#The black screen also happens with Disney+ (on website)

[arty-shadow-morningstar]

A Failed Betrothal (Part 3)

There were a lack of stuff to read so I posted this instead.

[Masterlist]

(Part 1)(Part 2)

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PART 3

The next day was weird to say the least for everyone but for Marinette, it was another can of worms that she wished she didn’t open. For one thing, Chat Noir’s feelings obsession for Ladybug switched from one black-haired girl to another which unfortunately was Ladybug’s civilian form. Which meant Marinette had to deal with Adrien’s Chat-Noir-level flirting and bad pick-up lines.

Perfect, just perfect.

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Everyone thought that a declaration speech of ‘being soulmates and the only one for him’ in front of the whole class from the ‘love of your life’ would warrant a ‘blushing to death and stammering’ or ‘outright fainting’. Not a facepalm, a groan, “Why me?” and a “I am sorry but NO. I don’t feel the same way about you”. Marinette vaguely wondered if there was some kind of rule for interesting events and confrontations to happen during lunch break while the class waits for Mme Bustier to start the lessons.

Marinette went to sit in her seat next to Chloe in the back row where she and her friends had been exiled to. The class was in stunned silence and questioning about whether or not they had fallen into an alternate universe or dreaming. Nathaniel and Alix tried to hide their snickers. Chloe just started outright laughing, turning very red in the face.

Marinette felt a nudge from Plagg in her bag. Looking down, she saw them holding up her phone to show Lila’s gaping face of horror with a wicked smug grin on their face. She looked through the photos to see everyone’s faces of confusion and shock at her rejection. Eyes wide and jaws dropped on the ground. Different shots of her classmates in the same state. She smirked and showed them to Chloe who calmed down enough, letting out the occasional giggles and took the phone with glee.

“Thank you, Plagg. Here you go.” she whispered, giving them a camembert macaron.(Tom had started experimenting with camembert in his recipes. Plagg is his first taste tester for all of them, making Tom one of Plagg’s favourite people.)

Adrien didn’t take the rejection very well.

“But we are meant to be. You are a designer and I am a model. Our partnership is the one to be envied by many for the ages.”

“And by that logic,” The designer turned to her main model for her MDC website, “Chloe, my love, will you be my one and only? For our love shines so bright ,paralleled only by a thousand suns.” Using the same voice Plagg does when they go on one of their love odes about camembert before losing her straight face and giggling.(Plagg doesn’t know whether to be offended or amused.)

Setting Chloe’s laughter off again. “Mariiiii,...stop….I can’t..*gasps*....I can’t…”

Nathaniel and Alix, finally lost control and joined Chloe in death by laughter. Adrien was flustered, turning red in the face either from anger, embarrassment or both.

“But Chloe isn’t a model.”

Marinette decided to put a stop to this, just on the off chance that Gabriel finally decides to akumatized his own son. She recomposed herself.

“She is the main model for my website and we have a partnership. You, however, work for your father. So does Miss Rossi. Does that sound like the partnership to be envied by many for the ages? Hmmm, Agreste? Anyways, like I said before, I have no interest in dating you.”

“Why not? We are friends and sometimes, friends like each other enough to date each other.” Adrien angrily asked.

“Because-”

“Because, Adrikins,” Chloe cuts in, “friends having to date because one of them is interested in something more makes no sense and is fucked-up. Marinette doesn’t owe you anything. Besides, she already has a long distance boyfriend who lives in America.”

“WHAT!?” Adrien shouted.

“What?!” The class had snapped out of their stupor. Since when had Marinette gotten over Adrien and had a boyfriend?

“What?” Marinette looked at Chloe with wide-eyes. Last she checked she was still single so what the hell was Chloe playing at. For Kwami’s sake, she hadn’t been on a date since the one with Luka which went awkwardly before they agreed that they think of each other as siblings and it will be best to stay that way.

Chloe gave her a look that said ‘I will explain later.’

“Oh yes, they met online a few months ago and now they are all lovey-dovey together. It’s just so ridiculous, so utterly ridiculous how disgustingly in love they are. They have video call dates at least once a week and somehow make it work despite the time differences. He once came all the way to Paris just to see her. He brought her some special flowers that apparently meant-”

Marinette slapped her hand over Chloe’s mouth. “Well, Chloe, Queenie, as much as I love you as my friend, you can stop gushing about my love life now. Because class is about to start.”

She said through gritted teeth as Mme Bustier finished taking her sweet time and walked in. Sadly, Alya wasn’t done with the conversation ,“Wait a minute, since when did Chloe and you become close enough that she is modeling for you? And a boyfriend? Why didn’t you tell me, Girl? I thought we were friends. What about Adrien, he just confessed to you and you had been crushing on him for so long” Many girls gasped, angry that Alya broke the unspoken girl code.

“You have a crush on me?” Adrien looked hopeful. Like a lost kitten that had been stuck in the rain, was let into someone’s home.

“I had a crush on you,” Marinette corrected him, emphasising on the past tense, “and Alya had no business of sharing that information to the entire world despite us not being friends anymore.” She glared at the journalist who at least looked ashamed.

“You wanted to date Kagami so I moved on.”

One of the reasons anyway. I found out that you were my partner who had no concept of boundaries. You are a coward who only wants to maintain the class peace at the price of my mental health, she thought.

“Instead of continuing to pursue you.” She hoped the ever dense and oblivious model would get the hint she gave him. Tikki ,just this once, Grant me that ladybug luck.

“And Mme Bustier, it is time to start the lessons, don’t you think? Instead of focusing on the class drama to gossip about later on.” Marinette glared at the teacher, reminding her to do her job.

“Oh. Right.” Mme Bustier tried to regain her ‘perfect teacher’ image after getting embarrassed at being caught, “Right. Class, turn to page-”

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As soon as the bell rang for the end of school, Marinette dragged Chloe all the way to her room. Alix and Nathaniel followed them because as far as they know, Marinette had no boyfriends and they were as curious to find out what scheme Chloe had cooked up this time. They were as complicated and crazy as Ladybug’s. No offense, Marinette.

“Okay, Queenie, you have to explain why I now have a devoted American boyfriend who I am so in love with.” Marinette crossed her arms with a frown aimed at Chloe. The kwamis got out of their respective hiding places and went to the tray of food set out for them.

The trapdoor to her room opened, revealing the rest of their friend group before Chloe said anything.

“Did we miss anything?” Kagami asked as Longg and Sass joined the other kwamis.

“Juleka said something about an American boyfriend and how he sounds so romantic. Does that have to do anything with the text Alix sent us to come here?” Luka added.

“To recap, Adrien made a love confession to Marinette,” Alix started, biting into some of the delicious pastries the Dupain-Chengs gave them, ”in front of the entire class after an entire day of flirting and bad pick-up lines.”

“Wow, even after having his memories erased of being Chat Noir, he is still after Ladybug.” Luka chuckled, with the others joining in.

Marinette whined, “It was easier when he was Chat Noir. But now as Adrien Agreste, teen heartthrob, it is going to be much more difficult to get into his thick head that I don’t see him that way and it is going to get harder, now that Alya outed my old crush to him.”

“Oof. Sucks to be you.”

“So, our Mari-bug rejected him. He threw a tantrum and sulked, so like Chat Noir, how did we not notice?,” Alix continued, “After demanding reasons why they can’t date, Chloe gave Marinette an American boyfriend who she was in a long-distance relationship with. Speaking of, why did you do that?”

“I have known Adrik- Adrien since we were in diapers and I know how that mangy cat works. He grew up on Disney and had all those fairytales stuffed into his head. If you had told him that you were just not interested in dating at the moment, it won’t work because he will try his hardest to ‘woo’ you, because he still has a chance. He won’t push his luck as much if you were off the market.” Chloe explained.

“I am sure that, judging by the fact that Chat Noir still tries to date Ladybug despite her saying she is in love with someone, Adrien might try to get more proof of this boyfriend to make sure Marinette is just not pretending to have one.” Kagami pointed out.

“Ahh, but luckily I have a back-up plan. I have a friend, Tim Drake. We met at a few galas when we were younger and kept in touch. He also owes me a favor.”

“I hope this Tim Drake is cute.”

