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#Paul Stewart
moritztiefel · 7 months
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paul stewart & chris riddell, the last of the sky pirates (2006)
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vote YES if you have finished the entire book.
vote NO if you have not finished the entire book.
(faq · submit a book)
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citizenscreen · 16 days
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Paul Stewart and John Forsythe on set of IN COLD BLOOD (1967), directed by Richard Brooks
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fuckyeahfarleygranger · 3 months
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Farley Granger, Adele Jergens, and Paul Stewart in a promotional photo for Edge of Doom (1950)
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joanofarc · 18 days
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too good to be true, blueboy (1994).
driving in your car speeding through sky blue i'm in love with something new something positive political and too good to be true a dream come true
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ozu-teapot · 1 year
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Chicago Syndicate | Fred F. Sears | 1955
Dennis O'Keefe, Allison Hayes, Paul Stewart, Abbe Lane
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rushingheadlong · 2 years
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Tim Staffell Live Talk - May 2022 - Transcript
On May 20, 2022 Tim Staffell gave a 40-minute live talk (and performed with Paul Stewart) ahead of a Bohemian Rhapsody screening at The Exchange in Twickenham. This is a transcription of that event.
Huge thanks to Ribbit London for recording the original audio, and to @riaaanna​ for sharing it with me so I could write up this transcript!
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[Transcriber Notes: Tim has a slight stutter and speaks with a lot of disfluencies (restarting sentences in the middle, using “um” and “uh” a lot, etc.). I tried to strike a balance between a literal transcription and cleaning this up for ease of reading. Most of the stutters have been omitted, but I kept in any disfluencies that didn’t interfere too much with the flow of what was being said.]
Jim the Emcee: You’ve got an amazing screening tonight. I’m going to keep this bit really short so they can fit in as much as they can. Once again, Tim Staffell and Paul Stewart!
(Audience applauds.)
Tim Staffell: Thank you, Jim. You’ll know this…
(Tim and Paul play “Doing Alright”. Audience applauds.)
Paul Stewart: Thank you.
Tim: Well, of course that song features in the movie. And, um, and I know that Queen themselves recorded it in the early days. I used to think that, perhaps, the… It featured on their first album, I know, I used to think perhaps the reason for that was because when they were coming up to recording their first album they didn’t have enough material, so they decided, “Oh, well we’ll use one of the songs-”
Paul: This is going to be a theme for this evening, maybe. He’s going to distance his own ability and go, “Oh, humble me”...
Tim (talking over Paul): No, no, no, no, no. I really-
Paul: …and I’m saying, because it’s a fucking good song.
(Tim and audience laughs.)
Paul: Which you wrote with Brian, right?
Tim: Yes, it’s true. I really thought, you know, I really thought… I really thought, oh they’re bound to have said, “Oh we’ve only got eleven tunes. What can we do for the twelfth one? Well uhh, uhhh…”
Paul: “What’s that one, been rattling around-?”
Tim (laughing): Yeah, what’s that one been rattling around! So I- You know- But actually it’s crazy because it’s done extremely well and it features in the movie, and I find myself in this latter stage of- late stage of my life with a degree of scrutiny that I wasn’t expecting at all.
To fill you in on that, I was always surprised that when Queen biographies existed - and there have been several of them - and articles that occurred in the early days they always gave me a name check, and I wasn’t quite sure… I always felt mildly embarrassed at that, and the reason was because, you know, I’m- one is aware of all sorts of big-name bands - I mean there were very few that were as big as Queen, I appreciate - but even so, you know, one is still aware of all sorts of big bands but you don’t know the history of those bands. And I always used to think, “Well the history of Queen is exposing me! Why? I- I-”
Paul: Well, well but okay, here he goes dissing himself again, right? (Laughs)
Tim (over Paul): No, no, no, no-
Paul: No, it’s because you were really important to the growth of them. Right from the beginning, with Smile, and Brian and Roger and you, I mean god’s sake-!
Tim: Well it is true- it is true that people have ascribed the eventual sound of Queen as having its origins in the work of Smile. And I suppose I agree with that, although I wouldn’t want to base my own career on it, in case it wasn’t right. But I suppose the Smile album does contain in it the embryonic roots of Queen.
