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#Relationship. I think it's just a case that they Are that way because they aren't just beings they ARE the things they represent
forestdeath1 · 2 days
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do you think james bullied snape because he was poor? do you think it had anything to do with classism?
Nope, I don't think so. When I first heard this version, I was really surprised. I think it comes from fanfiction? Some authors use the detail that if a child is rich, they will always bully the poor. That's not true.
We don't see any evidence that in the relationship between James+Sirius (why do they always forget about Sirius? He was very harsh verbally towards Snape and did it without much reason in his head) and Snape, there's anything related to Snape's poverty.
Here are a few reasons:
1. Sirius doesn't like the trappings of his family's wealth; he despises it. He's intentionally shown as the complete opposite of Lucius Malfoy (even their appearance, black and white, the most rebellious of purebloods and the most sycophantic, the one who values wealth and money and the one who despises it). Do you think he would love and be friends with someone who bullies others because of... money?! No way. It's actually pretty demeaning for the person themselves to brag about how much money they have. Considering how proud Sirius is, I doubt their bullying had anything to do with Snape's poverty.
And I think this Sirius's pride is partly seeded by his family. Because…
2. I think the Malfoys narratively were a bit the opposite of the Blacks in general. Their moneyed arrogance and bullying from Lucius and Draco - that's a pretty specific case, very similar to how some people think their money solves everything and defines who they are. The Malfoys are raised like that —they believe just having money makes them better than others. If we're talking about the old style upper class —it's not about thinking money makes you better, it's about how you're raised, what family you're born into, how you live, how you grow up – that's what makes you upper class, not your money. For wizards – their blood purity and loyalty to pureblood ideals. They might not even have much money, but they'd still be proud. Meanwhile, you might become rich, but you'll never become upper class. And it's pretty odd for this "class" to bully others based on money. The way the Malfoys do it is pretty crude and demeaning for themselves. In canon, it's well shown that the Malfoys are fixated on money. Whereas the Blacks aren't about money, but about their status. For the Blacks, it's all about status and primarily about blood purity. The Malfoys marry half-bloods, while the Blacks disown their children for wrong marriages.
3. I don't think wizards really have classes based on wealth.
(Also it’s pretty obvious but just in case, wizards don't have aristocracy in the traditional sense. After the introduction of the Statute of Secrecy, wizards don't have titles. Titles are purely a Muggle construct. Before the Statute, they existed, we know the Malfoys came with the Normans and were given lands. We know about the Bloody Baron. But there's no indication in canon of these aristocratic arrangements among wizards after the Statute (which, by its nature, implies service). The only lord among wizards was Voldemort. Because he called himself a lord. The fact that wizards deliberately don't use titles, even though the Malfoys had it, speaks only to one thing — the very idea of calling yourself by such titles is abhorrent to pure-blood wizards. It's a connection to Muggles and Muggle royalty. And being an aristocrat isn't just a privilege, it's also a duty.)
I think their upper class is pure-blood wizards. Their nobility is blood nobility. Their nobility was based on blood purity and loyalty to blood purity. They have a book called "Nature's Nobility: A Wizarding Genealogy." So all their nobility — it's natural, inborn, blood, or rather pure-blood. But it's nowhere regulated, except in the minds of those pure-bloods. Their society is inequality in minds, where some consider themselves better than others.
Your mother was Muggle-born, of course. Couldn’t believe it when I found out. Thought she must have been pure-blood, she was so good.” (Professor Slughorn)
Even "not-biased" Slughorn was biased against muggleborns
They take a very harsh stance against "blood traitors". And true blood purists are much more tolerant of poverty if it's truly loyal to pureblood ideals (even families like the Gaunts). Blood is more important than money. The Black family tree has many marriages to different families, but not all of them are wealthy; it's impossible in their small society. I think, given how small wizarding society is, only three families were truly wealthy — the Blacks, the Malfoys, and the Lestranges. And I believe the Malfoys mostly gained their wealth from dealing with Muggles. Pure blood and being on the "Sacred 28" list doesn't make a family rich. Why if someone's in Slytherin, they're rich? Where did this wealth come from? In the Muggle world, this is understandable (but that's not always true either). But in the wizarding world? So it's a pretty weird trope that all Slytherins and pure-bloods are rich.
Wealth itself also doesn't make someone a member of the "upper class" in the wizarding world. No matter how wealthy you are, if you're a blood traitor or Muggle-born, then this pure-blood upper class won't accept you into their society.
Therefore, I believe bullying Snape had nothing to do with Snape being poor and classism.
There aren't that many rich people in the wizarding world.
Not everyone in Slytherin was wealthy. Their "upper class" is not related to wealth.
Sirius certainly didn't show any interest in wealth or judging people based on their money. The Blacks probably thought their blood was more important than any money.
James didn't show that either. Remus and Peter probably weren't rich, and they all got along fine.
All we know about James and his attitude towards money is this:
James was amused by Vernon, and made the mistake of showing it. Vernon tried to patronise James, asking what car he drove. James described his racing broom. Vernon supposed out loud that wizards had to live on unemployment benefit. James explained about Gringotts, and the fortune his parents had saved there, in solid gold. Vernon could not tell whether he was being made fun of or not, and grew angry. 
I don't see anything here that suggests James was intentionally trying to flaunt his wealth. It was a response to Vernon's assumption that they live on benefits. That wasn’t bullying. Sirius would hardly have said so, but James obviously didn't think talking about money was something embarrassing. But it's not bullying.
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saintsenara · 20 hours
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How are you able to enjoy toxic/unhealthy/“problematic” ships/characters without feeling weird (for lack of a better word) about it?
I ask this because I want to be able to do this myself as it seems like a much more enjoyable way of engaging with fiction to me. I can get over some ships just being toxic and the characters not being good together and still enjoy their dynamic but I have trouble with the other ships that feel morally wrong. I know it’s just fiction but I can’t seem to get over the ick feeling I have when I think about those ships/characters. I feel like I’m being too puritanical about these things but I don’t know how to stop feeling like something is gross when I feel it’s gross…
Do you have any tips to stop jumping to moralizing ships/characters?
thank you very much for the ask, anon!
i'm going to be upfront that this reflexive gross feeling isn't something i've ever really struggled with - both in fic and more broadly. this is due to various personal idiosyncrasies, above all the fact that i've got disengaged boomer parents who didn't police our media consumption [my favourite book when i was eleven? lolita...] and that i'm a doctor, which is a profession which requires you to develop a very high threshold for what you find disgusting. the human body - at all stages of its life-cycle and its cycle of decomposition - produces a lot of different fluids... and it's also the case that [just as if you can think of it, there's porn for it] if an inanimate object exists, somebody somewhere has got it stuck inside them...
and so the situation that i find myself in is that i consider it infinitely less weird that i enjoy the odd bit of hot tomarrymort action than that i actively enjoy cutting through bone with a saw...
but, obviously, "get a medical degree" isn't particularly helpful advice...
i am a ride-or-die fan of the concept of stepping outside of your comfort zone. this is why i'm such an avowed multishipper - i think it's good for us as fandom citizens to examine the potential of our faves in relationships [romantic or otherwise] which are either not their canon endgames or which aren't our preferred pairings, and in situations which don't align with their canon experiences [whether that means making them suffer or giving them full-on fluff]. it draws out the multiple aspects of a character to consider them from these different angles - and it prevents us from getting so stuck in one interpretation of a character or configuration of a ship which means that it puts our backs up to stumble across stories which approach things differently.
but stepping outside of your comfort zone doesn't mean that you have to go enormously far. it may be that a reader decides - having only ever read teen-rated fics where characters' sex lives don't extend beyond hand-holding and forehead kisses - to take the plunge into an explicit piece filled to the brim with watersports and age play. it may be that a reader decides - having only ever read teen-rated fics for one canon pairing - to read a teen-rated fic for a non-canon alternative. both of these are entirely valid approaches.
by which i mean, our comfort levels and our thresholds for discomfort are subjective, they're personal. if there are ships or themes or characters you don't want to read about because they don't feel good... you're not doing something wrong if you avoid them. exposing yourself to fics you expect to make you uncomfortable can be useful - and fiction is certainly a way to explore discomfort which gives you much more control over the experience than encountering it in real life - but it's not something you're obliged to do to be active in fandom.
the thing you are obliged to do to be active in fandom is to be nice to other people, no matter what their tastes in fiction. this means, at its fundamental level, that when you see people who ship pairings or like themes which make you think "ew"... you keep it to yourself/the group chat rather than putting it on the timeline.
but, once this is something you've got the hang of [which takes a bit of time! but practice makes perfect!], something i feel can be a really useful way of overcoming a tendency towards knee-jerk moralising reactions is to just vibe in the vicinity of people you know like the content you instinctively feel is gross.
this doesn't mean you have to read any of this content - but you'll learn just by hanging out near them that the people who do are just... normal. one minute they might reblog a rec for a pairing you think "absolutely not" about, the next they might reblog a cat picture which makes you squeal with delight. you'll like some of their content, but not all. you'll agree with some of it, but not all. you might like progressively more of it as you spend time in their orbit - maybe they'll explain why they like the pairing or character in question and you'll think "huh, i've never looked at it like that" - or you might not. this is absolutely fine.
all of us - at one time or other - have made a black-and-white moralising pronouncement: people who think x are gross; people who like y are fucked-up, you'd never catch me doing z. and these pronouncements are different from our wider, societally-influenced moral codes - which are good things, otherwise we'd live in the purge - in that they're fundamentally ways for us to feel good about ourselves and our families and our friends by defining ourselves as better than a faceless other. we say "you'd never catch me reading that, it's foul" when we know [or think we know] that the friend we're talking to would agree with the statement. we are far less likely to say it if we know that the friend - whom we see as a human being who is beautiful in their imperfection and inherently worthy of love simply by virtue of being alive - was reading and enjoying that just the other day.
and so the best way to train yourself out of reflexively moralising ships or characters or tropes is to put a face to the faceless other who likes them. be intentional in sharing a space with fans of the stuff you feel uncomfortable with and, eventually, it just becomes background noise. you'll scroll on tumblr, say "well there we are, jane's written some more of her sirius/harry piss kink fic - although i'm not interested in clicking on it" and go on with your day.
because the other thing i think it's really useful to do is to train yourself into reframing your disgust as disinterest. there are plenty of things which i don't seek out to read - and some of these topics are completely benign and some are darker [i don't enjoy reading explicit non-con, for example] - but this is because i try to frame it as that i don't think these things would interest me.
this is still the maintenance of a personal comfort zone, but thinking of the content outside this zone as something you are disinterested in turns it into something neutral. when you think of it as something to be disgusted or grossed out by, it naturally provokes a visceral response which makes you look through a moral lens. thinking in terms of disinterest, instead, gives you sufficient detachment from this visceral response to recognise, interrogate, contextualise, and control it.
and - in time - this neutral reframing may result in you feeling more interested in taking the plunge into the ships and characters and stories you currently don't vibe with, once you don't have an instinctive disgust response as a barrier.
or it may not. and this is absolutely fine.