“He is and he’s older than you by two years and,” Chloe typed something on her phone, “A fellow caffeine addict so you can bond over that. Here’s a picture of him and his brother.”

On her phone were two extremely attractive and fit young men dressed in expensive suits at what looked like a gala, the older one had a charming polite smile with bright blue eyes, looking somewhat interested at what someone off-screen was saying despite looking like he will fall over any moment. His brother, however, looked like he would rather be anywhere but where he was. He was tanned and had green eyes that promised murder for daring to even breathe in his direction. Marinette noticed that he looked a little familiar but she can’t place why.

“Tim is the one that looks like he hasn’t slept in days and that’s his brother Damian next to him.”

“Wait a minute. That’s Tim Drake and Damian Wayne. The sons of Bruce Wayne, the billionaire co-CEO of Wayne Industries, which Tim Drake is also co-CEO of.” Nathaniel said with wide eyes and looked at Chloe, “You are using your favor to give our Mari here a fake boyfriend.”

“Of course, only the best for our Mari-bug.”

“Chloe, no, he is probably busy as he is with running the company. No need to get him involved in petty teenage drama.” No matter how much she doesn’t want to date Adrien, bothering a busy guy to be her fake boyfriend is not worth it in Marinette’s opinion. Which, of course, gets overruled by the overprotectiveness of her friends.

“I, for one, think this is one of Chloe’s better plans.” Kagami commented, the others agreeing with her. Traitors.

“Hey!” Chloe exclaimed, an offended look on her face, “Anyways, I will call him later.”

“Children, you better go home now before your parents worry.” Sabine’s voice came from below, “Remember we are also going through some drills tonight so try not to be late.” Having a former assassin for a mother is handy when you want to train a team of teenage superheroes.

“Bye, guys. See you later.”

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“Just because you have been trained since birth does not excuse you from the drills. You also need to get used to the black cat.” Lady Mǔ lǎohǔ reprimanded her with her arms crossed. When Ladybug started her new team, she was the first permanent member but as the team got bigger, she stepped back to be back-up and mentor for the team.

“Yes, Maman, I know but I am nearly finished with this commission. I will catch up with you later. Promise.” Marinette stretched, looking up from her latest project. Plagg was napping in the little basket she had made for all the kwamis to sleep in which fit all of them and had some extra space for Nooroo and Dusuu after they had been retrieved.

The reason she had Plagg instead of Tikki who was with Alix was because of the new tactic the Miraculous Team came up with. To keep the balance the Ladybug and Black Cat must be active at the same time but with Adrien gone, someone must wield the ring until a new permanent holder is found and it was not a good idea for both of them to be on the same person at the same time. The team decided to rotate using the earrings and ring between them with Marinette using other miraculouses when the others have them. It also had the added bonus of making it harder for Hawkmoth to find out who has them at any given time.

“See you later, 灵儿 (líng er, means intelligence). I will give you 15 minutes but that’s it. Don’t be late.” Sabine sighed and got out the skylight and went towards the safehouse where the Miraculous team met to get training. (It is one of Sabine’s emergency safehouse to use in times of emergency and it had the required space to train 6 teenagers. Chat Noir never came to training, lazy cat.)

Marinette never made it to the warehouse.

Because a few minutes after her mother left, the skylight opened to let in five figures dressed in dark colours to easily blend into the shadows like they were trained to be. Too bad they weren’t as quiet. Marinette immediately summoned a bo-staff to defend herself.

One of them lunged at her and she retaliated by hitting the end of her staff to their middle, coupled with a couple more blows and landed one that knocked them out. The others threw throwing stars which she dodged by jumping back. Which landed her to be trapped by the two assassins, whom she didn’t notice, had moved. She cursed in every language she knew as she struggled against them. It led to no avail as she was badly out-numbered. There was a prick on her head and her world went black.

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Plagg awoke to a loud commotion. Irritated, they poked their head out to see their new temporary kit knocked out, tied up and hauled away. Recognizing the kidnappers as assassins of the League of Shadows, they scowled. Ra’s Al Ghul was going to pay.

Plagg may not act like it much but the black kwami was patient and smart. Smart enough to leave a note with an explanation somewhere visible with the messy aftermath of a fight before trailing the assassins. Oh, Roarr’s tiger was going to be pissed once she found out what happened. Wherever they were taking Marinette, it would be best to have a kwami of destruction to help her escape. The night made Plagg almost invisible and allowed to move unseen. They caught up easily and hid in their holder’s midnight hair. Now, their patience came into play. It was a matter of waiting for the right moment to pounce.

------------------------------------------------------------------------------Tag list: @alysrose-starchild, @buginetye, @lookatthestars1, @blackroserelina, @macncheesemonster, @mochinek0, @myazael, @tonicxworld, @thewitchwhowaited, @t1dwarrior-of-earth, @kissa-chan, @iwantasecretidentity, @theymakeupfairies, @user00000003, @woe-is-me0, @kashlyn, @mochegato,@moonlightstar64 , @greatcatblaze, @moongoddesskiana, @tazanna-blythe. @tonicxworld, @toodaloo-kangaroo, @frieddonutsweets, @local-witch-of-mn, @lady-bee-fechin, @iglowinggemma28, @indecisive-mess-named-me, @k-tea-and-coffee, @jayjayspixiepop

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(Part 4)

#damian x marinette #ml x dc #maribat #marinette x damian #daminette #betrothal au: take 2 #A failed betrothal #Adrien salt #some Alya salt #yes. i put fake dating in betrothal au #plagg is protective of his kittens #kidnapping

[impostoradult]

Media Market Research (and why its undermining all the things you love)

Trying to understand what is dysfunctional about Hollywood is an epic task, and the answers are like the stars – arguably infinite. Hollywood is dysfunctional for literally more reasons than I could count.

But market research plays a fairly heavy role in its dysfunction (IMO) and the time has finally come for me to add my professional two cents about this issue. (This rant of mine has been building for a while, FYI. Hence why it is so...comprehensive. There is a tl;dr section towards the bottom, if you want the high level summary)

*** For the last 4+ years I’ve worked in the field of market research, almost exclusively with major media makers like Warner Bros., NBCU, AMC/BBCA, Viacom, FOX (before Disney acquired them), A+E, etc. (this past year I quit the job where I was doing this work for a variety of reasons, many of which will become clear as you keep reading, but I am still listed as a consultant on the company website):   https://www.kresnickaresearch.com/who/ (Rachel)

And just for comparison, here is a Halloween selfie I took 4 years ago and posted on my blog, so you can see I am who I say I am. 

I know a fair amount about how market research on major media franchises is conducted and how it influences production, and a lot of these choices can also be at least somewhat tied back to the massive flaws in the market research industry and its impact. *** First, at the highest level, you need to understand market research in general is not well-conducted much of the time. Even the people doing a reasonably good job at it are VERY limited in doing it well because of financial constraints (clients don’t want to spend more than they have to), time constraints (clients want everything done as fast as humanely possible) and just the inherent problems within the industry that are decades old and difficult to fix. For example, all market research ‘screens’ participants to make sure they qualify to participate (whether it is a mass survey, a focus group, a one-on-one interview, etc.). So, we screen people based on demographics like race, gender, age, household income, to get representative samples. But people are also screened based on their consumption habits. You don’t want to bring someone into a focus group about reality TV if they don’t watch reality TV. They aren’t going to have anything useful to say. 

