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#Literary Quote
joytri · 4 months
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"She doesn't speak too much but she leads the most intelligent conversations. She is a thinker. She has her coffee and books and music. She has her style. There's something so deep in her eyes. That's why everybody stares at her. She has a beautiful soul. She has a power and she is not afraid to be different. She is the art."
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booksandteaandstuff · 2 months
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“I would look for examples of men of my age who were already dead. And I was tormented by the thought that I might not have time to accomplish my task. What task? I had no idea. Frankly, was what I was doing worth continuing?”
Albert Camus, The Fall
https://bookshop.org/a/12010/9780679720225
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if-you-fan-a-fire · 1 year
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"I resisted its lessons. The student wizard Ged cracks open the surface of the night and releases a shadow version of himself into the world, a Jungian clot of personal darkness, that hunts him till he turns to face it and incorporates it back into himself where it belongs, by naming it with its true name: his own. I resolutely thought of the shadow as a bogey alien to Ged, and wondered why he wasn’t different at the end of the book when that dark thing was inside him. You cannot outrun yourself, the story said: a deeply unwelcome thought to me. I didn’t go to the worlds of story to be reminded that on a dark road your anger and your cruelty pace just behind you, daring you to turn your head, unless you let them travel safely within you."
- Francis Spufford on Ursula K. Le Guin's A Wizard of Earthsea, in The Child That Books Built (2002), p. 84–85.
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ijustkindalikebooks · 8 months
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“Let every book-worm, when in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford.” ― Samuel Taylor Coleridge.
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mundrakan · 3 months
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Prompt: Rough
@wolfstarmicrofic - 50 words
Remus wasn't hitting a rough spot in life, his life was the rough spot in other people's. He told Sirius that, when he asked to reconcile. After everything. Sometimes Sirius' classical education showed up in the most unexpected places. “'Tis rotten work. - Not to me, not if it's you.”
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the-phooey · 1 year
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Before long, he caught hold of himself and concluded that nothing ever did happen again; to each was given days and chances which wouldn't come back around. And wasn't it sweet to be where you were and let it remind you of the past for once, despite the upset, instead of always looking on into the mechanics of the days and the trouble ahead, which might never come.
Claire Keegan, Small Things Like These
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canadachronicles · 15 days
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"Let laureates sing with rapturous swing Of the wonder and glory of work; Let pulpiteers preach and with passion impeach The indolent wretches who shirk. No doubt they are right: in the stress of the fight It's the slackers who go to the wall; So though it's my shame I perversely proclaim It's fine to do nothing at all. It's fine to recline on the flat of one's spine, With never a thought in one's head: It's lovely to le staring up at the sky When others are earning their bread. It's great to feel one with the soil and the sun, Drowned deep in the grasses so tall; Oh it's noble to sweat, pounds and dollars to get, But; it's grand to do nothing at all. So sing to the praise of the fellows who laze Instead of lambasting the soil; The vagabonds gay who lounge by the way, Conscientious objectors to toil. But lest you should think, by this spatter of ink, The Muses still hold me in thrall, I'll round out my rhyme, and (until the next time) Work like hell; doing nothing at all."
--Laziness, Robert William Service
I am still jet-lagged, and I've caught a violent cold, returning from warmer climes; thus I can say, without any shame, I am thoroughly enjoying a little laziness!
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imkeepinit · 4 months
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From his first novel Chrome Yellow (1921)
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adamqiii · 3 months
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Thank you for your attention. Don't forget to like and repost - it's a small thing for you, but it's nice for us.