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variousqueerthings · 1 year
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skip black sails season 1 this and skip mash seasons 1-3 that, it simply seems odd to not watch the establishing parts of a story the first time you watch said story because they aren’t as polished as later on (as they’re busy doing the establishing part), under the guise of considering them “less progressive”
#there's something here about yes engage with what you want and how you want depending on your limits and desires#but the way some people frame these things is... very odd#and i think has much less to do with degrees of sexism or violence and much more to do with wanting to skip to the main part of the story#but those parts aren't as good if you don't first go with the opening (which in both of these cases is very good actually)#it's this: if you don't like beginnings of stories much because they're too messy obvs go right ahead#but don't try to frame it as a choice based on morals about the contents of said story#it feels like people really want things to be fanfiction -- oh we already know the world we just want the [insert tropes]#i feel like i see this a lot with season ones and that is the devil talking -- that is the netflix model of binge binge binge#that doesn't let you engage with a slowly building story because you want something big to happen Right Away#there's an awful lot of disclaiming going on -- just watch the fuckn story and draw your own conclusions#if it's not a trigger then people will be fine#this is a sign that i need to go to bed#why in the World would you start with mash s4 when it literally opens with hawkeye's panicked response to trapper's leaving?#and then goes on to show us a hawkeye who is a changed man because of the events of the end of s3#with characters regularly invoked?#and with relationships established (especially margaret's) that will be explored in-depth now that she's been firmly introduced#in many of her complexities?
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bravesaboteur · 1 month
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The more I think about it, the more Laios and Falin's different perceptions of their parents are a case of "same parents, different childhood".
Whenever someone asks Laios about his and Falin's family, he comments on how they treated Falin but never comments about how how their childhood affected him - in fact, he kind of glosses over it. It's Falin that everyone is rallying to save, it's Falin that's Marcille's friend, it's Falin that everyone has a positive opinion of - he's just the weirdo brother that gets to share some of her light sometimes. He's the one who's only tolerated when he's useful in a dungeon. Falin's treatment is a large part of the reason that he left, but it's the symptom of a larger issue.
When we see Laios' thoughts of his parents in his nightmares, it's all about the expectations that he's supposed to live up to: the expectation to stop being "childish", the expectation to get married (to who his parents picked) and have children, the expectation to take over from his father as the village chief, the expectation to adapt to something that he isn't able to be in the way that people want him to. And these are all things that he has had to be told in some way: he had to be told that Shuro didn't like him, he had to be told that told that the gold-peelers were taking advantage of him - these aren't thoughts that just appeared on their own, these are all failures that someone has explicitly pointed out to him and they haunt him. Some of the things he considers his biggest failures are his failure to provide for and protect Falin and those have very tangible examples he can point to.
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We get a glimpse of what happens when he fails to live up to his father's expectations when Falin is born. He expects a certain reaction from Laios and when he fails to give that reaction he physically puts him down, dismisses him, and underestimates how much he understands.
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And that's something that's shown to be a bit of a sore point for him - people thinking that he doesn't understand something because he doesn't express himself like people expect. The few times we see him snap at people are because people think he isn't understanding something because he isn't reacting "normally".
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On Falin's side, the expectations seem to be a lot different - she's the younger one, for one, she's a girl, and she was so young when the fallout from her having magic happened. She too had an arranged engagement, but that was broken off when she was sent away to magic school and since then, their parents only seem to be passively involved in her life. She's mostly been freed of the expectations that their parents had for her in her village - she won't be coming back after all. She understands why they sent her away, she wasn't completely oblivious to the villagers treatment of her and it was, arguably, for the best so she is at peace with what their relationship is for now. But she still wants to go to her hometown and see for herself with adult eyes because she has never really had the space to do that.
I don't think their parents are inherently evil people - the truth is probably somewhere between Laios and Falin's version of the story, Laios' side tinged by too much cynicism and Falin's by too much naivete.
It just strikes me that when he tried to provide the "normal" way he failed, but given the space to do something similar to what people expected of him, but in his own way, he succeeded. He isn't perfect but his efforts are ultimately fruitful and he is able to carve out a place for himself, Falin, and others who had been ostracized like them to call home.
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tobiasdrake · 2 months
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
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So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
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Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
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This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
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"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
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And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
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Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
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The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
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Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
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They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
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Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
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Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
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"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
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Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
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June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
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And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
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She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
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Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
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This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
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This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
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But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
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"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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she's mean, and he loves her for it.
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summary: your peers wonder how the ever-so-annoying gojo satoru can stand being in a relationship with you pairing: sunshine!gojo satoru x grumpy!female reader genre: angst, fluff warnings: none
Masterlist
"Did you guys know Gojo-sensei is dating-" Nobara looks around left and right before whispering your name in fear that you might be around.
"Ehhh?" Yuuji's eyebrows knit together. "No way. She's so scary and he's so...happy."
Nobara agrees, "She never smiles -- kinda looks like she has a permanent frown, too. She scares me."
"You think maybe she intimidated him to date her?"
Megumi watches as his two friends bicker about whether you and Satoru look good together, not realizing that you've heard everything they said. Megumi notices you've arrived to teach them and clears his throat, catching the attention of his two friends. He glances at you to check how you're doing after hearing what they said, but as expected, you remain professional and stoic. But Megumi knows better, he grew up under your and Satoru's wings after all.
"Shit." Nobara and Yuuji mutter under their breaths.
-----
It's fairly common for people to question your relationship with Satoru. He's this... happy-go-lucky guy who annoys everyone except those on the same wavelength as him, while you keep to yourself, prioritizing your alone time, and taking things seriously.
Sometimes, too serious.
You never let it get to you, though, because you don't really care what people say. You and Satoru are happy, that's all that matters. Until recently, when those jerk Kyoto students came over to train, they started talking about you and Satoru.
"She's so serious all the time, I don't understand how Gojo puts up with her."
"I think he's scared to breakup with her."
"I bet she's high maintenance."
"Honestly, why is he with her when he can be with someone who's... not so difficult?"
You grit your teeth at that last comment. You can't tell who said what, but it doesn't matter. Their words got to your head and now you're angry. Angry because you're scared they might be right.
Does Satoru think you're difficult? You're not entirely sure how to show them that yes, you deserve Satoru despite being the dark, grumpy person you are.
Sighing, you decide to go home instead of joining the dinner. Satoru's not in there anyway, he just got back from a mission and is waiting for you at home.
Once you close the door to your apartment, you immediately feel Satoru's arm envelope around you from behind. He smells like fresh mint -- just got out of the shower.
"Hi darling," he kisses your cheek.
"Hi, Toru." You take your shoes off and give him a quick peck before making your way to the bedroom to put your stuff down.
Satoru watches you slowly, "hm, aren't you supposed to have that dinner with the Kyoto students today?"
Your jaw clenches, taking a second before shrugging. "Decided to skip it. I'm tired."
He just hums, "In that case, you wanna watch Bridgerton with me after your shower?"
"Again?" You groan, "Isn't it like the third time you've watched it?"
"Yes, and?"
"I'll skip, thanks."
He blows a raspberry and leaves you to shower while he lays down on the couch to watch Anthony Bridgerton fall in love with his Kate Sheffield.
While you were in the shower, the words kept coming back to you. Somehow more exaggerated. You're difficult. He doesn't like you. He's just tolerating you. Why would he be with someone who doesn't even smile? Look at him, Gojo is the epitome of sunshine. You're nothing like him. Why would he like you?
Groaning, you let the hot water wash away your thoughts -- though they don't really go away. Maybe you should just try to be nicer to Satoru, be more cheerful.
After your shower, you see him lying down on the couch while watching his show, and you sit on the other end, silently dreading having to watch the same show again. But you're doing this for Satoru, so you will.
With a satisfied grin, Satoru saunters over and lies down on top of you, his head resting on your chest. You smile softly, enjoying the tight grip he has on you and his soft hair between your fingers.
"How was the mission?" You ask, "Did you have to go to Shoko?"
Satoru shakes his head, "Sweetheart, it's me we're talking about here."
"You can still get hurt, Toru." You pat his hair gently, "I've seen you bleed."
"I'm always careful. Don't worry." He kisses your hand.
You sigh softly. You know Satoru is always careful, it's just that he always goes on missions alone, and more often nowadays that it makes you worry. Yes, he's the strongest, but you never want to take that for granted.
"Toru," You call him again, a little hesitant, "You know I love you, right?"
He lifts his head from your chest, staring at you with those big blue eyes. "Of course. And I love you. So much."
He kisses you deeply, now switching positions so you're lying down on top of him. "So do you want to talk about it?"
"No.." You mumble. Of course, Satoru knows. He isn't stupid. He can sense when something's wrong with you, just like how you can feel the scar on his hip that wasn't there before. He did go to Shoko.
But none of you say anything. You just hold each other tighter that night. It's more than enough.
-----
Satoru is on another mission. It's supposed to be easy, at least that's what he said 3 days ago. You haven't heard from him at all in 3 days and you're beginning to worry. Your frown is deeper than usual, you sigh more often, and your fuse is shorter.
Everyone's more scared of you.
You let the kids take a break while you try to collect your thoughts. You can't be seen so distracted, not when Satoru left you in charge of them.
"You doing okay?" You hear Megumi's voice approach you.
Blinking away the tears that almost fell, you turn around to face him. "I'm fine, Megs."
"I told you not to call me that..." He sulks as he stands next to you, leaning against the wall. He can see you're distraught, and growing up with you, there's only been a handful of times he's seen you like this.
"You know he's going to be fine, right?"
You sigh. "I'm just worried."
You remember once when Satoru didn't come back for a week. He couldn't be reached, no one could track him down, and you were just at home, taking care of Megumi. The boy's more like you than Satoru, he's not exactly sensitive or cheery. But he knows when you're feeling sad, so he'd stay up with you, praying for Satoru's safety.
"Guys!" Yuuji runs towards you and Megumi.
"What is it, Yuuji?"
"It's Gojo-sensei-" He pants, "He's back!"
You run as fast as you can with Yuuji and Megumi, and you can finally see your white-haired, blue-eyed boyfriend limping his way back to the school grounds.
He raises his hand and waves to you with a big smile despite struggling to walk. "Tsk-" You frown even more, feeling the tears pooling again as you walk towards him and catch him in an embrace.
"Umph-" He groans. "Hi, baby."
You let go of him and check his injuries -- he's healed most of it himself, thank goodness, but the bruises are still there. "We need to go to Shoko-"
"Mm, that can wait." He pulls you to sit down on the soft grass, hugging you once again. "It's okay, I'm here now."
You choke on your own sobs and hug him tighter, sitting between his legs and burying your head in his chest. "You idiot."
"'M sorry for makin' you worry," he smiles gently, leaving kisses all over your face.
As you cup his face in your hands, you're suddenly very aware of the 3 pairs of eyes staring at you both. Noticing it too, Satoru covers your red, embarrassed face. "Okay, nothing to see here. Go.. do something. Scram. Skedaddle."
Once the kids are gone, he chuckles and thinks you're being really cute. "They're gone, sweets."
You glare at his teasing smile.
Satoru wipes away your tears, kissing your frown away. "What took you so long?" You ask after kissing him deeply, not letting him go.
A smirk lingers on Satoru's lips. "I took a detour to Kyoto after the mission to teach some kids a lesson."
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luveline · 9 months
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I am so incredibly sick rn and desperately craving some Hotch comfort—maybe bau!gf who desperately tries to hide the fact that she’s sick even when she’s burning up and can’t keep her eyes open, and Hotch who just wants to take care of her!!
thank you for your request! i hope you feel better soon. —hotch fights to take care of you when you hide a fever. fem!reader, 1.4k
Spencer knows you're sick, but he's the only one who's figured it out so far. Everybody else is too busy. 
He pushes your coffee toward him and exchanges it for a cup of water without saying anything. You're relieved to find it's ice cold, fighting to drink it without spilling it, or worse, pressing it to your furnace of a forehead. 
"Just go home," he says. 
"I like it here," you say lightly.
