I'm here to make a friends and some fun here 😄😁🥰
I'm here to spread the Good Newts
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If any of you ever end up becoming famous authors in the future and I somehow end up recognising your writing style I pinky promise I’ll take your secret to the grave, no one will know you used to write about fictional dudes deepthroating each other in coffee shop AU’s except you and me 🤝
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Hey I like a lot of the takes you have regarding the pirate show so I wanted to ask for your opinion on smth that's been bothering me for a while:
I have a deep seated dislike for Hamilton. Twinkifying the fucking founding fathers, romanticizing slave abusers and overall villainizing the wrong people while others (Hamilton at the front naturally) gets sung at. Speaking of singing - I really hate it. Shipping (i want to repeat) the founding fathers, the blatant white washing bla bla bla. Anyway those are all known problems and better people have said it smarter before and that isn't really my point
It's the fact that a friend of mine recently brought up that Ofmd pretty much is the same and I shouldn't scream so loud in my glass house. Inaccurate historically speaking, the blatant ignoring of the slave owning that the real Stede and Edward did and so on and so forth. Minus the singing perhaps if we ignore Frenchies and Izzys
So. Does it make me a hypocrite to like ofmd so much but despise the mere mention of Hamilton? It's a thing I'm really stressed about lately and that kind of ruined my joy about finally getting season 2. I would love to hear your opinion. or that of your followers for that matter.
Thank you 😊
oh thank YOU because I do feel that this is an interesting thing to examine and we do not talk about it enough.
I have never seen Hamilton, or listened to the songs (except some snippets). I have never been involved in the fandom. I really, really can't speak to what the musical itself did wrong and right. But I will say this: There was a reason it got as popular and received the critical acclaim that it did. I can't speak to how it addresses the systemic injustice baked into the USA from the very beginning, and I do have a suspicion that it glosses over a lot of uncomfortable truths. But I also feel it is important that we divorce the source material from the fandom it spawns because ultimately, Miranda isn't responsible for Hatsune Miku Binder Jefferson, or the whole hivliving debacle.
Just as David Jenkins isn't responsible for the handwaving of slavery in fanworks, or the great Izzy Hands Debate, or whitewashing in fanart, or shitty, racist headcanons of the characters of colour, or whatever deranged scandal is yet to come to light. This is true for all fandoms; criticizing fandom dynamics is a very different conversation from criticizing the canon.
Let's focus on the canon here, though, because defending the fandom is pointless, and not something I want to do. Curate your experience.
The first thing to say is: If you like ofmd but don't like Hamilton, that's not hypocritical at all, that's first and foremost a matter of taste. Things are good when we like them and bad when we don't. We don't have to find objective reasons for it.
If the fact that the historical Stede Bonnet was a slaveowner, and the historical Blackbeard also participated in the slave trade, are dealbreakers for someone, that's valid. People have every right to be uncomfortable with that. The conversation could end at this point, if we want it to (I don't because I love to hear myself talk).
If we look at the historical figures a little closer the first stark difference is the cultural context in which they exist. The founding fathers seem to be extremely mythologized in the american consciousness but also, are understood to be real historical people. The founding myth is fundamental to the way in which the USA perceives itself (that is, as a beacon of freedom and democracy), and it's pretty hard to reconcile that with the bloodshed and human misery it was founded on. It's uncomfortable; and it's not just an American problem. Every western nation/former colonial power has quite literal corpses in their closets they'd rather not talk about (just so you don't think I'm getting on a high horse about the famed Erinnerungskultur here; go ask a german person about Lothar von Trotha and what he did to the Nama and Herero to receive a blank stare). The difference is, that the founding fathers are too prominent and too important to just not talk about, so instead, they are sanitized to a degree that can be straight up historical revisionism.
That's not Miranda's fault. Nor is it the fault of any one particular piece of historical fiction, biography, documentary, or what have you. But it is the context in which Hamilton exists and, from what I understand, a culture to which it contributes. Especially since it's based on a biography of the real Alexander Hamilton, and (again, to my understanding) claims to tell a more or less accurate story.