However, a lot of the people who participate in market research have made a ‘side-gig’ out of it and they know how to finesse the process. Basically, they’ve learned how to lie to get into studies that they aren’t a good match for because most market research is paid, and they want the money. So, a lot of TV and film market research is being done on people who don’t actually (or at least don’t regularly) watch those shows or movies or whatever but have learned how to lie well enough in these screening processes to make it through. And because of the aforementioned time and money issue, clients don’t want to spend the time or money to actually find GOOD participants. They just accept that as an inevitable part of the market research process and decide not to let it bother them too much. So, a fair number of the people representing YOU as a media consumer are people who may not be watching Supernatural (for example) at all or who watch a rerun occasionally on TNT but haven’t been watching consistently or with ANY amount of investment whatsoever. You can see why that creates very skewed data. But that’s just the tip of the skewed iceberg. *** Second, media market research is conducted in line with the norms of market research more broadly, and this is a huge problem because media is a very atypical product. How people engage with media is far more complex and in depth than how they engage with a pair of jeans, a car, or a coffee maker. There are only so many things that matter to people when it comes to liking or not liking a coffee maker, for example. Is it easy/intuitive to use? How much space does it take it on my counter? How expensive is it? Does it brew the coffee well? Maybe does it match my décor/kitchen aesthetic? Can I make my preferred brand of coffee in it? The things you as a consumer are going to care about when it comes to a coffee maker are limited, fairly easy to anticipate in advance, and also easy to interpret (usually). How people mentally and emotionally approach MEDIA? Whole other universe of thing. Infinitely more complex. And yet it is studied (more or less) as if it is also a coffee maker. This is one of the many reasons I decided to leave the media market research field despite my desire to have some ability to positively influence the process. As so often seems to be the case, I fought the law and the law won. I could never make the other people I worked with in the industry understand that the questions they were asking were not all that useful a lot of the time and they weren’t getting to the heart of the matter. They were just following industry standards because they didn’t know any better and none of them want to admit they don’t REALLY know what they’re doing. Which leads me to point 3. *** Most of the people doing this research don’t have any expertise in media or storytelling specifically. They are typically trained as social scientists in the fields of psychology, anthropology, sociology, or math/statistics. And many of them do not have any kind of specialization or education in media/storytelling beyond the English classes they took in high school and the one Media Studies course they took as an elective in college. Most of them have a very unsophisticated understanding of narrative structure, thematics, tropes, subtext, etc. They mainly think in terms of genres at the VERY broadest level. Also, not infrequently, they don’t watch or have much knowledge of the shows they are supposed to be doing research on, beyond what they’ve read on IMDb or Wikipedia or what is generally common knowledge. Unless they by chance happen to watch the shows themselves (which often they don’t) they often know very little about the shows they are crafting these questions about. Again, partly because they think it is like the coffee maker, and you don’t need to understand it in any depth to research it. (I know this must sound insane to you as avid media consumers, but that is the general attitude among those who do market research) There is such a lack of sophistication in how people in the business side of the industry understand media and storytelling. Most of them are either MBAs or social scientists and their training has not prepared them to examine fictional works with the kind of depth that people in the Humanities (who are specifically trained to study texts) have. Somehow, despite the fact that the Humanities is all about understanding texts, that is the one discipline they make almost no use of in the business side of Hollywood. And boy howdy does it show. *** Point 4 – average consumers CANNOT ARTICULATE WHY THEY LIKE THINGS. Particularly media things. I know this sounds condescending, but it is my honest observation. It is unbelievably hard to get people to have enough self-awareness to explain why they actually like things, especially things as mentally and emotionally complex as media. What typically happens when you ask people why they like a TV show or movie, for example? They will tell you what they most NOTICE about the TV show or movie, or what is distinctive to them about it (which may or may not have anything to do with what they actually LIKE about it). They will say things like “I like the genre”, “I think it’s funny”, “The car chases are exciting”, “I want to see the detective solve the puzzle.” Sometimes you can get them to talk about what they find relatable about it, if you push them a little. But often they leave it at either the level of literal identity (young black woman), basic personality traits (she’s a social butterfly and so am I) or situations they’ve personally experienced (I relate to this story of a man losing his father to cancer because I lost a close family member to cancer). But the vast, vast, vast majority of them can’t go to the deeper level of: a) Why X representation of a young black woman feels accurate/authentic/relatable and Y representation doesn’t b) Why it matters to me that X,Y,Z aspects of my personality, identity, experience get reflected in media whereas I don’t really care about seeing A,B,C aspects of my personality, identity, or experience reflected in media c) How and why they are relating to characters when they can’t see the literal connection between their identity/experience and the character’s identity/experience. (For example, many people have argued that women often relate to Dean Winchester because a lot of his struggles and past negative experiences are more stereotypical of women – being forced to raise a younger sibling on behalf of an actual parent, being seen and treated as beautiful/sexually desirable but vacuous/unintelligent, his body being treated as an instrument for a more powerful group to quite literally possess, etc. Part of the reason Supernatural has always been such a mystery/problem for the CW and Warner Bros is they could never crack the code at this level. Never.) Part of the reason they can’t crack these codes is average people CANNOT give you that kind of feedback in a survey or a focus group, or even an in-depth interview (much of the time). They just don’t have the self-awareness or the vocabulary to get it at that level. Let alone asking them to articulate why Game of Thrones is compelling to them in an era where wealth disparity is creating a ruling class that is fundamentally incompetent at maintaining a just/functional society, which is especially concerning at this particular moment, given the existential threat we face due to climate change. And the truth is, that IS part of what people – even average people – are responding to in Game of Thrones. But what they’ll tell you when you do market research on it is: they like the dragons, they like the violence, they relate to Tyrion Lannister being a smart mouth, maybe they’ll say they like the moral ambiguity of many of the conflicts (if they are more sophisticated than average). But the ‘Dean Winchester is heavily female coded despite his veneer of ultra-masculinity’ or the ‘Game of Thrones is a prescient metaphor for the current political dynamics and fissures of modern western society’ is the level you ACTUALLY need to get to. And most market research can’t get you that because the people ASKING the questions don’t know what to ask to get to this level, and most of the respondents couldn’t give you the answers even IF you were asking them the right questions (which usually you are not) And I’m not saying average people are dumb because they can’t do this. But it requires practice, it requires giving the matter a great deal of in-depth thought, and most people just don’t care enough about it to do that while taking a market research survey. (I know this is going to feel counter-intuitive to people on Tumblr. But you have to remember, you are NOT average media consumers. You are highly atypical media consumers who have far more self-awareness and a much more sophisticated engagement with media than the average person watching TV. If you didn’t, you probably wouldn’t be here talking about it in the first place) Point 4.1 – People also lie/misrepresent their own experiences to market researchers because they want to maintain certain self-narratives. You have no idea how many people would get disqualified from our surveys for saying they watched less than 5 hours of TV a week. And sure, that might actually be true for a few of them. But if you watch TV with any regularity at all (which most people in modern America do) you probably watch more than 5 hours a week. The problem is, people think it makes them sound lazy to say they watch 15-20 hours a week, even though that’s about 2-3 hours a day (which actually isn’t THAT high). People lie and misrepresent their behaviors, thoughts and feelings because it can be socially uncomfortable to admit you do what you actually do or feel how you actually feel, even in the context of an anonymous survey, let alone a focus group or a one-on-one interview. People want to make themselves look good to THEMSELVES and to the researchers asking them questions. But that makes the market research data on media (and lots of other things) very questionable. For example, one finding we saw more than once in the surveys I was involved in conducting was people would radically downplay how much the romance elements of a story mattered to them, even large portions of female respondents. When we would ask people in surveys what parts of the story they were most invested in, romances ALWAYS came out among the lowest ranked elements. And yet, any passing familiarity with fandom would tell you that finding is just WRONG. It’s wrong. People are just flat out lying about how much that matters to them because of the negative connotations we have around being invested in romance. And never mind the issue of erotic/sexual content. (I don’t mean sexual identity here, I mean sexy content). The only people who will occasionally cop to wanting the erotic fan service is young men (and even they are hesitant to do so in market research) and women frequently REFUSE to admit that stuff in market research, or they radically downplay how much it matters to them and in what ways. There is still so much stigma towards women expressing sexuality in that way. Not to mention, you have to fight tooth and nail to even include question about erotic/sexual content because oftentimes the clients don’t even want to go there at all, partly because it is awkward for everyone involved to sit around crafting market research questions to interrogate what makes people hot and bothered. That’s socially awkward for the researchers doing the research and the businesspeople who have to sit in rooms and listen to presentations about why more women find Spock sexier than Kirk. (Which was a real thing that happened with the original Star Trek, and the network couldn’t figure out why) Aside from people not have enough deeper level self-awareness to get at what they really like about media content, they also will lie or misrepresent certain things to you because they are trying to maintain certain self-narratives and are socially performing that version of themselves to researchers. *** Point 5 – Qualitative data is way more useful for understanding people’s relationships to media. However, quantitative data is way more valued and relied upon both due to larger market research industry standards and because quantitative data is just seen as harder/more factual than qualitative data. A lot of media market research involves gathering both qualitative and quantitative data and reporting jointly on both. (Sometimes you only do one or the other, depending on your objectives, but doing both is considered ‘standard’ and higher quality). However, quantitative data is heavily prioritized in reporting and when there is a conflict between what they see in qualitative versus quantitative data, the quant data is usually relied upon to be the more accurate of the two. This is understandable to an extent, because quantitative surveys usually involve responses from a couple thousand participants, whereas qualitative data involves typically a few dozen participants at most, depending on whether you did focus groups, individual interviews, or ‘diaries’/ethnography. The larger sample is considered more reliable and more reflective of ‘the audience’ as a whole. However, quantitative surveys usually have the flattest, least nuanced data, and they can only ever reflect what questions and choices people in the survey were given. In something like focus groups or individual interviews or ethnographies, you still structure what you ask people, but they can go “off script.” They can say things you never anticipated (as a researcher) and can explain themselves and their answers with more depth. In a survey, participants can only “say” what they survey lets them say based on the questions and question responses that are pre-baked for them. And as I’ve already explained, a lot of times these quantitative surveys are written by people with no expertise in media, fiction, or textual analysis, and so they often are asking very basic, not very useful questions. In sum, the data that is the most relied upon is the least informative, least nuanced data. It is also the MOST likely to reflect the responses of people who don’t actually qualify for the research but have become good at scamming the system to make extra money. With qualitative research, they are usually a little more careful screening people (poorly qualified participants still make it through, but not as often as with mass surveys, where I suspect a good 35% of participants, at least, probably do not actually qualify for the research and are just working the system). 

