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#Thomas Cornell
nobrashfestivity · 9 months
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Thomas Cornell
The comet, published 1789
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odinsblog · 6 months
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I know he finally gave the money back (somebody slapped some sense into him), but Cornel West is still defending his “brother,” Harlan Crow, the Nazi. So West is either a sellout or a useful idiot. Sorry, those are your only two choices
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20th-century-man · 2 years
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Brigitte Bardot / publicity photo for Ralph Thomas's Doctor at Sea (1955) / photo by Cornell Lucas.
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slashingdisneypasta · 6 months
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I do usually fall for the older men characters who would unabashedly love a younger S/O (scoundrels XD), cuz I like it, but I have to admit- there is a definite charm to a gentleman who's concerned he's taking advantage.
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socialismforall · 8 months
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Free advice to anyone running for POTUS: When they ask you about the $50K you owe in child support & the $500K you owe the IRS, don't dodge the questions. It makes you look ridiculous.
The Green Party US has 10 months to come up w/a better candidate, maybe a labor leader?*
source: https://abcnews.go.com/Politics/green-party-candidate-cornel-west-owes-half-million/story?id=102293692
Additionally, West was spotted this week at the sentencing hearing of Mark Ridley-Thomas, convicted of "seven felonies — bribery, conspiracy, four counts of honest services wire fraud, and one count of honest services mail fraud — in a scheme in which he extracted benefits from USC for himself and his son while on L.A. County’s powerful Board of Supervisors," according to the LA Times, as one of Ridley-Thomas's supporters.
source: https://twitter.com/JonnyPeltz/status/1696245729273254380
source: https://www.latimes.com/california/story/2023-08-28/ridley-thomas-sentencing
For background on Mark Ridley-Thomas, see this article from Knock LA, a grassroots homeless advocacy and support organization featured in our most recent reading, "Infrastructures of Community": https://knock-la.com/mark-ridley-thomas-anti-homeless-camping-laws/ Knock LA reports that, "rather than acting as “champion of the homeless population,” [Ridley-Thomas] acted as champion of homeless policy," and that "Ridley-Thomas introduced legislation for LA Municipal Code 41.18 on June 30, 2021, which bans “sitting, lying, or sleeping or storing, using, maintaining, or placing personal property in the public right-of-way” around transportation structures (everything from driveways to freeway underpasses) [...]. So far, the measure has been used to effectively ban homeless people from taking up space at over 140 sites across the city, with $2 million allotted by the council for the signage alone."
After leaving the courthouse, West was asked why he was supporting an LA politics insider convicted of bribery when his companion shooed the interviewer away, saying they were "putting West's life in danger": https://twitter.com/theveganforest/status/1696290380361162759
As one commenter put it, "Starting to think this Harvard professor-turned-TV gadfly might not be on the level regarding his commitment to left-wing politics."
*There are nine other candidates in the GPUS primaries already: https://www.fec.gov/data/candidates/president/?election_year=2024&cycle=2024&election_full=true&party=GRE
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garthnadermemestash · 8 months
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Joe Biden is a Catholic ladies.
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garadinervi · 2 years
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Mumia Abu-Jamal, Death Blossoms. Reflections from a Prisoner of Conscience, Foreword by Cornel West, Preface by Julia Wright, Cover photograph by Thomas Filmyer/WCB, Frontspiece by Jennifer Beach, South End Press, Cambridge, MA, 1996
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wausaupilot · 4 months
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UW-Stevens Point winter commencement ceremony nears
The ceremony will be held at 10 a.m. Dec. 16 in Stevens Point.