Paul: Yeah but- Yeah but bringing it right up to the- up to now, we’re all going to see this movie tonight - which is a great movie, if you haven’t seen it already you’re gonna really enjoy it… Yet it may well be that several of you have seen it several times…
(Laughter and “Yeah!” from the audience.)
Paul: Umm… How did, how did your involvement in it come about then, Tim? What- I mean-
Tim: Well- Well I mean, I’ve tried to keep a respectful distance from them over the years but I knew the Queen movie was happening. And the last I heard of it, it was- Sacha Baron Cohen was involved and I remember thinking to myself, “Oh, god, how’s that gonna work?” Because I mean I was never- to be honest with you, I was never a big fan of his. I didn’t respond much to the Ali G, uh, thing, cop comedy, and I didn’t actually respond very well to… What’s that- What’s that guy? Borat?
Paul: Borat.
Tim: Borat. Yeah, I- (disgusted noise)
Paul: Anyway, anyway…
Tim: I used to have to turn the telly off because I was embarrassed! But um, but then suddenly Brian phoned me up in 2018 and said, “Well we have a small section in the album- in the movie, which details the Smile- the original Smile, um, thing.” And it’s just a gig, you know, a small gig and this scene is that Freddie, played by Rami Malek, um-
Paul: Brilliantly.
Tim: Brilliantly. Had come- Comes and sees Smile, and of course it’s a bit of artistic license. It didn’t really happen because, as you all know, Freddie and I were good mates at Ealing College and we used to go to each other’s gigs all the time. So, um, so the epiphany that he had going down to the bar in the beginning of the film was- is- that’s artistic license.
But what Brian said was they were having some trouble in achieving an authentic 70s vibe for the sound of the band. And they were trying to hybridize it by using stuff from earlier recordings, from the Queen recordings, and Jack Roth - who’s Tim Roth’s son, who played me in the movie - he was singing it perfectly adequately, in fact perfectly well, but it just wasn’t- it didn’t… It didn’t have that kind of visceral 70s quality, so I-
Paul: That rough, rough…
Tim: Yeah so I assumed that Brian had just said to Roger, “Who do we know who’s a bit rough who’ll come and do this?”
(Paul and audience laughs.)
Tim: So anyway they phone me up and I went to Abbey Road Studios and recorded it, and I didn’t even know whether I could hack it. Um, but-
Paul: But it was good. And Brian asked you to play bass.
Tim: Brian asked me to play bass.
Paul: Yeah, yeah. Which you did.
Tim: Which I did.
Paul: And it’s all kept in the movie, right?
Tim: Yeah, yeah it’s in the movie. And, uh, and I’m very, very grateful.
Paul: But, now we have to look really a long way back, to when you - and I, ‘cause I went to the same school - I was in a band called The Others which was the school band- one of the school bands that we had back then at Hampton School down the road here. So some of the Yardbirds came from that school, and a guy called Murray Head, and also one Brian May. And you and Brian played in a band called 1984!
Tim: Well there were two school bands. I mean during that period- I have to say that I know it’s a poncy private school now but it was-
(Audience laughs.)
Tim: For eighteen years it was a state grammar school.
Paul: Yeah, it was.
Tim: And during that period of time I got a scholarship because my dad was poor, and me mum was poor-
Paul: Didn’t cost anything, by the way, excuse me-
Tim: No, didn’t cost a thing.
Paul: So how come you got a scholarship then?
Tim: What?
(Paul and audience laughs.)
Tim: No I just passed me 11-plus and they said, “You’ll do! You’ll do!” And so anyway… And then of course I blew it. And then I just- you know, I just became a long-haired rockstar at school.
So 1984 and The Others were the two school bands at the time. The difference- The main difference between them was that 1984 was largely a covers band, and The Others were an absolutely authentic 60s R&B band and they were running on the same tracks as the Stones were. And we aspired to be The Others. 1984 aspired to be The Others. And, you know, and Paul has- Paul has got such prominence in this story that I’m just delighted to have suddenly met him five or six years ago and found that we- we’re still-
Paul: We’re still in love.
(Tim and audience laughs.)
Tim: We’re still the schoolboys that we used to be! And, um-
Paul: And actually I have- I have- because I do remember Brian at school, and I remember we used to have kind of in break time, we used to have like “guitar-in’s” kind of, and he would demonstrate and he would always be the fastest and smoothest guy on the- on the guitar. But I do remember he had really, really short hair.
