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#Viola Prettejohn
cherubinhell · 4 months
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"No matter what."
Elizabeth x Margaret » The Crown 6x08 Ritz
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chestnutelm122 · 4 months
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Whoever cast Viola Prettejohn as teenage Elizabeth for the final season of The Crown needs a well-deserved raise. She did sooooooooo well in the episode she’s in, I initially thought it was Claire Foy, de-aged. From her voice, down to the microexpressions, she got Claire’s Queen Elizabeth II down to a T.
Fucking insane.
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thecrownnetflixuk · 4 months
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It’s hard to talk when you’re chewing gum. – – When did you get that? I’m not sure. Think it might have come after a kiss.
Teenage Lillibet (Viola Prettejohn) & Margaret (Beau Gadsdon) | The Crown 6x08
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thecrownnet · 10 months
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Who will be in The Crown 6?
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FilmUpdates  Viola Prettejohn, Claire Foy, Olivia Colman and Imelda Staunton will all play Queen Elizabeth at different stages of her life in the upcoming season of ‘THE CROWN.’
*The 6th and final season will be released later this year Stay tuned.
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somewhatavidreader · 2 years
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The Nevers (2021 - )
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boardchairman-blog · 3 months
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**Shots of the Episode**
The Crown (2016)
Season 6, Episode 8: “Ritz” (2023) Director: Alex Gabassi Cinematographer: Sophia Olsson
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camyfilms · 4 months
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THE CROWN 2023
If you went looking for Elizabeth Windsor, you wouldn't find her. You buried her years ago.
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stylestream · 5 months
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Viola Prettejohn | Courrèges Fall 2023 ensemble | The Crown Season 6 London Premiere | 2023
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willwriteforruns · 1 year
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Kazuo Ishiguro’s sci-fi tearjerker “Never Let Me Go” is heading to the small screen. FX has officially ordered an adaptation of Ishiguro’s novel, set to air exclusively on Hulu.
Viola Prettejohn leads the show as Thora, a teenage clone who escapes her boarding school. Once in the outside world, she sets in motion events that will spark a revolution from the oppressed clones. The cast will also include Tracey Ullman, Kelly Macdonald, Aiysha Hart, Spike Fearn, Shaniqua Okwok, Gary Beadle, Kwami Odoom, Susan Brown, Keira Chanse, and Edward Holcroft.
The pilot for “Never Let Me Go” was written by Melissa Iqbal, who also showruns, and directed by Marc Munden. Both executive produce with Ishiguro, Garland, and DNA Productions’ Andrew Macdonald, Allon Reich, and Maria Fleischer. DNA previously worked with Garland, best known for his feature films “Ex-Machina” and this year’s “Men,” on his 2020 FX on Hulu miniseries “Devs.” FX Productions and Searchlight Television also produce.
“Never Let Me Go is a modern science fiction classic that Melissa Iqbal and the creative team have brilliantly adapted for FX as a drama exploring timely and unsettling themes on life and the ethics of technology,” said FX Entertainment president Gina Balian.
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cherubinhell · 4 months
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"From the day she was born, Margaret Rose has been my constant companion."
Elizabeth x Margaret » The Crown 6x08 Ritz
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Claire Foy
Olivia Coleman
Imelda Stauton
Viola Prettejohn
deserve a special joint Emmy award for their collective portrayal of Elizabeth Windsor in The Crown.
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thecrownnetflixuk · 4 months
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Fond Farewells Mark the End of an Era for The Crown.
Pt 2 of Season 6 Accedes to the Next Generation – But Reigns Most Triumphant Saluting Its Sovereign.
Review & gifs by L.L @The Crown TV
I wasn't sure what to expect from the final 6 preview episodes of The Crown. Part 1 gifted us with a season-defining performance from Elizabeth Debicki, but such intense focus on the tragedy of Diana and Dodi's deaths was heavy-going. How to move forward?
Not many TV shows stick the landing, but I believe The Crown does, mostly by putting Queen Elizabeth front and centre. In four different ways! But Part 2 takes a while to forge ahead and reign triumphant.
Ed McVey and Meg Bellamy make shy William and swotty Kate believable as a young couple who meet at university – or earlier, as per a flashback with (not Ghost!) Diana. I still found it hard to invest in their will-they-won't-they relationship (we already know they do.) 
Instead, it’s sisters Elizabeth and Margaret who have long been the emotional heart of this show; at every stage of their lives.
Former Oscar-nominee Lesley Manville (alongside Queen Imelda Staunton) is truly magnificent in Ep 8 as Princess Margaret, though it's painful watching this vibrant lady struggle as her health worsens.
Memories of the 1940's are a delight. However, I wish we'd seen more of wide-eyed teen Lilibet let loose (Viola Prettejohn) and carefree Marg (Beau Gadsdon) before older Margaret says her final goodbye.
Staunton saves her best for last, bringing dry humour, vulnerability as well as leadership to Ep 10. The 70+ min epic finale 'Sleep, Dearie Sleep' has its shaky moments, but beautifully completes Queen Elizabeth's story when it counts, bringing near-perfect closure. That alone elevates Season 6 beyond Season 5.
