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lacollectionneuse1967 · 5 months

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slip of the tongue part 4 - the last train home

Theseus Scamander x Reader

summary: you are kidnapped by grindelwald and theseus is stranded alone, unaware, at a train station--he's left to believe that you do not love him and you are left in enemy custody with no one coming to save you. the world always had a way of finding out what you loved and taking it from you. but you always found a way to hold onto hope until your hands were bloody, and you always hoped you'd still make the last train home...

fem!reader. theseus scamander x reader.

category: hurt-comfort. romance.

warnings: none

part one / part two / part three / part four

author's note: yeah i wrote another long chapter again sorryyyyy! also there are no sexy times in this one haha.. this is actually the last part of this fic! taking requests for other theseus fics after. hope you enjoy :)

November, King's Cross Station

"Don't come. Don't come," Theseus thinks. "Be safe and happy and do not come."

And then, with a selfish tug of panic, he relinquishes the hideous truth of his desire:

"Come. Please come."

Theseus is standing at Platform 9 3/4, craning his neck over the crowds of wizards in their mismatched regalia, some in whimsical velvet robes and long caps and others in London business suits. The existence of the magical world alongside this one always did seem to him an impractical, impossible thing. Clunky and disjointed parts clacking together.

Until, until...

You. Muggle girl, born and bred, but you were the best wizard he'd ever met. The whole world seemed to make sense, suddenly, with your introduction into his life, these two worlds, magical and unmagical, were contained within your very existence, perfectly.

For the first time in his life, the thought of you brings him pain.

"She'll come," he thinks again. Banish the pain. Banish all that isn't useful or good.

The train whistle blows, his wristwatch reads 7:14. There's hardly anyone on the platform anymore.

He knew, knew that you wanted him too. Loved him. He saw it in your beautiful, hopeful face every time he reached out and touched you, you were so willing to fall into his touch, to surrender yourself. Sweet angel in his bed, in his arms.

"Last call!" A train attendant leans out from the car up ahead to shout it. Misery snakes around his heart. It's an icy and menacing revelation, that you might not choose to be with him.

He has never asked much of you, was always afraid to as your boss and your friend. But in these last days he's realized he's underestimated you, critically. He was so afraid of scaring you off he hadn't recognized that you don't scare easy.

He glances at the train attendant's cinched expression and then around the platform again, with blind urgency, eyes darting to every face, hardly seeing the strangers at all.

"I didn't push her too far this time. She'll come. She'll come."

"Last call!" The train attendant calls again, irritably. She's doing him a favor by waiting at all.

When Theseus steps up into the train car he politely apologizes to her. He even smiles charitably. She returns it with a blush, but rolls her eyes, taking his ticket.

He settles down and pulls out his book to read. Orders a coffee. Nothing is out of the ordinary.

Theseus has always been a sensible man, a capable one. He'll tell Newt you didn't want him. He'll put his energy and efforts into the resistance against Grindelwald. He looks fine, and maybe one day he will be.

He knows, logically, that you will be too. But he cannot deny that part of him was left on that platform tonight, and he cannot deny that it might remain there for good.

----

January

The woman lingers in the shop, her gaze flitting from shelf to shelf without much intention.

Theseus knows that he's ceased to be a novelty. Small as Hogsmeade was, he's been living there for a little over two months. The village's residents no longer looked to him or Newt, or Newt's "friends," with any curiosity or suspicion. If the woman is loitering around, it's because she wants to speak to him.

"Mrs. Beaumont," he inquires, trying to be as patient as he can, wiping his hands off on a rag before placing them flat on the counter. "Can I help you with something?"

"Oh!" She seems relieved he's broached conversation, walking eagerly to the front counter that he's behind. "Mr. Scamander, I just wanted to say how very happy we are to have you and your brother here. Apart from the students, it always gives me hope, seeing young people and newcomers moving here."

He nods warmly, offers a closed-lip smile, but says nothing. He knows Mrs. Beaumont is one for long, chatty, pointless conversation. If he struck one up he'd never hear the end of it.

Theseus wants to close up for the evening. He wants to return to his living quarters at the inn. The potion shop was supposed to have closed ten minutes ago.

From Head Auror to humble assistant shopkeeper. If he thinks about that disparity too much he starts to go insane. Veritably insane. But he tries to rid himself of useless pride, something he'd been so occupied with before. Tries to remember what he's doing here, what's at stake. The position at the potion shop was just a cover. The evenings and long nights--that's when he, Dumbledore, and Newt did their real work.

Mrs. Beaumont shuffles out of the shop, made shy by her confession.

It's unseasonably warm for mid-January, the snow patchy, in wet-looking, thin sheets of ice spread over yellowing grass. Most days the sky is mercifully blue, bright and pale. But the sun still sets early, and it's a purple evening by the time Theseus locks up.

"Dammit," he curses softly. The key gets jammed in the lock sometimes. He's sure there's some way this could be made more efficient through magic.

The potion shop where he works is at the very edge of the village. The back window overlooks a white, roaring river that crumbles rockily down the hillside towards the Black Lake. Theseus starts his walk back towards the inn, back into town, unseeingly.

He knows the way so well by now that sometimes he just winds up in his room, with no memory of the walk at all.

Theseus looks forward to meeting up with his younger brother tonight.

Their relationship has improved, considerably, within the last two months. At nights when they have no other work to do and no Grindelwald-related assignments from Dumbledore, Theseus helps Newt on his book about magical beasts. Newt's notes were these soul-crushingly disorganized collections of writings and sketches, his findings all haphazardly piled together in a barely-bound journal. Theseus had been helping him turn his work into a more readable format, maybe something that could one day be published. Theseus had forgotten how much he enjoyed working with magical creatures in school, had forgotten that he was quite good at it too.

A loose paper currently adhering itself to his boot breaks him out of his reverie. It crunches when he tries to walk. He stops to kick it off, unsuccessfully. It looks quite old, half-torn and filthily brown, and a bit frozen as well. He leans down to pick it from his shoe with a grimace, lifting it up in curiosity.

WANTED.

The image of your face on the paper is enough to make him stop walking completely, stop breathing. At first he thinks he's hallucinating, he'd always known you'd come back to haunt him.

He's in an alleyway, one he doesn't take often, he doesn't know what compelled him to take this route today. He looks up in horror at the grey brick walls. They're plastered with the same, tattered poster of you, the one calling for your arrest, who knows how long they've been up.

WANTED: Have You Seen This Witch? Y/N Y/L/N.

Contact the Ministry of Magic immediately if you have any information concerning her whereabouts.

The posted reward money makes his stomach turn. But the sight of your face, that does something far worse to him.

The photo they used of you is from your first day at the Ministry. A cropped and zoomed-in image of you smiling, with eye-welling pride, in front of the huge wooden door to the Auror Office. In the image you move after smiling for the picture, you look around with an anxious, unsure sort of happiness. He draws his thumb over the dirty paper, the picture of your face.

This isn't possible. This can't be real.

He runs to the inn. His lungs are burning from the cold, dry air, but he doesn't stop. He pushes through the doors and Aberforth stands up from one of the tables by the bar, startled.

"What do you think you're-"

Theseus ignores him, breaking into the back room and falling to his knees before the fireplace. Wand shaking in his hand, he places a Floo Call to Thatcher Birchen. He's an Auror. More importantly, he was Theseus's friend from his Hufflepuff days. He wouldn't betray Theseus, not willingly.

When Thatcher's face materializes in the coals of the fireplace it looks unhappy to see him.

"Theseus, you shouldn't be calling me here. You didn't leave us on the best terms-"

"I know, I'm sorry. I wouldn't reach out if it wasn't an emergency."