(Audience laughs.)
Tim: Ohh, yes.
Paul (over audience laughter): And he had the most massive ears. I don’t know how they are now, because I haven’t seen them in fifty years, right, his ears. But he was a- he was always a very cool guy and a really bright- he was always so bright.
Tim: Wasn’t it- I don’t mean any disrespect by this, but I remember someone said about Prince Charles, and I’m thinking about Brian as I say this, he said, “Oh yeah he looks just like a Volkswagen with the doors open.”
(Paul, Tim, and audience laughs.)
Tim: But so- Yeah well Brian was- I think Brian was- and I firmly believe he was the quintessential nerd.
Paul: He was.
Tim: And I think he still is. Because when I talk to him about, you know, astronomy - because I was always an armchair astronomer myself. I’m just as interested in astronomy, but I don’t have the academic underpinnings that Brian has - but Brian and I are able to converse about astronomical things-
Paul: For about two minutes, right?
Tim: For about- Yeah, until he leaves me behind. But I do know stuff! I honestly know stuff! I do, I promise, I promise!
(Audience laughs.)
Paul: Anyways, so- So! School- school finished and you decided that was enough, and you had your long hair and you decided to go to art college…
Tim: Brian went to Imperial College.
Paul: Yeah.
Tim: I went to art college but we did- But Brian was a mate. Brian used to come over to my house. I used to go to his house. We decided that we would stay together musically. And so that’s when we decided-
Paul: And then you decided to form- where you had a four or five piece band you decided to make it a trio.
Tim: Because we dug Jimi Hendrix and we dug Cream and we dug, uh… Well I mean you could even say The Who were a trio because, you know, Roger Daltrey was only the singer. I’m sorry Roger, but you know musically speaking they were a trio. Guitar, bass, and drums. And that’s what we wanted to be and we wanted to sing harmonies… We wanted to be an intelligent, heavy trio.
Paul: So this is you and Brian, but you didn’t have a drummer.
Tim: We didn’t have a drummer.
Paul: So what happened then?
Tim: Well we got a dustbin and uh…
(Paul and audience laughs.)
Paul: And what was his name?
(Tim and audience laughs.)
Tim: No we put an ad on the students’ union notice board in Imperial College for a drummer. And Roger turned up. Roger was a- I think he was at King’s College Hospital doing dentistry. I mean, I may have gotten some of this wrong but- and some of you guys may well have- be able to say, “No, you’re wrong! You’re wrong! You’re wrong!” But, um, and I’m sorry if that’s the case because I- my memory is, you know, god it’s such a long time ago…
Roger came down to a flat in I think Addison Gardens, was it? In Shepherd’s Bush. With his drums and he set-up and he played and we- our jaws just went clunk ‘cause they hit the floor because he was such a flamboyant player and we hadn’t seen anybody that skillful who was able to- There was this great thing he used to do. He used to stand on the bass drum pedal, hit the crash cymbal, and then hold it tight to stop it ringing. So it’d be [imitates drum noise]. And Brian and I- I think Brian and I compared notes afterwards. We went, “Wow!”
Paul: “That’s all we need. We just need-”
Tim: “We just need that!” Yeah. And of course Roger could sing and that was the-
Paul: Yeah, that’s right.
Tim: That was the- that was the…
Paul: So… So then you formed Smile.
Tim: Yup.
Paul: And you were still at college and you had this friend that you met that had a band, right? And his name was Freddie…
Tim: Freddie was- Freddie and I were in the same group at college, at Ealing Art College, doing graphic design. People often say, “Look, yeah but you know you could tell that he was special then, couldn’t you?” But actually, no, you couldn’t.
Paul: That was one of my questions.
Tim: Because we were all- We were just all aspirational teenagers. Well we weren’t… We were teenagers. Yeah, we were aspirational late teen hopefuls. All of us were. We all had plans. Freddie’s plans were obviously instinctively better formed because I think, you know, as time went on and as- before we graduated I think it became apparent that Freddie’s plans were forming in his head. You know I- if I’d bothered to pay attention at that time I’d have realized that he was much more focused than I was.