STEVENS POINT – An alumna who is the CEO of Jacquart Fabric Products will address more than 475 graduates and their families at the University of Wisconsin-Stevens Point’s winter commencement ceremony Dec. 16. Gina Jacquart Thorsen, a 1997 graduate of UW-Stevens Point, is the first female CEO in her company’s 120-year history. She will speak to graduates from campuses in Stevens Point,…
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mcb3k · 6 months
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The Thomas the Tank Engine Theme is Unironically Really Good
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odinsblog · 6 months
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🤡🤡🤡 clown alert
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Nazi lover Harlan Crow out here collecting weak minded, “educated” negroes like Pokémon. He’s already got Clarence Thomas, and now he’s going for “brother” Cornel West because he’s gotta catch ‘em all, I guess ¯\_(ツ)_/¯
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It’s funny because I’ve seen some dejected Cornel West followers who can’t believe he sold out for $3,300 dollars, less than the price of a crappy used car.
My thoughts are 1) Either West is hard up for cash so he sold out to a Nazi for dirt cheap, or 2) the $3,300 is only the beginning of a very long payoff like Clarence Thomas has been receiving, and therefore he really didn’t sell out for cheap, or 3) Cornel West is simply thee dumbest retail politician ever, because if 1) and 2) aren’t true, then you must ask yourself why Mr. West didn’t simply say, “Oopsies, my bad. That was a clerical oversight and my campaign has already returned the donation.” Easy peasy, problem solved.
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BUT INSTEAD, what West is doing is, he is defending his long “friendship” with Harlan Crow, the Nazi lover. Which, of course, begs several other questions: How long have you known this racist billionaire? What, precisely, has been the nature of this long term “friendship”? Has he ever given money to you or your family or any of your projects before?
Sorry, but those are your only three options, and the longer & harder West continues to stand up for Crow, the more it looks very bad and very suspect for Mr. West.
And you know Black twitter, they hopped into the way back machine and are pulling up all the old receipts, like Cornel West praising Ronald fucking Reagan, for example.
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Good riddance to Cornel West. He’s in the sunken place, sunk into the floor. He’s a clown.
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2022: June wrap-up
JUNE 2022 WRAP-UP Reading many books (8 right now) at the same time is fun, but then while you are in the middle of them, the statistics don’t reflect the effort, lol. They will eventually. I was expecting bigger numbers this month, but I have so many books in process right now… The good news is I’m currently 9 books ahead of schedule (57% done) to read 120 books this year. 📚 Here is what I read…
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blueiskewl · 7 months
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New Mexico Footprints are Oldest Sign of Humans in Americas
Fossil footprints date back to between 21,000 and 23,000 years ago, upending previous theory that humans reached continent later.
New research confirms that fossil human footprints in New Mexico are probably the oldest direct evidence of human presence in the Americas, a finding that upends what many archaeologists thought they knew.
The footprints were discovered at the edge of an ancient lakebed in White Sands national park and date back to between 21,000 and 23,000 years ago, according to research published on Thursday in the journal Science.
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The estimated age of the footprints was first reported in Science in 2021, but some researchers raised concerns about the dates. Questions focused on whether seeds of aquatic plants used for the original dating may have absorbed ancient carbon from the lake – which could, in theory, throw off radiocarbon dating by thousands of years.
The new study presents two additional lines of evidence for the older date range. It uses two entirely different materials found at the site, ancient conifer pollen and quartz grains.
The reported age of the footprints challenges the once conventional wisdom that humans did not reach the Americas until a few thousand years before rising sea levels covered the Bering land bridge between Russia and Alaska, perhaps about 15,000 years ago.
“This is a subject that’s always been controversial because it’s so significant – it’s about how we understand the last chapter of the peopling of the world,” said Thomas Urban, an archaeological scientist at Cornell University, who was involved in the 2021 study but not the new one.
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Thomas Stafford, an independent archaeological geologist in Albuquerque, New Mexico, who was not involved in the study, said he “was a bit skeptical before” but now is convinced.
The new study isolated about 75,000 grains of pure pollen from the same sedimentary layer that contained the footprints.
“Dating pollen is arduous and nail-biting,” said Kathleen Springer, a research geologist at the US Geological Survey and a co-author of the new paper.
Ancient footprints of any kind can provide archaeologists with a snapshot of a moment in time. While other archeological sites in the Americas point to similar date ranges – including pendants carved from giant ground sloth remains in Brazil – scientists still question whether such materials really indicate human presence.