"You're fatigued, obviously running a fever, and probably disoriented if your eyes are anything to go off of." 
"Are they?" you ask, eyes fluttering closed. 
You prop yourself on your hand. Having a desk right next to Spencer has its ups and downs. Ups including physics magic, surprise trinkets, and all the donuts you can eat. Downs include this —he's too good at his job but bad at taking a hint, so while he's realised that you're sick and tired and should probably head home, he hasn't stopped to think you might be keeping it a secret for a reason. 
If you take more sick leave already after your week long bout of food poisoning only a fortnight ago, it will look like you're trying to take advantage of Hotch. You don't want the team thinking you're cheating and you don't want Hotch to think this is how it’s going to be. You’d never use him like that, but it’s so early into the relationship that there’s no way for him to know that for sure. 
You take a measured breath. You're the kind of sick that yearns for bed, head heavy, a pounding pain behind your eyebrows and a nose you can't breathe through. Your lips are chapped despite the thick layer of balm you applied that morning. The weight of a bowling ball rests in your sinuses. Your head begins to list forward. 
"Y/N?" 
You look up, rubbing your forehead as nonchalantly as you can manage. Hotch stands with a hand on the railing of his half-platform, eyebrows pulled together as they tend to be. 
You like the sound of your name on his lips, even if it's said with question. 
"Yeah?" you ask. 
Before, it would've been, Yes, sir? But Hotch told you (while in boyfriend mode, assumedly) that it makes him hot around the collar (though he'd said it more delicately), so now you save it for special occasions, like when you want to get your way, and when he looks especially perturbed.
"Something wrong?" he asks. 
He can't like the way you say, "I'm fine," maybe he spots the far-away look in your eyes, your poorly concealed wince as your head throbs, maybe he just knows you. He gives you a look bordering reproachful and turns away. 
"My office," he says.  
Spencer sends you a pointed look. When he realises you aren't awake enough to glare back, he nudges you encouragingly. "Be honest," Spencer says. 
You almost fall up the short steps to the landing in front of Hotch's office. You don't knock before entering, and later you'll realise how odd this is. Hotch hasn't even sat down, instead straightening a paper from the wrong side of the desk. 
"What's wrong? Another migraine?" he asks. 
"No. I'm alright, did you want something?" 
He turns around fully. You like seeing him after hours without his suit, arms behind his tired neck and eyes half-lidded, but this look is just as good on him: furrowed brows, a hand twitching toward you but not touching. He tries not to cross the line here at work because when it starts it never ends. Your evaluations have to be cross examined and approved by a higher up, you are not permitted to room together on cases, and you have to report to HR every three to six weeks to reaffirm that Hotch isn't being coercive. It's odd and invasive at times, but these are things you have to do to be together. You'd do worse. 
"Did I want something?" he asks. It's more patient than incredulous, but the incredulity is definitely there. 
"From me?" 
"I want lots of things from you." He breaks eye contact with you and turns back to his things, shuffling papers into a manila folder. You blink dozily, wanting a hug and needing him to let you go back to your desk lest you give in and lean against his broad chest. "Like for you to take care of yourself." 
"I'm fine." 
"Forgive me if this is something I shouldn't say, but you don't look okay. You look sick." 
You summon your most convincing smile even while his back is turned and enthuse your tone with some practised pep. "Well, it's not the most romantic thing in the world." 
He ties the cord on his manilla envelope and clicks open his briefcase. It's a testament to how sick you are that you didn't notice it there, nor his coat thrown over the edge of the desk. 
"You going somewhere?" you ask curiously. 
"I'm taking you home, honey." 
You shake your head. "No, you're not. I'm fine." 
Hotch puts his coat on regardless. Briefcase closed and in hand, he walks the short distance to you and scans your expression for any give. "Let's go home." 
"Hotch–" 
"Home," he says, a hint of a smile playing on his lips. "No more 'Hotch'." 
You take a step back but not one more than that, startled by his readiness to leave, and his reluctance to believe you. You're a bad actor and he's trained in the art of untangling deception —it isn't going to work. You give it a valiant effort. 
"You don't have the resources to give me the day off. You definitely don't have the resources to take a day off with me, and that's fine because I'm not sick." You rub your face clean, dust off your work blouse. "I have a headache, it's not so bad." 
Hotch actually smiles, then. You worked for him for three months before you realised he could. It isn't what you're expecting. It disarms you.
"Liar," he says, ducking down to give you a kiss. He sounds amused and sorry at once, an impossible combination marked by his small smile and his protective hand at your elbow. 
Every kiss is like a shock. Not because Hotch is particularly abrasive to the senses, the opposite —it feels right. 
"I'm not lying," you say.
"Take the day off with me, then." 
He knows he's being a bit of a bastard, evidenced by his smile, but he sobers for your sake. "You're lying to me, but that's not what matters. I can feel your head like a flame and I'm not even touching it. And you've kept your secret well, honey, but Reid's a good friend." 
"What did he tell you?" you murmur. 
"You fell asleep for sixteen seconds." 
"When?" you ask in disbelief.
"A couple of minutes before I called for you." Hotch squeezes your arm. 
"If we go home you'll have so much work to do when we come back," you lament. 
"It'll be the same as any other day," he says. He's slipped into his most dulcet tone, the kind he uses with family. "I am… desperate, to take care of you. I can't do that here. Please oblige me and let me do it at home." 
"Oblige you?" you ask. 
"Being your boyfriend isn't working. I thought I would try boss instead." 
You relent, finally. You genuinely can't abstain from him anymore, not when he's being as ridiculously charming and gentle as he is, his hand steadying at your elbow. Plus, your brain is probably gonna explode inside of your skull any second now if your headache is anything to go by. You drop your face into his chest and sigh, relieved when his hand moves to your shoulder, and his cheek presses to the top of your head. 
"This is inappropriate," you mumble. 
"You're really not well, hm?" he asks, just as quietly. "I'd be negligent if I didn't take notice. Doubly negligent if I didn't take you home." 
"Human resources…" You mean to say more. He's solid, he wants to hug you, and he smells like his expensive cologne. Hotch has a presence about him that's automatically comforting once you overcome the intimidating. Sometimes, even, the intimidating helps it along. You feel sheltered by his arms. Totally safe. It's probably why you nearly pass out in his embrace right there and then. 
"Okay," he says, rubbing your back. "Alright. I'll let human resources know your complaint, honey, don't worry. Let's get you to the car." 
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sundrop-writes · 2 months
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Sub!Spencer Reid x Dom!Fem!Reader
‘Cause it's not just a figure of speech - you got me down on my knees.
It's gettin' harder to b r e a t h e .
Summary:
You hate it when Morgan teases Reid. So when Morgan says that you are Reid's 'Mommy' - you verbally fire back without even thinking about it.
Reid vastly overthinks it.
So much so that he ends up calling you Mommy by mistake. And you definitely don't hate the sound of that word coming off his lips.
Sub!Spencer Reid x Dom!Fem!Reader. Co-Workers to Lovers. Smut. Set during Season One.
Word Count: 6,300
Criminal Minds Masterlist | AO3 Link
Detailed warnings and author's notes below the cut.
Warnings: general smut fic - porn with some plot; dom/sub dynamics (but this isn't a pre-discussed dom/sub relationship, the characters just fall into these roles naturally), Spencer is submissive and the reader is dominant; the main theme is Mommy kink - Spencer discovers that he has a Mommy kink after a joke that Morgan makes, referring to the reader character as Spencer's Mommy; Spencer calls the reader 'Mommy' and the reader also refers to herself with that title; the reader uses she/her pronouns and has a vagina (and breasts); it could be interpreted that the reader has larger breasts/is plus sized (but I think anyone of any size could enjoy this fic); the reader is part of the BAU; this is meant to take place during season one (baby Spence my beloved) but there are no other major canon events mentioned and the case being discussed is one that I have made up; some very background typical elements of Criminal Minds - murder, killing, systemic vicimization of women/violence from men towards women (passing mention of bodies being consumed by wild animals); the reader and Spencer fuck while on a case (but they aren't endangering anyone's lives from lack of their attention, so it's fine); mentions of potential injuries from a car accident (theoretical - doesn't actually happen during the fic); very slight threads of Morgan x Reader (mentions of Morgan being attracted to the reader - it could be one-sided); very passing mention of Reid having breeding kink (doesn't take place during the fic, just one of his thoughts); for the actual smut section: this could be interpreted as virgin!Spencer but that's not explicitly stated here (at most, this is just inexperienced!Spencer) (the reader is definitely way more sexually experienced than him); praise kink (we all known Spencer is so eager to be praised); mentions of breastfeeding - Morgan makes a joke about the reader breastfeeding Reid, which later turns into faux breastfeeding kink (the reader doesn't actually lactate, but she lets Spencer suck on her tits and calls it breastfeeding); the reader calls Spencer: 'baby', 'good boy',; descriptions of subspace - but it's not specifically called 'subspace' in the text; thigh humping - Spencer humps the reader's thigh; cumming in pants (Spencer); multiple orgasms/overstimulation (Spencer receiving); handjob - the reader jacks Spencer off while he is sensitive after his first orgasm; using lube as cum; dumbification kink - the reader calls Spencer 'dumb baby' and generally enjoys seeing his intellect drop the more turned on he becomes (Spencer also likes being called this); technically the reader doesn't get to cum, but she gets turned on from treating Spencer like the good boy that he is (and this is more about him). I think that's everything.
A/N: This was directly inspired by the scene from Reid's birthday party, where Morgan says 'Mommy to the rescue!' (talking about JJ) and then Spencer says '...Mommy?' and it seems like he is discovering his Mommy kink in real time. Especially because he is then trapped between Elle and JJ and he makes direct eye contact with their boobs, and he just has such a look of scared kink realization in his eyes. I considered copying that moment exactly and just replacing JJ with the reader character, but this seemed like more fun lmao. I had so much fun writing this and I think this is one of my best fics in a while. I hope you guys enjoy it!!
...
Generally, you hated being stuck with grunt work. 
You knew that it was all part of the job - an important part of it. Paperwork, side interviews, background checks. Sifting through someone’s apartment looking for aspects of what kind of person they were based on their everyday life. 
But you thrived more on being right in the middle of things. You preferred interacting with suspects, chasing people down, harsh confrontation. 
Gideon said that you were overly controlling, impatient, brutally honest - that you had an ‘abrasive personality’ that put most men off. But that was why he often brought you into interrogations with male suspects. Many of the people you caught - men with superiority complexes who targeted the weak to make themselves feel powerful - they hated that you weren’t intimidated by them. That aspect of abrasion between you and the suspects often brought out a lot of information - things they spewed out trying to intimidate you. 
But you weren’t needed on that front today. 
No - instead, you were doing grunt work. The kind of work that made you impatient and generally aggravated. 
The only upside was that you got to do it with Spencer. 
He was one of the only men that voluntarily worked so closely with you so often, because he wasn’t intimidated by you. He took orders from you very well and naturally fell under your authority, bringing a natural chemistry to your partnership when you worked with him. Plus - his seemingly endless stream of ‘fun facts’ was like listening to the radio, which did help to soothe your boredom during these kinds of mindless tasks. 
You were on a case in Texas. Five women raped and tortured before having their bodies hung from a tree and consumed by cotoyes that the UnSub knew lived in the area. Since police had closed in on him, he had gone on the run. He had killed three more women since fleeing, while leaving no clues as to what his ultimate endgame would be or where he would be going next. 
