I can sound even better so they can drink more because I sound better which makes me want to drink more so I can sound better which will make them drink more which will make me drink more so that…….
    Ya know, the usual.
    I’ve often wished that I could drink while I was playing the guitar not just before or after. I’ve wondered if that would actually make my guitar playing sound even better to the folks who were listening because unlike me when I play, they are actually drinking whlle they are listening whereas I am playing under the disadvantage of not  drinking at the same instant that I am playing which puts me a little out of synch with the drunks who are listening.
    I wish I had a couple of extra hands coming out of my mouth.
    If I did, I could pour the beer down my throat while at the same time playing the guitar with my other two hands.
   Spiders have two little hands coming out of their mouths. Those two little hands are called palps. Spiders use those pulps to hold on to whatever they are going to sink their fangs into. Sometimes they use the palps to make changes in the thread of their webs. They grasp the thread with their palps and amend the web with thier mouths. Spiders don’t play the guitar unless of course, they happen to be Martians.
    The moths are in the web. I’ve got a cold beer in my hands. I’m sipping the beer and wondering what the spider’s gonna do.Let’s remember, the moth nearest the spider was the moth who ate the poisoned peas.
    I figured that the spider would go to the nearest meal. The spider would nibble on the pregnant moth with the poisoned peas. The spider would realize that something was wrong. The spider would choose one of her escape routes. She would return to her corner. She would feel weak. She would ascertain from the vibes coming through the silk that the meal furthest away was too strong for her to overwhelm. She would wait until her queasiness subsided. Then she would return to the near meal and nibble a little bit more.
    I knew something that she couldn’t possibly know. The meal she was nibbling on was poisonous. Every nibble would make her weaker.I didn’t know who would die first, the poisoned spider or the moths struggling in the web.I wondered if it was the silk that killed the moth or was it the spider. If the spider died first, I would free the moths from the web.
    I figured the whole deal might take a day after the first taste. This is what I thought the spider might do.
    I waited to find out what the spider would actually do.
SIX YEAR DAY
    Every day in the life of a moth is like six years in the life of a human.
    Lisa was six days old in real time which means thirty six years old in human time. Lisa had spent the first twenty four years of her life in heat. During those years she had rubbed plenty of abdomens while being embraced by many a clasper. Twice she had felt threatened during a momentary mating session. Moths are pollinators not fighters. When the choice comes to fight or flight, the moth will choose flight. Lisa and her lover took off as one, the claspers coming off his abdomen holding her close even as they fluttered away, conjoined amorously, from the perceived danger.
    Lisa remembered both of those occasions. They were thrilling and embarrasing at the same time. Even though they were memorable, the couplings were meaningless. Lisa and her mate were both distracted while flying away from danger and although they completed their intercourse, lack of purposeful, reproductive concentration assured that neither coupling would be fertile. In human life, this is known as a flying fuck. Of course humans can not fly and will very often choose fight over flight when threatened. The human term “flying fuck” refers to not paying proper attention to an endeavor due to a lack of committment in that project.
    When Lisa finally met Ray, they both had a chance to concentrate. Ray was a big moth to begin with but he transferred ten percent of his body mass, in the form of spermatazoa, into Lisa. This transfer proved to be fertile. Lisa, in the web, was very pregnant.And loaded with nutrients. And poison.
    Ray had struggled with liquidity and silk before. He didn’t think it was such a bad thing. Ray held no resentment for that struggle. As a matter of fact, he saw his situation as another shot at renewal. Remember, Ray had ben Yar. Dejavu all over again.
    When Yar, the poison free caterpillar, had reached his full size, he had already prepared to complete metamorphosis, the radical change in body form that turns a caterpillar into a moth.  Yar had pupated  himself to a twig.  To anchor himself to his twig, Yar had spun a button of silk from his mouthparts, then grasped the silk button with his cremaster, a clawlike structure at the end of the abdomen. Hanging from the twig, Yar had shed his skin to reveal the pupa underneath. Before becoming a pupa, Yar had spun a cocoon of silk around his body.  The silk of the past had protected Yar from predators and from drying out. Silk was neither an enemy nor a stranger.
    Within the pupa, Yar’s tissues and organs had broken  down into a soupy liquid, and then reassembled into the tissues and organs of Ray. Groups of cells known as the imaginal discs remained complete, and Ray’s mighty structure took shape as directed by these cells.
    When Ray’s development was complete, he had split the pupal shell and crawled out. Then he had unfolded his wings which pumped blood into his veins. Ray remembered spreading his wings until they dried and hardened. Ray flew away and eventually mated with Lisa.
    And now he found himself in silk once again.
    Ray was confident this was just another stage of maturity.
    He would emerge from this silk and fly away again. Ray thought he was turning into a bird. He looked forward to spreading new wings. Ray had no idea that spiders even existed so he didn’t wonder at all what Mona would do.Ray had changed a lot since the days of Yar. Ya might say he matured. He was no longer thinking primarily about crawling and feeding, he was thinking now about flying and breeding. He suspected the web was another form of cocoon which meant it was another stage in development.
    Another passage.
    Another promotion.
    Ray was happy that Lisa was involved in the same passage, the same struggle, the same silk at the same time in the same place.
    Ray began to understand love.
    He and Lisa would become birds together. They would build a nest on some distant chapparal and have babies. He would become Ayr. Lisa would become Sail. Together they would sail through the air until they found the acre or two of brushy teritory which would be their secret homeland.
    They would be secure.
    They would be mates for life. They would never wander from their nest. Their nest would be a compact cup of grass, fibers and bark bound with silk.
    Each day, they would make the rounds of their territory, right up to the river. They would feed, bathe, take care of their young and fend off interlopers. Sail would be Ayr’s constant companion. They would take delight in bouts of mutual preening as they took care to inspect and arrange each other’s plumage. By night, they’d huddle together against the chill. They’d face in the same direction so near together that they would appear as a single ball of feathers from which tails, wings and feet protruded. They would always be together.They would stay out of sight. They would be heard more than they would be seen but they wouldn’t be heard very often. They’d live in a tree fifteen feet off the ground when they weren’t sailing through the air.
    Ray was thinking about Ayr and Sail when Mona sank her fang into him.
    Love hurts.
    After the puncture, while his insides were turning to liquid and just before his final breath Ray, still expecting to become a bird, thought his final thought. This is what he thought: It could have been worse.
    Lisa, on the other hand, continued to be more mature than Ray. Lisa had moved beyond contemplations of breeding and feeding and had moved towards contemplations of death and deliverance but not in that order. Lisa observed the death of Ray. She felt no sadness.Ray had done his job. She still needed to do hers. She needed to deliver the eggs that she and Ray had created.
    She knew she was going to die.
    Ray, in his immmaturity, had considered himself immortal with death merely another stage of metamorphasis. Ray’s immaturity prevented him from the fear of death.
    Lisa was afraid to die. Lisa knew that her life was incomplete. Lisa had learned what a spider is and the part a spider can play in deathmaking.Lisa knew she was next.Her eggs would die with her.
It couldn’t get any worse.
    The spider returned and rappeled down the silk towards the moth that I had raised on poisoned peas.Poison’s a funny thing. Poison consists of chemicals. After we ingest poison, our liver uses enzymes to convert those chemicals into poisons. If we don’t have the enzymes that convert the chemicals into poisons than the chemicals within the poison are of no threat to us. They might even cure us.
    The moth was missing the enzymes that would turn the chemicals from the peas into poison but the spider possessed those enzymes in spades.
    If the spider ate the moth whose innards she had already liquified, there would be no problem.
   If the spider ate he second moth, there would be a big problem.
    Death by poison for Mona
    Death by liquidity for Lisa.
    Choices, decisions, consequences.
    The spider was all fangs and palps. The moth was all vulnerability except for the wild card of hidden toxicity.
    The spider decided that she didn’t want the moth. She backed off. She began cutting. She took the thread with her palps and put it in her mouth. She cut a perfect window in the web with her sharp fangs.
    The moth fell free from the web.
    The moth took flight.
    The spider returned to her watch.
    I found out what the spider would do.
   Lisia delivered.
Spiders will do what Mona did.
They recognize poison when they sense it and hungry is better than dead, especially with delicious Ray a goner in the silk.
After the puncture, while his insides were turning to liquid and just before his final breath Ray, still expecting to become a bird, thought his final thought. This is what he thought:
It could have been worse.
Lisa, on the other hand, continued to be more mature than Ray. Lisa had moved beyond contemplations of breeding and feeding and had moved towards contemplations of death and deliverance but not in that order.
Lisa observed the death of Ray. She felt no sadness.Ray had done his job. She still needed to do hers. She needed to deliver the eggs that she and Ray had created.
She knew she was going to die.
Ray, in his immmaturity, had considered himself immortal with death merely another stage of metamorphasis.
Ray’s immaturity prevented him from the fear of death.
Lisa was afraid to die.
Lisa knew that her life was incomplete.
Lisa had learned what a spider is and the part a spider can play in deathmaking.
Lisa knew she was next.
Her eggs would die with her.
It couldn’t get any worse.
    The spider returned and rappeled down the silk towards the moth that I had raised on poisoned peas.
    Poison’s a funny thing. Poison consists of chemicals. After we ingest poison, our liver uses enzymes to convert those chemicals into poisons. If we don’t have the enzymes that convert the chemicals into poisons than the chemicals within the poison are of no threat to us.
    The moth was missing the enzymes that would turn the chemicals from the peas into poison but the spider possessed those enzymes in spades.
    If the spider ate the moth whose innards she had already liquified, there would be no problem.
    If the spider ate he second moth, there would be a big problem.
   Death by poison for Mona
    Death by liquidity for Lisa.
    Choices, decisions, consequences.
    The spider was all fangs and palps.
    The moth was all vulnerability except for the wild card of hidden toxicity.
    The spider decided that she didn’t want the moth. She backed off. She began cutting. She took the thread with her palps and put it in her mouth. She cut a perfect window in the web with her sharp fangs. The moth fell free from the web.The moth took flight.
    The spider returned to her watch.
    I found out what the spider would do. Lisa delivered.
    Spiders will do what Mona did.
    They recognize poison when they sense it and hungry is better than dead, especially with delicious Ray a goner in the silk.
   I felt pretty good after I found out what the spider did. I didn’t know whether or not the spider would be smart enough to avoid the moth who had eaten the poisoned peas. The spider was smart enough to discern the presence of poison in her web. If we were all smart enough to know which moth is poisoned and which one ain’t. If we resisted the urge to do what we can do and instead focused on doing what we should do, the world would be a much better place.
    Speaking of better places, Lisa’s delivery was a better begining. Her offspring, half poison and half not would never have to liquefy in silk and contempt.
    As evening fell, I decided to smoke a cigar.
    My work was done.
    I know I shouldn’t smoke but what the hell, I had just learned a great lesson. Avoid poison when possible.
    The night was still. Fireflies were everywhere. I lit a candle. I stuck the end of my cigar into the flame of the candle. I took a couple of puffs.
    I blew three perfect smoke rings.
    Perfect smoke rings are possible on a windless night.
    As the third smoke ring floated away, a moth flew right through the midddle of it and headed towards the candle flame. As the moth neared the flame, I noticed threads of silk dangling from the wings of the moth. The moth didn’t get any nearer to the flame than moths always get to a flame but not too many moths are carrying a thread of silk.
    It was the silk, not the moth, that kissed the candle. The flame shot right up the silk. The moth burst into fire and headed towards the smoke rings expanding in the distance.
    The moth momentarily stood out amidst the fireflies.
    The moth had become flying fire.
    Then it disappeared from my view forever.
    Peace, at last.
FIRST DOZEN WORDS
    On the way to our reckoning, our memory connectors were on alert and searching for omens.
    We found one almost immediately.
    Two minutes from our house, an ambulance  with lights a flashin' was pickin' up a poor soul and taking them somewhere. Yikes. Not what we were looking for yet as we passed it became clear that the ambulance was bringing somebody back from somewhere instead of taking them away.
    Naturally, we took this return as a good omen.
   We take what we can get in the realm of faith as it ricochets towards reckoning.
    We made it to the consult and discovered we were early which meant a bonus half hour of looking at the complex aquarium in the waiting room and imagining the first fateful dozen words from Doctor Somebody.
    We in this case being my wife Lynn and my daughter Mary and me myself and I.
    Our name was called and we walked into the examination room which was posing as a conference room. We were as prepared for the worst as we could have been prepared for the worst but still pretty sure we were somehow unprepared.
    The door opened and Dr Somebody entered the room with all kinds of documents in his hand. These were the first dozen words of the reckoning.
   "Something smells good in here and I'm pretty sure it's not you."
    He was looking at the part of we that is me.
    Of all the imagined first dozen words, these twelve had never approached our imaginings.We took that as a weird compliment to the way that the we who were women in the room wore our perfume.
    I remember the first couple of minutes after that and the rest is kind of a blur.
    Doctor Somebody described how the results of my various scans indicated that the cancer had not worked its way into the bones or surrounding organs. As a matter of fact, the surroundings were all in good shape.
   A previously unknown level of relief and happiness surged through us immediately.
    We started talking about offense now for the first time. What we could do to attack that cancer and get it the hell outta here. Removal of the prostate, eight weeks of radiation or insertion through surgery of radioactive seeds.
    The unknown backed away. The amorphous shape took shape. Doctor S admitted that the time in the shadow of the unknown is the worst of times. We're on the attack now.
    Long story short, the word is TREATABLE. All of the options are on the table. Doctor S asked us for our choice after describing all of the alternatives. We all went for the seeds.Now we have to speak to the oncologist radioligist to see if the seed surgery  is a realistic, viable approach. That conference is coming next week and we're good wif it.
    We're not out of the woods yet but the bears seem to be behind us rather than in front of us.The story is far from over. The after effects remain profound. We're aware of those changes.
    We don't mean to underestimate.
   We are aware that bears can move forward by moving backward and can in fact step in the exact same tracks that they made when they were going forward before moonwalking backward/forward. As for tonight, we have already been changed by the profundity of cancer. We looked into the abyss while walking through the woods. Even then, we had faith.
   We are delighted so..... Now, right now, we're gonna back off and boogaloo. Stay tuned. I'll write more when we come back to earth. And if we don't I'll write from wherever we are but damn, we like it here.
FROM OBSCURITY TO HERE
    I look at my work and see that it's good. Gawd, I'm a great writer. One of the best I've ever read anywhere.
    And then an internal strawman advocating Satan jumps  up and brays "if you so good den why aintcha rich and famous".
    Of course I know the answer for that. I ain't gonna sell out. I'm an obscure artist. I don't want the hassle of fame nor the complication of wealth. Andrew Luck said it best...enough is enough.
   I take it one step further.Not enough is enough because I still have my pride.I got plenty of pride that's another reason why I and guys like me always got plenty of nuthin which is always plenty for us.
    We're the ones with talent looking for opportunity. Because the opportunity never comes along...Because the phone never rings and the voice on the other end never says"I've googled Ice Rivers and my God, your wistful prolificity as a writer is only equalled by the unassuming magnificence of your photographic images. We're sending a limo over to pick you up and put an end to your self-induced obscurity. In other words 'c'mere Cat, we gonna make you a star'"
    Da phone, she don't ring.
    That's the pickle we're in, obscure martyrs and artists that we are.So we turn our pride into anger and discontent that fuels our literary and artistic drive. Of course all of this is self indulgent non-sense because America is the land of opportunity.If you believe in capitalism which is to say if you believe in in America then you believe in happiness then it eventually becomes apparent
that in America...
wait for it....
Opportunity seeks talent rather than the other way around.
    Most of us who feel we are talent looking for opportunity are inherently angry because the talent we have discovered in ourseves is not our true talent but only a facade, a compulsion, an obsession or rationalization. We are fighting a chin first bout against the stupidity, insensitivity and selfishness of the society that surrounds us
and its lackey dogs
and its vampires Then we realize that the whole concept of capitalism is..
wait for it.....
to capitalize on talent
so
    talent must be discovered if capitalism is to survive and since capitalism is doing pretty well if you are at the top of the pile then the ongoing search for talent is also working out quite satisfactorilly Now and then we can stop perceiving ourselves as sanctimonious talent compulsives looking for opportunity and start realizing that opportunity is looking for talent and everything will turn out fine in the end if we can just be happy
truly happy
not fake happy
not I give up happy
just happy
as I learn a little more
every day about whom
I imagine I am and thankful that Im alive
And see that it is good.
THE DOODLE THAT I DO
    I doodle.
    It's always awesome when I find out that others doodlers do the doodling that I do and even more awesome when the doodlers who doodle what I do  have come up with a name for the doodling we do.
    Apparently the doodle that I do as well as the doodle that they do is called "tangling". Next thing you know, there will be rules for "tangling" in order to differentiate the doodle that they do from the doodling that I do.
   Master tanglers will emerge to let me know that the doodles I've been doodling for the last thirty years don't qualify as tangle doodles for some arcane reason like lack of cross hatching or violation of color agreement.
    This, of course will lead to one of those dangling conversations when someone is trying to teach you what you already know and have rejected. Those irritating moments when it's appropriate to say "I overstand you" but better to just say nothing and wait for the barrage to conclude.
    Then I'll depart down the untangled path that I've already spent decades perfecting the imperfections of. Since it's kinda like a tangle, I'll call my work a dangle. Then we can have a pissing contest between the merits of tangle doodling versus dangle doodling until some genius comes up with a synthesis called dingle dangle tangle doodling and makes a lot of money and provokes several suicide attempts by tangle doodlers who are now passe.
    All of this amuses the dangle doodlers like myself who knew we were just wasting our time in the first place and were amazed when all of a sudden somebody made a big thing out of what we were doing/doodling when we were trying to think of anything else than what we were thinking of when we started doodling and we let our intuition take over to link whatever is going on in the present to the dream world of disassociation which helps us grasp the situation we are trying so hard to absorb without over reacting to. 
    I did a doodle  two hours before I headed into the consultation with my surgeon which would describe the aggressiveness of my cancer.I finished it, while occasionally glancing at the aquarium he had in his waiting room as I dreaded his first dozen words.
   After I heard his first dozen words in the consultation, I held up my doodle...to which he delivered words 13 and 14.
   "Modern art".
   Naturally, I was very relieved.
RADIATION
    Today was my first day of radiation. The beginning of active warfare against the terrorist cells hiding in my prostate. The whole deal took about fifteen minutes and most of that time was spent in positioning my body to get the best shot at those son of a bitches and stop them before they spread any further.
    We're  going to be bombarding them for the next 28 days...27 now.
    They were trying to stay hidden and had built up a little bit of a fortress over the past couple of years before the biopsy identified them and the cat and body scans located their hideout.
    They were trying to kill me.
    We got 'em now.
     We got a great team.
    We're done with their sneaky shit.
    They are invading us baby boomers at a frightening rate. You want to know the chances of a male to have a significant secret invasion going on in his prostate? It's simple, take your age and subtract 25.
    If you're fifty, it's a 25% risk etc.
    We're sick and tired of these terrorists.
    We've learned how to find 'em.
    We can find' them before they spread and we can blast the shit out of 'em.
    I started radiating the bastards today. I plan on enjoying the hell out of the next 27 sessions.
    Of course since this is war, there will be some collateral damage...bring it on.
    Every day as a species, we get more precise at droning and defeating these cells. I'm one of the first baby boomers. I'm proud as hell to be making my stand.
    Boom.
    We're not gonna take it.
SELFIE AT THE CIRCUS
Monkeys chattering in my brain
Minimize the gain of pain
While I form a Congo line
Of I , me, myself and mine
And we sit as one for our group shot
Trying to remember what fortune forgot.
We pose with tilt and smile
Recoiling for a little while
Looking into the user friendly lens
The merciless mirror where distortion ends
And realize we're back again
Jack Daniels in the lion den.
With a twist of hocus pocus
We manuever myself into focus
Depress the shutter
Utter a mutter
As we cough
Precision wanders off.
Another blur produced.
We wonder "what's the use"
We know it's getting awful late
For any youthful self-portrait.
We steady our grip
We let "er rip.
The one man horde
Always going forward
Lives another day
A hunger artist without the hay
Who longs to feed again
Further down the bend
Heading towards humbling dawn
Because the forget me nots are gone.
Lookin' one last time around
Findin' the circus still in town.
IN VANISHING VALLEY
    Forty plus ago, on a startling, clear August afternoon, I was smack dab in the middle of everywhere, the Grizzly Mountains of Montana. To be more precise, my Outward Bound group was in the midst of crossing a boulder field in the Grizzlies that had appeared as a routine valley on the topographical map we were using.
   We were four days deep into the wilderness of Beartooth.
    I had backpacked about a half a mile on top of these boulders always hoping that the boulder I was treading on would lead to another boulder and not an unjumpable crevice that would force me to backtrack God knows where. Also only God knew how or when those boulders avalanched into the vanished valley between mountainsides in the first place without showing up on any maps. Yet here they were and amongst them, incongruously was I. If I could have given up, I would have.
    I thought I was in trouble.
    I knew I was in trouble when while galumphing from one boulder to the next, I came upon a snow, white mountain goat. I couldn’t believe the goat was sitting so still, as I stupefied, drew closer. The goat was obviously a lot more at home in mountains than I.
    I got about three feet away from the bearded wonder. The goat continued to look straight at me while remaining absolutely motionless. Upon closer examination, I understood why the goat wasn’t moving. Two of its legs were broken, folded beneath his body. The goat had picked this boulder in this vanished valley between Grizzly mountains as his dying place.
    Perhaps this dying place had picked this goat.
    Who knows.
    You know who.
    I looked at the goat with his beard as white as snow in Ireland. The goat looked at me. Neither one of us knew exactly what to do. I'm sure I was the first human this goat had ever seen. In the face of his oncoming death by exposure, I, a mere mortal, didn't phase that goat one damned bit.
    I considered puttting the goat out of his misery but the best I could have done was a head bash with a rock, if I could find a lethal enoguh rock amongst or atop the boulder.
    While looking around for a clobbering rock, I absorbed another view of the boulder field. My eyes swept over the former valley as far back and forward as I could see. On the boundaries of the boulders, I saw mountainsides. Above the mountainsides, I saw clear blue sky. Off in the distance, I heard the echoing shouts of my scattered Outward Bounders. Each of them hoping that the next boulder they chose to leap on would lead to another boulder and not a crevice.
