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#Star Kid
rosarrie · 6 months
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nobodysdaydreams · 5 months
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One of the funniest things about “Hatchet Town” is that over the course of three musicals and Nightmare Time, most, if not a significant number Hatchetfield residents HAVE committed murder or been accomplices/accessories to murder in at least one timeline. To the point where if you randomly accused pretty much anyone in town of being a murderer, there’s a good chance you’d be right.
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fools-catacomb · 6 months
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I’m thinking about Hatchet Field and cycles, especially in NPMD because holy shit there’s so much of it. Like
Every time we see Hatchet Field the world ends. And then we see it end all over again- it all restarts
Nobody ever dies in Waylon house
When Max dies the school is allowed to move on, to “evolve”- but then he comes back. Things return to how they once were
“People go missing in Hatchet Field every day”
The lyrical motif of “I’m not a loser” is not just an assertion of worth, it’s a claim to safety and power. Peter doesn’t dress like that because he’s a nerd, he dresses like that to avoid attention, to not be a loser.
When Max is destroyed, Grace replaces him.
Suddenly Grace is singing about how the ‘nerds’ will rise up and kill. The threat shifts but is never gone
“I’m not a loser” is absolution, it says “I am not worthy of death” in a very literal sense. Character beg for their lives with it. The final song, where Grace becomes the new apocalypse? The background is still “I’m not a loser”. Because it was never about nerds versus jocks. It was always about escaping death.
But people go missing in Hatchet Field every day
And nobody ever dies in the Waylon house
So we go around and around and around
The same two people flirt at a coffee shop, the same cops run the same dirty beat, the same rich fucks call the same lawyer, over and over and over
What the fuck
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prettypianoprincess · 6 months
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Do you think if Richie was alive when they got the Black Book he would have made a reference to death note?
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you-need-not-apply · 5 months
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Loving the fact tumblr is finally going back to its roots; pure confusion and chaos
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kitvinn · 9 days
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so there’s this castle and you’re never gonna guess it’s location
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wooiamamess · 6 months
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If I loved you
Update: cleaned this one up and made some minor changes, enjoy :)
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weird-king-eli · 6 months
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just just just just
here me out
(slight spoilers for nerdy prudes must die)
wiggley this sounds cool
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strangegaymusicals · 4 months
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you know those fixs where the lords in black go to highschool?
tell me why that Wiggly NEVER gets bullied for speaking like a toddler hum?
i want Wiggly sobbing in the bathrooms while nibbly consoles him
“My voice isn’t SILLY!”
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idk-tbh-idk · 5 months
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Yoyoyo, what time is it?
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nunalastor · 7 days
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Traumatized Mod: Can u imagine if hazbin hotel was a musical
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rosarrie · 4 months
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sketches
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nobodysdaydreams · 6 months
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Hatchetverse Theory: The Parallels Between Paul (TGWDLM) and Grace (NPMD):
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More thoughts and parallel screenshots under the keep reading, part of my #hatchetverse theory posts. Sorry these are all awful screen shots, I'm bad at gifs, but I hope I made my point.
The screenshots are pretty self-explanatory, but the parallels between Paul and Grace, especially with what happens to their characters at the end of their respective musicals, has been living in my head rent free, and I want to talk about it.
I've seen a lot of posts that speculate that the reason Grace went crazy at the end of NPMD is because she's just that blood thirsty and willing to kill, and while her character (at least of what I've seen of her in NPMD and what I've seen of nightmare time) is certainly intense, I wouldn't quite go so far to say she's always been that willing to hurt others, even for what she believes.
In fact, after rewatching NPMD, I realized something. When the kids first go to the Waylon Place, the others are the ones suggesting ways they can violently hurt Max. Pete even calls Grace's plan "goofy" and Richie is the one who suggests beating Max up. Grace is the one who tells them that all she wants to do is teach him a lesson and scare him and rejects their more violent ideas.
But after Max dies? That's when Grace's intensity starts taking a darker turn, and it's not as noticeable as it might be in the other kids because "Grace has always been kinda weird and intense" and the show has been playing that up for laughs since the beginning. But when you look at what happens to Grace in terms of her character's choices, she's the one who suddenly pulls a "bury the bully" plan out of nowhere when she was against even beating him up just a few hours ago. She's the one who suggests lying to the cops and trying to cover up what happened. She's the one who has a prophetic nightmare after the incident at the Waylon Place. That's also the moment when she symbolically loses her WWJD bracelet (though others have already pointed that out).