Pirates, on the other hand, are perceived completely differently. They are mythologized, but not for ideological reasons, not as state-building propaganda. Pirates are more like folk heroes; cultural icons (near) completely divorced from whatever historical figure once lived. They are "real" in the sense that they are based on real people, but engaging with them, from the start, has a layer of removal from reality that engaging with figures like the founding fathers hasn't. Blackbeard is from a saga. George Washington is from history.
ofmd, specifically, makes clear at every turn that what we are told is a fictional story that has very little to do with any real events. It's openly anachronistic, it has absurd internal logic. Life-threatening injuries are walked off. There's actual magic. Dinghies are treated like spawn points in a video game. Everything, from the costumes to the vernacular to the story beats, tells the audience that none of this is real.
You wouldn't accuse, idk, A Knight's Tale, or Mel Brooks's Men In Tights of whitewashing history. I feel like ofmd plays in a similar league; it's a comedy very vaguely based on history, and it makes sure the audience knows we are not about to be told anything true. If you watch ofmd, you know this isn't about the real, historical Stede Bonnet or Edward Teach.
So. Let's examine the actual story, yes? The story that is told here is anticolonialist, antiracist, and challenges oppressive power structures as much as is possible for a production like this. It addresses these things and condemns them, both explicitly and in its underlying message. (I'm not gonna explain all of this, enough ink has been spilled about it by people smarter than me)
I do not know what Hamilton is about at its core. I know Our Flag Means Death is about authenticity in the face of the whole world telling you there's something wrong with you. It's about resisting dehumanization and reclaiming your personhood. It's about love, in a radical, system-destroying way, about breaking the cycle of abuse, about healing, and finding joy.
Yes, the real historical figures it's based on were all horrible people. Again, if that's a dealbreaker, that's fine. I'm not trying to convince anyone who is deeply uncomfortable with that fact; it's perfectly understandable.
However, for me, personally, the story as a whole is so far removed from reality, and so firm in its message, that I feel this is forgivable.
(Oh, and a lat aside, I also feel like likening ofmd to Hamilton seldom seems to come from a place of genuine criticism. Often it seems to be more along the lines of "Hamilton is cringe, and if I say ofmd=Hamilton ppl will be too embarrassed to defend it" which yk. feels kinda disingenuous to me.)
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Who is allowed to send asks? Is it restricted or a Patreon thing?
Anyone can send asks! But I only manage to respond to a small portion of them, sorry. I'm just one person.
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alright, so i've talked about that person yesterday (the one who copied my work and ideas without giving any form of credit whatsoever), and i have messaged them, but i don't think they've acknowledged my message, so i'm sorta left without a choice but to ask people to report their "work". (the reason i put "work" in quotations is because it's not their work, it's work they've stolen off of creators.)
for anyone confused, this post will explain the situation, with evidence. i don't want people to send hate to this creator at all, but instead report their 'old-bf könig' post as it steals ideas that i've talked about in my original post.
their username is @plantwreastler, and again, i don't condone sending any form of hate, all i'm asking is for anyone to report their post about older-bf könig, and perhaps check their likes & posts. you can see that their writing style changes often, which could potentially mean that they've stolen work before off of different creators. in my eyes, if someone copies, most likely they've done it before or will do it again! 😮💨
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Sobbing thinking about casual acceptance.
Hermits just being chill about each other. Someone announcing in chat they use different pronouns now and the hermits just responding with thumbsup and "cheers man" and stuff like that. Then using those pronouns without any issues.
Someone dressing in a more non conventional way and just getting casual compliments.
Just them not making a big deal out of stuff like this.
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you’ve sold me!!! i am so moved!!! murase looks so homely and dad shaped
He could have been dad!!! He could have been dad!!!!!!!!
