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#Thanks anyway Jess
don1t1red · 6 months
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I know that this is a very unpopular opinion but hear me out!
I think not enough people consider Corvo as an unreliable narrator. We see the story from his point of view and all we know about Jessamine Kaldwin comes from his perspective. So, to think on that, do we really know how good Jessamine was as the Empress? 
I know that she is usually portrayed as a good person if not a saint but what if it wasn't that way? A lot of people in the streets are indifferent towards her image, if not hostile; the situation with Delilah; how both Geoff Curnow and Corvo are treated because of their nationality; two hatters recalling how greatly Corvo dealt with workers uprising under her command  – a lot of things are a tell-tale signs that something is not quite right. 
And at this point I have to clarify that I'm not saying things like "boo no I hate Jessamine". No, it's actually quite the opposite, I love her character. But the way it is usually portrayed seems to be so dull and static. Let her not be a saint. 
Let her be manipulative. Let her tell Corvo that "he is not like other serkonans, he is sooo special and that's why he is where he is and not somewhere deep in the silver mine", while being (just as any nobility in Gristol) not very welcome to any outlanders. 
Let her be power-hungry and afraid to lose this power. Remember a bonecharm in her hidden room in the Tower? Who knows how it ended up here! Maybe she knew (or felt) that Delilah was coming, capable of overpowering and taking everything from her. Maybe Jessamine was so afraid to lose her posh life that she was ready to use some kind of a black magic! 
Let her be disloyal. Obviously, she and Corvo developed some kind of codependency. But along with that, she was the Empress so who could stop her from having an affair or two? And Corvo was just the safest option, with a way less unnecessary risks and questions. 
Let her be an imperfect person. 
Obviously, Jessamine could be easily born a perfect ruler and a perfect loving woman for her chosen one and her daughter. But maybe she had to learn it the hard way. 
Maybe she changed along with Corvo. Maybe the plague was a critical point for her character, maybe those months without Corvo made her rethink a lot of things. 
And isn't it tragic, finally understanding and becoming the Empress everyone wants to see in you, just to be killed the other day, because all those changes have been seen as a weakness? Have nothing but faith in your closest one, faith that these people will be more wise than she was? 
Give her some development, give her some motion! She could easily  be a saint, static point.  But in my opinion, she deserves to be not perfect but in constant motion. Trying and learning, understanding and making mistakes. She was too young when she became the Empress, she was a part of gristolian nobility, not so kind to anyone but themselves, she literally had no prerequisites to become a good person. And yet somehow she did. 
It's always so easy to be a "saint" from the very beginning. And it's always so hard to learn how to become one.
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H is for Happy Birthday Lewis 🥳
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emmafallsinlove · 6 months
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after watching the princess bride for the first time, it had occurred to me how much jess and rory speaks in codes. mostly in the car scene, when he tells her he can keep drive straight and they’d end up at luke’s anyway, or he can turn right and they would drive in circles for a while. and she tells him to turn right, and before he makes that turn he looks at her, and say “as you wish.”
or when he called her after he left stars hollow and told her he’s in the washington square park most of the day, she gets what he means, and she meets him there. she doesn’t need him to tell her exactly where he is, or what he’s doing, she gets it. she gets him.
but i’m also thinking about jess saying as you wish to rory while she’s still with dean, and later at her graduation when she tells him how she think she might have loved him but he says nothing back….. like not even i love you, he just stay silent on the other side of the line, and i’m thinking of him comes back to stars hollow a year later just to say that to her…. that’s just too much.
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smimon · 2 months
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Survive at work by doodling cute couples 👍
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kylejsugarman · 2 months
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Sometimes when I need a pick-me-up maladaptive whatsit instead of a dramatic one I think about how Jesse definitely does his “YEAH BITCH” cheer for his kids whenever they accomplish literally anything they can take the man out of the whimsy but they can’t take the whimsy out of the man… Jesse going “YEAH BITCH” when Baby wins second place at a spelling bee or something and the other parents being like >:((
god forbid hes EXCITED about his beloved child doing great things.....time and circumstances can change a lot of things but it cannot take the whimsy and lack of impulse control out of the man. i love a good pick me up maladaptive whatsit, especially when it involves jesse not losing his annoyingness. the other parents can whisper to each other but do their flop ass kids have a spelling bee trophy and the cutest smile in the world?? no?? then a "yeah bitch!!" is warranted
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delisocks · 11 days
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what is jesse's go-to gatorade flavor? he got orange vibes to me
dude anon coming in here with a full save for me a bored bored teenage girl 😭 thank u so much man, we are 🫂‼️ also sorry this took like 1 million years, my executive functioning is shit and i have been working on the gooby woobie list which. will be coming out Eventually and is a Production, but then i realized oh hey i can do the smaller ask first!! division of labor or whatever.
