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#The Arcadian Wild
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the amazing devil are like a pair of gods, walking the earth and watching its stories unfold.
of monsters and men are like etheral witchcraft-practicing mountain spirits.
hozier is like an ancient celtic god, wandering through a forest and telling stories to the trees.
the oh hellos are like a gathering of fey dancing and reveling in a flourishing meadow.
the crane wives are like a travelling band of bards traversing the world, spreading music.
and the arcadian wild are like a courageous, valiant group of seafaring adventurers.
does that make sense?
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whoneedsgenderanyway · 7 months
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good day my fellow crane wives/amazing devil/oh hellos/arcadian wild listeners are you looking for new music that scratches that same fantasy-esque folk itch in your brain and makes you go feral every time you listen to it?
may i introduce you to:
good morning bedlam!
they are a small band from minneapolis and their music is FANTASTIC. some of their songs are more fantasy/running through the forest kind of vibe and some are more bluegrassy and fun to dance to but overall 100000/10 i am highly enjoying their music and need to share. if you need recommendations here's what i have:
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flickeringflame216 · 11 months
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MAY YOU KNOW DEATH LOST ALREADY!!!!!
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ana-cantskywalker · 3 months
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If I had a nickel for every time a folk band I adored released an album meant to be listened to in order, which tells the story of the fall of man/ a prodigal son character (one of them is both), started with man being close to God then followed his journey of rejecting him, realizing his life was empty without him, and eventually returning back to God, had consistent themes and motifs woven through it, and ended with a reprise of the first song to represent the restoration of fellowship,
I'd only have two nickels
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but it is weird that it happened twice
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I was compelled last night and I’m quite honestly scared of whatever 11:59 PM me intended for those middle sections. At least I still know my colors when sleep deprived, and I’m sure someone else on here can fill the blank spots out better than I can on a full eight hours of shut-eye.
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unabashedly-so · 2 months
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🌊 sailor!Elliott AU: Introduction ⛈️
Sailor!Elliott AU, inspired by Letters from the Atlantic by The Arcadian Wild...
content warning: storm exposure, near drowning, hospitalization, near death experience, depressive themes, emotional numbing
(also don't let the initial formatting fool you--this is not fanfiction. This is just a HC in a narrative format instead of the usual bullet points because I have a lot of Thoughts(TM).)
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I’m being followed by the rain clouds My clothes are soaking up the pain that keeps pouring down Too much more and I may drown I’m being followed by the night sky It stole away my sight, it seems I have lost my way I need someone to be my guide...
-- "Rain Clouds" by The Arcadian Wild
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You board the train for Stardew Valley, weary but eager to begin a new life on the old farm in Pelican town. The locals are friendly and lively, and when you make your way to the beach, you find an empty cabin in the sand...
When you meet Willy and ask about it, he shrugs. "It's where I stayed while Robin and I was buildin' my shop home on the pier. Now I s'pose it could be used as a shed or something..."
Your first season on the farm passes with lots of tears, sweat, and some blood, if you're the mining type. Summer only increases the sweat.
The locals forewarn of the Clockwork Storms--storm cells that always generate on Summer 13 and 26, every year, unfailingly. They warn they're usually the worst of the year and recommend you prepare accordingly and just bunker down with the rest of them.
Sure enough, Summer 13's Clockwork Storm hits with flashes bright as the sun and bangs that make the ground tremble.
Emerging on the 14th, you count yourself lucky that you only lost a few crops to the storm. On your way to Pierre's to recoup your losses, you hear some commotion from the beach. Curiosity and concern draw you to the source, and you hurry to the pier to find Willy hauling something out of his boat. A big something.
The closer you get, the thing starts to take the form of--
"He's still breathin', I think!" Willy grunts. "Come quick, help me get'm up on the deck."
You and Willy manage to get the man off the boat and onto the deck of the pier. The man's long, reddish-auburn hair is tied back in a frayed braid, and he's bare chested, his shoulders and back hot and beginning to blister from exposure. His olive green pants, once rolled at the bottom, are now ragged and torn. Willy was right--he is breathing, but it's shallow. He's gaunt and scalding hot to the touch, but alive, despite it all.
