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#SCANNER 13
basementdoll · 1 year
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Wait And Bleed
Murderdolls were on a high with their 2002 debut album. Before Joey Jordison knew it, Wednesday 13 had 30 new songs written…but was going it alone.
Words: Dom Lawson
On July 12, 2003, the band that Slipknot drummer Joey Jordison had formed with his friend, vocalist Wednesday 13, as a bit of light relief from the relentless touring and ferocious intensity of his day job, performed to a sold-out Brixton Academy in London. Within a year of releasing their debut album, 2002’s brilliantly snotty Beyond The Valley Of The Murderdolls, this goofy, sleazy horror-punk side-project had evolved beyond all expectations, like some kind of many-headed Frankenstein, and won the hearts of thousands of fans. In the UK in particular, Murderdolls rocketed from nowhere to the brink of hugeness, accruing a hysterical army of red’n’black-clad admirers who had fallen wholesale for the band’s party-all-night-and-fuck-the-consequences philosophy. What started as a liberating side-project had mutated into something with the potential to conquer the world…all of which makes the fact that Murderdolls left Brixton, buggered off back across the Atlantic and then vanished for seven years somewhat confusing.
But now it’s the summer of 2010 and Murderdolls are back at last. And so, as Joey Jordison and Wednesday 13 settle down on a small leather sofa in the air-conditioned downstairs bar of a swanky Soho hotel to speak with Metal Hammer about their reunion, imminent comeback and brand new studio album, Women and Children Last, it’s finally time to ask the question: Gentleman, where the fuck have you been?
“We don’t bullshit and there’s no reason to lie.” says Joey, shades on and as serious as hell. “After we got done with the tour for Beyond The Valley Of The Murderdolls, we ended on a high note at Brixton Academy, but then of course I had to go back and start up Slipknot again. Me and Wednesday were still in contact and he had demoed like 30 songs and sent me a CD, but the next thing I know, he’s doing a solo record and he didn’t tell me! I didn’t understand it. I was like, ‘Don’t you wanna do another Murderdolls record?’, but I can’t tell him not to go and do what he wants to do, you know? So I had to go and do my stuff with [Slipknot album] Volume 3 (The Subliminal Verses) and we did the whole tour, and we met up again during that tour. We hadn’t talked in a while, so it was kinda weird, but once we talked and crossed paths…”
“We met in a trailer at Rock Im Park in Germany.” recalls Wednesday. “It was 100° and all the crew people were like, ‘Get in there and work it out!’ and they threw us in there and shut the door! That’s when we sorted everything out.”
Having patched things up after what sounds like a fairly minor falling out, Joey and Wednesday still didn’t exactly rush into a Murderdolls reunion. In fact, another five years have passed since the initial exchange of apologies and explanations. In terms of squandering momentum, this hiatus will take some beating, and yet Women and Children Last oozes a level of intensity that was never even hinted at by Murderdolls first time round. Apparently absence makes the fire blaze harder…
“To other people, eight years [between albums] must seem like a long time.” says Wednesday. “But if you think about fuckin’ everything that Joey’s done and everything that I’ve done in that period, that’s a lot of shit! Combined, we’ve done more than bands do in a 20-year period. Joey did two Slipknot records, a Ministry tour, played with Korn, did Roadrunner United, produced 3 Inches Of Blood and played with Satyricon and I did three solo records, an EP, two country records and started a whole new band…”
“We were never enemies at all.” adds Joey. “We just got confused. After we met up again, we were on speaking terms and having conversations by texting and we were thinking that maybe we’d just let Murderdolls be the band with the cult following that it was and let sleeping dogs lie. But then the moment of clarity came to me about two years ago. I was at home on a break and I was sleeping on my couch and Headbanger’s Ball was on and there was this spark that jolted me awake. The metal scene in America and also in Europe, it’s all the fucking same now. There are some great bands, trust me, but everyone’s the same now. Labels are trying to survive because they’re going down the tubes. It’s all about who can play double bass the fastest. There’s no rock stars anymore. I called Wednesday at that point and I’m still in a sleep haze and I said, ‘Wednesday, I want to make another Murderdolls record!’”
A world apart from the comic book kitsch and pun-filled sloppiness of their debut, the second Murderdolls album might as well be the work of an entirely different band. Although still imbued with the hook-packed sleaze metal sensibilities that made old songs like Dead In Hollywood and Grave Robbing USA so irresistible, the new songs seem to have been beamed in from somewhere much darker and more real than their predecessors. There is no shortage of macabre humour lurking amid the pounding riffs and roar-along rage of Chapel of Blood and My Dark Place Alone but while Beyond The Valley…was all about taking the listener into a grim but ludicrous fantasy world, this record sounds very much like the work of men on a sincere and heartfelt mission. Murderdolls 2.0 mean every last fucking word, and as a result they have become a hundred times more believable. 
“I said, ‘If we’re gonna do this, it has to be full bore and we have to make a real record.’” says Joey. “The first record is great for what it was and I love it, but I consider this to be the first Murderdolls record. This is the first time we actually sat down with a vision and wrote songs together, and it’s been one of the most gratifying records I’ve ever made.”
“We wrote all these songs from scratch, a few feet away from each other in the studio.” grins Wednesday. “The first song we did was Homicide Drive, and the drum take you hear on the record is the first take we did. It all happened that naturally. It was really easy and it was fun. We had a fuckin’ blast making this record.”
Just like their favourite band, Murderdolls fans may well be a little bit older and wiser eight years on from that first flush of anti-hero worship, but the goofy, light-hearted side of the band was always a major part of their appeal. As a result, there may be some who find the idea of a more serious Murderdolls a little alarming, but despite injecting their sound with a little more substance, Joey and Wednesday are still firmly committed to delivering the rock ‘n’ roll goods. It’s just that this time round the fire in their bellies is for real and not just cheap whiskey afterburn.