and for the actual question i definitely see the jesse orange propaganda. like he just has those Vibes, i don’t know how to explain it but he is the tall lanky hyper guy in a cartoon… and his jack-o-lantern swag… jesse pinkman is an orange dude. i can also see him drinking red gatorade, like yeah it’s fuckin mainstream or whatever but i feel like he was one of those kids who wasn’t allowed to have red dye, so he’s gotta get his licks in as an adult!! also i think in the early days of cooking he would’ve enjoyed the like. glacier blue flavor. to stay on brand. like it’s just cheesy enough to be believable for me, that is some half-baked sentimental bullshit that walt would’ve called him a junkie and a girl for.
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icychill · 17 days
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Thank you @kohakuhime for the fun prompt of drawing your beloved oc Ellie!!
That was such a treat to draw and I hope I did her justice 💕
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midnights-dragon · 10 months
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wait i haven’t watched the show in a while, why is canon cam bad?
Ooh boy, I could talk about this for ages. I’ll just list the main things. In the majority of the episodes in most of the seasons but primarily in the later half, Cam is toxic, controlling, manipulative, and just all-around a bad partner. He treats Mitchell terribly, from diminishing his trauma and belittling him to flat-out not caring when his own mother, Barb, and his sister, Pam, sexually assaulted Mitchell on multiple occasions.
He plays on Mitchell’s abandonment issues (such as keeping a packed suitcase to leave whenever he wants), he mocks Mitchell for not being romantic but scorns him when he does (‘Manny Get Your Gun’ is the biggest example of this), and openly scorns Mitchell for having boundaries (‘The Kiss’ comes to mind, but this happens in almost every episode). Additionally, there are so many scenes where he just appears to not care about Mitchell whatsoever; in ‘The Wild’, for example, when Mitchell is left outside alone in the middle of the woods at night, Cam doesn’t care at all, or in ‘Summer Lovin’ when his only priority is to shove Mitchell back into work rather than help him work through what’s really going on/what he’s struggling with.
The three worst things Cam has done, however, is 1) in s11 when he lied about Mitchell to their friend group and faked a breakup in order to gain sympathy for no reason other than his own ego, something I have had an ex do to me which makes it more personal, 2) in the episode ‘Mother!’ when Cam is shown to have befriended DeDe (who is portrayed as someone who abused Mitchell and Claire!!) and talked shit about Mitchell to her for their entire relationship, and 3) in the episode ‘Grab It’ when Cam forces Mitchell into a role on stage where he is non-consensually kissed by a girl and forces Mitchell to apologize for ‘ruining his play’ afterward (I’ve actually written a fix-it for several of these aforementioned situations, which you can find on my ao3, link in bio).
I won’t even go into detail about the ending of s11 for them, because I know some people are still watching it, but Mitchell was forced into that too, even when it was an awful situation that would bring good for no one other than - you guessed it - Cameron.
Some people might say that Mitchell is toxic, too. I wholeheartedly disagree, however. One example is, as previously listed, ‘Manny Get Your Gun’, when Mitchell is part of a flash mob to surprise Cam with a romantic gesture, but Cam is ungrateful and angry and just a douche overall.
When Mitchell tells Cam he is being sensitive, he is one hundred percent correct. On the flip side, when Mitchell is sexually assaulted by Cam’s mother and voices his discomfort to Cam, and Cam calls him sensitive - that is toxic. That is not okay. That is disgusting behavior.