Paul: You know one of the things that I kind of recall from that, compared to how it is nowadays - I mean over the last few decades - is I don’t think any of us thought that we were going to be like massive stars and own loads of money and go on international tours… It kind of didn’t quite happen yet. Just starting to happen, wasn’t it?
Tim: Well…
Paul: Maybe Freddie had a vision…
Tim: Well except that I-
Paul: Maybe it’s just me.
Tim: Except that, um, that I do remember Freddie saying a couple of times, “I’m going to be a superstar, darling!”
(Audience laughs.)
Paul: Yeah.
Tim: And you know a lot of us in the class would probably say, “Yeah, sure you are, Freddie. Sure you are.”
Paul: But he was.
Tim: But we were proven wrong. And I think, you know-
Paul: Big time.
Tim: What we didn’t… What we didn’t- Because I think we were all- Those of us who were musicians, I think we were all competent but I don’t think we understood the value of presentation in quite the same way that he did. And history shows us that he developed it to a higher standard than-
Paul: Almost anybody else.
Tim: Almost anybody, you know?
Paul: Almost anybody else, in my opinion. And he was a great songwriter, I mean really. And a great performer and a fantastic showman, right?
Tim: Yeah, yeah. Yeah.
Paul: I mean he could put all three those things together, and you got the makings of this movie, right?
Tim: I mean people have often said to me, “Look, you know, weren’t you jealous?” And I say, well, I was envious. I wasn’t really destructively jealous because the point is I knew damn well that I was never that sort of performer. I could not do that. I was self-conscious, I was- I was confident that I was a reasonable musician but I was not confident enough to strut my stuff the way Freddie did. I mean-
Paul: So actually, I wanted to- I wanted to ask you this because I know you well enough, ‘cause you know I’ve known you for quite a few years now, more years than-
Tim: To call me an idiot, yes.
(Audience laughs.)
Paul: I mean a lot of bands that have made it, made it, made it have had casualties on the way. People who didn’t quite… They were fired just before the band made it and so they-
Tim: Yeah, yeah.
Paul: And a few of them are bitter and twisted, and you know they sue for a share of the spoils and all that kind of stuff. And I don’t see you in that light whatsoever. You are not that kind of person. And you, of course, made the decision on your own back to leave Smile because it didn’t suit what you wanted- It wasn’t your dream, right? It was maybe more Brian’s and Roger’s dream, you know…
Tim: Well…
Paul: And you had another dream.
Tim: Well to be honest with you I’m still waiting for the lawyer to get back to me.
(Paul, Tim and audience laughs.)
Paul: That ruins the magic.
Tim: No I tell you what… I’m just checking where we are with this… What happened was that I left because I’d actually- the point is I’d started to meet up with other musicians on a casual basis - well not so much casual just slightly jamming basis - and I was beginning to be seduced by this side of music that was completely different, which- It was like- It was blues and jazz in the sense that you could play a song one night and then you could play it the next night completely differently! And I rather liked that. I rather liked that improvisational approach to music. It meant that it was very, very difficult to refine songs to their best presentation but it was actually a lot of fun.
And I got- And then at that point I went to the States. Soon after- the minute I left Smile I went to the States for about four or five months and I played with a load of musicians there and they were all playing- improvising, you know, solos and improvising songs and I just kind of fell in love with that approach. And so when I came back to England I just searched out that kind of player.
Paul: Yeah, yeah.
Tim: And I think I’ve remained that way ever since. It’s not a recipe for success, unfortunately.
Paul: Well I mean it can be. I mean Hendrix didn’t do too badly, you know…
Tim: True, true. Very true.
Paul: But- but Queen’s inimitable style is very much more structured.
Tim: Oh, absolutely. Yeah, yeah.
Paul: The songs are very well-structured. And I just want to say this, because I don’t know that Brian gets all the credit he’s due for being the guitarist that he is, actually. He’s a very fantastic guitarist, you know. And in a structured environment it’s quite difficult to recognized somebody who’s just going to go off on one like Hendrix would have done, but Brian is a fantastic player.
Tim: Yeah, no, he is. He’s an extraordinarily good player.
Paul: And he’s such a good guy!
Tim: Yeah, yeah.
Paul: He’s a genuinely nice man, you know, and you don’t get that combination too often.