“It’s still fun but it’s more fun for me because I get to sing about personal stuff now.” explains Wednesday. “I’m not the same guy you saw before. This band has changed - this is a whole new Murderdolls, in terms of what we’re bringing to the table. When I sing My Dark Place Alone, that’s very personal to me. I’m going deep into the lyrics, and that’s something I’ve never been able to do before.”
“The first record, you could say we were a dumb horror punk band or something like that.” adds Joey. “The new one, this is like my other Slipknot, even though they’re like apples and oranges. On this record you go from a song like Chapel Of Blood to Drug Me To Hell, and then songs like Nowhere and Summertime Suicide and it starts getting poppier. It’s kinda like Slipknot, with all that diversity, even though we’re a rock ‘n’ roll band. That’s what’s gratifying to me, having a band that has its own style but is able to inject its own identity into each song. When I used to play in death metal and speed metal bands, it was easy to sit there and write a million riffs. The biggest challenge is to write an actual song, and only then do you know you’re a real songwriter.” 
If everything goes to plan, the new Murderdolls album should swiftly restore the band to the levels of popularity they were enjoying when they took their extended hiatus. But if anyone needs convincing that Women And Children Last is the real deal, they need only acknowledge the presence of no less a figure than Mötley Crüe guitarist Mick Mars, who lends some hair-raising solos to Drug Me To Hell and Blood Stained Valentine, two of the album’s grittiest anthems. Mick doesn’t put on his top hat for any old rubbish, and Joey and Wednesday are visibly thrilled when they talk about his involvement in their new record.
“Mick’s one of the great underdogs and never got the respect he deserved.” says Wednesday. “We see him as one of the great rock ‘n’ roll villains, so what better guy to come out and play for us? It was so natural. He loved it!”
“We didn’t want any guests on this record whatsoever, but this was a little bit different.” smiles Joey. “It was definitely an honour to watch him play on our dumbass songs! I was just sitting there, almost blacking out, thinking about when I had Shout At The Devil on vinyl in my parent’s basement and I was thinking, ‘Man, this is fucked up!’”
Mick Mars aside, Murderdolls remain very much a two-man operation in the studio, but live performance is plainly a major part of what the band stands for and so, with that in mind, Joey and Wednesday have recruited a brand new lineup to assist them in their new crusade. Original members Acey Slade, Eric Griffin and Ben Graves have been usurped by new lead guitarist Roman Surman, bassist Jack Tankersley and drummer Racci Shay, who previously played in Wednesday 13’s solo band. Again, as with the songs themselves, fresh blood seems to have invigorated the whole Murderdolls enterprise. 
“The first lineup and the first everything that we did, it was really thrown together.” admits Wednesday. “We did our first video without ever having played together in a room before. Me and Joey did the record by ourselves and then we found these guys through friends of friends and, of course, it was complete chaos. So this time, we purposefully picked people we knew and that we were friends with, and it’s been great. When we finally got on stage, it was like ‘Holy shit!’”
“What we’ve done now and the people we have now, they’re great players and they’re there for the job.” continues Joey. “They’re not there to fuckin’ party. They believe in the songs and they believe in the project and this is a big chance for all of ‘em. They’re all amazing players. I wouldn’t do this if my heart wasn’t completely in it.”
With a new warcry of “We live, we breathe, we bleed rock ‘n’ roll!” the all-new Murderdolls can hardly be said to have altered the main thrust of their philosophy, but everything about the new lineup, the new album and the intense demeanor of the two men steering the ship suggests that they are in this for the long haul this time, ready to do whatever it takes to bully the world into joining in the fun. Serious men on a serious mission, perhaps, but surely there is still plenty of room for a little chaos, mayhem and debauchery? 
“Before, when we walked off stage, everything else was complete madness too.” Wednesday laughs. “It was a fuckin’ circus, but it was great. But we’ve moved on. We want to take the chaos from backstage and put it on the stage!”
“Now it’s just the most violent, fuckin’ sleazy, hideous, heaviest fuckin’ rock ‘n’ roll you can possibly imagine.” concludes Joey, with a snarl. “It’s a real band now.” 
Women and Children Last is out August 30 via Roadrunner Records. Murderdolls will play Ozzfest in September.
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Six Stringer Joey Jordison’s Weapons Of Mass Destruction
Which albums inspired you to play the guitar?
“The first record that turned me on was the Stones’ Tattoo You. I remember my dad coming home with the album.”
What was the first guitar you owned?
“A harmony, which was like a Fender Stratocaster. I played it in my first metal band in fifth grade. I started playing drums aged seven and soon ditched the guitar.
How do you achieve your sound?
“I don’t normally tell people how I do it! Ha ha! I used a modified JCM 900 amplifier and a MXR distortion on top of that. I’m always involved with mixing and production and everything, so that has a lot to do with the sound on the record. My amp’s been modified.”
Who’s the most underrated guitarist?
“Probably Johnny Thunders (New York Dolls). He had something about him. Guitar is all about passion and playing with soul and style.”
How often do you practise?
“Right now, three hours a day! I’m going on tour with the Murderdolls so everything has to be up to par. It’s odd talking about guitar instead of drums. Drums always came natural to me. I still practise but I’m pretty much in the groove, but for the guitar I have to work real hard.”
What guitar do you play?
“I recorded with my custom BC Rich Bich. I’ve been using Gibson SGs and a BC Rich Warlock, plus I have my signature guitar coming out.”
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shiorikirihito · 6 months
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kitty
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The only downside of finally being able to be productive at work (a genuinely good thing considering how dead and slow most days can be here) is that it's cutting into my fic writing time. Which would be fine except for the fact that I've been on a groove and I'm afraid to lose the juice and hit a wall again.
