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#OKAY but im just going to critique this
stevethehairington · 5 months
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really fucking sick and tired of people who really fucking love the eddie book jumping on people who don't like or are even remotely critical of it's posts and like crusading their opinions around from the top of their high horses and shoving it down our throats.
if you like the book, great! that's awesome! love that for you! i am genuinely glad that you were able to find good in it and enjoy it!!
but not everyone did, and not everyone is going to agree with you. so, instead of going on some grand crusade where you find every single post that includes anything even remotely negative or negative adjacent or even neutrally critical and spending ALL this time and effort trying to provide unwanted rebuttals to every single thing, maybe you should just stay in your lane and find people who DO like the book and chat about it with them.
because i can PROMISE YOU, none of us appreciate it when you come onto our posts and start accusing us of "hating on" the author or "being rude" about her and her work and RIDICULOUS shit like that.
being critical of something and pointing out it's flaws is NOT inherently hating on it. i, frankly, do not know where people got that notion, but it's not fucking true so can we fucking quit assuming it is? and, critiquing something is also NOT the same as saying this is shit and it sucks and the author is a piece of garbage. again, where the fuck that came from is beyond me. you can be critical of something and still enjoy it. as soooo many of you love to point out, it's not perfect, why should it be perfect? so D U H. of course that means criticism can and should arise???
also. hot take (by which i mean ice fucking cold because it's NOT a fucking hot take), but going around toting FALSE facts as part of your "defense" does not make you or your argument look good. you, like the author, should maybe do a basic fact check first. 🙃
tldr, if you like the book, that's genuinely great, but stay in your fucking lane and stop seeking out posts from people who didn't like it to start shit in the notes.
#flight of icarus#stranger things#this has happened to me and to so many of my friends and im fucking SICK of it#i didn't even hate the book either!! i thought it was just okay#and yet i STILL get all these book lovers jumping down my throat about things i say about the book#things that - HONESTLY are not even like that scathing!!!!!#like god damn all im asking for is a little BASIC effort from the author and they all think thats me asking for her head on a platter#its NOT#i have no problem with the author#she's whatever to me honestly just a vessel through which the book was given to us#ALSO she is some nebulous blob way outside my orbit. AS IN any critiques i have of her and her work are NOT direct assaults on her???#like i dont fucking KNOW her#im not saying any of this to her face#she is a published writer she should KNOW the risks she is taking when she publishes her writing#not everyone is going to like it! there are going to be people who are critical of it! there are going to be people who hate it!#critiques and pointing out mistakes and wishing for things to have been different is not a fucking direct attack#those things are actually pretty fucking common responses to ANYTHING#and a lot of times theyre actually meant as useful helpful things geared towards improvement and not something to tear someone down with#some people on the internet need to go touch grass and learn how to CRITICALLY THINK again#the world is not as black and white as you think#n e ways. rant over. if you stuck around through all of that kudos to you. i am just. at the end of my rope with this bullshit.
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mokutone · 2 years
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@pax-thuban left these tags on a post:
#well. first of all. this is so. bittersweet #like screaming and crying and throwing up on the floor etc #second of all. maybe i'm looking too much into this but. #it's interesting to see that there's blood splatters on tenzo's face /and/ his mask #if i recall correctly. the mask covers his happuri as well #the implication that tenzo lost his mask during battle. put it back on presumably /still/ in battle. continued killing #idk. just hurts #like something something anbu work forces him to feel more comfortable wearing a mask and conforming to a nameless org and set of ideals#and forgoing individuality #or like. something something maybe he feels worse that his face got 'stained' because it's basically a reminder that 'cat' and 'tenzo' #are one and the same and not two distinct entities no matter how much he wants to separate his identity and his anbu lifestyle #and the fact that the happuri is blank and doesn't have a konoha leaf on it.... he doesn't feel connected to the community even as he kills #for it... #i feel like it's kind of obvious that it's significant that the comic shows tenzo taking off his mask as he shows his weariness/depression #regarding anbu work and then how he thinks about kakashi as a jonin sensei. like representing himself as tenzo the individual rather than#'cat' a faceless tool of konoha in the shadows #i also feel like it's kind of noteworthy that the perspective(? is that what it's called for images?) zooms in on tenzo's face #first panel is mostly black and tenzo's body is off-center(?). like his face is centered but his body's not. and that leaves more room for #the black background. but the second panel fills it up with the kakashi thought bubble and tenzo's body comes into the center to fill up #the bottom half. and then the third panel makes tenzo himself fill up more space. there's less 'darkness' now #not sure how to say it other than. his sole saving grace in anbu at the moment is preserving his self and bond with kakashi ig #i also like how the black background isn't pure black. there's a tinge of red(? idk it could also be orange? but i'm taking it as red) #like one hand. maybe a reference to the whole blood thing. a reflection of how he feels surrounded by that reminder of murder instead #of just it being select patches on his skin #on the other hand (and this might be looking too deep 😔) maybe how allusion to the sharingan. how even though he left root #anbu still feels very similar to it that he feels reminded of how he was watched by danzo? #sorry for rambling. i am in an analysing mood today #but i'm also not that great at analysing visual art lmao
nooo no sorries! this is really useful and EXTREMELY flattering to receive such detailed thoughts, i feel like im back in a School Crit Circle or something, which is really fun and helpful. Critique like this rlly helps me understand what people are bringing to my art when I make it and how it's getting interpreted, which as somebody who wants to tell understandable stories via images, is useful to me beyond what words can describe!
like—there's no "right" or "wrong" when it comes to interpreting art, there is my intention, but my intention isn't necessarily what comes out (like how kishimoto somehow accidentally wrote two teenagers who he meant for us to perceive as straight, in the pains and throes of love for each other. like he wrote that, whether or not he intended to. i dont even actually ship s/n bc it doesn't have The One Ingredient for me, but its...also something thats hard to ignore about the text)
and similarly, since theres no way to objectively read a text, when you read it you're putting it in your own context, finishing the painting yourself with whatever colors you've got in your palette to use
that said! I can answer for my intentions in some of these
The blood and the mask: Practically, you're 100% right! Mask needs to be off to get at the happuri. That he's got blood on both his mask, and his happuri, means that at some point in the battle, he lost his mask and then put it on. In terms of art, I did this because the juxaposition contrast between the blood and the small amount of joy he's taking in thinking about a scarecrow, felt really important, and I didn't want to lose that with the removal of the mask. I also put the blood splatter in the same place, coming in from Tenzō's left, and splattering upward across his forehead area. Practically, this would mean that he was in the same position by a spatter of blood twice, but symbolically this implies that he is or feels like the same with or without the mask—like u talk about them being the same entity. I didn't really do that intentionally though—like I didn't think about it. I just kinda was like "yea that feels right. anyway moving on."