And if the LIB could infect Paul with spores just because he happened to be in close proximity to the meteor, then they could probably do something similar to any of the kids in the Waylon Place (and you cannot convince me that they were not the ones who collapsed the floorboards in the Waylon Place and killed Max).
But why would they target Grace you ask? Why not one of the other kids? That's a good question. I have a few theories.
The first has to do with what I mentioned before about hatchetverse's history of Webby's powers seeming to favor kids, and the LIB powers struggling to work on kids. We don't know how old most of the kids in NPMD are exactly, but the musical makes a point to tell us several times that Grace is "only 18" (Shaprio says she's a legal adult and will be tried as an adult in court). The musical also makes a point to have this be the Homecoming Dance (not Prom), which is in the fall, so most of the senior students wouldn't have turned 18 yet. We can also make an educated guess that Stephanie has turned 18 and Pete hasn't because she sings "wake me up when you turn 18" during their song. You could combat this by asking why the LIB never address Grace during the summoning and targeted Steph instead, which is a fair point. But interestingly, if you watch Grace, Steph, and Pete during the Summoning, Grace is silent most of the song, but looks completely horrified (especially when they tell her that they want what she cherishes most), despite the fact that from our perspective, the LIB aren't talking to her. She also seems to know exactly what the LIB want from her, because the next scene she's in is when she shows up to save Steph and Pete. During the Summoning, Pete, on the other hand, seems to mostly be involved in the conversation the LIB are having with Stephanie, although Grace also seems to understand what the LIB want from Stephanie. It's possible that this was intentional on the LIB's part, since they can see every timeline (in the "Abstinence Camp" episode of Nightmare Time, Grace gets between Steph, Pete, and Lumberaxe, risking her own life so that Lumberaxe doesn't hurt them. Grace might be willing to lose her own life for what she believes, but she might not be willing to lose her friends' lives. If the LIB know this, they'd likely want to make sure Grace understands that Steph or Pete will die unless she's the one who pays the price).
They have a personal reason for wanting her. In TGWDLM, Pokey hates Paul because...well, Paul doesn't like musicals but bigger picture, Paul resists Pokey's hive mind. Why would the LIB hate Grace? Possibly because she hates evil, the devil, and sin to an extreme degree. It could be a point of pride for the LIB: "we got the guy who didn't like musicals to join our musical and brainwash the world, and we got the girl who didn't like sin to devour souls for us." I've also seen a theory that Paul has some sort of resistance to the LIB because he doesn't like musicals and in a way sort of serves as a "prophet" in TGWDLM by warning others that musicals are bad. Grace arguably serves a similar role to Max in NPMD. She suggests Max becomes a better person "before he ends up in hell", which is ironic because then Max goes on to beat up Pete, which turns the nerds against him, setting off the chain of events that eventually lead him to actually being sent to hell (the black) by Grace. I've also seen some other theories suggesting that the LIB getting Paul in TGWDLM was really about getting Emma (since she was the one who starred in a musical before), and following that logic, it's possible that the LIB killing Max at the Waylon Place was really about getting Grace, because she'd still actually be alive. The LIB might have known this would work if they knew Max and Grace liked each other, and as seen in nightmare time, Grace is willing to risk her own life for her friends, and this might be consistent across several timelines.
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Speaking of sacrifice, I know I covered this with the gifs, but the fact that Paul's last act was giving up his life, and Grace's was giving up what was essentially her morality and who she was so they could save their friends, only to have themselves turned into the very monsters they tried to destroy? Absolute tragedy.
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But what's also interesting to me is how this happens. The way Grace and Paul both seem to lose control of themselves. With Paul it happens in one song and is more noticeable, but with Grace, it's a lot slower, and the more bad and morally questionable stuff she does, the funnier it is, and her character has been intense and over the top from the beginning, so you almost don't notice the difference in her actions until you rewatch the show. But her and Paul asking "Who am I?" has a similar creepy vibe, the screenshots I found for those moments (pictured below) even ended up looking very similar, though with Paul, you can see more of the fight happening during the song, whereas with Grace, it's more drawn out over the course of the show with these little moments of clarity where she has a complete breakdown.