Most commonly, when market research gets reported to business decision-makers, it highlights the quantitative data, and uses the qualitative data to simply ‘color in’ the quantitative data. Give it a face, so to speak. Qualitative data is usually supplemental to quant data and used more to make the reports ‘fun’ and ‘warm’ because graphs and charts and stats by themselves are boring to look at in a meeting. (I’m not making this up, I can’t tell you how many times I was told to make adjustments on how things were reported on because they didn’t want to bore people in the meeting). (Sub-point – it is also worth noting that you can’t report on anything that doesn’t fit easily on a power point slide and isn’t easily digestible to any random person who might pick it up and read it. The amount of times I was told to simplify points and dumb things down so it could be made ‘digestible’ for a business audience, I can’t even tell you. It was soul crushing and another reason I stopped doing this job full time. I had to make things VERY dumb for these business audiences, which often meant losing a lot of the point I was actually trying to make) Point 5.1 – Because of the way that representative sampling works, quantitative data can be very misleading, particularly in understanding audience/fandom sentiments about media. As I’m sure most of you know, sampling is typically designed to be representative of the population, broadly speaking. So, unless a media company is specifically out to understand LGBTQ consumers or Hispanic/Latinx consumers, it will typically sample using census data as a template and represent populations that way. Roughly 50/50 male/female. Roughly even numbers in different age brackets, roughly representative samplings of the racial make-up of the country, etc. (FYI, they do often include a non-binary option in the gender category these days, but it usually ends up being like 5 people out of 2000, which is not enough of a sample to get statistical significance for them as a distinct group)   There is a good reason to do this, even when a show or movie has a disproportionately female audience, or young audience. Because they need enough sample in all of the “breaks” (gender, race, age, household income, etc.) to be able to make statistically sound statements about each subgroup. If you only have 35 African American people in your sample of 1000, you can’t make any statistically sound statements about that African American cohort. The sample is just too small. So, they force minimums/quotas in a lot of the samples, to ensure they can make statistically sound statements about all the subgroups they care about. They use ratings data to understand what their audience make up actually is. (Which also has major failings, but I’ll leave that alone for the minute) With market research, they are not usually looking to proportionately represent their audience, or their fandom; they are looking to have data they can break in the ways they want to break it and still have statistically significant subgroups represented. But that means that when you report on the data as a whole sample – which you often do – it can be very skewed towards groups who don’t make up as large a portion of the show’s actual audience, or even if they do, they don’t tend to be the most invested, loyal, active fans. Men get weighted equally to women, even when women make up 65% of the audience, and 80% of the active fandom. Granted, they DO break the data by gender, and race, and age, etc. and if there are major differences in how women versus men respond, or younger people versus older people, they want to know that...sometimes. But here’s where things get complex. So, if you are doing a sample of Supernatural viewers. And you do the standard (US census-based) sampling on a group of 2000 respondents (a pretty normal sample size in market research). ~1000 are going to be female. But with something they call “interlocking quotas” the female sample is going to be representative of the other groupings to a degree. So, the female sample will have roughly equal numbers of all the age brackets (13-17, 18-24, 25-34, etc.). And it will have roughly 10% non-heterosexual respondents, and so on. They do this to ensure that these breaks aren’t too conflated with each other. (For example, if your female sample is mostly younger and your male sample is mostly older, how do you know whether it is the gender or the age that is creating differences in their responses? You don’t. So, you have to make sure that all the individual breaks (gender, race, age) have a good mix of the other breaks within them, so groups aren’t getting conflated) But what that means is, Supernatural, whose core fandom is (at a conservative guess) 65% younger, queer, women, gets represented in a lot of statistical market research sampling as maybe 50-100 people, in a 2000-person survey. 50-100 people can barely move the needle on anything in a 2000-person survey. Furthermore, usually in the analysis of data like this, you don’t go beyond looking at 2 breaks simultaneously. So you may look at young female respondents as a group, or high income male respondents, or older white respondents, but you rarely do more than 2 breaks combined. And the reason for that is, by the time you get down to 3 breaks or more (young, Hispanic, women) you usually don’t have enough sample to make statistically significant claims. (It also just takes longer to do those analyses and as I explained in the beginning, they are always rushing this stuff). To do several breaks at a time you’d have to get MUCH larger samples, and that’s too expensive for them. And again, I want to stress, this type of sampling isn’t intended to sinisterly erase anyone. Kind of the opposite. It is intended to make sure most groups have enough representation in the data that you can make sound claims about them on the subgroup level. The problem is that it can create a very skewed sense of their overall audience sentiment when they take the data at ‘face value’ so to speak, and don’t weight segments based on viewership proportion, or fandom engagement, etc. Point 5.2 – Which leads me to my next point, which is that fandom activity that doesn’t have a dollar amount attached to it doesn’t make you a ‘valuable’ segment in their minds. One of the breaks they ALWAYS ask for in data like this is high income people, and people who spend a lot of MONEY on their media consumption. And they do prioritize those people’s responses and data quite a bit.   And guess what – young women aren’t usually high-income earners, and although some of them are high spenders on media, high spending on media and media related merch skews toward higher income people just because they HAVE more disposable income. Older white men are usually the highest income earners (absolutely no surprise) and they are more likely in a lot of cases to report spending a lot on the media they care about. Having expendable income makes you more important in the eyes of people doing market research than if you’ve spent every day for the last 10 years blogging excessively about Supernatural. They don’t (really) care about how much you care. They care about how much money you can generate for them. And given that young audiences don’t watch TV live anymore, and they give all their (minimal) expendable income to Netflix and Hulu, you with your Supernatural blog and your 101 essays about Destiel is all but meaningless to many of them (from a business standpoint) Now, some of them kind of understand that online fandom matters to the degree that fandom spreads. Fandom creates fandom. But if the fandom you are helping to create is other young, queer women with minimal income who only watch Supernatural via Netflix, well, that’s of very limited value to them as well. I don’t want to suggest they don’t care about you at ALL. Nor do I want to suggest that the “they” we are talking about is even a cohesive “they.” Different people in the industry have different approaches to thinking about fandom, consumer engagement and strategy, market research and how it ought to be understood/used, and so on. They aren’t a monolith. BUT, they are, at the end of the day, a business trying to make money. And they are never going to place the value of your blogging ahead of the concrete income you can generate for them. (Also, highly related to my point about people lying, men are more likely to SAY they have higher incomes than they do, because it’s an ego thing for them. And women are more likely to downplay how much money they spend on ‘frivolous’ things like fandom because of the social judgement involved. Some of the money gender disparity you see in media market research is real, but some of it is being generated by the gender norms people are falsely enacting in market research– men being breadwinners, women wanting to avoid the stereotype of being frivolous with money) *** In sum/tl;dr: Point 1 – Market research in general is not well conducted because of a variety of constraints including time, money, and the historical norms of how the industry operates (e.g., there being a large subsection of almost professionalized respondents who know how to game the system for the financial incentives) Point 2 – Media is a highly atypical kind of product being studied more or less as if it were equivalent to a coffeemaker or a pair of jeans. Point 3 – Most of the people studying media consumption in the market research field have no expertise or background in media, film, narrative, storytelling, etc. They are primarily people who were trained as social scientists and statisticians, and they aren’t well equipped to research media properties and people’s deeper emotional attachment and meaning-making processes related to media properties. Point 4(etc.) – Average consumers typically don’t have enough self-awareness or the vocabulary to explain the deep, underlying reasons they like pieces of media. Furthermore, when participating in market research, people lie and misrepresent their thoughts, behaviors, and emotional responses for a variety of reasons including social awkwardness and preserving certain self-narratives like “I’m above caring about dumb, low-brow things like romance.” Point 5 (etc.) – Quantitative data is treated as way more meaningful, valuable, and ‘accurate’ than qualitative data, and this is a particular problem with media market research because of how varied and complex people’s reactions to media can be. Also, the nature of statistical sampling, and how it is done, can massively misrepresent audience sentiments toward media and fail to apprehend deeper fandom sentiments and dynamics. There is also a strong bias towards the responses of high income/high spending segments, which tend to be older and male and white. Side but important point – Research reports are written to be as entertaining and digestible as possible, which sounds nice in theory, but in practice it often means you lose much of the substance you are trying to communicate for the sake of not boring people or making them feel stupid/out of their depth. (Because god forbid you make some high-level corporate suit feel stupid) *** What can be done about this? Well, the most primary thing I would recommend is for you to participate in market research, particularly if you are American (there’s a lot of American bias in researching these properties, even when they have large international fanbases). However, some international market research is done and I recommend looking into local resources for participation, where ever you are. If you are American, there are now several market research apps you can download to your smart phone and participate in paid market research through (typically paid via PayPal). Things like dscout and Surveys On the Go. And I know there are more. You should also look into becoming panelists for focus groups, particularly if you live near a large metropolitan area (another bias in market research). Just Google it and you should be able to figure it out fairly easily. Again, it is PAID, and your perspective will carry a lot more weight when it is communicated via a focus group or a dscout project, versus when it is shouted on Twitter. However, that’s merely a Band-Aid on the bigger issue, which I consider to be the fact that businesspeople think the Humanities is garbage, even when they make their living off it. There is virtually no respect for the expertise of fictional textual analysis, or how it could help Hollywood make better content. And I don’t know what the fix is for that. I spent 4 years of my life trying to get these people to understand what the Humanities has to offer them, and I got shouted down and dismissed so many times I stopped banging my head against that wall. I gave up. They don’t listen, mostly because conceding to the value of deep-reading textual analysis as a way to make better content would threaten the whole system of how they do business. And I mean that literally. So many people’s jobs, from the market researchers to the corporate strategists to the marketing departments to the writers/creatives to the C-level executives, would have to radically shift both their thinking and their modes of business operation and the inertia of ‘that’s the way it’s always been done’ is JUST SO POWERFUL. I have no earthly idea how to stop that train, let alone shift it to an entirely different track. BTW, if you want the deeper level of analysis of why I can’t stop rewatching Moneyball now that it’s been added to Netflix, the above paragraph should give you a good hint