No leaf on the happuri: I AGREE WITH YOU ABT THE SYMBOLISM...he doesnt feel connected to konoha in a Real way until he's co-captaining, I think. He needs to be allowed to LIVE in Konoha to be a part of it... That said, if I'm not drawing Captain Yamato Post-Sunlight-Exposure I straight up forget that he had the leaf at all–I know it's supposed to be a Danzō thing, but I keep thinking it's an anbu thing. Honestly, since I agree with the symbolism, whether or not I forget or make an intentional choice not to depict it really doesn't matter I suppose
The Zoom In: Kind of the same as the last! i felt in my heart that we had to zoom in...I didn't think about it in terms of ''lessening darkness'' although now that I've read you write that I like THAT reading much more—esp since so much of yamato's themes in canon seem to be about sunlight and darkness...there's an interesting reading of darkness lessening (because he takes up more space) without light gaining any footing (he's still, as always, situated in the dark) about like, the little things that one can do to manage their depression or a dark situation, even when they still aren't able to be fully FREE of it quite yet (if ever). I think, when I was thinking abt it, I was thinking about making Tenzō seem very small and alone in the first panel, and then even after thinking about Kakashi, he's not quite so small in the panel, even though he still remains alone. This being said, the darkness reading is much stronger than the loneliness reading, even though they go hand in hand, I much prefer your interpretation.
the red in the black: This is interesting!!!! I like your interpretations a lot...in terms of materials this is only black india ink, so there's no red actually in it, but in the photo I can see what you mean—the ink I'm using is shiny because the "matte" ink is twice the price of it and I'm a cheapskate, and it inevitably creates shines of color when scanned or photographed. Obviously though, the lack of intention or the material contrast doesn't mean you're wrong—I saw the colorful patches in the image and decided it was fine enough to post anyway, they're a piece of the art as it exists digitally! Open for critique and interpretation. I like the idea that the darkness is connected to the blood very much especially, because it is for Tenzō, isn't it?
anyway, ty v much for your analysis, i was incredibly flattered to receive it, and i think you're actually super good at it, in my opinion!
#yamswers#pax-thuban#my jutsu#plz dont take offense to me explaining critique in basic terms ahghdhghds i do it mostly bc i know theres people who follow me who#will be less familiar with what critique is...and tumblr is often a less than ideal teacher for the art of art critique#I think the best thing one can do when critiquing art is to actually engage as much as they can with what they see in front of them#the ''how does this make Me feel'' part of it i think is EXTREMELY helpful—but mostly as a jumping off point#you want to use that feeling like a scent hound i think...it can lead u to the area you need to look at and it can follow the scent so well#but the feeling itself isnt going to be able to explain why you feel that way or what about the art is working or isnt working—#—which is the point of Critique#and you are extremely good at looking at specific factors in the art and both elaborating on the feeling its giving you and why#i've definitely given people critiques where I get stuck with the dog—only saying how I'm feeling but nothing more substantial#''i smell something in this area. not sure what. definitely here tho''#ive also given crit where i just do not engage at all with the feelings and crit solely on analysis—which is good for like anatomy help#but limited in terms of an overall piece#ive definitely gotten feedback on my art which is 100% wholly based on the viewers own personal history + doesnt rlly engage with the#meaning or practical elements of the art in front of them#and in that case its just kind of ''okay! cool! im flattered that you have such a strong + personal connection to this piece!''#but in terms of crit i can't do much with that bc their crit was so personal to them—not less valid + not less important...but also#not something meant for me at all#like um. um. um. the song Man on the Moon by REM is really important to me...but not for anything in the song itself. just where i heard it#and who i heard it with. it doesnt make my connection to the song less meaningful...but its not something that would b useful 2 the band#SDGJDSHGKDSJGH SORRY NOW *I'M* RAMBLING#it was just exciting to see such a thorough critique. it reminded of college back when id get to pin my art to the wall and get absolutely#blasted to smithereens by my teachers and classmates. VERY fun. i miss that energy#i wholly recommend it to anyone who would be okay getting told their art came out wrong (bc it sometimes will)#idk. anyway this is an art blog but more than that its a blog about art#so its fun to talk about the mechanics and decision making sometimes
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secretmellowblog · 2 years
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Me: I need to stop feeling like I have to publicly Perform my love for every show/movie/book I enjoy on social media— I need to repair my relationship with the internet by engaging with media on my own, without posting about it. I need to relearn that my emotions don’t need an audience to be real, and my experiences don’t need to be turned into polished bits of writing for other people’s consumption to be sincere. I can experience things Just For Me
Also me: buT the show about the Flags that Mean Death was so GOOD !—
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segemarldoodles · 1 year
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So one of my friends sent me their drawing practice they were doing the other day, and I just love seeing people improving their crafts. Like I enjoy looking at art from professionals and people who like do comms for a living, and I didn't really say it in that reply to wingedwoif the other day, but having done it for a bit, and seeing what they're going through I feel like turning it into a job can suck the joy, wonder, and excitement out of art, so when I see pure hobbyists growing and exploring with their art/craft, trying new mediums and just creating for the sake of it, I love it! Don't ever let a lack of formal training stop you from making something, wing it, slap stuff together, throw stuff at the wall and see what sticks(figuratively or literally). So long as you're putting your heart into it it will be amazing, even if you don't think so yourself, and even if only a handful of people see it, you'll have put net positive creativity into the world.
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cakesdown · 2 months
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It's been really interesting getting into the process of making, writing, and studying the structure of books as I'm in the middle of writing a very long fanfiction. It's like yes my writing has improved, but I'm able to point out critiques I wouldn't have even considered back when I was writing early on or even as early as a year ago. Like the masterminds in tbos never got physical descriptions because I was just like "here's their refs" in the notes but I'm going to have to adjust that if I do an audio reading for example. Or descriptions of places that seriously would have benefitted from a description two dozen chapters ago instead of now. Just things like that. I'm rambling while waiting for breakfast to cook
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lovereturns · 3 months
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i'm so tempted to just yell out THE SHOW SUCKS and have the fandom swallow me
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lordsardine · 2 years
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infamous-if · 4 months
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Dec ✮ 12 ✮ 2024 – update
Part of me hates doing these mostly because it's a whole lotta nothing and me just repeating everything I said the last update (lol) but I do like doing it because I like keeping people updated, even if it's a non-update. I may sound like a broken record (pun not intended) but I know a lot of people don't catch my updates every time so it's nice to just keep people informed yk yk
✮ — Part 2 + rewrite
Fun fact: I had written an entire essay about my excitement for the rewrite and chapter 3 and beyond but it got too long!