    I had another kind of decision.To bash a bearded moutain goat or not to bash, that was the question. I began to wonder exactly what misery I thought I was  putting the goat out of? What did an interloper like me know about misery in the mountains? I also reflected upon this undeniability. Before me was a creature who had lived its entire life bounding from rock to rock before making one last, fracturing fatal error in judgment. Before that creature was a human whose idea of bounding and diving from rock to rock was playing in a rock band at a bunch of dives. Yet the former was mortally injured and the latter was attempting to pass judgement.
    I wondered if the goat had bounded into one of the dives where I had once played Louie, Louie whether he would have been tempted to pull the wires from our amps.
    Then I refocused......
    I realized that the clouds, the sky, the mountains and the boulder couldn't care less whether the goat lived or died or for that matter whether I lived or died along with the goat. The sky, the mountains, the clouds and the boulders had played out this kind of drama, minus me, millions upon millions of times before without any of my help and would continue to play out this tableau  long after I left, if I lived long enough to leave. If this dying place didn't choose me as well. I looked once again at the goat who was motionless, aware, at peace, dealing with the pain, and prepared for infinity.
    That's about as close as I've come to seeing You Know Who.
    Some silent, sacred time elapsed.
    I set my sights on the next boulder and headed for it.I never looked back. Everything was perfect in the wilderness. That night, I decided for sure that I wasn't going to shave my whiskers. I still have the beard today.And it started turning white last year.
    Meanwhile, back in the land surrounding Vanishing Valley there rose up more sound and fury than usual indicating more than the usual level of nothingness in the mountains.
    As I left the goat behind, I listened to the world and discovered the sound of nothingness under which I could pick up indications of tremendous sound and fury. The stillness was lyrical..
    When I came down from the mountain, I knew things that no one else knew. At the same time, I didn't know something that almost everyone, unless they had been out in a boulder field in the middle of Everywhere, knew only too well.
    Nixon had resigned the presidency.
    I missed all of that. I traded it for Mt. Tempest, Grasshopper Glacier, skree, gorp and a glimpse of You Know Who.
    When I got the news about Tricky Dick, I rewound in my mind to where I was at the exact time that he was waving goodbye. I'm pretty sure I was between boulders, in a hard place, gazing at a goat and deciding to grow my beard to always remember the time I almost saw You Know Who.
CHAMPION HILLS
    This is a true story of golf, cancer and human nature. On my third day of radiation I couldn't stop thinking of Champion Hills. I had to confront the reality that medical costs and recovery time would make it impossible for me to keep up my membership. I made up my mind to go over to the club to say goodbye after this morning's radiation.
    The head pro at Champion Hills is named Darlene. Obviously, she can hit the ball a mile and putt with precision. Two weeks ago, Darlene had sent out to the members a note informing us of an increase in fees. Lynn responded. In her response Lynn mentioned the fact that I had cancer and was taking radiation. The increase in club fees was gonna be difficult for us as we couldn't predict the progress of the radiation nor the potency of the after-effects.
   The irony is that golf might be therapeutic. I just couldn't afford to play at my club anymore. Pulling into the parking lot I remembered summer days past. The course was beginning to reawaken. When I got to the clubhouse, Darlene was giving a lesson and preparing for a meeting with board of governors. She opened up the conversation with this; "Ice, you picked the worst time for us to talk"
    "No problem Darlene. I'll stop back another time"
    "How are you Ice ? What kind of cancer do you have"
    When I told her it was prostate, Darlene said "Isn't that the one that's most treatable"
    I said "Yes, I'm very lucky. I hadn't been doing a lot of planning lately other than thinking about each day"
    I was warming up to resign as April 1 is the deadline for the fees.
    Darlene said, "I was hoping you could take some more pictures of the course this year".
    "Of course I will"
    Then Darlene blew my mind..."and as far as membership goes" she waved her hand dismissively "consider your dues paid. You're a member once again. What do you think about that?"
     I was stunned. I thanked her for her kindness.
    She said You're a good man"
    We both had tears in our eyes.
    She went back to her lesson.
    I returned home to give the news to Lynn.
   She was on the treadmill.
   "Well, what did Darlene say?" she asked.
    "We don't have to worry about the club anymore" was my cryptic response" and after a moment "Darlene said she would wave the membership fees this year".
    Once again I was reminded about the millions and millions of random acts of kindness that are committed every day but overlooked in the  sensational fog of the hundreds and hundreds of random acts of cruelty.
    I could feel another cell of cynicism disintegrate, clobbered by the power of human understanding.
WAFFLE IRON MYSTERY
    Luck? I'll tell you about luck.
    In November my wife ordered a wafffle iron through Amazon. Time went by and no waffle maker. We were getting irritated, not so much by the absence of waffles but rather by the delay in delivery
    A couple of weeks later a very large box arrived at our doorstep. I asked Lynn what the hell is this? The package was a lot bigger than any waffles I have ever consumed.We took the package into the house. We opened it. The package did not include a waffle maker.
    Lynn, immediately got on the phone.
    She's great on the phone; polite, attentive, determined, patient and persistent She made contact with a representative whose accent was a lot different from ours. Lynn told her about the erroneous delivery.
   The voice on the other end offered a remedy. All we had to do was “rewrap the package, take it to the post office , send it back. and we'll credit your account”
    The ears on our end were not pleased.
    The voice on our end had another remedy. We aren't gonna rewrap this thing nor take it to the post office. This package is here because of an error on your part. We don't intend to make up for your error with our time and our gasoline.
    The voice on the other end needed a moment to listen to the voice of her supervisor.
    For five minutes there were no voices on either end.
    Then the voice on the other end offered another remedy. We may keep the package and they would send the wafflemaker.
    The voice on our end accepted the remedy.  Another win for Lynn.
    Four months later having discovered our cancer, we decided that we would fight the condition with radiation. After we made the decision and began to schedule the treatment dates, a nurse entered the room with piece of paper that listed some of the potential side effects during radiation. Among the side effects were these two: Urination Changes and Bowel changes.
    Urination changes include burning with urination, urinating more often and more urgently. Possible incontinence .Bowel changes include increased gas, urgent or loose bowel movements sometimes activated by the increased gas. Considering the alternatives, we considered and consider our selves very fortunate. We got this covered, no problem. And not thank God with a waffle iron.
   The mystery package that we kept , even though we couldn't imagine a use for it at the time, contained 36 extra large adult diapers. This is what I mean by luck and it's all true.
    No shit.
SHIT
    The seventh day of radiation proved to be informative. Maybe too informative, if ya know what I mean.
    The night before, I was up all night because of continual urination. I overslept after I finally fell asleep. When I woke up, I was late.
    I had to jump in the car and white knuckle it through a rainstorm and construction and past an accident to get to the hospital on time. You don't want to be late to radiate because there is a very tight schedule of people coming and glowing.
    I got there just in the nick of time. I admit, I was feeling shitty.
   They called me in and almost immediately.... "Are you alright, Ice?"
    "No, I'm half left. Let's do this thing."
    I hopped on the sled. They put me in position. They left for the viewing station. I went under the scan. I felt like I was under for a long time. They came down and said I was "positioned wrong" and had to start the whole thing all over again, which they did. Little did I know how polite they were being.
    I got up, put my clothes on and left without telling them my usual horrible joke. On the way out, I told a nurse about the problem with leaking. She said, "It's a normal side effect but it's a little early for it to be starting. If it doesn't go away by tomorrow, I'll prescribe something".
    Still feeling shitty, I stopped on the way out of the hospital to have a bowel movement. I got home and the peeing continued unabated. For the rest of the day, I was going to the john every 10-15 minutes. It became clear that I couldn't sleep with my wife as my constant getting up and going to the bathroom made it impossible for HER to sleep as well. I moved upstairs to another bedroom with a full bath. I woke up seven times to pee before I finally woke up for real.
    I showered and went off to the hospital, this time leaving 45 minutes early.Sure enough, I ran into a traffic jam that cost me 20 minutes and during that time I somehow managed to contain myself.The rest of the trip to the hospital took another ten minutes.
    Let me say, I was relieved when I got there.
    They called me in and asked if I was feeling better.
    "Aside from being up all night peeing, I feel great why do you ask?"
    "You didn't look like you were feeling good yesterday and we were worried about you"
    I explained "that I was feeling shitty yesterday because I'm a guy who always gets to a place early and when I have to white knuckle it to an appointment, I always carry a trace of the frustration that I had trying to get there on time. It has an effect on my mood when I first walk in."
    Mike said "Amy has the same problem"
    Amy concurred" Yes I'm always arriving right on time or a minute late. Always in a big tense rush to work"
    I said, "Amy, there's a whole different and beautiful world waiting for you that you know nothing about. Your job and your life will change immediately if you get to work a half hour early. You can grab a cup of coffeee, read the paper, have a chat, whatever and then when you're ready to start, you're ready to start"
    She said "I like the way you put that. I need to start doing that."
    I told her that once I had started getting to work early it totally changed my work experience. "You know how yesterday, I appeared rattled and ornery because I got here in the nick of time. Remember, how clear it was to every body that I wasn't the same guy. That guy is the guy that you are when you get here in the morning in the nick of time and just like you recognized that in me, your co-workers recognize that in you"
    I climbed into the sled, They positioned me. They hit me with the rays. They lifted me off the sled.
    Amy came down from the viewing booth.  She told me that what I had said was was good advice. I encouraged her to try it and see. "If you set the goal to be a half hour early even if you're twenty minutes late, you're still ten minutes early."
   Amy laughed and said she had never looked at it like that.
   On the way out, the Doctor was ready to see me. She asked me about the peeing. I described it as best I could. I've never been real good at describing the act of urination so it was kind of awkward.
   She asked me if I had eaten anything unusual during the weekend.
    I told her that I had attended two Easter buffets and whatever I had, I had a lot of  but no, there was nothing exotic.
    Then she asked me about bowel movements.
    Again, I don't have the vocabulary to be accurate so I told her that "Yesterday after the radiation. I got rid of a lot"
    She said," I'm glad because yesterday DURING your scan we noticed you had a lot of stool  so we couldn't get a great picture. In today's scan there was much less stool and a much better picture." Needless to say, I was flabbergasted at this iinformation which is just part of modern technology that can find just about anything within your body except your soul.
    I've got to realize now that every time I get on the sled, everybody in the room is seeing exactly how full of shit I am in three dimension. I clearly was feeling like shit the day before and the reason why I was feeling like shit, apparently, was that I WAS  full of shit.
    Everybody knew it but me.
    That's usually how it goes when somebody is full of shit and it's probably why people feel shitty in the first place.
    Just sayn'.
    So the doctor fixed me up with another prescription that should confront the constant urination problem. Finally the she advised that I start drinking a lot of cranberry juice so maybe next time, I wouldn't be so full of shit.
   Of course she didn't SAY exactly that but that IS exactly what she meant.
   Smoove.
   And I've managed to type this whole thing without having to get up and pee even once.Now, I'm gonna go downstairs and hit up some cranberry juice.
TROT ON THE BLOCK
    I remember my first Thanksgiving in a previous wifetime. We had been married a month and a half. We had built a chicken coop together. We had horses. We had a goose. We had a mule. We even had a peacock. The chickens were laying. We also had a couple of turkeys. As Thanksgiving approached, I wondered about the fate of the turkeys.
    My wife didn’t wonder. She acted.
    She coaxed one of the turkeys out to a stump that unbeknownst to the fowl was a chopping block. She got the bird to stretch his neck out on the block. She took a mighty swing with her ax. Contradicting rumors of stupidity, the turkey lurched out of the way as the ax buried itself in the stump.
    The turkey trotted away as if nothing had happened and tried to regain his dignity.
   My wife was accompanied by her friend Beth who was eager to help but who was laughing her ass off.
    The turkey meanwhile doubled down on rumors of stupidity and walked right back to the stump and confidently stuck his neck out. This time, Beth grabbed the turkey’s back legs. A moment later the axe fell.
   I was photographing the whole thing.
    Although the actual photograph, like the marriage itself, is long gone…I have an imprint of the photograph indelibly recorded in my mind.
    It is the moment of contact.
    Beth on the left is flinching.
    Cindy on the right is baring her teeth, arms fully extended.
   All of it is in a slight blur except for where the ax has come to a sudden stop as it passed through the neck of the bird and hit the stump. The ax and the neck of the bird are in perfect focus. A darkened area on the axe is the blood erupting from the birds neck as the ax has passed through.And yes, the turkey did run a round a little bit after his head was cut off.I think it was the first time for everybody.
    I know it was the first time for the turkey.
    I was pretty sure I got the picture.I proceeded to my dark room and made a print while the women were finishing up with the turkey. Because I was working in my own darkroom, the image was in black and white and it turned out exactly as I described it above. The black and white nature of the image enhanced the reality of the situation.
    We had invited several guests to come over and join us for Thanksgiving the following day. The picture was so remarkable that we decided to frame it. We put the framed picture in the dining room.
    Our guests arrived, smoking joints and drinking shots as was the custom of the day. John McCormack, who three years later died sober in a drunken car accident was the first to notice the image.“Wow, what a picture”
People came over and looked at the image with varying degrees of astonishment. Finally, someone asked the inevitable question. “Is that photo a picture of the turkey we are about to eat?”
    We nodded.
    Beth spoke up.
   “This is thanksgiving”
    When the transformed fowl appeared on the table, John asked if he could do the carving.
    He did one helluva job.
    There was plenty of meat to go around and a multitude of Thanks were given as a certain degree of reality grasped the gathering.
God, how I miss Roseland.
   Starting with Galloping Gertie, through my first round of miniature golf, into the Penny Arcade across from the changemakers where I got an authentic Tom Mix photograph, beyond the Wild Mouse, through the Bumper Cars next to the shooting gallery behind the Cotton Candy stand near the restaurant which eventually became a beer stop where one of my friends once asked what the penalty was for punching out a clown. Back to the hot dog stands beneath the swings and beyond the Skyliner with skeeball coupons in hand. Tee shirts, cut offs and a pair of thongs, for decades we'd been having fun all summer long.
    I knew Roseland big time and the feeling was mutual.
    I had to be present for her last night.
    We all knew the date of the execution. Condominiums need to be built.
    Lots of Landlovers showed up, most young only in heart.
    We traded in all of our skee ball tickets which we had amassed over the last ten years and won a forty inch plaster statue of a bearded guy in a yellow raincoat holding on to a bunch of lobsters as if his plaster depended on it.
    We posed for pictures in front of or onboard all of the rides.
    When my mother died many years later, the picture of her riding the merry go round was the photo nearest her flowers.
    We kept trying to pretend that the fun, the eternal summer was never going to end. We knew in our hearts that some point the cups would stop whirling.
    During my last ride on the carousel, I began to wonder if, in fact, the rides would stop that night. The operators after all were mostly college kids on the last shift of their summer jobs, probably a week or two from the quad. What would stop them from keeping the rides going all, night, hell all weekend. What could happen to them if they did? They certainly didn't have to worry about getting fired.
    But before that paradoxical showdown, the management would present one final fireworks show out over the pier on Canandaigua Lake. The fireworks would begin at eleven. We took our rides on everything as eleven approached.
    It was a startlingly clear star spangled evening; a Roseland night.
    At ten-thirty the announcement of the fireworks started to come over the p.a. system. Everybody in the park wanted to be in on this event, including the ride operators. So like some kind of blissful, mourning army, we all strode to the site of the fireworks.
    At eleven o'clock, the main park was deserted. I distinctly remember looking at that deserted park. I don't remember Roseland ever looking brighter or more inviting, resonating not only the remnants of that night's crowd but also all of the crowds of all the decades past. Although Roseland trembled, it appeared alive and ready to get up on its feet and sprint all the way to Rochester, to Lake Ontario thirty miles South to say goodbye to Sea Breeze.
Complete
Vital
Vibrant
vigorous
empty
throbbing
trembling
pulsating
eternal Roseland over my shoulder.
    And then the first fireworks exploded in breathtaking perfection over the lake. The crowd as one ooohed. At that exact instant, I tore my eyes away from the miracle in the sky for one last peek and saw all of the lights in the main park slam off at once, never to come on again.
Total darkness. A silent sound as deafening as any I had ever not heard.
Most of the crowd
As if on cue
turned away
from the sky
gasped
laughed
and cried
as
Roseland
died.
Sgt Pepper’s Radiation Team
    We got a great team at the hospital.
     So let me introduce to you
     the radiation therapists
    Who deal with me every day.
    They're Amy, Maggie, Paul and Mike.
    Bompop Bombpop, Bompop, Bompop Bompup
   Bompop, Bompop Bompop BUMBUMBUMBUMBUM Bop Dooah.
   They put me on the table every day
   They make sure that my feet are in the cast
   Then when all is ready, they quickly run away
    And from the booth send out another blast.
    They're Amy, Maggie, Paulie and Mike
    They're learning who I am and what I like
    They always seem to know the exact words to say
    To help me through another healing day
etc.
    It's always nice when I start to write and bam...it goes right into Sgt. Pepper but sure enough I'm getting by with a little help from these friends. And I've got to admit, I'm getting better.
    Okay, Okay, I'll stop and break into prose.
    Gradually
    Amy looks like a grown up version of a friend from high school. Maggie looks like a grown up version of a friend from college. Paulie looks like a grown up version of a guy I played baseball with.Mike looks like the guy who played guitar in my band.In other words, they all look familiar. So right from the get go I had the feeling I was with friends.
    When I told Amy that she looked familar. She said " a lot of people think I look familiar"
    Looking familiar is a pretty good thing don'cha' think?
    The first task is getting me on the sled. I'm nowhere near as flexible as I used to be so they team up and gently lift me into position. They've made a cast of my lower body and that cast is on top of what at first looked like random sheets. I have to get my feet into the cast part shaped for my feet and then the therapists take over.
    They tell me to "lay heavy" and I'm learning how to do that. Of course at my weight, it comes kinda natural. I'm getting pretty good at laying heavy. Laying heavy means when I feel movement beneath me, I resist the urge to move with that movement. Of course the radiation blasts have to be exactly precise, so when I am laying heavy they are maneuvering the sheets beneath me to put me into the right postion without my feet leaving the mold. They pull on the sheet and that puts me right where they want me.
    All this time we are making small talk and laughing.
    Then one of them will say "perfect" and they duck away to a protected area where they watch me through the glass. While watching me, they are also seeing a three dimensional rendering of my inner lower body projected on to a computer screen and making sure that the zaps are zapping the tatoo where the zaps should be zapping.
    I'm laying heavy and except for the radio playing in the background, there is silence. I am under the linear accelerator, looking up at the ceiling where I see a red laser cross.The accelerator moves around me and does what it's supposed to do for about five minutes. Then I hear one of them say "great" and next thing I know, they are lifting me off the sled.When my feet first hit the ground, I experience some vertigo. I sit down in the chair and usually tell a story.
    The first story on the first day  was  what happened when the skeleton walked into the bar. The bartender said. "whaddya want". The skeleton said "a beer and a mop".
    The second story on the second day  had a fish walking into the bar. Bartender said "whaddya need".
    The fish said "water".
    The third day,a duck walked into the drugstore. The duck asked for lip gloss. The astonished pharmacist brought back the gloss. The duck said "I don't have any money, just put it on my bill.
The fourth day, ham and eggs walked into the bar. Bartender said "we don't serve breakfast.
    The fifth day Jesus Christ walked into a wine bar etc. The wine pourer asked," what would you like". Jesus answered 'just a glass of water.
    Every story got the reaction I hoped it would get. They acted as if they had never heard the story before and then after a pause like after the fish says "water," they gave me the kind of laugh that indicates an amused aha .
    Perfect.
    Unfortunately I had used all of my clean  jokes.
    So today, the ninth day, I went with golf. Jesus and St. Peter are playing Pebble Beach. St Peter tees up and blast a beautiful drive right down the middle of the fairway. Jesus whistles in admiration and steps to the tee box. He hits a little dribble that barely makes it to the cart path of the elevated tee. The ball rolls down the path and gets picked up by a rabbit who starts bounding away only to be captured in the talons of a magnificent swooping eagle who grabs the rabbit and starts to fly down the fairway. A flash of lightning hits the eagle who drops the rabbit who drops the ball which lands on the green, takes a giant bounce hits the flagstick and plops into the hole. St Peter turns to Jesus and says "Hey, are you gonna play golf or just fuck around."
    Everybody laughed again. I'm starting to enjoy this here radiation.
    Go team go.
WILD BILL FROM BABYLON
    I'm starting to wonder how long I will last. I'm already older than I deserve to be; based on the way that I've conducted my life. I want to give credit before I go to people who should already be famous if they gave a shit for fame.
    One of those people is my friend Wild Bill. We've been buddies for over fifty years. I asked him to be my daughter's Godfather. I couldn't have made a better choice for her. I  haven't spoken to Amanda for at least five years but Wild Bill has and he tells me she's nice.
    Thank you, Godfather.
    Wild Bill will never be married but to this day he carries ten rubbers in his wallet on his never ending quest to "get laid". Ya gotta love guys like that.
    Sometimes he does, God bless him..
    He's always having misadventures with cops maybe because of the dozens of messages on his car, the latest being FUCK DONALD TRUMP.
    We pissed, side by side, into Walden Pond.
   Sitting shotgun on the Long Island Expressway with Bill is a shit your pants experience.
    He's seen the Dead fifty times at least. He had a conversation with George Harrison. Nowadays, Bill's the oldest man at every concert and the most energized.
    Nobody dances like Wild Bill.
    He was a friend of Bobby Vee.
    He's a roller coaster fanatic.
    I've seen him punch a taxi cab driver on Fifth Avenue.
    He's got season tickets for both the Yankees and the Mets.
    He cried when he heard that my mother died.
   He sends birthday cards to all of his friends even though none of us have the slightest idea when His birthday arrives.
    Christmas cards, Father and Mother’s day cards as well
    He's a master of trivia, an expert on the Bobby Fuller Four.
    He's the last of the great mooners.
    He gets along with dogs and cats.
    He's got my back.
    He should be a movie if he gave a shit.
    He's Wild Bill from Babylon.
    One remarkable afternoon, I was sitting at a booth in Kennedy airport slamming some suds with my brother Deke while waiting on Wild Bill to pick us up for a weekend of irresponsibility.
    Naturally, Bill being capricious from the get go was already two hours late. Responding in kind, I took the opportunity to waste even more money with the rest of the clubless apes on overpriced beers drafted at the airport watering hole.
    While in the midst of this activity, I happened to notice a guy sitting at the bar. The guy had his back turned to me. Apparently, he too was waiting for his connection because every ten miutes or so I could hear him say to the barkeep, "I'll have another one please" with a sorta under control yet fighting panic quality to his request.
