Suite en blanc © Yasuko Kageyama
Five different programmes make up Rome Opera Ballet’s new season, 2019-2020.
Benjamin Pech’s successful Swan Lake will be remounted to open the season. This will be followed by an evening dedicated to Jerome Robbins; a new work by José Carlos Martínez telling the tale of Lord Byron’s Il Corsaro (The Corsair); a triple bill featuring Suite en blanc, Serenade, and Pastor’s Bolero; Roland Petit’s Notre-Dame de Paris; and in the open-air for the summer of 2020 will be Derek Deane’s Strictly Gershwin.
Rome Opera Ballet’s étoile Rebecca Bianchi, and principal dancers Susanna Salvi, Claudio Cocino and Alessio Rezza are joined by company director and Paris Opera Ballet étoile Eleonora Abbagnato together with Amandine Albisson, Germain Louvet, Anna Tsygankova, Daniel Camargo, Zachary Catazaro, Olesya Novikova, Leonid Sarafanov, Isaac Hernández, Friedemann Vogel and Adamzhan Bakhtiyar.
Swan Lake © Yasuko Kageyama with Susanna Salvi and Germain Louvet
31 December 2019 – 8 January 2020
Swan Lake
Choreography by Benjamin Pech
Sets – Aldo Butui
Lighting – Vinicio Cheli
Conductors – Nir Kabaretti and Carlo Donadio.
With Amandine Albisson and Germain Louvet (Paris Opera Ballet), Anna Tsygankova (Dutch National Ballet) and Daniel Camargo.
Glass Pieces © Yasuko Kageyama
The Concert © Yasuko Kageyama
30 January 2020 – 5 February
Serata Robbins
Choreography by Jerome Robbins
Glass pieces (1983)
Sets – Robbins with Ronald Bates
Costumes – Ben Benson
Lighting – Jennifer Tipton
In the Night (1970)
Costumes – Anthony Dowell
Lighting – Jennifer Tipton
With Eleonora Abbagnato and Zachary Catazaro
The Concert, The Perils of Everybody (1956)
Sets – Saul Steinberg and Edward Gorey
Costumes – Irene Sharaff
Lighting – Jennifer Tipton
Conductor – Carlo Donadio.
Il Corsaro, Rome Opera Archive 01
Il Corsaro, Rome Opera Archive
Preview 28 February; 1 – 8 March
Il Corsaro
Choreography by José Carlos Martínez (new creation)
Sets – Francesco Zito
Lighting – Vinicio Cheli
Conductor – Alexei Baklan
With Olesya Novikova (Mariinsky), Leonid Sarafanov (Michailovsky), Isaac Hernández (English National Ballet)
Suite en blanc with Eleonora Abbagnato © Yasuko Kageyama
Serenade © Yasuko Kageyama
Preview 5 May; 6 – 10 May
Triple Bill
Suite en blanc (1943)
Choreography by Serge Lifar
With Eleonora Abbagnato
Serenade (1934)
Choreography by George Balanchine
Costumes – Barbara Karinska
Bolero (2012)
Choreography by Krzysztof Pastor
Sets and costumes – Tatyana Van Walsum
Lighting – Bert Dalhuysen
Conductor – Façal Karoui
With Eleonora Abbagnato and Friedemann Vogel (Stuttgart Ballet)
Claudio Coviello as the Hunchback, Teatro alla Scala
Preview 23 September; 24 September – 1 October
Notre-Dame de Paris
Choreography by Roland Petit
Sets – René Allio
Costumes – Yves Saint-Laurent
Conductor – Louis Lohraseb
With Adamzhan Bakhtiyar (Astana Opera Ballet)
Queensland Ballet dancers Shane Weurthner and Lisa Edwards in a publicity still for Derek Deane’s Strictly Gershwin
Summer season at Caracalla Baths
Strictly Gershwin
Choreography by Derek Deane
Conductor – Gareth Valentine
Rome Opera Ballet announces 2019-2020 season Five different programmes make up Rome Opera Ballet’s new season, 2019-2020. Benjamin Pech’s successful Swan Lake…
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I was so sad to see the news of Igor Petrov’s passing - he seemed a wonderful teacher and mentor. Do you know what happened, I hadn’t even realised he had been ill?
Apologies that this ask got buried. The news of his passing is very tragic indeed, lots of his colleagues and students expressed warm sentiments online and shared fond memories. I thought Xander Parish had an especially well-written post. I don't believe the cause of death has been made public, so I won't be speculating on it.
However, I will share two videos of him teaching in hopes that it will serve as a small tribute to an extremely dedicated and loyal man who gave his all to art and teaching.
Class at Segerstrom Center for the Arts, during the MT's tour to California. Notable dancers in class include Viktoria Tereshkina, Oksana Skorik, Ekaterina Kondaurova, Vladimir Shklyarov, Timur Askerov, Xander Parish, and Kimin Kim who whips out some seriously impressive consecutive tours.
And an older class on stage from 2008. Dancers include Diana Vishneva, Alina Somova, Viktoria Tereshkina, Leonid Sarafanov (who is absolutely fabulous here) Daniil Fadeyev, Irma Nioradze, Anton Korsakov and even young Yana Selina
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Natalia Osipova and Leonid Sarafanov in Giselle, Mikhailovsky Ballet, November 2014. © Paul Kolnik.
Osipova’s vitality is astonishing: the minute she stepped onstage, it’s as if the whole world became a few shades brighter. In fact, her main challenge, particularly in a ballet like Giselle, is finding a way to channel that physical exuberance and keep it within the bounds of the story.
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Ukrainian Dancers in Russia:
Anastasia Matvienko (Mariinsky)
Denis Matvienko (Mariinsky)
Nadezhda Gonchar (Mariinsky)
Ekaterina Chebykina (Mariinsky)
Oksana Skorik (Mariinsky)
Artem Ovcharenko (Bolshoi)
Svetlana Zakharova (Bolshoi)
Anastasia Soboleva (Mikhailovsky)
Leonid Sarafanov (Mikhailovsky)
Svetlana Bednenko (Mikhailovsky)
There’s probably more, but I can’t think of them. I wonder how they’re doing...
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