#THE REBIRTH TIMELINE ANIMATION AND STYLE LOOKS LIKE SHIT
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oh my golly gee please tell me about your yokai watch aus
Okay so i have a lot(and i mean a lot and by that i mean just god dawm i have to many) but ill just talk about the ones im currently working on
Yo-Kai Watch V5.C(version 5.Crystal)
So basically in this AU (and i have a future version that will also be talked about) inaho basically is the antagonist and shadow side never happens since this splits of from the cannon game timeline after ykw3 but to sum stuff up for the whole start.
Its 3 months after inaho lost her watch and while in an alleyway after helping a yo-kai with a problem she finds the kuro/black watch from that evil alternate reality so she does what any good chaotic dumbass does that slowly over the course of 5 weeks turns her slowly more "evil", psychotic, insane, and generally coo-coo in the head (alao during 1 month before inaho found the watch buck moved to springdale with his sister btw) which everyone in the school takes an obvious notice of. Eventually the black watch gives inaho the option to willingly help him take over the world which she accepts so she gets cool powers and a awesome beeg anime scythe and after a chapter or 2 (in a what if game sense) recruits the white yo-kai(idk if they have anyother name but the yo-kai MCkraken had on his side in ykw1), the wicked yo-kai including kin and jin, and some of ghoul fathers lackeys. Now fast-forward to the last chapter of the what if game and inaho is mega cool final boss with a cool final form reminiscent of a evil sailor moon and so after a fight she's defeated but not killed but since the kuro watch doesn't wana get off inaho and wants to basically be a parasite, so ya know what USApyon does?
HE FUCKING GRABS THE GOD DAM ENMA SWORD FROM NATE AND SHOOTS INAHO IN THE HEAD AND STABS HER IN ZE CHEST WITH ZE SWORD AS SHE THEN FALLS DOWN A FUCKING CLIFF OR SOMETHING.
So due to some TouHou anime Plot amor crackshit Bullshit logic she survived all that and is basically undead so she ends up going to timers and more and gets up and gets herself bandaged up and so as she's bandaging up her chest wound Mr. Goodsight is taking her old watch that he ended up finding and the kuro and watch and basically fusing the two into what inaho decided to call the "Yo-Kai Watch Crystal Model V" (the v stands for villan ehe) and ya wana know what she does after she's bandage up she sends a picture to the groupchat of her nate and buck and send them a picture of her giving them the middle finher eith the caption "✨i lived bitches✨🖕" so now fast forward a few days and yopple is mass producing Yo-Kai watch Models Crystals thanks to inaho letting them look at ger watch so now buck and nate get the first two models and now have cool new soul weapons
Nate gets a genshin style claymore and buck has a bow and arrow. And then ya got like post-game adventures and shit NOW
V5C FUTURE
Basically just fast forward to their high-school years with Nate Jessica Inaho Buck and Katie all going to a high-school in Tokyo because cool beans and while i dont have much of a set plot for V5C future i have a cool what if game concept, Mythos skills Basically just last resorts so if you wana read about it heres the Google doc i made on it(its not complete by any means but i think theres enough info in it)
The Precious Otaku☆and the reserved DJ
This is basically just a ykw x D4DJ groovy mix au im working on writing a fanfic for so not much that i wana spoil about it but basically Saori who in this au is inaho cousin goes to Springdale for a monthly vacation and Merm4id follows and Inaho can DJ all im gona say.
Yosona 5
As the name suggests Yo-Kai watch x persona 5 so basically nate and Akiren/Joker are brothers inaho and nate become phantom theives (Nates codename is Ace and Inahos is Red)
And they help go on multiple silly ventures in the metaverse and stuff but how did they find out about the metaverse in the first place well my dear friendo
Our two soon to be theives were just going into the springdale train station to go check out tokyo since its not that long of a train ride from springdale and when they get out from the train and enter the shibuya subway nate earlier that day saw the metamav app on his phone and ended up having it open while they were going to walk out of the subway as inaho says and i quote "hay have you ever wanted to try and thing with Soda and Mementos gum i think its called" which and probably the dumbest way to accidentally end up in mementos so they end up meeting the phantom theives their and get help getting out of mementos and the rest is history aka plot i haven't come up with yet.