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bmpmp3 · 1 year
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THIS LADY and her friend from work,.... I NAMED HER her name is Hera (i still havent named her buddy orz)
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haunt-i-ng · 2 years
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a collage of two paintings that i scrapped 
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keiphoria · 2 years
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i need to talk to someone that has seen code lyoko, bc this show drives me fucking nuts sometimes
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jkhoti1958 · 21 days
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peapod20001 · 7 months
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OK I realized recently that I pretty for the most part have posted every single drawing I’ve made since. I started really using tumblr lol. But while looking through sketchbooks I realized that a good chunk of the stuff I drew DIDN’T make it onto my tumblr
I can’t check rn but I think for those sketchbooks I was still using primarily my fandom/rp blog and wasn’t actually making drawings to post. So I had like, VERY early versions of ocs that never graced my blog, some of them made into my blog in the form of old art posts but they didn’t have an original post of their own :0
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rwpohl · 10 months
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ausstellungskatalog neu deli, buw 1999.pdf
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am ende des ganges, deli talk im neudeli, buw 1999
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angel-eyes05 · 11 months
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to leave the warmest bed i've ever known
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pairing: spiderwoman!reader x miguel o’hara 
summary: after miguel’s fight with miles, you confront him in his office
warnings: this whole thing is basically one big argument there’s SO much angst, implied suicide attempt, HUGE ATSV SPOILERS DO NOT READ THIS IF YOU HAVEN'T SEEN THIS MOVIE, im projecting a little in some parts of this ngl (i cried writing a certain section of this, you'll know it when you read it lmao), mentions and descriptions of blood, gore, and death
word count:  4.1k
notes: i watched the movie yesterday…and miguel is on my mind. but i remember reading this namor x reader fanfic after i watched wakanda forever of a similar idea to this and i loved it so this is HEAVILY inspired by that fic, but just make it miguel. i would link it but ngl that was so long ago and i dont remember the author. if i end up finding it again ill put it here. also, just pretend miguel has been doing this whole spider society thing for a couple of years at least, it just needs to work like that for this ik its probably not canon but just roll with it lmao. and yes the title is a taylor swift lyric im so glad you noticed (im so sorry she's in my brain rn with the eras tour)
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The anger boiled up inside your chest as you stormed your way across the lobby. Hundreds of different Spider-Man variants were scattered across the area, some more injured than the others. It sickened you sometimes. How he had so many people under his grasp and just decided to throw some of them at the walls sometimes, not caring how hard they hit the floor because they were all just ammo to him. How despite his denials of it, that’s probably what your role was to him as well. Nothing more than a bullet in his massive machine gun.
You normally tried not to think about it, how his determination towards his goal sometimes meant lack of care for others. But this time he had just gone too far. You always had a soft spot for Miles, watching closely on him whenever Miguel would let you go though scanners of all the different variants. You admired his struggle, but eventual success to taking up the previous Peter’s mantle, and always hated how Miguel talked about him. You knew there was no way Miles could’ve asked for any of this. For the pressures and struggles of being a Spider-Man, for everything causing such a strained relationship with his parents, for the death of his uncle, and for what will be the eventual death of his father. You definitely didn’t.
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Ok lets do this one last time. Eh, whatever, there’s probably gonna be 50 other introductions after this one so it doesn’t really matter.
Being Earth-837’s Spider-Man has never been easy. Especially since you were bit when you were only 13 (another reason you sympathized with Miles and Gwen). Your life had followed the order of canon events to a perfect T, your older brother killed in a fight with a robber only two months after you were bit. You tried to overcome the burden of your powers by trying to live as normal of a teenage life as possible, but it was mostly in vain, having to give up multiple friendships and relationships in fear of those you love getting hurt. This was only elevated when your boyfriend Peter was murdered in the crossfire of an encounter with Doc Ock. You didn’t understand. You couldn’t. What you had done to deserve all of this. All you did was just be in the wrong place at the wrong time. You wonder sometimes what would happen if someone was in the same place you were when you got bit. If someone else went to the closed down area of that museum and ran into that spider. That stupid spider that ruined your life. Those thoughts slowly started to disappear for a bit. For a few years things were easy. Things seemed like they were finally going in your favor.
You were 25 when it happened. The last canon event. Ever since you were a little girl you hated your mother’s job. Losing nights of sleep over if she would come home or not. She always did though. She was good at her job. Too good though. Good enough to get promoted to police captain, which for who you were, was basically sealing her fate. She saved so many people that day. You were too busy fighting Venom to notice how much collateral damage you were causing in the process. Your mother’s job was to evacuate all the citizens away from the fight. She died shielding a child from incoming debris. A noble way to go. But god was it gruesome. You found her after the fight was over, two metal poles impaling her. One through her stomach and one straight through her face, pools of blood growing bigger below her as she was left there, all the paramedics busy trying to save the heavily injured. You froze when you finally recognized her, unable to at first due to how mutilated her face was from the pole. Suddenly, you were transported back to being a six year old, falling asleep outside the door to your mother’s bedroom so you would know exactly when she would come home. Purposefully falling asleep in her arms so that she couldn’t go anywhere.
When you used the key she had given you to get into her apartment that night, and you slept in her room, desperate to intake anything left of her before she was fully gone. You doused yourself in her perfume so it still felt like she was standing right behind you. You had always loved her smell. The smell of vanilla, curl product, and fancy perfume. They were attached to memories you had of her. Trying on her heels when you were a kid to try and be fancy like her. Smelling her hair in the morning before school to comfort you before she left for work. Despite all of this bringing you comfort, all it really did was cause further denial in your heart. That one day you were gonna hear the keys clacking in the keyhole to your apartment one more time. That’s all you really wanted. You would give everything up in a heartbeat just to hear her police scanner go off one last time. But it wasn’t going to. And it was your fault. Deep down you knew it was. You should’ve done a better job controlling the debris. You had always been a messy fighter, but you didn’t know it was going to mean anything until it was too late. 
How you got up to the top of that building is still a blur to you to this day. But next thing you know, you were looking at the New York City skyline from the very top of the Empire State Building. And at the very edge too. You heard some sounds behind you, but you just decided it was the wind howling from how high up you were. You were just so tired. Everything and everyone you loved was cursed all because of you. And with your mother as the most recent victim, you decided you finally had enough. You took a deep breath, eyes overflowed with water, as you set your foot forward.