"I'm not keen to talk to you regardless," Thatcher snaps. But he doesn't end the Floo Call.

Theseus realizes with a pang that Thatcher is scared. But Theseus doesn't understand why. He's diligently avoided all news press and talk about the Ministry these last two months, hoping to avoid you. No Ministry talk, no new editions of The Daily Prophet, just work with his hands. Moving a rag over the wooden counters at the potion shop, running the numbers and taking up accounting. Restocking boxes of ingredients.

This seems to him, now, to have been a great and careless mistake.

He thought you'd be running the Auror Office now, taking names, that Newt could reach out to you at a crucial, appropriate time.

"Did..." He has to ready himself to say your name aloud. "Thatcher, did something happen to Y/N? I saw a flyer today that said she's missing, that she is wanted under suspicion of espionage. Did something happen while she was working as an Auror?"

Theseus doesn't want to reveal too much. He's worried bringing you to the gala in Berlin and the Mausoleum in France that weekend in November might have already incriminated you.

"Theseus," Thatcher explains in a hushed tone. "Y/N Y/L/N never filled the post at all. I-I heard something about a potential offer the day you quit, but she disappeared that very night."

Theseus can hardly hear the rest of what Thatcher is saying, his whole body has gone numb.

"No one saw her in the weeks after her disappearance. It was assumed she'd taken up with Grindelwald. It had already been proven that she'd stolen some important documents from the Ministry Archives-"

"How?" Theseus's voice breaks on the word, miserably.

Thatcher sighs sympathetically.

"They found her wand and analyzed it. Found a spell that made copies of documents associated with the Ministry Archives. Hence the assumption, hence the wanted posters they put up a while ago..."

Theseus knows this could never be true. You and Grindelwald.

"What do you mean by 'found her wand''?" He asks with sudden, horrific clarity. You've been missing this whole time. Without a wand.

"That same night you resigned. They found it in front of Kings Cross Station."

The air is sapped from the room, Theseus unthinkingly flings some fresh coals onto the Floo Call with a limp palm, it collapses the shape of Thatcher's face and the call crumbles into nothing. He didn't say goodbye, he has to get some air.

He's so taken aback, reeling with nausea, that he has to brace himself against the wall with both hands. He keels over and dry heaves for a few seconds.

Two months you'd been missing.

And they'd found your wand at the station. You'd been coming, coming for him. This whole time he'd thought...

Newt bursts into the room, Aberforth is standing behind him looking uncertain, alert.

"Theseus! Aberforth told me--But... What's going on?!"

Theseus stands and closes the door so it's just the two of them. He's wearing the apathetic, half-conscious expression of a sleepwalker.

Newt takes a seat in the wooden chair.

"Newt... Grindelwald has her. He's had her this whole time. Since the day I quit the Ministry."

"I..." Newt's reaction doesn't satisfy Theseus. He looks troubled, but only vaguely.

"Newt," Theseus starts again with newfound frustration, passion. "While we were laying low, writing your book, restocking shelves, while we were brought up to the castle at Christmastime, Y/N has been in his custody! Tortured, starving, alone, I don't know. When I think about it, it kills me. I can't handle it-"

"We don't know if she's even alive, Theseus," Newt says this rationally, albeit unhappily. "Grindelwald doesn't keep prisoners unless they are valuable, important. She might be dead. When I heard she wasn't promoted to an Auror in November-"

"November?"

Cold rushes into Theseus's veins. There is no silence as deadly as the one that follows. He can feel his blood crystallize and crack, it’s too bodily a sensation to even call it shock. It’s betrayal.

“You knew?”

All those months collapse into nothing, they mean nothing to him.

For so long Newt kept his distance, felt misunderstood by Theseus and their mother for the path he chose in life. And yes, perhaps Theseus did misunderstand, did judge him for it, never took his career or his interest in magical beasts seriously. Maybe he was berating at times, suffocating with his good, brotherly intentions, and they’d drifted apart as adults.

But these last eight weeks in Hogsmeade they’d mended that, delicately, bruisingly, as one mends small bones, with small intrusions and concessions. Quiet conversations, sessions where Theseus helped him turn his work into something resembling a book, living together for the first time since they were children.

But that means nothing to Theseus now, nothing.

Newt doesn’t meet his eyes, the shame too heavy to lift his head. He’s sitting, hunched over in his chair like it is mounted to the floor.

“No,” Newt breathes out. “No, Theseus. I knew she never became Head Auror. I knew it went to… to someone else, but I didn’t know she was missing.”

“Why didn’t you tell me?" His voice is torn-sounding. More hurt than enraged. "You didn’t even suspect—you didn’t reach out once?! I don’t believe you.”

“I swear it to you—“

“You should’ve told me.”

“You told me she didn’t love you!” Newt looks up at last, eyes wild with the panic of a cornered animal. “That she didn’t choose you! I-I don’t know what we could’ve done for her even if we did know…”

That there is a new wound, it blackens Theseus’s heart to hear it.

“I know Dumbledore knows where Grindelwald is. Christ, it was Y/N who stole those documents from the Ministry archives, those maps! We can go to her."

Newt just keeps shaking his head at the floor. It makes Theseus want to go up to him and shake him.

"If it were me, Newt, you would’ve come for me….”

“That’s different. We don’t do these sort of rescue missions, they’re too dangerous. Grindelwald, he—he’s untouchable.”

“You make me ashamed. You have always, always been braver than me. I didn’t realize it before, when we were kids, but you have. You were never a coward, Newt. Don’t let this fight change you.”

“Theseus, if we try to rescue her we will lose everything. I cannot risk this, cannot risk them.”

No one else is in the room but Theseus knows who he means. Jacob. Tina. And the other ragtag insurgents who have found their way into Newt’s crew over the last two months, who have decided to set aside their lives to fight.

Newt is staring at him pleadingly. Theseus feels he doesn’t recognize him anymore, feels as if he is standing in the room all alone. The space between them stretches and stretches until Theseus speaks again.

“No,” Theseus’s throat is dry, his voice subdued. He shakes his head. “No, I wouldn’t ask you to… I’ll go alone.”

“Theseus, please don’t—“

He turns and leaves, cutting the conversation short.

This has never been negotiable. He let you slip away from him once, asked you to, encouraged you to in his last letter.

He would not let you be lost again.

———

You almost miss being tortured. Well, no, that isn't true.

But anything seems preferable to this ever-expanding, engulfing nothingness. After that first week of torture and questioning in which you revealed nothing they wanted to hear (thankful that Newt had kept you in the dark), none of Grindelwald's followers entered your cell. They don't even feed you often enough to keep you alive, but it seems more like carelessness, derision for your muggleborn blood status, than like they are trying to kill you.

If it weren't for Queenie you would've starved to death.

The first time Queenie slipped into your cell to sneak you some bread you tried to kill her. Her reading your thoughts and reciting them aloud, frantically, as if they would save her or prove her allyship, actually did save her. She stunned you into a dumbfounded stupor. You'd never met someone with her abilities before.

She was a funny woman. A devoted follower of Grindelwald who revealed little and had an oversensitive disposition, but you soon grew to appreciate her clandestine visits. She was kind. Remarkably so. Not only for feeding you, but for sitting and talking to you at all. That was its own kindness.

You thought you knew loneliness before, but this...

You knew your mind was a hostile place, even before you were brought here. But being left alone with yourself was the worst torture Grindelwald could've thought up.

You distract yourself with your less injurious thoughts, and avoid thoughts of Theseus at all costs.

Those are so painful you dare not think his name. In your mind, a blotted, blacked-out figure remains in his stead, a hole you've torn out yourself. In those first days, you'd repeated his name out loud, like a mantra, and thought of him liberally and without pause, even while you were being tortured.