Your average everyday talking claymore.
Literally just nate becomes clay more become him inaho and buck decided to be dum dums snd go explore a dungeon.
So nate gets killed by this Phoenix Weapon Smith boss yokai who as a way if saying sorry in a way turns his soul into a claymore and i have to figure out more lore for it but yeh.
So anywho thats all the aus im working on rn
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Hibana as a whole has the potential to be both edgy and REALLY aesthetically pleasing in a picture. Cody has too much visual appeal to him and doesn’t have a balance between visual appeal and potential for varying moods in art like Hibana does. Draw Hibana with the right amount of shadows and certain facial expression and you’ve got a piece that hits emotionally and shows his colors, but it’s as easy as just drawing a simple nature scene with him in it and be like “wow, this is really pleasing to the eyes...”
I kinda wish Cody had that effect more often for people besides me, though it’s expected because Cody has his own defining traits that make him much more complex than Hibana in a few ways, at least from my point of view. Both Hibana and Cody are both extremely complex and deep OCs with intense backstories for who they are as characters now, but Cody just has a special kind of deep and complex to me because I’ve spent almost every day since I created him and his AU in January of 2015 brushing him up as a character and changing SO many things about him compared to how he started out.
He started out exactly like Scout down to the accent and barely ever excluding his hair, when his hair was different from Scout’s it looked similar to Scott’s hair, but now look at him. 5′6��, intersex/hermaphrodite, mental, emotional, AND physical illnesses up the wazoo and STILL fighting strong despite his never ending pain, super deep and complex emotional and mental bases in his character as a whole, right down to specific and exclusive interactions and reactions to anything with specific people/places/animals/things, the rebirth of the creator of EVERYTHING as well as the one who can end, destroy, and reset timelines for ANY possible universe and has unlimited potential for more power and strength, and so on and so forth. He just started out as a RED Scout with a different name and had a few weak powers based on Sailor Moon and shit (the Sailor Moon based power and deity inspiration aspect is still in effect and always will be) and just had an inconsistent hair style and name for defining traits.
How much Cody has changed over the years holds a special place in my heart and surprises me somtimes from the amount of dedication I’ve put into this AU without even trying to like I have to with most other things, but even through all that I just wish I could get that balance of emotional and aesthetically pleasing for him when I show him in art and such. But that’s just me. I already have a completely devoted fan of Cody who would more than likely just brush all I said off becuase they love him so much as he is and sees no flaws in him. You know who you are LOLOL I’m not gonna call you out, you gotta do it yourself if you want people to know who you are that don’t already know or have a deep suspicion.
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Is the World Ready for Miki Agrawal and Her Next Big Idea?
Originally Published on Glamour.com By Eliza Brooke On April 4, 2019
She wants to talk about poop — if we all could just forget what happened when she tried to change the world with period underwear.
In late January the entrepreneur Miki Agrawal held a launch event for her book, Disrupt-Her, at The Assemblage, the latest coworking-slash-coliving space in Lower Manhattan. The room was decorated with wall rugs and cacti; Spanish moss descended around a nonalcoholic bar. Agrawal sat on a low stage with Lauren Zander, her life coach, and the stylist Stacy London, who was serving as interviewer for the evening. A crowd including Assemblage members and Agrawal’s friends and fans perched on couches, armchairs, and floor pillows, sipping water and nibbling on vegan snacks while the three women talked.
“I want to talk about what happened with Thinx,” London said, “because I think that that was an absolute, completely life-changing moment for you, and really worth discussing because we always talk about success and failure, which for me are words that don’t make a whole lot of sense. It’s all experience. So how do we use experience to our advantage, when it feels like we have been brought to our knees?”