Your plummet was interrupted by a sudden contact you felt to your forearm. Shock filled your body as you turned around to look at what had stopped your attempt. The blue hand was massive, nearly wrapping back around onto itself as it held onto you for dear life. You finally looked up at face that the hand belonged to. The mask that covered the massive figure was a strange one. Blue with strange red silhouettes for the eyes. It kind of reminded you of…your own costume? That couldn’t be though there was no way. This must be the afterlife or something. You already jumped and that's why you didn’t remember your way up to the top. This was some kind of creature trying to stop you from jumping down to hell below. His breaths were heavy and loud, almost like he was desperate to stop you. This convinced you that this was real, which caused you to try to escape from his grip. He was stronger than you, and was putting up a huge fight. You were slick though. Once you were out of his hand, you closed your eyes and quickly made your jump. Everything flashed before your eyes. Your brother, Peter, your mom. You were hoping to see them soon. This was very quickly interrupted again when you suddenly stopped falling. Something had attached itself to your stomach. You opened your eyes. A web? This web was much different than yours though. It was glowing a bright, neon orange.
The man was holding onto the end of it tightly with both hands. His mask then disappeared to show his face. His was long, matching how big the rest of his body was, defined cheek bones sticking out. Brown wavy hair slicked back with a few loose strands flying out in the wind. The look of desperation on his face stook out most of all. Why did he care so much? He didn’t know you, and you definitely didn’t know him. “Let me pull you up. Please,” he said to you between shaky pants. You stared at him for a bit before nodding. He slowly pulled you up with the string of his web, each move more careful than the last. As soon as your feet were planted safely back on the roof of the building, he wrapped you up in his massive arms. You appreciated the gesture, but you didn’t return it, still very confused about why he was so concerned. He was so big around your body though, you couldn’t help but feel a little comforted, feeling his still shaky breaths against the hairs of your neck. Soon after, he clicked on some buttons on his neon orange watch and led you into a portal.
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The rest is history. You’re grateful he found you that day. It allowed you to meet so many people, Peter B., Jess, Gwen, Hobie, Ben, Pavitr, Margo. They all related to you and you felt like you could share things with them that you couldn’t do with anyone else. You had grown especially close to Peter and Jess, both of them having been in the game for a long time, just like you. They both knew how you felt, having lost so much and growing so tired after so many years. Peter even named you as Mayday’s godmother when she was born, a gesture that caused you to nearly kill him with your hug. Miguel though was different. He wasn’t nearly as social as the rest of your friends, but you found yourself having much more intimate moments with him (in more ways then one). You eventually found out why Miguel was so concerned for you the day you met. He had taken interest in your abilities early into looking for variants for his little “project”, but refrained from roping you into something so dangerous while you were still in your teens.
Once you were old enough though, he started paying more and more attention, hoping to catch you in a fight and recruit you then. But he was always pulled away with more important duties to attend to. That was until he witnessed your canon event. He had seen it happen so many times before through his scanners. It was going to happen. It had to in order for your universe to not collapse in on itself. But for some reason, yours hurt more than the rest to him. Especially how you coped with it. Seeing you wrap yourself up in her blankets and clothes broke his heart. He knew where this would lead to. That’s why he was there that day. To save you. He had to, or he wouldn’t be able to forgive himself. You got your own watch immediately, along with your own room in the Spider Society headquarters. He stayed close with you for the first month of you being a member of the team. When he wasn’t out on missions, he was with you. You didn’t really know what to label you two as, but whatever was going on, you liked it. And he did too.
That is until Miles came into the picture. Once Miles was bit, all hell broke loose for Miguel. He was always in some alternate dimension catching some Spider-Man villain who got out and rangled them back over here, falling back over to you more beat up and bruised than the last time. You couldn’t imagine how much stress he was under, the fate of the entire multiverse up to him. You had some ways of helping him relieve his stress, but you wish you could convince him that he wasn’t alone in this. But nothing ever got through to him. He had become distant, aloof even. You tried bringing it up to Jess every so often, but she would just brush it off.
“That’s how he’s always been.” Not to you he hasn’t. This week has been hell though. With Spot making it over to Miles, Miguel had been going into rages all week. You had put up with it for now, but that was all about to stop. Watching how harsh he was being on Miles, throwing so many Spider-Men at an innocent boy, risking all of their lives in the process. Disregarding everything Gwen and Peter were feeling and then throwing Gwen back into her broken world with nothing. He had gone too far. No one else was going to stand up to him about it, so you knew it had to be you. Maybe he would listen, maybe he wouldn’t. It didn’t really matter. He just needed to hear it.
“It’s not worth it you know.” The voice snapped you out of your thoughts, stopping you in your tracks. “You know how stubborn he gets over these things,” said Jess, trying to convince you to save your breath. “I don’t care. I have to at least try,” you responded, monotonically. “I just don’t understand how you can follow him so blindly and not see what he’s doing is wrong.” “Because he isn’t wrong. I don’t know about you, but I’m not just gonna stand by and let some kid’s stupid decisions destroy another Earth,” Jess argued. “He’s just trying to save his dad, I can’t understand how that makes him such a bad person,” you said, finally turning around to face her, shocked when she was closer to you than expected.
“You know exactly why. Don’t be so naive, y/n,” she shot back. “You can’t stop me,” you said staring straight into her. She shrugged. “Then I can’t help you.” She began to walk away. You did to, until you heard her say. “You don’t know how much he cares for you.” You turned around to face her again, but her back was still to you, her head tilted ever so slightly to look at you. “If you really do care for the kid, watch what you say to Miguel right now. Cause you might just give him the final push he needs to do what needs to be done.” You didn’t give her a response, and just simply kept walking. You felt Jess’ eyes on your back as you entered the elevator to get up to Miguel’s office.
The elevator ride up felt longer than it should’ve, as you tried to gather all of your thoughts and emotions together so even if he didn’t listen, your words would still stick with him in some way. You didn’t necessarily want to hurt him (though your fists were telling you otherwise), but you did want him to be aware of what he’s done. Once the doors finally opened, all of that work flew out the window as rage took over your body again, seeing Miguel up there looking at the scanners. The fact that he looked just as normal as he always does made you furious. It’s like nothing happened.