"Theseus. Theseus. Theseus. Come save me. Please, come find me."

What waste. No one was coming. All you had ahead of you was this nothingness.

Sometimes, lights move outside the slit in your wall--too pathetic of an opening to be called a window. You can’t even see out of it, it just lets in cold air. Those shadows and flashes of light are the only color in your world. Sometimes when you look down at yourself, even your hands look black and white, made sepia and sickly gray.

The lights are sometimes orange, swooping lights, like arcs of fire being dropped overhead. Sometimes green, watery, glowing darkly like moonstone or bioluminescence. What you see aren't the spells themselves, but just the brilliance they cast into your room from the courtyard.

You don't know what Grindelwald is doing, what sort of spells are producing these bursting, sporadic hues.

You lie sideways on the floor and stare at them playing out against your wall, soft glowing spots sinking and rising.

They remind you of the magical lights, bobbing and hanging mid-air, that the Ministry decorated the Atrium ceiling with for the annual Christmas party. That was one year ago, though it feels like a past life, or a dream...

----

One Year Ago, December

You'd never heard the Atrium so full of people and life. It was usually bustling with conversation and noise, but this sort of noise, the happy noise of laughter and popping champagne bottles and high-spirited chatter, that was new.

You crossed your arms, glass in hand, watching contentedly from the sidelines. You never knew how to conduct yourself when Theseus was with Leta, you strangely felt as if you'd be caught doing something wrong. So you endeavored to avoid them both.

And besides, it had shocked you, the dull knife-turn of pain you felt watching him with her, talking to her in the corner at the beginning of the party.

You'd gone mute for the night, head swimming, gazing at the decorative lights floating overhead. All your thoughts felt buoyant, distant and hard to grasp, bobbing in and out. You knew you were spacing out, but you couldn't stop, maybe it was the mulled wine.

You had just turned down the promotion earlier that day.

"We're going to you directly to ask if you want it. We wanted to ask you first," the department head had said with great satisfaction, like he was delivering you a personal gift. "We know if it were up to Theseus he'd have you by his side 'till he retires!"

The last part was said with a half-joking laugh, but you'd tilted your head in confusion.

"Sorry, what?"

The man scoffed.

"He likes you very, very much, Y/N," the man said, like it was obvious. "He's made that explicitly clear to his colleagues who were hoping to share you as an assistant early on. It was his express wish that you work with him alone."

'He likes you very, very much.'

The idea of being liked, chosen by him... It was like a shooting star crashing over your head, light falling around you in bright shards, fatal, dazzling, undeserved.

You startled when you felt a hand on your forearm.

"Y/N," Theseus said, pulling you out of your thoughts. "There you are."

He'd been looking for you. The thought made your heart soar, felt like being chosen all over again.

There was a wild merriment in his eyes. You couldn't tell if he was tipsy or just happy to see you.

"Here I am," you echoed in confirmation.

"Dance with me?" Before you could answer he cautiously pulled both of your hands, winding his fingers through yours and slowly guiding your arms in and out to the rhythm of the song.

You couldn't help but give into him, smile, laugh, you were never not going to say yes.

"Where's Leta?" You didn't want to ask, to ruin the moment, but it seemed right to.

Theseus shook his head and made a tutting, disappointed noise, twirling you around.

You dipped your head back and the lights whirled overhead, too radiant to be stars.

"She left. She doesn't like to dance. Doesn't like parties, actually."

As if afraid you were going to leave him, as if just to hear your laugh again, he spun you once more, more vigorously.

"Dance with me, Y/N," he bemoaned.

You laughed again and let yourself be spun and caught by his arms.

"Aren't I doing that now?"

"Good," he said resolutely, pleased. His smile was infectious. "Don't stop."

You felt like a girl again, weak in the limbs and susceptible to all sorts of hope, the dangerous kind. His hands in yours, the dazzled look in his eyes as they beheld you.. You regretted nothing.

"I won't leave until you tell me to, sir." You added in the honorific sarcastically, to keep the tone light, but the look on your face was terribly earnest. "I promise. You'll have to send me away."

----------

You don't remember falling asleep while looking at the lights on your wall. You didn't mean to think about the Christmas party, about him.

More often than not, more often than even the nightmares about rabid dogs and black water rising and the orphanage, you dream about the last train home. About the night your parents died.

Your family was poor. You did not hold this against them. You were too young to do anything but love your parents dearly, indiscriminately. You were barely seven years old, but you worked most days in the factories of East London and were happy to help, to not be burdensome like the hungry, needy children in story books.

That evening after work you'd been distracted, playing with a stray dog with some other children, and you missed the last train home. You resolved to sleep at the station, flat on the ground of the platform, and take the first train in the morning.

Your parents had gone out looking for you and were killed in a nondescript alleyway, found with their empty pockets turned-out. You dream about that night, that platform on the London Overground, you fear missing that train.

And, now, that is not the only missed train that haunts you.

Someone's here.

You wake, instantly. Your eyes open with a dispassionate immediacy.

There's no train. Fingers twitching, you instinctually reach for your wand for what must be the thousandth time, to protect yourself. Its absence feels full-circle almost.

You remember how you couldn't sleep your first year at Hogwarts, you'd stumble to class with tormented little dark circles under your eyes. You were too terrified to sleep, kept fearing you'd wake up and be back at the orphanage, that it would all be taken away from you if you didn't keep your eyes open.

Strangely, since you arrived in this cell, you haven't had any trouble sleeping at all. You sleep most of the day away curled up on the floor like a baby.

"Queenie," you mutter, sitting up falteringly. "Watching me sleep, are you?"

Queenie is standing with perfect posture in the corner of your cell, by the door, wringing her hands.

"I don't know how you sleep like that, on the floor..." She seems genuinely upset when you look up at her. “You must miss all your things. Your home. Your family… I’m so sorry this has happened to you.”

You shake your head slowly.

“No. I was born with nothing, nothing. This room it feels…” You glance around, as if seeing it through Queenie’s eyes, seeing it for the very first time.

Metal chair with a missing leg in the corner. Filthy blanket on the floor. It’s more barren than awful, anyone could’ve lived here.

“It feels familiar to me," you admit.

Queenie says nothing, eyes wide. Since you met her here, she’s never seemed at ease, never seems to know what to say. For a moment the two of you just sit there in vacant silence, neither of you really present.

"You don't say his name anymore."

You don't even want to acknowledge the comment, you stare at the corner of the wall and hope what she's said will just go away if you don't.

"Theseus," she says explanatorily, as if you didn't understand her. The word is an affront from her mouth, worse than a slap, it makes your stomach twist. You feel exposed. "Do you...Do you feel betrayed by him? That he hasn't come..."

You close your eyes to gather your bearings.

"No," you say. "It would be very strange, almost a pleasure, if anyone in the world could betray me. Stab me in the back. I don't trust or know anyone well enough for that. I wish."

You're trying to sound self-deprecating, maybe even funny, but there's no energy behind it.

Queen looks at you sadly, sympathetically. Sometimes you forget about her ability to hear your thoughts. How futile it is to lie to her now. It embarrasses you, that you still care what she thinks. That you're still attempting to shirk off your pain for her sake.

“But Queenie,” you turn your head to her, defeat written all over your face. “Queenie, my God, what am I doing here?”

Your life is in tatters again and you don’t even know why. They tortured and questioned you when you first arrived, but you hadn't seen anyone but Queenie since.

“You’re a spy. You were working with the Scamanders,” she recites this as if reading off a rap sheet. It’s clear it’s what she’s been told, and is the flimsy, defensive logic she’s using to justify you being here.

