WOMEN OF NOISE FOR PALESTINE
41 tracks from great experimental artists. All proceeds will be donated to the Palestinian Children's Relief Fund. Listen and purchase HERE:
As always, thank you for your support!
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Pharmakon at 529, Atlanta, GA, December 1st, 2023. Photos by me!
(Please credit me if you repost these!)
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SpookyBlunder 2023 mixed by @x2s
Genres: Bass, Electro, EBM, Industrial, Power Electronics, Experimental
Tracklist
Fleck ESC - Thirst
Blakk Harbor - Open Body
Truska - Fervour
Heap - Beat Nouveau (Gamma Intel Remix)
Artik - Telephatic Abilities
Avalon Emerson - Wastelands and Oases
Tzusing - 4 Floors Of Whores
Gamma Intel - Nul Perspectief
Gamma Intel - Doelloos
Haiku Hands - Mechanical Animal
Feloneezy - Pick Up the Phone
No Moon - Small Moves
Nothus - Sesso Orazio feat. Delikwe
Cassius Select - Emergency D
Rise Black, PX - Platform
Estebahn - Ode to Thomas
Theus Mago - No Money (Csmnt61 Remix)
E-Saggila - Shd
No Moon - No Way Back
Simulant - Optimal Flow
Cleveland - Gamma (Piezo Remix)
phormix, Bboris Barksdale - slip the pick
Annanan - Parallel Dimension
TWEAKS - Peeping Thom
Blakk Harbor - End Is Just The Beginning
Dopplereffekt - Hypersurface
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teeth dreams (feat. UBOA) // Disco Brut (Miscellania) // 22 Feb. 2024
played a pretty neat set a couple weeks ago. the incomparably lovely @uboatheflesh raided towards the end. free palestine.
📷: photoyunist
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Himukalt - Seven Memories
from:
Himukalt / Subklinik - Seven Memories / Human Meat (Cloister, 2024)
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Pharmakon at St. Vitus, NYC, June 2023.
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143. PHARMAKON. 2023-12-19 @ Das Werk (w/ Pfarre).
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Japanoise: Music at the edge of circulation - David Novak
Want an academic Ethnographic study of the Japanese Noise scene and artists.
Here is the blurb from the back cover:
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.
For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?
In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.
You can get it from my Google Drive HERE
You can also get it from the Japanoise website HERE
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