It boiled down to me wondering why I'm so excited for this rewrite and realizing it's because I feel comfortable enough to approach it with complete creative freedom. I wrote the first iteration of the demo with the constant worries swimming in my head like "I hope people understand what I'm trying to say here" and "I hope this situation is being read the way I intended for it to be read." And I think I sort of had those thoughts tenfold while writing Part 2. If you paid attention, you can probably see where I was trying to shut down certain discussions in the narrative lmao
Recently I had a tiny epiphany and reminded myself that it's not always about what I intend to write, but what is being understood by each reader. And yes this is basic writing 101 but let me have this moment of clarity okay. Embracing that means I can proceed with Infamous without holding back and sticking to my guns in regards to what I want for this story aka I'm just going to write what I write and like....not worry about the rest you feel (while of course integrating the common critiques and suggestions and improving on the things Infamous falls short in—I am not Shakespeare lmao)
ANYWAY my point is that I'm excited to fix up the demo !!! and just go back to it with complete confidence in myself and write whatever the heck feels right to me (and write the rest of the story lolol) and return with a better story than I have now for everyone!!
✮ — December will be for
planning what I'm going to improve and squeezing that in a reworked outline so it can flow much better narratively.
Outlining Chapter 3 and hopefully have the bare bones first draft drafted up which is mostly just be writing blocks of descriptions
I'm not sure I'll have anything substantial to justify looking for beta testers so soon yet but maybe!
work on my spice writing babey writing/reading spice makes me actually physically recoil but im determined to get better! which reminds me to finish the 6k follower gifts!
And also take a small breather because I am moving!
✮ — Patreon
I've already mentioned this on Patreon and a few times on here, but I do want to reiterate that Patreon content is coming out in bulk this month, in case anyone was wondering why I'm not posting as frequently. The content is still the same in terms of the quantity, it just won't be released every few days! thank you guys for being understanding of that <3
✮ —
My activity has is decreasing little by little due to my move but I do read every question and try to at least answer one question a day. I get quite a few mentions lately so I have to sort through those since I do get tagged in things, but I miss them due to my notifications. Usually I hope for the best and hope tracking the tag puts it on my dashboard <3 im not ignoring anyone!
That's all for now! Hope everyone has a happy December and Happy Holidays!
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thedeathwitchescats · 5 months
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Okay, review time!! If you are one of the oddballs who thinks you cant be critical of something you love I suggest you stop reading now before I ruffle your feathers. Iron flame, second in the empyrean series. I am gonna start with what I was not a fan of and then go into the shit I adored.
1) what in the actual fuck was the pacing of this book?? I can tell you what, it was non existent. There was none. Where I thought there was a lot of filler in the last book there was none in this one. We got snap shots of conversations and then *boom* more plot flew at you. The timeline of this book greatly suffered for it i think bc we end only a couple weeks, if that, after threshing, which happens sometimes in October. This book was actually so wild with times.
2) while it was a spectacular cliff hanger, xaden becoming venin pisses me off. Especially if Rebecca yarros isnt going to have him tell violet. Like if that small tid bit of a conversation we got wasnt him telling vi that he was venin then the entire romantic conflict of this book was rendered pointless and their going to be having the same fucking fight for the rest of the series and at rhat point I give up.
3) I understand that the revolution is trying to take down basgaith and make the world better or whatever the fuck but can someone actually formulate a real plan for me?? Because I feel like their mission is just, giving violet and xaden something to be pissed at each other about.
4) the entirety of cats character. I get that she was set up as a spin on the typical jealous ex. Like having her be bitter about xaden picking violet over her but OH WAIT it wasnt actually about the man it was about the crown, oohh not like other girls. Im a writer too I see the point. I dont care. I think it was trashy. If you wanted her to be a bitter spiteful ex then have her be a bitter spiteful ex, the whole crown thing was shallow.
OKAY haters your time is up now onto the shit that made my heart hurt with joy and sadness
1) xadens arc in this book. I really liked that he went from "transparency is never gonna happen" to losing his fucking mind over violet and giving her everything. I love feral men and he qualifies. I think his arc was really well done and i liked it.
2) I appericiate that violet stuck to her guns for this book. She wouldnt let xaden off without a fight and I loved that. She made him bow and scrape and I was eating it up. It was spectacular.
3) the throne room scene. Violet on the throne. "Im making a temporary point not a lasting vow of maschocism" xaden being feral.
4) that gets its own point actually, just xaden being completely feral this entire book healed a part of my soul.
5) andarna's little speech at the end where she was like "I waited for you violet" made me ugly cry. That was just so hopelessly good I loved it. Andarna in general heals my heart but that part was just *chefs kiss*
6) tarin being completely and utterly ready to eat people this entire book. Just, at every turn "I want lunch their pissing me off " was spectacular
7) every scene their squad was in. Rihannon, violet, sawyer and ridoc are my roman empire. Their bond is so amazing. The fact that they launched a rescue mission for violet. Rihannon being ready to kill xaden at every turn. Ridoc being so platonically and adorably in love with violet. Just- augh happy cries happy cries. I love it all. Their so special tbh.
8) I love xaden actually, just, the whole book every scene hes in lives in my brain.
9) I liked that we saw a small bit of violet being feral this book too. I hope that we get more of that in future books. I want more of violet losing her fucking mind. Hot, badass women covered in blood
10) Liam. Fucking Liam. When violet was kidnapped and Liam was there. Now, do I logically understand that he was a hallucination, yes, do i care?? No. He was a gift from Maleck I will be hearing no critiques on that. It was so fucking sweet and amazing. I love violet and Liam and Liam being dead so horribly breaks my heart. I loved Liam. Liams death lives rent free in my skull.
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disruptivevoib · 15 days
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Long Ramble about CCCC and my overall feelings on what the album means and such
Something I find important about CCCC is like.
The fact that all three of them are, in some way, trying.
Heart is emotion, he is prone to himself and being reactionary, in the moment. Prone to the past of learned behavior and trauma. Reactive and rapidly changing. He isn't going to make pure sense because he isn't based in logic or in societal ideals or views. He is an instinctual response to the environment and circumstances. His manipulation is not intentional. He has very little control of himself in the end. Its why Mind talks about claiming to relish entropy yet clearly needing help. But, Heart in earnest wants them to be okay and safe. He believes that Mind's control will drain the life from them. It will make things monotonous and the same. Too much order.