As you're assessing him, his eyes flutter open. He's dazed. It seems to take a great effort to even move his eyes. You're unsure if he's even conscious. Then his eyes land on you. There's a brief but vibrant spark, and you can't help but notice his eyes are the same verdant green that reminds you of your new home on the farm. His lips part as if to speak, but nothing comes out. His eyes flutter shut
You have the good sense to know that if this man's going to survive, he needs to be brought to the clinic--there's nothing to be done for him here. You and Willy manage to get him to the clinic where he's promptly tended to and given emergency, likely life-saving measures. After a tenuous hour or so, Harvey emerges and said that he believes the man has stabilized, but he's horribly sun poisoned and dehydrated, and that's just what he can tell on the surface. Harvey says he's working with limited resources, but he'll do everything he can to give the guy the best chance at pulling through. He encourages you to come by tomorrow and check in.
The clinic is closed for the rest of the day.
- - -
If you choose to return on the 15th, Harvey approves, and gives you the update that the man remained stable overnight, but he's still very weak and will likely wake up in a lot of pain. But he will likely wake up, Harvey reiterates with relief
- - -
If you choose to return on the 16th, Harvey approves, and says that the man seems to be recovering. He says there's brief flashes of consciousness and he seems to attend to questions, but he's still too dazed to speak. Harvey encourages you to come by again tomorrow. He anticipates he'll be well enough to interact with for brief periods of time.
- - -
If you return on the 17th, you'll walk in on Harvey assessing the man, who is now fully conscious. As predicted, he appears to be in a fair amount of pain, but Harvey is confident that it's just residual soreness and sunburns. Harvey introduces you as one of the people who helped save him.
The man takes you in with a weary gaze, one that soon softens and warms. He sounds breathless as he says, "Thank you."
The man quickly clears his throat, trying again. His voice is still weak and raspy, as he says, "Thank you... I owe you... my life." He swallows, a challenging thing. "Elliott," he manages, shakily holding his hand out.
You give your name, and reach to shake his hand. Instead, he gently draws your hand to him and kisses your knuckles with his sun-chapped lips.
Elliott winces as he lays back, visibly drained. Harvey encourages Elliott to go back to resting, and for you to return to your day. As you're leaving, you hear a weak, hoarse voice trying desperately to be heard.
"Come back..."
You turn around. Elliott has his eyes closed and is lying still. He takes another breath, then looks to you through a half-lidded gaze.
"...tomorrow?" Elliott finishes.
You nod.
- - -
If you come back on the 18th, Harvey and Elliott approve. Elliott is sitting up on the bed reading when you come in.
He looks up and greets you by name. It looks like he's been given the chance to wash up--he looks brighter, and his auburn reddish hair shines, tied back loosely at his shoulders and pulled to the side with less bandages on it. He's shirtless, skin almost as red as his hair, and you can see all the bandages across his shoulders and back.
What happened to your shirt?
(no change in approval) Elliott blinks. "It was too painful to keep taking it off and putting it back on again for bandage changes. I hope it doesn't bother you."
How are you feeling today?
(approval gain) Elliott gives a polite smile. "Moving hurts, breathing hurts… but I can do both, and for that I am thankful."
What are you reading?
(approval gain) Elliott lights up, flashing the cover. "Kind doctor Harvey was generous enough to lend me a tome from his collection. It's a collection of short stories he had left over from his undergraduate studies. Turns out we went to university around the same time, so it's been a wonderful trip down memory lane. And a relief that it wasn't one of his medical textbooks!"
ALL PATHS CONVERGE: "So… I'm guessing you're probably curious as to how I got here? Besides, of course, the part where you pulled me from death's doorstep."
From the other room, Harvey interjects, monotone, "You weren't on death's doorstep."
"Alright, then you pulled me from the speeding taxi to Death's neighborhood?" he lifts the end of the sentence, looking towards the sound of Harvey's voice for approval.
Harvey's voice comes after a pause, "Wordy, but accurate."