Tim: No, no. No he’s- like I say, he’s still the lovable nerd that he always was. You know you could tell, he redid his PhD, he’s well into the stereo… stereoscopy, is it called? With the 3-D? You know he has other interests, he has- he’s a wildlife champion, I mean you know…
Paul: And he’s just produced another album, right?
Tim: I think it’s a reissue, isn’t it?
Paul: Is it? Is it? Oh, yeah, I don’t know…
Tim: I believe…
Paul: And they’re just about to go on tour. Anybody going to see them? One or two, yeah, good.
Tim: Yeah.
Paul: Yeah, excellent. Okay, so!
Tim: So, um, why don’t we- Look I tell you what, look, I have this- I have three CDs to give away of mine, which Jim has somewhere, I’ve given them to Jim, and now you- They’re really good for resting coffee cups on.
(Audience laughs.)
Tim: So, um, but I have three seat numbers here and if you’re fortunate enough to sit in these seats you will be the recipient of a wonderful coffee cup holder. Coaster.
Paul: Signed!
Tim: Signed, by the way, yeah! So only have cold drinks, or otherwise the writing will smudge.
(Audience laughs.)
Tim: Okay, so, my first choice is seat B12 qualifies for a CD.
(Audience murmurs.)
Paul: Are you there? Oh, wow!
(Paul, Tim and audience applaud.)
Tim: And also- also if you fold the booklet up, it’ll go under the leg of a rickety table as well.
(Audience laughs.)
Tim: And the next one is seat number E4.
Paul: E4!
(Paul, Tim, and audience cheer and applaud.)
Tim: And finally…
Paul: A1?
Tim: No, no!
Paul: No.
Tim: That’s you! Cheeky monkey. Finally… J22.
(Paul, Tim, and audience cheer and applaud.)
Tim: Excellent, thank you very much! We’re going to continue with- of course, we’re running out of time, predictably. We’re going to run through a tune of mine which is- we’re talking about emotional stuff. This is a tune basically for people who are in prison. It’s called “Love of the People”.
(Tim and Paul play “Love of the People”. Audience applauds.)
Tim: Thank you!
Paul: Great song. Which album was that on?
Tim: Since… I suppose really I never- When I left Smile and I moved on I stayed as a musician for about six years, and then I think my wife started to exert pressure to earn…
Paul: Maternal instincts.
Tim: Yeah, so that was part of it as well.
Paul: You had four children!
Tim: Yeah, I had four kids. Yeah they- But I clearly had to- I mean a lot of you probably know this, I clearly had to change careers. So I went back to what I used to do initially which was graphic design and then I ended up- I got working in TV special effects. And in fact you probably know that I was the chief model maker on Tommy the Tank Engine-
(Audience cheers.)
Tim: - for the first series, and then continued working in film and TV commercial right up to 2000.
Paul: That’s a- That’s a serious career, that’s like 40 years…
Tim: It was the best fun I ever had, to be honest with you! I mean special effects is just such fun! You won’t believe it! And I mean I did a lot of animation, you know, stop frame animation as well. I mean, I just- it was, as a consolation prize for having been a failed musician-
Paul: Well!
Tim: -I couldn’t have wished for better!
Paul: There we go, okay then.
Tim: But the thing is I kept playing, and when I retired- during the years that I retired I decided to go back to it. And I’ve made three albums now. Four albums! Well, now, Paul we’ve got this- there’s an album- Someone’s- One of you lucky people has got hold of “How High” which is the album I did with Paul. And there are two other albums of mine, and in fact I just finished-
Paul: You’ve just finished another one. Just-
Tim: I’ve just finished-
Paul: -this week, you’ve finished mastering it.
Tim: Finished mastering my third solo album this week.
Paul: And what’s it called? What’s it called?
Tim: The album’s called “Wayward Child”.
Paul: Ah, yeah.
Tim: And-
Paul: And when- when and where can we get it?
Tim: Uh, it- Well I’m not sure yet, but within three or four months it’ll be available on Spotify.
Paul: Okay.
Tim: So all the other stuff is available on Spotify if you’re interested. I think I’m a good songwriter.
Paul: Yeah.
(Audience applauds.)