The stage play condensed/remade Murase's speech(es) to Chuuya after Adam left the room so they're completely different, and it really pushed the potential dad-son relationship between them
and then Chuuya starts complaining about his rambling
(side note: in the official translation of SB, Murase is described as "looking light", which probably mean he's rather thin, but this is one of the few things I'll fight Asagiri over)
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what do you think it would be like if (and assume that in this Ezio is affected in his actual life by everything Desmond does) When Desmond started in on Ezio’s memories, he accidentally turned on Eagle vision and couldn’t turn it off and so came to the conclusion that Ezio was just color blind- while Ezio is having a major crisis over why he sees everything and nothing all the time! And after Ezio finally accepts this is just how things are now- Desmond finds the off switch and the fallout of color commences at the worst possible time
Considering the first time Desmond connect with Ezio was during his birth, this means that Ezio would believe he is color blind growing up. It would probably be something the Auditores would hide to everyone and Ezio would grow up believing seeing the gray world is some kind of ‘curse’. The truth is his parents are hiding it because they know Ezio isn’t color blind, he sees the blues and the reds. Ezio believes those colors are just part of the gray world he sees but Giovanni knows that this is a sign that Ezio is special, to the eyes of the Brotherhood… and the Templar Order. They’re trying to protect Ezio and his siblings help. Claudia picks his clothes to be sure he doesn’t pick disastrous color combination (by Renaissance standards). Federico would find ways to talk about the colors of this and that so Ezio would have an idea of what color they are in case he needs it later on. Petruccio plays with Ezio of ‘guess the color’ and it helps Ezio differentiate the gray hues or, at the very least, memorize what color they were supposed to be.
And then…
Desmond connects with Ezio again.
I have a feeling you were going for maybe something like Desmond deactivates the Eagle Vision during the Auditore execution but what if…
Desmond didn’t deactivate it but the Animus loaded the next memory on ‘default settings’ which includes…
The Eagle Vision being deactivated.
The next time Desmond connects with Ezio, it took the Animus a bit of time to load everything properly so the settings are changed just after Vieri hit Ezio with the stone.
Ezio’s frozen because his entire world burst into colors.
He can’t even see the sickening red of Vieri anymore.
Just… so many different colors he had never seen before.
And Ezio would assume it was Vieri’s stone that ‘cured’ him of his curse.
And in his delight, he rushed Vieri.
… and kissed him in the lips in gratitude.
Vieri and everyone else are simply confused, wondering if Ezio Auditore da Firenze has gone insane.
He was laughing, even going as far as dancing with the stupefied Vieri.
It was only when Federico got there that Ezio let go of Vieri and told him as he hugged his brother, “I can see!”
Federico realized what he means and he gets Ezio out of there, apologizing to Vieri and telling him they’d kick his ass later.
And the next memory Desmond sees is Ezio’s family being happy and hugging him because he can now see.
Desmond is just confused.
Sooooo… Ezio was blind before???
That’s what Desmond assumed until he activated the Eagle Vision again to check his surrounding after Ezio receives his father’s orders to bring some documents to Lorenzo de’ Medici then he heard Ezio’s sharp intake of breath and how he started to panic. Ezio ran back home and tells his father that he can no longer see anymore and their conversation tipped Desmond off that they’re talking about the Eagle Vision.
He deactivates it and got his confirmation when Ezio told his father that he can see again.
And Desmond starts to freak out because this means he can… what? Change what the Animus is showing? Change the past?
“That’s ridiculous, Desmond. The Animus can only show the past. This is probably some kind of bug.” Lucy would try to tell him but he can’t shake off the feeling that it might be something more.
Because of how frightened Ezio had been to lose his ability so see colors, his father tells him to rest in the house for now and orders Federico to deliver the documents instead.
Federico returns soon enough to Claudia and Petruccio with Ezio, trying to get him to relax a bit. Claudia didn’t even read the letter she had received today because she had been worried about Ezio.
So when the guards came to take them away…
Ezio was there.
… with Desmond who can control Ezio.
… with the skills from his waking bleed of Altaïr.
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trans allegory in mystic fragrance and forbidden rain
aka: the essay no one asked for
Content warnings for: Discussions of homophobia and transphobia, and brief mentions of suicide.