"We'll workshop it," Elliott calls back, then turns his attention back to you. "So, yes, I'm afraid it's not much of a story--unlucky wayfaring sailor caught in a bad storm… The Clockwork Storms, I'm told a bit too late. I've held my own against a few storms in my day, but this was… I didn't give my love the respect she deserves, and as they say, hell hath no fury like a woman scorned. A mistake I won't make twice!"
(A perceptive farmer notices a certain flippancy about his story that seems out of place for a man who otherwise appears passionate and verbose.)
He goes on, "Oh, [name], I've been meaning to ask--did you happen to find any of my possessions or a rucksack on me when you revived me?"
You shake your head, indicating it was Willy who got to him first.
"So Willy was the one who pulled me from the sea, and you helped him get me from shore to here? Oh dear, I really was succumbed. Ah well. I'll check with him tomorrow after I get discharged. It'd be nice to have my own clothes back, among other things.
"Thanks for stopping by. It means a lot. I've been many places, and so few as full of kindness as here. I do hope to get to see you again tomorrow."
- - -
Elliott gets discharged from the hospital on the 19th. If you enter Pelican Town before 5pm, you'll encounter Elliott leaving the clinic. He looked well-kept, freshly shaven, and his clothes have been laundered. He wears his same olive green pants and a plain white shirt. He'll flag you down and ask you to help him find his way around.
Sorry, I'm too busy right now.
(no change in approval) Elliott visibly deflates, but forces a smile. "Ah, well. I... suppose I've seen myself through larger ports than this. No matter, I'll find my own way..."
(the cutscene ends with Elliott meandering towards the east side of town, murmuring about finding Willy.)
I'd be happy to!
(Elliott approves) Elliott beams. "Splendid. I knew I could rely on your kindness to see me through."
A short montage style cutscene follows where the farmer appears with Elliott in front of the different areas in Pelican Town. He's shown having a few introductions to the people around town, having a little heart bubble over his head at the library, having a very lively conversation with Robin [about building boats], and going to Pierre's to stock up on a few things. Finally, the farmer walks Elliott over the bridge to the beach.
Elliott takes in a big breath of the sea air and releases it contentedly. "Back again... lovely place, when one's conscious enough to enjoy it."
You take him over to the docks near Willy's shop, and Willy enters the scene from the ocean on his fishing boat. Willy greets you and Elliott. He addresses Elliott, "I remember you sayin' you'd had some belongings so I went back to about where I'd found ya, accountin' fer a few days drift and whatnot, and poked around a bit..."
Willy steps out of his boat and onto the docks, handing him a plank of wood with splintered edges. It has the name of his boat painted on it, but you can't make it out before he puts it under his arm as Willy then hands him a battered and torn rucksack. "Found these. Thought you might like that back. The rucksack I saw was caught on a splintered piece of, well, what's now driftwood, unfortunately."
"I can't begin to thank you enough." Elliott begins to dig through the rucksack. "Once I can get the saltwater out of my town clothes, I'll feel so much more... Hmm." He frowns. "Where's...? I know I put it in here..."
Elliott continues to search. He kneels on the dock and takes out every article of clothing, a few pens, hair ties, soaked rations, and some spare g contained in the rucksack until it is flat and empty. His demeanor begins to falter. "Uh, Willy? A book. Was there a book? Brown leather, bound across the cover with a string, papers, envelopes, writing inside? Did you find anything like that?"
Willy can tell Elliott's becoming distressed. "I... I'm 'fraid not, nothing that I seen like that. I'm sorry."
Elliott stares at the contents of the rucksack. There's an immense heaviness to his features. He kneels there in silence, hardly moving, for a several moments. Finally, he says, "I... see." His voice is low, with no affect. He slowly, numbly, puts the items back in the torn rucksack. Once they're back in, he stands, a bit unsteady. He doesn't look at you or Willy, but you can see the rims of his eyes are red.
"Sincerely, thank you, both of you... I am just... That book was... important. I... need some time alone... please, excuse me."
Elliott walks off screen and the cutscene ends.