“You know, I could hear you coming in from the lobby,” he said, almost stopping you in your tracks. You hated when he did that. Claiming that he knew what your every move was going to be. Like you were under his control or something. “Yeah, well then you must’ve heard me talking to Jess, which means you know exactly what this is about,” you shot back, stopping to where you could see him perched up there. “Why don’t you just save me the conversation about morality and just come up here and kick my ass already. It’ll save both of us time,” he said, not even taking his eyes off the scanners to look down at you. This only added to your fury. “That’s not what I’m here for Miguel, so don’t you dare try to twist my words here. What you did to that kid was fucked up and you know it.” “Oh yeah, then why didn’t you try to do anything to stop me?” he questioned.
“Because I’m not stupid Miguel. I’m not gonna try to take down hundreds of Spider-Men at once.” “Oh, cause you’re so much better than that?” This wasn’t like him at all. That gentle, kind, and caring Miguel you once knew was gone, taken over by some sort of personal vendetta he had against Miles. “Listen, I don’t know what’s going on with you, but this all needs to stop before it gets taken too far. You’re getting into a fight you can’t win. That kid’s strong and so are his allies. And if you go any further into this, I won’t be here to help you.” He stayed still and only turned his head to look at you. “And what makes you think that you’re so important to my plan that it’ll fall apart if you leave? Have you really become that pretentious?”
Your body froze. Have I really? No no no, that’s exactly what he wants. If you begin to doubt yourself now, you’ll stay and nothing will change. You knew you were right. He was trying to crumble you down, but you wouldn’t let that happen. “And you really think that one kid is going to ruin something that you’ve been working for for years? How insecure you’ve become.” “You have no idea what you’re talking about,” he said, turning back away from you. You did the same, wiping off your face in anger. “I hate it when you do tha-,” you said as you turned back around, but were cut off to find Miguel standing there right in front of you. He was close. Too close to your liking, although in any other circumstance you would’ve found this attractive.
He tilted his head up, but his eyes were down staring daggers into yours. You hated how much he tried to make himself seem more superior to you. “You have no idea what you’re talking about,” he repeated, this time slower as if you were a child. “He’s just a kid Miguel,” you said in a low, quiet voice. “An anomaly. And a dangerous one at that.” “God Miguel, all he wants to do is protect his dad, do you know how insane you sound right now?” you said letting out a slight laugh when you finished. You backed away from him a little. “He doesn’t know how much damage he’ll do with this. Saving his father will only prolong the inevitable. His world will be gone within hours if he does this. All I’m trying to do is make him understand,” he tried to explain. “By trying to kill him.” “You always have to exaggerate the situation,” he said palming his face. “But that’s essentially what you’re trying to do isn’t it? Why not snuff out the problem entirely by taking him out!”
He signed and began to walk away while you were talking, bringing up your anger even more. “Yeah, use all the power you’ve accumulated over the years and just take out the small problem! Except this isn’t just a fly on the wall Miguel. This is a child! An innocent boy who didn’t ask for any of this to happen to him, just like how we didn’t. I get it, I’m sorry that this job is stressful, I really am. But that gives you zero right to act the way you are!” You were screaming at him at this point. You didn’t want to. You didn’t want your emotions to get the best of you. But he was being too stubborn. This was the only way you thought you could get to him. You might not have wanted to, but you needed to hurt him now. It was the only way.
“You can’t be so power blind that you refused to accept the fact that there could be a way around Captain Davis’ death. You said we saved Earth’s before, I’m sure we could do it again.” Your anger only kept rising when he kept walking away and didn’t respond. “This is a personal thing isn’t it?” you asked calmly. You knew it was working now when he stopped walking. “Yeah, it it. You won’t let Miles get his happy ending. Because why should he be pardoned of his burden while the rest of us have suffered so much. While you’ve suffered so much.” The answer to your question was confirmed when Miguel stayed silent. “Just because you didn’t get the life you wanted Miguel, doesn’t mean you have the right to stop other people from getting theirs.”
You knew you overstepped the line when Miguel turned around and started walking towards you, fury burning in his crimson eyes. “Yeah, so what! What if that is what this is all about! You should know better than anyone how much this job takes away from you!” he screamed at you, backing you up into a wall. “Why should he get to be let off so easily, while people like you and me have to suffer so much? Don’t try to turn me into the villain here when I know you’re thinking the exact same thing, y/n.” He wasn’t entirely wrong. You had wondered it at some points. “I won’t let you turn this onto me Miguel, this is about you,” you fired back. “Oh no, you’re not getting off that easily. I know you’re thinking it. And you’re right. Why should Miles get let off so easily when you’ve lost so much.” He held your hands in his, trying to connect to you. “And you have mi vida. You’ve had so much taken from you and it’s unfair. Why should he only have lost one person when you’ve had three taken from you. Your brother, Peter, your moth-.”
He was cut off by your hand striking against his face in a harsh blow. “If you’re smart, and I know you are, you’ll keep those three out of them. I won’t let you drag their names through the dirt for something as stupid as this.” You both stood there for a while, both of your eyes looking towards the ground, hoping it would open up to swallow you both as an escape from this god awful conversation. You never wanted it to come to this. In all honesty, you cared for Miguel. You might’ve even loved him, if you were even capable of doing such a thing. You hoped he felt the same way about you, but in a job like this, he always had at least one wall up around you. It just wasn’t worth it anymore. You were too tired to keep trying for something that was most likely going to fall apart in the end. 