Hotch sent you and Reid to find that out while the rest of the team worked victimology and profiled the scenes of the most recent murders, following the trail he was leaving. 
After spending hours sifting through the suspect’s house, looking for any small clue about where he might be going - you came up empty. When you touched base with Hotch, he told you that you and Reid would be going to visit the suspect’s ex-wife - who lived four hours away. You needed to interview her to see if she could give you any further insight to the man, and perhaps - beat him to the house if she was the ultimate target. 
(A lot of the victims looked like her, and it couldn’t really be a coincidence.) 
You knew that lives were at risk, and it was juvenile of you, but all you heard was: long, boring drive. Boring day. You hoped that Reid would be good company through it. 
Now, you were waiting outside of the police station in the bureau-issued SUV, waiting for Morgan to come and give you the file with the ex-wife’s address and contact information. 
“Did you know that over forty-six percent of Texans own a gun? Texas is second only to Montana in registered gun ownership, where over sixty-six percent of citizens proudly tote their right to bear arms.” Reid told you, continuing to look over the case files that were sitting in his lap. 
When you looked over toward him to reply to this odd factoid, your mind got caught up on something else. 
“Reid, come on, take your feet off the dashboard!” You told him, reaching over to gently smack his knee, trying to encourage his legs down from the awkward position. 
It bothered you for several reasons - the idea that he would leave shoe prints on the dashboard, which was minor and cosmetic, but still annoying. And the fact that if the car did happen to get hit head-on, the air-bag would explode out and push his knees into his chest, causing his shattered leg bones to pierce his organs and possibly kill him. (At the very least, he would never walk again.) 
Speaking of which: 
“And put your seatbelt on!” You barked, now noticing that he wasn’t wearing it past all of the files he had piled into his lap. “You of all people should know how many deaths are caused by not wearing a seatbelt.” 
Spencer opened his mouth to spout out this exact statistic, but before he could get the words out, another voice entered the conversation. 
“Aw, Reid, listen to your Mommy.” 
You were almost startled by Morgan’s voice coming from the open driver’s side window so suddenly. His appearance there as if out of nowhere was so jarring that you couldn’t get caught up on the way he had called you Reid’s Mommy. Your head whipped toward Morgan so quickly that you didn’t notice the flash across Spencer’s features - worry, dawning. You didn’t take note of the way he rushed to comply with putting on his seatbelt. As if he was rushing to please you, even unconsciously. 
“I bet if you’re a good boy, she might even breastfeed you when you get there.” 
Morgan then pursed his lips and made loudly suckling noises, clearly imitating breastfeeding in what he thought was a comedic way. 
Again - glaring at the muscled man through the open window, you didn’t see Spencer’s reaction. You didn’t see the way his large, glassy eyes flickered to your breasts (only emphasized by your own seatbelt crossed over the center of your chest) before he forced himself to focus on the files in front of him so that he wouldn’t feel so caught.
“Shut up.” You told Morgan, your voice so commanding and firm that his simple order was enough to get him to stop his antics. 
“And give me the address already.” You held out your hand expectantly, and Morgan handed you the file, which you placed onto the center console. 
Then, you turned back to him for one last point, determined to have the final word in the conversation. 
“Besides, we both know that you’re the one who’s got an obsession with my breasts, anyway. Just because you stare while wearing sunglasses, doesn’t mean I don’t notice. My eyes are up here, pal.” You told him sharply. 
He let out a scoff at this, and rolled his eyes behind his dark frames - but he made no clever comeback. 
You had successfully bested him. And with that knowledge, you rolled up the window and left him standing dumbly in the parking lot as you sped off. 
… 
You pulled over later to put the address into the GPS system, and you let out a long-winded groan when you found that it was more than four hours away. Four hours and twenty five minutes. 
So you pulled over again to get gas and stocked up on snacks, and you were surprised that Reid wasn’t giving you some lesson about the colloquial use of ‘soda’ and ‘pop’ (thinking that you hadn’t listened the other ten times when he had gone on the same rambling point about linguistics and how language evolves). 
He was being far too quiet for your liking. 
But he was keeping his eyes glued to the files, and you guessed that he was churning over something in that big brain of his, like he usually was. 
You were entirely surprised when the next time he spoke - it wasn’t about the case at all. 
“How - how do you know that Morgan likes your breasts?” He asked, his voice low and mousy, looking straight ahead as he fidgeted with his hands in his lap. 
“What?” You gaped, the word flying out of your mouth as your brain was utterly slow to process what he had just said. 
Hearing Spencer use the word ‘breasts’ was jarring, but somehow utterly adorable. You found it stirring a slight heat within you. Especially because he was still so shy. The whole thing made you want to pin him down and force the shyness out of him. 
Spencer felt the need to further explain himself. 
“When - when you were talking to him, you said: ‘we both know that you’re the one who’s got an obsession with my breasts.’” He said, repeating back what you had said, word for word, using that perfect memory of his. 
You wondered if that’s what he had been doing, sitting there in his seat so silently for the past hour of the car ride - going over the conversation again and again in his head, trying to make sense of it. And because he couldn’t make any sense of it by himself, now he was consulting you. 
Again, you found it so utterly adorable. 
“Morgan didn’t deny it. So - was it a hypothesis based on something, or did you just call him out hoping that you weren’t wrong?” Reid continued, sparing only a singular glance in your direction, a look that you caught out of the corner of your eye with your gaze still mostly focused ahead on the road. 
You found it intensely cute that he was using the word ‘hypothesis’ in this situation. You wondered if he ever turned it off - the textbook big words and the intellect that he always carried himself with. You wondered if you could make him turn it off. You wondered if there was any situation where Spencer Reid could be as stupid as any other man - chasing a bone, desperate to get his nut off. 
For the first time ever - you imagined Spencer Reid underneath you, blabbering nonsense, begging for release with your hand around his cock as you pumped him, red and aching, so slick in your palm. Desperate, empty-headed, beautifully stupid. 
(See, this was what happened when you were forced to do grunt work. You got bored. And when you got bored - you had to entertain yourself somehow.) 
“It was a pretty well-informed hypothesis.” You replied. Now that Spencer had brought the topic up, you certainly weren’t going to shy away from the discussion. “Morgan often brings up my sex life, and wants to engage in detailed discussions about my sexual encounters with me. So I assume that he spends a fair amount of time thinking about me in a sexual way.” 
Reid let out a choked-off noise at this. 
You continued. 
“Plus, he’s always staring down my top. He’s not exactly subtle.” 
“You - you actually notice that kind of thing?” He chirped, his voice becoming a few octaves higher as worry flooded him. 
You bit your lip, suppressing a grin. 
Of course, you had noticed the times that Spencer stared at your breasts as well. He was even less subtle about it than Morgan was. You didn’t mind it when he did it, because you knew that Spencer wasn’t exactly casanova. He didn’t have a different girl every other week like Morgan did, so taking a glance down your shirt when he passed you a morning coffee was probably about as much action as he got. 
Secretly, letting him get away with it was your gift to him. 
“Don’t worry about it, baby.” You told him, the pet name slipping out mindlessly as you reached over and gently patted his knee as a form of reassurance. 
This movement unintentionally drew his eyes toward your chest, especially in his desperation to look anywhere but your face, not wanting to make eye contact with you. But he found his eyes glued to the swell of your breasts once again - hating how perfect they looked, even through the simple cotton shirt and plain bra that you wore. 
“Sorry, Mommy.” The word slipped out before he could even consciously process it. “Sorry!” 
Spencer raised a hand to smack his own face at lightning speed, and slumped down into his seat in embarrassment. 
You bit your lip to suppress a grin. It stirred a filthy heat in your belly. But you knew that Spencer likely needed a while to sit with this and wouldn’t want to talk about it - not yet. So you reached over and turned on the radio, letting the music fill the space so that the silence wasn’t so awkward and gutting. 
Spencer didn’t talk for the entirety of the rest of the car ride, which didn’t surprise you. 
When you finally arrived at the ex-wife’s house, his hands were shaking with nerves as he tried to unlatch his seatbelt. You probably should have just left him alone to struggle, but an evil spark, likely fueled by the boredom of the day, flared up inside of you. You couldn’t resist the urge to lean over the console, very purposefully showing off your breasts as you gently pushed his hands away and undid the belt for him. 
“Here, let Mommy get that for you.” You said, distinct teasing on your breath as you mumbled the words into his ear. 
Spencer huffed out a deep sigh and collapsed back into his seat, and pushed his hair out of his face in frustration. But he didn’t say anything more as you gathered the files in preparation for the interview. 
He only spoke when you moved to get out of the car. 
“Look, I-” He began a half assed explanation, and you easily cut him off. 
“You let Morgan get in your head too much.” You told him with a chuckle, opening your door and getting out. 
But as he forced himself to follow you with numb limbs - he knew that this definitely wasn’t all Morgan’s fault. 
… 
The ex-wife didn’t know much. 
She described the marriage as hell - the suspect exhibited all the typical behaviors as a husband that they would have expected. He hated women, and he wanted full control over his wife at the time, which eventually led down the path of divorce. They had to sell the house they had bought together, but neither of them had moved out of Texas since. But he hadn’t contacted her in years. 
She had two young kids from a new relationship, and when the woman stepped out to take a call, you picked one of them up to soothe his cries, hushing him gently while you rubbed his back. 
Because of this, Spencer found himself even more dizzy and confused. 
He knew that it was Frueadian - some deep, misguided part of his psychology - something broken and missing inside of him because of his own fractured childhood. 
But seeing you being so sweet with a kid, especially after the day he’d had - he wasn’t sure if he wanted to be your baby, or if he wanted to shoot his cum so deep inside you that it would ensure he could give you one. 
(Ultimately, he knew that it was likely both - and that didn’t answer any questions for him. It just gave him far more questions.) 
… 
Even though the ex-wife couldn’t give you guys much more than you already knew, Hotch wanted you and Spencer to stay close by in case the suspect decided to make his ex-wife the end game. The two of you would be able to make it to her first if she called for help. 
So you and Spencer had dinner at a random local barbeque place off the highway and Spencer still didn’t talk much through it, other than posing some theories about the case. Even though he was a bit more talkative, he still refused to look at you - he stared down at his plate the whole time. Though whenever he did look up, you noticed that his eyes lingered on your chest - and he still wouldn’t look you in the eye. 
By the time the bill came around and the two of you were ready to leave, you knew exactly what you had to do. 
… 
Spencer waited by the car with his bag while you checked in and got a motel room (needing to stay in town, you got a room for the night). When you came back, you handed him the room key and then moved to get your bag out of the car. 
“Do… you already have yours?” He asked quietly. 
“Hmm?” You hummed in reply, slinging the strap of your go-bag over your shoulder before you closed the back door and used the remote to lock up the car. 
“Your room key?” 
You suppressed another grin. 
“I only got one room.” You told him. “You don’t mind sharing with me, right?” 
You gave him a purposeful look - looked at him through your lashes, bit your lip slightly, and subtly squeezed your breasts together with your upper arms, emphasizing them. You knew exactly what you were doing to him, but hopefully it seemed subtle. 
“I - uh - no.” Spencer stuttered. “It’s fine. We can share.” He gave a grin, not wanting to appear upset, even though his entire body was racked with nerves. 
Spencer followed you to the room and he fumbled with the key with shaking hands for a moment before he sighed and then handed it to you. 
His insides quaked when he saw that there was only one bed. 
He wasn’t sure if he should say anything about it. The two of you had slept in the same room before, but you had never shared a bed before. Sure, you had slept near each other before. He had accidentally fallen asleep on your shoulder on the plane or vice versa. But you had never crawled into bed together with the intention of sleeping together. 