Elliott's sprite will remain sitting on the beach, unresponsive, for the remainder of the day. When it becomes dark, he'll move to one of the towels on the beach and lay down, still unresponsive. The game is set not to rain or storm on Summer 19 or 20th.
- - -
If you return to the beach on the 20th, Elliott will still be back to sitting by the water, unresponsive. Willy will approach you, saying he talked to Robin about getting a bed for the old cabin, and that he's gonna let Elliott stay there. He says he picked the best time to stay on the beach, but it won't be that way for long. Willy asks for your help to talk to Elliott. You nod.
You and Willy approach Elliott.
Alright, that's enough moping.
(no approval change) Elliott remains unresponsive.
Hey, there's a cabin you can stay in.
(no approval change) Elliott doesn't look up, distantly shrugs.
Elliott? It's [name] and Willy. We're concerned for you.
(no approval change) Elliott meets your gaze. His eyes are dull and red rimmed. His voice is raspy as he says, "Sorry?"
ALL PATHS CONVERGE: Willy clears his throat. "Ain't right to let somebody stay out in the elements without at least offerin' refuge." Willy motions to the cabin. "Robin'll be by with a bed soon. It ain't much, but you're welcome to use it for s'long as you need."
Elliott's mouth hangs slightly open as he looks between the two of you. He swallows, starts to speak but his voice is cracked. He clears his throat and starts again. "Truly? ...Your kindness knows no bounds."
Willy offers him a hand to help him get up and Elliott takes it, slow to rise. You and Willy walk Elliott over to the cabin and Willy opens the door, letting you all in. It's musty inside, but the sunlight coming through the window gives it a warm, cozy glow.
Willy excuses himself: "Lemme go see about that bed. I reckon she may have other furniture to spare too."
Elliott is quiet for a few moments when you are both alone.
Put a gentle hand on his shoulder.
(Elliott approves) Elliott almost flinches, then like melting ice relaxes into your touch. After a moment, he looks to you and says, "Thank you, [name]. I'm... at a loss for words."
I'll go see about helping, too.
(no approval change) As you turn to leave, Elliott stops you.
ALL PATHS CONVERGE: "I apologize for my... persistent moroseness. Give me a few days, and I'll come around. I'd be happy to speak more with you then."
Elliott is inaccessible for the next 3 days and does not attend any festivals during that time.
- - -
On Summer 23, he begins his normal routine.
He'll greet the farmer the first time they interact with a tired but optimistic smile. "Good to see you again, [name]. Thank you for your understanding earlier. Things still hurt, my heart chief among them, but if grief is love with nowhere to go, it's time to turn my sails to the wind and chart a new course. First things first, I need a new boat... time to get to work!"
If you talk to him again, he'll add, "I'll be keeping myself busy rebuilding, but don't let that turn you into a stranger. Stop by any time. Some company every now and then would be nice."
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(end notes: I chose not to give any reactions to when he kisses the farmer's hand in the clinic because we all know what we're here for and it's not to be mean.)
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sailor!Elliott AU inventory:
Introduction | General Overworld HCs | Heart Events 1-10 | Proposal and Marriage
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dimsilver · 1 year
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EDIT: sticker now available in multiple versions here!
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a favorite line from this song by The Arcadian Wild :)
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raindrop-underscore · 8 months
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all the amazing devil fans and the oh hellos fans should listen to the arcadian wild in my humble opinion
they are a very good band and they have very good lyrics
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thank you for coming to my ted talk
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kitttttchaos · 1 month
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today i straight up thought the dishwasher was going to start playing would that i and honestly thats kind of aesthetic
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audreythevaliant · 9 months
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I just realized The Arcadian Wild’s new album is out!! It’s so beautiful! I just want to live inside their music, if that makes any sense.
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shiningshenanigans · 3 months
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It’s really important to me that everyone on here knows that The Arcadian Wild has written lyrics that slay me in my seat every time I hear them.
A few brief examples:
“My death comes by a thousand cuts, and I paid for the knife.”
“I’ll tear it all down if You ask me; just say the word and hold on tight. I’ll build it back up if You ask me, as long as You’ll be by my side.”
