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a-dauntless-daffodil · 1 year

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i love lion king 2

i love how we see Simba overcorrecting for his own childhood, how Kiara can recite lessons on the circle of life at the same age when Mufasa was just starting to introduce the idea to Simba

i love how Kiara is already so aware of the responsibility she'll have as ruler that, when cub Simba was bragging "I'm gonna be king of pride rock" and singing "Oh I just can't WAIT to be king!", Kiara, his daughter, who he's been raising to not make (or suffer) any of his own mistakes, instead says "But what if I don't want to be queen? It's no fun..." and sings "If there's so much I must be, can I still just be me, the way I am?"

I love how we see this PAY OFF at the end, when Kiara's sense of responsibility means she never once thinks of running off into the sunset with Kovu, no, of course she has to go back, of course she has to try reuniting both of their prides-

And maybe that's also some of Nala's spirit shining through her daughter, but really, Kiara is so much like Simba in all other ways (including her terrible pouncing, her thirst for adventure, her rule breaking) it really just feels like this is who Simba might have been if Mufasa hadn't been so confident he'd be around for his son so much longer, if Mufasa had focused more on preparing Simba for what the circle of life really means-

At The Same Time, even though it's good for the pride lands and the outlanders in the end, there's something tragic in comparing Simba and Kiara as cubs

how confident and carefree Simba got to be, how stifled and resigned Kiara ending up being, how she didn't get that kind of childhood at all thanks to her father's fear that it might be suddenly cut short, so much of Simba's talks with cub Kiara are warnings or lectures-

(when we see her play pouncing she's doing it on her own, contrast that with Mufasa and cub Simba playing together, contrast that to Simba's restraining paw scooping up his young daughter and keeping her in place)

-and even as an adult she ends up singing about how "I may not be brave, or strong, or smart" like this is more than just not being self-centered, this is depressing as heck, this girl doesn't think she's good at ANYTHING

(Timon you are not helping)

(I understand you might still be traumatized by your first meet-and-almost-eat with her mom and be worried about disappointing or hurting your adopted lion son if his cub gets hurt under your watch, but please, stop)

dear gods she never ever got to be herself without being held to the same standard as the great kings of the past

(except for when she snuck off on her own and got have a little adventure with Kovu, which she got through as HERSELF, not a princess, just a cub swatting at crocodiles and jumping on their gaping mouths just in time to save her new friend from getting eaten)

(meanwhile, Simba doesn't even acknowledge (or even hear???) her sad little line in their song together, he goes on talking about life lessons and leadership and she's the daughter of a king they are one, good, great, Simba your daughter is Distressed)

and that could have driven such a wedge between her and Simba, that could have pushed her into wanting escape and independence more than anything

except, she knows he's feeling THE SAME THING too

and we know she knows because when she wants to hurt him, to jar him, to criticize him for exiling Kovu while claiming he's doing it to follow in his father's paw prints, she tells him

"You will never be Mufasa!"

This is her fear, that she'll never be enough to be a good queen, this is also her fear, that the only way to be a good ruler is to stop being yourself

And it's what she rejects the moment she pulls a Nala and runs from pride rock alone- not to get help, but to give it- and when she returns to confront Simba with the wisdom she's learned, using the words he taught her

She looks at him, finally confident in who she is (with her back turned to the outlanders, defending them from her pride, "my father says to never turn your back on an outsider!" but she has grown since then)

she says "A wise king once told me" (Simba listen to yourself)

she says "we are one" (listen to the part of me that I learned from you)

"I didn't understand him then. Now I do" (Listen to me, now)

she says something that is true about pride landers and out landers, about Simba and Zira, about Kovu and Simba

"Them? Us. Look at them, they are us. What differences do you see?"

(between the desperation of lions on a starving land, dead loved ones, the thirst for revenge, children following in their parent's pawprints, to be so blinded by your own pain (fear, shame) that the pain of others fades away)

she asks him not to be a great king, but to see himself in them, these 'outsiders', and then to be himself in answer

And Simba listens

He looks at the daughter who had the same fear as him (Simba, who looked for guidance in the stars, saying "My father would never-" who Nala also understood so well, "Oh my Simba, you want so much to walk the path expected of you."), he looks at Kiara, who also feared that she couldn't be enough, as herself

Only... she isn't afraid anymore. She is a queen already, smart enough to find wisdom, brave enough to speak it, strong when she has to be

(he was so afraid of losing her but she had the chance to run and she came back, she came back and she is asking him, just once, to please finally-)

He listens to her. The clouds part.

We can feel Mufasa watching over them.

We look into Simba's eyes as he sees this (recall the same pattern of clouds and gazing when Mufasa told his son "you have forgotten who you are, and so you have forgotten me" and to "remember who you are")

The words Simba says as he accepts Kiara's wisdom "It's time to put the past behind us"

The lesson he learned from Timon and Pumba, this time used not to run from responsibility and pain but to face it, this hard part of his past that IS part of him

And the fact that even with all the reasons in the world to want Scar dead he still didn't want to be like him, he didn't want to kill his own uncle

(Mufasa never wanted to kill his brother, even as openly resentful and threatening though Scar was. There, the shock and horror in Mufasa's eyes as his brother betrays him- Mufasa never would have- Mufasa could have killed him any time before now, but he-)

Simba gave Scar the chance of mercy. Now, he gives it again. His daughter, his refection, his pride, has reminded him.

He looks at Kiara and he find himself in her.

He finds his father in her.

Great Kings of the past and present, great Queen of the future- Three generations and the choice of who they wish to be, and how that guides them into kindess, into mercy, into healing more harms than they cause.

Kiara speaks. Simba listens. Mufasa lives on in them

....

