Fred Hampton (August 30, 1948 – December 4, 1969)
Mark Clark (June 28, 1947 – December 4, 1969)
Images: Fred Hampton Quote (1969), Color Collective Press, Los Angeles, CA, 2023
52 notes
·
View notes
he tells you specifically that Black Culture is INFILTRATED DEEPLY
don't be used - and stay aware. they're out there and looking for you
5 notes
·
View notes
THE STORY OF FRED HAMPTON AND COINTELPRO by Michael Harriot
Black Panther leader Fred Hampton, Dirksen Federal Building, 1969
Photo by Paul Sequeira, Fair use image
NOTE: HE MEANT J. EDGAR HOOVER, NOT HERBERT HOOVER.
Preventing the rise of a ‘messiah’ by Jonathan David Farley
FBI – KING SUICIDE LETTER
NOTE: HE’S ABOUT TO WRITE MARK O’NEAL WHEN HE MEANS WILLIAM…
View On WordPress
1 note
·
View note
similar concept, different vibes
5K notes
·
View notes
A Doll's House, Part 2 at Novato Theater Company
Slowly but surely, with occasional hiccoughs here and there, Novato Theater Company is becoming quite an accomplished community theater. They did a terrific job with August, Osage County, and their production of Company included the best performance of "Not Getting Married" I've ever seen - and that included when I saw it on Broadway.
Except for one unfortunate performance (sadly, it's from the lead), their take on Lucas Hnath's jewel of a play, A Doll's House, Part 2, is well worth your time. Mark Clark, who plays Helmer, the abandoned husband of Ibsen's A Doll's House, really loses himself in the role. Every gesture, every line reading felt spot-on.
So get yourself a ticket - and try to ignore Alison Peltz's hyperactive performance as Nora.
Full review is on TalkinBroadway.
0 notes
help the lil chaotic multidimensional demons
Batman/Superman: World's Finest #25
by Mark Waid and Dan Mora
269 notes
·
View notes
No big deal. Just Bruce referring to Superman as his.
714 notes
·
View notes
The Date: December 4, 1969
The Time: 4:45 a.m.
The Place: 2337-2339 West Monroe Street
The City: Chicago, IL
Fred Hampton (August 30, 1948 – December 4, 1969)
Mark Clark (June 28, 1947 – December 4, 1969)
(image from: The Murder of Fred Hampton, The Film Group, 1971 (vimeo); restored by the UCLA Film & Television Archive, 2017, then Chicago Film Archives & UCLA, 2019)
194 notes
·
View notes
The Boys and Invincible aren’t deconstructions of Superman the character so much as they are deconstructions of how we see the Superman archetype. And his core Superman - Clark Kent - and his family are a story of immigrants, of choosing to be a good person and save people even with the knowledge you will never be truly accepted. The Boys is a deconstruction of how that archetype has been used for fearmongering and propaganda, and how deadly that can be - look at the comics from the 50s and 60s, the height of McCarthyism - of what Superman is used for, not who he is. Omni-Man is effectively, what would happen if General Zod came to Earth. It’s more a deconstruction of colonialism than anything, and it uses Superman - a character we have ingrained in us to trust - to try and lull us into the belief Omni-Man must be good, until we no longer can. Invincible is basically Chris Kent - a boy rejects his father’s imperialist ideals and chooses Earth and humanity. It puts Earth in the position of the colonized, not the colonizer.
2K notes
·
View notes