“So why hasn’t he killed me already?” You can’t help how lifeless your voice sounds, almost bored.

Too much pain is a deadening, desensitizing thing. At some point, it ceases to be effective. Grindelwald’s followers have pushed you past that point.

Queenie’s expression shutters closed.

She always seems so conflicted, whether she’s helping you or following Grindelwald’s orders, there’s some secret turmoil eating her up inside.

“Please,” you say.

“Grindelwald thinks you could play an important part in his plans, in the Spring. It’s… Do you know The Predictions of Tycho Dodonus?”

You know it from school. You think back to the Lestrange Mausoleum, to what Newt told you.

“Prophecy 20? But Credence he can’t be-“

“No, Prophecy 21.”

You stare at her, not following.

When she speaks it’s as if her voice comes from behind her, not from her. The prophecy tumbles from her painted mouth and fills the desolate cell:

“Come bleeding springtime,

come new leaves, come bone:

A lone daughter destined,

Without bloodline or home,

To transform darkest skies,

With great power, unknown.”

She looks at you meaningfully.

You scoff.

“Kill me then. That I am living…. Your Grindelwald is a fool.”

Queenie bristles defensively. “No! H-He is a great man who-“

You wave her off, weakly.

“There are plenty of muggleborn witches without homes, Queenie. Just head to the orphanage Hogwarts plucked me from in North London and you’ll see. The prophecy is not about me. I’m nothing special. I’m nothing…”

You know your fatigue isn’t natural. Despite Queenie’s best efforts, you are malnourished. Made simple-minded and irritable because of it. Frail.

You don’t hide your spell of faintness as well as you hoped to. Your eyelids are low, sedated.

Ever the mother hen, Queenie rushes to your side, kneeling.

“Let me sneak in more food, honey. Just give me a moment, I can-“

“Wand,” you say, your voice battered and forceless. It’s a strain to lift your eyes to meet Queenie’s then, to open them. But you make a point to.

Your voice is feeble, but your eyes are challenging, fierce.

“Queenie, if you really want to help me, get me a wand.”

“Y-You’re too weak. Even if I could get one to you, it would be too difficult for you to escape, to fight them, there’s—“

Your laugh is so deranged sounding, so sharp and unhinged that it silences her, cuts through the empty room bright and blade-like.

“Queenie,” you sigh. “Why do all wizards talk like that? Magic is the easiest thing in the world. Besides, you haven’t seen me fight.”

-----

No one expects it.

You've been so docile and half-alive after being tortured, the guard who brought your meal is so confused he doesn't fight back at all, merely tumbles backwards with astonished, wide eyes until you're able to knock him unconscious.

When Queenie brought you the wand earlier that day you'd tried in vain to convince her to come along with you. To escape and return to her sister, Tina.

She hadn't even said no, she just said, "I'm sorry."

Your legs wobble with every hurried, barefoot step. God, you don't know when the last time you walked was, nevertheless ran. It doesn't help that the castle is foreign to you. Queenie's succinct directions did little to capture the sheer, gargantuan size of the building.

Turn left. Down the staircase. Turn right. There's a locked door at the end of the hall. There might be guards on the other side.

You recite the instructions again and again, more to stay sane than to memorize them.

You round a corner too fast and are met with three men, dressed in dark tailored-suits. You unleash three spells, one for each, quick, tearing through them before they can even turn. You don't breathe, you don't miss.

You feel sorry for it, but you can't afford to be delicate or careful or merciful. Every second you're here is a moment Grindelwald could realize what's going on and come kill you in a heartbeat.

Hearing the ruckus, another man comes flying down the main hall, snarling.

"Avada Kedavr-"

You spot the exit and don't stick around, ducking your head and tumbling out into the courtyard, twisting your ankle but not missing a beat.

You keep running forward, stumbling, half-delirious, out towards the main iron gate.

You're shocked to find yourself at the summit of some snowy mountain. The world is blindingly white. The building you've come from is some stony fortress, more grand than you'd imagined from the bleak confines of your cell.

The air is arid, thin and dry with brutal cold. It burns to breathe in. Cuts like sandpaper in your throat.

You have to get past the gate to surpass Grindelwald's anti-apparition charm.

Almost there, I'm almost-

With a jolt you turn around. You can feel him looking at you, feel the strength of his gaze with the same recognition of a prey animal realizing they're being watched, hunted.

Grindelwald.

From the high tower window his face has gone serene with fury. Almost blank. The look in his eyes is beyond angry, it is rage in its purest, most distilled form, he hardly moves.

You tear your gaze away and lurch your body through the front gate.

You don't know where you are, you thought about apparating to London, but that's the first place they'd go to find you again.

Then you think of Hogsmeade, but it fell under the same anti-apparition wards that guarded Hogwarts.

"Nearby, then." You direct your magic, channel and funnel it all in the direction of the place before the image of it is even fully formed in your mind. "Feldcroft."

In a cutting, dizzying whoosh you are spelled away.

Feldcroft was an inconsequential village of wizardfolk, small, rural, not too far afield of Hogwarts. You'd spent one summer holiday there rather than go back to the orphanage, after your first year.

You'd helped a farmer work his land during the long summer days in return for meals and lodging. You were twelve and it was the hottest summer of your life, you hadn't known Scotland could be so hot, but anything was better than going back where you came from, terrified you'd never find your way back.

Before you've even landed you realize your folly. You were too weakened by the torture and starvation, and too far away.

You hit the ground bone-breakingly hard, but you hardly notice that dull, throbbing pain over the sharper, louder pain of being cut to slithers. Your skin twists and tears away from itself, from your muscles, in spirals and stripes. You couldn't fully stick the landing, it's an imperfect apparition, and this is the consequence.

You cry out, a crumpled heap on the frozen ground, limbs twisted and bloody.

With a rapidly blotting vision you strain your neck upwards.

"Did I make it? Am I safe?"

You don't even recognize Feldcroft. Winter had stripped all the fields and mountains of life. Summer, your childhood there, it's all long gone.

Some prophetic witch destined for greatness.

You see the blurred legs of a man approaching. When he leans down to look at your face, your limbs twitch in agonizing protest, but you're too injured to move.

"Y/N?" He says.

You inhale sharply, in pained horror.

"Y/N, I didn't recognize you."

You still can't see very well, but the liquid panic in your veins dissipates at the sound of his voice. You know him.

You hadn't recognized him at first, but it was the farmer, Mr. Howell, from what must've been a decade ago. The old man who had taken you in that summer when you were twelve. You remember him being old then, but he looks impossibly older now, ancient, really.

You don't know what to do with the recognition, with this information, but it doesn't matter because you are bleeding out and, within seconds, you feel a sweet and pain-sapping unconsciousness take you.

----

When you wake your consciousness is a flimsy, fragile thing, like trying to float a feather in air. Your vision is black and brown around the edges.

You're in a bed and Mr. Howell is putting a kettle on. You feel worse than you ever did in captivity of Grindelwald, closer to death.

"It still looks the same," you say, rasping. "I didn't recognize the village, but this house..."

A swell of weakness overtakes you again and your vision almost blacks out completely before returning in a soft vignette.

You can see the farmer, Mr. Howell, staring at you from across the room, at your starved body, your bloodless face.

"What happened to you?" It's so direct a question it's almost startling, almost rude. But it's said with such genuine remorse and concern that your heart softens.

"I..." He licks his lips before starting again. "When I told Minerva I'd agree to take you in that summer... Well, I thought your life was so sad. It was sad you had no one to go home to for the holiday. That your life had been so hard, she told me, about the abuse... But you were so young, such a skinny, hopeful thing. So talented. And good. I was sure it had to get better."