#market research #Hollywood #media studies

[somethingusefulfromflorida]

I first read Percy Jackson and the Olympians in the summer or fall of 2009. The trailer for the movie had just dropped, and a bunch of my classmates were reading the Lightning Thief every waking moment; they couldn't put it down. I didn't understand the hype but it looked interesting, so my mom bought me a copy from K-Mart, and I was instantly hooked! I just so happened to be 12 at the time, so it felt like the books were written specifically for me (I even had black hair and lived near the ocean; I wanted to be Percy SO BAD).

Over the next few months, every time my parents went to K-Mart for any reason I would beg them to let me come along, and then I'd beg them harder to buy me the next book in the series (they wouldn't buy them for me all at once because they were like seven or eight bucks a pop, so I had to space them out going into 2010). They sold paperback copies of the first four, but the Last Olympian was an oversized hardcover, so it doesn't match the rest of the collection (this still bugs me to no end).

I remember in the summer of 2010 when the Heroes of Olympus series was announced, I kept refreshing Rick Riordan's website for the cover reveal. I was so excited that you got to see the characters' faces this time (in a blurry jpeg, but I still thought it was super cool). He also published the first chapter for free as a teaser, and instead of scrolling through a wall of text it had pages you could click and drag across the screen like a real book, which blew my 13 year old mind.

My older sister grew up on Harry Potter, but I didn't get into that series until 2011 when the final movie came out (I had seen them all with my mom and sister, though not in order and I wasn't really paying attention), so PJO was the first series that got me interested in reading outside of school. I could hardly wait to read Heroes of Olympus, and I was SO upset when I realized it kinda stunk. I don't know what it was about that series, but it took me forever to slog through Lost Hero, and I couldn't even make myself finish Son of Neptune, I was completely checked out. I never got around to reading any of the others, or the Trials of Apollo series, or Magnus Chase or any of the other spinoffs; they just weren't my cup of tea.

The Lightning Thief movie was, well, different than I expected, but I didn't necesarilly hate it (I thought the actors were too old and it really bothered me that Annabeth wasn't even blonde!), but Sea of Monsters was downright unwatchable. I'm really glad they didn't adapt Titan's Curse because it would have blown HARD. I have zero expectations for the upcoming Disney+ show, but as long as Rick Riordan has ANY creative input as a producer it can't possibly be as bad as I fear (knock on wood). I'm 24 going on 25, I feel like I'm too old to get excited about a kid's show, but this series will always have a special place in my heart.

Fingers crossed that the show doesn't suck. I liked the musical, so this stone hasn't been bled completely dry just yet.

#pjo #percy jackon and the olympians #percy jackson #percy jackson news #percy jackson disney+ #disney plus #rick riordan #childhood memories #nostalgia #2009 #2010 #middle school #camp half blood #heroes of olympus #sorry not sorry #rant #percy jackson show

[ladywren7]

Hey y'all!! It's been about 4 days since ive posted or done anything on here bc those were my vacation days

BUT LEMME JUST TELL YALL WHAT HAPPENED BC IT WAS PROBABLY THE BEST 2 DAYS OF MY LIFEEEEEE!!!!

(Not to brag)

OK YALL SO THIS IS WHAT HAPPENED!!!

I flew for the first time ever!!!! My ears hurt like a little b lol but my sister and I were in awe the whole time! They were so many ARMYS it was awesome! A bit after take off (which was so cool) my mom asked "Did we forget anything?" And my dumbass sat up and said "KEVIN!" and my whole fam laughed. Also they had free movies and shows on thier wifi website AND THEY HAD 4 EPISODES OF THE OWL HOUSE SO I WAS WATCHING ESCAPING EXPULSION OVER AND OVER HAHAHA

And then the 2nd plane had us flying at night and omg when we got close enough to LA and saw all the city lights up to as far as we could see I almost teared up bc it reminded me of Peter Pan and I tyrned to my mom and said "We can fly!" Bc I'm a kid at heart. Here's a pic from the plane!!