Agrawal founded the period underwear brand Thinx in 2014, and as the company’s profile rose, she became a well-known figure on the start-up circuit. Suddenly, in March 2017, Jezebel reported that Agrawal had stepped down as CEO after several employees quit. Days later, Racked quoted, anonymously, employees who described the company as a volatile work environment with poor compensation and benefits; sources said that Agrawal pitted staffers against one another and implied that they were ungrateful for seeking higher pay. Then The Cut reported that Chelsea Leibow, Thinx’s former head of PR, had filed a sexual harassment complaint against Agrawal, alleging that Agrawal routinely made comments about Leibow’s breasts and touched them without her consent. It was a hard turn left for a start-up with a progressive, feminist image.
Miki Agrawal, photographed at her home Michelle Rose Sulcov
Agrawal with her son, Hiro Michelle Rose Sulcov
Speaking to The Cut at the time, Agrawal called Leibow’s accusations “baseless” and denied that she had touched her breasts; a Thinx spokesperson also said in a statement that the company took the allegations “very seriously” and that “the company commissioned an investigation that concluded the allegations had no legal merit” and declined to comment further. Agrawal also put out a Medium post characterizing Thinx’s HR issues as problems that many fast-growing start-ups face. Forbes reported the sexual harassment claim was withdrawn after a private settlement.
Agrawal didn’t mention Thinx by name when she answered London’s question at The Assemblage. In fact, she didn’t use the word once in the hour-plus she spent onstage that night. “There were a few people that needed to be restructured out that were kind of wearing the feminist T-shirts and the vagina necklaces but were singing a different tune, culturally, for the business,” Agrawal said, noting that when she did finally restructure, “it was just twisted out of context, and you know, it was one of the darkest times of my life.”
If this sounds like a vague description of events, it is. For legal reasons, Agrawal says, she can’t say anything about her time at Thinx, her work there, or her employees. I reached out to seven former employees; only two agreed to talk about their tenure at Thinx, and even then requested anonymity. This makes writing a profile of Agrawal challenging, and reading one potentially unsatisfying: Two years after the fact, the Thinx allegations remain a major piece of her public image and business backstory, but if you want the details of what really happened, there’s a blank space.
We’re left to fill in some of the void with reports from that time period. In the spring of 2017, the critique of Agrawal was swift and widespread. Her case seemed like an isolated incident. It predated a rush of workplace misconduct accusations; Harvey Weinstein had just wrapped what we didn’t know would be his final awards season. This was before pundits learned to parse the nuances of “bad behavior” and before scores of famous men issued their careful, vague apologies. As a culture we’re now figuring out what the rehabilitation of a disgraced public figure can and should look like. This is no easy process, and as Agrawal’s case shows, it doesn’t always come with a clear, public resolution.
At The Assemblage, Agrawal described how she got through those dark days, which took place when she was five months pregnant. She remembered crying “all the time” and calling Zander multiple times a day. She said the experience stretched her emotional capacity, and in that, she found gratitude. “I get to feel the depths of betrayal, the depths of sadness, the depths of pain, which only will then accentuate the heights of joy and the height of wow-ness in life,” she said. And it fed her book, Disrupt-Her: “All of that negative shit that I inhaled, that was so painful, that I wanted to just fight back so badly; instead I just pushed it down and put it into this book.”
Disrupt-Her spans the professional and personal, and instructs readers on how to question all manner of entrenched societal conventions, block out the haters, and fight gendered norms dictated by the patriarchy and sometimes reinforced by other women. In it Agrawal talks a lot about transmuting negative energy into positive action, but her underlying principle is this: If you’re a rule-breaking woman in the world, people will try to take you down.
In the book’s introduction, there’s a handwritten message that prompts readers to “press here” on a drawing of a bull’s-eye — “to eliminate all self-judgment + judgment of others.” Were this any other self-help guide, you might touch a finger to the button, earnestly or feeling a little silly, and move on. In the context of this particular book, the request to avoid judgment seems pointed, because many people are likely to go into it with preconceived notions about Agrawal — good and bad.