Mind in turn, believes Heart is manipulative with intention. He wants to control Soul or wants to just drag them all down with him into this depressive state. Mind is logic, he is the reasoning out of your emotional instinct. Your inner critique, and when unchecked, that inner critique goes from a guiding hand for your emotion to one that debates and bullies it. Invalidating its responses. Ultimately, though. Mind just believes he is helping. He is doing what must be done and telling the "hard truths" to Heart. And that Heart is being the petty child. Which- I mean. Sort of sure. But Mind is definitely fucking petty and childish. He's stubborn! Prideful! So ofc he is. Admitting you're wrong? No.. why would he EVER do that.. nuh uh.
Which is what makes Light so crucial. Mind asking Heart for help- but also. There is Soul.
Who while ambiguous in purpose, is mostly that background voice. Your inner narration. If Mind is Logic and Reason then Heart is Emotion and Instinct,, Soul is all that lives between it. And he is constantly silenced or spoken over or around. He does not get a word in edgewise until TSE. He may show up in the background occasionally but as much as Heart and Mind claim to want to keep him alive and help him, they also fail to actually acknowledge what he says.
Which is that they both are right and wrong. That this fighting is doing directly what they both feared it would. Soul is desperate by the end. He is angry and resentful because.. well. Self hatred due to intense self awareness and reflection is rather ig. Common. Im not a professional here but from personal experience, you get so tired of rehashing the same shit with yourself over and over. It all feels pointless.
The only out, by the end of it all to Soul is that if they cannot be Whole, whats the point? He is desperate. He does not want to die but he feels theres no other solution.
And. About Whole, Soul throughout the album seems to want that. At the beginning, to be Whole or Harmonious is to be mentally healthy, maybe even "normal" by society's standards. To be able to put a mask over your problems and be, again, "normal". It takes the entire album for Soul to realize that this:
1. isnt possible
And
2. There isn't anything evil or wrong with him for that.
Mental health is a struggle. But you are not evil and should not be othered because you struggle. You also do not need to be fixed for being a little different and people's opinion of you is not what matters most so long as you are happy (and not hurting others. Lol).
Thats what Two Wuv is entirely about as a song. Its a "fuck you. Fuck this! I thought I needed to be this! But I DON'T. Stop telling me who I am! How to be! I'm gonna be me!"
His entire arc is parallel to Heart and Mind's and is crucial in the culmination of becoming yourself again and accepting yourself.
But, as mental health will always be, this period of respite and self acceptance is not always forever. And as life continues or as you lapse back into a depressive episode.. you cannot help but forget what it is like when you're not this way- and hell! Vice versa too! Some people have this disconnect between the periods. Where the things from the depressive state seem dramatic or obtuse to you while you are doing better. And from the other end, you just want to be happy again.. but you get so lost in it all you can struggle to feel like you've ever been happy.
The album is about the human experience. It is about self-sabotage, mental illness, self-hatred and reflection and it is, maybe more importantly about self-acceptance and healing. Having a bit of mercy on yourself. Accepting that you are imperfect and that this is okay. And whatever flaws you may have that need to be mended or worked on, can be. And that who you are, for example, if you are queer, is okay. And no one has the right to take that identity from you! That the internalized ideas of how someone should be are not always correct or right. Not for you, at least. Stuff like that.
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transmutationisms · 10 months
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serious question but do you personally believe there is a way to approach psychiatry in a way that uplifts and upholds patient autonomy and wellness or is the entire trade essentially fucked haha. Btw this is an ask coming from a 3rd year med student—with a background of severe mental illness—who is considering a residency in psychiatry after receiving life-saving care in high school pertaining to said conditions. (I have peers who have been involuntarily hospitalized and treated horribly in psych wards, with approaches i patently disagree with, but was lucky not to experience. I don’t like modern american medicine’s approach to mental illness; “throw pills” at it to “make it go away” ie. a problem of overprescribing, inadequate and non-holistic approach to mental health, and i feel a lot of that can be attributed to the capitalistic framework. I also def agree with you that so much of what can be considered normal human responses to traumatic events/normal human suffering can be unnecessarily pathologized—a great example being the whole “chemical imbalances in the brain is the ONLY reason why im like this” argument that ive unfortunately fallen hard for when i was younger and am still currently dismantling within myself…and like dont even get me started on this field’s history of demonizing POC, women, LGBT, etc). Like i deeply love my psych rotations so far, and i utterly feel in my gut that this is the manner in which i would like to help people—a lot of whom are just like me—but im wondering if there is a way to reconcile these aspects in a way that one can feel morally okay participating within such an imperfect system, in ur opinion… ngghhhhhh i just want to be a good doctor to my patients…
(ps i love all ur writing and analysis on succession!! big fan mwah <333)
i don't mean to sound unduly pissy at you, specifically, but i do have to say: every single time i've talked about antipsych or broader criticism of medicine on this website, i immediately get a wave of responses like this, from doctors/nurses/psychs/students of the above, asking me to, like, reassure them that they're not doing something immoral or un-communist or whatever by having or pursuing these jobs. and it's honestly frustrating. why is it that these conversations get re-framed around this particular line of inquiry and medical ego-soothing? why is it that when i say "the medical encounter is not structured to protect patient autonomy or well-being," so many people hear something more along the lines of "doctors are mean and i wish they were nicer"? why is it that it's impossible to discuss the philosophical and structural violence of academic and clinical medicine without it becoming a referendum on the individual morality of doctors?
i'm choosing to read you in good faith because i think it's possible to re-re-frame this line of questioning to demonstrate to you the sorts of critiques and inquiries i find more interesting and more conducive to patient autonomy and liberation. so, let me pick apart a few lines of this ask.
"is the entire trade essentially fucked?"
if you're thinking of trying to 'reform' the project of medical psychology within existing infrastructures and institutions, then yeah, it's fucked. if you're still assuming that affective distress can only be 'treated' within this medical apparatus (despite, again, no psychiatric dx satisfying any pathologist's understanding of a 'disease' ie an aberration from 'normal' physiological functioning) then you're not challenging the things that actually make psychiatry violent. you're simply fantasising about making the violence nicer.
"I don’t like modern american medicine’s approach to mental illness; “throw pills” at it to “make it go away” ie. a problem of overprescribing, inadequate and non-holistic approach to mental health, and i feel a lot of that can be attributed to the capitalistic framework."
i hate when i talk about psychotropic drugs being marketed to patients using lies like the chemical imbalance myth, and then pushed on patients—including through outright force—by psychiatrists, and the discussion gets re-framed as one about 'overprescribing'. my problem is not with people taking drugs. i am, in fact, so pro-drugs that i think even the ones administered in a clinical setting sometimes have value. my issue is with, again, the provision of misleading or outright false information, the use of force and coercion to put patients on such drugs in order to force social conformity and employability, and the general model of medicine and medical psychology that assumes patients ought to be passive recipients of medical enlightenment rather than active participants in their own treatment who are given the agency to decide when and how to engage with any form of curative or meliorative intervention.