Tthhheeennn when we woke up on Saturday (our free day to explore LA, or so I thought...😏) My mom began waking my sis and I up and raised her phone in the air and blasted the sw theme of spotify and said "Guess where we're going today!" And before that we had discussed a collector shop and downtown Disney so we said "Downtown Disney!" And my mom was like "...think BIGGER!!" AND OMFG MY HEART BEGAN BEATING SO FAST AND MY SIS MANAGED TO GET OUT "...Disneyland?" AND THEN SHE SAID YES!!!! As soon as she said that I started bawling my eyes out and said "I'm gonna see star wars land?!" And my mom and uncle just hugged me and it was great. Later she explained that it was my uncles idea and I thanked him so many times (he loves sw as much as me. Our fam calls us "star wars buddies")

SO WE WENT TO DISNEYLAND!! Which I had never been before! And oml it was probably the best experience of my life!! Here's what happened

First we rushed to Galaxy's Edge and got in the line for Rise of the Resistance and waited for 3 LONG HOURS and then the fun began! I had purposely never watched the ride on YouTube bc I wanted to stay a purest so everything amazed the heck out of me! I screamed so freaking loud lol I was probably annoying everyone else hahaha. The preshow was AMAZING!! I guess I was in the perfect spot bc the Rey projection was looking RIGHT AT ME and I was so amazed by BB8 moving!! Then when that ended I screamed bc I had no idea there was an outside part and then I screamed in the ship bc the Admiral was SO COOL AND REALISTIC!!! And then I screamed AGAIN when the door opened and the stormtrooper room was revealed. And then I screamed on the whole ride itself😂 and we got the FULL expirence, they didn't cut anything out It was so cool!!

Then on the Falcon we had such a unique experience!! My uncle and I were pilot and co pilot and the rest of my fam was vibing in the back as gunners/engineers and we were doing pretty good when the screen suddenly went black. So we took advantage and began pressing all the buttons like dummies and then Hondo and Chewie came on and told us there were some technical difficulties. Then a cast member came and evacuated us and then another person came and lead us through a secret tunnel to a new cockpit and then we went on the ride again. It was so cool and my sister caught the breakdown on camera!! We got a pretty ok score, here's a pic!!

After that we got to go on many other rides like The Haunted mansion holiday (which was on my sister's and I's bucket list) Indiana Jones(IT WAS AMAZING AND SO MUCH FUN!! 10/10!!)Big thunder mountain, Splash mountain (We got soaked!!) Pirates of the Caribbean (we got to see the real skull!!😳) and Snow white's enchanted wish (my sister almost cried cuz she loves snow white) and then we got to see the castle all decked out for xmas!! Here's a pic my mom took!!

And then ofc we went to the concert the next day and IT WAS AMAZING!! My sister and I were all decked out and we had so much fun AND MEGAN THE FREAKING STALLION SANG BUTTER WITH THEM!!!! IT WAS SO COOL!!! Here's a pic of the stadium!!

So yeah!! In conclusion, best. Trip. EVER!!! I am soooo freaking thankful for my mom, uncle, and older cousin for making this happen. I love my fam so much!😭

#storytime!! #permission to dance la #permission to dance #galaxys edge #star wars #star wars rebels #trip #vacation #random rants with a fangirl

[jackiebuckley]

I kind of posted the prologue to my fic and posted it 🥺🥺 so if you wanted to check this out. I'll be posting it below with the info. Maybe comment for future tags or whatever 💅🏻💅🏻.

In case you wanted to leave comments and what not THIS is also up on here. ×××

Title: if it Stings. Let it burn

Word count: 2,552

Rating: teen and up (nothing yet)

Pairings: aaron hotchner/lorelai gilmore. More to come :)

What identifies a home. Is it a group of buildings that blend together with browns and reds on concrete walls? Is it blues of skies and greens of grasses in parks? What about the people? Passing by you in hurries as they find themselves needing to move to work or elsewhere. They hurry along not wanting to disrupt the pattern that everyone so gently crafted. 

And with and things what happens when your home is reached. When something happens to push everything to the side. What happens when your safety net, the thing that you most rely on catching you — snaps. Do you hold on, dangling with what could verses couldn't happen? Do you push your hope to the back of your mind, hopeful it's just one mistake? One simple thing falling short of something wonderful, beautiful. Or do you fight back, letting your chains become loose, and watching as you learn to gain your wings? Finally free to be who you wanted to be. These things aren't as likely without a reason. Something that makes you want to jump.

November 19th

The road back from Stars Hollow wasn’t too bad. It was a pretty straight and narrow line for the most part. But as for any road, it wasn’t safe when it came to the incoming cold.

“I should probably head home before the first snow comes in. you know how the roads get.” the voice of a boy in his late teens spoke, his car was warming up on the side waiting for him to climb in and go on the road. 

“Yeah, I’ll see you. Stay safe.” the voice of a girl no older than 17 spoke as she waved him off. They had talked whenever the other came into town. In this case, what the girl didn't know was that this would be for all she knew, the last time she would see him. 

Music played from the stereo as he changed the radio, again and again. God, it seemed all these stations only played the same nine or ten songs. Especially in a small town like this, it was all they could hear when moving around the different areas. Yet all of it from top to bottom made it so he never wanted to leave. Some remixed version of Amazing Grace could be heard. Fixing his eyes back to the road. As he stopped at the stop sign in front of the road he looked before driving more down the road. 

“Stop the car.” a voice popped in from the back seat. Fight or flight mode turned on and he realized that he would do anything at this moment to 

“What?!” panic rose in his voice. 

“STOP THE CAR.” he slammed on the break. That was the moment that everything went dark.

November 21st

"Living in a small town, I knew everybody and everybody knew me."

-- Anna Nicole Smith

 “Chip Macenstoch, 18. He was last seen leaving back home. They found his car with the keys still in the ignition but no sign of Chip seen.” Penelope's voice carried as she clicked through the slideshow she had on the screen. “Matt Schoenfeld, found with his window wide open, his bed was empty. There were no signs of struggle.” she clicked through the slideshow again. “The only connection between the two is a last reported conversation, and the area they come from.” she clicked off the slideshow. 

“Stars Hollow according to tourist websites, it has a population of less than one-thousand.” JJ offered as she looked through the file sitting in front of her. 

“And we need to be there before anything happens to turn that town’s population any less…” Hotch sighed as he made his way to standing up.”wheels up in thirty.” he offered, and the room dispersed. 

Not much happened here, not much has happened in the last seventeen years she had lived here with Rory. there had been some slight scandal involving the town priest. But nothing huge here or there. This though was a shock. 

The cold of the November wind lasted an ongoing chill to the brunette at the desk as she communicated with a woman on the phone. “It's a week before Thanksgiving it might be a little rough in order to get enough rooms.” the brunette behind the desk offered. “Yes, we do offer breakfast. Yes there's double bed rooms.” she offered. “three rooms for today? Will do. Thank you." She sighed as she moved from the desk to the small entrance to the inn. She ran a hand through her hair. So much had happened to their small town within the past few days. Two teens vanished without a trace. Both teens, very safe, smart boys. She looked out the window. 

"They canceled school for the rest of the week. Which, while I should be relieved.  They said they were canceling due to the vanishes in Stars Hollow. Which is weird." Rory spoke appearing from next to her.

"Woah Woah Woah — slow down speedy," Lorelai responded in return to her daughter's tangent.  The cases of the missing boys had made news in all the towns nearby, her parents swore they wanted Lorelai and Rory. to come to stay with them until it all blew over. It didn't seem like a good idea though. With a week till Thanksgiving they could use as much help in the Independence inn as possible. Plus — it was home to them. Even if their home seemed to be a little crooked. "Go get something from Sookie to eat to work at the tables.  Okay?" She offered. Seeing her daughter nod before walking off. 

It took some time, but as Lorelai was writing down some notes she saw from the corner of her eye two cars, she knew from the looks of the black sleek vehicles, that these were the guests they were waiting for. “It’s go time Gilmore,” she stated to herself, waiting for what was to happen next. 

What was there to expect from a small town that didn't even show up on a map? Was there something to expect from a place where some who exited called the "friendliest town on earth?" From the bright-eyed townsfolk who walked around looking like they belonged in a Disney film to the distinct smell of farm life and coffee beans that drifted throughout the entire place. Was there more than the sidewalks that cracked and crinkled yet how this place seemed to call the names of those around them. 

This place looked as if it hadn’t experienced constant shock and trauma. As if it was the perfect Disney town where birds braided hair and good peeked at every corner. As if truly things were perfect. The biggest shock factor had been when they found out the Organic Milk wasn't truly organic. So this really was the worst possible thing to happen. Emily commented that it looked straight out of a Hallmark film. And the little inn they were staying in, definitely brought more of that message forward. The agents walked out of their cars, into the small lobby area. Immediately seeing how it was decorated. They wouldn't be spending too much time here, but it did have a nice way of being subtly decorated for the holidays. “I’ll go grab our bags.” Derek offered as Reid mumbled a fun fact in the direction of Emily. 

