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#Morai
stealingpotatoes · 13 days
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well since ahsoka died and was brought back by the daughter that one time on mortis does that make her some extra spicy force being too?
i love how almost all of tl4j have some relation to mortis
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(donation doodles! // tip jar)
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im-yotsu · 15 days
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I CAN'T BELIEVE I POSTED THIS MONTHS AGO AND ONLY NOW I REALIZE THAT HER ARM WAS COLOURED WHITE INSTEAD OF ORANGEEEEEEE
Anyways this is the fixed version
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queenjiru · 2 months
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Day 5 of drawing Gonky until #TheBadBatch season 3 premieres! After a successful crash-landing, Gonky goes off to do some bird watching! And what a superb owl he sees! 🤩
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aspiring-spellcaster · 7 months
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MORAI I LOVE YOU
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d3epfriedangels · 2 years
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Padawan's first pet
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Credit to a deleted username on r/photoshop!!
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sudden-stops-kill · 10 months
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t c w 15th
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reneeofthestars · 5 months
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My submission for Libpaint's DTIYS challenge on Instagram!
I had so much fun with this. After I finished the main piece, I played around with some layers and got some fun results, a few of which I've shared here!
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midorisudachi · 7 months
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"We are the ones who guard the power. We are the middle, the beginning, and the end." - The Daughter, from the mural (Star Wars Rebels)
I've watched the season finale of Ahsoka three times now (1st was by myself, 2nd time was with my son, and the 3rd time was with my Mum). A certain scene near the end of the episode - after a realization of what it was - made me think back to two certain special episodes: one from The Clone Wars and one from Rebels. This idea came to me on Sunday (October 8) night, so I quickly sketched out The Daughter and Morai, then coloured it in on October 9 (Monday). I always found the "Mortis gods" or "The Ones" rather interesting. I've always liked characters that have a small or short appearance, yet their character is important. The Daughter is so tall in her human form: 2.13 meters (or 6'9")! 
I hope everybody likes this. Please let me know if you do Star Wars fan art (or anything sci-fi or from Dragon Age or Naruto). I'd love to see your work! Thank you to everybody who supports my art. You truly mean a lot to me. It is what keeps me going as an artist.
This was drawn with my usual mediums: Sakura Pigma Micron pens, then coloured in with a mix of Copic Markers and Ohuhu Markers. The background is acrylic paint on black posterboard. I actually cut out The Daughter & Morai from the paper I drew them on, then glued it to the painted posterboard. An interesting way to do mixed mediums, yes? The gold paint is actually metallic & shiny in real life, but sadly scanners kill colours and metallics. (Well darn, scanners sometimes kills the line art.) The actual art piece is 11.25" x 14". 
I have another Ahsoka series fan art that I created last week. I will share it next week. I had posted it on my Instagram, but Insta is horrible to so many artists (especially if you do traditional art), because the Algorithim of Doom buries your work so deep that nobody sees it. My art basically fails on Insta. So I believe that from now on, I'll only submit my artwork here on Tumblr.
Star Wars/Clone Wars/Rebels/The Daughter/Morai © Lucasfilm Animation & Disney
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lots-o-doodles · 2 years
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Some spooky Star Wars pals!
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spectral-musette · 2 years
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A little late, but the prompt was “occult and owls” so I drew The Daughter
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sarcastic-sketches · 1 year
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Re-did my previous Ahsoka stained glass design as I wasn’t happy with it but this is a huge improvement I feel ~ enjoy :D
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girl4music · 5 months
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Just read the ‘Last Chance’ script again.
It literally is a piece of femslash fanfiction.
It’s both a musical and a doppleganger episode and so you can only imagine the gay shenanigans that would happen between the lookalikes that are actual lovers.
From Xena Wiki. Source: https://warriorprincess.fandom.com/wiki/Last_Chance
“Scheduled for February 2001, but never shot. This was the infamous Sappho episode. Written by Robert Tapert and Melissa Good, it was to be directed by Mark Beesley. K.D. Lang apparently agreed to guest star.
Synopsis
Sometime during her life as a mortal, Aphrodite "stole" Sappho from the Muses because she wrote, like, such kickin' love poetry. The Muses got back at Aphrodite for the "kidnapping" by casting a spell on Aphrodite's son. The spell was one of celibacy, which, of course, is a major bummer for Aphrodite. Aphrodite decides to get her son "un-celibate" by getting him to go to Lesbos to groove on some Sappho love poetry.
The problem is that Sappho (Renee) has "lost the muse". She and her partner (in *every* sense) Morai (Lucy) have been fighting a great deal. Having creative differences, in other words. Sappho hasn't been giving Morai enough credit in the partnership, and in the end, Morai (a meek woman) leaves, during the time that they're getting ready to put on a play called "Love Bites".
Aphrodite, seeing her plans for her son going seriously awry, goes to two people she hopes will help her. Xena and Gabrielle. She breaks in on a jam session with Xena and Gabrielle. Gabrielle is trying to write a song, and Xena keeps on putting her two cents in. Gabrielle finally asks Xena to just shut up and sing it already. And we hear the first lines of Last Dance.
Aphrodite "pops in", interrupting them. She then asks them if they'd fill in briefly for Sappho and Morai while she goes after the two to try and get them back together. After a few moments, Xena and Gabrielle agree to Aphrodite's scheme, and travel to Lesbos.
They get there, and of course, everyone mistakes Gabrielle for Sappho, and ignore Xena (masquerading as the meek and mild Morai). The play is down to the last moments, almost ready to be put on, but the ending isn't even done. Xena and Gabrielle need to stall until Aphrodite can get the real Sappho and Morai back so that they can finish the play that she hopes will break her son's celibate spell.