And yes, just the entendre behind it made Reid’s head spin. 
He had a heavy knot in his gut, and hatefully - a distinct stirring in his crotch. He could only imagine how embarrassing it would be for you to wake up and see him compromised in some way. Or god forbid, if you caught him moaning in his sleep because of unconscious dreams that he couldn’t stop - for you to think that he was some kind of dirty sex pervert because of it. 
He felt an overwhelming need to clear the air overtake him. He had no clue how to broach the subject, but he knew that he wouldn’t be able to spend the night like this. He wouldn’t be able to sleep with this anxiety hanging over his head. 
He studied you carefully as you sat down on the edge of the bed, ditching your bag off to the side and heaving out a tired sigh as you began taking off your shoes. 
Spencer put down his own bag and then stood there, fidgeting nervously as he searched for words. 
“I - uh - I am sorry about earlier.” He mumbled out the beginnings of an apology. “What Morgan said was stupid, and I-” 
“I don’t think it was stupid.” 
You let out a chuckle, and reached up the back of your shirt. Spencer found himself frozen, his eyes tracing your every moment as you unhooked your bra underneath your shirt and then moved to maneuver the straps out from your short sleeves while you kept talking. 
“I think he had a point.” You added on. “Good boys should get a reward. And I think you were fairly good today. You didn’t eat all your veggies at dinner, but you kept your feet off the dashboard and you were quiet during the car ride. You definitely get points for being patient during such a long trip, baby.” 
Your voice smoothed into a soothing tone, that word - baby - melting like butter over your tongue in a way that made Spencer’s knees wobble. He hadn’t known it until right now, but you calling him a ‘good boy’ and listing off such mundane things he had done that made him worthy of a reward fired off sparks inside of his brain. 
A breath choked off inside of his throat as you stood up off the bed and peeled your bra completely out from under your shirt. Somehow it was one of the sexiest things he had ever seen, revealing the hard peaks of your nipples and the beautiful natural teardrop shape of your breasts to him through the cotton fabric. 
Spencer wanted to speak, but his tongue felt so heavy and dry inside of his mouth. He knew that he was staring at your chest so blatantly now, but he couldn’t peel his eyes away. He couldn’t even feel ashamed anymore. 
That dull tingle in his crotch had turned into a full on stinging interest, and he unconsciously pulled at the fabric of his pants, trying to loosen some of the tension that was growing, not even considering how it might look to you - him dumbly reaching for his crotch to make it look looser when his hardening bulge was becoming more obvious by the second. 
It was one of the most ‘caveman’ things he had ever done in front of you - standing there with his mouth hanging slightly agape, pulling at his crotch without caring how it looked. You definitely wanted more, wanted to see how dumb he could get. How far you could make him devolve. 
“So what do you say, baby boy?” You hummed, stepping close into his personal space now, causing him to get a whiff of your perfume - something that was only a dull trace after such a long day, but still smelled so good. “Do you want Mommy to breastfeed you? Do you wanna suck on my tits as your reward?” 
You gently ran a thumb across his cheek, and paired with the words, Spencer’s brain short-circuited. 
He knew realistically that you weren’t actually offering to breastfeed him. There was no evidence in your life to say that your body could actually support the production of milk currently - but you were offering to let him play pretend. To suck on your tits with a very sexual air, to call you Mommy without the teasing humiliation behind it that Morgan had hinted at (or maybe Spencer liked that humiliation, he wasn’t even sure). (He hadn’t even known before this morning that he liked the idea of calling you Mommy, but here he was). 
All he could conjure in response was the dumbest, non-human sound. 
“Nngh.” 
It was a grunt from the back of his throat - too much blood swelling to his cock all at once and too much direct attention from you making him dizzy. 
You giggled quietly. 
“Come on, baby. Just say the word. And Mommy will give you everything you need.” 
Spencer inhaled sharply. At this point, he was desperate to get some oxygen to his brain. 
His mind was racing, chanting out: 
‘Yes! God, yes! I want it so badly, Mommy! I want anything you’ll give me. I need you. I need you so badly.’ 
But all his lips could form in the wake of such dizzying lust was: 
“Please.” 
“Good boy.” You sighed. 
You used a hand on his chin to tilt his face up to meet yours, and you consumed him in a kiss - he was hungry and eager to meet your touch, moaning loudly into your mouth, his hands racing to touch you now, rushing up to grip on your hips in the most utterly needy way. He balled the fabric of your shirt in his fists, like he couldn’t get enough of you - like he was afraid you would dissolve away if he let go of you for even a second. 
It was cute, to say the least. 
You only let the kiss last for a moment, though. You pulled away to a disappointed whine from Spencer, which you quietly hushed. 
“Hey, it’s okay baby.” You soothed him. “Come here. Mommy’s gonna take good care of you.” 
You lead him toward the bed, getting rid of his tie in the process, and Spencer stepped out of his shoes along the way. You slid onto the bed and laid up on the pillows on your back, Spencer clumsily following you, crawling on all fours. The two of you had barely started, but he was full-on panting now, racing to catch his breath while his blood hammered through his veins. 
He watched on with eager curiosity while you got comfortable, fluffing the pillow under your head before you then reached down and pulled up your shirt. You pulled the fabric to sit up under your chin, finally revealing your gorgeous breasts to him. 
If he was lost for words before, then he had receded back to a total neanderthal now. 
His mouth fell open and his salivary glands started working overtime as his eyes raked hungrily over your chest - enjoying the pure beauty of the fatty mounds, striped with zig-zagging stretch marks and completed by your hard peaked nipples. 
“Here, come on, baby.” 
You had to remind Spencer what the goal was, guiding him into place with a hand on the back of his head. You helped ease his body to lay on top of yours as he relaxed into you - and his mouth finally found its rightful place on your breast. He became greedy, suctioning hard on your nipple as though he might actually get something out of it. 
Truthfully, he did get something out of this. 
It definitely wasn’t any form of nutrition, but it was something that drove him lustfully insane and made his head fuzzy and warm in the best way. This was the only time in his entire life that he didn’t have ten thousand thoughts running through his mind like the news blasting on television in the background. This was the only time since his first conscious memory that he had actually known his mind to be quiet. 
He felt intensely thankful for it. Intensely thankful toward you for giving him this feeling. 
In that moment, without all the noise, all he knew was the comforting feeling of your fat tit under his mouth, the heat of your body under his own as you cradled him. The soothing firmness of your hands through his hair and down his back - and the distant, sweet purring of your voice in his ears. 
“Good boy.” You hummed, loving the feeling of him moaning around your nipple - so constant and so greedy now that you were sure he didn’t even know that he was doing it. “Such a good boy for me. Such a good boy for Mommy.” 
Your cunt was humming between your thighs, aching so hard at seeing Spencer like this. The usually composed, intelligent, practically robotic Doctor Reid reduced down to a blubbering, moaning, needy mess just because he wanted to suck on your tits. 
Just because you had called yourself Mommy a few times in his presence. 
It was so utterly beautiful, and you wanted more. 
(You didn’t think that you could ever let him go after this. You probably wouldn’t be able to stand the idea of another woman touching him after this. But you would have to think on that more later.) 
You noticed Spencer canting his hips, unconsciously seeking friction against his hard cock while he continued to suck on your breast. With his eyes closed blissfully, drool gathering around his lips where they met your skin in the most utterly adorable way. You couldn’t help yourself - you scooted your knee between his thighs. You then used a hand to help his hips into place, adjusting him so that he was getting good friction against your denim-clad thigh. 
“There you go. There you go, sweet boy.” You hummed, feeling another jolt through your body when he let out a sharper moan against your tit, and began humping your leg in earnest. 
You were quick to encourage him, putting both hands on his hips and helping him along while he greedily hung onto you. He had on your hip, the other hand slipping up to cup fingers around the bottom of your breast, making sure you didn’t escape him while he moved his body against you so frantically. 
“That’s just what you needed, isn’t it, baby?” You moaned out, your voice wavering slightly as the pleasure of it all thrummed through you. “Just a dumb little baby who needed Mommy’s tit.” 
The term ‘dumb little baby’ came flying out of your mouth before you could stop it. Though you knew exactly why it happened. Seeing such a brilliant genius reduced down to this truly did something to your ego. And apparently hearing those words from you did something to him, too. 
He whined sharply against your skin and his hips stuttered abruptly. You knew it wouldn’t be long before he came in his pants, his cock throbbing against the friction of your thigh. And this thought alone caused your mouth to run off without restraint. 
“Such a needy little thing.” You sighed. “You love being Mommy’s dumb baby, don’t you? Not a single fucking thought between your ears, just sucking on Mommy’s tit without a care in the world.” 
Spencer moaned and it sent another jolt through your body - another harsh pang through your cunt. You loved how much he needed you. You loved how much he was clearly eating this up. 
You didn’t even care if you got to cum tonight; you just wanted to exhaust him for all he was worth. Because he was so fucking pretty like this. 
“You gonna cum for me, baby boy? You gonna cum for Mommy? Come on, baby. Cum for me.” 
These words were what ultimately sent him over the edge. Well that along with your strong hands on his hips, encouraging him along while he was mindless and busy mouthing on your breast.
His jaw dropped open, finally loosening that desperate suction on your now slightly sore nipple as he began to pant frantically over your now spit-soaked skin. He moaned hotly while he humped you in an entirely adorable, almost distraught manner - absolutely desperate to have the most friction on his cock while his orgasm overtook him. 
You could feel his needy cock throbbing against you, trapped inside of his pants, shooting off hot ropes of cum that quickly soaked into his underwear and even then, seeped into the fabric of his slacks. You grinned and bit your lip as you felt that wetness even beginning to soak into your jeans, knowing he must have set off quite a big load. 
Spencer soon collapsed on top of you, gulping in air as he tried to catch his breath. 
Any normal person would have taken pity on him (seeing as he was clearly nervous and inexperienced) and wound things down to end the night here. Anyone else would have likely let him rest. 
But again, you felt devilish temptation overtake you. (It was a feeling that seemed to be much more ripe around Spencer Reid.) 
You just felt thankful that your temptation and inclination toward chaos came in the form of lust, rather than something more violent, like the people you studied every single day. Everyone around you should be thankful for that. 
You used your leverage (and the fact that you weren’t nearly as exhausted from the experience) to flip him over onto his back. He let out a surprised sound as his back made contact with the mattress - blinking up at you with shocked, glassy eyes as you moved down his body slightly. 
“Wha-?” He mumbled out the question, only getting out part of the word before you reached for the zipper on the front of his now wet pants. 
“Hey, shh, baby. I just wanna see you.” You told him quietly, causing him to stare down the length of his own body at your hands as you worked. 
You got the button and zipper undone quickly and you let out a quiet ‘fuck’ as you peeled back the wet fabric of his grey slacks to reveal the sight of his simplistic (very Reid) white cotton underwear slightly transparent and stuck tight to his cock, coated in wet, sticky cum. 
“So pretty baby.” 
He only whined in response. 
You couldn’t help yourself - you reached up and pulled down the waistband of his underwear, feeling more lust pricking through you as he was truly revealed to your eyes. He was perfect. Glossy and wet with his own release, his cock pinky red from the exertion and friction, still half hard. You pulled the clothes down over his hips and he lifted his body to help you, clearly glad to be rid of the mess, and the second you untangled the fabric from his ankles and ditched everything aside, you were back on him. 