You smile at him, it pains you to do so. The old-you would've bristled, pride scorched, at anyone pitying you. But now you can only smile.

"I always thought the same too, sir."

"Are you in some sort of trouble?" he asks earnestly. "If you are, you're always welcome back at the farm. You know that."

Your heart seizes, your eyes well. You haven't spoken to him since that summer when you were twelve, that September when you thanked him hurriedly and spirited off with badly concealed eagerness to rejoin your friends at Hogwarts, without a glance behind.

"Thank you. It's more than I deserve, but thank you... And, yes. I'm afraid I am in trouble. I've just been a prisoner of Gellert Grindelwald. I'm sorry, I should be leaving, he could come after me."

The man looks taken aback, but ignores your words and asks instead: "Oh, Y/N, you look so unwell. Should I call for someone up at Hogwarts? The hospital wing is obviously reserved for students, but I'm sure-"

"I believe I am going to faint now, I apologize." The words come out of your mouth in an embarrassed rush. The dark edges close in and swallow you up, life itself extinguishes like a candle.

------

Theseus towers over the students at Hogwarts, he tries his best to push his way through the crowded halls without trampling them.

"Professor Dumbledore!" He calls out, giving up. Getting the man's attention must be easier than reaching him at this point.

Dumbledore looks up, startled, from across the sea of black-robed students. He's standing in the doorframe to his classroom.

Theseus imagines how he looks in Dumbledore's eyes--helpless, drowned. Maybe insane.

When Dumbledore waves him over he continues to gently push his way forward.

"I love her, I love her," he's thinking with a plummeting urgency, each internal admission of "I love her" bringing him closer to tears.

"She's not dead. If she was I'd know. I'd feel it. I'd feel her leaving me for good."

"Theseus," Dumbledore shoos the remaining students out and shuts the thick wooden door once Theseus enters. "What is this about?"

Theseus swallows hard and holds Dumbledore's gaze, trying to effuse authority.

"I need you to tell me where Gellert Grindelwald is. Right now."

Dumbledore opens his mouth in a stunted exhale, at a loss for words.

"Pardon?"

"Y/N has been taken prisoner."

"So, what, you're going to charge in there, alone, against Gellert Grindelwald and who knows how many of his supporters?"

Theseus tries not to waver, but the panic is beginning to set in. What if Dumbledore denies him?

"If I have to," he says, purposefully.

Dumbledore walks over to his desk and sits on it, stunned.

"Theseus," he says. "I've known you since you were a boy. I-I'm sorry, but I hardly recognize you. Have you no appeal to reason?"

"None at all, sir."

Dumbledore laughs, and the sound confuses Theseus, upsets him.

"You love her? God, you really do..."

Theseus is willing to destroy himself for it, for you.

"Help me. Tell me where to find her, or I'll find her on my own."

The heavy creaking sound of the door being pushed open causes Theseus to turn in agitation.

A woman in a nurse's uniform glides right past him and up to Dumbledore.

"Albus," she says in apparent distress. Theseus can't make out the rest.

After a moment of the woman's whispering, Dumbledore turns to Theseus, looking at him in sharp alarm.

"What is it?" Theseus says, unkindly. He doesn't care. He just wants to know where you are.

"Fate," answers Dumbledore. The line of his mouth is grave but his eyes are twinkling. "We've had a request from a farmer out in Feldcroft. He says a former student has apparated onto his land and is in dire need of medical care, and protection. That there could be followers of Grindelwald's coming after her shortly."

Theseus doesn't dare breathe. Doesn't let himself feel the acute bite of hope nipping at his heels, at his heart.

"He says her name is Y/N. Y/N Y/L/N."

--------

"Wake up, Y/N."

There are hands on your shoulders. Someone is touching you. Someone is-

Your whole body jerks awake. Your limbs are lashing out, fighting, before your eyes are even open.

"Get off me! Don't fucking touch me! Don't-"

"Y/N! Y/N, it's Theseus," Dumbledore is shouting. "It's okay you're safe-"

"What's happened to her?!"

Even his name didn't stall you, but the sound of his voice, pure and surreal, reaches you through the din of panic roaring in your ears. You exhale.

Once you've stopped kicking and struggling, the room comes into vision.

There are four people surrounding your bed. You're in Mr. Howell's house, of course, of course you are...

There in front of you are Professor Dumbledore, an older woman in a Hogwarts nurse uniform, Mr. Howell, and, impossibly, Theseus Scamander.

Theseus is staring at you, wide-eyed, like he doesn't recognize you. A dot of blood marks his temple, you wonder if it was you who did that just now.

"What's happened to her?" He repeats, his voice cracks. "What--Who did this to her?"

"She's been tortured, Theseus. And starved, maybe worse," says Dumbledore in a clipped, hushed way. "Please, understand, and give her some time to-"

"You're real," your voice is so quiet, so full of wonder, but it captures his full attention.

Theseus is holding his breath in apprehension. You're still staring at him in horrific fascination.

"This isn't--This is real?"

Theseus comes forward and kneels beside the bed, reaches for your arm. You can hardly look at his face, it's so startlingly beautiful. Dark blue eyes. The curve of his lips. It's really him.

"Y/N." He retracts his hand when you flinch, involuntarily. "Y/N, I'm not going to hurt you. I swear, I'm not gonna hurt you..."

You remember that you secretly love when he talks to you like this, whispers like he would to an animal he's trying to soothe, or like he's trying not to wake you. He's speaking so delicately, but you can hear in his voice how his heart is crushed.

Everyone is staring down at you in the bed. You figure you've already been treated from the wet rag on your sweaty forehead and the way every second more and more sensation returns to your fingertips and toes. Your body itches and tingles with a crawling warmth that feels like fever where your flesh has begun to stitch itself back together--the nurse's work, no doubt.

With every breath you return more and more to yourself, the dulled sensations of the world come back in startling pinpricks of color and sound and vividness. The parts of your consciousness that make you you flood back into the frail animal of your body.

"Oh," you say, with a groan, pinching your eyes closed.

Theseus looks startled, turning from the nurse to you frantically.

"Y/N! Are you okay, what's-"

"Oh, Theseus!" You sigh at last, and he looks back to you, his brow still furrowed. You smile at him, not caring how wretched and sickly you look, you're just so happy to see him. "Theseus, you came! I love you, I love you, I love-"

He throws his arms around you, leaning over the bed.

Tears spring to your eyes, but you can't stop smiling.

He won't let go of you, so you don't realize he's crying until you feel his shoulders shaking, the gentle rocking of his frame.

"You're supposed to be the one who is good at being in control," you murmur fondly.

When he pulls away he's collected himself, sniffles once and then groans.

"Oh, God. For a second there I thought you didn't recognize me, that you were scared of me."

"Not of you," you shake your head. "Of...."

The reality of your situation settles like ash in your mouth.

"Albus," you say, turning to others. "We need to go now. I escaped as quickly as I could, but they could follow me here any second. Please."

Dumbledore nods, and then whispers something to the nurse.

"I'm sorry, Y/N. But I don't believe you'll be strong enough to stand. Not yet."

"I've got it," Theseus says cooly, before you can even respond.

"Too weak to stand," you want to snicker but can't summon the energy.

"I knew that was some bullshit prophecy," you mutter, lifting your arms to help Theseus, who is leaning by the bed to pick you up.

He stops. So does Dumbledore. They're both frowning.

"What?"

"Oh," you huff. "Grindelwald thinks Tycho Dodonus's twenty-first prophecy is about me. I'm supposed to be this great witch with the power to transform the world, didn't you know?"

There is a beat of shocked silence before Theseus begins to laugh, heartily so.

You scowl. "Why is that funny?!"