Tim: It’s important- It’s important to me. I mean, I’m a serious songwriter. Nevermind whether I’m good or not, but I’m serious about it. So, you know, with a bit of luck one or two of them songs might be pretty good.
Paul: I mean you’re one of the guys, ‘cause again I know you quite well, who… You feel something, something’s going on in your life, and a way of processing it and expressing it is to write a song about it. And that’s how a lot of your songs are, actually.
Tim: And it is true to say that when I left Smile, one thing I never dropped was the fact that I am hardwired to write songs. Even in, you know, even in all the other- even in the career and everything like that, I’ve always written songs. You know? And, um…
Paul: What’ve we got- How are we for time? Because we don’t want to interfere with the movie…
Tim: Don’t want to interfere with the movie… It’s two minutes past eight.
Paul: Shall we do one more- one more tune?
Tim: Yeah, let’s do another tune. We could do, uh… Well let’s do “Redwood”, do you think?
Paul: Yeah. Which is one of mine.
Tim: Yeah, we’re gonna do a- Having said I’m a good songwriter, we’re now going to do one of Paul’s.
(Audience laughs.)
Tim: Because Paul is a good songwriter too, and this needs to be public knowledge. So I hope you enjoy this song. I want you to tell everybody about it.
Paul: Yeah, yeah. It suddenly occurred to me, and I’d read something about in the late 19th century up to present day, apparently, the redwood trees in California, and they’re like a mile high and they’re beautiful, beautiful examples of, you know, of wild tree life, right? And what happened once they started chopping them down, chopping them up into sections, and shipping them out of California down through Arizona, New Mexico, chopping them up for firewood and flogging them. I mean, can you believe it? And I mean now it’s very important that those things are protected, but back in the early 2000s there was a Redwood League created to protect the redwood trees. And this is a little bit of a reference to that. I thought it was just disgusting.
(Tim and Paul play “Redwood”. Audience applauds.)
Paul: Thank you.
Tim: Well I think we’re just about at the end now folks so, I mean, enjoy the movie! We all know it’s great, I mean… The word is that they’ve done a cracking job of condensing 15 years into two hours, and although there may be some things that aren’t strictly accurate in terms of historical veracity-
Paul: The spirit-
Tim: The emotional content is maintained, and the emotional integrity is maintained. And I was proud to be involved with it, frankly. So do enjoy it.
Paul: Thank you very much, Tim Staffell. And thank you for coming tonight!
(Audience applauds.)
Jim the Emcee: Ladies and gentlemen, Paul Stewart and Tim Staffell. Thanks guys, thank you, thank you very much, thank you… We’ve got a really short interval because it’s quite a long film, so as my mate says…
(Recording ends.)
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pookiestheone · 1 year
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Paul Stewart Uncensored photo series
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tcmparty · 7 months
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@tcmparty live tweet schedule for the week beginning Monday, June 26, 2023. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.
Tuesday, June 27 — 8:00 p.m. THE BAD AND THE BEAUTIFUL (1952) An unscrupulous movie producer uses everyone around him in his climb to the top
Saturday, July 01 — 8:00 p.m. MAGNIFICENT OBSESSION (1954) A playboy becomes a doctor to right the wrong he's done to a sightless widow
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harrison-abbott · 1 year
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One of me fave books when I was a kid. 
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dearslugboy · 1 year
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letterboxd-loggd · 2 years
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The Window (1949) Ted Tetzlaff
July 15th 2022
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machetelanding · 2 years
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citizenscreen · 16 days
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Birthday remembrance - Paul Stewart #botd
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walks-the-ages · 1 year
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The author and illustrator duo behind the Edge Chronicles (Paul Stewart and Chris Riddell) also have................... a dragon rider series 👀👀👀
I am extremely excited by this, considering they managed to perfectly capture the dragon/rider bond....... with a wooden, inanime skycraft.
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2ndaryprotocol · 1 year
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The film adaptation of Truman Capote’s true crime thriller ‘In Cold Blood’ startled moviegoers this day 55 years ago. 🪦⛓🚨
“𝙸'𝚍 𝚕𝚒𝚔𝚎 𝚝𝚘 𝚊𝚙𝚘𝚕𝚘𝚐𝚒𝚣𝚎, 𝚋𝚞𝚝... 𝚠𝚑𝚘 𝚝𝚘?”
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