If you guys have any other comments on this topic (especially KnightsPs, I'm an UNDEADP so I'm less familiar with their lore) please comment or rb or drop an ask or anything! I love talking. It's also been a hot minute (3 or 4 years) since I last took an English class so my analysis is a little rusty.
Part 1: UNDEAD's "Monster" and Queerness
Every UNDEAD song (with one exception) has the same premise — the singers are the impure, immoral monsters who are singing to a pure, human audience. There are two genres of UNDEAD song:
“I’m a monster seducing you into the darkness, give into your desires because I know that secretly you want it too” — Immoral World, Savage Love Affair, etc.
“I’m a monster and I’m so badass” — Darkness 4, Nightless World, etc.
Darkness 4 lyrics, translation by Shirayukin on Fandom wiki.
The “monster” in UNDEAD’s music is shorthand for anyone that exists outside of a pure society. By joining the monsters, you become tainted and can't return to society, but that’s the only way you can possibly live as your authentic self. In this way, the "darkness" is a safe space that these monsters have created for themselves.
This is, of course, a reference to Rei and how he feels ostracized from society -- the whole reason why Koga began UNDEAD was as a message to Rei that if Rei felt like a monster, he shouldn't roll over and die, but live with them as an undead. However, the concept of the queer monster is incredibly applicable imo. Historically, lots of villains in horror media were queer-coded as a way of eliciting disgust or a fear response, as a way of making its villain seem strange and, well, queer. (Oh, no! Look at all these horrible people ruining life for the law-abiding families!) The link between queerness and horror has been analyzed to death.
But queer people also love the misunderstood monster who's shunned by "proper" society. The gothic novels that originated the horror genre in the 1800s, like Dracula or the Picture of Dorian Grey, were written by queer authors and/or contained scores of queer themes. Do I need to go into why werewolves, shapeshifters who had to go deep into the woods to hide their wolf form, can be read as queer? Do I need to go into why Frankenstein, someone abandoned by his own creator and shunned by society by the nature of his existence alone (something out of his control), can be read as queer? Do I really need to go into why the modern-day vampire is queer? Vampires? Of course queer people will love these monsters, because they see themselves in the monsters, more so than the victims. (Also, nothing more in line with the queer experience than seeing a monster and going “ngl they're kinda hot actually.”)
In summary: It's very easy to read UNDEAD songs and UNDEAD's conceptualization of the "monster" through a queer lens. The monster is queer, and the monster welcomes you into the darkness and invites you to also give into your desire to live freely.
Immoral World lyrics, translation by Mandy on Fandom wiki.
Also, shout out the love you tried to hide, huh? Show me your truth? Show me your pride?
Dude.
Dude.
Sidenote: The one exception to this “monster” theme is of course the elephant in the room, Sustain Memories. I think it plays well into UNDEAD’s image — at least in !-era, Rei, Adonis, and Koga have always been the monsters, while Kaoru is the human that joined them (see: their Halloween costumes in !-era). So Kaoru doesn’t sing of monsters, he sings of a human love. There's also something to be said about Kaoru being the one member of UNDEAD who tried so desperately to appear cishet and experience a "normal" love in !-era. But also, it's a wedding song because the anime boys look cute when they sing about weddings.
Part 2: What about Forbidden Rain?
Here's the thing about UNDEAD's other monster songs -- they're always proud of being monsters. They're not ashamed, and they want the audience to join them in their freedom.
Forbidden Rain lyrics, translation by @/snaketaper on Twitter.
On the other hand, the singer in Forbidden Rain sees themselves as a "beast" who can never be forgiven, someone who's slowly poisoning their pure lover. They love them so much that they apparently have to let go of them, for their own sake. It's the first song that actually contains references to genuine love (usually UNDEAD is just horny).
The song remains sort of ambiguous about the nature of the relationship between the singer and the audience. It's clear that the audience does actually care for the singer, since they do reach out a "gentle hand" that the singer can't take. But the singer says, "Let's end this thing that never even began" -- are they even together in the first place? Maybe it never began because they were scared of the "beast." Or maybe it never truly began because the relationship was built on a lie. They sing about a beast inside them that they have to hide, and says that their current self -- the one they show to the audience -- is a fake. And this is something that cannot be forgiven.