Agrawal has always positioned herself as someone in the business of taboo-breaking, and that paid off with Thinx: The brand came to many people’s attention when its ads, which mentioned periods explicitly and used photos of grapefruit halves as an artistic stand-in for vaginas, were initially deemed too suggestive for the New York City subway. Thinx effectively put period underwear on the map, and Agrawal became known as an outspoken, successful woman in the overwhelmingly male start-up world, albeit one who very much fit the mold of a Burning Man–going tech executive. (A key difference: While there she posted photos on Instagram of herself pumping breast milk while out and about, writing that she had given it to other attendees to drink.) Like so many entrepreneurs, Agrawal dresses distinctively. Her style identifier is a tall, wide-brimmed hat that adds to her small stature. She talks fast, in an energetic, almost muscular way, occasionally smacking a fist into her palm for emphasis. When she’s onstage at events and conferences, she gets laughs.
It turns out operating start-ups in spaces that, in her words, “make people uncomfortable,” is good business. She opened a gluten-free pizza restaurant called Wild in 2005, at a time when gluten-free food wasn’t as trendy as it has become, and it now has three locations in New York and Guatemala. Thinx came in 2014, and a pee-proof underwear line called Icon followed in 2015; by 2017 the CEO that replaced Agrawal reported that the company (which oversees both brands) was doing $50 million in annual revenue. As chief creative officer of Tushy, a company that makes bidet attachments, Agrawal now has her sights on changing how we poop. The brand is projecting triple-digit sales growth for 2019, with annual revenue under $20 million and, according to LinkedIn, a staff of 11.
“Over these last 15 years, so many people were like, ‘No one’s going to buy your products.’ ‘No one’s going to eat gluten-free pizza — it probably tastes like shit.’ ‘No one’s going to bleed in their underwear,’” Agrawal said at the book launch. “It took a long time to get investment in all of the business ideas, and it turns out that society was wrong. People did want to try these things.”
In fact, society is wrong about a lot more than just “periods, pee, poop, and pizza,” Agrawal said, drawing laughter from the audience. “This generation and the next is not interested in doing the things that people did 100 years ago. Not interested.” To that point, each chapter of Disrupt-Her names a common way of thinking, then explains where it came from in order to present an alternative. For the notion that “failure is embarrassing,” for instance, readers are instructed to “replace the word failure with revelation.”
Disrupt-Her isn’t billed as a memoir, and much of it focuses on universal topics like the importance of investing one’s money, cultivating a partner’s best qualities, and decluttering one’s home. It is a rebirth, in a sense: Before its launch Agrawal released a video-poem that begins with her crawling from a bleeding animated vagina. (A hat is conveniently waiting nearby; she puts it on.) While the public may view it as a comeback, the timeline isn’t so linear: Agrawal founded Tushy two years after she launched Thinx, then hired leadership to run it while she focused on the period-underwear brand; when she left Thinx, she seamlessly transitioned over to Tushy. If Disrupt-Her answers any question about Agrawal, it’s how she wants to present herself to the world after being accused of abusive behavior in the workplace. Less contrition, more ideology.
In her emphasis on transforming anger, betrayal, and pain into empathy and gratitude, Agrawal performs an amazing alchemical act. The book creates a space in which she’s able to comment on the bad publicity — effectively getting the last word — and land on higher ground. This puts those members of the public who are reckoning with how to regard her, post-Thinx, in the difficult position of arguing against positivity, against personal growth, if they question her at all.
Someone who worked with Agrawal at the time, who agreed to talk only on the condition of anonymity, says that Agrawal knows the value of building her personal brand through this kind of storytelling. Publishing a new book in the aftermath of the Thinx allegations reinforces a narrative in which, the former staffer says, “She’s the hero.”