    The guy was in the bar before I got there and I'd been there a couple of hours. I figured our consciousnesses were at the same level of disarray. I never saw the guy's face but something about the tone of his voice reminded me of the voice of the astronaut in 2001 who on the Jupiter Mission gets locked out of his ship by the computer and trying to keep his composure under control without panicking, keeps insisting that the computer open the portal for him to retake control of the ship.
    "I'll have another one please" sounded exactly like "Open the pod bay door, Hal" to my altered listening.
    Judging from the size of the guy's back and the fact that this was Kennedy Airport, the possibility did exist that this was in fact Keir Dullea, the actor from 2001.
    I passed my perception on to my brother. I said "Listen to the way this guy says 'I'll have another one please'. I think that's the guy from 2001".
    My brother equally committed to his beerz but still acutely attentive to timbre detail, laughed at my Bud soaked perception. Childishly egged on by his laughter, I decided to approach the guy at the bar.
    I took a seat on a stool next to him. I ordered yet another brewski and got a side view. The side view kept me in the ballpark. The guy ordered another drink and the recognition possibilty grew even stronger.
    Finally, I tapped the guy on the shoulder and said "Excuse me, are you Keir Dullea?"
    The man turned to me and before he spoke I knew, holy shit he's the guy.
    Keir said "Yes I am, do I know you."
    I said "not really but you're in one of my favorite movies....2001. I've seen that movie ten times and even though I love it, Im not sure what it's about."
    Keir said that it was one of his favorite movies as well but he wasn't real sure what it was about either. He thought it was "something about God". Apparently he had been called by Kubrick, accepted the job...worked on his scenes for a month or so and then left the production not knowing anymore about the entire project then what he had experienced while acting in it. He told me that when he saw the movie after it's release, he was "stunned."
    We carried on a conversation for about fifteen minutes. I told him I was a teacher and he told me how much he respected the profession and how flattered he was that I recognized him.
    A great guy.
    I excused myself and went back to my table where a great commotion had taken place as Wild Bill finally arrived. I had enough respect for Dullea's provacy that I didn't tell Bill about what had just happened.
    When my brother asked, I said "yep, it was him. check him out and let's get outta here before this whole thing gets too absurd". Deacon took a look. I could tell he was astonished by the whole situation.
    We started to head out of the airport in a huge, blurry hurry considering we were already an hour late for that night's concert.
    Bill started relating the wild excuses he had for being so late. I told him don't worry about it. Let's make the most of tonight, after all as Noel Coward once said "Keir Dullea, gone tomorrow."
STARLIT HUMAN NATURE
    I didn’t feel like working one Friday night at the Starlite Drive-in. I wasn’t too concerned because we were playing yet another in a long line of low budget Jean Michael Vincent flicks that nobody came to see anyhow. I figured that I’d hang out with the projection crew and the homeless derelicts who were living in the projection booth until between movies when I’d man the concession stand. Then I’d go home and feed a few unpurchased meatball sandwiches to my pig Seymour.
    Driving down West Henrietta Road, I ran into an unexpected, unexplainable traffic jam. I wasn’t in any particular hurry so I cranked up my eight track and started listening to Arthur by the Kinks. By the time I got to “Brainwashed”, I could see what was causing the clot. All of the cars were pulling into the Starlite. I rechecked the title marquee and although a few of the words were misspelled, the basic idea remained; something about a Hawk starring Vincent and Will Sampson was indeed playing.
    I pulled into the long, gravel road that led to the ticket booth and that cubicle was empty. When, at last, I got to the booth, I discovered that the restraining rope was down. The ticket seller had unlocked the rope, opened the booth and as I learned later, in a fit of self-righteous drunken, immature irresponsibility had decided to quit his “godamned shitty job”. He took off and left the gate unattended. I never saw the guy again but I heard he opened a fruit stand in Irondequoit specializing in illegally imported bananas.
    I was ambivalent about the situation. It didn’t hurt me any that more people were attending the show, since I was paid a commission based on the sales of the concession stand. The more people who came to the flick, the more money I would make. Remember though that I didn’t feel like working that night and since I hadn’t expected anybody to show up, I was all by myself which meant I was going to have to do the work of three people maybe four even if I got a couple of the derelicts living in the projection booth to stop smoking weed, get off their asses and help me out a bit.
    When I pulled into my stand, the projectionist greeted me. Drunk as he was, he didn’t particularly care how many people were in the lot. He was being paid by the hour. I told him that the reason that all of these people were here was because Mark had opened the gate and abandoned the booth.
    One of the great mysteries of this night was how in the world did the people get the word that the movie was free and how did it spread so fast. If we had put FREE on the marquee, probably nobody would have pulled into the lot.
    Reminded me of a friend of mine, named Rick who was trying to get rid of an old refrigerator. He put the thing in front of his house for a couple of days with a big FREE sign on its door. Nobody even sniffed it. Finally on the advice of another friend named Charlene, he put another sign on the fridge....$50. That night somebody stole the fuckin’ thing.
    Art, the projectionist, and I were pondering these matters while also trying to figure out what the heck we were supposed to do. We had a parking lot full of freeloaders. Should I start popping the popper? Should Art start reeling the projector?
    We looked around and got an eyeful of human nature as the sky grew dark.
    People started to lean on their horns.
   They were honking to start the movie.
    That freakin’ did it!
    A parking lot full of freeloaders defreakinmanding that they get what they didn’t pay for and expressing their rage by leaning on their horns. I told Art, “I’ve got to say something.”
    I didn’t know exactly what I was going to say but I knew that somebody had  to say something and since I was still sober and giving a shit, it had to be me.
I went into the projection booth. I fired up the PA system.I grabbed the mike and this is what I said:
    “Ladies and gentlemen, we have a situation here. The guy who takes tickets left his post so all of you are here for free. Look around, the place is packed and nobody has paid as much as a dime.Now, I can’t blame you for taking advantage. I sure as hell can’t throw all of ya outta here. I do want you to know that this is NOT a FREE show and staying here would be like stealing. Stealing is wrong. I do have an idea, a solution. We’re going to send somebody back to the ticket booth. The right thing for you to do is exit the drive in on the right onto Brighton-Henrietta Town Line Road...then turn left and re-enter the lot. The ticket person will charge you half price and you will have the satisfaction of knowing that you did the right thing. We will begin the show in 10 minutes.”
    Art had been listening to this with a look of astonishment on his shitfaced grill. He asked me what I thought would happen. I said “I believe in people.”
    Silence ensued.
    Honking stopped.
    Then I heard a car engine start up. Then another and another. I saw a line of cars heading for the exit, God bless’ed, every single car that I could see headed out the exit. Moments later we got a call from the ticket booth out front. “It looks like an invasion out here! There’s a procession of cars coming down West Henrietta Road and pulling in. What should I do?” 
    “Charge ‘em half price and say thank you”, I told my man.
    The drive-in filled back up not quite as full but almost. Ten minutes after my announcement, we started the movie. I gave away free popcorn all night. The owner made more money that night than he had any right to make. The people saw a movie for half price and got free popcorn along with the satisfaction of, on this occasion, doing the right thing.
    That night, I went home and had a moonlight talk with Seymour about human nature. Pretty sure Seymour didn’t understand a word I was saying yet between gulps of his meatball sandwiches, although he grunted and farted at appropriate times.
ERIKA FROM A DISTANCE
    Sometimes it's important to see things through the eyes of others. We received this letter from a niece named Erika who lives in North Carolina. Lynn responded to the letter before I even saw it. I was gonna respond but Lynn covered everything pretty objectively. Of course she left out the part about my brave, courageous, inspiring battle but that's probably because I've left it out of my own behavior especially when seen up close.
    Anyways, here's what it looks like from a distance.
    Erika's letter and Lynn's response.
    Hey guys,
   So I just wanted to reach out and let you guys know you are in my prayers everyday. Cancer is a very scary word. Usually I shy away from reaching out on a topic that I don't understand. Today I was thinking about it and I realized how selfish that was. I was so scared to bring up something you guys deal with everyday. But really as family its only right that we are here for each other through thick and thin. Even if we are scared we stand tall for the ones we love. We are the people who lend a shoulder to cry on. I want you guys to know I can and will be that person if you guys ever need anything. I've always looked up to you guys for being very knowledgable and kind and do not deserve this disease to come into your life. But, God works in mysterious ways and I strongly believe you guys will beat and overcome this obstacle. Love you guys and miss you! Hope to see you soon!!
Erika
    What a wonderful letter. So full of love, concern and support. Thank you very, very much. Uncle Ice has just six more radiation treatments. They won't know if all the cancer is gone so he will have to go in for regular blood tests to check his PSA level which will tell them the potential threat of cancer cells remaining or not. He has been experiencing fatigue, depression and  Incontinance . He is on meds for all of that which gives him some relief. No sleep at nites though which can make him zombie like. But the good news is that a few weeks after radiation he should return back to how he was before the radiation started. We are getting thru this by feeling how lucky we are that it was caught in time and the treatment just involves radiation not surgery or chemotherapy. He tells me that when he writes his book about recovery, he’s gonna include your letter.
With love and appreciation,
Aunt Lynn and Uncle Ice
MORE SEYMOUR
    I’ve almost forgotten how much fun it was to drink beer with Seymour, my pig.
    Remember those delicious meatball sandwiches that only existed at drive-ins? We took a lot of pride in our meatball “sank witch” when we ran and cooked at the Starlite concession stand. We always threw in a load of extra sauce and cheese. Those subs were nuclear powered.
    Some times we’d make a few subs too many. I’d take whatever leftovers we still had hanging around and feed them to Seymour. At that juncture, feeding meatballs to a pig was my idea of a savings account.
    I’d usually bring at least twelve pack of Bud to accompany the meatball sandwiches. I’d take the winding path down past the barn, past the manure pile, past the chicken coop and the duck pond into the wired off part of the pasture that we had converted into a pig pen.
    I’d stand next to the pen, throw a few sandwiches on the ground and wait for Seymour to emerge. I was usually working on my first Bud while I was bringing the sandwiches to Seymour’s slophouse. By the time I got to Seymour’s place, I was finishing my second. I’d finish my third by the time Seymour emerged from his little tin hut.
   At this point, I’d pop open my fourth Bud and pour the fifth and sixth beer into the black, circular, plastic container that we used as a watering tough for the pig.
    Seymour could drink even faster than I could when he put his mind to it, in other words when he wasn’t peeing, pooping’ eating’ or sleeping’. The whole purpose of chilling with the pig in the first place was to avoid any semblance of pressure or constraints or manners. Burping, farting and even puking was no problem. I’d drink at my own pace and whenever I finished one I’d pop open another one for the pig and another for myself.
    I’ve heard about dogs, who come to a kitchen table, sit on a chair, put their paws on the table and wait to be served. These are dogs who think they are humans. Seymour did not think he was human. Seymour knew for damned sure that he was a pig and when he partied with me I think he figured that I was one too and he weren’t far off. Seymour was all attitude, identity and appetite.
    There was nobody else around except me and the pig. The stars were bright; the temperature perfect. The only sounds of the night were the natural sounds of the pasture and the pen along with the snortin’, slathering’, plopping’ burpin’ leaking’ sounds that Seymour routinely made at times like these. It was peaceful. I had been productive as in “I’m going down to feed the pig now, honey.” Life in the pasture drinking with the pig was a bizarre Bud commercial waiting to be made and shown at the Super Bowl.
    One time, near the end, when we had come to grips with the sobering eventuality that Seymour was destined to become ham, bacon, sausage, etc, I had a barn party over at my house. Some of my buddies had heard me bragging about the peace of mind I enjoyed while drinking with the pig. Apparently they thought it was a good idea because by the time I got down to the trough, Seymour was passed out in the cooling mud, getting a bit of a sunburn, his trough still half full of beer.
    I went back to the barn and asked how many people had been drinking with the pig. Six guys raised their hands: Tommy Tron, Bruce, Jack Stafford, Wayne, Wild Bill and Uncle George. I told them to come down to the sty and see the fruits of their labor.
    The six of us walked down the path together. As we got close to Seymour, a reverent silence descended, When we arrived at his trough the stillness continued as we gazed and gaped at the five sheets to the wind bovine blacked out and basking in his combination of mud, Bud, swill and perceived freedom, catching some rays and judging by his apparent ease of breathing, completely relaxed, at peace with the world, unconcerned with appearances.
    A few weeks later I recruited all of these guys to help me load the corpulent and non-co operative Seymour into the back of my truck to take him to processing about ten miles down the road. Seymour was no longer a little piggy on his way to the market. We had a rough, sweaty, shitty and muddy time trying to get Seymour into the truck until somebody got in touch with a guy named Fuzzy who suggested putting a pillowcase over his face. We did. It worked. We led Seymour into and out of the truck and into the processing pen where they spray painted the word “RIVERS” in large letters on his no longer sunburned hide.
    I remember taking one last look at Seymour. There was another huge pig in the holding pen with him. I imagined those two pigs looking at each other’s hides, seeing the black spray paint and thinking “this ain’t real good”. Then I shut the door and left Seymour in the darkness.
    Seymour was no longer just involved. He was committed.
    The next time I saw him he was in packages
    Over the next few decades, every time that I’ve gotten together with any of those guys, particularly during All Star games, somebody always comes up with “remember Seymour” and the next round of stories take off from that common point of departure as if Seymour the Pig was a space station and all previous stories were shuttle crafts arriving to be refueled enroute to homecoming or deeper exploration
MENDON SEA CRUISE
    As in the case with most epics, many colorful events occurred during my final days at the  Starlite. Most of those colorful events were driven by colorful people, people that I wouldn’t have known if it weren’t for the Starlite which was sort of a vortex of idiosynchracy. One of those colorful people was Wayne Green.
    Wayne was a regular at the Starlite, as well as a drive-in afficianado. One particularly slow night, Wayne came in from his car and we began a snack bar conversation about drive in culture etc. Wayne became so engrossed in the conversation that he missed the second feature which was The Deep with Nick Nolte and Jackie Bissett. Due to no fault of our own, we had been playing the movie one reel short and out of order but nobody complained except one time when the sound went off for a minute or two and a few people honked. That’s when I realized that people didn’t give a shit what they were watching as long as they could hear it.
    Wayne asked me how to operate the popcorn machine, I showed him. He was immediately hooked on concession stand life.
    I told Wayne that anytime he wanted to stop by and help me run the stand, we’d let him in for free. Most nights, Wayne would show up and volunteer his services as popcorn popper. Wayne wasn’t the only one. Towards the end I had six or seven people who enjoyed the concession stand so much that they would come to the drive in just to hang around, every so often going back to their cars to drink beer or whatever. The concession stand became an oddball country club. Almost every night one or two or more  of these volunteers would show up to pop and pour. In the end, they were basically running the stand and I was spending more and more time in party cars.
    Outside of the stand, I didn’t know much about Wayne or the other “volunteers but I figured they were either geniuses or lunatics and probably both. We’d get into some pretty crazy conversations on slow nights and since we kept playing Jean Michael Vincent level movies without half price admission or free popcorn, there were a lot of slow nights.
    One night Wayne and I were talking about making lemonade of lemons, making a fortune out of a misfortune. Wayne told me about a guy that he knew whose truck caught fire the same week that the engine of his boat blew up. Wayne told me that the guy welded the body of his boat on to the frame and motor of his car, got some dealer plates and drove around in his truck boat.
    I had trouble believing that one. I told Wayne so. He assured me that the story was true. I said “yeah, right” and forgot about the whole deal.
    About a month later, I was mowing my lawn when a boat with dealer plates pulled into my driveway. Wayne was at the wheel. How can I describe this contraption? I know. A speed boat on wheels and that’s exactly what it looked like although you couldn’t see the wheels too well. I called up a few people and there were already a few folks partying in my house. Everybody changed into shorts and swim suits. The guys stripped off their shirts.  Before long we had a boat chock full of nuts all singing “ooh Wee, Ooh wee Baby, come and let me take you on a Sea Cruise.” We set off driving through Mendon like five dimensional survivors from a demented Beach Blanket Bingo flick minus Frankie and Annette with Beach Boy, Dick Dale and Surfaris music blasting from the deck on the deck.
    You should have seen the cars as they passed us. Imagine a cool late September afternoon. You’re driving down Mendon Town Line Road. Suddenly you see a speed boat approaching you full of lunatic/geniuses mash potatoing, twisting and watusiying to Msirlou or I get Around or Wipeout. My only regret is we didn’t take the time to grab Seymour the pig, throw some shades on him and include him in the voyage.
    We cruised around Pittsford and Mendon for a half hour. Truck boats use an awful lot of gas. Eventually, we pulled back into my driveway and abandoned ship.
    I never doubted Wayne again.
    The Starlite era had ended. The truck boat had been revealed. Apparently Wayne’s purpose in my life was fulfilled, including one bit of information that I was awake enough to remember. As we were heading back to the house, Wayne asked me if I wanted to take the wheel. Paranoia set in. I could see the headlines, “Local teacher crashes into telephone pole in truck boat filled with passengers without seat belts or life jackets.”
    Wayne was silent for a moment, keeping his eyes on the road and his hands on the wheel. He asked me “if I remembered the night when all the cars pulled out of the Starlite and then pulled back in.”
    I said, “of  course I remembered that.’
    Wayne said that He hadn’t believed ME when I told him that story.
    Wayne believed it now because he knew the guy who was the first person to pull out, the guy who had started the entire righteous exodus. The guy who helped right the wrong. Turns out the guy was on his first date that night and legitimately wanted to see the movie because he and his date were fans of Will Sampson and Tonto.The guy’s named was Ovid and his date was named Julia.The date had been a success.
LAST DAY OF RADIATION
Today's the day. Last night was the night. I only had to steal one mirror last night so I got my first half way decent shuteye in months.
At this moment I am resisting the urge to hit the sack and indulge in fatigue.
I'm thinking about the original Invasion of the Body Snatchers and Nightmare on Elm Street. In both of those flicks, sleep was to be avoided unless you wanted Freddy to slash through your walls or wake up as a pod.
Those movies always bothered me.
I hate the feeling of falling asleep when I don't want to fall asleep. This used to happen to me all the time, particularly on Wednesday nights when I was young.
Because I was big fan of horror films, my parents used to let me stay up "late" to watch Shock Theater which played all of the Lugosi, Karloff and Chaney films. Frankenstein, Dracula, the Wolfman, the Raven, the Mummy, the Black Cat, The Invisible Ray,The Ghoul,The Werewolf of London etc. The show came on  came on past my bedtime so it was quite a privilege and quite a challenge.
Plus, I was actually scared by the movies or at least I expected to be.
I would take my position on the carpet in front of our timy teevee set. The movie would start and before too long, I would realize that I was falling asleep. I learned to recognize the feeling and the "oh no" that accompanied it. I would invariably choose to "rest my eyes" for just a minute during a commercial. I learned after awhile that once I started to rest my eyes, the rest periods would increase in frequency and duration until at last I was asleep on the floor and had to be carted of to bed all the time insisting "I'm awake, I'm awake"
The morning came and I awoke with a sense of failure and a determination to make it all the way through the next week. I realized that once I started to "rest my eyes", it was all over. I would make a conscious effort to "resist the rest" but week after week I failed.
I wasn't used to failure back in those days and it frightened me more than the movies did. I was learning about temptation and my inability to resist it.
This was my first previews of fatigue but I really didn't know what fatigue was until a few months ago. There's a difference between fatigue and being tired, passing out, blacking out, dozing off or being exhausted.
For the past few months, I've suffered fatigue and it's a lot different from "resting my eyes" because in fatigue I'm not even interested in the "movie" that is my life. All I want to do is sleep, well not exactly sleep but more like escape but evdn in the escaping there is the over-riding sense of failure and guilt as days melt away and merge with nights.
Fatigue sucks.
So as I write these words, I am resisting the urge to "rest my eyes" and to go downstairs to my cave/pit. The urtge is strong but not as strong as yesterday and yesterday wasn't as strong as the day before.
They told me after my last blast of radiation that sometimes the fatigue starts to go away after a week and a half but sometimes it can continue for three or four months or in some cases forever.
Today is exactly a week and a half since my last blast. I'm gonna go the distance. I'm not goin' downstairs. I'm not gonna turn into a pod person again today. No way. I've charged up my camera. I'm snapping flowers. I'll be leaving for the ballpark in three hours. I'm gonna look good. This is the day I marked down on my calendar for the beginning of my comeback and I'm not gonna rest my eyes until I get back from Frontier Field.
My brother is my best friend and I haven't seen him during this whole situation. I want to see him now. I want him to see me snapping pictures, keeping score, drinking a beer and rooting for the old home team.
Freddy Fatigue can't get me at Frontier Field if I keep my eyes on the ball.
OVID WARREN PEETS
    Even though I think I'm a smart ass, I'm not as smart as I think I am.My name is Ovid Peets.
    I'm here to tell you a story about a guy who was proud of his ignorance and worried that he wasn’t as dumb as he thought he was . Over the course of our acquaintance this man gratified himself by proving conclusively that he was even dumber than he had hoped.
    His name was Thornton Krell. He was my professor. I was taking a seminar class called Metaphysiction at a place called Montgomery Community College. I didn't know what the hell Metaphysiction was and neither did my advisor, Ward Stokes. As soon as I found out that Stokes was vague on the seminar, I decided to throw it into my schedule. I figured I could drop the course later and blame the drop on Stokes who would have to admit that he didn't know what the hell he was talking about when we first discussed the offering.
    Everyone knows that in a fire, the survival strategy is to drop and roll. Only MCC students know that academic survival strategy is to enroll and then drop.
    I can remember the first few minutes of the first class without looking at my notes. I can’t look at my notes from any class before Krell’s class because I never took notes. I used to draw pictures. I had contempt for anyone who actually took notes. What a waste of time. What a waste of paper. I figured it was all posturing because anytime I would ask anyone to see their “notes” they would always say they didn’t have any notes either.  
    They must have been drawing pictures too or writing those little love letters that begin “I‘m sitting in class bored out of mind and thinking about what we did last night…...
    For some reason I used to draw a hockey rink as seen from a nosebleed seat. After I drew the rink in great detail, including stick figure crowds, I would rest the point of the pen somewhere on the “Ice” and wrist flick the point towards the “Goal” which resembled a large E turned without the middle perpendicular. If I managed to stop the point within the E, the stroke counted as a goal. I would disallow goals in which the stroke was slowed down enough to mimic conscious purpose. Only subconscious strokes counted. Sometimes the pencil and the “ref” would get in long arguments about whether or not a goal should count or not. In this way, with an occasional fake “I’m listening and I’m interested” glance at the teacher, class time passed.
