Growing up w no Instagram does SOMETHING to a bitch like I really get taken aback by how second nature it is for people to whip out their phones and take pictures of the most mundane things. Not because I judge them for it but bc apart from selfies, pictures w friends, and obligatory pictures on trips I literally forget to take pictures of my life period
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Something I think fiction does sometimes is make sex represent the end goal for relationships so often that if two characters sleep together it causes readers to automatically see them as truly in love / that it would solve all problems for the pair to be together forever, even when that isn't necessarily what the narrative is trying to say / depict otherwise.
I am thinking about this because of Guts and Casca... to me they sleep together initially almost as an act of friendship? A way of experimenting with each other and learning about sex, perhaps of distracting themselves from the person they're both more actually into, and of course also because they do care about each other and maybe are attracted to one another on some level, and want to see what it would be like to try to get even closer together. But I think the story also makes it pretty clear that Guts is more emotionally invested in his relationship with Griffith than with Casca, in what you might call a narratively romantic sense... and Casca is shown sort of seeing the futility of her feelings for Griffith and eventually growing apart from him that way pre-Eclipse, even though she still cares for him the most out of everyone she knows (though I don't think he ever feels nearly the same way about her). So getting with Griffith isn't end game for Casca (and she herself eventually realizes that), but I also don't read Casca as a character for whom getting with Guts is the end game character arc-wise, either. I'm not sure Miura even had a concrete end-game character arc in mind for her, to be honest. I feel as though unfortunately she was written mostly as something to be used between Griffith and Guts rather than to end up having her own fully realized narrative journey in the same way that Guts (and maybe also Griffith) will. I want to see her and Guts as friends and at peace more than I want to see them live happily ever after together as a couple, because I feel like that's actually more how they really feel for one another than anything else. Granted, there's a bit of an interesting ironic twist in the story that happens during the Eclipse, where Griffith (unintentionally?) drives Guts and Casca closer together than I think they might have been otherwise with the trauma that he causes them both (even though I think their relationship is probably something he'd be jealous of and read as more romantic than it actually might be and wish to destroy, simply due to his own insecurities and his own possessive feelings for Guts). But I also didn't really read Guts' reactions in the Eclipse scene as Guts being jealous and possessive over Casca in a sexual / romantic sense - I read it more as him feeling empathy for her pain and desire to protect her from harm / from the darker side of Griffith he maybe knew about a bit better than anybody else. I DO care about Guts and Casca's relationship a lot, and find it one of the most emotionally compelling things in the story. But I don't think shipping them together for a happily ever after is really what I'd want for them, nor something that the narrative was actually trying to work towards / suggest to be the best ending for anybody involved? I don't know if I think shipping Guts and Griffith necessarily is either, particularly because of how irredeemably awful Griffith behaved during the Eclipse... but I DO think the story intentionally hinges more around the Griffguts relationship and their emotional journeys / character developments than it does about any other pair/relationship in the series, and that both of them have intense unresolved feelings for each other that come off much more suggestive and stronger than ones of just simply wanting to be friends. And I think all of these characters are pretty explicitly aware of that themselves even in the story as well.
Haha I don't even know what I'm trying to even say here except to work out some of my own thoughts about the main 3 that I care about, I suppose!
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I don't begrudge anyone their campaign preferences, and I think there's plenty of valid reasons to like Campaign 3 the best and this is not directed at people who are genuinely having a great time with it, but it feels like virtually all the nostalgia and wishful thinking I see surrounding Campaign 3 is screaming "you guys want Campaign 2." You want more slow travel and downtime and interparty conversations and slow-burn romance? You wish their main focus was fighting governmental corruption? You want a party that only semi-settles down at the end and keeps adventuring and remains very close? You're frustrated by how everpresent and overarching the moon plot is? You miss when they were just fucking around in a city? I genuinely believe you want Campaign 2, or at best you love a specific ship or a character from Campaign 3 but aren't happy about basically anything else, and would vastly prefer the tone and events and plot of Campaign 2. And I don't really care if you watch Campaign 2, or if you think I'm being annoying here; I simply genuinely believe you'd be happier watching Campaign 2 than Campaign 3 and are so deep in a sunk cost fallacy well you can't see it.
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ripple effects
A mage who might have some answers takes a look at the bullshit in Ashton's head, and unlike the rest of them, this one doesn't bolt after the first glance.
2,124 words, T, No Archive Warnings Apply
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I have a lot of fondness for clunky Hallmark Christmas romance movies with rock bottom production values, vaguely established and extremely contrived plots, dodgy dialgoue, often questionable line readings, and child actors playing a kid who seems either three years younger or older than themselves. Hallmark have not undermined themselves with glib, self aware irony or attempted to "elevate" the delightful low artform that they excel in. Refreshing, honestly.
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As expected, negative nancies have already started making angry content about the way things went on Campaign 3 episode 92. Color me shocked. Imagine the DnD community acting like kind, fun people and knowing how to enjoy things.
With that in mind,
Feel free to discuss your feelings in the tags.
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i think the funniest thing about almost all stancy and mileven hate is that 98% of it is based on misinterpretation and bias towards another ship, seriously almost EVERY post i’ve read on this site hating on them is something that actually didn’t happened or it’s a misinterpretation of canon, mfs really make shit up and call it a day, it's always the same people putting words in steve and mike's mouth, misinterpreting their actions, and etc.... like u can hate a ship all you want, that’s normal, it’s fine. but stop making shit up and twisting canon to fulfil your narrative, it makes you look desperate and tbh....a bit pathetic
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