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#Vikings
thecabinsixwitch · 3 days
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how to train your dragon aesthetics: 1/?
Hiccup Horrendous Haddock III
🐉 🔧 📜 🔥
“They're not what we think they are. We don't have to kill them.”
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city-of-ladies · 1 day
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"Therefore, the references to Thyra on both groups of stones likely refer to the same person – the Danish Queen and mother of Harald Bluetooth. This indicates that she was a particularly powerful and celebrated individual. It is likely that she held land and authority in her own right, not only through her husband. “No other Viking man or woman in Denmark has been mentioned on that many runestones,” says Dr Imer, “and it underlines her undeniable importance for the assembling of the realm under the rule of her son, Harald Bluetooth.”
Importantly, this means that women likely had more influence in Viking-Age Denmark than previously believed. It indicates that Viking women may have been able to hold power in their own right and rule on behalf of their husbands or under-age sons. It also has important implications for our knowledge on the formation of the Danish state. The authors conclude:
If we accept that runestones were granite manifestations of status, lineage and power, we may suggest that Thyra was indeed of royal, Jutlandic descent. Both Gorm and Harald refer to her in the runestone texts and Ravnunge-Tue describes her as his dróttning, that is, ‘lady’ or ‘queen’. Combined with the designation of Thyra as Danmarkaʀ bót, ‘Denmark’s strength/salvation’, these honours point towards a powerful woman who held status, land and authority in her own right. The combination of the present analyses and the geographical distribution of the runestones indicates that Thyra was one of the key figures—or even the key figure—for the assembling of the Danish realm, in which she herself may have played an active part.""
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Terp/Thorp/Wierde/Warft/Værft
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Most commonly known as “Terp”, by origin a Frisian word, Terps are actually known in a few places. Hang on tight, this is a long one.
The water rich lands of Dutch provinces Zeeland/Frisia (Terp) and Groningen (Wierde) - German regions Nordfriesland and Ostfriesland (Warft) and southern Denmark (Wærft) were in need of such constructions for basic quality of life.
Because the tides could freely enter the lower lands beyond the shoreline, life was to be lived intermittently. When the land was dry, sheep could graze the salt marsh. When water rose, people would retreat to the Terp.
A Terp can be made up out of a single church or farm/house to an entire small village. Concentrations of small Terps making up a village also exist. They are often surrounded by a salt marsh rampart (Kwelderwal).
Terps were made by plaggen. The top of sandy soils was taken out in little cubes, including the vegetation. The plag was then dried and compacted and stacked on top of each other, which causes an artificial hill allowing to build on.
Terp is also the Old-Frisian word which originates the Dutch word for village. Frisian culture allowed to spread because of their specialization in sheep’s wool. With most agricultural crops not being suited for salt marshes, and with the land flooded half of the day, lots of time was spent in producing high quality and highly sought after wool. This made the Frisians and especially the Terp people very rich, as seen in treasures, burials and clerical art.
Lots of Terps have been destroyed for peat mining or lost after abandonment.
Image above: Hogebeintum (Hegebeintum (Frisian), formerly known as Westerbintheim).
The largest known Terp in the Netherlands and Germany with 8,80 m above sea level.
Central is the church, on the right the historic village, the sheep pastures during floods and the encircling salt march rampart. Everything outside the rampart used to flood.
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memories-of-ancients · 3 months
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One of the things that's been annoying more and more is modern media depictions of vikings where they basically dress in bland colored furs and leather and they look and act like Klingons.
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Wish more movies and TV shows would have the gumption to use accurate costumes.
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Also throughout all periods of history people wore colors!!! Even the puritans wore colors and only wore black on Sunday.
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hotcelebeauties · 1 month
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Alicia Agneson
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stressedbeetle · 7 months
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I don't know if tumblr already knows this but there is an intersex viking from about 1000 years ago
they were buried with woman clothing and two swords so archaeologists thought they might've been a woman warrior, but dna tests show they had XXY chromosomes! and considering what they we're buried with they likely had a non-binary role in the society:D
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lionfloss · 11 months
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Viking Village, Norway by mattberthou
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museum-of-artifacts · 15 days
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During the construction of a new store in Dublin in 2013, the crew discovered the ruins of a historic Viking well dating back to the 11th century. This discovery sparked excitement in the archaeological community. The well is a significant find as it provides a glimpse into the Viking era and the history of Dublin. It's a testament to the city's rich past and the Viking influence on its development. The well is now preserved and can be viewed through a glass section of the floor in the store, offering shoppers a unique glimpse into the city's Viking history. Read more: https://thetravelbible.com/top-viking-artifacts-found/
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thecabinsixwitch · 3 days
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how to train your dragon aesthetics: 2/?
Astrid Hofferson
🪓 ⛈️ ⛓️‍💥 🩵
“Yeah, it's only fun if you get a scar out of it."
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fragileheartbeats · 6 days
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"He's not good for yo-"
YES! but have you seen his eyes???
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undiscovered-horizon · 7 months
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"Finnish polka" - Ivar the Boneless x Reader
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SUMMARY: After helping one of the northern Jarls, the Lothbrok brothers attend a celebratory feast. There, they're faced with a tradition of warriors catching flower crowns that belong to young women. How surprised Ivar is when you almost shove your crown into his hands.