'holistic' medicine and psychiatry do not solve this problem! they are not a paradigm shift because they continue to locate expertise and epistemological authority with the credentialed physician, and to position patients as too sick, stupid, or helpless to do anything but receive and comply with the medical interventions. there are certainly psychotropic drugs that are demonstrably more harmful than others (antipsychotics, for example), and some that are demonstrably prescribed to patients who do not benefit from them and are even harmed by them. conversely, there are certainly forms of intervention besides pharmaceuticals that people may find helpful. but my general critique here is aimed less at haggling over specific methods of intervention, and more at the ideological and philosophical tenets of medicine that cause any interventions to be imposed by force or coercion on patients, then framed as being 'for their own good'. were suffering people given the information and autonomy to actually choose whether and how to engage in any kind of intervention, some might still choose drugs! my position here is not one of moralising drugs, but making the act of taking them one that is freely chosen and available as an option without relying on physician determination of a patient's interests over their own assessment of their needs and wants.
"so much of what can be considered normal human responses to traumatic events/normal human suffering can be unnecessarily pathologized"
true, but don't misunderstand me as saying that drugs or any other form of intervention should be forcibly withheld from those who do want them and are made fully aware of what risks and harms seeking them could entail. again, this would still be an authoritarian model; my critique is aimed at increasing patient autonomy, not at creating equally authoritarian and empowered doctors who just have slightly different treatment philosophies.
"dont even get me started on this field’s history of demonizing POC, women, LGBT, etc"
ok, framing this as "demonisation" tells me that you're not understanding that, again, this is a systemic and structural critique. it is certainly true that a great many doctors currently are, and have historically have been, outright racist, trans/misogynist, ableist, and so on. framing this as a problem of a well-intentioned discipline being corrupted by some assholes is getting it backwards. medicine attracts prejudiced people, not to mention strengthens and promotes these prejudices in its entire training and practice infrastructures, because of its underlying philosophical orientation toward enforcing 'normality' as defined by 18th-century statistics and 19th-century human sciences that explicitly place white, cis, able-bodied european men as the normal ideal that everyone else is inferior to or failing to live up to. doctors who really nicely tell you that you're too fat are still using bmi charts that come from the statistical anthropometry of adolphe quételet and the flawed actuarial calculations of metlife insurance. doctors who really nicely deny you access to transition surgery are still operating under a paradigm that gives the practitioner authority over expressions and embodiments of gender. the issue isn't 'demonisation', it's that medicine and psychiatry explicitly attempt to render judgments about who and what is 'normal' and therefore socially 'healthy', and enforce those standards on patients. this is not a promotion of patient well-being, but of social conformity.
"i deeply love my psych rotations so far, and i utterly feel in my gut that this is the manner in which i would like to help people"
let me ask you a few questions. you say that you like your psych rotations... but how do your patients feel about them? is their autonomy protected? are they in treatment by free choice, and free to leave any time they wish? are they treated as human beings with full self-determination? if you witnessed a situation in which a patient was coerced or forced into a certain treatment, or in which you were not sure whether they were consenting with full knowledge or freedom, would you feel empowered to intervene? or would doing so threaten your career by exposing you to anger and retaliation from your higher-ups? what higher-ups will you be exposed to as a resident, and then as a practicing physician? could you practice in a way that committed fully, 100%, to patient autonomy if you were working at someone else's practice, or in a hospital or clinic? could you, according to current medical guidelines, even if you had your own practice?
when you say "this is the manner in which i would like to help people", what do you mean by "this"? can you define your philosophy of treatment, and the relationship and power dynamic you want to have with any future patients? is it one in which you hold authority over them and see yourself as determining what's in their 'best interests', even over their own expressed wishes? have you connected with patient advocates, psych survivors (other than your friends), and radical psychiatrists and anti-psychiatrists who may espouse heterodox treatment philosophies that you could consider? do you think such philosophies are sufficient for protecting patient autonomy and well-being, or are they still models that position the physician's judgment and authority over that of the patient?
"im wondering if there is a way to reconcile these aspects in a way that one can feel morally okay participating within such an imperfect system"
and here is the crux of the problem with this entire ask. you are wondering how to sleep at night, if you are participating in a career you find morally distasteful. where, though, do your patients enter into that equation? do you worry about how they sleep at night, after having interacted with a system of social violence that may very well have traumatised them under the guise of providing help? why does your own guilty conscience worry you more than violations of your patients' bodies, minds, and basic self-determination?
i can't tell you whether your career path is morally acceptable to you. i don't think this type of guilt or self-flagellation is fruitful and i don't think it helps protect patients. i don't, frankly, have a handy roadmap sitting around for creating a new system of medicine and health care that rests on patient autonomy. affective distress is real, and is not something we should have to bear alone or with the risk of having violence inflicted upon us. what you need to ask yourself is: how does the medical model and establishment serve people experiencing such distress? how does it perpetuate violence against them? and how do you see yourself countering, or perpetuating, such violence as someone operating within this discipline? what would it mean to be a 'good' actor within a violent system, if you do indeed believe that such a thing is ontologically possible?
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leocchisart · 5 days
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OKAY; We need to talk about this TyZula scene:
this scene has been talked about a LOT. specifically by anti-tyzula/azula fans. but for this "rant" im looking at it through the lens of just azulas character.
it is DETRIMENTAL to azula as a character. this will be a slightly indepth review i guess. im sure someone already talked about this and what im going to say, but i just want to bring it to light considering some of the anti-azula/tyzula stuff i've been seeing recently
Part 1: Azulas reaction to the way Ty Lee approaches her
the way ty lee approached azula is really important here. you might just think, "oh leo it's just Azula being jealous!" but when ty lee walks up to azula saying, "thank goodness you're here!" (i didn't get this part in the clip cuz im a fool and didn't record it on time but whatever go watch the clip on youtube) this qoute is really impactful. it possibly made azula feel less than ty lee. here is the qoute again, "Thank goodness you're here", i feel like azula would take this very personally.
even just the single first sentence. "Thank goodness" is obviously ty lee thanking azula, but for what? you might say, "well yeah for being there" but i genuinely believe azula would interpret this along the lines of, "she only wants me when she needs me" or something like that.