In February I visited Agrawal at her home in the Williamsburg section of Brooklyn, a sleek space filled with colorful woven rugs and air plants. During our interview, her husband, Andrew Horn, popped in and out of the room on his way to and from errands. Their 20-month-old son, Hiro, occasionally toddled into the conversation, cheerfully making a grab at a water glass or one of the cell phones recording the conversation.
Agrawal wrote Disrupt-Her in the two and a half months following Hiro’s birth in July 2017. Laid up in bed healing from her C-section, she wrote between feedings and while the baby was asleep. “I had so many thoughts around the culture of complaining, takedown culture, feminism, patriarchy, fake feminists, people who wear the feminist T-shirts and the vagina necklaces but are really mean girls on the inside,” Agrawal says. These topics appear in the book, in chapters that deal with woman-on-woman hate and gossipy media coverage — the products, Agrawal writes, of scarcity mind-sets and a news business that rewards clickbait.
Agrawal says she believes in creating a culture that is progressive and supportive of people being themselves — but that doesn’t mean lowering her standards. “I demand excellence. I do,” Agrawal says. “Shouldn’t you demand it for yourself? And if I’m going to bring it out of you, that’s a good thing. If that sometimes requires tough love, like, ‘Hey, I asked for that three times, come on, you’ve got this.’ Then you go back and tell everyone, ‘She’s yelling at me!’ Like, is that yelling or just being like, ‘Come on, you’re better than this!’?”
In her book Agrawal writes that she learned to “constructively look at where I actually did go wrong as a leader and how I can improve.” When I asked what those areas of personal betterment were, she said that she had to become more cautious about who she surrounds herself with. As a more experienced boss (Agrawal is now 40), “I realized that, wow, I do shoot from the hip, and I just say, ‘Oh, you love my idea? Come work with me.’” At Tushy she’s looked for people with a lot of experience in the workforce.
“I spent seven months, myself, hiring my CEO. I spent all of my time calling everyone’s references,” says Agrawal. “I looked at everyone’s social media accounts…. I looked at people’s profiles, I looked at what they wrote, I looked at how they said it — if they sounded snarky or mean-girl-style, no. They had to be bright-eyed, bushy-tailed, loved life, came with a big smile, optimistic.”
While Disrupt-Her bolsters Agrawal’s public image as someone who’s overcome adversity, many of the professional changes that Agrawal has made since moving over to Tushy seem to have to do with protecting herself against a repeat of the Thinx affair. Being a consummate “Disrupt-Her,” she still lives her life out loud, but when it comes to Tushy’s internal operations, it seems she has created boundaries that help her feel safe. Agrawal no longer wants the sticky job of managing team dynamics, so she is Tushy’s chief creative officer, not its CEO: That’s Jason Ojalvo, who spent nearly a decade at Amazon-owned Audible before joining Tushy. Agrawal works from home, sitting at her long kitchen table, and staffers will drop by for meetings. Socially, she keeps a distance between herself and her employees.
“With my team at Tushy, it’s a relationship of respect,” Agrawal says. Earlier in her career “I thought, We’re all friends, we’re all doing this together. Then all of a sudden you have to make hard calls,” she says. It’s part of the complicated work of being a manager — a lesson she learned the hard way. “I’m just like, OK, clearly I get too connected with my team or I get too trusting, and I’m just — I’m definitely not going to do that again.”
Not being a CEO also means that she has more time for the creative marketing work she loves best, Agrawal says. When I ask Ojalvo about Agrawal’s leadership style, he touts her exuberance. “We have really complementary skill sets. Miki is great at getting everyone excited about her creative ideas. Her passion for our products, our mission, and the PR stunts we do is infectious,” Ojalvo writes in an email. “I can make those all a reality by growing and managing the team executing all of it, facilitating communication among the team, and making sure we have the outside funding and/or profit to execute on our dreams — but Miki always brings the enthusiasm and excitement to the next level.”