"It's not funny," He caresses your face affectionately with the back of his hand. "It's just that I knew it. I always knew you were destined for greatness. Of course there's a prophecy about you. Of course the world saw you coming..."

Your heart sputters dutifully, weakly. You're torn between leaning into the feeling of his hand on your face and turning away, protecting yourself from what you cannot have.

It still feels so ruined to you. You know he must be doing this out of pity. Out of guilt.

It had been more than two months since he asked you to come with him. Who knows what he's been doing, what he thought of you now...

Your eyes prick with tears at this realization.

You see him through the lens of the memory even as he stands before you. You remember shaking his hand on your first day at the Ministry, dancing with him under twirling lights at the Christmas party, his booming laugh, his gentle chuckle. The warm, growing feeling in your chest knowing you were the cause.

You remember laying naked with him in bed, his broad hands, the barely-there freckles at his temple, the light-colored hair trailing down from his navel, the way he held your legs up when he made love to you, when he was inside you, spreading them, always trying to get deeper, closer. It should be vulgar, the memory, but it doesn't feel that way to you. Every moment of it felt clean, bathed in light and goodness.

Your heart pounds heavily, pathetically. As he helps you up from the bed you have the sickening feeling that you are saying goodbye.

Your vision swoons, sways like an overhead light. Your legs tingle, half-numb.

"I-I can't stand," you whisper. In a swift motion Theseus scoops you into his arms, bridal style.

He has to hold you sideways and duck his head to get through the narrow doorframe, he's so tall. You're asleep again, this time safe in his arms, before you're out of the village, before you can even tell Mr. Howell thank you.

Goodbye! You think. Goodbye...

------

You’re on a train again and Theseus is holding you. You hardly feel the rumble of the train car on the tracks, hardly feel anything at all but his arms around you.

“Where are we going?” You don’t even care, it’s almost perfunctory that you ask. But some distant part of your brain tells you that it does matter where you are, where you’re going in the world.

“London. You’re weak, we need to take you home.”

Home. You feel so little affection for your apartment that you’re barely able to make the connection.

“I don’t have a home.”

“We can go to mine. We can go anywhere you want.”

“I want to go…” You feel breathless, feeble. Delusional. “I want to pretend that we’re on a different train.”

“Hm?” Theseus strokes your shoulders, your back comfortingly. Since he met you, all he’s ever wanted to do was hug you, hold you. It’s as if he was meant to, how good it feels to be doing it now.

It's a terrible thing, how badly he wants to kiss you. But he's willing to wait.

“Can we pretend that I made it on time?" you say. "That I made it to the platform, got on the train that day in November and we’re in it now… Pretend that you’re still asking me to love you and that I said yes.”

He turns to you then, you’re still slouched in his arms. You’re looking up at him so brokenly, there’s hardly any of you left. No sign of that headstrong girl who withheld herself from him so vigorously, who built up walls around herself so high no one could hurt her again.

“Y/N…” The words have been stolen from him, his heart swiped from his chest at the sight of you, at the knowledge that any part of you believes that he might not want you anymore, might not feel the same.

“Y/N, will you love me?” His voice is a quiet, determined plea. “Will you say yes? I am asking you now. The offer still stands, it always will.”

It's Theseus, your handsome, wonderful Theseus, asking you this. He was the best man you knew, but, even if he wasn’t, you couldn't help but love him. It wasn't a choice for you anymore.

Your lip trembles, but you somehow manage to get the words out without whimpering, without collapsing into him outright.

“Yes,” you say. “Always.”

taglist: @karashaw99 @gracieroxzy @mystic-mara

#fantastic beasts #fbawtft #theseus scamander x reader #theseus scamander #theseus x reader #theseus #hp fanfic #hp fic

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reality-detective · 27 days

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It's going to be biblical 👇

The only conclusion here is: AMERICA....REPENT!

Think the coming eclipse is nothing? I did, too, until I discovered all these FACTS!

I don't claim to know what all of this means, exactly, but I believe it's important enough for all of us to be aware that this is happening and pray for wisdom.

On April 8th, 2024, there will be an eclipse. One eclipse is already amazing but this one is actually the last in a 3-part series that has SO much meaning behind it. It is important that we recognize that God said that He would use the sun, moon and stars to communicate with us:

Genesis 1:14- "Then God said, 'Let there be lights in the expanse of the heavens to separate the day from the night, and let them be for signs and for seasons and for days and years..."

Luke 21:25 - "There will be signs in the sun, moon and stars. On the earth, nations will be in anguish and perplexity at the roaring and tossing of the sea."

So now we know that God said that He would use the sun, moon and stars to communicate with us, so let's break down this 3-part eclipse series:

1) With the path of this last eclipse, combined with the first 2 eclipses (one in 2017 and the other in 2023), it will create the Hebrew letter over America that is "Aleph Tav" and in Greek it is the "Alpha and Omega" - both means "The beginning and the end." God said in Revelation 21:6 that He is the beginning and the end and this Aleph Tav is like His signature. Why would He use an eclipse to put His signature over America? Let's dig deeper:

2) God has used eclipses to warn nations of coming judgement so that the nation can repent of their sinful ways and come back to Him. This happened with the story of Ninevah. God told Jonah to go to the wicked nation of Ninevah and warn them about coming judgement. Jonah ran away from the assignment and while out at sea got swallowed up by a huge fish and was in its belly for 3 days. Jonah repented of running away so the whale spit him up. He then went to Ninevah and warned the people but there was something that also happened while he was warning the people...an eclipse came over the land.

In the 19th century, ancient tablets were discovered that described an eclipse called the Bur-Sagale eclipse where the totality of the eclipse landed right over Ninevah while Jonah was there preaching of the 40 day warning before the coming destruction. Because of this, the people realized that this was a sign from God that what Jonah was saying was true and they repented and God spared their nation.

It is amazing how much America mirrors Ninevah. (If you don't see it, you may be part of the problem.) To make this even more clear, this last eclipse on April 8th will be going over 7 cities here in America called - yep you guessed it - NINEVAH! I honestly didn't even know that we had any city here in the U.S. named that but here we are - with this eclipse going over these cities (and there will be an 8th one that it goes over also called Ninevah in Canada.)

Here are the cities: 👇

Nineveh, Texas

Nineveh, Missouri

Nineveh, Indiana (this will be the highest magnitude of eclipse Mag 1.023, the local time predicted for it to occur is at 3:07 PM)

Nineveh, Ohio

Nineveh, Pennsylvania

Nineveh, Virginia

Nineveh, New York

Nineveh, Nova Scotia (Not in the US)

Could this be that God is warning us just as He warned Ninevah? There have been many "Jonahs" in the past few years warning the nation that we need to repent and add in this sign above our heads - we can't turn away from the fact that it is not a coincidence. But if you need more proof, let's keep going...

The first part of this 3 part eclipse series was in 2017. The path of that eclipse went over 7 cities named Salem, which is short for Jerusalem (Ps. 76).

Salem, Oregon

Salem, Idaho

Salem, Wyoming

Salem, Nebraska

Salem, Missouri

Salem, Kentucky

Salem, South Carolina

The mathematical "chances" of there being 7 Salem's with the first eclipse and then 7 Ninevah's for the 3rd eclipse is unthinkable. But what about the 2nd part of the eclipse?

4) Perhaps the most striking piece of the 2nd eclipse is that the precise center-line of eclipse path exits the USA directly over Corpus Christi. Corpus Christi means the "Body of Christ" and is one of the only towns named that in the world!

But let's go back to this upcoming eclipse and dig even deeper...