“You’re still going after him aren’t you?” you asked, finally breaking the silence. Miguel looked back up at you. “You can’t ask me not to. You know better than anyone why this is so important to me.” He moved his hand up to cup your cheek and kissed your forehead gently. You let it sit there for a minute out of habit before pushing it off your face. “And you must know why I can’t stay anymore then.” His shoulders dropped. “Whatever this thing between us is. It’s over. I can’t stay beside someone who can’t see what he’s doing is wrong.” Miguel’s dropped hand turned into a fist of anger. “Fine,” he spat in your face. “I don’t need someone like you in my way. You’re just a liability to this anyways.” He began to walk away from you back to his scanners. “Just don’t come crying back over to me when your little plan doesn’t work out, cause I won’t help you.” He used his webs to pull himself back up to the platform to keep looking for Miles. You stood there for a second, gathering yourself.
Five years. Out the door just like that. It bewildered you how easily a bond like you two had could be broken all because of one teenager. You began to make your way for the door before you said. “When this is all over…don’t try to find me.” He didn’t respond. Once the elevator doors opened, you rushed inside, desperate to get away from him. So many thoughts rushed through your head as the doors closed and you sunk down back to the lobby to leave. You didn’t have much of a plan. This could end up being a horrible idea. Your gut told you it was the right thing to do though. And that was enough for you. You walked out of the headquarters lobby with a new heart and a new mind, ready to take action for your new plan.
First though, you had to find Gwen.
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a/n: god that took longer than it should've. dw dw i'll do a part 2 if enough people ask for one. im not 100% sure how im gonna do a part 2 cause yk....idk how beyond the spiderverse is gonna go so tbh, we're just gonna make it go the way i want lmao. thanks for reading, ik this was kind of a long one lmao
NEXT CHAPTER
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absservices · 2 years
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#ABS now offers Mint Mailing Systems through Formax#Designed for demanding mail centers#the Mint 310 Series Mailing Systems combine high processing speeds with a user-friendly interface. The Mint 310 Series is available in two#Mint 310 / Mint 310 Expert#with an automatic envelope feeder that can handle mixed-size mail input. Each system meets the latest USPS requirements for Intelligent Mai#The Mint 310 processes up to 140 letters per minute (lpm)#and the Mint 310 Expert handles up to 175 lpm. Systems include a 10 lb weighing platform#with 30 and 70 lb. options available.#The user-friendly interface includes a large#color touchscreen with intuitive prompts and shortcut keys to eliminate extra keystrokes and increase efficiency. The Mint 310 automaticall#keeping postage rates up to date. In addition to postage#users can personalize mailings with ad slogans#custom text messages#and more. Users can store up to 9 job imprints that can be easily recalled via the touchscreen.#The Mint 310 helps manage your mailing budget with 100 standard departmental accounts#with options of up to 300 or 500 accounts. Additional standard features include an envelope moistener#an expandable catch tray to hold mail up to 10” x 13”#low-ink email alerts#an integrated postage tape dispenser#and an eco-friendly low-energy sleep mode. Options include a remote label dispenser and barcode scanner.#An optional Dynamic Scale weighs measures and classifies mail pieces on-the-fly for fast processing with less handling by the operator. Wit#the Mint 310 processes up to 75 lpm#while the Mint 310 Expert processes up to 110 lpm. An additional option is Differential Weighing. Operators add a group of mail pieces to#remove pieces one at a time#and the Mint 310 System automatically calculates the correct postage for each piece.#The Mint 310 Series is the ideal all-in-one high-volume mailing solution with high-speed capabilities and flexible#user-friendly features.#Contact: 713-682-1919 or Email: [email protected] for a model and quote to fit all of your mailing needs.#business#technology
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jagajuqome · 2 years
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Rollei pdf-s 240 se
urisme-pdf-2017, https://jagajuqome.tumblr.com/post/693915089075666944/secourisme-pdf-2017, https://jagajuqome.tumblr.com/post/693915089075666944/secourisme-pdf-2017, https://jagajuqome.tumblr.com/post/693915089075666944/secourisme-pdf-2017, https://jagajuqome.tumblr.com/post/693915089075666944/secourisme-pdf-2017.
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objectheadzine · 11 months
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WELCOME TO THE 10TH ANNIVERSARY OF THE OBJECT HEAD ZINE!
In celebration, the 2024's edition will be a Grab Bag - draw whatever object head you like (so long as it fits the guidelines, see below). In Lieu of a theme, all submissions MUST HAVE ASHLEY (the megaphone mascot) in the piece! Feel free to make him as large or as small as you want in the composition. He can be hanging out with your characters or he can be on a flyer, just so long he's somewhere in the picture! Reference of all his outfits can be found here. But don't feel like you're restricted to his previous outfits. Feel free to dress him up in anything you'd like. Content is also free for whatever! You want to date the lil man? Go for it! You want to tease or go on the attack? Also fine! Ignore him and let him live his life? Sure thing.
ALL submissions will be accepted as long as they fit guidelines and each person has a limit of up to 3 submissions. Submit your pieces to the zine email objectheadzine(@)hotmail(.)com along with the email/website/name you’d like to be credited as. (Feel free to omit emails if that is more comfortable). When you’ve finished your piece(s), you are allowed to post them to your blogs as long as you link back to the zine blog! This will be a DIGITAL ZINE ONLY and will be available free upon completion (donation optional).
The guidelines are as follow:
Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block! Avoid utilizing a camera to submit your images, please use a scanner. 
The default size will be 6″x9″, 300 dpi (1800px x 2700px) but feel free to go larger or smaller, so long as it follows those proportions. Please work in a vertical format.
For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.)
Ashley, the megaphone head mascot, must be included in your piece. He can be small in the picture or a large factor but he must be included. When submitting, if he is not obvious, please point him out to me. References are found here.
Please go for original characters (or fanart of your friend’s characters) and not so much established object heads (e.g. the popcorn and soda heads from No More).
If you want to include humans, that’s fine as well but keep the ratio of people to object heads 1:1.
Content should be at most PG-13: Romance is fine but after-hours business should not be implied, Blood is fine but no gore. In the end, use your common sense.
Feel free to draw a comic or just an illustration! A comic counts as one submission.
Some facts about Ashley that could help with your piece: He's 5'2", he's of Chinese nationality, he's a TV show host, he's a bubbly, happy-go-lucky kind of guy and he has a Samyoed dog named Cotton!