Part 2: Azula's jealously towards Ty Lee
i think a lot of people solely think she's jealous over the boys liking ty lee more than her. but it's not just that. i genuinely find that azula is not only jealous of the boys, but also social interaction in general. specifically with ty lee having that skill and her not.
we don't have much information as to mai, ty lee, and azulas experience in the Royal Fire Academy for Girls, but im assuming azula didn't need much social skills to succeed there. she had two close friends to deal with people speaking to her, and was literally a crown princess of the FIRE NATION. if she couldn't get what she wanted whether mai or ty lee were there- she could always use her royalty as her advantage. i also can see her threatening those in school who opposed her (without using her royalty as a reason). there is a key moment we see during a flashback where azula and ty lee are playing. azula did her best to preform a cartwheel and failed while ty lee succeeded. because of this azula actually pushes ty lee down!
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keep in mind that this is one of azulas closest friends other than mai. we can only IMAGINE what azula would do to a student who got in the way of something she wanted.
so yes; azula is jealous of ty lee getting attention from boys, but it's not solely that. it's her social skills that she's also jealous of.
Part 3: The Conflict
azula gets defensive after her reaction to the previous plot point. she verbally attacks ty lee because of it. azula says to ty lee, "those boys only like you because you make it so easy for them! you're not a challenge, you're a tease."
yes azula is "critiquing" the "way" ty lee attracts men. azula is saying she'd do the exact opposite. but the opposite is all she knows. she grew up learning the power of being the best, being perfect, and fear mongering. she genuinely sees that as the way to handle ANY social situation.
as far as, "it's not like they actually care who you are." qoute goes; azula sees this as another flaw in her interactions with men.
example is when she tries to convince chan to to maybe (?) have a relationship or farther; she uses (not exactly royality) but her skills as a skilled bender for a reason to stay with her. considering she has no social skills, her only option (in her mind) is to use her higher power. ty lee doesn't use her high rank in nobility (along with her chi blocking abilities) to what azula would call an advantage.
im not defending azulas verbal assault on ty lee. im solely explaining (imo) the feelings behind it.
Part 4: Ty Lee's reaction
This one is simple. ty lee is hurt by azulas words. obviously.
Part 5: Azula's redemption for this scene
it already baffles me when people say azula is (pure evil) just based on her actions between others. but this scene shows a side of azula we haven't been able to see so far through the series. an apology. not only did she apologize to ty lee but admitted her mistake and explained why she said what she did. i think it's insane that people solely walk past this scene and only see it as azula bullying ty lee. if anything it's the opposite. yes she makes a rude remark, but after seeing ty lee's reaction she IMMEDIATELY takes her comment back an apologizes.
this is so human and shows a side we hardly ever got to see. especially when it's specifically between her and ty lee. their relationship is so important as far as azulas character goes. (not to get too deep into it but,) even in "Azula and the Spirit Temple" ty lee is one of the illusions that the spirit attempts to make her happy with. azula obviously has a strong connection to ty lee in a loving and caring way that most people look past. whether it's from these scene or that specific comic. obviously their relationship has unhealthy flaws but what relationship doesn't?
Part 6: A quick resolution
so there you go. basically an essay on a single 36 second clip i just wanted to give azula some light because people ALWAYS paint her as "crazy" or "evil" but that's simply not true. same goes for TyZula. yes there is a power imbalance, but azula does admit her mistakes and apologizes for hurting ty lee's feelings.
Anyway thanks for reading!!
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ughgoaway · 29 days
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19 with Matty as like a comfort thing 🥺
Maybe girlie is feeling a little insecure that day
love this!! I answered this prompt earlier as a teacher au thing, but I liked the idea of girlie being insecure so I wrote it again but a little diff! hope you enjoy :)
19- character A holding character B’s hands as character B eats them out, fingers intertwined.
18+ pls!! includes female receiving oral and body insecurity/general insecurity. 1.4k-ish
✿❀✿✿❀✿✿❀✿✿❀✿✿❀✿✿❀✿✿❀✿✿❀✿
You pull at your skin in the mirror, the reflection staring back at you wasn't one you recognised. Your eyes look sunken and tired, and your skin is dull when it used to be full of life.
You could stand for hours critiquing every inch of you, what part of you is too small, too big, too harsh or too soft. And you did. After every shower, you stood in front of the mirror, assessing every inch of yourself.
Matty hated it. of course, he did. You were perfect in his eyes, beyond perfect. but he couldn't stop you.
It happened like clockwork every few weeks. However, today, it seemed especially bad. The usual 10-minute assessment dragged on, becoming longer and longer with every tug and prod. He could almost hear your inner voice screaming about how you're not good enough for him and that he deserved better.
Eventually, you came to bed. Flopping on the mattress and immediately trying to burrow yourself under the blanket. but before you can, Matty grips the blanket and pulls it from your hands, forcing you to flip over and face him.
“I know what you're doing,” he says bluntly, eyeing you suspiciously.
“M’okay. I'm just tired. Long week.” you say softly, throwing matty a half-hearted smile.
You're lying. You both know that for a fact, but you pray that just this once Matty lets it go.
He doesn't, of course.
“Baby, I can see right through you. Standing in the mirror for half an hour and mumbling to yourself angrily doesn't exactly scream “im okay”” he pouts teasingly at you, and you can't help but giggle at his pufferfish face (a term you coined for that exact look early on in your relationship)
You sigh heavily before answering, “Yeah, im just - I don't even know. Feeling shitty I guess. Ugly, insecure, unloveable. You know, all the usual Friday night emotions” You try to lighten the mood with a joke, but everyone who knows you knows you joking is a sign something is really bothering you.
“You are none of those things, my love. Let me prove it to you, yeah?” Matty asks, moving to hover over your body.
You can already feel an ache between your thighs at the sight of your boyfriend above you, but you still can't shake how you're feeling.
“You don't have to, matty. I know I don't look great right now. Don't feel pressured or anything, I'm sure I'll just sleep it off.” 
“Never feel pressured with you, I just want to show you how beautiful you are to me, will you let me?” Matty looks down at you with soft eyes, and you can't pretend you don't want him between your legs for a second longer, giving him an assured nod.
“Gotta use your words for me, baby,” Matty lightly demands, dropping his mouth to your neck and pressing kisses to your skin.
“Mmm yes. Make me feel good, please,” you beg, gasping as Matty nips your neck playfully, soothing each patch of skin with his tongue.
“Thats my girl. Gonna make you feel so good, sweetheart.” Matty whispers in your ear, pulling back with a Cheshire-cat-like grin that has you blushing.
You try to turn away from him, the weight of his eye contact feeling like too much. But Matty places a hand on your jaw, dragging your face back to his and connecting your eyes once more.
Matty holds eye contact as he drops between your thighs, peppering them with kisses and hushed compliments as he moves to where you need him most. His fingers fall between your legs, parting your thighs and spreading you open for him.
“so pretty” he whispers, pressing a chaste kiss to your clit that rips a gasp from your chest. you can already feel your nerves thrumming with desire.