I could go on and on and on about how Mitchell deserves so much better, how Cam is terrible, how the homophobia is so deeply rooted in the show’s writers that they made the one gay couple into one of the most manipulative and toxic relationships I’ve ever seen in media. I could also stress how bad this could be for someone in real life (i.e., ‘my favorite TV couple acts like this and so if my relationship is also like that, it must be healthy!’) or how terrible it is given what we know about Mitchell’s past with shitty boyfriends only to be thrust into this new environment with another toxic partner. But I believe I’ve given enough broad examples to this.
Unfortunately, this really can be blamed on the homophobia of the writers/network and of just bad writing itself; sitcoms often fall apart when going on too long, or relationships lose their charm with the audience. That’s my biggest issue with sitcoms, though- I guarantee that no one was laughing when Cam got angry at Mitchell because Cam’s sister assaulted him.
TLDR: Cam is manipulative and toxic and shitty, which is why I write fanfiction for them. Because Mitchell deserves better, and in the fleeting, rare episodes where Cam sticks to his pilot version rather than an awful partner, he is just as wonderful. Fanon Cam, my beloved; canon Cam, you can, disrespectfully, rot in hell
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☕️the most egregious problem The Flash has is that it literally NEVER ADDRESSES ANY of the trauma it consistently puts Barry and co through, like it has other problems but I think that's the worst lol
1000000% and I will die mad about it.
Since it’s (always) on my mind, let’s take season 2 for example shall we?
If I had a nickel for everytime Post-Zoom-trauma just disappeared at the drop of a hat, I’d have four nickels. Which isn’t a lot, but it’s fucking INFURIATING THAT IT HAPPENED F O U R TIMES
The four (for lack of a better word) victims in question: Caitlin, Barry, Jesse, and Jay.
Caitlin: kidnapped and held against her will for (I believe) two weeks (that’s putting it simply but we’ve all seen the show so🤷‍♀️). The show gives her one single episode to deal with it, during which she shows very real symptoms of PTSD— solved and therefore ignored and glossed over entirely with a single pep talk. I would also like to add that she showed NO fear of him in the season finale which makes no fucking sense with what the show established only an episode earlier. But tbh, this is the best one because at least the show ACKNOWLEDGED that trauma; if only for one episode.
Barry: Back broken during first encounter (among other severe injuries), humiliated by being dragged around the city to show he wasn’t strong enough to stop Zoom, confidence shattered from the experience. Like Caitlin, we got one episode to deal with this trauma and in that episode, Barry also showed signs and symptoms of PTSD (the entire season is evidence tbh). But of course, one pep talk from his dad and everything’s magically ok :-D !!!!!! I’m going to eat glass (also I will definitely make a post on that fucking episode because I hate it). As mentioned; he continues to have PTSD symptoms throughout the season but it’s glossed over so much and attributed to generic-superhero-stuff™️ that it really doesn’t matter. Gods, I could go on all day about Barry’s post-Zoom AND post-Thawne trauma. (Oh, he was also kidnapped, threatened, and {borderline} tortured by Zoom in the Earth-2 episodes; but that’s all normal superhero stuff ofc so it doesn’t matter right :-D !!! gnawing at the bars of my enclosure)
Jesse: Good gods where do I even start. Kidnapped by a known serial killer, tortured by said serial killer, repeatedly and (probably) constantly threatened with death, and held captive for around 9-10 months. Mm also, she was clearly terrified of Zoom every time he showed up prior to her rescue. Sounds like an extremely traumatic experience with multiple opportunities and instances to develop PTSD right? WRONG! According to the lovely writers; people are completely fine after a traumatic experience is over! What’s PTSD??? chewing glass chewing glass chewing glass. They didn’t even TRY with her, at least with Barry and Caitlin they pretended to give a shit about what they went through but Jesse makes two things crystal clear. 1) The writers don’t care about your trauma unless you’re an MC. 2) The writers put minimal effort into trauma if any; MC or not. It’s like they said ‘Ooo, we should have Caitlin kidnapped by Zoom!’ ‘Won’t that have some sort of effect on her? Being kidnapped is a terrifying experience’ ‘Ah fuck you’re right… eh, we’ll give her one episode ig’ ‘What about Jesse?’ ‘Who?’