Agrawal’s creativity is one reason Ojalvo joined Tushy; he says he was similarly motivated by its product and accessible price point ($69 for the bidet attachment), its potential to change Americans’ hygiene habits, and, more jokingly, the opportunity to talk about poop all day (“My inner 14-year-old is living the dream,” he says). At the moment Agrawal is organizing a “funeral for a tree,” a cheeky means of talking about the number of trees that get cut down every year to make toilet paper (and that could be saved by her bidet attachment). “That’s going to be one of our biggest press events of the year, I just know it,” she says.
Agrawal has a complicated relationship with the media. She has deftly used it to raise her companies’ profiles and her own, and embraced stories like those about the Thinx subway ad controversy that cemented her products in people’s minds. The former staffer, who worked with her at the time of the allegations, recalls Agrawal placing a heavy emphasis on using the media to fuel growth. “It became clear to me that there was an increasing dependence on finding the next buzzy thing,” she says. The employee wished Agrawal would have focused more on growing the company than press opportunities.
But Agrawal could at times be critical of the press, even before the allegations of March 2017. After The Cut published an early profile about her, quoting her about how she started relating to being a feminist only when she launched Thinx, she put out a Medium post titled “An Open Letter to Respectfully Quit Telling Me How to ‘Do Feminism’ (and to just support one another, please!).”
In her book Agrawal takes aim at journalists chasing after “inflamed, exaggerated headlines” and writes about being interviewed by a reporter who was “almost licking her lips, like an animal about to get a big, bloody feast.” (Below this there’s a drawing, done by the author, of a wolf licking its chops.) As a reporter working on a profile of Agrawal, it’s hard not to think about this. It’s also impossible not to see a parallel with the current American president’s relationship to the press, a whirlpool of interdependence and combativeness that plays out every day on Twitter and TV.
During her book event at The Assemblage, Agrawal talked about a few of the mental coping tactics that Zander has taught her. One was pattern interruption: When a bad thought comes into your mind and threatens to fester there, you literally change position, stand up, or walk around. She turned this into a game at a recent press dinner.
“I had literally 13 of the top press at my house last Wednesday, and it was the first time that I had met with all the press, post–all the shit that went down a year and a half ago, and I was like, ‘Ha-ha-ha, in my lair, let’s do this,’” Agrawal told the audience, adopting a faux-evil voice.
“It was a 13-course disruptive dinner, and we had them play all these games,” she continued. “Like, dance like you’re three years old! Imagine the New York Times person dancing like she’s three years old.”
I attended the dinner, and that may sound like more of an exercise in humiliation than it was. The email invitation had instructed us to dress in our silliest outfits, which the reporters and editors in attendance did with varying degrees of enthusiasm. Agrawal had on a glittering hat, a bright pink wig, and a gauzy white cape that she’d worn at her wedding. I wore a blue tie-dye shirt. Each course of the meal and its corresponding discussion or activity was based on a lesson from the book, and dancing like children was chapter one: “You can still live in a childlike state of curiosity, playfulness, and awe and be a responsible adult, on and off the job,” Agrawal writes.
Agrawal isn’t afraid to dance. She isn’t afraid to talk about periods and breastfeeding and bowel movements. To tell you that what you think you know about covering and cleaning your ass is woefully misguided.
I am not a performer, and inventing goofy dance moves in front of my peers — or worse, dancing “sensually,” as we were later encouraged to do — felt awkward and embarrassing. But it was effective programming on Agrawal’s part. You cannot argue against this kind of activity, even as you internally debate its value. To not participate, or to participate with one eye on the clock, is to admit that you’re rigid and hemmed in by your self-consciousness, that you’re choosing to bind yourself to the societal conventions you’re supposed to be dismantling. Sooner or later you’ll have to commit wholeheartedly to finding your childlike sense of play and trying something new, because your rationalizing doesn’t matter, and the only way to relieve yourself of the agony of resisting is to give in.