You skimmed the tips of your fingers oh-so-lightly up his shaft where it was sprawled across his pelvis, and his hips jolted. He let out a bitter gasp - as though cold water had been splashed across him. 
“You said-” He choked on the words as you ran your thumb right underneath the crown, gently pressing into the head, causing him to choke on a moan while his knees quaked. 
You sat on his knees to keep him still and his head became so fuzzy once again. 
‘You said that you only wanted to look.’ 
The sentence died off in his lungs somewhere, and truthfully - he didn’t want to protest. He didn’t want you to stop. 
“Sens-sensitive.” He whined. “Too much.” 
“But you’re so pretty, baby.” You replied, your voice turning smooth and warm like butter again, melting over his whole body, causing all of his muscles to go soft and pliant for you. “Your cock is so pretty. I need to touch you.” 
He let out another strangled noise when you cupped your hand and took him fully in your grip this time, giving one good tug across his cock from root to tip. When you did this again, faster this time, his lungs seized inside his chest - trying to take in oxygen so quickly, as though he were drowning on dry land. 
“You gonna be good for me, baby?” 
“Yes.” He gargled back in response. “Yes, Mommy.” 
He was already so wet from cumming in his pants, and he let out a pathetic dribble of precum as you continued to move your hand - so it was an easy, slick slide. One that sent harsh shockwaves through him from overstimulation. Against his own will, he soon ballooned back to full hardness - becoming painfully swollen in your hand while you sped up your touch and closed your fist tighter around him. It caused the most wonderful hurt between his legs, and made a downright filthy wet sound as you pumped your grip faster along his needy cock. 
Spencer heard wailing and felt the soreness against his throat before he realized that he was the one making those desperate sounds. He distantly wondered what it might sound like to someone else, if the rooms on either side were occupied, if the motel would receive a noise complaint about some frail woman getting fucked to death by her husband next door - because that’s what he sounded like in his own ears. 
But any of those half-thoughts were chased out of his brain the second you flicked your thumb up over the head of his cock and your dirty mouth filled his ears once again. 
“Gonna milk this pretty cock, baby.” You told him, your voice firm. “You gonna show Mommy how much you can cum for me? Gonna show me what a good boy you are?” 
Spencer let out another pathetic sound, his body singing with pleasure at his pure need to prove to you that - yes, he was a good boy. 
He felt tears wet on the side of his face before he realized that he was crying, but it was all too good to ask you to stop. 
You used your other hand to cradle his balls and you swooped down to capture his gasping mouth in another kiss (a very messy, open mouthed kiss that Spencer could barely pay attention to). Spencer screamed into your mouth while he painted his stomach with cum once again.
You only stopped jerking his cock once you had truly milked every last drop from him, his hips seizing up off the bed and your hand almost slipping off him completely from how sloppily wet it was with more of his cum added to the mix. 
He was purely exhausted then. His eyes blinked heavily, struggling to stay open. He vaguely remembered you cleaning him off and tucking him into bed - but he definitely enjoyed falling asleep curled up next to your warmth. 
The next morning, Spencer felt hungover. 
He wondered if that’s what good sex always felt like - the combination of endorphins rushing through your body and physical exertion tackling you over. His legs were sore, as though he had run several miles. (Which wasn’t even something he could make a bold comparison to anyway, because he didn’t exercise nearly as much as he should for someone with this job). He woke up starving, grateful when you drove to a diner down the road after checking out of the motel and planted him in one of the booths before going outside to call Hotch in order to touch base with the rest of the team. 
You came back with a small grin on your face. 
“Turns out that tip the ex-wife gave us about their first house in Arlington was pretty solid.” You told Reid. “They caught the guy on his way there. He had another girl in the trunk. They got her back mostly unarmed, and took him into custody.” 
Spencer nodded. “That’s good.” 
When he moved to grab another sugar packet out of the caddy on the side of the table, three of them already open and empty beside his cup of coffee, you grabbed him by the wrist. 
“That’s enough, baby.” You told him. 
His stomach curled, that distinct feeling running through him again. And against his will, that word slipped out - again. 
“Yes, Mommy.”
...
A/N: This is a standalone oneshot. There won't be a sequel or a continuation, so please do not ask for one. If you liked the fic, please comment about the body of work that has been written, or consider reblogging to show your appreciation. If you want to see more Spencer Reid fics that I have written, you can check out my Criminal Minds Masterlist, or you can check out my Masterlists for other fandoms to see if anything catches your eye. Thank you for reading!
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jellyfishsthings · 1 month
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Nerves and Stolen Kisses
I have been toying with the idea of writing a fic about him for quite sometime and after last weekend I just had to. Estelle ( Ollie's rumoured gf is mentioned here but it is a fake relationship for PR reasons.) Also Paul Aron has a gf... friends to lovers trope.
Shoutout to @httpiastri for the inspiration
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The Saudi Arabian Grand Prix was fast approaching. And Ollie was a jumble of nerves and excitement as usual. Since the early hour of the day, he opened the curtains letting the sun into the room and you groaned into the pillow.
“Wakey wakey, sleepyhead. Come on, we have a whole day ahead of us.”
“No, you do. I don't know why I came.”
“Because I am your bestest friend and I paid for your ticket and let you stay with me.”
“Both of which are for your benefit.”
“Come on….”
“Fine.” You say with a dejected sigh as you get up and you both get ready for the day. David, Ollie's dad was already waiting for you and you headed towards the paddock.
Everything was a frenzy and was passing by so quickly. As Ollie got into the garage and got ready for the quali you headed towards the stands trying to find Cassie, Paul's long-term girlfriend. Throughout the years you have formed a unique friendship. She was the only one who knew about your crush on Ollie and she teased you endlessly about it. Ollie and you had been best friends for the better part of your life, joint to the hip, having endless sleepovers, even if Dad didn't approve.
It was an endless nightmare being close enough to get a taste of all the what ifs, but never experiencing them.
“Do you and your lover boy share a room, huh?”
“It's not like that and you know it, Cassandra.”
“Yeah, it hurts, doesn't it?”
“So much. You have no idea. Yesterday I couldn't sleep and as the hours passed, he came closer and closer. He ended up holding me in his sleep. And I felt so bad because of Estelle. I know that they aren't really together and it's for PR, but still, I feel awful because technically I am the other woman… and she is just so nice and sweet. Never overstepping, I think she knows.”
We both stay quiet after that as the session continues.
“You know… whatever the case. You both love each other, platonically or not.”
“Yeah, I know.” I say as I watch the times set by all the drivers, Ollie having the fastest one yet.
“Looks like your man is on pole.”
We both make our way through the paddock, trying to pass the roaring sea of fans and we hand out already-signed autographs to anyone who asks for them. When we finally arrive, we part ways, before making promises about having dinner together at a restaurant Cassie wanted to try. And I head towards the Prema garage finding two beaming Bearmans, hugging.
“Hey Bear. Did you drive fast enough?” You call at him. And he grins like an idiot before swooping you into a tight hug spinning you. His laughter echoes in your ears as he sets you down.
“Yeah I drove fast enough, you minx.”
“Good. Now let's go. We are having dinner with Paul and Cassie in four hours and I want to see the city.”
“Give me five minutes to change and we are good to go.”
The afternoon is spent visiting local stores, trying to communicate in scrappy English and making terrible puns with products or street names. When they finally head to the restaurant their sides hurt from laughing. Dinner passed by as quickly as it came. As everyone says, time flies by when you are with the people you love.
Just as they open the door for their hotel room, Ollie flops in the bed as you head towards your computer and open it as hoards of emails and messages appear on the screen. Great more deadlines and essays to write until the end of the week.
“Leave it. We can pretend that we have nothing to do and watch a movie or local TV and try to understand what the hell is going on.”
“Thanks Bear. But I can't, as tempting as your offer is. Go to sleep, I will join you soon.”
And so you sit in front of your computer, ending essay after essay, sending them on time, until your eyes hurt from the pale blue light. The bed seems more welcoming than ever before as Ollie starfishes the entire length of it and his soft snores fill the empty space. Yeah, maybe it's time to call it a day.
An awful sound echoes in the room and eventually wakes you.
“I swear if it's one more ad I will jump from the window.” You grumble into your pillow as you steal the blankets and turn yourself into a burrito.
Ollie hisses as he opens his phone only to find a ton of messages and many missed calls from Ferrari. He dials Fred back as he moves towards the bathroom, trying to let you steal a few more minutes of much needed sleep.
When he emerges back in the room he sits down in front of you, his back supported on the bed.
“Ols, what's going on?”
“Carlos has an appendix”
“Oh no. Is he having surgery?”
“Yeah.” He says softly. “They want me to replace him.”
“What?” At that you are fully awake. Your hair is a netted nest and you look at him in shock. He looks at you, you his best friend who would look like a mess to anyone else but to him you look like the most beautiful and amazing creature in the world. Your mere presence has a more calming effect on him than anything else. If it weren't for you, he would have already lost his mind. “How? When? I…”
“We need to get to the paddock, if I don't want to miss FP3. I will wake up Dad and break the news to him.”
Soon after you enter the paddock and thousands of reporters try to get a better look at Ollie, flashing their cameras at you and bombarding you with questions as you make your way to the Ferrari garage and mechanics steal Ollie from you and David as they set to work quickly. David looks pale and sick as he paces into the garage trying to control his nerves through the FP3 and the Quali. When Ollie finally got off the car when he scored the 11th place, missing Q2 only by 3 hundreds of a second, you knew that this was it. He was finally shining like the bright star he was. He had done more than enough, his raw talent showing with barely one hour to get used to the car. And as mechanics and reporters closed around him. You couldn't help but feel like you didn't belong here. Where did you fit in? The reality hit you and it hit you hard. You hid in the back corners of the garage, eyes glued to the screen as everyone passed by without acknowledging you. You would happily hide in the shadows where he shined but this world wasn't meant for you. The anxiety was picking up at you, eating you alive from the inside.
And when Ollie got too close to the wall, your heart stopped beating. He was driving a car that was twice as fast and twice as dangerous than his normal F2 car. It was too much. The sound, the danger, everything really. Breathing suddenly seemed so hard and you needed a way out. As you hide behind the garage you call the one person who could understand. Terri picks up in the second ring her soft voice already calming you.
“Hey love. Is everything alright?”
“How do you do it? How can you stand back and do nothing?”
“You love him, don't you sweetheart?”
“I thought it was obvious.”
“Well … no I always hoped but… whatever the case, to answer your question you simply do it, you just have to. A driver needs his support system and you are it for him. You are his forever person, whether that is romantically or not. He needs to be near you and as much nervous as you are, so is he. Without you he would be lost, believe me I know my son. And I can bet you that as much as your heart breaks right now, you are also immensely proud.”
“Of course I am. But where do I fit in, in this world.”
“Right beside him, love.”
“Thanks Terri. Please call David. I think he is losing his mind and he is sick with worry.” You say chuckling before saying your goodbyes and head back towards the garage. The session is already over and Ollie is nowhere in sight.
Ollie plays with the power button of his phone trying to calm down but to no avail. The lock screen is a photo of the two of you. It was last summer both your skins flushed and hair slightly wet and tangled. You both smile at the camera and your eyes look bright with happiness. He feels slightly lighter but he knows that there is an impending panic attack and so he turns to the one person who could help him in this situation.
"I got your text," you say, tiptoeing inside and shutting the door behind you, careful to not make any loud sounds to scare him. "How are you doing?”
Ollie is sitting on a massaging table, elbows on top of his legs and head resting in his hands. His eyes are stuck on the floor, his silence is defeaning. When he still doesn't answer, your heart rate picks up. Is something really wrong?