It's not hard to read this in the context of queerness. Maybe it's about a gay singer who doesn't want to reveal their feelings and tarnish a platonic relationship. Or maybe it's a trans singer who's wracked with guilt at keeping their identity under wraps and hasn't come out to their heterosexual lover, so they want to break off things before they come out and taint their previous relationship.
In Love & Beast, the "source material" behind Forbidden Rain, Inogari (Adonis' character) is soft-spoken, protective, and kind. He saves the main police character in the very first scene. He's an ambassador and a respected enough member of society that he's part of the Sakurayama (Rei's character) social club. He uses "watashi," which is even more polite than Adonis' "ore." He literally faints at the sight of blood. He's the picture of innocence and goodness and all that society approves of. But in a Jekyll and Hyde-like twist, he ends up secretly being the killer Beast. In the end, the Beast is finally caught when Inogari realizes the truth and chains himself to a wall so he can be caught by the police in an act of sacrifice.
Inogari is the picture of propriety, but he keeps the Beast repressed, and eventually this Beast destroys him. Even if you try your best to act as part of proper society, you'll never really fit in.
Silent Oath lyrics, translation by royalquintet on Fandom wiki.
Another note: Forbidden Rain has a lot of the same themes of self-sacrifice, repression, and pure, romantic love that Knights songs do. Knights, in game, is a much more traditional idol unit than UNDEAD is. Forbidden Rain thus attempts to align itself more closely with the socially acceptable Knights, but it's still an UNDEAD song at its core. The monster is inescapable.
Part 3: Mystic Fragrance and Trans Allegory
This thread by @/pretty5P on twitter (https://x.com/pretty5p/status/1625958198623539200?s=46&t=lm_x5Uw5f8pKXHUoLzYksw) is a really cool analysis on the perfume symbolism in the song and how it relates to Arashi's gender identity (go read it!!), but if you don’t want to give Elon Musk ad revenue, the gist of it is this: Odette is her "masculine" initial impression, the impression others have of her, and the impression that fades most quickly. Odile is her lasting "feminine" self and the true self that remains when the top notes fade away.
Over the course of the song, the singer (Odette/Odile) grows more and more tainted, going from a pure white dress to a multicolored rainbow dress to a pitch black dress. The final perfume note is desire, the desire to live as themselves, the desire to be with the person they love.
Mystic Fragrance lyrics, translation by KYM2020 on Fandom wiki.
While the song does focus on a pure romantic love, just like Knight's songs, the symbolism of wanting to be Odile is far more similar to UNDEAD's monster. The idea of a "hidden desire" lying in wait beneath pure feelings is explored in almost every song, as is the symbolism of a dress that gets tainted by desire:
Savage Love Affair lyrics, translation by Nina on Fandom wiki.
And just like UNDEAD songs, the "tainting" of the pure is never presented as a bad thing. Note the references to the moon in both -- it's only in the dead of night, in a midnight ballroom, that one can "spread their wings" and reveal their true self. The darkness, the space of monsters, is a safe space, and in the light of the truth-seeking moon the singer of Mystic Fragrance says that their audience is beautiful.
In the original Swan Lake ballet, Odette is a beautiful woman who falls in love with Prince Siegfried. She's cursed to transform into a swan in the daytime, a curse that can only be broken if someone who has never sworn their love to anyone swears their love to her (in other words, someone untainted). Unfortunately, the evil sorcerer who cursed her turns his daughter into Odile, the black swan who looks identical to Odette, and Siegfried mistakenly confesses his love to her. Knowing that the curse can never be broken, Odette throws herself into the lake rather than live the rest of her life as a swan, and Siegfried joins her.
Mystic Fragrance isn't tragic, however.