Eliza Brooke is a freelance reporter. She lives in Brooklyn.
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DC Primer By Erza155 (for the absolute n00b
ok, before you even look at all of this, just know that this is all my personal opinion. just so you know
Movies
Live Action
Justice League- Awesome. Awesome. You’ve probably already seen it.
Wonder Woman- See above.
Man of Steel- The first time I actually found myself actually being interested in Superman. This movie pushed me to actually research into Superman and see something beyond the corn-fed all-American boy narrative idiotic fanboys have shoved down our gullets for the last few decades.
Suicide Squad- Bomb soundtrack. It’s weird but it’s worth a try. A few members of the Justice League make 3 second cameos.
Batman vs Superman- The movie that launched a thousand superbat shippers. I personally like the cinammonmatography, but a lot of people disagree but that’s them.
Superman (2006)- I’m not sure how I feel about this movie. But Brandon Routh is pretty. And Routh!Superman/Bale!Batman was pretty big for a while. But it’s rare to see that around anymore.
Cartoons
Superman vs the elite- Superman fights British dudes and goes crazy because of red kryptonite. People actually die because of Superman’s direct actions.
Justice League Animated Movies (2012-2017) Chronological Order
Justice League: Doom- Vandal Savage uses stolen information from Batman's secret files to mastermind a plan to exterminate the Justice League. That’s the plot. I actually don’t remember if I actually watched this movie? Make of that what you will.
Justice League: War- New 52 cartoon of the Justice League. This is how they come together in the new DC Universe. Has some casual Overlaps with the live action Justice League (2017) movie. Fun watch. Also, great banter between Green Lantern and Batman.
Justice League: The Flashpoint Paradox- Sadness. There’s a few moments of happiness, but this movie is fucking sad. It deals with what happens when you fuck with the timeline and it’s mcfucking weird. Now that the plebian opinion is out of the way, I personally loved this movie. It was so twisted and it made my tiny heart flutter.
Justice League: Throne of Atlantis- Atlanteans are coming for you bitches and Batman is not happy. ™
Justice League: Gods and Monsters- AU version of justice league. It’s bomb. It’s like Injustice and Justice Lords but with Vampires!
Justice League vs Teen Titans- Exactly what it says on the cereal box with additional prizes on the inside. But, this is the new teen titans led by my favorite brat, Damian Wayne.
Justice League: Dark- Magic! Adventure! Gambling with demons! Sassy Batman. This movie is coming for your wig. Be prepared. It’s awesome and I love it. But then again, I’m a slut for DC.
Batman Movies
Batman: The Killing Joke- This one is weird. Read the original comic book instead.
Batman: Assault on Arkham- Suicide Squad, The Cartoon!
Batman: Gotham Knight- Apparently if you liked the Dark Knight Trilogy, this is the movie for you. It fills in the blanks for certain spots that the movies don’t touch and it has an interesting animation style.
(There’s a bunch more but I don’t exactly have high opinions of those, so yeah…)
Batman Has Problems with his Children/ Batman’s Problematic Children
Batman: Under the Red Hood- Jason Todd (Robin #2) comes back from the dead and kicks ass. Additional awesomeness in that Jason Todd is voiced by Jensen Ackles.
Son of Batman (2014)/ Batman vs Robin (2015)/ Batman: Bad Blood (2016)- Damian Wayne trilogy. If you like hyperviolent, bratty children who learn to come to terms with themselves, this is the movie for you. If not, oh well ¯\_(ツ)_/¯
Batman and Superman Are Totally Super Manly Men Who Work Well Together
Superman/Batman: Public Enemies- Batman and Superman work together to stop Lex Luthor and a meteorite. I don’t remember watching this.
Superman/Batman: Apocalypse- Direct sequel to the above but can function as a stand-alone. Batman and Superman go to another planet. Wonder Woman and the Amazons are awesome. Big Barda reminds me once again that I am Gay™ for strong women. Supergirl is introduced.