    When I wasn't drawing hockey rinks, I was drawing drum sets.  This habit was about to change within the first ten minutes of encountering Krell.
    They say that a student pretty much makes up his mind how he will get along with a teacher within the first five minutes that the teacher is in front of the class. Even while Krell was taking attendance and reviewing the institute rules, which everyone had heard at the beginning of every class at MCC (and still disobeyed) I was forming my impression of Krell. I kept hearing the song “96 Tears” playing in my brain. Anytime I hear ninety-six tears in my brain, I remember the group that sang the song…..Question Mark and the Mysterians with Question Mark written as ?.
    So, my initial and lasting impression of Krell was of a mysterious guy who would have a lot of questions for me to consider and about whom I would have a lot of questions which he would probably never consider because I would never pose the questions what with the hockey playing and the drum sets.And that someone would cry: cry, cry, cry; ninety six tears yeah.  
    The first thing he did after the preliminary administrivia was to turn his gaze upon the class and make these sounds: (and now I consult the notes that I didn’t have at the time that Krell was making the sounds) “Alpha, Beta, Gamma, Delta, Epsilon, Zeta, Eta, Theta, Iota, Kappa, Lambda, Mu, Nu, Xi, Omicron, Pi, Rho, Sigma, Tau, Upsilon, Phi, Chi, Psi, Omega”.
    Next, he took out a match. Before striking the match he informed us that the sounds he had just made were the letters of the Greek alphabet. He said his first goal was to have everyone in the class be able to repeat those sounds in the time it took a match to burn down to the finger tips. With that he struck the match and recited the alphabet and with a flourish blew out the match in plenty of time.
    “I’m going to repeat the alphabet. You will take notes while I recite. Then, I’m going to call on one of you. . I will light the match. You will recite the Greek alphabet before the match burns my fingers. You may use your notes”
    With that, he repeated “Alpha, Beta, Gamma, Delta, Epsilon, Zeta, Eta, Theta, Iota, Kappa, Lambda, Mu, Nu, Xi, Omicron, Pi, Rho, Sigma, Tau, Upsilon, Phi, Chi, Psi, Omega“.
    I stopped drawing the hockey rink and right there on the still freezing ice, I took my first serious notes Alfa, Bayta, Gamma, Delta, Epsilon, Zayta, Eighta, Theta, Iota, Kappa, Lambda, Mew, New, Zi, Omicron, Pi, Rho, Sigma, Tau, Upsilon, Phi, Chi, Sigh, Omega.
    I wasn’t looking around to see if anybody else was taking notes.
    Krell paused at Omega. He looked at the attendance roster. He took a match from the pack. He said “Mr. Troy. You will give me back the alphabet. You may use your notes. I will count to five and light the match”
    I don’t remember much about Mr. Troy except that he was wearing a tee shirt that said “Weed Man”. When Krell got to five, Troy got to his feet and headed to the door. With the match still burning in Krell’s hand, Troy looked back at the  spontaneous combustion in the front of the room. “Kiss my fart” he yelled and walked out the door.
    Krell kept the match burning in silence until it reached his finger tips at which point he said “Ouch” and shook the match out.
    “Kiss my fart” Krell mused aloud "what an interesting juxtaposition of the physical upon the invisible. He might have been a great student but alas, I’m afraid that’s the last time we’ll see Troy although we will talk about him quite often.”
    He took out another match. “Let’s try it again. Helen Kamp, it‘s your turn”
    Helen read the alphabet from her notes. She finished with plenty of match to spare.
    “Very good. Haylen” said Krell while snapping his fingers with the loudest snap I‘d heard since my left handed sixth grade clarinet teacher snapped me out of music lessons for incorrectly counting measures. Krell’s snaps, on the other hand, conveyed praise not criticism “How do you account for your success?”
    “I read from my notes” said Helen.
    “And before you read them……..”
    “I wrote them.”
    "And before you wrote them?” Krell asked.
    “I listened, Mr Krell.”
    “And in literary terms, Haylen, what verbal exercise are we involved in right now?”
    “A dialogue.”
   “A Socratic dialogue to be more specific. Thank You Haylen for introducing the basic tenents of this class. The dullest pencil on the roughest paper has a better memory than the sharpest brain in the smoothest intellect. Aristotle, the student of Plato wrote very little...what remains of his work is a hodgepodge of his notes combined with the notes of the students he was teaching in his Lyceum, Any questions?”
    In the pause that inevitably follows any teacher asking if there are any questions, two impressions raced through my mind. 1: Helen might be the Hawking of the class which greatly increased my odds of bozohood and 2: The teacher had a Southern accent when he called on Helen. He called her Haylen.
    The pause ended as it always does with a dork with a question.
    Arthur Gregor raised his hand. Krell nodded in his direction.
    Gregor asked “Well, Mr. Krell what exactly is the definition of metaphysics and the relationship of that defintion to metaphysiction”
   Krell responded, “ With all due respect, the answer to that question comes at the end of the class not at the beginning because the entire purpose of this seminar is to explore the intellectual journey that led to metaphysics and later metaphysiction".
    Krell continued, "Haylen has already touched upon some of the primary components. We will be learning how Socrates led to Plato how Plato led to Aristotle and how Aristotle led to metaphysics. In a nutshell, Socrates asked questions in verbal dialogue. Plato was the student of Socrates. Plato listened to the dialogues that Socrates narrated. Plato recorded the dialogues which were a history of the philosophical life of Socrates. Socrates only spoke. Plato listened and took notes. Plato added his own thoughts to the thoughts of Socrates which he had noted. He passed his thoughts and notes on to others who were taking note of his thoughts which were the thoughts of Socrates filtered through the lens of Plato. Thus, Plato became a teacher."
    Krell went to the blackboard and printed the words Socrates, Aristitole and Plato. He began drawing lines between and amongst the names and explained; "Aristotle was a student of Plato. Aristotle added his own thoughts to Plato’s thoughts which were themselves notes upon the thoughts of Socrates which led through logic and biology and astrology to metaphysics. Aristotle was the first teacher of metaphysics. I’m not going to even try to describe the lineage that led from Aristotle to Krell because it’s taken me my entire life up to this very second to unravel that journey which is continuing even as I speak and upon which you, Mr. Gregor are a fellow traveler until you follow the path of Troy“.
    By this time, the hockey game had ended and I was, for the first time, taking notes furiously, afraid that I would be called upon to suffer the fate of Troy. I know for sure that I was taking notes at this time because the above paragraphs are an interpretive reconstructions of the words of Krell based upon the actual notes of that first class on that last hockey rink upon which I glanced as I composed the last paragraph and will be consulting for the rest of this effort.
    See,another thing about notes is, they stick around. If they didn’t there would be no Aristitle and God knows what else there wouldn’t be...maybe even God.
    If nothing else this class of Krell’s was, by definition, noteworthy.
    I’m not sure if my notes are worthy of the noteworthiness of Krell’s class (what with the high probability of bozos on this bus) because I myself may be a bozo and if you’re on this particular bus, holding on to the handrail next to mine, you may be a bozo as well.
    Unless you're a Hawking.
    By the time I left class that day only three of us remained, myself, Helen and Julia. Arthur had taken an early lav break and had not returned. Weedman Troy had apparently enrolled and dropped, at least that's what Krell said at the end of the period.
    "The bad news is that five is the minimum enrollment to hold a seminar. The good news for you four survivors, if in fact the seminar survives, is that if we continue the class and I use the traditional grading curve, the E has already directed me to kiss his fart."
    When you're riding in my bus, in which failure is always an option, it's reassuring to hear the E has left the building. I made up my mind I was in this class for the duration. I even had notes to prove my determination.
    Riding this wave of confidence and conviction, I decided to approach Helen and confess my embarrassment at Krell's mispronuniciation of her name.
    "Excuse me. I was in your Metaphysiction class. I couldn't figure out why the teacher had a Southern accent only when he said your name. Helen is such a nice, classical name. I'm sorry he had to butcher it."
    Helen looked at me as if she were looking at a dog turd tidbit on the sole of a wedding shoe.
    "Why thank you for your sensititivity Oafid. Not only have you underestimated the teacher but also you've insulted me and my parents. My father's name is Haynes. My mothers name is Helen. They named me Haylen. I'm sorry my name isn't classical enough for you"
    Haylen turned on her heel and was gone before I had the opportunity to clear either my throat, my name or hers or her parents or Krell.
    SECOND CLASS
    I beat the teacher to the second class. We all did. I was the last to arrive not including Krell.
    Arthur, Haylen and Julia were all in their seats. I nodded at Arthur, tried to avoid Haylen's gaze by looking down at the floor. Then after noting the awesome old school sandals that were between the floor and Haylen's soles, I got a better look at Julia.
    Julia was not a beautiful woman but there was something about her that demanded my attention. After about two seconds I realized what that something was. Julia was dressed in an exact replica of the curtain rendered green velvet gown that Scarlett O'Hara had worn to visit Rhett Butler when he was in jail where he was sick and tired of seeing women in rags; where he was relieved to see that Scarlett was not in rags and was ready to give her anything until he discovers that her hands are filled with callouses.
    I was surfing in this state of stupefication and cinematic reverie when Krell entered the classroom. Apparently I had walked in on the conclusion of the customary debate about how long the class waited for the tardy teacher before disbanding, five minutes for adjunct or TA, ten minutes for assistant professor, fifteen minutes for full professor.
    Nobody knew what category Krell was so I have the feeling if he would have been five seconds late, the class would have been empty by the time he entered which would have spelled the end of metaphysiction, right there. But there he was right in the nick of time. I took out my notebook and pencil. I gazed at the Greek alphabet just in case we began where we left off.
    Krell said "Well folks it looks like we have a class. It seems that after Paris burned out, he immediately dropped the class which caused Ryan Montana of interdisciplinary to have a meeting with June Brickwood of the bursars office which led to a meeting with Kay Stafford of the philosophy department which led to a meeting with Dr. Gary Gottschalk of the English Dept. which led to a meeting with Charlene Bellavia the supervisor of instruction which led to a meeting with Scott Lemmer of adjunct education which led to a meeting with Dean Mike Champion who okayed the class fifteen minutes ago while I waited outside his office."
   "In case you're wondering, everyone of those people make much more money than I do"So, Julia, when I strike this match, tell me the Greek alphabet and when you're finished I'll explain education to you."
    With that Krell struck his match and Julia finished her recitation beautifully before the flame was gone with the wind.
    Krell congratulated Julia and began his lecture.
   "Once upon a time there was a guy who was a terrific learner. Let's call him Torch." Krell began and continued. Everything activated Torch's curiosity which fired up his intellect which filled him with inexhaustible creative, emotional, intuitional and investigative energy. Torch learned everything he could about each person, place, thing or idea that he encountered with his senses, with his emotions, with his feelings and with his intuitions.One day it dawned on Torch that the best way to increase his own learning was to give away what he had. Torch decided to teach."
   Krell printed the word TEACH on the board and continued.
    "When the teacher is ready, the students will appear and when the students are ready the teacher will appear. In the early days of Torch's teaching, there were many appearances and disappearances. Usually, they were out of synch.Sometimes, Torch's teaching schedule got a little unpredictable what with the perpetual investigations of all things attracting his attention for random amounts of time. Similarly, his students,  their curiosity activated by Torch, were out and about making their own discoveries, building their own toys. Eventually, one of his students, let's call him Arclipides, came up wih an idea."
      Krell wrote ARCLIPEDES on the board and continued.
    "After a  session of sharing on the steps of the Atheneum, Arclipides asked   ‘Why don't we all come back here to these very same steps on the same day at the same time next week’. Next week arrved and everybody showed up. Everybody was only four people and Torch, the teacher. The four people were Lysis, Arclipides, Sachelli, and Lyvia. As time went on the four people grew to forty people. The forty people grew into a hundred people. At this point Arclipedes came up with his second big idea, ‘why don't we break this group into four groups. One group can meet on Monday, the next group on Tuesday, the third group on Wednesday and the fourth group on Thursday’.
    Krell wrote SCHEDULE on the board and continued.
   "Torch had a little problem with this big idea. Even though meeting with the people was definitely feeding his learning habit, four days a week was a bit much. Torch suggested two groups on Monday and two groups on Wednesday. Arclipedes went along with the idea. Arclipedes divided the hundred into four groups of twenty five and told them which day and time to show up on the steps.As time went on, the hundred turned into thousands and the thousands turned into millions and the millions turned into billions.The steps turned into hundreds of thousand of schools.Torch continued to learn.Sachelli, Lysis and Lyviia went on to become the first faculty. Arclipedes became the first administrator.
    Krell wrote ADMINISTRATOR on the board and next to the word a dollar sign. Then he continued
    "Eventually, Arclipedes and his followers started telling everybody where to go, what to learn and how to teach.All of the followers of Arclipedes seemed to have a natural interest in finances so the gathering places grew bigger and bigger as a price tag began to be attached to learning. Torch never had much interest in money and neither did Sachelli, Lysis or Lyviia. Learning was their treasure and giving away what they had earned (after all, learned is earned plus an l for either life or love) was the best way to preserve and enrich their intellectual treasure.This was fine for Arclipedes. Altruism always cuts cost."
    Krell paused for a moment as a bell rang somehwere.
    Krell shrugged his shoulders at the sound of the bell as if indicating "See that's a perfect example of what I'm talking about".
    Then, he continued: "Way, way back before the steps turned into schools, Torch and Arclipedes were on a collision course. When the crash finally happened only Arclipedes walked away. Arclipedes had amassed more money and with more money had come more power.All Torch had was teaching, learning and the love and respct of his students. Trouble. Mismatch.Arclipedes insisted that what Torch was espousing was not good for the people. The powers that be agreed. Torch drank the Kool Aid."
    Krell wrote HEMLOCK on the board and continued.
    "The remaining faculty insisted upon some degree of intellectual freedom if they were to continue coming back to the steps. This was the beginning of tenure.Tenure is to education what beer is to Homer Simpson; the cause of as well as the solution to all of the problems in the classroom. Arclipedes ‘not good for the people’ eventually turned into the standard administrative method of suppressing progressive ideas while sustaining status quo. ‘Not good for the people’ became ‘not good for the kids’ if an innovative idea needed to be stopped or ‘good for the kids’ if a stale idea needed to be preserved.”
    Krell paused, looked out the window and wrote STATUS QUO on the board before he continued.
    "Today, for example we have middle schools. Not only do we have middle schools but those schools usually start the earliest in the morning and contain the kids who would benefit most from getting more sleep.Going back to K-8 schools would simply be ‘not good for the kids’ until the decision was made to return to K-8 schools, the justification for which will be that it has suddenly become ‘good for the kids’.Other examples abound.The factory schedule. SAT exams. Standardized testing. The categorization and separation of knowledge into subjects and departments. The hierarchy of the sciences. How did anyone ever determine that biology was easier than chemistry and chemistry easier than physics.For those seeking entry into the closed fraternity/sorority of "science" biology is traditionally taken first, then chemistry then physics.This is how that particular hierarchy was determined.An Arclipedean confronted this choice at the beginning of the twentieth century and determined the order of scientific investigation,the way Arclipedians determine many subdivisions of learning. Alphabetical order.”
“Thus we have”, and Krell wrote  ont he board
Biology
Chemistry
Physics
and
they are all
Good
For
the Kids
Until
They're
Not."
    Krell wondered if there were any questions.
    I raised my hand.
    "So, Mr. Krell, physics is no more difficult than biology?"
    Krell turned his gaze on me as a cat gazes at a mouse except with kindness rather than ferocity. "You're name is Ovid, right? That's an unusual name. Where did it come from?"
    "My father named me after an eye doctor who cured him of lazy eye. His name was Dr. Ovid Pearson. He operated on my Dad's eyes."
    "The reason I asked", said Krell, is that I have a great affection for the Latin poet Ovid whose most famous work is the Art of  Love."
    As if on cue Arthur sneezed snottily.
    " Well, Ovid, do you think it's more complicated or important to figure out how we got here than who we are or how to build a television. All the sciences are the same. We've constructed the borders as another means of educational elimination of the unworthy."
    He took a sip from whatever he was drinking and continued.
    "The more the Arclipedeans took over the steps, the more schools came to resemble businesses. This was the great Arclipedian strategy. Find something essential, turn that essential into a business and keep the business a secret.Thus we have the great experiment of American public education. The schools serve as filtering devices for American society. The idea was for the rich to get richer, the poor to get poorer and for the multitude in the middle to miss the picture entirely.And for the Arclipedeans to make money, raise tuition and determine what is "good for the kids".
    Krell wrote TUITION on the blackboard and then he continued.
    "Arclipedeans realized that everybody loves rags to riches stories, so the most brilliant 2% of the poor and 18% of the middle class were permitted to pass through the screen. This permission was based upon stupendous grades which were largely based upon persistence, note-taking and subscription to values that were ‘good for kids’. Value to society was determined by the college attended at the end of the twelve year rainbow of public education. The kids with the most money went to the best schools which were, by Arclipedean definition, the schools that cost the most to attend. As soon as those kids graduated, they were expected to contribute generously to the alumni fund in support of their schools which kept the coffers of their selected schools full which enhanced the reputation of that school which made the prestige of a degree from that school so much greater. It was possible for a child from a rich family to go to a great school and become the most powerful man on the face of the earth even as that kid without the money could or should have Peter principled out as an assistant manager at Wendy's."
    Krell wrote HAMBURGER on the board. I wanted one bad.
    Then he continued.
    "This is what Arclpedes foresaw when he said "let's all meet here at the same time next week".What to do with the masses of people who didn't have the money, the brains, the values or the persistence to make it through the screen to the Ivy League or even the Big Ten or even the SUNY system.There must be business posibilities in that mess er mass. We built colleges without dormitories and called those colleges junior colleges or community colleges. At these places we set up one last screen for entrance to the American dream. One final fling to begin to grab the brass ring."
    He wrote MCC on the board. He looked around the room and continued.
"We can always find teachers who will work for next to nothing. We can put those teachers who will work for nothing in front of students who have next to nowhere to go.We can hire a load of budding Arclipedeans to keep the cruise on course, even if the cruise sometimes resembles a cross between McHale's Navy and the Love Boat. They can be Deans (short for Arclipedean) and department heads and project managers and instructional specialists and financial aid counselors and bursars etc, etc, etc.They can help us determine ‘what's good for kids’. In the end there will be a classroom with a minimum of five students and a teacher
or
in our
case,
four."
    I noticed that whenever Krell wanted to make a point, he seriously
slowed
down
the pace
of his speech.
    I looked around and noticed that neither Julia nor Arthur were taking notes of any kind. I was still too embarrassed to look at Haylen. I did look at her foot and noticed that her awesome sandal was half on and half off.
    Did that mean she was taking notes or not?
    When I raised my glance upward, I noticed that Arthur had a gloved hand in the air. I hadn't noticed the glove before. I figured Arthur was doing some sort of Wacko Jacko comedy act or something.
    Krell spotted the glove and nodded at Arthur.
    "Question?"
    "Yes," said Arthur, "Are we gonna have a test on this stuff".
    Arthur looked over at Julia, who nodded her head first at Arthur then at Krell.
    Julia raised her hand. "Yes" said Julia "how exactly will we be graded in this course?"
 Krell answered, "Let me answer the second question first. The grading will be metaphysical and as far as the first question, thank you for reminding me to bring up another early Arclipidean
whose
name
was
testacles"
    Krell wrote TESTACLES on the board and continued."Back in the torch-lit prearclipidean days of learning, all instructional elements were in balance. Structure was in balance with substance. Sensing was in balance with thinking. Feeling in balance with intuition. Process in balance with coverage. Evaluation in balance with instruction.The distance between evaluation and instruction was minimal. Evaluation was part of instruction and instruction part of evaluation. Self-evaluation was evident. If a student could follow the instruction that meant the student could grasp the body of knowledge within the instruction. The level of individual grasp could be ascertained by the intensity with which the student applied the instruction to his, or in Lyviia's case, her life. In other words the illumination of torch was built upon two principles: 1) Take what you need and leave the rest. 2) By your works, you will be judged. Something about this didn't sit well with Arclipides. The problem began with sub-division and led to differrentiation. How could differentiations within sub-divisions be articulated.That's when Testacles revolutionized education. "Why don't we demand that the students repeat the words of the teacher to show that they have heard the words"
    Krell wrote the word REPETITION on the board and then wrote it again and smirked.
    "Arclipedes thought about this for a few days. When next he saw Testacles, he said "I like your idea about the students repeating the words of the teacher. The student who repeats the words most accurately gets the highest ranking in his subdivision.We need a word to describe the instrument that we will use to determine the level of repetition and the differentiation based upon that repetition. I've decided we should name that instrument after you, because it was your idea. When we ask students to repeat the words of the teacher,we'll call that demand for repetition a test. Now we need a word to call the differerentiations themselves. What should we call the  results of the ya know, the uh test. It should be something like steps indicating movement up or down. What's another word for steps, Testacles "
    "Ummm, steps are actually grades"
    Krell wrote GRADES on the board and continued, pretending that he was both Arclipedes and Testacles. When speaking as Arclipedes Krell spoke in a higher, more rapid pitch. When Testacles, Krell slowed down and spoke in a deep basso profundo.
"Grades is great, Testacles. Students will take tests to earn grades. The higher the grades, the greater the rewards. 'Testacles, you're a genius'.Relentless, determined Testacles (pronounced test ah kleez) was honored but he had yet another question. "which words of the teacher should we demand that the students repeat on these tests. Should the same words be asked of every student even if they have different teachers/"
"The words', answered Arclipedes, "should be the words that are
best
for
the people"
    Testacles, whose spirit was not easily broken, had one more question. "Who then determines what words of what teachers are best for the people/"
    Arclipedes knew the answer to that one. "Testacles, my virile friend,
We
are
the people."
The class continued but my notes ended with
we
are
the
people.
STOPPING AT THE LIBRARY AFTER CLASS
    After class I decided to cruise over to the town library to see if I could check out a copy of Cat's Cradle, Catch 22, Catcher in the Rye or Crime and Punishment. Hey if I can save a buck using the library, I'll save that buck.
    Libraries are great anyways. Where else can a guy go to search for something that he wants, find that something and have somebody give him that something for free as long as the guy promises to bring that something back in a reasonable time.
    Of course, even that level of freedom and civilization poses an ethical problem for some guys.
    I know a guy who steals books from the library. In his mind he's not stealing them, he's just making his own due date. He'll swipe a book. He'll take it home. He'll take a lesiurely five month read. He'll slip the book back in the slot when he's finished, if he gets finished.