Jay: Fucking. Hell. I ordered this in what I consider best handled to worst. Jay is by far— handled worst. Let’s see here *checks notes* Ah yes. Kidnapped and taken to a completely different Earth, an attempted theft of his powers, imprisoned and put in a mask so he can’t speak, {not confirmed but very likely with Zoom’s track record and somewhat implied} tortured, had his identity stolen and {likely} mocked and tormented about the subject, and the ~delightful~ cherry on top— held captive in this situation for at least one year. Fuck I’m so tired. Anyways; there’s not much to say. He got rescued (off-screen ofc), was able to access his powers instantly with no problems, and left to go back to his Earth. Trauma? What trauma? *gestures wildly at said trauma posted above* That’s not traumatic at all! *screams* I don’t care how much experience you have as a superhero— that doesn’t just GO AWAY! PTSD, FLASH WRITERS. LOOK INTO IT P L E A S E fuck I just remembered the show is over now ALL YOUR MC’S HAVE IT! EVERY. SINGLE. ONE. Sigh. In the end of *gestures at said trauma* all that, Jay was just used to cause Barry more greif from his father’s death. Obviously he gets roles in later seasons but (as far as I can remember) this whole thing was never brought up again. Sigh.
I COULD GO ON
I COULD GO ON FOR DAYS
but I won’t cause dear gods I’ve been typing forever now
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heartslobbf · 2 years
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been watching some infinity train video essays recently and come across a common criticism of book 2 that has absolutely floored me because it demonstrates a fundamental lack of understanding about what book 2 even says about personhood and reality. i feel it’s relevant to point out that most of the people who have this criticism are also unaware or dismissive of the trans-coding of lake’s character, because like.... the critiques are a) ‘lake’s number being a reflection of jesse’s was a cop-out’ and b) ‘lake being a metal person in the real world doesn’t make any sense’. and it’s like.. you just watched an entire narrative about how arbitrary constructs of personhood designed to demean and marginalise people are Bad and Dumb and there will inevitably be people a system doesn’t accomodate for, who deserve accomodation on account of their existence, and your takeaway was ‘well they didn’t make the metal person a real person. they didn’t assimilate to the status quo in a bona fide capacity’. like what the fuck lol
to elaborate on what i mean; lake being a chrome person is an integral aspect of who they are and their journey is never a pinnochio-esque ‘i wanna be a real boy’ self-loathing misery-fest (book 2 said fuck your transmedicalism and also, hey, as a disabled person, nice). by book 2, lake is adamant that they are a person and merely wants to be treated as such. lake is treated as a second class citizen on the train because of arbitrary social structures designed to ‘maintain the balance’ between the prime and mirror world, as mace puts it. it’s a social construct presented as an innate, intrinsic truth of the world by corrupt authority figures; have i mentioned trans-coding yet? lake’s journey wouldn’t be anywhere near as impactful as it is if they constantly lamented the literal make-up of their being, if they had to relinquish a fundamental aspect of their all-important identity to ‘truly be a person’. like, lake is not Becoming a person; they are a person, and they’re escaping a system that falsely refutes that.
this is why lake’s number is actually a genius writing choice, and very definitley not a cop-out. lake’s number is created on account of their physical being, can literally only exist in the way that it does because lake is reflective. to be told ‘you are a reflection, so you can’t have a number’, and then get a number not in spite of being a reflection but because of literally being reflective..... trans-coding. and also the only way to do a meaningful narrative about personhood. any notion that lake is not already fully a person on account of.... you know, existing and stuff undermines every aspect of their character and it’s genuinely baffling to me that some people don’t get that.
like, it’s apparent that the train (an artificial construct) cannot give a denizen (social construct) a number (also a construct, but an important one in the social system). it literally starts collapsing in on itself when lake and jesse apparently invent t4t in the number car, because it has not considered how to accomodate for people who exist outside of a narrow scope or binary (haha). to have lake somehow (?? how would you even do this lol like tell me your alt ending if you’re gonna prattle this nothing criticism) Become a passenger and get their number that way undermines their incredibly powerful assertion, again and again, ‘i am a person,’ ‘i’m my own person who is getting off this train’. because that says that this fucked up social system is in some way objectively correct and lake has to assimilate to it, when it has been actively violent against them, and dehumanises every single denizen on the train. which we have been told the entirety of book 2 is innately bad.