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He didn't notice a single face as he took a seat. He saw neither teacher nor students, and was aware only of the heavenly light in the room, an orange glow from the autumnal foliage outside. The room seemed full of a sweet viscous liquid, a honey nearly light as air, which he breathed in. Time slowed down, and in his left ear the ringing of the cosmic Om started up clear as a telephone. When we suggested these details had been laced with the same THC in his blood, Trip Fontaine thrust a finger into the air, the only time his hands stopped shaking during the entire interview. 'I know what it's like to be high,' he said. 'This was different.' In the orange light the students' heads looked like sea anemones, undulating quietly, and the silence of the room was that of the ocean floor. 'Every second is eternal,' Trip told us, describing how as he sat in his desk the girl in front of him, for no apparent reason, had turned around and looked at him. He couldn't say she was beautiful because all he could see were her eyes. The rest of her face — the pulpy lips, the blond sideburn fuzz, the nose with its candy-pink translucent nostrils— registered dimly as the two blue eyes lifted him on a sea wave and held him suspended. 'She was the still point of the turning world,' he told us, quoting Eliot, whose Collected Poems he had found on the shelf of the detoxification center. For the eternity that Lux Lisbon looked at him, Trip Fontaine looked back, and the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him, even now in the desert, with his looks and health wasted. 'You never know what'll set the memory off,' he told us. 'A baby's face. A bell on a cat's collar. Anything.
– Jeffrey Eugenides, The Virgin Suicides: A Novel
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thelittle-lady · 1 year
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To love someone is firstly to confess: I'm prepared to be devastated by you.
— Billy-Ray Belcourt, A History of My Brief Body
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joytri · 4 months
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It's a chill blue December day; gloomy, icy, transparent.
Sylvia Plath, from a letter to Aurelia Plath, wr. c. December 1960
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booksandteaandstuff · 2 months
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“But the heart has its own memory and I have forgotten nothing.”
Albert Camus, The Fall
https://bookshop.org/a/12010/9780679720225
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if-you-fan-a-fire · 5 months
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"...at a revolution two paths are possible. So indeed they are in evolution – one can either stay still and be classical, academic and null, or go forward. But at a time of revolution it is not possible to stay still, one must either go forward, or back. To us this choice appears as a choice between Communism and Fascism, either to create the future or to go back to old primitive values, to mythology, racialism, nationalism, hero-worship, and participation mystique. This Fascist art is like the regression of the neurotic to a previous level of adaptation.
It is D. H. Lawrence’s importance as an artist that he was well aware of the fact that the pure artist cannot exist to-day, and that the artist must inevitably be a man hating cash relationships and the market, and profoundly interested in the relations between persons. Moreover, he must be a man not merely profoundly interested in the relations between persons as they are, but interested in changing them, dissatisfied with them as they are, and wanting newer and fuller values in personal relationships.
But it is Lawrence’s final tragedy that his solution was ultimately Fascist and not Communist. It was regressive. Lawrence wanted us to return to the past, to the ‘Mother’. He sees human discontent as the yearning of the solar plexus for the umbilical connexion, and he demands the substitution for sharp sexual love of the unconscious fleshy identification of foetus with mother. All this was symbolic of regression, of neurosis, of the return to the primitive.
Lawrence felt that the Europe of to-day was moribund; and he turned therefore to other forms of existence, in Mexico, Etruria and Sicily, where he found or thought he found systems of social relations in which life flowed more easily and more meaningfully. The life of Bourgeois Europe seemed to him permeated with possessiveness and rationalising, so that it had got out of gear with the simple needs of the Body. In a thousand forms he repeats this indictment of a civilisation which consciously and just because it is conscious – sins against the instinctive currents which are man’s primal source of energy. It is a mistake to suppose that Lawrence preaches the gospel of sex. Bourgeois Europe has had its bellyful of sex, and a sex cult would not now attract the interest and emotional support which Lawrence’s teaching received. Lawrence’s gospel was purely sociological. Even sex was too conscious for him..." - Christopher Caudwell, "D. H. Lawrence: A Study of the Bourgeois Artist,” in Studies in a Dying Culture. First published posthumously by Bodley Head in 1938.
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honey-bri-books · 1 year
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You can’t hate something so violently unless a part of you also loves it.
From The New York Trilogy by Paul Auster
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reverie-quotes · 2 years
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Sometimes she worried that she was too happy. She would sink into moodiness, and snap at Obinze, or be distant. And her joy would become a restless thing, flapping its wings inside her, as though looking for an opening to fly away.
Chimamanda Ngozi Adichie, Americanah
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