“Welcome to the Independence Inn. I’m Lorelai.” a bubbly brunette offered and JJ stepped in. 

“Pleasure to meet you Lorelai. We should have three rooms under Garcia?” she offered, knowing Penelope had set them the reservation. 

“Oh yes yes!” she nodded as they stood in the center of the room. “4, 7 and 10A are all open and ready for you.” she smiled and Hotch wondered how this woman was so bubbly and full of energy. He would have mentioned it but Emily did with a comment of 

“Someone clearly had their coffee.” she commented, getting a roll of the eyes and a comment of “be nice.” from JJ. 

There was something about the way that the place had a small humming of home to it. It was a shame they wouldn't get to experience the town. Sure they were probably going to be in town for Thanksgiving, but that wasn't a reason to celebrate. There was a lot of wonder in the town. From the little Cafes and Diners they saw as they entered into the area. They had a place called Luke’s recommended to them a good nine times. He knew they would most likely eat there at some point for their trip. They just needed to get something established for the case first, figure something out. There also seemed to be a lot of mystery, from the woods that surrounded where they were. He had a lot of questions. From what other things lay unstirred behind these walls. 

And what about the bubbly brunette who walked around. Bright eyed as she talked to all the members of the team , asking them different statements as JJ happily conversed. To Reid, looking like he was absolutely shocked that someone could talk as fast as he could. Maybe there was something about her young daughter. Well not super young. Probably late teens. The way her eyes flickered around whenever someone would ask her something. How when Derek and he had pulled her for questioning she asked a few times if this would be on any kind of record for her

 “Do you have anyone we can talk to for an alibi?" Derek asked from beside him. And Hotch could tell right away. There was no way in hell this girl had anything to do with this. From the way her doe eyes shined, curiosity to the brim of them. To the way the books in her arms sat perfectly. She was grace, and he could tell that she was the woman in the lobby's daughter. 

“My mom and I have a movie night every Tuesday Night. My boyfriend came to watch with us. You can ask him, or my mom, I was home.” she commented and a mental note was made to ask. After Hotch included his own question. Wanting to get more of an idea for what was happening.

“Is there anyone with foul wishes or harmful intent for him?” he added in his own question. 

"Everyone loved him, he would come to town meetings and see if anyone needed anything. He came to a town meeting the night of his disappearance. Next thing we knew the newspaper came in with news that he was gone." She explained. She explained Chip and his role in the town. He was a local farmer's son. He would come into town every week to get supply and then he would come back home. "Is he okay?" They had found his truck on the side of the road. But they didn't have the heart to tell her that there wasn't much hope of where he was. 

 They sighed. Looking at one another "we'll keep you updated — okay kid?" Morgan stated before Rory as they learned her name was walked off. Running over to where her mother was waiting. As they prepared to go back for some of them to the scene of the crime. And others to remain questioning. Hotch ran a hand through his hair. There was something about these small towns that hit harder than anything else. from the way they came together, which meant it would hit harder knowing there was someone among one of them causing harm. 

What they had learned about Rory Gilmore. Real name Lorelai.  Bright eyed girl, smart, charming. Going to attend an ivy league within a year. She had a knack for reading lately getting into classics. "In Cold Blood" had been one of her favorites lately

He found that as being ironic. But not a funny irony. More of a cold irony. 

They had to be cautious with their next moves. 

 "Miss —." Morgan paused looking for a name.

"Lorelai. Lorelai Gilmore." She offered and her voice was rushed but still had music to it. 

"Do you mind if we question you?" He asked and Hotch watched as Rossi and Morgan took the brunette to the dining room. He watched as they walked away, she had some kind of wonder the way she did things.  

JJ approached him, "sir we should probably head back out. See if there is anything we missed." What was there to miss? This looked a lot like the rest of the things they had seen. He hated cases where the  best thing was to wait for whatever came next. Spend a day or two and see what pops up. Immediately as he stepped into the cold, feeling of air hitting his face he climbed his way into the car. Allowing Emily to take the wheel as they went to what was next. 

It wasn't that he didn't trust his team. He trusted them more than anything else. This case just had so little to go by at this moment. He didn't want things to crash and burn before they even started. They go back to the scene of the first abduction and immediately they’re back to not noticing anything new. What they did notice was their victim’s parents were standing off to the side, their arms wrapped around each other. Hotch had seen this look plenty of times before. Had seen the way their entire bodies would collapse, it was as if all they had known was crumbling. He tried his best not to get involved in the cases, he knew it wasn't the best thing to do. So he continued to push it aside. 

 “Please tell me you found my son.” someone would ask, at first when he started in the field he didn't know what to tell them. How did you break someone’s heart? Take away the hope they have kicking in their soul. He was called cold, broken. So that is what he allowed himself to become. He hardened his shell and bounced back stronger than anything else. 

His voice finally beckoned out of him as he looked at the family. “He's gone… they found his body in the creek.” he looked at them, his eyes not leaving the couple. He hated this type of news. 

“What do you mean he’s gone?” the response would come and then they would see the body pass on the stretcher. Tears would fill the eyes and he wished that all of this didn't happen. Yet it was. Bad people filled the earth. 

“No, no no, that can't be him. It can’t be my baby boy.”

He didn't know what stirred him out of all of this, but when he noticed Emily and Reid “we asked around and according to people nearby the last seen person near both of them has been identified.” 

“name?” Hotch offered. Hopefully, this person would have some kind of connection that could truly get them closer to where they needed to be. Even if they only had only been here for less than a day. 

“...Rory Gilmore,” Reid stated, he noticed the connection between the name and the situation.

The daughter of the woman back at the inn. This case just got a lot more intense.

@willlemonheadsupremacy

#gilmore girls #criminal minds #fanfic #lorelai gilmore #aaron hotch hotchner #crossposted to ao3 #💛🌻 #read please 🥺🥺 #i demand validation

[rupauls-drag-race-s13e14-online]

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 0141314 Tournament of Roses Parade) in the US occurred on January 014, 0141314. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 014131413, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 014131413, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 014s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 014s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 1413 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 14014131413, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 14014131413, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

#RuPaul's Drag Race #RuPaul's Drag Race Season 13 #RuPaul's Drag Race Season 13 Episode 14

[lucifer-s5e9hdlink]

[ENGSUB] Lucifer Season 5 Episode 9 :: Ep. 9 | Netflix — Full — Episodes

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TELEVISION SHOW AND HISTORY

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings.

A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video.

The first national color broadcast (the 09050 Tournament of Roses Parade) in the US occurred on January 090, 09050. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 0905, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 0905, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

FORMATS AND GENRES

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.

A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 09090s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 09090s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 9 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.

In 9005, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 9005, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

CREDITS

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc.

Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings!

Thanks for watching Videos Today.

I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited.

Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home.

Thank you very much and Enjoy for watching.

#Lucifer #Lucifer Season 5 #Lucifer Season 5 Episode 9

[emy-loves-you]

Sanders Sides AU-gust Day 20: Single Parent

Logan needs a nanny to watch his 3 sons. Patton wants to take care of kids. Sparks fly and chaos ensues. Patton POV, logicality with creativitwins, familial Intruprinxiety and dad!Logan Ages: Logan(37), Patton(35), Remus and Roman(7), Virgil(10)

Day 19 | Masterlist | Day 21

Patton smiled at the cheery tune the chimes played as he stepped into the cafe. He checked his phone again to reread the email he had been given just a few minutes ago. He said he was sitting at one of the tables wearing a black polo, blue tie, and glasses. Patton fought back a giggle as he scanned the tables. This reminds me more of a blind date than a job interview- there he is! Patton quickly made his way over to the small table in the back of the cafe. His potential employer was hunched over his phone, reading an article of some sort. Patton stopped when he was a foot away from the table and spoke up. “Mr. Sanders?” The man’s head shot up, and Patton fought down a blush. He had assumed that Mr. Sanders would be an older man, in his late 40s or early 50s. He didn’t look a day over 30. No time for gay panicking! Patton fiddled with the sleeves of his cardigan. “I’m Patton Hart. The one applying for the nanny position?”