and also, it adds so much to the jesslake dynamic that i think evidently goes over certain people’s heads. lake and jesse are both the titular ‘cracked reflection’, both attempting to establish a sense of identity independent from others, and that’s a big factor in their closeness and understanding of one another. jesse’s second number scrolls from irrational number to complex number back to irrational number (square root of two i’ll get to you) because his problem— which is in turn lake’s problem— has threatened and cracked the train’s rigid system. it cannot comprehend it. jesse and lake together essentially take a shit on the train because like yeah, lake’s number is ‘just’ a reflection, but that is literally the point. oh my god why can no one understand basic symbolism like throughout the show we see lake’s face reflected in their own hands and we go ouogfoghgou i seeeeee they don’t have a number on their hand so we see them instead, yes yes personhood and identity i see. but the second people see a reflection of a number they can’t grasp what is simple but powerful in its meaning????
lake is a person. because they are a person. number is ‘proof’ of personhood on train but the thing that we’ve always seen in lake’s hand is them, the reflection of a reflection, and that’s their personhood, and now they’re cheating the system with another reflection like hello!!!!!!!!! they’re not meant to assimilate into the system literally anyone who thinks that is stupid and shouldn’t be allowed opinions. i am so sorry but holy fuck book 2 was like ‘lake’s personhood is innate and has always been there and they do not have to assimilate into a cruel system to escape it nor do they have to relinquish who they are to obtain freedom because there is nothing objectively flawed about their personhood, only objectively flawed perceptions of them by others’ and some people were like ‘ok but. the gender binary is real obviously’ and it’s like did you miss the bit where we brutally murdered the two cops emblematic of... well, cops, and also arbitrary oppressive social structures that are peddled as fact. holy shit. book 2 sweetie im so sorry that cis people don’t understand you like i do.
just to expand on that point a little more analytically; i’ve seen some people say that they thought lake’s number was a cop-out because it was ‘cheating the system’, but you’re sort of meant to think that. the train’s system is innately flawed, this is something the show makes apparent throughout its books. lake is cheating a system they cannot legitimately win at. ‘well couldn’t any denizen just write a number on their hand and ask one-one for an exit?’ idk maybe. i hope some of them try it and succeed. the train is an arbitrary construct, it is conducted, its judgement is not objective or perfect. why the hell should lake play by the rules when the rules are literally ‘you aren’t a person lol <3′. you guys are spouting some alarmingly right-wing rhetoric if you posit arguments like these. ‘oh but one-one can’t be evil though :(’ i don’t think one-one is evil, i think he’s a mostly well-intentioned robot that doesn’t fully grasp the complexity of what he’s attempted to create a clinical system to ‘solve’.
final point: if you think lake should’ve like?? become flesh??? when they got off the train, first of all you hate comedy and second of all, read above. this is not pinnochio!!!!!!!! the only ‘problem’ with being a reflection is the artificial construct of what ‘being a reflection’ means, and lake has rejected that, and they’re made of chrome, and that’s a fact, and they consistently utiliise that aspect of their identity to further their journey to the point of their exit from the train literally being manifested via the reflective nature of their hand. they are disproving everything that everyone says about them not by rejecting that aspect of their identity but embracing it. ‘you’d just go into the prime world with your... metal skin and, what? high school? prom?’ yes motherfucker!!!!!! suck on it!!!!!!!!!!!! some of you need to work a little harder to um.... Understand what a text is saying, and Comprehend subtext. again, this is not pinnochio!!!! good god. fuck me.
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biitchcakes · 3 months
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THE SPIDER-WOMAN && THE SHROUD .
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(** Fair warning, this is a bit of a long post due to pictures**) To start off, the way they first encounter each other is just so perfect ⸺ Max just flat out VULCAN NERVE PINCHES her while she's at her receptionist job. And the fact it works. It's Spider-Woman's weakness and that's simply just hilarious to me.
Then after meeting each other properly ( he breaks into her house while she's in the shower ), he stays the night on her couch. In the morning, she wakes up to find him cooking her some breakfast. . . 🥺🥺
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❝ Ms. Drew ❞ just tickles me coming from him idc.