No problem.
    Anyways when I was walking into the library, I noticed that somebody had unloaded maybe fifty cardboard boxes full of books on the sidewalk in front of the building. There were at least a thousand and maybe twenty five hundred books in those boxes. The sky was gray. Rain was drizzling down upon these abandoned books.
    I stopped by the pile and looked at a couple of titles. One of the books that I picked up was called Rock of Ages: The Rolling Stone History of Rock and Roll. Another book which looked like a prayer book was called As Bill Sees It. A third book was called Myths and Facts: A guide to the Arab-Israeli Conflict.
    I tried to form a mental picture of the guy who had read and deep-sixed all these books and what kind of drama led to that abandonment/donation.
    The only guy I could think of was Krell.
    I assumed that all of the books in his collection would be equally compelling/comKrelling. I figured that when I came out, I could grab a dozen or so soaked books, dry them out and make them mine.
    I entered the library. I picked up Catcher and Catch. I walked around the stacks for a few minutes looking at periodicals. Unlike the guy I told you about earlier, I checked out my books at the circulation desk in a civilized way.
    Maybe twenty minutes had passed. I went outside, intending to grab some soaked books.The garbage truck had beat me to the books. Of the fifty boxes only four remained. I watched as the burly garbage guy picked up box number forty six of fifty and threw it into the grinder. Forty five boxes had already been devoured. Millions of words. Hours, weeks, years, centuries of attention and creation. The garbage guy noticed me looking at him. He hit me with a glance that howled "yeah?"
    I said, "kinda sad, really"
    He said, "It will all be recycled"
    I said "You got it" and walked to my car.
    I had learned something about life, death and eternity. The garbage guy had been yet another teacher. His name might as well have been Yoric. Mine might as well be Torch
    I got in my car and headed South.I wondered what the guy who had brought all of those boxes of books to the library would have thought if he knew his beloved books would not even get into the door of the library. His donation was in vain.
    It reminded me of the time that a buddy of mine accidentally ran over a stray cat who was looking for some shade.  He was backing out of my family's driveway.  He heard a tiny thump.He got out of the car. He found the lifeless cat. He put the cat in a bag. There would be no letting this cat out of this bag, not as a functioning cat anyways. My buddy brought the bag full of broken cat to our front door. He rang the bell. When my mother answered the door, my friend said: "This cat died in vain"
    I've often wondered about that quote. My friend was suggesting that the cat in the bag had been ripped off before realizing its purpose in life. This suggests that cats actually have a purpose in life. If that purpose is to live nine lives, then the cat in the bag definitely died in vain.
    Or maybe the cat's purpose in life, like all of ours, is to simply not be hungry or to get run over and become part of a legend.
    I was feeling hungry so I stopped at Dee's delicatessen and bought a ridiculously huge submarine sandwich with everything aboard.
    I continued to aim South, heading towards Keenan Park.
KEENAN PARK
    Keenan Park is a great place to relax, meditate the purpose of cats, contemplate American education, take a nature walk and/or eat a sandwich. As I approached the Park, I noticed paper plates with arrows and words nailed to telephone poles. The plates read Civil War Re-enactment ahead. The arrows pointed towards Keenan Park. I noticed another word on some of the plates. That word was FREE. Hey, if it's FREE it's me.
    Me, the words, my car, my submarine sandwich and the arrows were all headed for a collision at the same place.
    I got out of my car at Keenan and started looking for a bench upon which to sink into my submarine. That's when I came face to face with Robert E. Lee.
    General Lee was heading North as I was heading South. I was amazed to see General Lee. What do you say when you're walking South into a park to eat a submarine sandwich after a morning with Krell and you run into the replica of a  dead rebel general who has reconstituted himself and is heading North?
    I figured a crisp salute would be a good start. I snapped one off. General Lee smiled beatifically upon me and said "At ease, Johnny".
    I relaxed and spoke "General Lee, you were a genius. You waged one hell of a campaign. If only the artillery had been more accurate, Pickett's charge might have worked and we'd be in a whole different ballgame right now."
    "Actually," said General Lee, "Maybe not all that different. American politics today are more or less dominated by the old Confederacy if you think about it. So my men who were slaughtered goin' up the hill didn't totally die in vain"
    "Unlike a cat I once owned", I replied.
    "I have a cat too" said General Lee. "I mean not me as General Lee but me the guy who dresses up like General Lee at these here re-enactments. My cat once killed a Doberman named Duke"
    "That sounds like one helluva story, uh General Lee"
    "Just call me Lee. That's my given name, son. Lee Edward Roberts. I guess it was inevitable that I would end up masquerading as Robert E Lee. For all my years in school, they kept calling my name directory style whenever they took attendance. Ovah and ovah and ovah. One day, it hit me. My purpose in life. A simple twist of fate"
    I wanted to hear about the cat and the Doberman but my stomach was starting to growl. I resisted my urge to inquire further. I snapped off another salute and said the only thing I could think of at such an odd moment: "Thank God for Aristotle"
    General Lee nodded in agreement.
    "Generally, I agree" is what I think I heard General Lee say as we parted and I headed further down the path, deeper into the Park.I continued to head south towards the bench in front of the pavillion past the meadow. As I strode towards the bench, two dozen people on horseback began to congregate at opposite ends of the meadow. A dozen were dressed in blue, another dozen in grey. All twenty four were brandishing wooden swords.
    I reached the bench. I vowed never to be hungry again. I unwrapped my sub and began chomping just as the two dozen cavarly men began to charge towards each other.
    I didn't mind the noise. I actually kinda liked it. The submarine tasted a little better because of it. It wasn't the noise that was causing my thought processes to grow blurry and dark.
    I wasn't sure if what I was watching was a calvary or a cavalry re-enactment. I knew one of them was the correct word for the place where Christ got nailed and the other was the correct word for soldiers on horses.
    I knew that soldiers on horses must have been quite the military breakthrough and quite an advantage over terrified, soon to be trampled soldiers not on horses.
    I knew that soldiers on horses turned out to be quite a disadvantage when the fabled Polish calvary encountered German soldiers not on horses but rather in tanks. The Polish cavalry was blown to smithereens.
    Even in my mind I started using both words for one meaning. I could settle for a fifty percent grade on my internal vocabulary. If I kept my mouth shut, no one would discover that I didn't know the difference between calvary and cavalry.
    My muddled thoughts grew darker when I thought of that proud Polish calvary splattered across their particular slaughterfield. That was a bad scene for sure but nowhere near as bad a scene as nailing the son of God to a cross after whipping the crap out of him and crowning him with thorns like they did at cavalry.
    Meanwhile the cavalrys in the meadow were having the time of their lives running into each other while flailing their wooden, fake swords. I realized the swords were crosses painted black and silver with one perpendicular four times longer than the other.
    These replica forces were attacking each other with crosses.
    I imagined all of the crosses with an outstretched figure upon them. I imagined the blue and the gray horsemen attacking each other with half-assed crucifixes.In that way, my description of the charge as either calvary or cavalry would have been correct.
    Oh yeah, even on this bright afternoon my thinking had once again grown dark and out of focus.  
    ".........................  .................... in focus"
    I heard her before I saw her and I didn't clearly hear her until after I saw her. When I saw her, I didn't really see her. I saw Scarlett and Scarlett was hugging me.
    "Are you talking to me?" I said in subdued DeNiro as I turned my head to the left. The face I saw inside the green bonnet belonged to Julia.
    "Yes, I am" said Julia," and I was talking to you before when you were lost somewhere in dark space. I said 'hi', you didn't answer. Then I said, 'get your thinking back in focus' and you turned your head my way, all Taxi Driver. If you don't mind me saying so, you still don't appear to be seeing things too clearly"
    I returned her greeting, told her that I didn't mind her saying so and added "that's quite a projection", even as I noted with internal alarm and external denial how accurate she was.
   Julia said "I know a lot about projection. My grandfather was an arc-light carbon projectionist at the old RKO Palace. My father was a projectionist at Loew's before he became a megaplex manager. He would like me to become a professional projectionist but my mother has different ideas. She wants me to keep my projections intuitive."
    "Well, what made you project that I was out of focus?" I asked
    "Guys between eighteen and twenty five are always out of focus, sometimes more so than other times but always muddled, always absorbed by noise. Lots of times the puddle grows darker than it ought to be" said Julia.
    I remembered how much the noise of the calvary charge helped me to enjoy my sandwich.
    Julia/Scarlett was starting to scare me.
    I feigned indifference.
    "And upon what does your Dad base his projection"
    "He bases his projection about the attention span of people on his policy for projectionists at his plex".
   "He bases his projection about the attention span of people on his policy for projectionists at his plex? Is that what you said" I asked Julia.
    "That's what I said", she answered."There's nothing wrong with your listening"
    "Well, Julia, do you want me to project as to how your Pop's policy for projectionists at his plex affects his projection about the attention span of people or are you going to explain"
    "Ovid, I'm flattered, You remembered my name. Why don't you go ahead and project"
    "Julia I'm afraid my projection, according to your father's projection, would be dark and out of focus. Why don't you go ahead and explain"
    I finished up my plastic twenty ounce bottle of Diet coke and tossed it at the waste basket next to the bench. A miracle...it went in. I pumped my fist and said 'yes' which Julia took as a signal to explain.
    " Fair enough. Back in the days of Grand- Dad" Julia began, "movie theaters could seat many more viewers. Some, if not most theaters could sit a thousand folks at a time. Still, for all those people, they had only one projectionist operating two projectors. Each projector would carry a reel of film. Just before the reel ran out on the first projector, the projectionist would flip on the second projector which he had just loaded with the next reel. Didja ever notice those little scratches or circles that show up on the upper right corner of movies and wonder if you were seeing things?"
    "Yeah, I've noticed those marks. They even show up on teevee when the old movies are played"
    "Those marks signalled that the reel that was playing was coming to an end. The projectionist would fire up the second projector and at the exact second that projector one ran out of film, projector two picked up the slack and threw its light on the screen. As soon as projector two took over, projector one went into rewind. When the rewind was finished, the projectionist would take that rewound reel off the projector and replace that reel with the next reel which would be ready to go on projector one as soon as the film ran out on projector two."
    "That's reely interesting" I punned as I felt my focus starting to slip. Julia missed the quip and continued.
    "Those were the old days. One theater, one screen, two projectors, one projectionist. My Dad's multiplex has sixteen theaters, only two of which have more than three hundred seats. One has five hundred, the other has three hundred fifty. The other twelve range from one hundred to three hundred, Most of them are three hundred."
    "Ya know, Julia, it's funny. I've always wanted to bowl a three hundred game. I think I'd rather bowl a three hundred game than hit a hole in one. It's close though. Which would you prefer"
    "I'd prefer that you maintain your focus and let me finish what we started. If that's too much to ask just say so"
    Here I was presented with the perfect storm, the ideal situation to use the greatest line of all time. I knew that all I had to do was say, 'Frankly, my dear, I don't give a damn'  turn my back on Julia and exit stage North. I would have a story for my future wife, my future kids, my future grand-kids maybe even Krell.
And I was pretty sure Julia would sit there, watch me
walk
away
and
say
tomorrow
is
another
day.
    I'm polite. I blinked. Castles made of sand melt into the sea.
    Julia continued.
    "Nowadays, in the megaplex, we have one projectionist operating eight projectors.This bit of planning saves us seven salaries for starters. That's part of the reason why we stagger the starting times of movies. Another reason is to keep a stready stream of customers passing by the concessions stand".
    "Who can watch a movie without popcorn?" I asked.
    Julia, at least one step ahead of me answered "And who can eat popcorn, especially popcorn loaded with extra salt and butter, without having a soft drink.?
    "I'm getting thirsty just talking about it", I said while glancing at the empty Diet coke in the waste basket and wishing I had more.
    "That's why the invention of cup holders in megaplex seats actually saved movies" she said while unfastening her bonnet.
Julia continued. "The projectionists can change the reels on eight projectors at a time by changing reels on one while the other seven go unattended. This more efficient operation does run the risk that other films not being attended to might snag in the projector and get burnt by the lamp. To prevent this from happening, the projectionists who work for my father routinely expand the gap between the gate that supports the film and the lamp. This provides a margin of safety. It also results in the films being shown out of focus.The higher the population of males between eighteen and twenty five in the opening weekend audience, the greater the gap between the gate and the lamp. Nobody ever complains. Ever."
    Whoa. I thought that I was beginning to see the big picture.
     I reflected back to Julia's original projection with a question"And you're projecting that we young guys don't complain because  we don't know the movies are not in focus because our perception of life itself is out of focus therefore in synch with the out of focus film being projected behind us that shows up in front of us ?."
    "Exacata mundo". replied Julia "And there's more. See, Dad's got to save money on projector lamps. Those things cost a grand a pop. The more play we can get from the bulb, the more money we save. So we play the out of focus movies that you guys watch on the projectors with the dimmest lamps.These are the lamps that we should replace but we can use on you guys because you never complain about the darkness or the out of focus projection because we turn the volume ten percent louder in the dim bulb auditorium than we do in the other auditoriums. As long as you guys hear a lot of noise, you don't particularly care what you see. And whatever it is that you're seeing, you don't mind if it's dark as long as it's loud."
    The cavalry charge in the background had quieted down for a moment. I hoped the noise would begin again so I could concentrate on what Julia was saying and not be so distracted by looking at her. Especially without her bonnet. She was starting to piss me off.
    Julia stood up suddenly and took a furtive look North followed by a lingering look South. As she stood, I got another look. Julia was vee shaped, or should I say vee vee shaped with the bottom vee inverted and the top vee tottering precariously on the the bottom vee.
    No woman looks like that. Julia was wearing a corset. Why not, Scarlett wore one. Julia was channeling Scarlett . Fiddle Dee Dee.
    To my great relief, the calvary in the meadow started another charge. The din helped me relax. I wanted to ask Julia about the corset but didn't know where to start. I figured that I'd feign innocence and since she was so good at reading my mind maybe she'd take the bait.
    " Julia, your dress is beautiful. Is your outfit authentic?"
     She smiled infuriatingly and changed the subject.
     "Where did you ever get a name like Ovid."
    "Well, when I was young, I had a problem with my eyes and......"
      Julia interrupted and stepped a little closer " Oh yeah, I remember now..what’s your middle name?
   “Warren”. That's my middle name."
    Julia repeated my name aloud a couple of times "Ovid Warren Peets hmmmm.Ovid Warren Peets.
    I had the feeling she'd get half the puzzle and she did.
    "War and Peace. Damn, your last two names are war and peace"
    "That's only the half of it" I confessed.
    "Explain, Warren" She demanded.
   "My first name is Ovid.Like Krell said in class,  Ovid was a Roman poet. His most famous poem was The Art of Love. If you put the whole thing together, my name is Art, Love, War and Peace. My father thought that pretty well summed up life"
    I could tell Julia was impressed because she shut up  for a couple of minutes while she once again stood and looked North and then South. She moved a little closer still and asked “what do you prefer Ovid, art or love?”
    I tried again. "Is your dress comfortable"
    She came even closer, tilted her face upward and fluttered her eyelashes.
BIVOUACKED WITH BOBBI ROBERTS
    Twenty four hours earlier, Julia was bivouacked in the midst of a huge misunderstanding between the over-all Confederate commander Robert E. Lee and his wife, Barbara 'Bobbi' Roberts'.
    Julia had been participating in these encampments semi-willingly since she was a child. Because she no longer felt that she was a child, Julia didn't want to come to these "freak shows" any longer. The dustup began when Julia arrived in civvies and reported directly to the commander.
    When the commander asked Julia why she was out of costume, Julia nuclear dumped."I'm out of costume because I'm sick and tired of feeding people crappy popcorn at the plex. I never want to have that giant salt shaker in my hand again. I've lifted my last box of Diet pepsi syrup and brewed my last batch of fake pop. I'm tired of Dad, thinking that I'm going to get into the theater business. That business is falling apart.Everybody knows that movies now are nothing more than sneak previews for DVD's and pay TV.   Mom wants me to be a seamstress. I can't sew worth a damn. She knows it. I know itI'm going to community college now. I'm going there because my grades sucked in high school because I missed way too much school traveling around to these encampments.None of my history teachers gave me any credit for being here.The other teachers just thought encampment was odd; a gathering of live in the past doofusses with too much time on their hands. I'm having trouble keeping up in my classes. There are too many students in all of them, except one and that one has only four students and a weird teacher. There's a guy in that class who wears a glove all the time, who looks like he's got some complicated issues but he doesn't pay any attention to me. I don't like the other two students and I don't know what in hell the teacher is talking about nor how he intends to mark anybody."
    By this time, Julia had tears streaming down her face." I can't stand my job. I'm a disappointment to my parents. I'm invisible at school. I have no future plans. I might get thrown out of a flunky college. I'm attracted to a weirdo with a glove who doesn't know I exist.I've come to believe that these encampments that I used to love are egotistical freak shows. I'm not the cute little kid at the camp anymore. I'm a nobody, a nothing."
    Lee Lee was a bit conflicted.
    Lee Roberts was picking up a snootful of the most alluring perfume emanating from Julia, desperation, vulnerability, sincerity and low self-esteem. This combination of pheremonic emotional aromas has always created an irresistible bouquet for the opportunistic male. Lee Roberts was such an animal.
    General Robert E Lee, on the other hand, was all about empathy, action, and healing. General Robert E Lee was a God-like perfect example of man at the zenith of courage,compassion, chivalry, and Confederate culture. Lee Lee was a combination of both. So too was Robert Roberts.
    The commander put his arms around Julia. She leaned her face against his shoulder. The tears increased. The commander ran his hand soothingly along the back of Julia's head.
    "I wish you were wearing your snood", he said.
    Julia began to laugh, wondering what that comment would sound like to anyone overhearing the comment who had no idea what a snood was. The commander pulled her in a little tighter. Julia felt safe. She felt protected.
    "Why don't we take things one day at a time. Come back here tomorrow. Wear that Scarlett O'Hara curtain dress that I love so much, that we all love."
    "But", said Julia, "I have classes tomorrow."
    "I figured that you did" said the commander " Here's what you do. wear your dress to the classes. I'm sure you'll get noticed not only by the guy with the glove......" at the mention of the guy with the glove Julia laughed again"but also by the other folks in the class. It might even be a good time to ask the teacher about how he determines his grades. You certainly wouldn't look desperate or vulnerable or uh"
    Lee Roberts hesitated. He was afraid that he was letting his mask slip.
    "Or what?" asked Julia.
    "Or lacking in confidence" Lee continued. "Then after class, meet me right here and we'll talk again. Does that sound like a plan"
    "You always have such brilliant strategy, General Lee" Julia whisperered even as she was coming up with some strategy of her own.
    The rebellious embrace tightened before it relaxed. As they pulled away from one another, Julia brushed her cheek against the beard of Lee. Her lips might have grazed his cheek as they passed. Maybe more than grazed.Maybe lightly kissed. All in the eye of the beholder. The South had risen again. Or hadn't.
    The General’s wife, Bobbi Roberts had seen the whole thing.Buxom would have been an understatement. Reubenesque an overstatement. Voluptuous might have worked at one time when Bobbi had curves in places in which other women didn't even have places.
Simplicity is best.
Wide is the word.
    Everything about Barbara "Bobbi" Roberts was wide, including her teeth.'Wide and white' is how Bobbi herself described them. She was proud of her teeth. They were her most outstanding physical feature, a feature that demanded maintenance to preserve the sparkle. Bobbi was all about maintenance.
    Bobbi was in costume and her costume was flaunting her wideness. Her sleeves were wide. Folds on her bodice lent a further sense of width at the sholders and the bustline. She wore a wide hoop skirt which grew even wider as it descended towards her wide feet. The only thing relatively narrow about Bobbi was her waist which was narrow only in comparison to everything else and emphasized by gathers from her bodice and skirt. The narrowness at the waist only emphasized, by contrast, the width of her sleeves whenever her hands rested at her sides.
    Bobbi parted her hair in the middle and her simple flat hairstyle added to the dimension of her width by accentuating the width of her face. She gathered her long hair in a mesh net known as a snood at the nape of what reamined of her retreating neck.  Bobbi's snood was ornamented with bows and ribbons.
    Bobbi was proud of her snood and also aware that for some reason her snood seemed to, uh shall we say 'invigorate' her husband.
    A photograph of women during Civil War times usually caught the subjects with their lips tightly closed, often to conceal poor teeth. Bobbi's lips were tightly closed even though her teeth were far from poor. Bobbi's lips were closed because she was furious at what her eyes beheld as she looked through the window of the cabin in the park, the imaginary headquarters. Her husband, the so-called commander, was hugging and kissing some young hussy in civvies. Since the slut was in civvies, there was no way that Lee could justify his action as part of his duties as Commander. The dirty, cheating son of a bitch was whispering some indiscretion to that little crying/laughing harlot. Probably trying to arrange a slimy rendezvous for more intense cradle robbing.
    Bobbi bided her time. She watched as the embrace ended with, what was that? was that a kiss?. She resisted the urge to barge into the cabin while the strumpet was still in residence. She would wait until the whore left  then she would charge into that cabin and make life living hell for the commander, which she proceeded to do.
    Besides her teeth, Bobbi had two other major assets that she could use as weapons, tools or adornments. Bobbi had a voluminous vocabulary and could wield that weapon with deadly, withering lucidity. Bobbi didn't need the eff word and had contempt for those who did. She used the language precisely rather than inarticulately to express her rage.
   DUELING MERCY MANNERS
 Bobbi was an inveterate reader of Miss Manners and was excruciatingly aware of correct behavior. This was asset number two. When Bobbi synthesized the two; withering lucidity with excruciating observation, the results were devastating. Bobbi confonted Julia and delivered a scorching criticism which was masked under a veil of maternal advice about oversharing and inappropriate familiarity. Bobbi knew her words could be taken many ways and she was ready to pounce on Julia’s response
    Julia was not devastated. Julia was a lot like Bobbi except far younger and far narrower and not so well teethed. Julia was likewise a fan of Miss Manners. Julia also eschewed profanity in her discourse. Julia was not convinced of her innocence. She was going to have to convince herself with her spoken words. Julia leapt to her own defense.
    "Mrs Roberts, you're advice is well taken but superfluous. I've made a habit of faking delight at worthless presents during Christmas time. I've shown false pleasure in the success of my competitors. I've expressed curiosity about the lives of the terminally boring who don't have much of a life for anyone to be curious about. Perhaps I did step over the line in my sharing with your husband and for that I am sorry. I hope you will accept my apology."