WORDCOUNT: ~ 2.1k
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Ivar is tired.
Of course he's glad that Jarl Thorstein came out victorious. And that his brothers are fine. Still, he feels weary as the adrenaline leaves his body. His legs start to ache. Ivar downs the rest of his mead in hopes it makes him a little more deaf to his mood.
The upbeat, bright music fills his mind like an obsessive thought. His heart beats to the rhythm tapped by the feet of dancing women. They spin, jump and run around with flower crowns sitting atop their heads. How the wreaths remain immovable, he can't quite say.
Ivar is also angry.
As the local tradition entails, when the song ends, all the dancing young maidens will throw their flower crowns to the crowd. Whoever catches it, is believed to be the girl's lover chosen by the gods. However, whether the couple indulges and trusts gods' judgement is a different story. But if the wreath falls to the floor, the girl is said to remain unmarried for the next five years.
Ivar knows the chance of him somehow catching one of those is near zero. He's sitting quite far from the dancers. Even if he did catch it, he's disillusioned about the imminent dissatisfaction of the flower crown's ownert. Not only is he disabled in a way that almost entirely excludes him from fighting but he's also infamous for his ruthless nature and vengeful heart. Hardly a man who invokes desire. Still, some naive piece of him remains hopeful that maybe he's wrong. Maybe he can be terrible and loved all the same.
He shakes those weak delusions away from himself before they sour his mood further.
His piercing eyes have been following one of the dancers for the better part of the song when he catches himself. Her movements look effortless even when the musicians pick up the tempo. Clearly, she's done this dance one too many times to have any doubts about what she's doing. Joy beams from her in a way that makes her appear almost shining. The wreath on the top of her head is mostly green with white and red flowers. It makes Ivar think of the woods surrounding Kattegat; it makes him think of home.
Ivar leans toward Oddleif, one of the Jarl's men, who's sitting next to him.
"Who is she?"
Oddleif looks at Ivar out of the corner of his eye. He scoffs, takes a large sip of his drink and only then decides to answer:
"If you're thinking of catching her flower crown, don't." His blond braids dance slightly as he shakes his head. There's a hint of laughter hiding in the back of Oddleif's throat. "Half of the surviving army wants it."
"I have no care for flowers," Ivar lies through his teeth. "They have no use. They wilt and die and soon no one remembers them. I am simply curious about her."
"Her father is the blacksmith. You might have seen him in the battle, swinging that damned sledgehammer." Ivar silently nods. He remembers that man - tall as a pine tree and wider than a stable. The blacksmith invokes respect even when he's not decimating enemies like a troll equipped with a tree trunk. "He said once that he'll let any man marry his daughter but only if he can lift an anvil. Tried it once myself. Not that I had any success as you can imagine." Oddleif laughs bitterly and continues drinking. His eyes are glued to the dancers but Ivar knows that right now, the two of them are admiring the very same girl with a flower crown like a forest.
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The melody continues to quicken. Despite being out of breath, you don't want it to end. Your feet ache but they do not falter nor do they stumble. It seems that their muscles know the dance better than your mind. There are a dozen girls dancing with you but you do not see them. Not really. They appear worlds away from you and the song of bagpipes and strings.
And then appears he.
A slouched, dark figure flies before your eyes as you're doing another pirouette. The man simply sits there, in the corner, but his presence is overwhelming. Or so you think. He does nothing and yet he tears his way into your microcosm of quick footwork, turns and lively polka.
You recognize him. Of course you do. Many whispers, equally frightened and amazed, have spoken of him. You have believed in all of them until the moment you met his gaze for that split second. Right then, somewhere between blinks and breaths, you renounce every gossip you've ever heard about him. A voice in the back of your head, a trickster or an oracle, nags at you to learn the truth yourself.
When the lively, fast melody comes to a stop, you find yourself shaken awake from the thoughts about Ivar the Boneless. The end of the song seems somewhat abrupt to you as you've been letting your fantasy run wild without paying much attention to what's going on around you. Dancing the last part purely by the memory of your muscles. The moment musicians stop playing, a small crowd begins to form in front of you. Men of different class, age and ancestry reach out their hands. Each one of them is more determined than the other to catch your wreath. They start to yell something but considering that the inside of the long hall is awfully loud anyway, you can't make out any words. Reading their lips, you can only tell when they're exclaiming different variations of your name.
They're only pushing towards you, shoving each other away. You keep taking steps backwards but the distance you create with each step is quickly shortened with the men calling out to you. You knew there would be many of them in front of you but never assumed that many. Instead of somewhat flattering, the siege is terrifying and imposing.
Looking for help or advice, just something that will ease your tension, you silently look around the long hall. Your gaze falls on the same slouched, dark figure. Strange peacefulness washes over you when his eyes meet yours.
The dim candlelight seems to bend around Ivar, making his corner appear darker than anywhere else in the long hall. He's simply sitting there. Maybe he's not interested? But the way he's staring at you shows nothing if not burning curiosity. The sons of Ragnar aren't know for their patience. No, they're said to take whatever they want the moment their desire sparks. Despite that, the youngest of them, and arguably the most famous, appears to be waiting. But for what exactly?