Warning - MAJOR SPOILERS AHEAD. This is my final *EVER* review (might be extra long!)
S6 is NOW ON NETFLIX - WATCH THE EPISODES before reading.
Images: courtesy of Netflix
Starting with less good news; the first couple of episodes of Part 2 were my least favourite. Ep 5, 'Willsmania', feels transitional, and a little stuck in the past. Following his mother's death, Prince William (Ed McVey; taking over from younger actor Rufus Kampa) turns inward as he struggles to cope with public attention and grief.
It's an understandable reaction to losing a parent, but Part 1 already spent nearly half a season on Dodi and Diana. It felt like we grieved in real time. As a result, whenever the subject of Diana crops up again in Part 2, it tends to weigh down both pace and narrative.
Ep 6 brings a welcome change of topic. This being The Crown, I'm sure there are critics poised to be offended by Queen Elizabeth's nightmare about Prime Minister Tony Blair being crowned king, but to me, his 'coronation' was hilarious, as was the choir boy singing Blair's cheesy Labour pop anthem.
It felt like deliberate tongue-in-cheek humour, an absurd reminder why monarchy might still be better than populist elected leaders.
I really wanted this episode to work, but it didn't go anywhere, and themes like tradition-vs-modernity were covered more effectively in episodes such as 'Marionettes.' Bertie Carvel has Tony Blair's voice down but suffers from comparisons with Michael Sheen, who was uncanny as the Prime Minister in 3 earlier Peter Morgan projects.
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^ PM Tony Blair. The Women's Institute weren't fans of his grandstanding.
The Crown: The Next Generation fully arrives during Ep's 7, 9 & 10. Some will love it. Those who prefer more historical episodes with broader scope may be disappointed, as the show follows William and Kate through University life in the early 2000's.
The newcomers do bring fresh energy to the show. It helps that they cast Ed McVey and Meg Bellamy, who make a sweet couple as Will and Kate, even if William sometimes comes across as petulant.
Unlike Ed McVey as William, Luther Ford doesn't bear much physical resemblance to Prince Harry, other than red hair. Ford does however put in a good performance as Harry becomes increasingly reckless.
The Crown doesn't hide either Harry or William's bad behaviour. The brothers seem to get on well at the start, but it later seems like they're more at odds. Underneath a lot – a LOT – of boozing, both boys appear quietly screwed-up over their mother's death. Neither of them seem to enjoy playing happy families with Charles, either.
The show mostly concentrates on William and Kate, but there aren't many episodes left to develop a genuine romance. They have potential, but it feels fairly surface level. Suddenly, they rush to move into a house share together when we've barely seen them kiss. They (and we) needed more screen time to really get to know each other.
There's a bigger issue here with Kate's mother, Carole Middleton (Eve Best.) Pushy parent Carole is keen to play matchmaker between her 'commoner' daughter and the young eligible Prince, keeping tabs on William. Carole isn't as conniving, but ... didn't we just watch a similar storyline with Mohamed Al-Fayed/Dodi/Diana in Part 1?
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^ Kate 'n' Will. Her Mum would frame this picture.
Ep 8 'Ritz' plays like a standalone film. Margaret's final story is touching, but upsetting, at times; I was a fan of Diana, yet sobbed as much for Margaret as the credits rolled, even though her eventual death isn't shown. In fact, her final goodbye is sensitively done and stands as a fitting tribute to the princess, as well as to the Queen.
Lesley Manville makes Margaret's predicament so real as her health slowly breaks down. She bounces back from one stroke, then another hits. How awful too for Elizabeth to watch a much-loved sister deteriorate, though it was wonderful to see Lilibet read Margaret a bedtime story. It brought out the warmer side of Staunton's Queen.
The scene where Margaret scalds her feet in the bath is genuinely horrifying. I've suffered from ill health and loss of control myself and this was so much worse. I could feel her pain. That poor woman.
Human moments are where The Crown excels; through this episode, this working-class lass from a council house could somehow relate to a Princess in a palace. Peter Morgan has surely done more to humanise the royal family than any P.R team ever could.
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^ Fans of Margaret (and Lesley Manville) prepare yourselves for her sad final journey.
Onto the big reveal: when I mentioned at the start there are FOUR ways Queen Elizabeth appears – this is what I meant:-
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^ Newcomer Viola Prettejohn plays teenage Princess Elizabeth.
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^ & there's Olivia Colman & Claire Foy alongside older Queen Imelda Staunton.
Satisfyingly, all 3 of The Crown's leading ladies return to close the show. Olivia Colman and Claire Foy each have an additional scene, too (I won't spoil the entire finale, as it covers a lot of ground in over 70 mins, but Olivia and Claire aren't back as 'ghosts.')
As we get older, the ghosts who speak loudest are our own; the former versions of us we berate ourselves with. Not everyone may warm to the Queen (sort of) talking to herself, but personally, I was thrilled to see these talented actors on screen together.
Foy's scene with Staunton is particularly effective, as the younger Queen gives her older self an old-fashioned dutiful talking to. It's somehow also credible that they're aspects of the same person.