“Please Matty just- I can't take any teasing, please,” you beg, closing your eyes and trying to catch your breath.
“Anything you want, princess, take my hand, yeah?” Matty’s hand moves from between your legs up to grab your own, lightly gripping your hand to ground you and remind you that he wants you. He wants to make you feel good.
You smile softly down at him, looking into his eyes and memorising the exact way he looks right now, to live in your head for as long as it can.
With his hand in yours, he starts mouthing your cunt, moaning and licking your slick like he's devouring a sweet peach, juices running down his chin as he consumes you.
He’s practically making out with your cunt, burrowing himself between your legs and doing everything he can to make you feel good. Every few minutes you can feel a mumbled complement vibrate against you.
“Tastes so good angel.”
“So beautiful for me.”
“Good girl.”
Every vibration of his words against you pulls you closer to the edge. You can feel your skin growing pinker as matty continues between your thighs, a thin sheen of sweat covering your body. Matty is grinding against the mattress below him at the sight of you, but you're too lost in the haze to notice anything right now.
You roll your hips needily against Matty's face, and he immediately understands your silent pleading, moving faster against you and making the fire inside you grow even brighter.
Matty flicks his eyes up to you as he works his mouth over you, slick covering his cheeks as slips a finger inside you, smirking at the broken moan that falls from your lips. Every time his nose brushes your clit you feel a bolt of lightning strike you, your pulse quickens with every touch.
the tension in your gut is growing, and you squeeze mattys hand to warn him, whimpering “close” as best you can between the needy moans and whines.
Matty pulls away briefly, “Cum whenever you need to princess, so good for me.” As soon as he finishes he's diving back between your thighs with a new fervour, fucking you with his tongue and purposefully using his nose to stimulate your clit.
The mix of his tongue and his finger burrowed inside you is dizzying. The air is thickening around you with each passing second, and the only noises filling the room are a mix of your lewd groans and the sticky noises of matty worshipping you.
The neverending streams of compliments and his unrelenting pace against you soon push you to breaking point, coming undone with a whimpered “thank you” and shaking thighs.
Your legs grip around mattys head like a vice, keeping him buried between your legs. And he honestly couldn't be happier with that arrangement, squeezing your hand as you cum to remind you why he's doing this, to remind you how absolutely obsessed he is with every part of you.
Eventually, your legs loosen as the aftershocks stop rattling through your body. The goosebumps over your skin begin to fade, and you start falling back to earth.
Matty quickly moves from between your legs, hovering over you before leaning forward and desperately kissing you, pressing his tongue into your mouth so you can taste yourself. You groan at the taste, moving your hands to grip Matty's hair, grabbing his curls and pulling him closer against you.
You only break apart when your need for oxygen demands it, Matty panting above you with an overjoyed smile on his face. You smirk back at him, planning to repay him in the best way you know how.
But as you move your hand to grip his boxers, you feel the distinct lack of a boner and the presence of a damp spot sitting on the front of them. Your eyes flick down and study the dark grey patch on his underwear. You scrunch your face in confusion for a few seconds until it dawns on you.
He came. Untouched. Just from eating you out.
Matty sees the realisation on your face and groans, dropping down and burrowing his face in your neck. You can feel his cheeks growing hot as you giggle at his reaction, matty brings his mouth up to your cheek, pressing a kiss to it before he speaks.
“You're just really hot when you cum, im kind of obsessed with it. and you.” he whispers, pulling back to look at you with a cheesy grin. His eyes trace over your face, memorising every aspect of how you look.
Even if one day you become a stranger, if this all ends, he wants to remember exactly how you look right now.
He wants to remember the flush on your cheeks, the way the tip of your nose scrunches when you giggle, and the distinct glow of love in your eyes. 
“Love you,” you whisper, leaning forward until you are a few centimetres from Matty's lips.
“I love you too” he whispers back, surging forward and catching your lips in a kiss he hopes conveys every bit of love that his words couldn't.
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vvh0adie · 8 months
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watching my friends leave tumblr is really sad
you literally can't win
at this point the writer's strike should just be a cultural movement
like ppl are writing for FREE and you're complaining about turn out rate and shit
we have lives and some of us (HELL ALL OF US) have some form of mental illness, so we can't be fucking cogs all day and churn out fics.
writing is suppose to be therapeutic and writers want to share that with you to ease the tension of this hellscape we live in
but some of these readers and even fellow writers are taking it too far with the bullying
like its mean and nasty. you don't know what someone is going thru.
instead of asking for updates how about check and see if your writer is mentally stable to do so. that right there is a booster, to have someone say "are you okay?"
and then the whole accusations of favoring a certain member/character. if that person is my muse or safe space then of course imma write for them. most solo writers i see don't even talk bad about other people. its a SOLO account. think of it as a shrine blog of writing if that helps. they're not there to trash, just share their writing for other's who might also share the same muse.
then you have readers who can't separate fiction from reality. just because someone writes a character with irl people faceclaimed onto them doesnt mean they actually think that person would be or do those things irl. i'll be the first to say that i only gave my characters bts faces cuz thats who im attracted to and they're who i imagine would be casted to play my characters.
then IN THE YEAR OF 2023 we still have ppl making fun of their peers writing and also THE FACT THAT ENGLISH MIGHT NOT BE THEIR FIRST LANGUAGE? that's nasty asf. majority of us dont even speak 'proper' english as our first language no way. you only shooting yourself in the foot. don't act like you dont have beta readers... like what are yall on?
and anybody who gets on THAT BLOG behind anon is an opp. not just to the writing community but in how you interact with the world all together. yall don't know how to talk to people anymore? it may have started as a place for critique and accountability but no one is bringing receipts or critical thinking anymore. its mainly for drama and not rehabilitation. yall serious scare me in how we'd see the reality of social change applied to the real world. like i'd be more scared to let yall around the prisoners with minor offenses cuz yall act like its the end of the world and that change cant happen. yall give nobody room to change ignorant stances but ignore the real egregious shit because you honestly dont have the bandwidth to take on actual fascist views.
also the plagiarism has got to stop too. if you need writing resources just ask. but practice makes perfect. so you're gonna have to write yourself. you may not like your writers voice but you will feel shitty in the long run when you don't feel like its you putting those words on the paper. it literally just prolongs your inferiority. make something you're proud of and don't hurt your fellow writers. we went thru the process just like you. we earned it. and most of us aren't gatekeepers, we will help you.
like its really tuff being on here sometimes. cuz if you not being hounded by readers its your own community praying on your down fall.
we have to do better.
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minhosimthings · 7 months
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Call him up. He comes to my bedroom. Ended up we'd fuck on the hotel floor.