“When my deepest darkest blue and the gold that paints your sky collide, the garden comes to life.” (The song is called Envy Green. Freak’n genius.)
That is all. Thank you.
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silvernmoonlace · 6 months
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Envy green, growin' ivy vines that hold me
Up they go, past the collar bones and freckles on my nose
yet another page from my sketchbook :]
ngl tho, I think this might be one of my favourites 🐛
as mentioned, check out Envy Green by The Arcadian Wild, it slaps so hard like don't even get me started-
+ text-free version:
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ethanjhake · 3 months
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If you could extract animatics straight from your head into real life which one are you doing first?
I would probably just make my animatic for Envy Green (by The Arcadian Wilds) with the little dryad girl who leaves her garden to try and become a human fjkdajfhfha
that song is so good
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I need a tattoo that says ‘death lost already’ but also another that says ‘now stop this morbid foolishness’
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such-a-character-song · 8 months
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Sparrow by The Arcadian Wild is such a Sparrow (Newlife SMP) song!
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Songs that make me really really really want to learn animation so I can make epic sequences with them as the soundtrack
- Notos by the Oh Hellos, itd make a great phoenix-rising, defeated-character-realizing-their-power-and-absolutely-destroying-someone-who-did-them-real-trauma thing. Also the metaphors and imagery. “Every inhale I take, swallow the ocean whole and I am one / With the hurricane, tall as the tide that laps with a rabid tongue”??? “With every exhale I break you down with a fury, I lay the hills undone / Like a dog gone untamed, bellowing out a river from my lungs”??????
- Boreas by the Oh Hellos, the perfect sort of ‘Im completely defeated but by god I’m still going to do something to help’
- Okay I should just include all of the Four Winds EPs in here. Get over here, Eurus and Zephyrus. Passerine and Rio Grande specifically.
- The Horror and the Wild by the Amazing Devil, see this one fandom post I made that was basically a desperate attempt to visualize an animatic I could never make
- Chords by the Amazing Devil, entirely different vibes but bloody hell it lights a fire in my heart every time I hear it. Just. “We were the winter nights / So you could be the morning snow / Your life begins by leaving / And our love is shown / In the letting go”????????
- Rockslide by the Crane Wives. Im writing a whole thing about that album, Coyote Stories’, relationship with climate change and the generally horrible state of the world and this song is the reason. “Oh I pray today my soul to keep / But we best get a move on or the devil we will meet”?? I mean. Mates. It hits hard.
- Sleeping Giants by the Crane Wives. Same album as Rockslide and just as strong if not more so. It would make for a great call-to-war or prelude-to-a-big-ol-battle.
- Rule #3 Paperwork by Fish in a Birdcage. By goodness is Paperwork underrated (though methinks Rule #2 Moonlight is even more underrated but thats just a good song) and I love it to death. Just a great song for an easygoing time. Or, alternatively, a great song for a subtle call to action.
- Rule #33 Pyre by Fish in a Birdcage. Its just great. A final, fond farewell from a beloved parent or mentor or loved one or other dear person telling you that you’ll be fine after they’re gone. Also the accordion is really neat in this one. “Trust yourself and live it your way”. It just is great.
- WOLVES OF THE REVOLUTION. ARCADIAN WILD. This gave so much inspiration for writing a revolution and the people involved in it. Its perfect for that arc. It doesnt bloody matter if said revolution is in a war tragedy of a fanfic.
Theres more but I dont have much to say about them, so just know that Horse Soldier, Horse Soldier (Corb Lund), Solar Waltz (Cosmo Sheldrake), Mvmt II Begin and Never Cease (The Oh Hellos (really bloody Christian but its so good just music wise)(Also Christmas as hell)), The Day Goes On (Bill Wurtz), and my very dear Discord’s Smallest Violin (The AJR Discord) are also very dear to my heart and would probably become something if I had enough commitment and free time and all those other extremely volatile factors to actually learn how to animate. I will, someday. But that day is not today.
Also I swear to you @writer-of-random-things I am writing the climate-change-Coyote-Stories thing. It exists. Or, about half of it exists. I got to The Hand That Feeds and its. Uh. A lot.
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