4) Jonah was giving a 40 day warning to Ninevah during the eclipse. If you look at our April 8th eclipse and fast forward 40 days then you will get to May 18, 2024 - the day before Pentecost. The history of Pentecost is that is the last Spring Feast that the Lord has given us (there are 4 in the Spring and 3 in the Fall). This is the day that the Lord sent the Holy Spirit down to all those who have accepted Christ. We are told that the "Restrainer" (many believe this is the Holy Spirit) will be removed before the Tribulation could it be that this is a warning for that? I'm not sure as that is a worldwide event and this eclipse will be just over North America but it is something definitely to think and pray about for more clarity and wisdom. No matter what, there are too many things lining up for it to not be nothing and so my job is to get the information out to you all so that you can at least be aware of these signs that God is giving us so that you can pray about it.

But let's keep going...

5) From the start of this 3 part eclipse to the end, it will be 7 years. God uses numbers a lot to communicate with us, and 7 has a ton of meaning. A few examples are - He created the world in 7 days, there will be a 7 year tribulation, 7 is used for completion, etc.

) Going back to how this correlates with Jonah & Ninevah's story -at the time of this eclipse, there will be another sign in the sky...it will take place under the constellation, Cetus, which is the whale constellation! And not only will it pass through the 8 cities in North America named Ninevah, it will also pass through Jonah, Texas! Speaking of other towns that it will pass through, these are some of the other city names that it will go right over:

Rapture, Indiana

Williamston, Kentucky - this is where the Ark Encounter is located. The Ark Encounter is a full size replica of Noah's Ark.

Eagle Pass, Texas - where we are having so many border issues.

And the point where it crosses the 2017 eclipse to mark the center of the X is an area in southern Illinois called Little Egypt. What is even more fascinating about this is that Little Egypt is sandwiched in between 2 other cities called Alpha, Kentucky and Omega, Illinois - both having the 2017 eclipse come over their cities. Furthermore, the intersection of the 2017 and 2024 solar eclipses occurs directly over the New Madrid Fault Line, a major seismic zone. An earthquake along this fault line could potentially destroy the U.S., making it one of the most perilous fault lines in the country. I have no idea if this will happen or not, but there are too many things here that are all literally lining up to not share with everyone.

7) One more interesting fact is that there are 2,422 days in between the 2017 eclipse and the 2024 eclipse. If you look up 2422 in Strong's Concordance, an Bible concordance that has every word of the KJV, takes us to Exodus 1:19 which says,

"The midwives answered Pharaoh, "Hebrew women are not like Egyptian women; they are vigorous and give birth before the midwives arrive."

Why would this be of any significance? Well, to me, it reminds me of how Jesus said that His return would be like a woman in labor with the signs of His coming growing stronger and closer together. We are at a point in history where we are seeing all of the signs that He gave us happening before our eyes. In fact, we are even seeing things that will happen during the tribulation get setup now. If we are seeing those things being setup now, that must mean that we are super close to it actually happening. Going back to God saying that He uses the sun, moon and stars to show us signs - and then Jesus saying that the signs of His coming will be like a woman in labor, well this information leading us back to Exodus 1:19 explaining that the Hebrew women have labor fast is so interesting to me! Could we be on the brink of the rapture and tribulation!? I don't know exactly when it will happen but Jesus did tell us that we would know the season and I do believe that we have been in that season for the past few years and are pushing closer and closer to it!

It is no secret that this world has gone mad and everyone knows that there is something happening behind the scenes that feels really uncomfortable. If you have that feeling, you are right! There is a major push for things to happen that were predicted to happen over 2,000 years ago. Most people seek their understanding in the wrong place though. They look to the news and the world to guide them; however, these sources will only bring more questions, not answers. It causes people to live in fear, anxiety and depression. However, Jesus didn't want us to live that way. He gave us the information so that we would know what is happening when we see these things. The first piece of living in His knowledge is accepting that God sent His son, Jesus, to die for our sins and on the 3rd day, Jesus rose from the grave and conquered death. The second piece is to repent to God of your sins and turn away from your sins. Most churches only teach how God loves you but don't teach repentance anymore and that is a HUGE part of your faith. Jesus said that there will be many who come to Him and say, "Lord, Lord, I knew you." But because they didn't repent of their sins and seek Jesus' ways instead of their own, He will reply, "Get away from me, I never knew you." We cannot just live however we want without any consequences. Even little children understand this concept, but it has been lost on most adults. This is why Ninevah was going to see destruction - because they were a self- serving, sinful nation - just like America is today. You can't change the heart of this nation, but you can change your heart and lead your homes to do the same. Third, pray for wisdom in these areas.

I know this has been incredibly deep but just like Proverbs 25:2 says, "It is the glory of God to conceal a thing, but the honor of kings is to search out a matter." This sign in the sky will be right over your head in just a few weeks - will you have the eyes to see what it really means?"

You Decide 🤔

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cozage · 8 months

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The Daughter's Return Table of Contents

Hi friends! Tumblr hates me and won't let me add more links to my post, so I'm adding all of TDR here and will update it on this post instead of my Masterlist!

Meeting 1. The Promised Position 2. The Strategist of the Second Division 3. Some Friendly Advice 4. Secrets Exchanged 5. Parting Ways 6. Truth or Dare 7. Infiltration Plan 8. The Captain and the Barmaid 9. A Family Affair 10. Secrets in the Files 11. Uninterrupted 12. The Morning After Falling 13. Stories from the Vault 14. Stories Around the Breakfast Grill 15. Under the Falling Water 16. Jinx 17. A Steamy Situation 18. The Road to Love 19. Bad Mood

Running 20. Sick with Dread 21. Revelation 22. Changes 23. Doctor's Visit 24. In Paradise 25. Straw Hat Luffy 26. Redirection 27. Promises Broken... 28. And Promises Kept 29. Change in Plans 30. Lava and Ice, Together Again 31. The Call Home 32. Shared Sake, Shared Secrets 33. Returning Home 34. House Arrest 35. Let's Talk Strategy 36. The Old Man in the Bar 37. Ace's Perspective - Prison 38. The Morning of War 39. The Battle of Marineford 40. Freedom 41. A Painful Departing 42. Uncertainty 43. Where to Go from Here 44. Decisions 45. A New Beginning

#the daughters return #masterlist

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thelov3lybookworm · 3 months

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Remember me? (Part 16)

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15

Summary: Under the Mountain, Y/n met the High Lord of the Night Court, Rhysand. She was scared of him, but soon she found out that he wasn't who he pretended to be. Despite her efforts at not falling in love with him, she fails. It's not that bad as he loves her back.

But now he's gone, and she's left alone with nothing.

Except for a very adorable reminder of him.

•○●⛦●○•

Tw: secret pregnancy, none more that I can think of, so let me know if I need to add anything.

A/n: eh. i dont know.

enjoy!

•○🌑○•

Meeting was a fancy word for revel, really.

All the High lords were drinking and laughing among themselves in groups of twos and threes after they had returned a few moments ago.

They had gone off to a small room nearby along with their inner circles and guards to discuss whatever it was that high lords discussed. Eris had not wanted to leave Y/n's side, a muscle feathering in his jaw when he had left without her, his fists clenched.

But he had not left without glaring at every male in the ball room.

Y/n hid her smile behind her glass, taking a small sip of the fruity wine as she thought back to the way everyone had shrunk into themselves at his gaze.

Without even realising, Y/n's eyes began searching for that familiar head of fiery hair, and she found him standing next to the high lord of the summer court, nodding along as he spoke.

But he was already staring straight at her.

The heat from the bodies that pressed up against each other and danced around the floor would never compare to the heat that spread through Y/n when her eyes met his.

She shot back the rest of the wine, only to realise there was nothing left. Sighing, she stared into the depths of her cup, and the last dregs of the wine stared back.