You make your way over to him, hands finding his cheeks and softly tilting him up to look at you – and you swear you've never seen him look this wrecked before. Not after his worst crashes, not when he lost the rookie championship last year, not when he was cheated out from the Formula 3 championship. Once again, you've entered completely new territory, and your heart breaks at the sight.
"Ollie, talk to me," you plead, holding back the tears that starts to form on your eyes and threatento spill. It's so painful to look into his eyes, but you can't back down. Not now, not when he needs you this much.
"I'm-" his voice cracks but he shakes his head, clearing his throat. "I'm so nervous, I don't know what to do."
It's like he's oozing anxiety, and his heavy sigh is like a stab in your chest. Ollie, your usually so calm and collected best friend is probably going crazy over this – you know him well enough by now to understand that he's definitely freaking out even more on the inside than what he shows or tells. He is a messy jumble of nerves.
"I get that. One hundred per cent. But.." your thumbs begin to stroke over the skin of his cheeks, along his jaw, and then finally across his eyebrows, to which his eyes flutter closed. "This is your dream. It's been your dream since forever, and now you finally have the chance.”
"And it's not just any car, it's a Ferrari. Do you realize how cool that is? Do you realize how many people would kill for an opportunity like this?" You smile at the sight of him with his eyes still shut, eyelashes resting atop his cheeks, messy fringe covering his forehead. Even like this, at his most stressed state, he's completely gorgeous, not that you would ever tell him that. "You would've killed for an opportunity like this just 24 hours ago."
"But what if I ruin it?" His voice is barely above a whisper when he speaks, shoulders slumping forward. "What if I go out there and I'm shit, and then they realize what a big mistake they've made by even putting me in the academy? What if-"
"It won't happen." His eyelids slowly open and he looks up at you, seemingly not even the slightest upset that you cut him off. "You're too good to do that. You'll get in that car and it will feel like your second home, just like it always does."
Finally, a small smile makes its way onto his lips. It's only been a few minutes since you came in, but he seems much more relaxed now, leaning into your touch completely. "I'll try my best to make you proud."
“I'm always proud of you, you mufflehead.”
A laugh bubbles from his chest and he stands up from the table, opening his arms wide and pulling you in for a tight hug. His heart is still beating louder than a drum in his chest when your ear is pressed up against it, and you're almost worried it will jump out any second now. But his breaths are much more controlled now, and his mind seems much lighter. And soon enough his heartbeat slows to normal.
“I bet that in twenty four hours not only will you finish the race, you will score points and beat Max Verstappen.”
“Let's not get ahead of ourselves” he says chuckling. “God, my neck is killing me.”
“Sit down. I've got you.” And so you start massaging his neck. It's stiff and hard under your hands and he lets a small groan as you untangle one of the knots that were quite painful. After a few minutes he is putty in your hands, his eyes closed, trusting you completely and feeling at ease for the first time in the past two days.
True to your world, Ollie crosses the finish line in seventh place, having gained points in his debut. But the one thing that kept him calm through the process was the thought that she was waiting for him in the cool down room. When the race finishes and drives the car back home he jumps from his seat and he can't get fast enough to her. People around him are praising him and congratulating him but they all fall to deaf eyes.
When he finally gets into the room to change into new fireproofs, she is patiently waiting for him. Her eyes are a little misty and her face flushed.
“I told you.”
“I didn't beat Max.”
“Still.”
She closes in on him and her hands are thrown around his neck, he reciprocates the hug immediately as his heart beat finally slows down. They doth draw away after a while only for him to dive back into her and kiss her firmly on the lips. Shock petrifies her and when he stops, he places his forehead on top of hers. He is a flustered mess and he is mumbling apologies, before she reconnects their lips.
For the following hours Ollie sports a shit-eating grin on his face. Everyone thinks that it is because of his amazing performance and not for kissing the girl that held his heart captive since they were five years old.
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princeoftheeternalbog · 6 months
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OP characters reacting to you kissing them and running away (here's part 2) established relationship ish. Feel free to ask for other characters.
ALSO I've definitely seen another creator who did this idea with op characters but I can't remember who so if someone could tell me I would really love to credit them :(. I tried to make mine different but still it's the principal of it.
Slightly suggestive in some parts so mdni.
Luffy
Thinks its a new game like tag but with kisses and it ends up actually becoming one. You'll both wait for the other to become distracted and then you'll strike, planting a kiss and sprinting off around the ship or the island you're docked at. It's not hard to chase after each other because the trails of laughter are so easy to follow and it always ends up with one of you on the floor from a tackle or something similar.
Zoro
Gobsmacked. Genuinely his jaw drops especially if there's other people there and you get away so easily only because of how long it takes his brain to boot back online. Oh but he doesn't let it go. He waits until you're in a similar situation, either talking to someone or doing work and he sneaks up to pull you into a deep, intense kiss that leaves your knees weak. Like he fully puts the moves on you, hand on your lower back, other hand cradling your jaw, hes literally licking into your mouth and then he just disappears for the rest of the day. Asshole.
Sanji
You are not running away from this man. Not in a scary way but he can't do just one short kiss, as soon as you're leaning in his hands settle firm on your hips and that grip is not something you can wiggle out of. You can try to run away but he just laughs at you and pulls you closer to him, ofc he would let go if you actually wanted him to but he knows what you're trying to pull. Says something like "Oh? Trying to run darlin? How sweet." swoon- Just don't even bother, he will always try to win if your affection is involved.
Nami
Honestly thinks nothing of it. A lot of your affection is sweet but quick because yk pirate life. But if you look disappointed from her lack of reaction then she catches on quickly and starts playing along. So sweet even though she can be scary. Oh but don't try to run if she's initiating, like Sanji you aren't going to get out of her grip. If she wants to shower you with affection, she is going to thank you very much. If you do manage to slip away she's surprisingly quick and surprisingly stealthy. Like you'll think you got away and you walk into a room and she drops down from the ceiling like fucking batman.
(maybe not that dramatic but shes good)
Robin
She lets you run away but only because she knows she could summon a mouth to kiss you at any time and in any place so she's content knowing she always wins. Also thinks it's really cute when you try to rile her up like this, she just finds it so endearing and usually ends up playing into it anyways- "My, my, aren't you getting so bold my love". Sometimes will purposefully trip you up while you're doing these antics so you can't get away or so you're plan is ruined, absolutely pretends she has no idea what you're talking about.
Usopp
Highly likely he was doing something when it happened. Highly likely he dropped something onto his foot as a result. Yowls like an injured cat and then when his brain catches up it's like steam comes out of his ears. Stands there with his mouth open and pointing at you like you betrayed his entire family. Very funny and very cute. Also a possibility of him smacking you out of fearful instinct in which case he'd probably cry his eyes out and beg for forgiveness. Nami makes it worse by punching him in the face for hitting you. A mess all around if you get him at the wrong time so just be careful.
Ace
Immediately sprinting after you, it's actually a bit scary. But like hey he's not letting you get away with just one measly little peck on the cheek. Absolutely nobody on the crew helps you unless it would be funny, i.e. someone tripping Ace up so he faceplants. If it's near the beginning of your relationship then you likely go back out of concern which he takes as a chance to catch you, but if it's later then you already know this man's antics and you know he wouldn't be injured just from tripping so you use it as an opportunity to get away💪. You still have to kiss it better later though when hes whining to you about how cruel you are for leaving him in the dust(he would do the same).
Izou
Don't bother. As soon as you turn he snatches you by the back of your collar and pulls you onto his lap, proceeds to resume his conversation like nothing is wrong but his arms are firm around your waist and his cheeks and ears are a particularly pretty shade of red. Once his conversation is over and the other person has left, he turns his attention to you with a very pointed look. He's not actually irritated but if he enjoys watching you squirm that's his business. "If you wanted a kiss you should've just asked my love" and then he's practically devouring your mouth. Doesn't care about the other people in the vicinity. Doesn't care that he's smudging his lipstick. Just wants to fluster you more than you flustered him.
Marco
Do you even want to run away from this man lets be real- anyways.
If he's doing work then he just laughs and lets you get away with it, tallys it in his head for later, but if he's free and hes in a good mood then he absolutely plays into it. Will chase after you. Will cheat by using his powers. Its a bit scary but also very attractive, somehow ends with him pinning you in some way (☺️), looks very smug when he wins. Like you'll end up flat on your back, legs trapped under his and his hands restraining yours and he's just grinning- "Oh what a surprise. You were so easy to catch-yoi" Yeah yeah shut up. Absolutely asks what his reward is just to see your shocked face (absolutely asks again later when you two are alone).
Sabo
VILLAIN!!!!!! Sorry only way i can describe how devious and obsessed this man would be. Like Izou he tries to snatch you immediately but you planned for this so you manage to spring out of his grip in time. You falter a bit at his reaction then because he just blinks at you for a while. You start to feel a bit nervous and when he finally grins at you, you definitely feel nervous. "Playing like that are we honey? How about I give you a headstart then?" Evil. You know he's going to catch you. He knows he's going to catch you. He's just giving you false hope but yk hope is hope so you take the chance.
You don't get far. It's not even fair how quickly he catches up to you and gets you underneath him, it takes him barely any effort, not even a strand of hair is out of place. Spends the next 10 minutes kissing you on the floor of the hallway until Koala comes back and promptly drags him back into his office.
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eff-plays · 5 months
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Idk if this is a hot take of any kind but I actually really like that Astarion's romance starts off in an unhealthy way and evolves. That's like ... the point? Ya know?
It's interesting. It adds layers and conflict. It allows for growth and evolution. And Larian have claimed multiple times that it was on purpose, that many video game romances have sex as the culmination while here, some characters will fuck you immediately but then what? What happens after? Sex isn't the reward, but part of the relationship. There is more beyond. But people think that there being stuff beyond sex means that that's the only value that exists, and that the sex adds nothing. But in Astarion's case, it's extremely important?
It's complicated. His relationship with sex is complicated. They did it on purpose. That's the point. So what if it's not "uwu soft trust me I don't want sex please let's just hold hands" from the start? He doesn't trust the PC from the start, so why the fuck would he agree to that? He doesn't know them at all. He needs to do things his way because he's not ready for anything else yet. And if you feel sad for him, that's fine, because it's meant to be sad? But to the point of it becoming anger at the people who wrote it? That's weird, man. Astarion isn't real, you're not hurting a real person, and he literally asks Tav for it? In my case, he asks them twice before they say yes. They're not forcing him into anything. The only time you can force him is after the Araj scene, and he immediately breaks up with you after. So he's clearly perfectly capable of ending things if they get too toxic.
I swom to Jon just romance someone else at that point. Idk if this is my romance writer brain talking but well-written, not contrived, and non-abusive conflict is actually rare and sometimes difficult to write, but IMO every good romance needs conflict. Because at the end of the day, it's also a story?
It's not perfect because it's not meant to be. It's meant to be a starting point to evolve from. Sometimes things can be unhealthy without being abusive or problematic TM.
Anyway. Yeah I like how fucked up it is. Because Astarion is fucked up. It makes it more real and more compelling. I made my Tav fucked up to match.
"Well my Tav wouldn't fall for it and would realize ...!" Roleplay harder. Clearly Tav/Durge aren't meant to pick up on his manipulations from the start, or overlook them, or fall for them. There's a bajillion different ways to justify it. If you can't see past your own meta knowledge, romance someone else.
