Okay, I just had a thought. What if “Deadpool & Wolverine” is the start of this arc that’s going to address the state of the non-MCU Marvel properties? From how I’m seeing things, it looks like the universes of the non-MCU Marvel properties are breaking down for some reason (maybe related to the incursion in Multiverse of Madness) and the TVA are scrambling to save them.
So, what’s the plan? Take the remnants of the destroyed universes and “merge” them into a stable universe. On a meta level, it’s taking the non-MCU Marvel properties and merging them into the MCU. That’s how the mutants end up getting introduced into the MCU, as well as other concepts like Inhumans, Ghost Rider, and so on.
From a creative perspective, this allows Marvel Studios to bring in characters and concepts from these non-MCU properties without needing to address the previous storylines. You like James McAvoy and Michael Fassbender as Charles and Erik? Well, we can bring them back now without having to address the bullshit that was the late stages of the Fox X-Men universe. That’s basically what’s happening with this version of Wolverine; it seems like this Logan is separate from all the other Logans we’ve seen, which I think is a good move since it allows Hugh Jackman to come back and audiences don’t have to question his existence.
31 notes
·
View notes
Jane Eyre (2011) dir. Cary Joji Fukunaga
1K notes
·
View notes
Cmon. With the way Erik was looking at Charles afterwards there is NO way he wasn't at least a liiitle bit turned on by that punch.
820 notes
·
View notes
The Killer (David Fincher, 2023)
823 notes
·
View notes
Michael Fassbender in Shame
497 notes
·
View notes