do you ever think about how in the literal very first scene with Rebecca, we learn that Unit Bravo had no idea she even had a kid
she chose UB and The Agency over the detective so consistently, so frequently, that her team didn't even consider that she had some kind of life outside of them, with someone waiting for her at home
there are so many things im not normal about in this finale but i think the thing thats making me the most feral is grians 'she's dead scar' 'you won' in chat, i am chewing and clawing and biting and-
My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-
i haven’t seen any gifsets of this scene yet, so i bring you more shitty screencaps but this moment felt like it was important me ?
loki walking past sylvie with mobius AGAIN with zero hesitation. (two eps in a row) hmm what does it mean.
(this time loki leaves first and mobius stays behind to look at ravonna, before following after loki - a parallel to last episode with loki & sylvie. and the second time they mirrored those dynamics in this episode! interesting.)
dany was so broken in agot, physically and mentally. she was ready to kill herself to escape drogo. her childhood had been a long unfortunate series of running away from the alleged monsters that killed her family and left her exiled and desperately trying to appease her abusive brother/guardian.
but then, after she's resolved herself to suicide, she has a dream. and then, she starts to notice the beauty in the new world around her. how the dothraki grass sea swallowed her up, the new sights and sounds and smells all around. she found solace in the people, she ate with them, learned their language in a matter of months, enjoyed their food. felt freer in dothraki riding clothes than in the fine silks ilyrio had dressed her up in.
I'm still deeply touched everytime I read about dany giggling, joking around, moving forward, hugging her friends, leading, and fighting after enduring so much. it's not about her being right in everything she does or everything ending well for her. she went through hell, was already going through it before the series even started, and she kept going. she grows and fights and fucks and laughs and cries and rages. she falls and she gets right back up again.
dany is ready to end her own life. the next day, she notices how pretty the sky is. she learns a few more dothraki words everyday and starts to connect more with those around her. she tries some new foods and starts to feel more comfortable on her horse.
the dragon dream certainly did Something to dany - a scarlet and black dragon (drogon, balerion come again) baptizing her in flame. scouring her, tempering her, making her clean. after this, dany makes the quiet choice to live. there is no grand revelation, no "i want to live!" monologue. she simply starts to notice the beauty in the world she's traveling through, the loyalty and easy comradery in her companions, the tasty food and comfortable clothes. dothraki smells, horse smells. riding leather, painted vests, the gently singing bells braided through hair. dany chooses life everytime she giggles, everytime she tries a new food or convinces her friends to try one, everytime she stops to stare at a pretty sight.
she was ready to choose death and she chose life. when her entire world had narrowed to the scope of her pain, to the strength of her abusers, to the golden collar drogo had put around her neck - she still chose life. and just like that, her world expanded and she could see all that was worth living for.
thinking about how in the manga Hange and the rest of the dead scouts smile at Levi before fading away, meanwhile in the anime Hange looks so pensive and sad instead, gazing at Levi with so much regret in her eyes because she had to leave him alone, because he's the last one now and he has to carry everyone's hearts forward even when they're no longer there with him.
Thinking about how Hange didn't want to leave Levi, how they asked Levi if he thinks their dead comrades are watching them, and Levi did not reply, but then when Hange died he whispers "goodbye, Hange. Watch us."
I am really so not okay over these two, I am absolutely Not normal about levihan and their relationship and how much pain and love there is inside both of them, and how these two -the pain and the love- can coexist so perfectly even after Hange is gone and Levi is the last one of the OG scouts left.