...then the contrast, sudden, stark, painful, of a daughter who speaks and a parent who does not listen

(Vitani says "No, mother" says "Kiara's right" pleads "Enough")

(Nuka is already dead, Kovu is scarred-)

(Their enemy no longer wants to fight, no longer IS their enemy-)

(Zira's smirk as she condemns her own daughter to death)

and the point hammered home, as the outlanders turn in disgust from their leader, that they were never evil

The point that the 'evil' which doomed Scar and Zira and Nuka (drove them on, single minded, into danger, into death) was a simple choice they all had faced. The simple question not everyone asks

Who are you?

Will you close yourself off to everyone and everything that does not feed your own conviction? Ignore anything that doesn't further your own goals?

(Nuka was loved for what he was, even if his mother never showed it. But his brother spoke up for him, his sister looked out for him, his pride all mourned him- he never needed to be the "chosen one")

(Scar was not the great king he thought he was, all around him is proof of his failure, the pridelands barren and empty, and his chance to do better, lead the lions from pride rock, make a new life- but it was never about being a good king to others. "I am the king, I can do whatever I want"- Simba's cubhood song, echoed in a lion who never learned better. Simba's offer of mercy, to let Scar escape with his life, thrown back in Simba's face (Nala's trick of always throwing off the lions who leap on her, here mirrored, saving Simba's life) and Scar, always thinking of himself, killed by his own self serving words and the hyenas he was so quick to betray)

(Zira wanting revenge for her pain, for Scar, wanting Nuka's death to be the last time Simba hurts her- Losing her daughter, because she will not stop the fight, losing her follows, because she would killed her daughter for refusing to fight... losing her life, swatting at the helping paw held out to her, only wanting to cause pain, only causing her own pain instead)

Will you cling desperately to what you have, or what you think you are owed, even when another way is offered?

Or will you listen.

(Vitani, so loyal to her mother, so vicious in her battles- Kovu's confused look as she changes her choice, choosing peace, Kiara's answering smile)

Will you see yourself in others and use that wisdom to decide who you want to be...

(Kiara, Simba, Mufasa- remember, remember)

...or who you do not want to be?

(the rest of the outlanders turning away from Zira. Their disgust at a mother who would kill her own child. The choice to leave her behind)

(the ending of the war)

I love lion king 2

it's the kind of sequel that makes me love the original more than i did before, it's so good it makes the first one even BETTER than it was on it's own

it makes the first movie sadder to re-watch

seeing how unprepared Simba really was. How Vitani proves that Scar had another way out

seeing Mufasa with his son, giving him a wonderful childhood, unaware of how has Simba will have to grow up- how long it will take him- the nightmares still haunting him- the gap between Simba and his own child thanks to his fears, his shames- (Mufasa's spirit, making leaves dancing as little tiny Kiara playfully swats at them) -Mufasa raising his son with no idea how much pain it will cause his granddaughter when Simba tries to make up for it...

...seeing all that, and knowing it still turns out okay

i wouldn't enjoy lion king 1 half as much without Simba's Pride. They fit together

i love them i love them i love them both

(also i am Gay and kiara is WOW)

(also also vitani too)

( also also also the fact that i just wanted to wrap kovu in blankets and never let anyone hurt him meanwhile he was everyone else's crush-> hmmm i wonder why that was....)

#Lion King (1994)#Lion King 2: Simba's Pride (1998)#Kiara #Simba #Mufasa #Vitani #Zira #Nuka #Scar #i am thinking and i am Feeling

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schmergo · 10 months

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I really loved seeing the West End production of The Lion King last month and was especially intrigued by the costuming and puppetry. In honor of the tour coming to DC, I wanted to share some cool info about Mufasa and Scar’s costumes from the stage production!

Mufasa’s costume was designed to represent wisdom, strength, and above all else, balance. His mask and mane are rounded and symmetrical in a design reminiscent of the sun and its rays as well as the “Circle of Life.” The golden tones of his costume represent sunlight and also tie him to the other lions. He uses two swords in moments of action and animal instinct throughout the play, representing the lion’s forelegs. Many elements of his costume are inspired by the Maasai people.

Scar’s costuming achieves opposite goals from Mufasa’s. His entire look is one of assymetry and imbalance, as he threw off the legitimate circle of life, line of succession, and even the local ecosystem in the course of his story. His mask is angular with a spiky mane that only sticks straight up. The actor’s makeup is painted on as a disdainful sneer- one eyebrow raised, one lip higher than the other- that makes him look snarky but also asymmetrical. The same goes for his lounging postures, leaning on one hip.

The actor leans on a cane throughout the show, which he also uses as a weapon. It reads as a foppish, aristocratic affectation, but also perhaps a sign of a physical injury in addition to his facial scar. If Mufasa’s two swords represent his forelegs, Scar’s single cane may represent an injured or even partly missing foreleg.

Every actor who plays a lion in the musical wears a corset, and each one is unique, but Scar’s is the most different of all. The “boning” of his corset actually looks like exposed bones, emphasizing his character’s gaunt, angular frame as seen in the movie. Even his pants come to sharp points, representing his haunches. There are more exposed bones on his elbows and a ruff of bones that looks like a bony hunched back attached to his back as opposed to Mufasa’s flowing fabric cape. This definitely amped up the Richard III vibes in a show already full of Shakespearean echos— and all those bones also clearly tie him in with themes of death!

Both Scar’s and Mufasa’s “lion heads” are used interchangeably as headpieces and masks at different times in the show. The actors “puppeteer” the position of the mask with a mechanism controlled by a switch in the palm of their hands.

What are some of your favorite musical theatre costumes?

#Disney #Lion king #Disney Broadway #west end #Broadway #musicals #costumes #musical theatre #mufasa #scar #theatre #the lion king

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