    Bobbi, astonished at Julia's response, had an unexpected autonomous response. She succumbed to an inevitable natural phenomena. She burped.
    Inexcusable.
    Julia was aware that Bobbi had burped even as Bobbi attempted to cover the burp by treating it as if it were a cough. Bobbi formed the fingers of her hand into a wide fist and placed the thumbside of that fist against her mouth.
    "Excuse me" said Bobbi, still pretending that the burp was a cough but aware that Julia probably knew the difference.
    "There's no need to for me to excuse you, Mrs Roberts. Society recognizes the necessity of breathing and ingesting but ignores digestion as much as possible. I take digestion as a natural consequence of ingestion. Life is all about inclusion, exclusion and toleration. Sometimes we can not tolerate what we include and our bodies stammer before they exclude. Wouldn't you agree, Mrs Roberts?"
    " That's true" said the General's wife who found herself starting to like the girl in the Scarlett O'Hara costume "And of the three, inclusion, exclusion and toleration, we spend most of our time in toleration. Our main troubles occurs when we attempt to include someone or something that we should have merely tolerated or completely avoided"
    Jula nodded in agreement and prepared to explain the projected "kiss".
   General Lee, meanwhile, had reached the meadow and was continuing to head North.
    At the same time, a few clicks further North,Ovid grabbed his submarine sandwich and Diet Coke before booking out of his car which he had just parked after a weird morning with Krell.
    Before Julia could begin her explanation of the projected kiss, she was surprised that Mrs. Roberts broke the silence first.
    "On the subject of tolerance, we must be careful not to abandon our sense of right and wrong only to preserve transparent tranquility passing as toleration. We must not become doormats in a perpetual state of forgiving. We need not accept every apology. Or is this what forgive and forget is all about, pride swallowing and resignation?"
    "No, Mrs Roberts, if that were the case, we wouldn't need to forgive and forget, we'd just need forget. There are two parts to that equation and we can always do one without the other. Surely, you have forgotten situations that you didn't choose to forgive. I know that I have. I don't want to load up my mind with those troubling distractions so I let them go. Still, I don't want to pass off toleration as absent-mindedness."
    Bobbi Roberts was  impressed by Julia yet not quite won over. "My dear, a few minutes ago, you apologized to me. You asked for my forgiveness. Doesn't that indicate some guilt on your part. Why else would you ask for forgiveness. How can I forgive you for something that you haven't done? Something that I clearly haven't forgotten? What does forgiveness mean to you?"
    Julia thought for a moment. She was not afraid of wait time.
    "Forgiveness, Mrs. Roberts, is a contract. Forgiveness is a two part deal. Forgiveness is a response to an apology. Just as we have become a society unwilling to pretend happiness, we have also become a society unwilling to apologize. Without apology, there can be no forgiveness. We have become an unforgiving society filled with unforgiven members. And no, you should not assume my guilt because of my willingness to apologize. In a more tolerant world, a more forgiving world for accidents or mistakes, even those obviously lacking in ill will or intention, would require an apology. That is the reason why I once again ask your forgiveness. I am prepared to explain my lack of ill will if you require that as a condition of your forgiveness"
    Once again Julia was ready to explain the projected kiss.
    Further North, Ovid saluted General Lee as the cavalry prepared to charge.
    Bobbi was by now genuinely impressed.
    "There is no need for further explanation. I accept your apology.You are a young woman of great promise. Furthermore, the quality of mercy is not strained.......
     "It falleth as the gentle rain from heaven" Julia continued. Both women laughed. The storm clouds disappeared. Sunshine appeared over the meadow.
'Thank God for Shakespeare' Julia thought to herself in the momentary silence that ensued.
    Julia knew the etiquette of social kissing but she was relieved that she didn't have to review that etiquette with Mrs. Roberts, the wife of the man with whom Julia had tested the boundaries of that etiquette. She was sure that Mrs Roberts knew the same rules that she did and  that any misstep might bring back the storm or even worse, the whirlwind.
    Julia knew that five areas were available in the realm of acceptable social kissing: the lips, the right cheek only, the right cheek followed by the left cheek and/or the hand. Julia knew that when she pulled away from her embrace with General Lee that she had perhaps kissed his right cheek. Even if she had for sure kissed his right cheek, that indulgence would fall safely within the boundaries of acceptable ettiquette.
    Julia also knew that as the woman in the embrace, it was her privilege and not General Lee's to initiate a public kiss on the lips. Julia was aware that if she presented her lips by tilting her face upward without moving it to either side, any gentleman would have no choice but to accept her offering. Especially if she closed her eyes after fluttering her lashes amidst the face tilt. General Lee was without a doubt such a gentleman. Any such offering would have been enthusiastically accepted. Julia was certain of that consequence.
    Julia remembered that she had considered that posture and for the sake of propriety had decided against it. This recollection nearly enabled Julia to rationalize her peck on the cheek of General Lee as an innocent expression of affection. Nearly but not completely. Julia did have the remnants of a nagging self-suspicion. Had she loaded up an extra thrill charge on the peck? She suspected that she had.
    She needed a further demonstration of her innocence along with a reason to get away from Mrs Roberts while the getting was still good.
    That's when Julia spotted Ovid as he walked past the meadow and headed for the bench. It was time for the “fake boyfriend” trick.
    "Please excuse me, Mrs Roberts, but that's my boyfriend over there with the sandwich. He said he'd come over here today and there he is"
    Bobbi was relieved that Julia had such a young boyfriend. She chuckled at the foolishness of her own suspicion that one as young as Julia would be in any way interested in one as much older as her husband.
    "Oh, he's cute" Bobbi lied. "Go over and greet him right now. We'll talk later"
    "I'll take my leave then" said Julia and started heading over to Ovid.
    The old and reliable fake boy friend trick had seemingly worked again but Julia was going to need an almost immediate hug and maybe even a subsequent kiss from Ovid to seal the illusion. She didn't think that would present much of a problem. Julia knew how to flutter and flatter.
    Meanwhile Ovid was trying to grasp the difference between cavalry and calvary.
A PRAYER IN THE MEADOW
    Julia surprised me by giving me a quick hug as if I were her boyfriend.
    At that very instant  I realized that Julia and I were totally different. Her embrace felt to me like the kind of embrace a cat would throw on a mouse if the cat and the mouse were about the same size and if they were standing on their hind legs and if the cat was wearing Scarlett O'Hara gear and the mouse had just finished eating a submarine. The mouse might try to put his arms around the cat but since the arms of the cat are so much longer than the arms of the mouse, his embrace would be considerably less determined than hers; as was my embrace of Julia.
   Even as I held on loosely I could sense that Julia was not above stealing apples to get her free ride to skull island. I thought she might look real good strapped to a stone altar. I figured that she was the kind of woman who would make a tiny man live in a dollhouse until she accidentally knocked him down the cellar stairs and assumed he was lost in the flood.
    That's when I sensed her moving away from our embrace. That's when I felt her lips brush against my right cheek.That's when she lifted her chin, tilted back her head, fluttered her eyelashes and closed her eyes.
    I'm no gentleman.
    I did the same thing.
    As we both tilted our heads in opposite directions, I had a moment to think. If a photographer came by and snapped a picture of the two of us at that instant, the picture might look as if we were praying.
    I know this is true because a photographer did snap a picture at that moment and a week later it was published in the paper above the caption, Prayer in the Meadow. In the picture Julia looks a lot like a female praying mantis.I look like the male mantis who an hour earlier had been telling his mantis friends "Man, I'd love to be torn limb from limb by that."
    Back in real time, I opened my eyes, looked down at Julia with her pursed lips and realized that I had one more chance. This time, I took it.
    "No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you. You should be kissed and often, and by someone who knows how."
   Julia whispered "But Ovid, I need a little kiss right now" Our lips were so close that an onlooker would have thought we kissed and imagined Atlanta in flames behind us.
    Damn, she had given me yet another opportunity. I took it.
    "That's your misfortune".
    I broke from her embrace and started heading North.
    I resisted the urge to turn around for one final look at Julia. I figured that she figured that tomorrow would be another day. As I neared the parking lot, I once again encountered General Lee, who was heading South. He was heading back towards the battle ground. Once again I saluted.
    "I've been thinking about your cat story that must have been one bigass cat"
    "I imagine it was"
    General Lee straightened himself into his full height. Dude was tall. I felt myself growing smaller.
    "That fool dog must have made the mistake of getting between the big cat and her kittens. That strategic position is a must to avoid whether it's cats or humans; individuals or armies" observed Lee Roberts. "Sometimes, it's not the size of the dog in the fight or the size of the fight in the dog, it's the size of the fight in the cat in the dogfight"
    "Cats are cats. Dogs are dogs. As a rule, they don't get along. Cats and dogs are not people" I saluted again looking to be discharged.
    "That's right Johnny. We are the people" concluded Lee Roberts as he dismissively and somewhat doggedly returned my salute.
    I'd heard that one somewhere before.
    General Lee went South. I went North. I recaptured my car, put it into reverse and then pointed it towards my apartment.
TUBE TIME AT THE PAD
    By the time I got home, I was ready for some serious tube. I hit the couch, grabbed the remote and checked the guide. The Incredible Shrinking Man was going to start in five minutes. I locked in and flashed back.
When my brother was a baby, my parents got their first VCR. My folks had a lot of chores to do around the farm so he did a lot of solitary playpen time. They'd stash him in the pen, turn on the VCR and go about their business. Our VCR collection of movies consisted of two; King Kong and The Incredible Shrinking Man. I used to stand by his playpen and watch those flicks over and over again. My parents tell me that by the time he was three, he must have seen each of those movies over a hundred times each.
    I’ve seen each of them at least 50 times.
    As a matter of fact, as I was driving away from Julia and General Lee I did what I usually do when times get complicated, I started thinking about Scott Carey, The Incredible Shrinking Man.
    I wondered what kind of vision Scott had. I wondered if Scott's wife could hear him yelling when she booted him down the cellar stairs. I understood once again, why cats are not my favorite animals. I recalled the terrifying strength of spiders.
    I know a thing or two about eyes. I know that we need light to see. I know that the amount of light we recieve is determined by the size of our retina. When Scott Carey grew smaller, I assume that the size of his retina grew smaller in proportion to the rest of his dome. Otherwise, Scott would have been an eyeball, way beyond 'bulging', atop tiny legs scurrying around the floor. Scott's body would have been eighty percent eyeball  We would have had an even more horribly absurd movie, particularly if somehow during the scurry, the bulging eyeball with feet had blinded itself which under the circumstances was probably inevitable
   I imagined an observer of the scurrying impaired eyeball watching as the miniscule monster ricocheted from wall to wall. "Oh, my God, what could be worse than to be just an eye" , the observer might say to his companion who might reply "well, it could be blind" which in this case it would have been which wasn't of course the case in the uh movie.
    The case in the movie was that Scott had normally proportioned retinas about seventy times smaller than the retinas he had before he started shrinking which means that he was stumbling around with hardly any light flying through the pinhole of his retina. Just think how scary everything is in the semi-darkness, especially the blurry semi-darkness. Scott's blur was infinitely more dark and out of focus than any projector Julia might try to imagine.
    Although there were a lot of loud noises.
    Besides the cat and the spider and his wife's high heels, Scott had to deal with perpetual semi-darkness.
    And as his vocal chords shrunk, his ability to generate sound waves also shrunk. I'm sure that Scott was screaming his head off at his wife before she kicked him down the stairs and equally sure that she couldn't hear a sound he was screaming which may have been just as well because with diminished hammer, anvil and stirrup, he wouldn't have been able to understand her reply  any more than we are able to make out the words in thunder.
    Is Thunder really Godspeak for "it's raining".
    Hmmm.
    This of course made me think about ants. Are they trying to yell something at us as we step on them? Are we huge, incomprehendible thunderhead blurs in a dark world trampling upon them even as they warn us about their homes and their children and the work that has to be done?
    I think not. They're different from Scott Carey. They never shrank.
    The movie started. I watched it again for the first time in at least ten years.
    I realized how much I had grown.
RETURN TO KRELL”S CLASS
    " Phi, Chi, sigh, omega"
    Haylen smiled. She had completed the Greek alphabet twice on one match. She hadn't even glanced at her notes.
    While Krell nodded at Haylen; Arthur, Julia and I exchanged glances that screamed " we're the bozos on this bus".
    A moment later, according to my notes, Krell started in about Socrates.
    "Socrates was born in 469 BC and lived until 399 BC. If you do the math, you'll see that Socrates died when he was only thirty two years old. Go ahead and do the math and find out for yourself."
    I did the math.
     We did the math.
No problem. Socrates was only thirty two when he died.
Then Haylen raised her hand.
Problem.
    "Mr. Krell, according to my math. Socrates was seventy when he died."
    "Seventy, Haylen?" Krell raised his eyebrow.
I thought maybe the three of us were geting off the bozo bus or at least making room on board for Haylen. Haylen continued. "Yes sir. In this case, the count is backward rather than forward. Socrates wasn't one year old in 470 BC. 470 BC was also 1 BS."
    Krell seemed not only to understand but also to be entertained. "What, may I ask for the good of the class, is 1 BS?"
    "Sure" responded Haylen. " 1 BS is one year before the birth of Socrates. Socrates was born in 469 BC. One year before his birth, the year would have been 470 BC not 468. In 468 Socrates would have been one year old. Of course, he didn't know the year was 470 or 468 or anything BC. Nobody had any idea when Christ would be born or who Christ was or why Christ would be important or why their very birthdays would be determined by the future son of a carpenter"
    "Very true, Haylen. Now how does your counting backward mechanism work" asked Krell.
    "It took sixty nine years to get from 469BC to 400 BC. Then you add one more for 399 and that leaves you with seventy. Socrates lived to be seventy"
    I did the math. Haylen was absolutely correct.
    "Do the math again and you'll find that Haylen is absolutely correct. You should also learn to think carefully about anything that your teacher says. Particularly if that teacher is I" said Krell.
    At that moment because I had done what Krell had said before he said it, I felt like an Advanced Placement Bozo. I was still on the bus but I was moving a couple of seats closer to the driver.
    "Before we go any further, does anybody know anything else about ancient Greece that would be illuminating for the class to consider?" Krell asked.
    The usual silence followed.
    The usual silence was followed by the usual two follow ups. "Anybody?.....Anything"
    I was feeling pretty smart in a stupid way so I decided to step up.
    "Yeah, that's where the first French fries were made"
    Julia, got all over that observation. "No they weren't they were made in France. That's why we call them French fries"
    Krell came to my rescue.
    "Wherever they were made, they were indisputably made in Grease. Good one Ovid"
    Julia laughed out loud.
    Arthur and Haylen were pissed.
    Arthur must have felt marginalized because he responded with a snarky comment to Krell which he read from a three by five index card. "My father told me that Socrates, despite his place in history, was over-rated. He actually wrote nothing because in essence he felt that knowledge was a living, interactive thing. Most of what we know of him comes from the historical inaccuracy and misinterpretation found in the works of Plato and later Thomas Aquinas."
    Krell answered " Well Arthur, your father seems like quite a smart man. I imagine he's had a great influence on your life. There's a lot of truth in what he says but like all truths it bears closer examination"
    Arthur seemed to wince at the mention of paternal influence.
    Krell continued.
    "First of all, let's deal with the concept of over-rated and let's consider the list of the over-rated. I'll bring up a few: Shakespeare, Caesar, Elvis, Lincoln, Marie Curie, Eleanor Roosevelt, Meryl Streep, the Beatles,Amelia Earhart Picasso, Da Vinci, Rosa Parks, Muhammad Ali, Katherine Hepburn, Mother Theresa. All may be considered over-rated simply because they are famous. Fame is an integral part of iconic over-rating. How can you be over-rated unless you're famous? Nobody's gonna over-rate Sid Gertner, the guy who lent Lincoln the pen that Abraham used to write the Gettysburg Address. Where would we be today if at that moment of inspiration, Gertner didn't have a pen. The reason nobody's going to over rate Gertner is because nobody knows that Sid, performing one of the millions of unnoticeded acts of kindness that characterize human behavior lent the pen to Lincoln in the first place.”
    Krell write SID GERTNER on the board and continued
"Of course, you might say that since I identified Gertner and Gertner is long departed, he must be somewhat famous and thus susceptible to be over-rated. The problem is that I don't know whether or not Gertner gave Lincoln the pen. Somebody probably did. That somebody has been totally forgotten by history so just because I name that somebody Gertner doesn't mean that Gertner becomes a figure of historical importance although I'm sure that exact mechanism has occurred in history many times over.”
    Krell wrote OBSCURITY on the board and continued "Even when that somebody, like Gertner, might not have existed at all at least under that name.We remain alive as long as anyone who ever knew us or knew of us remains alive. The people who live the longest are those who have created enduring works of art or who have had enduring works of art created about them or who are simply remembered by the most people.These people are famous. These people may end up over-rated.Socrates was such a one as for that matter was Plato and Aquinas. So Arthur, I agree with your Dad about part one."
Krell paused.
PLAY MEATBALL
    Ya know how when you go to concerts there's always some doofus yelling out for the performer to play their most overplayed song as if the performer doesn't realize that people want to hear the overplayed song and no matter how much he hates playing the overplayed song over and over again, he's going to have to play it some time during the show and he's already figured out when and where it will fit into the program that will cause him the least discomfort and cessation of creative momentum? Usually that place will be at the very end of the show when the artist can't put it off any longer and where momentum can mercifully end.
    Ya know the guy standing fifteen feet away from Dylan after Dylan opens his show with Maggie's Farm who starts yelling for Like a Rolling Stone as if Dylan is not going to play that song.
    Or even worse, the guy who starts yelling for "Blowin' in the Wind". Ya know, the guy who has never heard Visions of Johanna but knows every word to Blowin in the Wind and has come to the show for a hootenanny after walking down many roads that have led him to the conclusion that he can indeed call himself a man. And his wife next to him, the woman who married him anyway, who somehow thinks Dylan is going to sing Puff the Magic Dragon or If I were a Carpenter.
    Whenever I hear one of those guys, I try to balance out their request by yelling out a request for a song that nobody knows, not even the artist because the song doesn't exist. I picked out a title for this imaginary song, a title unlike any title I have ever heard for a song. The title of the non-existent song that I yell out for the artist to play after a nimrod has just yelled out the name of the artist's most overplayed song, the title of that song is  MEATBALL.
    I yell out "PLAY MEATBALL".
    I've even gone so far as to light my lighter while yelling out PLAY MEATBALL. I've even been pro-active and yelled PLAY MEATBALL before the other guy has yelled out say PLAY BORN TO RUN at a Springsteen show.
    Once, sweet Jesus, I was in the front row for a Neil Diamond show with a single ticket that I had won after accidentally being the seventeeth caller. I knew the blue hair next to me would be screaming for "Sweet Caroline" so the instant that Neil took the stage I beat her to the punch by yelling "PLAY MEATBALL". Neil heard me. I think he put a mental comma after "play" so he heard "PLAY, MEATBALL" before he had song a note or strummed his guitar.
   Neil was more puzzled then pissed.
    So was the blue hair next to me.
    Who, now that I think about it, looked a lot like Barabra Bush.
    But that's unusual.
    Usually, the people around me look at me as if I know something that they don't know which might even indicate that I am an actual "friend of the band" because actual friends of the band are always yelling out things to their friends in the band that nobody but the guys in the band or the friends of the band understand. The old fake in-joke trick.
    Those who don't mistake me for an actual ‘friend of the band’ often regard me as an expert on the band because only an expert on the band would know such an obscure title as MEATBALL and have the insight expressed through his bellowing to suggest to the performer who may have forgotten the song that the exact instant of the yell would be a great time to reach into an ancient bag of tricks, to redistribute the stones in the kaleidoscope by twisting the barrel in a new-old fashioned way.
    I usually get a lot of respect when I yell PLAY MEATBALL.
    After Krell's bit about the torches in response to Julia's snit fit, I wanted to yell PLAY MEATBALL to see if I could get him back on track but since this was a college class and not a concert I decided to do a variation of PLAY MEATBALL.
    I yelled out
    "What about Socrates"
    Krell continued
THE STORY OF SID
    "The story of Sid touches upon the subject of historical inaccuracy. You or your Dad's charge of Platonic misinterpretation, Arthur, leads me to a subject that in the study of metaphysics is probably unavoidable and certainly embedded. That subject is physics. This is a good time to oversimplify and humanize the laws of thermodynamics of which there are three. The first law basically states any change in the internal energy of a system will be the result of work done on or by that system and any heat flow into or out of the system. In other words, the universe assures us that we can never win, that is if winning means getting out more than we put in. Or as the over-rated Beatles once sang "and in the end, the love you take is equal to the love you make"
    Krell wrote BEATLES on the board in small letters and continued.
    "Except it isn't. It's a little bit less. That's what the second law of thermodynamics tells us. Not only can't we win, we can't even salvage a tie. The second law states that in any process to convert heat energy that flows from a hot object to a colder object into Work, there will inevitably be some loss. That loss can be attributed to the entropy of the systems involved. Entropy is the natural state of the universe. Entropy is disorder.Try as we might to put things in order, entropy will always rear up and demand our attention or else matters will naturally grow more chaotic.Let's assume that in learning, the teacher is the hot object and the student is the colder object. The teacher tries to transfer some of his heat to the student when the student is ready. The teacher can not transfer all of his heat. The natural entropy of the transfer insures misinterpretation Certainly, Plato misinterpreted Socrates. Certainly Aquinas misinterpreted Plato's misinterpretation of Socrates. Your father, Arthur, is misinterpeting the Aquinas misinterpretation of the Platonic misinterpretation of Socrates."
    Krell noticed that I was taking notes furiously.
    "Even as I talk" Krell continued, "I notice that Ovid is taking notes which assures me that I will be misinterpeted when Ovid rewrites his notes. The misinterpretation will not be limited to Ovid but also will be shared by anyone reading Ovid's rewritten notes. So my interpretation of Arthur's father's misinterpretation of Aquinas misinterpreting Plato misinterpreting Socrates will also be misinterpreted. And that's in the present. Imagine what would remain after twenty three hundred years of misinterpretation and entropy."
    Krell drew a breath.
    Arthur asked another question "what's the third law of thermodynamics"
    Krell summarized, "if the first law means we can't win and the second law means we can't even break even, the third law means we can never get out of the game. We being in this case, Socrates, Plato, Aquinas, Arthur's father, Arthur, me, Ovid and anyone who will ever read's Ovid notes.We're in this game forever and we can't win."