Note that if a submission does not meet the above guidelines, I will either reject your submission or suggest improvements that would help your piece fulfill them. Please email me at objectheadzine(@)hotmail(.)com if you have any further questions and I’ll do my best to reply promptly. If you do not receive a message from me within a few days, please send it again. Final pieces submitted should be either in PNG or a one layer PSD file format.
Want to share your piece as you're working on them? Come on over to the Object Head Zine discord!
THE DUE DATE FOR SUBMISSIONS IS NOVEMBER 9TH.
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jarchaeology · 7 months
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THE SCANNER SERIES: THE EARLY YEARS [JCPenney Catalog Overstock Clearance] sale prices valid until: November 13, 1990
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orpheuslookingback · 6 months
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Watching 1 horror film everyday in October 13/31
Scanners (1981), dir. David Cronenberg
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jhilsara · 1 month
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I Can See You
Pt. 1/ Pt. 2/ Pt. 3/ Pt. 4/ Pt. 5/pt. 6/Pt. 7/Pt. 8/Pt. 9/ Pt. 10/
Pt. 11/ Pt.12/Pt.13/Pt. 14/Pt.15/Pt.16/Pt.17/END
Mariana Jimenez-Watson or MJ works in a normal pub living life paycheck to paycheck. Nothing exciting happens to her except the occasional drunk getting thrown out. She's 24 working away and finds a wrench thrown into her very boring life. His name is Hobie and she thinks maybe, a little excitement isn't awful. In fact she might start to crave some change for once.
Small moments of Hobie meeting his world's MJ. AKA I made an MJ variant and I think she's neat.
Chapter 13
Hobie’s over and they’re both just lounging on her couch. It’s a rare day she has off and so far, nothing crazy has happened to set off Hobie’s police scanner. He had been coming over more often. When he's not at her flat, she’s managed to wiggle her way onto his house boat a time or two. It’s nice for them to hang out and it not be at her place of work. Not that she doesn’t enjoy the pub, but she can’t have any intimate moments with Hobie.
Not that she’s trying to be intimate with Hobie, but they’ve definitely been touchier as of recent…
By touchy she means actively kissing her friend, who she doesn’t think she’s dating and doesn’t want to ask if they are. Mostly because she doesn’t know how she would even want him to answer.
Which is why instead of over analyzing her feelings for her best friend she’s instead choosing to push it under the surface and try to just enjoy the moments she does have.
She’s laying on the couch but her legs are drapped on top of Hobie’s. One of his hands sits in between her thighs, just holding her in place. His other hand is lazily drumming a soundless tune on her leg. His attention only half on the television playing in the background. His full attention is really on her as she tries to curate a perfect playlist for them.
“Should I organize it in a specific order or just let it shuffle?” She asks mindlessly as she’s scrolling through her music.
“It’s a classic mixtape if ya plan it out yea? Make the order matter right?” He hums to her in suggestion.
“Mmm I didn’t think about it like that. Oh!” She has an idea and sits up to look at him better. “What if we did it like a real mix tape? Side A and Side B, but like we curate one side each.” She says with a bright smile.
He nods in agreement, “I like that. So that’s ten songs each yeah?”
She makes a small noise of satisfaction and plops back down. “Let’s put them on a separate playlist and we can share them together when it’s done, it’ll be a surprise.” She suggests.
They had been doing this for the past couple of hours, just sharing music. MJ suggested they make a playlist to share with each other. It’s escalated into this mixtape.
She’s tapping away on her phone scrolling through song after song, “I don’t know if it’s harder or better that I only get to pick ten songs…” She murmurs to herself.
Hobie’s just watching her with a small smile tugging at his lips. It’s a real peaceful moment between them.
“Choices, choices, choices.” He whispers back leaning toward her.
She looks up from her phone to see him hovering over her with a smile. She pulls her phone against her chest.
“No cheating! It’s not fair if you look before I’m done. That ruins the point of sharing music.” She says giggling.
He rolls his eyes but backs away, keeping his hands on her thighs. “Fine fine, I won’t look.” He leans back into the couch and starts tapping an unknown rhythm against her leg.
Her face scrunches up as she looks through her songs, trying to find the songs she relates to. She is nervous about sharing her stuff with him though… Hobie actually writes and performs music. It’s a small added pressure she wasn’t expecting.
Hobie moves one of his hands to grab her cheek, making her look up at him.
“Relax, you’re thinking too hard about it.” He tells her in a soothing voice.
She rolls her eyes but gives him a soft smile, “I know but, I don’t know, I feel like I’m thirteen and you’ll be hyper critical over my music taste.” She mumbles.
He looks at her with a straight face, “I will be hyper critical.” He says in faux seriousness.
“Oh, piss off!” she laughs shoving him away. She readjusts herself to sit up and face him. “That’s not helpful.” She jokes.
He rolls his eyes, “MJ it’s fine. Whatever you put on there won’t change how I feel about ya. Relax.” He gives her a toothy smile and musses her hair.
She bats his hands away and frowns, “Yeah, yeah, yeah.”
He grabs her waist and pulls her to his lap, wrapping his arms around her and slotting his head on her shoulder. “It’s fiiiiiiiiiiine promise.” He presses a kiss to her cheek drawling out his words. 
She turns to look at him relaxing into his hold. She hums in satisfaction at his response.
“Okay, I need to get up or I’ll get sleepy like this.” She tells him starting to wiggle.
He groans in response and locks his arms around her, “Too late, I’ve trapped ya with my superior spider strength.” He tells her jokingly.
She laughs and tries to worm her way out of his hold. “That’s not fair!” She groans in response pushing down on his arms. Which are definitely not budging.
He just grunts as a reply and keeps his hold on her, his laugh vibrating down her back. It sends a chill through her spine.
She opens her mouth to respond to him but before she can they both hear the buzz of the police radio. Hobie sighs and shoves his face into her back, groaning in annoyance.