Mistaken identity hijinx ensue, with Gabrielle loving the accolades and Xena getting more and more pissed off because people are treating her like a somewhat brain damaged dog. Xena and Gabrielle get into a small (minor) tiff because Xena is upset, but eventually things get back to "normal".
Meanwhile Sappho and Morai have taken a canoe/camping trip into nature in order to work out the kinks and get the muse back so they can finish the play. Unfortunately, that flops, as does the canoe, so Sappho and Morai wind up back at Sappho's home, where they run into, literally, Xena and Gabrielle. However, it's kinda funny the way it happens.
See, Xena, walks into Sappho's boudoir thinking Sappho is Gabrielle. Sappho is instantly entranced by Xena's bearing, and *especially* her leather. Xena is a bit taken aback by Gabrielle's forwardness, especially since they've just had another small arguement and Xena left the party.
Meanwhile, the REAL Gabrielle is in another room when Morai comes in (thinking it's Sappho) and wanting to make up with her partner. She takes off Gabrielle's boots and offers to read her some poetry before they go to bed. Poetry? Gabrielle wants to know where Xena (who she thinks Morai is) got the henbane and how much did she take?
Both sets of doubles eventually find out that they're not who the other thinks they are, and all four collide in the hallway outside the bedroom. After the surprised introductions are over, Sappho offers to have Xena (who she REALLY likes) and Gabrielle to share the bed with she and Morai. Gabrielle declines and Xena and Gabrielle go into Sappho's workroom, where they settle down for some "pillow talk". (In the script, and yes, they're sharing a bed).
They each talk about how they knew the double wasn't who they thought they were after a short time and then go to sleep. Xena wants to leave, figuring that with Sappho and Morai back, their mission is done, but Aphrodite convinces them to stay on a bit longer. Which is a good thing, because Sappho and Morai argue again and Morai runs away.
The play is ready to go on with Senhel and Avian in attendance, but without Morai (who is playing several parts), what can be done? In steps Xena to fill Morai's spot while Gabrielle runs off to find the runaway poet and to convince her to return to Sappho's side.
Then the Donkey Show part of this ensues, with all the disco tunes you heard about. It's as confusing as the real Donkey Show is, and I really can't do it justice, but basically it's about three couples (each played by Lucy and Renee) some who love each other, some who want one but the other doesn't want them back.
Aphrodite thinks this play, sampling the "many flavors of looooove" is just the ticket to get Senhel to see the error of his ways. They start out, but at first, Sappho is upset because while she *really* likes Xena, the reverse isn't true. Xena's not interested, and Sappho thinks she's falling down on the convincing job (to the audience).
They go along in the play and Aphrodite pops in again, and sees that her son is completely unmoved. Morai (who really DOES love Sappho) still isn't back yet, so Aphrodite pleads with Xena to "please, just fake it" with Sappho so that Senhel will get the picture. Faced with the alternative (failure) Xena decides to "fake it" and starts becoming more steamy with Sappho during the songs such as "Love to Love You Baby", "Knock on Wood", "Don't Leave Me This Way" and the like.
Gabrielle, meanwhile, has convinced Morai to give Sappho one more try, and brings her back to the playhouse just in time to see Xena pin Sappho to a set piece on stage and kiss the living daylights out of her. Morai is upset. Gabrielle is kinda upset. Senhel is falling asleep (because, obviously, what's going on up on stage is not love, just lust).
Morai begins to sing "I Will Survive" to Sappho and then leaves. Gabrielle leaves with her. The audience begins to leave.
"WAIT!" shouts Xena, and tosses her chakram to close the doors to keep the audience from leaving. Then she begins to sing, to Gabrielle, the song they wrote together. Which, of course, is Last Dance. As she hears it, Gabrielle stops. Then turns. Then, as Xena continues to sing, she begins to approach Xena until they wind up holding hands and looking into each other's eyes.
Then, as the song fades, they hug. Then they look over at Senhel, who is STILL unmoved. So then, and this is from the script:
“Xena and Gabrielle kiss with deep and sincere passion.” Everyone stares, entranced.
When they finally come up for air, Senhel is on the floor, the spell broken because he has finally seen true love. As the song begins again, Avain kisses Senhel, Morai kisses Sappho, and everyone is happy again.”
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lornaka · 7 months
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Soooo I'm finally pinning this one 👀✨ I planned to do it two years ago but better late than never 💚  Limited pre-orders are now live in my Ko-Fi shop and will stay open until October 9 (unless they sell out sooner).
Link: ko-fi.com/lornaka/shop
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bilbobignaturals · 7 months
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Anakin 🤝 Father of Mortis
I'm hoping that Anakin has taken the role of the Father that we saw him reject in the Mortis arc of TCW and thats why we're seeing him in the world between worlds. Consider, after his redemption in ROTJ he does the place of the father. He fulfills the prophecy of Balance & continues to be the middle ground of the Force.
It could explain why we see him as having full control of both light and dark as we see him shifting seamlessly between Jedi and Sith in ep5 of Ahsoka.
It would make sense as to why he can present himself to her...I know people keep saying he's just a force vision which could be right, BUT Jacen and even Hera could hear them duelling.
And Hera isn't exactly force sensitive, at least not like Jacen, idk how she would be able to hear a vision going on inside ahsokas head?
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rebel-ahsoka · 5 months
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STAR WARS REBELS 4.13, A World Between Worlds
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d3epfriedangels · 2 years
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There's a wildness in you, young one
reblogs appreciated!
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