It reminded me of Peter Morgan’s 2013 (extraordinary) play, ‘The Audience', which inspired this series, and included scenes where Helen Mirren shared the stage with young Elizabeth. That play is also why this theatre-fan started watching The Crown to begin with, and later went on to create this website.
When Ep 10 finished playing, my Netflix returned itself to Season 1. 60 episodes over 7 years! I will miss the grand scale of The Crown, but appreciate the legacy which remains. Now feels like the right time for this story to end. A full-circle moment in more ways than one.
**Majestic thanks for reading, and to every person who has liked, reblogged, messaged, supported The Crown TV for all these years.
💎♕You each deserve a Crown of your own!♕💎**
N.B: These are my humble opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!
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thecrownnet · 10 months
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The Crown 6 pays tribute to Queen Elizabeth II
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Photo: The Sun June 9, 2023
THE Crown’s final series will pay the ultimate tribute to Queen Elizabeth by featuring the three actresses who played her — and a newcomer. [Viola Prettejohn]
New scenes have been shot with Claire Foy, 39, who portrayed the young monarch, and Olivia Colman, 49, who played her in middle age.
They will appear in the sixth Netflix series with Imelda Staunton, 67, as the elderly queen. [...]
“Getting the actresses together was no mean feat as both Claire and Olivia went on to bigger things after making The Crown and have packed schedules.”
Praise has been heaped on the performances of Claire — who played the Queen in series one and two in 2016 and 2017 — as well as Oscar-winner Olivia, who portrayed her in series three and four in 2019 and 2020.
There will also be a previously unseen “wartime” depiction of the younger Princess Elizabeth, played by Viola Prettejohn.
Source
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popculturebrain · 1 year
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‘Never Let Me Go’ Series Greenlit at FX with Viola Prettejohn Set to Star
FX has greenlit “Never Let Me Go,” a drama series inspired by Kazuo Ishiguro’s science fiction novel of the same name. This is the second screen adaptation of the book, as a movie starring Carey Mulligan, Keira Knightley and Andrew Garfield came out in 2010.
Subscribe to the Pop Culture Brain Daily newsletter for more stories like this!
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philsharp · 2 years
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Viola Prettejohn, 2019 @violamjprettejohn - - - - - - - #proportrait #headshotslondon #portrait_page #portrait_planet #withhumans #actorslife #headshot #headshotlondon #headshotphotographer #londonheadshots #headshotnyc #headshotsla #actorsheadshots #portraitfolk #portrait_star #portraitvision_ #portsinspired #portrait_today #cityports #portraitsfromtheworld #flakphotorecs #gfx100s #portsinspired #fotoroom #photoplan #saturdaysmag #btsphotoshoot #portraitgreatness #tappancollector #framesmag #violaprettejohn (at Phil Sharp - Studio) https://www.instagram.com/p/CeQ6NWIsxxK/?igshid=NGJjMDIxMWI=
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blogger360ncislarules · 5 months
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A few more returns and more than two dozen (!) new bits of casting have been announced for the second/final season of Wolf Hall.
https://tvline.com/wp-content/uploads/2023/12/harriet-walker.jpg
This Monday morning, it was announced that Thomas Brodie-Sangster also will return, reprising his role as Rafe Sadler. Other returns include Joss Porter as Richard Cromwell, James Larkin as Master Treasurer Fitzwilliam, Richard Dillane as the Duke of Suffolk, Will Keen as Archbishop Cranmer and Hannah Steele as Mary Shelton.
The slew of new castings, meanwhile, are led by Harriet Walter (Killing Eve, Succession) and Timothy Spall (Mr Turner), who will respectively play Lady Margaret Pole and the Duke of Norfolk.
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You also have Corentin Fila (Mortel) as Christophe, Tom Mothersdale (Culprits) as Richard Riche, Karim Kadjar as Eustache Chapuys, Lucy Russell (A Spy Among Friends) as Lady Anne Shelton, Will Tudor (Industry) as Edward Seymour, Viola Prettejohn (The Nevers) as Mary Fitzroy, Thomas Arnold (A Spy Among Friends) as Hans Holbein, Jordan Kouamé (Malpractice) as Martin The Gaoler and Agnes O’Casey (Dangerous Liaisons) as Lady Margaret Douglas.
Other new castings include Cecilia Appiah (Hijack) as Nan Seymour, Ellie de Lange (Arcadia) as Jenneke, Hubert Burton (ITV’s Jekyll and Hyde) as Thomas Howard the Lesser, Pip Carter (Industry) as Sir Geoffrey Pole, Josef Altin (Game of Thrones) as Thomas Avery, Sarah Priddy as Lady Margery Seymour and Hannah Khalique-Brown (The Undeclared War) as Dorothea.
And last but presumably not least, there’s Amir El-Masry (Industry) as Thomas Wyatt, German Segal (The Undeclared War) as Olisleger, Summer Richards as Catherine Howard and Dana Herfurth (Love Addicts) as Anne of Cleves.
Wolf Hall: The Mirror and the Light is currently filming in England and Wales.
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