“White Sands is unique because there’s no question these footprints were left by people, it’s not ambiguous,” said Jennifer Raff, an anthropological geneticist at the University of Kansas, who was not involved in the study.
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heaveninawildflower · 3 months
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Front cover of 'Little Gardens & How to Make the Most of Them' by H. H. Thomas.
Published 1908 by Cassell and Company Ltd.
Cornell University Library
archive.org
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whatareboats · 24 days
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Thomas wasn’t quite sure what the wooden monstrosity presented him was.
(full story below)
It was a poor attempt of whittling, in all honesty. James had been limited in tools and he had not actually whittled anything before..or properly seen anybody do it really. He just sort of stole Jacks knife and did his damn best.
Getting beaten would absolutely be worth it! (It really wasn’t, considering what he actually produced. I mean he was 11. What did he expect?)
At first, he had tried to carve it out with one of their little sharp stick things that he was forced by Jack to wield but it did not work at all.
The damn things were bloody useless and James stuck by that. He supposed they could pierce the skin of a pig well enough to be effective,or a Simon,though he reckoned that teeth or nails would be more affective. He supposed the other boys-in their smashed bottle mentality-had flairs for the dramatic even he couldn’t quite quite grasp.
Thomas Jude Smith did actually quite like them,though,James would argue that Tommy had good reason. He fancied them drawing sticks. Or well,’well-intentioned evil-plotting and who is most likely ranking lists’ sticks.
Off topic.
The whittling!
It was a toy boat! Or a hell-sent mimicry of a toy boat that could not fool a blind man.
He had decided it best to use the mucky, repulsive warpaint for some good and paint the boat to look a little more…boat like. The war paint freaked Tommy out. Too ‘dutty’. James’ was symmetrical. It was acceptable. If James had to wear it it best be symmetrical, not smudged (unless it was white, the white looked nice smudged) and god forbid a stripe be a la’al bit thicker than another.
Red smudges were an absolute no unless they were remnants of stains he couldn’t quite get out. They reminded Tommy of blood and due to recent events he had gained quite a hatred towards blood.
“We otta be tidy, red velvet cake.” He’d often say with an anxious smile and hands wracked with tremors that often overshadowed the fact that he had taken to calling James a ‘red velvet cake’ since he had started ‘caking’ on his warpaint which Thomas often compared to makeup. A mockery but James didn’t mind. It was banter not bullying.
Off topic!! Another thing Thomas insistently said was that when he got off the island his granda Felix was going to get him a lovely little toy boat for his birthday.
Thomas adored boats. He knew the names of at least 5 different boats. Since being on the island, he was starting to forget them. Particularly the different names of those navy, military ones.
He used to brag about how he definitely knew more about boats than Ralph could ever know and his daddy didn’t even need to step foot into the navy. He was doing all the proper fighting, with guns and that but he’d be home soon.
Ambrose Smith didn’t like the war. In fact, he had even tried organising protests against it with Auntie Katty before he was drafted. (It failed miserably but Tommy would never tell anyone that or any unimpressive thing about himself for that manner.)
Off topic!
Granda Felix and the toy boat!
Lately, Thomas had been rather down. You see, Tommy knew that Ralph’s downfall was inevitable though he’d always assumed it would be through the other boys rightfully appointing him as leader. Definitely not Jack going batty and running a totalitarian state, anyhow.
Being an active opposer of Jack was slightly scary. With Roger going stick crazy, Jack going more mental by the second and Ralph and Piggy being nowhere to be seen Tommy had sort of been on his last footing and Joseph was no help anymore.
I mean not to be rude to the poor bastard but he’d been going battier than Simon. Wandering around aimlessly without a care in the world-in fact in another world entirely would be a better descriptor-wasn’t helpful when trying to get out of the way of hunts.
Having a ‘hes alright’ relationship with Corny and red velvet cake would only get Tommy so far and Joseph didn’t have that at all with Cornelius.
Tommy spent half a day hoping Piggy would sneak up to him and they could formulate some sort of plan.