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Then of course there's the whole: What do you want thing?
Why do the LIB want what Grace cherishes most? Why do they want Paul to want anything at all?
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And why do they phrase it in the creepiest way possible, asking for "a peek at Paul's soul" and telling him to "give up his choice" and telling Grace that they'll get "whatever they want" and that she'll "be forever in their debt?"
Well, probably because that does seem to be what happens. The most obvious screenshot parallels are probably their final numbers in their shows, which I think speak for themselves. The only unknown is what exactly is happening with the LIB and their whole "what do you want" thing. By taking what someone wants, do they replace that "want" in the person with wanting to serve them? How does that work?
At this point, I'm not sure, and I'm too tired to continue the rant, but I'd be happy to hear anyone else's thoughts on this.
I hope you enjoy Starkid fandom. Thank you for listening to my rants!
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dumbistsmartass · 23 days
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Every Hatchetfield song explained badly in ten words or less
spoilers and also this is only the main trilogy not nightmare time.
The Guy Who Didn't Like Musicals - Yeah, he didn't like musicals
La Dee Dah Dah Day - "the dogs are my meal"
What Do You Want, Paul? - "please god have an I want song"
Cup of Roasted Coffee - If I had to sing working retail I'd kill someone
Cup of Poisoned Coffee - oh hey, they killed someone
Show Me Your Hands - this is what cops think 24/7
You Tied up My Heart - gaslight, gatekeep, girl bossing your way to mariticide
Join Us (And Die) - Guts Magee and Brainiac explain why you should KYS
Not Your Seed - "it's your fault your daughter is dead bitch"
Show Stoppin Number - He had a point but like no
America Is Great Again - you know what it's a joke about
Let Him Come - they know he's the main character
Let It Out - Is it an identify crisis or possession
Inevitable - a beautifully haunting ending
Tickle-Me Wiggly Jingle - what the actual fuck is this?
What Tim Wants - what can I say, it's sad
Califor.M.I.A. - they really want you to bond with these characters
What Do You Say? - everyone is too invested in these twos relationship
Our Doors Are Open - "shopping will fill the hole in your heart"
Feast Or Famine - this is real footage when the new iPhone comes out
Monsters and Men - He's fucking back!
Deck The Halls - we got a full working boys, we could get this
Take Me Back - I'll be real I skipped this one on rewatch
Adore Me - haunting when you don't say the shit part
Do You Want To Play? - a reversal of who you're told to trust
Made In America - we let him in via consumerism, amazing capitalism critique
Black Friday - me singing a musical as I'm being choked out
Monsters and Men (Reprise) - This guy is so cool
If I Fail You - "are we the baddies?"
Wiggle - Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle
What If Tomorrow Comes? - So she is seeing the other Hatchetfields right?
High School Is Killing Me - they really spoil the people who die first song huh?
Literal Monster - shove yourself in your locker
Cool As I Think I Am - you think you're cooler then you think you are
Dirty Girl - makes me genuinely uncomfortable, skip it
Bully The Bully - interesting plan, let's see how It plays out
Bury The Bully - oh... that got dark fast
Go Go Nighthawks! - everyone is happier now that this bitch is gone
Nerdy Prudes Must Die - to be fair, you did kill him
Hatchet Town - mass panic is so hip
Just For Once - we all though the light was gonna fall on her
If I Loved You - they are in so much denial
The Summoning - Wiggly want you to kill your crush
Cool As I Think I Am (Reprise) - really tragic, trying to convince the other to sacrifice them
The Best Of You - I'm so glad it didn't end with everyone dead again
Dirty Dudes Must Die - When you give a Christian a little dark magic
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prettypianoprincess · 6 months
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I love how the YouTube comments on npmd are celebrating that this is the only 'hatchetfield verse' musical with a happy ending, as if 5 people didn't die and Grace isnt now possessed by the Lord's of the Black.
But honestly I support Grace in her mission.
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rewatching jon and jeff’s npmd watch party and commentary and jon cringes so fucking hard at that one part of bully the bully
“we know how to strategise and use our tools”
“AHHhhHhhHhh”
and like. yeah. it’s crunchy as hell. but up until jon pointed it out i totally thought it was intentional. i genuinely thought these fucking nerds were just off pitch and it was part of the show.
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