But if you really want the relationship to start without sex then just write that fic? Why are you demanding that Larian caters to your specific tastes and sensibilities? They had a story to tell and they told it. You not liking it is neither a personal a slight against you nor their problem.
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kitsu-katsu · 7 months
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No but I hate so much the fact that the amatonormative relationship hierarchy is so strong that romantic relationships are always referred to as More Than Friends™
If two friends seem to be forming a romantic relationship, it can't just be that the relationship is shifting into something a bit different, it is strictly More, and it's especially more not only compared to what the people involved had before, but it's also more than any other platonic relationship they hold. Other friends are expected to "know their place" in the relationship hierarchy despite sharing many more years of a connection with the people involved, because if the romantic relationship is More, then their platonic bond is Less, and it's just how it "should be" and if people get sad that their friend is isolating to their romantic partner only, restricted to only doing what they want to do, stopping speaking to them if their partner chooses so, leaving them behind all of a sudden because they are strictly Less Important, then they are actually ridiculous and should control their emotions because "of course you're less than their new partner"
And this then also translates to people not breaking off toxic, unhealthy or just simply incompatible due to life circumstances romantic relationships because then "they'll lose their partner". Because they already became More, so if they break it off, they'll become Less again and that's scary, and it can never be the same, because it's not just a simple shift where in many cases things don't even change that much, no, if they shift again they're essentially "breaking something sacred", something coveted, they're destroying the whole bond in every which way by Becoming Less. Not even getting into how society expects people to hate their ex-partners, or at the very least be very awkward about them, so people at large really cannot fathom the fact that maybe the change of relationship title was mostly just that and didn't change the dynamic so drastically that changing it back to "just" friends also wouldn't shake the foundations of the interpersonal bond at all. No, if they shake things up, they'll irrevocably lose their partner, they can never talk the same again, they can't share a laugh, they can't coexist as they did because now they're Less
And how this also impacts how people from outside claim to know more about the nature of a relationship than the people in it. Because "You're acting like More", "You can't really think that you're Just friends", "Look at them, 'Just Friends' don't do that, what they have is Deeper, it's More" or on the other side "You don't act like More, how can you say that you're partners? That's not a Real Relationship"
This devalues all types of relationships. People aren't allowed to put the title they want on it themselves. If you want something that's not either like a QPR you're breaking every rule and "actually it's Just a Friendship" or "actually you're just scared to call it romantic because you gave commitment issues but it is". And the people who buy into the More and Deeper can get so wrapped up in that ONE bond being More Than Any Other, that if it breaks, they've isolated themselves into it and pushed their friends away for so long that not it actually became the One Bond they had left
It damages Everyone
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We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom
Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools
[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]
I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.
And like Latino-fetishization aside, I feel like he's not written as a human.
He's written so flat.
I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN
which is so funny cause like... I feel like Miguel is Just A Guy
I know they're easy to overlook but I think about moments like these all the time
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But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.
And he's fine with that.
Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.
He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'
and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.
Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.
I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.
Miguel and His Role as Canon
I could see Miguel taking his role as boss very seriously - the same way he took being a father.
Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.
Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'
Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'
And I think that really says a lot about how he feels about his own choices, and his own daughter.
Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.
And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.
To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.
Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.
But in Miguel's case - it was his fault. It wasn't suppose to happen.
That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.
When things are under control, Miguel is fine. When things aren't, Miguel isn't.
Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.
That's why he sees letting people die in canon events as 'the right thing'.
It's the trolley problem.
A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?
What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.
Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.
When canon events happen, there's no one to blame. When anomalies happen, there is.
Miles and Miguel
Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.
When I look at Miles and Miguel, especially in this scene:
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I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.
When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.
Miguel didn't know. But Miles does. And that's what makes Miguel so furious.
Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.
Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.
The only difference is Miles knows. He has a chance.
Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.
Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.
Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.
Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.
He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.
Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.
Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.
Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.
If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.
So he does it to Miles.
Miguel as a Boss
I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -
And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'
And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.
Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.
I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.
By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.
I mean, what Spider-man doesn't?
Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.
Miguel's Personality
Tbh - I don't think he's nearly as angry as fandom makes him out to be.
He was raising a child. I imagine that for the most part, he's pretty patient.
Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"
I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.
But I also like to imagine that most of the time, he's just like that normal boss as Target.
And a lot of his day is spent doing boring mundane things.
He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.
Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.
And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.
Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.
He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.
The other Spider-people - like Pavi - wouldn't have joined otherwise.
If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'
Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.
I think it's because Miguel is good with people, a lot of different types of people.
He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.
Sure his humor may be dry, and his personality tame, but he's just him.
But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.
Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.
Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.
DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.
DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.
Anyways stop avoiding Miguel's Kenergy.
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theminecraftbee · 4 months
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task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.
Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.
Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.
Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.
Mumbo: NO RESPONSE GIVEN.
Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.
Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.
Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!
Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.
Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.
Lizzie: NO RESPONSE GIVEN.
Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!
Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?
Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?
Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.
Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?
BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.
Jimmy: NO RESPONSE GIVEN.
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bluegiragi · 6 months
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I'm not sure how I found your account but I have loved all of your creations. They have fueled my hyper-fixation for Call of Duty.
When it comes to your Monster au, are there any characteristics from the team that you see them having that you haven't been able to draw out in a storyline?
that's such a good question omg...it'd probably be all the ways that the 141 grew up.
(warning - lots of reading under the cut)
Price is a dragon hybrid, which means that historically his kind has not had amazing relationships with humans or each other. Close-knit dragon communities are still really rare, since instinctively they're extremely territorial and require space to themselves and a way to assert their own strength and hoard. But, sort of by government mandate, dragons need to keep within designated areas in case they accidentally torch a human city y'know. So he did grow up in a colony, but all the families there tended to keep to themselves, exempting mating season and the occasional territory fight. He left to join the military when he was pretty young, all things considered, and I think he did it mainly out of boredom. They were happy to have him of course - dragons are massive powerhouses with long lifespans, and very rare in their ranks (they dislike being ordered around). Price would like to think he's destined for a quiet life, but his job really let him wreak havoc and he took pleasure in indulging that primal urge of his. He grew out of that destructive phase though - nowadays, his priorities consist of taking care of his team.
--
Soap is a werewolf, which is a monster that subscribes to the 'it-takes-a-village' kind of mentality for raising a child. The Mactavishes are an average werewolf pack, with Soap, his parents, his grandparents, and his two sisters (one older, and one younger). Wolves are social creatures, but the older generation likes to stay within their own kind, if only for safety reasons. Soap's always been a go-getter though, so joining the military for a chance to see more of the world just made sense to him. Full-blooded werewolves are pretty sought after in the ranks, but they're a relatively newblood kind of monster. Superiors will often do their best to tame wolves and bring them to heel, with differing levels of success. If you win their loyalty, they're yours for life, but do them wrong and the pack will turn on you. Because of that danger of mutiny, officials will tend to keep it to one werewolf a team, despite them being stronger together.
--
Harpies are typically solitary and aren't very present parents, since they'll raise their children until they're 16 then dump them somewhere and tell them to survive. It sounds ruthless to most, but it's just how their culture is and it's how Gaz grew up. He's a resourceful type, and joined the military as soon as he could. Harpies are actually one of the more common monsters used in the forces, since their eyesight and wings make for pretty amazing scouting forces/snipers. In saying that though, there's no automatic comradery to be found between two harpies on the same team - in fact, they'll usually be combative at worst and cold/distant at best. Historically, harpies have found pride in their own independence, so being forced to interact/work together can be seen as an insult. Gaz himself is pretty charismatic and cool-headed, but even he'd get irritated if he was forced to share space with another harpy. He was shipped around between teams a lot as a lead sniper before he got promoted and met Price.
--
Simon is a wraith, but before that he was a normal human, if a bit freakishly strong. His time in the military was an escape from his home life, and after he became a wraith, that distance between himself and the human world only grew. Not a lot is known about wraiths, because the only way you'd be able to study one is if they let you and wraiths are inherently extremely private creatures with a tendency for extreme bursts of violence. They're also almost impossible to catch/imprison, so Simon's an asset the military is determined to hold onto.
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oddballwriter · 1 month
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Calling Them your Husband
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Warnings: nothing really 
Author’s Snip: I just wanted to make some tooth-rotting fluff so enjoy
I’ll shut up now. Enjoy! And don’t be afraid to request.
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Steven Grant
When you call him your husband, it was originally a joke, sort of
Your friend called you while you were out doing errands with Steven and they asked what you were doing, to which you said "I'm out with my husband getting stuff done."
Steven just blushes and does that goofy little smile he does because he's never heard you say that but now he wants to hear it all the time now
You guys are in a long committed relationship together and you two have been living together for some time now but he's been too anxious to ask about possibly getting married some day. Not knowing if that's something you want or if you just want to cohabitate as a couple instead
But now that he heard you refer to him as your husband (even if it was a little joke) he wants to marry you in a heartbeat so that you can actually call him your husband and he can call you his wife/husband/spouse
He just thinks about it the whole day but doesn't say anything to see if you will call him that again in case pointing it out will cause you to stop. He is a bit more affectionate though, sneaking in a pick on the cheek or something and secretly making goo-goo eyes at you
When you get home and you aren't in range of seeing it Steven starts looking up engagement rings and prices to see which one would look nice on you and try and save up money
Steven also starts to subtly, at least as subtle as he can be, ask you about if you want to get married someday
He's such a dork though, bless his soul, in his brain he's just kicking his feet and giggling. He's looking at prices for venues and planners already.
Marc Spector
Marc has it in him to get married, we know that
But in his mind he doesn't really see himself as "husband material". He thinks that he's got too much baggage that you'd have to deal with if you were married
He acts like you two haven't been living together and splitting the bills and stuff, which is sometimes what marriage is, in the most domestic way possible
To him, he can't really see himself being able to do the whole marriage thing all over again
That was until some drunk creep was hitting on you while you and him were on a date and you told the guy "I'm with my husband" which warded that guy off
For some reason you calling him your husband while you locked your arm with his just washed those feelings of doubt out. Something about it just made him feel so confident
Like "Yeah I'm their husband! Back off!"
After that Marc was more open with himself about the idea of letting that title back into his life and getting to call you his spouse too
He more so likes the ability to call you his spouse. Possessiveness is in him and by god does getting to call you his spouse feed it
Marc will ask about the idea of marriage sometime after that just to see if you like it
If you want to get married then he's on board. But if you think cohabitating suits you better then he's fine with that too
So long as you're there together and you love him then he's content and happy
Jake Lockley
Damn right he's your husband
Honestly ever since you two got serious with your relationship, became committed to each other, and moved in he's just been like "We are married now" in his head
He's never said that out loud but he knows that the feeling is there with you too
It wasn't until you semi-jokingly called him your husband when some girls were checking him out and you huffed and puffed about it
"What's the matter? I wasn't flirting back." "Well, excuse me for not wanting some giggling college girls to be eyeing up my husband."
And that just... made him feel something, in his heart and in his pants
No but seriously. After that night cohabitating and acting like a married couple wasn't enough. He needs to put a ring on you and vice versa
He will go down to town hall and get those damn papers and buy the rings right now
Jake was originally just going to wait until you said that you wanted to get officially married, but he just can't anymore
In the morning you guys are going to buy rings, get the papers filled out, and planning the wedding
He's got the wedding planner on speed dial and a house with a picket fence in the nice part of town ready to go, just say "I do" please
Honestly at this point he never wants to hear his name come out of your mouth ever again. To you, it's either "hun" "hunny" "dear" or "sweetheart"
Light of his life, air in his lungs, fire in his loins
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Taglist: @my-secret-shame-but-fanfiction
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