Summary: you, Jay, fucking after an award show
Warnings: smut, fem!reader, MINORS DNI, Oral (recieving), some comfort from husband material Jay
A/N: ALRIGHT! First smut work! I definitely need to improve a lot but here you go my babygirls. Also first Jay drabble! YAY! im taking a break from my work and writing whenever I'm at work and just staring at fishies.
Song rec: A&W by Lana del Rey. Yes the title is a lyric from that song. My favourite lyric!
"You wanted to see me baby?" Jay Park. Can anyone in this world get more luckier that you to get Jay fucking Park.
Award shows were boring, but when you had Jay beside you, it made it worth it, for you to stare at that slightly open white shirt with that watch that you gifted him, wrapped around his pretty little wrist. Yet again, L/N Y/N had won another award for best producer of the year. Some more of these and your house will end up becoming a store for selling 'Best producer' awards. Jay's group Enhypen had won 'Best boy band of the year' award this time and you were so proud of him. If not for the slight hiccup.
Being a producer, your ears were probably the most sensitive shit on earth, which enabled you to hear far more further than most people can (I actually have this ability and it's really cool!). Which in turn allows you to eavesdrop easily. But sometimes the eavesdropping isn't always the most comforting thing on this world, and as you heard your fellow producers smoke in the bathroom stalls and say 'She just got that award because she's Jay's girlfriend.' and 'He's so delicious though. Why did he pick that ugly bitch of a whore?'. You weren't really the type of person to cry or feel insecure, I mean after all you were in the kpop industry. Someone was always prettier or more talented than you. But hey, you were raised by some pretty good people, who taught you not to let jealousy take over you. But sometimes even saints abandon their principles in time of desperation. And for you? Your co workers shit talking about you was the time of desperation. You knew being in a relationship in this industry and letting it be public was a risk. But for Jay? Oh honey you'd risk the entire universe to be with him.
"Honey what's wrong? Hey are you crying?" Jay had walked into your hotel room, after you sent a staff member to get him. The afterparty was in the same hotel and you knew Jay would be with the rest of the boys, enjoying, drinking and critiquing every person's outfit. But you just couldn't go and stand there and give fake smiles to your coworkers, and pretend that everything was okay. You needed your boyfriend right now. And Jay would do anything for you, even abandon a party to come up to your magnificent suite. "Baby what's wrong?" Jay sat down on the bed next to you and cupped your cheeks. "You weren't at the party. I brought some food for you." Hearing that only made you sob harder onto your custom made red Prada dress, a gift from the worried man sitting in front of you, wondering silently what he could do to make you feel better as he stroked your hair and put your head against his chest.
"Shh baby shh. What happened?" "I- I heard them s-saying- Jay they think I- don't have- Jay." You sniffled in Jay's chest as he quickly understood what had happened. He had seen your coworkers giggling and approaching him again and again at the party and connecting the dots, it made perfect sense. Tracing the jewels on your dress with one hand and slightly taking off his tie with his other, Jay moved you to the pillow slowly, whilst admiring your figure in that dress. He hadn't had much of a chance to talk to you or see you up close since both of you were seated at different places, far from each other, neither did he have the chance to see you before the show, so when his eyes fell upon the tightly fit fabric on your hips, oh god his entire world came crashing down.
"Jay wha- what are you doi-" "Baby where do you keep the condoms?" You shuddered back as Jay slowly cane above you. "I- I'm on the pill." Jay slowly unzipped your dress, sneaking his hand behind you as you moved your hand to his collar. "Good" he growled against your ear. "You'll see what you're capable of tonight."
"Jay~" you whine as he grinds against your figure, the fabric of your dress slowly getting destroyed and ripped off of your body. You were quick to unbutton his white silk shirt, your gift, and unbutton his pants, throwing away the belt onto the bedside table. Jay moaned lowly as he inhaled the scent of your jasmine perfume, his favourite one. "Shit baby were you always this wet for him?" He teased you as you could do nothing but only whine in response. "Jay ah fuck!" He had slipped his fingers into your cunt, rings still on. The metal of the rings rubbed your pussy so hard, pleasure seeping in and out of you. "Is this ok baby? Or does my love need my cock inside?" "Jay ngh ahh fuck!" He slips himself in at an absolutely brutal pace, that your brain goes dumb and your pussy goes wild. This was heaven like you've never seen it. Jay was angry, so angry, and as his hands felt all of your naked skin, and all of your sadness turning into pure pleasure, satisfaction filled him to the brim. "No Jay don't pull out please." You whine to Jay as he slowly goes back. "Patience baby. Patience. I'll make you feel even better yeah? Give me my belt would you?" You were quick to reach out to the bedside table, where the brown leather belt lay, waiting for its turn. Jay slowly got your hands up and tied them to the bedframe with the belt tightly, as all you were capable of doing was whine and moan for him. "Jay please" He chuckled slowly at your desperate words and made his way down to your ripped pink panties. Pressing light kisses to your pussy, Jay took in your ever sweet whimpers and as his tongue darted out ever so often to flick you cute little clit, it drove you crazy, as you begged and begged for his cock again and again. "Aww does my Y/N want her daddy's dick inside of her now?" You whimpered again as he came up to you, face right above yours, hot breath, tinted with the smell of alcohol hitting your face. "Yes d-daddy please I need it please." You whispered to him. "Anything for my princess." He kissed you with his tongue moving around in your mouth, hands touching your clit, making you moan out his name, in the dirtiest way possible.
"Ah deeper Jay go deeper please." "You like that baby? Want me to cum inside of you hm?" The belt tied around your hands was untied now, as you moved your hands to Jay's pretty neck and thrust him into you. Jay sucked on your nipple softly, love and roses filling the huge room. The bed was definitely strong, because at the rate both of you were thrusting into each other, it should have broke. But then again, the hotel you were in wasn't called the best in the country for no reason.
"Wanna get in the shower baby?" Jay finally pulled out and flopped next to you on the bed, both of your hair and makeup, a mess. "Sure baby. Round two there?" You asked him, massaging your legs. Jay, to your dissatisfaction, shook his head. "No baby. Lets get washed up. We got an event tomorrow don't we? Don't want you limping at the event do we?" You pouted slightly as you remembered the Prada event you had tomorrow and as an ambassador, you had to deliver a speech. Yep another round of sex with Jay right now and tomorrow, nothing would be on your brain other than getting your pussy filled with his cum again. "Alright oh great Park Joengsoeng. I got your lavender shampoo. Wanna use that?" You said while getting up from the bed, completely naked. "Of course baby." Jay replied.
Winning an award tonight was good but getting your actual award with Jay was even better, you thought, as you entered the hot shower, Jay caressing your hips and kissing your neck. Yep you can't wait to get married to this man.
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