Cornelius often attested that Piggy was long dead and waiting around for him like some lost puppy was not at all helpful. Thomas didn’t believe that for a second.
Piggy was smart. Very smart. He was good with the maths and science and Tommy was absolutely no good with it so anyone who was were always instantly impressive to him. Tommy figured that if a boulder were to start hurtling towards Piggy, he would sense it even if he was caught up in talking and would be able to use his maths and science to get away from it.
Cornelius would often reply with “Well theres no wonder you’re getting an E then isn’t it?” Tommy often assumed Cornelius was praising him for his clear intellect. James often found use for sticks at moments like that.
Off topic. Anyways, suffice to say, Tommy needed a pick me up. James figured:whats the point in waiting an eternity to get off the island to get a toy boat when James could make him a 10x cooler one on the island?
James didn’t have the humility to admit his toy boat probably wasn’t 10x better than Granda Felix’s.
They met up upon the rocky cliff face just south of castle rock;it was a risky move for Tommy, in all honesty.
As James handed him the poor excuse of a toy boat, it took Tommy a few seconds to recognise what exactly it was other than a lump of wood. He had the sense to know James wouldn’t gift him a lump of wood. When Tommy realised it was a toy boat all for him, however, he gasped. His mouth agape, he stared at the boat for a few moments before grinning and giggling wildly as he snatched it from James’ hands.
“A proper boat like what Granda was garn get us!!” He exclaimed. Thomas was, admittedly rather impressed with James’ craftsmanship. The poorly crafted work of children was often impressive to other children after all, particularly because they know they wouldn’t be able to do much better. Tommy didn’t have an artistic bone in his body so it was extra impressive.
“Well aye! Probly better than what ya granda was garn get ya, eh.” James stated, grinning at Tommy’s elated reaction.
“Maybe, I ‘spose.” Tommy shrugged, quickly blowing a strand of chestnut brown hair out of his eyes as it fell out of place and over his face.
“Deff.” James asserted.
“Aye but me granda’s quite good wiv making things, eh.” Tommy reasoned, lifting the boat in the air as he carefully observed it and it’s ‘impressive’ craftsmanship.
“Not as good as us.” James snickered proudly, placing a hand upon his painted chest.
“Right…”
Tommy found arguing with an egoist like James pointless.
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princesssarisa · 1 month
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Opera on YouTube, Part 2
Le Nozze di Figaro (The Marriage of Figaro)
Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)
Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV
Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)
Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)
Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)
Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)
Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV
Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)
Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)
Tosca
Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)
Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)
Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)
Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)
Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)
Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)
Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)
Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)
Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)
Don Giovanni
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)
Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)
Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)
Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)
Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)
Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II
Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)
Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)
Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)
Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)
Madama Butterfly
Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)
New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)
Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)
Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)
Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)
Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)
Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)
Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)
Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)
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stevebattle · 8 months
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SwarmBots by James McLurkin (2004), MIT AI Laboratory, Cambridge, MA. SwarmBots are programmed to emulate the behavior of bees. Equipped with bump sensors, a self-charger, a radio modem and an audio system, the robots are autonomous yet travel in a fleet. When one robot makes a discovery, it signals the group. McLurkin (pictured): “When I started on this swarm project, I visited a biologist at Cornell, Professor Thomas Seeley. He's done a bunch of really good work studying honeybees. I think it would be very exciting to test his research on robots, to see if the robots can do the same things as bees can. They ought to be able to do similar things. They have similar sensors and have access to the same kind of information. They have the same kind of physical limitations, especially in terms of their communication with each other. Bees don't have cell phones. They don't have GPS. They are not sending e-mail to each other. They are only communicating to nearby bees. And the robots have the same kind of communication constraints, same kind of mobility. Bees pretty much live in a two-dimensional world. They do fly but they don't fly to 40,000 feet. They stay pretty close to the surface of the Earth, so you can imagine that they look kind of like a bunch of robots rolling around on the ground.” – An Obsession With Robots: A Talk With James McLurkin, by Peter Tyson, NOVA Science Now.
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