They both listen in and catch something about a break in down a block of locally owned storefronts.
He releases his grip on her, “Can’t steal from the giant corporations like the rest of us, gotta be the mom and pop shops.” He mutters under his breath.
She just chuckles in response and turns to face him, giving him a soft kiss.
“Guess you better go then tiger.” She says softly.
His face heats up, “That’s new.” He chuckles a bit looking down at her.
Her face burns red, “Do you not like it?” she asks now a little embarrassed.
“No, no, no! I liked it, just different is all.” He chuckles nervously.
“Oh my god, okay, go go! Moments over.” She covers her face in embarrassment.
He smiles and tugs her hands away pressing a soft kiss to her, “It’s cute, like it.”
He pulls away quickly and backs up to her balcony, pulling on his spider mask, “I’ll be back, promise.” He tells her shooting a web and diving off her balcony.
She rushes over to door and shouts after him, “You better come back!”
She sees him wave back to her before he’s gone from her sight. She sighs and fidgets for a moment before walking back to her couch.
She opens her phone and starts shuffling through her music.
Hobie comes back to her flat, tired and with a sore back. Upon entering he notices she’s laying on the couch. He tries to not make much noise and peaks over the couch to see her passed out, phone in hand and music softly playing.
He gives a soft snort and gently pries her phone from her hands. He opens it and sees she’s been meticulously crafting her portion of their shared mixtape. He grins to himself and starts the playlist from the start. He’s too enamored by the thought of her sitting here the whole time fussing over what songs she was going to pick, it has him grinning from ear to ear.
He sits and listens to the playlist in order, it only take around forty minutes, give or take. He sits on the edge of the couch running his hand lazily through MJ’s hair, she doesn’t move except to turn over once.
She’s a deep sleeper and he’s thankful for that right now. He’s crafting his half of the mixtape as the music pours from her speakers. He’s jotting them down in his head. It’ll be a pleasant surprise when she finds it.
Once he’s done listening he takes her phone and adds his own half. Some songs are easy to add, others he had to think on a little bit. One just makes him chuckle a bit and he doesn’t hesitate to add it.
He finishes adding his half and looks over it, checking it one last time to see if he wanted to make any changes.
He nods to himself and sets her phone down. He looks over to MJ on the couch and decides she should probably be in her bed, it was late.
He picks her up gently, nestling her in his arms. She makes a small noise but doesn’t wake up. She squirms for a moment pressing her face into his chest, searching for his warmth. He presses a soft kiss to her forehead and walks her to her room.
He lays her down and she rolls off of him easier than normal. She sighs and nuzzles into her pillow, getting more comfortable.
He covers his face turning away for a moment, finding the moment too sweet. He leaves her room and goes to take a shower. He knew he was going to stay at her place the moment they were lounging around all day. Her flat was just so comfortable…she was comfortable.
When MJ wakes up she’s in her bed and she feels strong arms around her waist. She turns to look over her shoulder and sees Hobie pressed against her. He’s wide awake and grins as he sees her looking at him sleepily.
“G’mornin’ sunshine.” He murmurs.
“What time is it?” She asks, her words slurring together groggily.
“Probably around one in the morning. Maybe later?” He whispers to her.
She sighs and nods her head. She wiggles herself so she’s facing him and wraps her arms around his waist bringing him closer to her. She shoves her face into his chest and mumbles something under her breath.
“What was that?” He asks amused.
She mumbles again, voice still too low and words mushed together for him to know.
“Missed you.” She says more clearly, looking up at him, face red.
He grins and moves one hand to pinch her cheek. “That’s cute, say it again.” He teases.
She groans and puts her face back into his chest, “Not happening.”
“Aww c’mon? You’re so cute when you get like this.” He grips onto her waist and rolls them so he’s on top of her. He looks down at her, with an amused smirk.
Her face is flushed as she looks up at him. “Stoooooop you’re so-” she rolls her eyes.
“So charming? Funny? Delightful?” He lists off with a chuckle.
She groans, “More like annoying.” She replies.
“Ouch!” He holds his hand over his heart in fake pain. He drops his weight onto her pinning her in place. “Ya wound me! My ego, it’s crushed!” he groans in pain.
She’s laughing but also shoving him off of her, “You’re the one who’s crushing me!”
“Guess I’ll just delete my half of the mixtape then, if I’m so annoying.” He goads grabbing for her phone.
She sits up and snatches it away from him. “What?! You added to it?” She’s immediately opening up her music and looking through what he’s added.
He’s smiling at her and shrugs his shoulders, “Ya had it open when you passed out.”
She whips her head to look at him, “Did you listen to it?” her eyes are wide as she looks at him, almost embarrassed.
He scratches the back of his head, “I did, couldn’t resist.” He leans forward to look at her closer, “Came back and you were napping phone in hand, music playin’… All I could see was your scrunched-up face trying to find the perfect songs.” He grins cheekily at her.
She shoves his shoulder lightly. “Can we listen to it together?” She asks softly.
He throws his head back and groans playfully. He wraps his arms around her waist and pulls her back down to lay in the bed. Nuzzling his face into her neck.
“So cute…” He mumbles into her. His breath fanning her neck, sending a shiver down her back.
“Hobie…” She drags out his name, almost in warning.
He hums and peaks up at her, “You’re just so cute, can’t help it.” He presses a kiss to her neck.
He pulls back and plucks the phone from her hand and presses play on the playlist. He moves her phone to her bedside table and drags her under the covers with him to snuggle. He slots his head back against her neck, arms clinging tightly to her waist. She in turn wraps her arms him and interweaves their legs together into a knot of limbs. Their breathing evening out as they listen to the music together.
They fall asleep to sound of each other’s hearts and shared songs.
Spotify Playlists can be found here: Mariana / Hobie
Please do not come for the music choices I made, I spent way to long on them and I stand by them. I will not take criticism on this, I will cry. I will add art to them later, but collectively this is about an hour of music.
Tag List: @missshelleyduvall
Message if you would like to be added to the tag list!
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