When she lifted her head, Eris was no longer next to Tarquin, who was now smiling at something his cousin said.

Y/n's brow furrowed, and, huffing, she turned to make her way to the refreshments table to get herself more wine. Because, after she found Eris staring at her, she knew she was nowhere near drunk enough to get through another evening of longing glances and tenson filled words.

But she was met with a wall of muscled chest right in front of her face. So close she had to stumble back to take a breath.

"What the hell?"

Eris mouth was a cruel slash of a smirk as he surveyed her, the light from the majestic chandeliers made of faelights and candles reflecting in his eyes.

"What?"

"Why are you here?" Not exactly what Y/n had wanted to say, but she hardly said anything she wanted to these days. So this was not a surprise. It was as if her brain stopped working whenever he was near.

Leaning his shoulder against the wall, he sighed dramatically. Turning his head, he let his gaze sweep the huge chamber, resting for a moment on the orchestra that played a fast paced song. "And here I thought you missed me."

Y/n scowled, though she doubted he could see it. "What are you here for Eris? Is there something you wanted to say? Or are you here just to be dramatic?"

His smirk only widened as he glanced at her, and she huffed. "Do you know how to dance?"

Y/n blinked, deflating a little as she pondered the almost nonchalant question. "Yes." She mumbled quietly, studying his posture, wondering what his intentions were. "I had to learn and become good at it."

He nodded. "I don't."

He seemed to be lost in thought as he said, as if he had not intended for he words to slip but he had spoken them aloud instead of just thinking them.

"You don't?"

Eris glanced at her, shrugging. Y/n's gaze caught on his goblet as he did so, and she wondered if it would be okay to snatch it and down it herself.

"I wanted to learn, but I did not have time to. Will you... teach me?"

Y/n blinked, her neck warming. "Me?"

He nodded matter-of-factly. "You get to dance so you don't get bored, and I learn to dance. It's nothing more than a transaction."

She felt an unexplainable twinge of hurt in her chest at that, and she pushed it aside. Taking a deep breath, she ran her hand along her skirts for the millionth time that evening as she nodded. "Alright."

Eris straightened, his eyes widening just a fraction. There was a glint in his eyes she could not identify, but before she could decipher it, he spoke. "Really?"

Rolling her eyes, she grabbed his goblet. And then, without thinking or considering the fact that it could be a stronger beverage, tossed it back and swallowed.

She regretted it immediately.

Sputtering at the weird taste of the drink that was definitely not the fruity wine she had been drinking, she stared at the goblet in her hand in disgust. "What the hell was that?"

"That was whiskey." Y/n's head snapped up and she narrowed her eyes at him when she found him grinning. "This is why you don't steal someone else's drink."

She scowled, shoving the glass into his chest and turning away, trying to swallow the weird taste. It was no help.

She took a few steps away, wondering why she was getting so pissed over nothing. When she realised she was pushing through the crowd and he wasn't even following her, she turned to glare at him over her shoulder.

That was enough to scare him as he hurried to keep pace with her.

Standing on the edge of the dance floor, Y/n released a breath, trying to let loose the side that had adored dancing.

It had been the only time where she could not worry about being offensive without meaning to, could stop worrying about which court cockroach her father would marry her off to.

The previous song came to an end too soon for Y/n's comfort, and she took a deep breath before turning to look at Eris. He stared back at her. And then, his lips curling at the edges as he offered her his hand. She placed her hand in his, and instantly her heartbeat seemed to calm down.

In the back of her mind, she noted that he had discarded of his goblet somewhere.

He led her onto the dance floor with the grace and efficiency of a dancer who had danced for centuries, totally at odds with his statement of not knowing to dance.

As if feeling her skepticism, he slowed his pace down, glancing at her uncertainly. She narrowed her eyes at him, and his eyes sparkled.

He stopped and turned fully to face her, his brows lifting a little.

"What if you step on my toes?"

He tried to pout. Special emphasis on tried. "I won't."

Y/n sighed, then guided one of his hands to her waist. It tightened instantly.

She glanced at him for a moment, and found a subtle blush on his cheeks, though it could just have been the lightning playing tricks on her.

"So... Now what?"

Eris questioned once the fae around the two of them had begun dancing to the new tune. It also did not go unnoticed by Y/n that they maintained a little distance from Eris and her.

"Now we dance. Just follow me, I guess."

•○🌑○•

She let her body relax as the music picked up again after the applause from the audience died down. She could see the nervousness mixing with something in Eris's eyes.

The music that flowed through the ballroom was a soft but fast paced one. Not as fast as the previous one, but not slow enough to be a couple's waltz. Her heart seemed to be beating in turn with the beats of the song.

She dug her fingers into his shoulder as they made a particularly complicated turn, the fine embroidery on his expensive crimson coloured jacket that clung to his frame crinkling. The jacket was tight and loose in just the right places, putting his body on show for everyone watching. It almost made her want to act on the irrational and unexplainable urge pull their eyeballs out.

And, even though Y/n knew she would never do something like that to anyone, the thought brought her a little satisfaction.

She blinked a couple of times to try and focus again on Eris and his dancing.

Eris picked up fast. He was a good dancer. A little too good, considering he claimed to never have danced before.

Y/n's suspicions only grew with every moment that passed.

He was a little unsure at first, and his nervousness had almost seemed… forced. But she did not pay much attention to that as she focused on guiding him and making sure to stay away from the other couples.

It amazed her how someone like him, someone who was said to be one of the cruellest males in history, had wanted to learn something so elegant as dancing.

It made her wonder, what else had he wanted to do, what else did he have passion for that he as forced to stop in favour of becoming the powerful and cruel male everyone made him out to be.

Made her wonder if he had a different upbringing, would he have turned out different?

Y/n skin seemed to have taken on a perpetual warmth, and her body refused to cool down, especially when Eris slowly seemed to pull her closer, his hand having wrapped tighter around her waist.

She felt a bead of sweat rolling down her spine as they continued twirling around the floor, Eris now having taken over the dancing as he guided her through a series of practiced motions. Y/n realised that he had lied about his knowledge- or lack thereof- in dancing.

It was in no way the season where the weather was hot. But Autumn court people had fire in their veins- at least most of them did- and that, combined with them most of them lusting after a person in the room, made the heat rise.

Eris's hand on her waist also did not help. His proximity, his breath on her face and neck, sometimes even brushing against her exposed shoulders and collarbones when he dropped the two of them a little. His eyes were blazing with something Y/n dared not name.

All of it made her want to scream.

They had been dancing for two songs now, and as the song began to come to its end, the attention of almost everyone turned to Eris and her.

Y/n wondered if he would leave before they could dance to the third song, as three dances in a row was basically a marriage proposal.

A small part of Y/n hoped he would continue dancing with her.

The last few notes of the song lingered in the air, ad loud applause sounded from the audience. Y/n knew without a doubt that everyone present was now watching Eris, curious as to what he would do next.

Y/n was right there with them.

Eris had not looked away for one moment. Not one. And now, as the sounds of the claps from the crowd died down, he continued to stare.

Even when the next song began, he did not remove his hands from her form.

"Eris" Y/n whispered, glancing around. "people are staring."

"I know."

She blinked up at him. "This will be our third dance."

"And?"

"We- we can't dance-"

"Do you want to stop?" He cut in, giving her a pause.

"Three dances in a row is akin to a marriage proposal. You know this Eris."

"And? Do you want me to stop?"

Y/n pondered the question for a moment. And she knew that he could read her answer in her eyes before she even spoke by the satisfied and excited smirk on his face.

"No, I don't want to stop."

•○🌑○•

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