    In the momentary vacuum, I started imagining the twenty seventh inning of a meaningless September ballgame between the Tigers and the Mariners tied at four to four with two outs and nobody on and nobody getting warm in the bullpen with everybody on Earth watching and nobody giving a damn who wins, not even the players themselves because both teams are expecting to lose.
    My reverie was interrupted by a follow-up question from Julia.
    "So if I misunderstood you correctly, you're about to present yet another misinterpretation of the life of Socrates which we in turn will distort according to our individual, emotional entropy. Then at some point, you will give us a test which will measure our misinterpretation against yours and the difference will produce a profile of the intensity of our academic or intellectual chaos which, you will then translate into a 'grade' of some sort ?"
    Krell paused for only a moment before replying. "Well Julia, in the unlikely event that I understand what you're asking I'd have to disagree that you misunderstood me correctly but add that yes you have understood me incorrectly which shouldn't come as any surprise based on the laws of thermodynamics which I just misrepresented through over-simplification."
    Arthur was more or less lost in these particular woods but at Julia's mention of a test, his impulse towards defintion engaged and he asked another concrete question.
    "So is Julia right about the test?"
    Krell replied.
"Arthur, in the midst of her misunderstanding, Julia did strike a little gold. I will test your misinterpretation of my misunderstanding of metaphysics and use my more constant misunderstanding as a yardstick to measure my evaluation of your more random misinterpretations. Remember though that the grades themselves will be misconstrued by whomever looks at them. Not only will the grades be misconstrued but the actual title of the course will be misunderstood, as you yourselves have already been fooled by the course which I unintentionlly misrepresented in the course catalogue which is in itself a studied collection of chaos presenting itself under the illusion of clarity. So, I wouldn't worry too much about the tests or the grades."
    Julia again, "Then what should we worry about".
    Krell again "I'm going to start worrying about the life of Socrates and how it relates to the writing of Plato and how Plato influenced Aristotle and how Aristotle created metaphysics and since I'm the teacher, part of your job is to read my mind so that your misunderstanding can more closely resemble mine. You might start worrying about Richard Boone, because when I was a kid my favorite teevee show was Have Gun Will Travel and the influence of Paladin keeps popping up uncalled for in my mind when I least expect it, like right now for instance, and that's the mind that you guys are supposed to read if you are to get an A in this course. I hope I'm not making myself clear"
    This sounded to me like an opportunity for a rallying cry.
    I yelled out "Yes, you're not. Let's hear about Socrates"
    Krell continued......
    "Last class, I created a straw man called Torch. Perhaps you imagine that Torch was a lot like Socrates. That would be no accident if you did because I was trying to paint a picture of a person who would remind you of Socrates yet not be Socrates."
    Julia raised her hand again "Isn't Torch an unfortunate name for a straw man” 
    "I wanted to get across the idea of illumination, " Krell responded. "The concepts of spontaneous combustion and subsequent immolation were only glowing on the periphery of my metaphoric construction but since you've highlighted it, then yes, the choice of Torch is not as unfortunate as you might imply"
    Krell wrote ILLUMINATION on the board
    "And let's finish up this little exercise in misinterpretation with the demise of the angry towns-people galummphing through village greens at midnight, heading towards the forest pursuing some heresy and trying in vain to interrupt the inevitability of that heresy's ultimate ascension to mythology and/or orthodoxy. Who were the guys leading that parade? The local torch makers led those exercises in violent, mob induced misinterpretation. At one time, torch making was a highly sought skill and as sure a sign of leadership as the ability to throw rather than the ability to lift. When the mob finally reached the windmill, the castle or the bridge or whatever was the target of their misinterpretation, which of the torch bearers usually took over leadership? That's right, the guy who threw his torch at the castle, the the bridge, the windmill or the whatever. It's amazing how often a single torch hit the hay just right which caused the formerly indestructible castle to ignite and burn to the ground along with the collection of disparate,walking cadaver parts and the insane quack who sewed them together in the name of progress.Ever since Edison invented the light bulb, we have had a dearth of torch driven angry mobs. I for one miss them. I say we should bring them back. What would happen if tonight a group of students met on campus; ignited a bunch of torches and then marched through the town? It ain't gonna happen because torches are illegal. Yeah, you can get those fake kerosene torches for your random midnight barbecues but the days of the good old fashioned torches used to whip a group of lunatics into a misguided outburst of ill conceived frenzy led by the best and seemingly least belligerent torch thrower in the town have passed us by
unless
we
count
Donald Trump
and teevee."
Krell continued
    "Ovid's response is a perfect example of what we call in education 'a window of instructional opportunity'. In show biz, that's referred to as giving the people what they want or putting the light on the star. Apparently, Ovid wants me to get on with the story of Socrates which is what I wanted to do in the first place but hesitated to do so because I felt as if the venetian blinds were covering the windows and then when we started down the road, we had to take a small detour at the straw man. 
Krell opened the venetian blinds and continued
“The good teacher, of which I'm sure Socrates was one, recognizes these windows of instructional opportunity when they arise and uses them to the advantage of the class. So on we go with Socrates.Socrates as a child wasn't handsome but he was probably rich which is a trade off many of us would accept. We assume that he came from a prosperous family because as a young man he had enough leisure time available to master the philosophy of his era.The emerging philosphy consisted largely of various attempts to provide scientific explanations for the origin and structure of the universe. This wasn't going too well because we still hadn't discovered that what goes up must come down and just about everything else regarding science including the concept that the sun rather than the earth was the center of our astronomical system and that the Milky Way is composed of an infinite number of stars and the Milky Way is one of an infinite number of solar systems and that man might not be the center and purpose of the universe. Of course, Galileo added much of that information two thousand years after Socrates and the great Italian scientist was immediately confronted with a mob carrying torches who took him to the Inquisition where the Pope made him promise that he wouldn't tell anybody that the earth moves."
Krell wrote GALILEO on the board and continued.
    "A smart guy like Socrates could see right off the bat that lots of problems existed within the emerging scientific explanations among them no television, no radio,no cars,no internet and a flat earth but he also understood that they were much better than the mythological explanations that were prevalent in his time. It's not clear what levels of academic success Socrates attained in his study of science or physical philosophy but we do know that by the start of the Pelopennesian War which occurred when Socrates was in his mid thirties, he had abandoned physical philosophy and began the examination of conduct that he would continue for the rest of his life.
Krell wrote WAR on the board and continued.
"Apparently that transition which began with alienation from science was precipitated by Socrates' interpretation of an inquiry directed to the oracle of Apollo at Delphi by an Athenian named Chaerephon. According to the oracle.........."
Julia again.
"How do you spell that last name that you mentioned. The guy who asked the question of the oracle. It sounds like 'chair on a phone but I'm sure it's not spelled that way."
Then Arthur
"And how do you spell the name of the war that was going on when Socrates was in his thirties"
Krell wrote Chaerephon and Pellopenesian on the board.
Then Julia again
"And, uh, isn't the Milky Way a galaxy and not a solar system?"
   Then Haylen    
    "How do you spell that last name that you mentioned. The guy who asked the question of the oracle. It sounds like 'chair on a phone but I'm sure it's not spelled that way."
    Then Arthur "And how do you spell the name of the war that was going on when Socrates was in his thirties"
Krell wrote Chaerephon and Pelopenesian on the board.
Then Julia again "And, uh, isn't the Milky Way a galaxy and not a solar system?"
    Krell heard Julia's question with his back.
The questions were coming hard and fast as questions do when a class suspects the opportunity to fluster, contradict or break the teacher.
    When he finished writing the two words on the board, he turned and faced the class."Solar system or galaxy, what's the difference?" Krell shrugged his shoulders as if he had been asked to explain the difference between an aardvark and an anteater.
    Julia answered. "I should think there would be quite a huge difference as a solar system is part of a galaxy which means a galaxy is bigger than a solar system"
    Arthur chimed in. "yeah, and a solar system is smaller than a galaxy"
    Krell responded, "Thank you two for overstating the obvious. I was being metaphysictional  which is of course unfair because you guys still don't even know what metaphysics is."
    This response fired Arthur's obsession with definition. "Well then, Mr. Krell, can you finally give us a definition of metaphysics"
    "Arthur, I can give you a definition of metaphysics but that definition by definition can not be the defintion of metaphysics. Voltaire said 'when he that speaks and he to whom he speaks, neither of them understand what is meant, that is metaphysics '
    I thought I understood so I yelled out "I don't understand what you mean"
    To which Krell joyfully responded "And I don't understand what you mean when you say you don't understand what I mean"
    To which Haylen added "Eureka. At last we arrive at an example of Voltairean metaphysics, if I am understanding you both incorrectly"
    Krell was obviously pleased with the lesson. The venetian blinds were opening and the sun was streaming into the consciousness of at least three of us in the room.
    Krell continued.
    "I always consider solar systems and galaxies to be similar because of the beach. When I walk on the beach, I realize that there are as many stars in our solar system as there are grains of sand on all the sandy beaches of our planet. The sun is one of those grains of sand. Our grain of sand is surrounded by by nine planets, thirty one moons, thousands of planetoids, millions of comets, innumberable meteoroids and vast quantitities of interpplanetary dust and gas. Can you grasp that Ovid"
    "No I can't grasp that Mr, Krell"
    "Excellent, then I will continue. 
Krell continued. “Our grain of sand, our sun, appears toward the outer rim of our galaxy in which there are billions of other grains of sand like our sun, millions of which are surrounded by moons, planetoids, comets, meteorites and are thus known as solar systems. Now we continue walking down the beach and pick up yet another grain of sand and realize that there are as many galaxies out there in the universe as there are grains of sand on all the beaches on our planet. Every time that we increase the magnitude of our telescopes we discover more galaxies which means the number of galaxies may well be infinite which is even more galaxies than grains of sand. And the universe is expanding and with each expansion more beaches, more grains of sand. Can you comprehend what I'm saying Haylen"
    "No sir, I can not comprehend the enormity of what you are saying," answered Haylen.
   Julia again, "I can clearly understand what you're saying. You're asking what's the difference between a solar system and a galaxy and you're answering your own question by saying 'hey they're  both grains of sand on the grand scale of things so what's the diff'. That's what you are saying"
    Krell again
    "Thank you Julia because what you are saying is a perfect example of exactly what I've been saying but I don't suppose you understand why it is such a perfect example"
    Julia again, "No, I don't"
    Krell again, "You're learning"
    "But what is it that I'm learning?" Julia wanted to know.
    "Julia, if you had understood me a little less correctly, I would guess that you had learned something about the way we as humans misinterpret the consequentiality of the physical and have therefore embraced the metaphysical.Certainly, it's fine to deny the immensity of the physical as defined by the incomprehensibility of the cosmic but all of that changes the moment someone hits you in the face with a rock.A rock is not theoretical.” 
    Krell wrote ROCK on board and kept on. “A rock is nothing but a fact.And as far as an abstract idea like freedom goes, my freedom to throw a rock ends where your freedom to have a face begins. Once we have defined the actual boundaries of an abstract idea like 'freedom' we can begin to explore the consequences of another abstract idea known as 'justice'.. Both 'freedom' and 'justice' are based upon the shaky alliance between the abstact and the concrete"
    I decided I better try to get this locomotive back on track. "Metaphysics rawks. Rawk on Sawkrates"
    Krell took the hint and returned to CHAIR ON A PHONE.
    "When Chaerophon inquired at the shrine of oracle of Apollo at Delphi, he was informed that "no man was wiser than Socrates". Chaerophon passed this message to Socrates. Socrates knew that Apollo could not lie but he also knew that he himself possessed no great wisdom. Thus Socrates arrived at the riddle that would inspire him for the rest of his life.”
    "I look at the clock and realize that our time together today is just about up. The sand has passed through the hour glass so to speak. I'll save the riddle that haunted Socrates for next time. Any questions?"
    "Yes," said Julia. "Let's imagine that you are the oracle at Delphi and I am Chaerophon. My question Mighty Apollo is this, who is the smartest person in this class?"
    Krell stepped right into the role " no one is wiser in this class, no one is wiser in this college, no one is wiser in this city, no one is wiser in this state, no one is wiser in this country than ........."
Krell made eye contact with everyone in the room
"No
One
Is
Wiser
Than
Ovid."
    I was more stunned than anyone in the class when Krell made his observation. I lingered around after class to see if I could get some validation from Krell about the seriousness of his remark. Julia was hanging around too, pretending to organize her notes but in reality, trying to make sure that I wouldn't get a moment with Krell.
    Krell was getting edgy.
    He looked at the both of us and asked "are you guys ready to get outta here"
    Julia scurried out of the room without a word.
    Now me and Krell were alone.
   "Did you mean what you said when you were pretending to be Apollo?" I asked Krell.
    Krell on his way out the door, turned back and said, "Does a bear shit in the woods?"
   Then he was gone.
    I left the room right behind Krell. I was thinking about bears and wisdom. Grizzly bears in particular. Grizzly bears are my favorite animal for a lot of reasons but the most outstanding reason is that Grizzly Bears have the ability to walk backwards in their own footprints for up to two and a half miles in order to confuse whomever/whatever is tracking them.
    I started imagining, not for the first time, this gigantic ferocious grizzly bear somehow picking up one foot after another then stepping backwards daintily with that ponderous paw/claw and placing it exactly claw for claw in the track it had made leading up to the retreat. It's like bear moon-walking which certainly must befuddle, astonish and amuse whatever is tracking the bear.
    And the next question is, of course, how and why did bears learn this distinctive survival trick. How often in the wild is something actually tracking a bear and what, if not a guy with a gun, could that something be? A grizzly bear is at the top of the food chain. You'd have to be an awesomely hungry cougar to be tracking a bear. Moose freak out at the tiniest whiff of bear crap. It's obviously not Bullwinkle tracking the bear. So if it's not a man or a moose or a cougar and the maneuver has been around long enough to turn the moonwalk behavior into an instinct, then who in hell is tracking a grizzly?
    The only answer I could come up with was dinosaur.
    I know there's a few billion years difference in the time that these species blundered through their respective forests but what else would bears be intimidated by enough to learn how to walk backwards in their own tracks to confuse whatever was theoretically threatening them.
    And furthermore, what happened when the bear moonwalked all the way back to where he was face to ass with whatever was tracking him, what's the bears plan? To attack the dinosaur with its ass?
   I wondered if this constituted wisdom.
    Learning to walk backwards in our own tracks until we confront our imaginary Jurassic enemies with our asses at which point we back asswards attack?I also knew that bears hibernate most of the winter. So the answer to Krell's exit question which was his answer to my question is this:
    It depends on the time of the year.
LIGHTS OUT AT THE LIBRARY
    I know I ain't wise. No matter what Krell says. Yet Krell did definitely say that no-one was wiser than me. For the next couple of days I took a look around, a close look.
    Particularly at the guys. I was already convinced that both Haylen and Julia were smarter than me
    I was looking to find a guy smarter than me. If I found that guy, I could ask him what Krell meant when he said that nobody in town was smarter than me.
    If the guy was smarter than me, then that would disprove the thesis of Krell, that nobody was wiser than me, which the guy smarter than me would be trying to explain while at the same time debunking.
    I was smart enough to know that I wouldn't be able to pick out a guy smarter than me simply by the way he looked. Everybody looks smarter than me. I had to have  standards other than appearance.
    I started with three standards.
    I figured that a guy wiser than me would be older than me, would be married and have kids.
    Most of the guys who I knew in that boat were your typical hard working Joes. Guys who did their job when they could find one. Guys who paid the bills when they had the dough. Guys who raised good, pain-in-the ass type  kids. Guys who went to church as often as the wife could drag them there. Guys who bowled Wednesday nights and drank Buds before dinner. Guys who were easily exasperated but not easily defeated. These guys were especially hard to defeat or discourage when defending a half-assed scheme. Guys whose character shines through most clearly when the thin ice is crackling beneath their skates.. A leaking roof, an unexpected complication at work or the growing pains of their kids are enough to throw these guys into freak city. A Hummer from out of nowhere smashing through their front window and planting itself in the hallway during the ball game? No problem.
    These are the guys who can turn a minor problem into a nuclear disaster and a nuclear disaster into a walk in the park.
    These are the guys that everybody watches with mixed awe;half fascination and half apprehension. These guys are capable of fixing anything or breaking it into smithereens. You never know when these guys are going to over-react or be oblivious.
    I hoped that one day I would be wise enough to be amongst them. In the meantime, I wanted to ask them questions about justice, courage, love, temperance, faith, hope and charity. I was looking for a wise man in America.
    I didn't have much time.
    I needed some answers before the next class.
    Once again, I made my way to the library, the seat of all local knowledge. I spotted a guy standing outside the conference room who seemed to have the standard qualifications; two of them for sure based on his wrinkles and the wedding ring on his hand. I asked him his name and told him that I had some questions I needed to ask for a college course. I was prepared to take notes. I took out my pen and paper
    The guy told me his name was Otto.
    My name is Ovid.
    I tried to remember the last time I talked to another guy whose name began with an O. It's not often that two guys whose names begin with O get to talk about the Lone Ranger. Especially if one of the guys names is a palindrome. I learned about palindromes in eleventh grade English when my teacher, Mr. Sagan, wrote the most famous palindrome on the board  "A man, a plan, a canal. Panama". I've been palindrome sensitive ever since. A goddam mad dog.
    So there we were, two O guys, one a palindrome, who had met two minutes ago, sitting at a table in a library getting ready to talk about courage, justice, life etc.
    Otto reached into his wallet and pulled out his own piece of paper. His piece of paper looked like it had been through a war or two, which I found out later that it had been.
    "Let's start here" said Otto. "It's the beginning"
    "Always I good place to start" I agreed.
    Otto read from his paper, "with his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains led the fight for law and order, in the early western United States. Nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yester year......From out of the past come the thundering hoofbeats of the great horse Silver! The Lone Ranger rides again"
    "What the heck was that" I asked.
    "That was the way the Lone Ranger radio show began every week. I'll read it again. Listen and ask your questions"
    Otto read it again.
    I asked my first question "why did he wear a mask"
    "Good question" observed Otto. " His real name was John Reid. He was a Texas ranger. Before he became a Ranger, John and his brother Dan had been partners in a rich silver mine strike...."
    I interrupted. "Is that why he named his horse Silver"
    "Yup and that's also why he fired silver bullets which he made himself at his silver mine. One day John, his brother Dan and four other Rangers got ambushed in the badlands by the Butch Cavendish gang. The Cavendish gang fired down on the Rangers with high-powered rifles. The Rangers were trapped. All six were hit. The Cavendish gang lingered to make sure everybody was dead, then they rode off"
    "Five of the rangers were dead but......."
    I jumped ahead "one of them miraculously survived which made him 'The Lone Ranger' and he decided to wear a mask to hide his identity while he hunted down the Cavendish gang"
    "Damn", said Otto, "You are one smart kid"
    "Am I ?" I asked thinking maybe Krell was right after all.
    "And you're getting smarter every time you ask a question about the Lone Ranger"
    "Okay" I agreed and continued my pursuit of wisdom. "How did Tonto get into this?"
    "Good question" said my guide with a twinkle in his eye. I figured it had been awhile since anybody had asked hin that question.
    "After the Rangers were bushwhacked by the Butch Cavendish gameTonto came upon the badly wounded Ranger. Tonto nursed the Ranger back to health and they road together from that point on. The real story though is for the show to continue, the Lone Ranger needed someone to talk to so that his inner thoughts and plans could be related to the audience in a form other than monologue." my guide explained.
    "It was convenient to make the character a noble Indian to amp up the irony a little bit. The real kicker occurred when they decided on a name for this noble savage. They chose Tonto which in Spanish means fool. Now depending upon your meaning of fool, Tonto was either a wise warrior whose words always contained a double meaning and thus an element of truth or he was the doofus who walks into every trap and has to be continually saved by the Ranger. You could take it either way or both."
    "So the Ranger was calling Tonto a fool every time he spoke to him?"
    "You could say that" Otto replied
    "Well what did Tonto call the Lone Ranger"
    "Yeah well Tonto called the Ranger ke moh sah bee which means "best friend" in the language of Tonto which unknowingly to Tonto are the words of a fool." Otto said.
    "So" I reasoned, 'when you see two best friends one of the friends is usually the fool?"
    "Usually", said Otto," but lotsa times they both are. Like me and my buddy Lights Out. We been friends and fools for a long time. He's in the conference room. I want you to meet him"
    Otto returned before Lights Out.
    "He'll be here in a minute. Before he comes in though, I wanted to give you my definition of courage. Courage is knowing what not to fear."
    "That sounds a litttle bit like ignorance is bliss' I said.
    "No son, ignorance is not knowing what to fear and courage is knowing what not to fear. There's a big difference"
    I understood incorrectly and thus metaphysictionaly but also realized that I was living somewhere in the middle. I knew that I was afraid of almost everything.
    With that Lights Out suddenly appeared. I noticed that he too had come from the conference room. I also glimpsed a sign on the conference room door that I hadn't seen before. the sign said 'Tune in Yesterday'. The reason these guys were in this lirary at this particular time was because they had come for a conference about the golden age radio before teevee
    If Otto looked like an elephant without tusks, his buddy looked like a wildebeest carrying a full load of invisible lion on his back and a wedding ring to match. Otto turned to his friend. "Lights this kid is looking for the secrets of life. What can you tell him"
    "Otto" said Lights Out "looking for the secrets of life is like looking for the license plate number on a car that's pulling out ninety feet away on a street that's as deserted as a warm bottle of beer.  Whaddya want me to tell this kid"
    "Tell him something that you know for sure. Tell him something simple. Tell him what you glimpsed. Tell him something from your radio days. Ask him a few questions. This kid is smart" Otto insisted.
    Lights Out turned his spooky gaze my way.
    "Kid, " he said, "lots of people will tell you that life imitates art. I'm here to tell you that art imitates life"
    "Art was an interesting fella" Otto agreed sorta. “We used to call him Glove.
   Mister Out fixed his frightened and frightening focus full upon me."When I was a kid, my favorite radio show was called Lights Out. I never missed a program. That's how I got this nickname. Churchbells would ring twelve times and the announcer would say 'LIGHT'S OUT EV-RYBODY'. Around the twelfth toll of the bells, an announcer would say 'This is the witching hour. It is the hour when the dogs howl and evil is let loose upon the sleeping world. Want to hear about it? Then turn out your lights'. I'd turn out the lights and get scared to death. The stories were scary for sure but it was the sounds that went along with the stories that I can never forget. Otto says you're a smart kid. Let me tell you how a few sounds were made and then let's see if you can figure out what those sounds imitated."