The fresh pine needles prick your skin. You furrow your eyebrows. Your gaze falls to the wreath and then comes back to Ivar. Could it be...?
It isn't much of a throw, really. You toss the flower crown towards him without looking anywhere else but into Ivar's eyes. Without as much as blinking, he catches the wreath with ease as though he has been prepared for that. Low murmurs hit your ears but quickly the sounds of disappointment fall silent as it's made clear who caught your wreath. Despite their initial determination, the men who had been reaching out to you suddenly disperse like fog does in the early morning. They knew better than to get under the skin of a Lothbrok. Especially that one.
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"I believe this belongs to you."
Ivar is holding up the wreath. Despite his words, he makes no effort to offer it back to you. His eyes are bright and glistening, the corner of his mouth is tugged ever-so-slightly upwards. He appears amused.
At first, it was nice to finally sit down after dancing for what seemed to be hours on end. But now, when you're facing the consequences of your spur-of-the-moment decision, the tension sets in once more. This time, however, it doesn't feel threatening. In turn, the nervousness is somewhat welcome like the jittery state before a surprise is revealed.
"If I wanted to keep it, I wouldn't have thrown it," you answer in a light tone.
"And why should I keep it?"
The blue eyes study you for a moment. It's a strange feeling - you can't help but think that the longer you are in Ivar's presence, talking or not, he's reading your mind and soul. He stares at you in a way that tells you he already holds all the answers but wants you to confirm them.
"It's said to bring good luck." You shrug your shoulders. "Until the wreath wilts and dies, Freya and Freyr will look after you."
Ivar looks at the flower crown again. Only now, when he's holding it, does he realize that for a flower crown, there aren't many flowers. A few sandworts and poppies, yes, but the wreath is made mostly of evergreen plants. It might take weeks until the crown wilts.
The microcosm seems closed again. Now it's not you and the bagpipes but you and him. It's strange and it's new but it's not threatening. It's not the kind of presence a man of his infamy should have. Or perhaps you've simply fallen for his honey trap.
"Why did you throw it to me?" Ivar tries to make the question seem unimportant, just curiosity brought to light. But he can't quite convince himself that he doesn't care. There's a hint of something vulnerable and genuine when the words roll off his tongue. It's easy to miss like a dandelion clock carried away by a gust of wind.
You wish you knew the answer yourself.
"I don't know really," you say honestly. "Perhaps it was one of the gods that threw the flower crown for me." You make a pause. Ivar's face is unreadable. "Or perhaps I have no interest in urgent, desperate men."
Ivar chuckles. A deep shadow is covering part of his face, making him appear kind of sinister. For a moment, you question whether he's laughing with you or at you.
"And what exactly makes you think I'm not urgent or desperate?" he continues. You notice his smile is growing wider. That glint of amusement in his blue eyes has changed in mischief. "What if I'm worse than all of them? You surely know who I am."
"Of course I do, Ivar the Boneless," you drone the words. In a barely noticeable fashion, he clenches his jaw when you say his name. It makes him feel a strange, burning sensation in his stomach but Ivar is left unsure whether he likes it or detests. "The whispers of your ruthless character are unending."
"But you're not afraid?" he asks with both disbelief and suspicion. A girl with a flower crown doesn't necessarily strike him as fearless in any way. Or this whole strange situation is a little too good, too dream-like, for him to accept it at face-value.
Ivar's smile falters when your face takes on a confident, maybe even arrogant, expression. He's taken aback.
"I'm a woman of the North," you say while leaning towards him on the table. The distance between your faces shortnes. "The only person I fear is my own reflection."
The sudden closeness makes Ivar inhale sharply. The strong smell of pine needles fills his nostrils. For a moment, his imagination runs wild but it's not his fault - he has no grasp on it:
How those big eyes glistened in the semi-dark of the long hall as you were staring at him. Your smirk, somewhat challenging and beckoning him to push on. Then, the smell of conifer that shakes all senses awake. His fantasy leaves the northern snows and travelles to forests, to him brushing pine needles from your hair and your naked, flushes skin smelling of evergreen trees.
But quickly his shaken awake, to his utmost displeasure, by you:
"Well, if you don't want it, I suppose I should take it back, no?"
Your hand unsurely reaches out for the wreath in Ivar's hand. He's quick to pull his arm back.
"It's bad luck to take back gifts," he states plainly. In an act of nonchalance, Ivar is playing with the wreath, spinning it around his finger. "I should like to keep it."
Sometimes you come back to the night you've met the infamous Viking, when you're rendered sleepless while he's calmly breathing next to you, getting the rest he desperately needs. How funny all of it seems - that a flower crown in bloodied, merciless hands could lead to having a genuine crown on your head. Maybe you were right, after all, and it really was the hand of one of the gods that threw the wreath for you.
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leosbones · 7 months
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based on a tiktok trend where people’s husbands think about the roman empire every day lmao
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oscarhmtech · 2 months
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Katheryn Winnick
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