also, since tumblr won’t let you post more than one video unless they’re links or embeds, here’s a link to another clip i posted that adds a bit more context to the scene :)
what do you think of mimzy? and her friendship w alastor omg ( bcs things were looking kinda shaky at the end of dad beat dad 😭
i think mimzy is one of those friends that's an absolute blast to get hammered with but you wouldn't trust her to dogsit for you, you know? she can watch my drink but nothing else. i imagine it's probably a situation where they started off genuinely close, but then alastor became more and more powerful while mimzy got herself into deeper and deeper shit, and alastor's laxness with his friends probably only enabled mimzy's belief that she could keep using him to bail herself out every time she got into something new. rosie could get away with swinging him right off his feet, so there's a precedent of alastor indulging his friends beyond what he would normally allow anyone else. i think he is honestly fond of mimzy, but it's impossible for him to acknowledge that someone else might be taking advantage of him. it hurts his pride too much to say no to her, because that would mean she's affecting him somehow, which doesn't align with his mental image or his very highly treasured reputation. but he can cut her off if it's not for himself, it's for the hotel - when it's an investment of his that she's threatening, not his ego. sorry, this was supposed to be about mimzy but it turned into another alastor character study, i just can't help myself
Does this imply that Kim Dokja also tried to write a questionnaire for her to fill in since she wouldn’t speak to him, that either he 1) never gave her in the end (especially if he couldn’t find her after she was released) or 2) gave it to her and she STILL refused to answer?
Because that is so so so so awful. It was already bad but if he tried so many ways to get her to speak and she still gave him no response, regardless of her reasoning… isn’t that still directly choosing to cut herself fully out of his life? Why in the hell did she lie for his sake and allow him to visit her if she wanted to never speak to him again?
I know everyone claims Kim Dokja is just like her in sacrificing himself for loved ones, but at least he tries his best to stay with them and to keep them in his life. He still chooses sacrifice, but it’s not because he intends to never return. He always returns (even if much later than planned).
The only time this differs is with 51%, when he STILL tried his best to stay with them - at least as much as he could.
I sometimes like Lee Sookyung, but I am mostly still SO mad at her for completely ignoring her child since he was 8 years old. Especially when he must have looked like shit any number of times from being mistreated and bullied by family, friends, army, employers.
But maybe that’s just the fragment in me being eternally pissed with her. She DOES love him, but like he says in the webtoon in this chapter - maybe such truths are painful enough to be false anyways, because they’re just SUCH bullshit. That’s not how affection should work, if you actually care about someone and want them to be happy.
“when you play go, you pursue your desires in silence. you seduce, and you fall. you strip each other bare. and if your partner doesn't reciprocate, then it's just a game of go.”
go as an overarching symbol throughout the glory, both figuratively as a representation of dongeun’s revenge, and also as a metaphor for class and relations (between her and the men in her life, i.e. yeojeong and doyeong).
on a relational level, go is a game of seduction. it’s a mental sword dance, so to speak. dongeun learns it with revenge in mind - she plans to catch the interest of doyeong, the husband of the girl who destroyed her life. she uses go to approach him - she seduces him the very first time he sees her play, so much that he can’t get her out of his head. she uses go to entice him; she wins before he even knows that he’s playing.
dongeun learns go for the purposes of ensnaring doyeong, but it’s yeojeong who first teaches her go at all. and it’s go that becomes a cornerstone of their burgeoning relationship as well. throughout the seasons, go helps both of them, as something that centers them, tethers them to current life. for yeojeong, his sessions mentoring dongeun in go were the only thing that created a schedule for him in his most turbulent time (after his father died, etc.). it becomes their mode of communication - he asks her to make a play so that he can know she came by. a silent way of saying i’m alive.
and then there’s dongeun approaching doyeong to play go, then them meeting again at the park he designed. yeojeong also approaches doyeong to play go, also purposefully - the man who taught dongeun vs the man she learned to play for.
but for dongeun, go is never about the men so much as it is about herself. go becomes something she loves for what it is, a game that builds territories, a game where the enemy can be slowly and methodically destroyed as you take all their territories, like how she plans to take everything from yeonjin. it reminds her of the dreams of being an architect she had before she had to drop out of school from the bullying/assault.
doyeong says that one of his go teachers tells him that he was born holding the black stones. when dongeun plays with yeojeong for the first time, she says she has to start with the white stones, since she’s the beginner. that’s how they play, for months. when doyeong meets dongeun after finding out the beginnings of the truth, he says that this game is more difficult than the ones he’s played in the past (and she beats him, the first time they play prior to that meeting).
the black stones represent the upper hand, the wealthy. it’s a class metaphor, especially when related to doyeong. yeojeong also starts out with the black stones, maybe because of wealth, maybe because he’s learned it for far longer. maybe because life was kinder to him. dongeun starts at the bottom, with the white stones, because she has nothing and knows nothing.
but when she places her first stones on the go board, she plays with the black.