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I Love The Way They FLIRT.
❝ If you're embarrassed to hold hands ⸺ ❞ actually teasing her rn. Can't believe he took her hand after using it to blast someone please.
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AND IT !! WORKS !!! This is what she's thinking in that moment.
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No comment really this is cute af ❤️
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Read this as you will :))) U ask me, it's because he would Blush A Lil. Also I just. . . ❝ Mr. Shroud ❞ ❝ Ms. Spider ❞ 😌🖤
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Literally INSISTS on taking her out for steak and wine !!! Could have suggested anything else but that's the first dinner he thinks of. ( truly tragic they didn't draw them out to dinner and there's a time skip instead 😔 ).
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While they are waiting for their targets, he listens to her and tries to Ease Her Woes for over an hour. . .
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❝ See you in the dark, babe. ❞ GIGGLING !!! Needs someone just as melodramatic as her.
One of those SHIELD agents, for the record, is Jerry LOL.
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I MEAN COME ON.
A long time later, when Jessica basically fkin dies, she requests Magnus wipes the memories of those who knew her. They all remember her in some form, though vaguely, distantly. . . But Max just KNOWS. . .
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:') 🥹
Look, I gotta include the bit below bc I love the way he gd throws himself off the roof without second thought because he sensed her ghost.
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❝ anyway she was gone by the time the lovesick fool saved himself ⸺ ❞
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I mean ⸺
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After a hellish battle with Morgan Le Fay, he and the rest of the present Avengers are able to help save Jessica Drew's life. And there he is. . . Holding Her Hand. . .
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Below is unfortunately the last time they are seen together for a looong time ( fkin 1984 to 2023 !! 😭 ). And it's just so damn adorable.
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Her powers are gone at this time, they start to come back at a later date. Yet still such confidence in her !! Love him !!
Dr. Strange is watching this whole thing from afar, and the comment he makes about them, I ⸺
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ME TF TOO STEPHEN !!!
The most recent time they've been together was pretty Bare Bones flirtation wise :(((( given the Dire Situation™️.
But we do have this. . .
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It's just so soft. . .
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familyofpaladins · 2 months
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I did the meme thing with my most recent blorbos to form the most ridiculous set lol (Leonardo from TMNT and Jess Harper from Laramie (1959))
It's very funny to me because both of them have killed/willing to kill, but it's the 15 year old turtle who would probably be the one to admit first that they're gonna have to kill someone instead of the 26 year old ex-gunfighter
Bonus of the kinds of fics I've been reading lately
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pissed off their red-coded brother/friend who wants them to stop their self-sacrificial bullshit
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merry-the-cookie · 1 year
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my DUUUUUUUUUDES
*inhale*
AAAAAAAAAAAAAAAHHHHHHH
im so excited i could cry LOOK AT THESE 😭😭😭!!!!!!! look at the floaty boys!!! tHE BUTTON!!!!!!!!!!!! i am SO happy im so excited my dudes….. the mike and ash charms are 2" with an epoxy finish that makes them a lil rounded.. the luke and cal are a test print to check what the other techniques/sizes look like! theyre 1.5" and i wanted to try a holostar finish but i prefer how the other ones look so thats what ill go with for the shop! theyll look like mike and ash ✨
i made lil stickers of the cone boys and the button design and theyre super shiny and cute i love it sm, i dont think that ill make an actual run of the cone sticker but i have a lil stock so ill try to give em away with pre orders i think. but anyways yeah im so. *does a lil dance*
and alas it occured to me i didnt share the button design publicly, but it might be one of my favorite things ive ever drawn lmfao i hope you love it as much as i do <3
reminder u can sign up to the mailing list HERE!!
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saybiwithme · 1 year
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For @honestlydarkprincess ❤️
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listen, i may not be “well” but i can bake a damn cake
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majestic-salad · 2 years
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Jessica (Telephone) gives me a chill pill
Hi blesties welcome to another episode of Jo being unhinged about blaseball, today featuring Alaynabella and Jessica bc I am sooooo normal about them
Might colour this at some point, might not
(poem is Jessica gives me a chill pill by Angie Sijun Lou)
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