TV Shows
Live Action
Smallville- The original. This baby ran for an actual fucking decade. And every live action superhero show that is currently airing in the U.S. needs to thank this show because it’s what started the whole phase.
Arrow- This show is about Green Arrow and a lot of people like it. I think I gave up somewhere between seasons 2 and 3. It wasn’t my cup of tea. The reason I’m mentioning it is because, it actually started an entire spinoff universe known as the arrow verse and every year there’s a really big crossover that gives lots of nerds boners. (me included)
The Flash- Spinoff of the Arrow? But it’s about the Flash. It’s #2 in the arrow verse. It’s interesting and I love it. They made Iris West black and I was here for it. Candice Patton is amazing, and each season only gets better. The more characters they add, the happier I am. Although, I do bitch sometimes. (I have never been satisfied- Hamilton)
Legends of Tomorrow- Spinoff of The Arrow and The Flash. Secondary characters from both shows come together in this show and travel through time. It’s beautiful. Like it’s actually really great. Please watch it. Also #3 of the Arrow Verse.
Supergirl- 1st season was by CBS and is currently the only season I’ve watched. It was pretty decent but it took a lot of Superman’s villains and transplanted them to Supergirl’s story. Also, Tyler Hoechlin played Superman in this show for a hot minute. People liked it. I try not to think about it too much. #4 in the arrow verse.
Arrow Verse Wiki for more info
Additionally, the DCEU has a bunch of extensive shows that do not relate to superheroes like Lucifer, Izombie, and Preacher. ← All of which are awesome shows with supernatural aspects by the way.
Cartoons (In no Particular Order)
Young Justice- Babies. Beautiful Babies. Season 3 is supposed to come out this year and I would sell my grandmother to salt mines just for an early peek.
Static Shock- Cartoon with a young black protagonist? Sign the fuck up! This show was my shit! It’s honestly really awesome and positive.
Teen Titans- You already know.
Batman the Brave and the Bold- Classic. Timeless. There’s not enough space or time. This show introduced me to Plastic Man and I would die for this show. And this version of Batman is honestly just amazing and everyone in this show is amazing. I love it.
Justice League- Ok so the original show is awesome but I don’t care if you watch it or not. The only thing I care about is that you watch the specific episodes I am going to list.
Episode #37- Season 2 Episode 11 “A Better World Part 1”
Episode #38- Season 2 Episode 12 “A Better World Part 2”
These two episodes are my shit. Please watch it. I’ve watched these specific episodes so many times. Just please.
Batman Beyond- Bruce Wayne is old and there is a new young Batman. This show is weird, but the interesting kind of weird. It wasn’t my cup of tea, but I didn’t hate it. Some of the episodes were actually gold though. Harley Quinn has twin Granddaughters.
Video Games
You’re asking the wrong person sorry. The only video game I care about is Injustice and I only watch the playthroughs for the Lore (animated version).
Comics
Personal Faves:
· DC Bombshells
· Gotham City Sirens
· Injustice
· Red Hood and the Outlaws
· Earth One series
New 52 vs Golden Age vs silver Age
Ok, so unfortunately, comics are weird. Like really fucking weird.
This is the Timeline you need to remember in regards to DC specifically
Golden Age- 1930s to 1950s. Comic books were first being published. Batman was a caricature, and used guns. Superman fought the KKK.
Silver Age- mid 1950s to 1970s. Post World War 2. Introduced new heroes like the Flash. Parallel Universes introduced.
Bronze Age- 1970 to 1985. Teen superheroes are now an established thing. Also, DC fucked up a lot but these times are past
Modern Age- Hi! It’s your buddies dark and gritty storylines. Anything from 1985 until now falls into this era/age.
New 52- 2011 relaunch by DC. Introduced new canon and fucked all of us up.
Rebirth- 2016 relaunch. Once again, fucked all of us up.
Pick and choose what you want. It’s what we’re all doing.
If you want an additional document for shipping, please inform me.
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