Mr. Sanders nodded. “Of course. Take a seat.” He gestured to the seat across from him and Patton sat down eagerly, trying not to let his nervousness show. As far as Patton was aware, he basically already had the job, and this was just a customary interview to make sure that Patton didn’t lie about anything in his application. Still, Patton couldn’t help but fear nervous. Patton tried to ignore his anxiety and focus on what Mr. Sanders was saying. “So, Mr. Hart-”

“Please, Mr. Hart’s my father. Call me Patton, please.” If Mr. Sanders noticed the was that Patton nervously tugged on his cardigan sleeves, he didn’t say anything.

“Patton, then.” Patton smiled appreciatively. “Would you like to order a beverage before we begin?” Mr. Sanders used his coffee cup to gesture towards the front of the cafe.

Patton blushed. “No thank you. I tend to talk more with my hands when I’m excited or nervous. I’ve learned from past experience to not have hot drinks around when that happens” Patton used his head to gesture towards his hands as he spoke, which were gesturing as he spoke.

Mr. Sanders gave him a look before continuing. “Alright. I will go over your application and ask a series of questions. If you feel as if a question is too invasive, please let me know.” Patton nodded, and with that, the interview began. “Patton Sanders, 35 years old. Raised in North Carolina. According to your previous employers, you’ve done extremely well with children in the past. You’ve dealt with kids at almost every age. You’ve been shown to successfully perform both the Heimlich Maneuver and CPR. You have also been employed as a tutor and have multiple years of volunteer work at shelters and public schools. It says here that you recently moved here a few weeks ago. Are you intending on pursuing any other job while employed as a caretaker?”

Patton shook his head. “The original offer you gave should be enough for me to afford my apartment.”

Mr. Sanders blinked, and Patton suddenly felt like he’d done something wrong. “I’m afraid there was a communication error somewhere. Allow me to clarify: you would be staying in my house while working for me.”

Now it was Patton’s turn to blink. “What?”

Mr. Sanders frowned, adjusting his glasses as he spoke. “I am very dedicated to my job, Patton. Sadly, my job requires me to have extremely flexible hours. It would be incredibly redundant to have you stay from 8 AM to 5 PM, then have to hire a sitter from 5 PM to 11 PM. There would also be several benefits on your end. Unless you started using an excessive amount of food or utilities, you would not have to pay for food or housing. You would be staying in the guest bedroom, and you would have every Sunday off, which is my day off as well.”

Patton rubbed the back of the neck sheepishly. “I think I remember reading that in the advertisement, but I assumed it was less of a requirement and more of an option.”

Mr. Sanders steepled his fingers as he stared at Patton. “I apologize, but it would be necessary for you to stay in the guest bedroom in order to ensure that my children have constant adult supervision. If you do not wish to be employed, I completely understand-”

“No!” Both men were surprised by Patton’s shouting. Patton blushed as he continued. “I still want the job, I just didn’t want to waste your living space if it was optional. If it’s mandatory then I’ll take the room. I’ll just have to wait for my lease to end in a few weeks.”

Mr. Sanders nodded. “Alright. Next question: why do you wear your cardigan around your neck?”

Patton smiled. “I don’t get cold very easily, but I always have my cardigan on me just in case. Besides, it makes me look more friendly and fun. Kids like to call it my superhero cape!” He struck a dramatic pose, and he felt a surge of triumph when Mr. Sanders' mouth quirked up slightly.

They went through several more questions before Mr. Sanders smiled, holding out his hand. “I believe you would get along well with my children. I understand that you would like to wait until your lease ends to move in, but I would appreciate it if you start a daily shift on Sunday. I will be there to make sure that you interact well with them. Does that sound satisfactory?”

Patton nodded, shaking Mr. Sanders' hand. “Sound’s like a plan, Mr. Sanders!”

“Please, call me Logan.” Patton smiled as he heard the name. Logan. It’s fitting.

“Well, Logan, what are your kids like? I was given general ages and names, but nothing else. What are their favorite colors and activities? Any allergies or disliked food? Any mental illnesses, disorders, or sensitive topics that I should know about?”

Logan took out his phone and showed Patton the lock screen. It was a photo of Logan with three children. Two identical twins posed in red and green respectively, while the third child looked slightly older with a baggy purple hoodie. “The twins are Roman and Remus, 7 years old. Roman always dresses in red, while Remus dresses in green. They both have extremely vivid imaginations, and they get upset when you don’t participate. Roman has some confidence issues, while Remus suffers from intrusive thoughts from time-to-time. Virgil is 10. He’s almost always wearing that hoodie. He says that his favorite color is black, but it’s actually dark purple. He has been known to suffer through anxiety attacks, and he tends to have trust issues towards strangers. Virgil prefers to be left to his own devices, and music tends to help when he’s stressed. The twins tend to find amusement in pulling pranks on Virgil, though he does not appreciate the sentiment. They all enjoy watching Disney movies and all have artistic talent. There are no food allergies to speak of. All of them were closed adoptions, so I would appreciate it if you don’t bring up their birth parents. That is all you should need to know before you meet them.”

Patton smiled as he listened to Logan describing his kids. It was clear from the tone of his voice that he deeply cared about his kids. “I’m sure they’re lovely. I can’t wait to meet them!”

Logan nodded, moving to stand up. “I assure you they’re just as excited to meet you. I’ll email you my address.”

“Oh, wait!” Patton reached into his pocket and pulled out an ink pen. He then grabbed a clean napkin from the table and scribbled his number onto it. He handed the napkin to Logan. “Here’s my phone number. It would be best if we have each other’s numbers in case of an emergency.”

Logan took the napkin, and Patton suppressed the shiver he felt from where their fingers met. “I’ll be sure to contact you with my address as soon as I get home.”

Patton blushed, moving to leave. “Alrighty then. See you on Sunday!”

Logan nodded. “Farewell.”

Patton smiled before hurrying out of the cafe. He quickly drove to his apartment, not stopping until he was inside of his (soon to not be) home. He gently caressed his own fingers, blushing as he remembered the electricity he’d felt from their fingers touching.

Patton shook his head, but the grin and blush he had never faded. “Logan Sanders.” He whispered to himself. Patton then tilted his head curiously. Logan Sanders…where have I heard of that name before?

Patton went over to his bed and pulled out his laptop. Search: Logan Sanders. Patton flipped through several websites until he saw Logan’s face. He quickly clicked on the article and gasped.

Logan Sanders, 37 years old, was just appointed as the CEO of Logic Tech two months ago. That’s where I recognize his name! I can’t believe he works for Logic Tech. Isn’t that the same company that he used to work for?

Bzzz.

Patton slammed his laptop shut, suddenly feeling like he’d done something wrong. Was this technically invading Logan’s privacy? It was an article that Patton could easily access at any time (he was pretty sure he’d read it before), but did that mean it was okay? Was Patton in the wrong for searching for Logan’s name?

Patton’s phone buzzed again and he nearly threw his laptop. He tried to calm his racing heartbeat as he checked his phone.

?- (4:13 PM) Salutations. This is Logan Sanders.

?- (4:14 PM) Is this the correct number?

P- (4:14 PM) Patton Hart here! You have the right number

L- (4:14 PM) That is good

Patton was then sent an address.

P- (4:15 PM) You want me to start on Sunday, right? What time?

L- (4:15 PM) 3:00 sounds amenable. Since it is my day off, you won’t need to be there in the morning.

P- (4:16 PM) Alrighty then! I’ll see you on Sunday!

Patton smiled as he turned off his phone. He was going to meet the children on Sunday! And seeing Logan again would be a nice bonus.

#sanders sides #AU_gust_2020 #single parents #logicality #patton sanders #logan sanders #roman sanders #remus sanders #virgil sanders

[thecurseofoakislands8e24]

Exclusive!!! « The Curse of Oak Island » Season 8 Episode 24 | Full EpisodeThe Curse of Oak Island Season 8 Episode 24The Curse of Oak Island Season 8 Episode 24

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set,

excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear

on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in

episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited

number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television

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stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should

know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films.

Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

#The Curse of Oak Island #The Curse of Oak Island Season 8 #The Curse of Oak Island Season 8 Episode 24