      Sounded like a plan to me.
    "Im ready. Go ahead."
    Mr Out went ahead. "Here's an easy one. Maple syrup dripping on a plate?"
    "I'm gonna go with drops of blood hitting a floor” I had caught on to the game.
    "One for one" said Otto. "Throw him another one, Lights".
    Mr Out was just getting warmed up. "How about a blade chopping through a head of cabbage"
    "I'm gonna go with a guy getting his head chopped off"
    "Two for two" said Otto
    Out again. "This one's more difficult, I'm going to describe three sounds and how those sounds were made. See if you can tell me what's going on in the scene. One, frying bacon. Two, sparks flying produced by attaching a telegraph key to a dry cell battery. Three, a ringing telephone."
    I caught a whiff of the drift.
    "Let's see. How about a guy getting zapped in the electric chair even as a call is coming in from the governor demanding a stay of execution"
    "Three for thee" said Otto.
    "Here's my last one. Soaking a rubber glove in water and turning it inside out while a berry basket is crushed"
    "That's not fair" said Otto.
    "You got me there", I admitted.
    Mr. Out seemed pleased, quite a bit too pleased in fact. "That, young man, is the sound of a man being turned inside out when caught in a demonic fog. You see.  Art imitates life"
    I objected meekly. " Can't be sure about that because I've never been turned inside out in a demonic fog"
    "Be patient, kid. Give the world a chance" said Lights Out in a distinctly foggy voice.
    Otto added “wait until you fall in love”.
    I thanked the men.
    I left the library.
    A dog howled in the distance. Maybe it was another dog getting killed by another cat.
LAST CLASS
    A couple of days later, I arrived at Krell's class with at least a minute to spare.
    Apparently Arthur was expecting an exam that day or had already had one in an earlier class because he was wearing an examination glove and explaining to an astonished Haylen how he had made his choice of gloves.
    "When it comes to latex gloves, I have two choices: the Accu- care Plus or the Universal 3G. The Accu is yellowish white and the Universal is white. I wore the Accu for a test last week in History. I fanned on that test. So I went with the Universal for this morning's test in Astronomy. As far as powder goes, both brands are equally free"
    When Krell came in, Julia had a surprise of her own. She asked Krell if she could recite the alphabet and hold the match herself. Krell gave her permission.  Julia pulled out a tube of those extra long matches that people use to light candles and fireplaces. She lit the match and calmly recited the Greek alphabet ten times before the flame finally burned out.
    Krell seemed impressed.
    "I don't think anybody's going to top that act so we can put an end to the alphabet on a match recitations once and for all"
    Then he turned his attention on me.
    "And Ovid, how has it been for the last couple of days walking around as the smartest guy in town"
    I told Krell that I had gone around and tried to find somebody smarter. I told him that I had met two men and they were both smarter than I was so I had given up and was okay with my stupidity.
    Krell said that "he doubted either of the two guys were any wiser than me". He said that "they probably had given me a mass of confused and contradictory opinions, derived from stories or traditions or memories and that those stories and traditions and memories and contradictory opinions had been no doubt changed at will to match the march of time and circumstance."
    He said "such opinons were not knowledge".
    He said "such opinions were only used to reinforce personal biases.and that such opinions do not establish wisdom although all people who hold such opinions consider themselves wise and usually appear so to others".
    He said that "Socrates spent his entire life under the belief that he had been identified by Apollo as the man whose mission in life was to destroy the false conceit of knowledge which had blinded his countrymen to their real ignorance and had in fact stupefied them wilth a false, fearsome sense of security and self-importance."
    Krell told us about how Socrates would question everyone and then prove how worthless the answers to his questions really were. Socrates didn't offer any answers to his own questions because as he openly admitted, he himself was completely ignorant.
    "Or as you have told us, Ovid. He was 'okay with his own stupidity'. Because he did so, Apollo had judged him to be the wisest of all. And that's how I've judged you. And you went out and proved me right"
    Julia passed me a note. The note read "PROJECT YOURSELF"I could tell everybody in the class wanted me to say something.I gave it a shot.
    "Well, I did discover something in my questioning of the two wiser men who probably aren't as wise as I thought they were. I discovered what I want to do with the rest of my life"
     Everybody was paying attention now, particularly Julia.
    "I've decided that I want to become the Lone Ranger of writing. I want to do the right thing anonymously and write about right when I do. First thing, I'm gonna do is write up the story of the last few days. I'm gonna use my notes. The next thing I want to do is ask Julia if she'll go out with me tonight to see a Will Sampson movie at the Starlite.
    Haylen looked disappointed.
    Julia said "love to."
    Krell seemed to understand.
    And" Krell asked "what was the name of the man who inspired you to make such a decision"
"His name is Otto Dingfeldt," I said.
When he heard that name, Arthur turned his glove inside out and looked as if he wanted to punch a berry basket.
Play Meatball
Lights Out.
I left the campus. When I reach the end of the campus road I always turn left, this time I turned right towards the Starlite
DUMMY AT STANFORD
    Who knows where Krell would have ended up it if not for the ankle of Lou Henry Hoover?
    Krell knew that without Paladin, Krell would have never become the Krell that he became. Krell also knew that without Richard Boone, Paladin would not have become the Paladin that he became. Krell also knew that without Paladin, Richard Boone would not have become the Richard Boone that he became.
   Boone might not have become Paladin if he hadn't been thrown out of Stanford.
    Boone had enrolled at Stanford in 1934. He went out for the boxing team and was one heluva good light-heavyweight. These were the golden days of fraternities and Boone became a member of Theta Xi. One day, the brothers of Theta had nothing to do and no particular place to go. They collected a bunch of rags and bottles. They used the rags and bottles to create a life size dummy. They covered the dummy with ketchup and threw the thing in the road in front of the fraternity houser to be hit by the first car that passed.
    Sure enough, the first car that passed hit the dummy.
    After the collision, the intimidating Boone ran into the street and began shreiking "You've killed my brother" at the innocent, terrified driver.
    The driver panicked and sprang from her car to confront both Boone and the dummy. She slipped on some of the fake blood and sprained her ankle, much to the delight of the frat boys watching from a safe distance.
    The woman with the sprained ankle, the innocent, terrified driver turned out to be Lou Henry Hoover; the wife of ex-president Herbert Hoover.
    "A chicken in every pot and a car in every garage" and a fake dummy getting run over by the former first lady's car when she takes that car out of the garage for a leisurely spin around campus.
    Boone was expelled from Stanford soon after the foolish incident.
    If Boone had some particular place to go that day at Stanford, he might not have gone on to become Paladin. If he had not become Paladin, Krell might not have become Krell. If Krell had not become Krell many, many other incidents would not have occurred including the incident that sent a kid named Ovid from the classroom one day, contemplating the possibility that he was the smartest guy in town.
And all of the rest of that saga.
Thank God for Herbert Hoover.
ADDICTION
    In my first years of teaching, I was always suspected to be "some kind of beatnik commie" because of the length of my hair. A supervising dinosaur introduced me to a group of parents as “our resident Bohemian”
    Apparently, I didn't "look"like a teacher.
    I look back at pictures of my hair in those days and am amazed at how short it actually was. Perhaps the problem was that it covered my ears. This was about the time when most middle class white folks truly believed that marijuana immediately prouced reefer madness and turned users into playground pushers.
    One day, I was in the coven known as the teacher's lounge when I was surrounded by a conversation about the evils of weed. Then, into the conversation burst a ray of light. One of the vice principals, a tall mouse studying to be a rat named Wolf, entered the room. The coven, afraid that an authority figure might have heard them talking about "drugs", immediately clammed up. Somehow, Wolf correctly translated the silence and asked if he had interrupted a "conversation". One of his minions, petrified that she might be "covering up", admitted that the conversation was about "marijuana and it's addictive effects"
   Wolf seemed pleased to be included in such a frank discussion. In a most reassuring yet dismissive and accusatory voice, Wolf said "I don't know what the effects are because I've never tried it.......why don't we ask Mr. Rivers?"
     Wolf seemed to understand that I was almost as alien to the gossip of the teacher's lounge as he was. I hadn't said a word during the whole discussiion other than a few cryptic nods. All of a sudden, all eyes were on me. I clearly remember my answer to this day. "Well" I said "I imagine it's a lot like reading."
    Although I didn't consider anyone in the room to be much of a reader, I could tell they held reading in the sacred contempt that many non-readers do, especially Wolf who made some kind of sound, turned his back and left the room.
    I wish I had paid more attention to my own words because my reading addiction was at the stage where I might have been able to do something about it, having recently escaped from college.
    Instead it kept growing. It would eventually cost me thousands of dollars, my first marriage, dozens of friends, and led me into the company of irresistible pushers like Penny Rider, Patricia Lindsay and Sarah Kimmel who enabled my habit with frolicking enthusiasm.
    I had to have it.
    I realized the problem started when I was a child.
    Both my mother and my father had shown symptoms. Not only did they fail to discourage me, they encouraged me. I became part of a cult known as “bluebirds”.
    I almost kicked the habit when I went to college. Somehow I lost my desire as the habit was foisted upon me by professors for whom I  had little respect. I didn't want to be dragged into their world.
    I'm deciding to come clean today after another night of revelry and fifty years of increasing intake As usual, I was up until all hours of the morning, indulging myself. I rarely sleep with my wife anymore as she tries to put reading limitations on me. I don't blame her for doing so but I can't resist.
    A few years ago, someone suggested that perhaps if I started writing about my experience, perhaps it would lessen my dependence.
    I did.
   It didn't.
    Now my writing has only intensified the problem.
    The addiction is reading. I’m still pushing it.
    Yesterday, I did something unusual. I started reading my writing. This exercise energized the problem to another dimension. I spent most of last night in a half sleep trying to figure out what I meant by my own writing.
    I started editing in my mind.
    That's when I knew I had to come clean. My mind started to formulate the confessional words that I am writing now, which you must be reading if you've come this far. As a matter of fact, I'm reading them myself and will continue to read them a couple of more times as I in Sysyiphisean mode, attempt to edit them.
    Then it's back down to the cellar where I will continue reading free samples from Kindle, wishing I had the money to buy all these samples that interest me and knowing that the only way I can afford them is if I win some kind of writing contest in which I might use this "composition" as my entry but probably won't because it's too metaphysictional to understand and might not match the taste of the judges in the contest. Then I'll go to the library and see what I can get for free but I'm having trouble at the library because they say I didn't return a book that I know I returned because I don't have it in my house even though I've torn the house apart several times to the horror of my wife.
    The missing book is "Metamorphosis, The Hunger Artist and more stories from Kafka"I know I returned it. They can't keep fining me forever can they? I'm innocent but I'm trapped. What if I can't use the library anymore?
    I'll have to win a contest or publish a book to feed my need. I can no longer separate myself from my addiction. I am what I read
    And so are you
    Be very careful, if it's not already too late.
LUCIDITY IN DISGUISE
    “Suddenly someone is there at the turnstile, a girl with kaleidoscope eyes”.
    Lucid dreams are a whole different subway system. In a lucid dream, the dreamer suddenly realizes that he/she is dreaming. Upon that realization, the dreamer brings some conscious decision making onto the inner screen projected by rapid eye movement. In this mode, the dreamer begins not only to watch the movie but also to direct it as well as screenwrite and star in it. After such an integrated exercise, the dreamer awakens with a clearer memory of the dream and brings that memory into their morning mediatation along with this accompanying subthought.
    Thank God I got out of that one just in time.
    The dreamer begins to live the dream.
    Once in a while, the living of the dream recalls other parts of the dream that the dreamer didn't actively bring to consciousness. These bits and pieces of scrambled subconscious produce deja vu.
    Sporadically, a culture experiences a universal deja vu. A movie becomes a hit. A novel becomes a best seller. A philosophy becomes a code of operation. A leader emerges. Revolutions begin. Penguins crouch. A star is born.
    A wrong is righted.
    Clarity replaces paradox.
    A consensual reality emerges. We fix something before it breaks.
    Reading is close to lucid dreaming. The reader rapidly moves his/her eyes along the page as you are doing now. Unskilled readers, because of the task of decoding and subvocalizing move their eyes more slowly across the page. The slower the eye movement, the blurrier the picture on the inner screen; the less the sense of interaction with the text and connection with the writer. The reader is watching the words rather than rewriting them, directing them or starring in them.
    The more skilled the reader, the more rapid the eye movement. The more rapid the eye movement, the more vivid the projection on the inner screen. After such a reading exercise, the reader emerges with a clearer memory of what he/she has read and often brings that memory into their ongoing meditation.
    The reader begins to internally live the text.
    The living  of the text recalls other parts of other texts that the reader didn't actively bring to consciousness the first time through. These bits and pieces of scrambled subconscious coalesce and produce insight which illuminates confoundings of the past.
    The reader goes forward with a better understanding of the slings and arrows of waking life. Then after a brisk day of living, the reader goes back to bed an dreams a lucid dream. The reader picture himself on a boat on a river or swinging on a swing made of clouds while looking up at blue trees under a wooden sky in lipstick land.
A FULLER GRASP OF FILLER
    In order to attain a fuller grasp of the concept of filler, we must detour through anacondas, alligators, dinosaurs, LSD, and birds. Let’s start with anacondas, alligators and birds,
    Ready?
    Every so often I would get a job moving objects from one place to another. I had a brand new Crew Club Dodge truck with matching cap. My buddy at the zoo admired my truck and asked me if I would be willing to do some under the table transpo for him. I responded with my usual response , "why not?".
   I arrived at the local zoo on time and moments later he emerged with a very large canvas bag that was destined for a zoo in Buffalo. He loaded the bag into the back of my truck. "You're all set. They're waiting for you at the zoo."
    "Cool, what's in the bag?"
    " Our anaconda".
    "what's it doing in the bag?'
    "doped up and chilling."
    "'MMMkkkaaayy. I'm gonna get truckin'"
    So me and the anaconda in the canvas bag set off for Buffalo. I wasn't worried at all because to me the reptile was in the bag and the bag was just cargo. I did think it was kinda cool though and might be the beginning of a story that I might tell someday.
    When we got to the zoo, the herpetolgy guy came out and removed the snake from the bag. He pronounced it both female and fit. This pronunciation guaranteed that I hadn't arrived at the same time as some other guy who was supposed to arrive in a Dodge Crew Cab and that I wasn't trying to pass off a sick, male anaconda while the other guy purloined the healthy snake bitch.
    Or something.
    For my reward, the herpetology guy decided to give me a tour of the innards of the snake house, apparently a rare extravagance.
    As we walked through the snake house, the herpetology guy explained in exquisitely excruciating detail what would happen if he or I got bit by any of the venomous snakes that we were passing. All of the poisons were different and needed a different serum and usually by the time help got to the unconscious poisoned person it was already too late. Matter of fact that's how he got the job. They found the herp dude before him passed out on the floor and by the time they figured out the problem, it was too late for him.
    The dude was dead.
    Then we proceeded over to the alligator pond where he invited me to watch the alligators have lunch. At that moment, a bunch of starlings were thrown into the alligator pond. One of the "pain in the ass birds" landed directly on the head of a partially submerged gator.As I looked at the bird doing a morbidly comic homage to a raven on the bust of Pallas, I asked the obvious question."why doesn't the bird just fly away?"
    "we already clipped his wings. He ain't goin' nowhere."
    The alligator with the bird on his head wasn't goin' anyplace either. He just sat there motionless wearing a delicious starling hat.
    "How come the gator isn't moving."
    "Oh, they don't move much. They move only when they need to. The rest of the time, they do what he's doing."
    "oh yeah, I asked, "what is he doin? Is he asleep or is he awake?."
    "Well, he ain't awake and he ain't asleep. It's something in between."
    Of course as a human being I was only aware of two states of consciousness...either awake of asleep. This was before my various surgeries and adventures in anesthesiology.
    "He's what they call dormant."
    Dormant is a deeper variation of chilling. I understood that the anaconda in the bag had been doing the same thing.
    Alligators spend most of their lifetimes dormant waiting around for something to happen and not particularly concerned when nothing happens
    Just gatoring.
    When we as humans gator, I call that condition "filling". We spend most of our lives in a zone beneath memory and the common product of that zone is “filler.”
BAGMEN WILL STAND
    Family plays a big factor in my friendship tree.
    I knew Crown and Wild Bill. I introduced them to each other and to Deke. Deke is my brother.
    Deke, Crown and Wild Bill are now friends.
    Deke knew Bruce and D'argento before they knew me. He introduced them to me and I introduced them to Crown and Wild Bill.
    Me, Deke, Crown, Wild Bill, Bruce and D'argento are now friends.
Crown knew Walt and Hank before Walt and Hank knew Wild Bill, Deke,Bruce and D'argento.
   Me, Deke, Crown, Wild Bill, Bruce, D'argento, Hank and Walt are now friends.
    My sister Terri knew Jack before he knew Deke who knew Jack before I knew Jack and before Jack knew D'argento, Crown, Wild Bill, Bruce, Hank, and Walt.
    This cluster is the core cluster in my friendship tree. We celebrated this cluster every year for 35 years at Deke's place on Canandaigua Lake. We gathered at the baseball all star game which is in mid-July. At the gathering we made announcements and predictions and we shared old stories of announcements and predictions past. I could and perhaps will write a book about those announcements, stories and predictions as well as the men who made them.
    The tradition ended when we moved South
    They are the funniest, smartest, most trustworthy men that I know. They are the reason why I rarely laugh at comedians and their 'craft'. My crew is so much more hilarious.
    I think I'll start with Bruce.
   Deke met Bruce when they were both  in high school part time picking up trays as weekend food service workers at Park Avenue hospital. Over the years, I have heard many stories of what went on in the locker room of the hospital,  the pranks that were pulled and the fun that was had.
    Bruce is the star of my favorite story of that era. Bruce tells it beautifully at the All Star game every year.
     Seems that a guy named Steve had pulled off a few nasty tricks on others so the others were looking to get even. One day Steve was in the locker room stall taking a crap. While Steve was sitting on the throne, Bruce picked up a laundry bag full of soiled towels. Bruce tossed the twenty pound bag through the opening at the top of the stall onto what must have been an astonished Steve. The bag was heavy but soft. After tossing the bag, Bruce immediately began his getaway.
    Steve bolted out of the toilet with a turd in his hand. Bruce turned around and saw the flung dung heading for his face. He moved slightly and the turd went splat against the wall. Bruce describes that SPLAT moment in great detail as it seemed to be happening in slow motion.
    I try to imagine the incident from Steve's point of view. You think you're alone in a critical moment and suddenly a laundry bag falls on you.  It doesn't hurt but it startles the crap out of you. You react to the situation immediately. You grab hold of your warm creation and with your pants still down, you burst through the stall door. You see everybody running and laughing. You spot Bruce. You're an all star third basemen with a terrific arm. You fling your turd and it looks like it's going to hit Bruce in the face until at the last moment he swerves and SPLAT. You go back in the stall, clean up, pull up your pants and take off.
    Nobody knew what ultimately happened to the splat on the wall but the conjecture went like this. Al Brown was the evening clean up guy and when he got to work that night, his boss told him to make sure to clean up the locker room because there was a "mess" down there. Al spent most of his evening shifts handicapping the horses for the next day at Finger Lakes. He liked to work fast so he could have more time sitting on his ass, smoking and handicapping. He went down to the locker room. It didn't seem too messy until he noticed the splat on the wall..."Goddamn, there's a turd on the wall"
    He took care of the mess but always wondered how that turd got so high up on that wall.
    Now you know what Al Brown was never able to figure out.
    And you know a litle bit about Bruce and my friendship tree.
    Remember this all went down before I even met Bruce. Deke had told me the story.
    I finally met Bruce at the famous Watkins Glen Concert featuring the Dead, The Band and the Allman Brothers. There were 300,000 people at that event. We got as close as we could when we spotted a large blanket and a motorcycle. We made our way to the blanket and that's where I met Bruce. The Dead were singing "Bertha don't ya come around here anymore".
    It's always a good thing when I can remember what song was playing when I first meet a person. When that song is "Bertha" and it's being played live by the Dead in the midst of 300,000 people on a day so sunny that torrential rain is a possibility at any moment, well that's a good way to meet.
    Yes, the torrential rains came. Everybody started scrambling to escape the storm. Bruce went over to his cycle and opened his saddle bag. He took out three blue garbage bags. He put the bag over his head and pulled it down to cover his body all the way to his knees. Like a turtle, he pushed his head through the top of the bag. Then he punched his arms through the side of the bag. He had made himself a raincoat. He threw us the other two bags and we did the same thing.  We were the Bagmen.  Not a lot of people were standing most were hiding under whatever sparse cover they could find.  I looked at the situation and said "The Bagmen Will Stand." We stood up proudly through the whole storm. When the sun came back out and the pounding rain disappeared, those people around us who had been seeking shelter from the storm began to emerge and started praising us for bagging it. They thought the bags were cool. A few people wondered if we had anymore of those bags. Bruce did have a few more and he shared them. They repeated the turtle and arm move. Before long there were three more bagmen and two bag ladies. Everybody laughing. Soon many of those who had brought a plastic garbage bag to the concert started wearing them like we were wearing them and making their way over to our space for some good wearing and sharing.
    Thus began the Bagman Ball.
    Every March we had a blowout party at wherever Bruce was living at the time. The higlight of the party was putting on the bags. Bruce supplied the bags pro bono. When everybody was in their bags, we'd put on "Sympathy for the Devil". Every one would start singing "Doot Doo" and conga lining throughout whatever space was available in the house.
    The consensus opinion was that Kay Stafford wore the best bag. It became another tradition that when people were putting on their bags, they would ask Kay to come over and custom fit. Kay designed quite a few different styles. I’ve heard many a bag lady, upon receiving a complient for the style of her bag respond ”It’s a Kay Stafford design”
    Aside from Bruce and Deke and I no one really knew why they were putting on bags and "Doot Dooing" but the whole scene was so bizarre and hilarious and filled with gentle peer pressure that all the participants enjoyed the exercise and the party was united. How can you be pissed off at somebody who's wearing a garbage bag exactly like the one that you're wearing.
    We continued to have that party for the next 25 years. We called it the Bagman Ball.
    Phillip Seymour Hoffman showed up at one.
    Maybe you attended one or two.
    I’m talking to you Mr. Stubs and Maureen. And all of you Rich brothers and sisters
    I’m talking to you Tommy Tron and you Michelin Man.
    I’m talking to you Pete on stilts, you Bill Downey and you Gary Gottshalk and all of the Caroll brothers and sisters
    If you did all I can say is "Doot Doo"
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