Part 4: Living your truth
The endings of Forbidden Rain and Mystic Fragrance are where they differ. Both of their source endings are tragic — Inogari is unable to control the Beast and shackles himself to a wall, waiting to be arrested. Odette and Siegfried leap into a lake and drown themselves, because the only way they can be together is in death. Forbidden Rain ends with the singer holding their loved one close to them one last time in the rain before they leave.
But Arashi rejects her source material because she chooses to embrace the monster. She becomes Odile. She decides to live her truth, and as the top notes and heart notes fade away, all that lingers is her true self. That's why Mystic Fragrance has a happy ending.
There's a lot of symbolism in the Mystic Fragrance music video with respect to the person who loved Arashi during the war era and who killed themselves. She spreads her arms like the wings of an angel and sings in front of a setpiece that looks like the cenotaph. Her outfit contains anemones, symbols of a lost love and grief (and, coincidentally, the flower that Adonis in greek myth turned into when he died). Her greatest regret was that that person couldn't love themselves the way Arashi now tries to love herself. In this way, Mystic Fragrance is like a message to that person -- live your truth.
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had a really funny idea for an ask blog ft. Vanny and another plex employee oc,,
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Question! If I ordered a few things from your Etsy, is there some sort of way to combine shipping to make it more convenient from you? I have never bought from Etsy before and am just sort of unsure of how it works, I am from Texas so the shipping shouldn't be difficult from that standpoint, only one state over.
you mean like shipping multiple orders together? bc if someone orders more than once in a short period of time, yes! I'll normally do that myself though, you don't have to ask me to combine shipping- tho sometimes people will leave a note on the order (it's very easy for me to see things written in the "note to seller" field) and that also helps me not to miss it!
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@dagdasgodslayer said: ❝ Alright, so exactly how do I fight these things? ❞ -gremlin time gremlin time
"What on earth are you talking about?" There's a hint of strain in Steven's voice, a mix of mild alarm and complete confusion.
"I know what I've been telling you sounds bad, but I wasn't trying to say we had to, uh, fight anything. In fact, that's really the opposite of what we should be trying to do."
"...you understand that, right? You're not going to start knocking things over and hitting the characters as soon as my back is turned?"
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🌸 !!CHAPTER SIX POSTED!! 🌸
Title: Four Walls
Tags: Slow burn, domesticity, friends to lovers, smut, pining post sias/pre am era
Summary: Disillusioned with LA and on the heels of a breakup, Alex goes to stay with Miles in London.
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Becca Sweetheart, I'm just thinking about Lee with a housewife kink but also with a breeding kink. Like the though of him coming home to you (perhaps you've made him a nice dinner after his long day at work?) and spending the evening showing you exactly how he's going to make you a mommy. I just think this man would go crazy to see you carrying his child.
🍑 Anon
My head hurts and the only cure is some filthy breeding from Lee 👀
Lord, I have to say, I love the thought of Lee wanting to start a family as soon as you both can, I feel like it suits him really well?
And I adore the thought of him coming home from work some evening, totally unable to hold back. He's seen you standing at the stove wearing a pretty little sundress he picked out for you, his dinner is ready and waiting but it's the last thing on his mind in that moment.
"Hi baby! How was your day?" God, you're so bright and chirpy, the most genuine smile on your face because you're just genuinely happy to have your husband home again. It makes his heart soar and his dick harden and it just reminds him how perfect you are.
"It was fine, sweetheart. Is it okay if we let dinner simmer for a bit?" He shrugs off his jacket and sets his keys on the counter, bypassing your lips in favour of sucking on your neck instead.
His mouth is hot and insistent because clearly, this has been on his mind all day. "Y-yeah, that's fine." Your voice is barely louder than a whisper when his teeth start nipping at your skin.
"You stop takin' those birth control pills like we talked about?" Fuck, of course you did. You haven't taken your birth control in about 2 weeks after a lengthy conversation that this would probably be the best time to start trying for a baby.
"Yeah, Lee. Haven't taken any in a while." You hear him groan against your skin at the confirmation, his hands squeezing your hips over your dress.
"Good. I'll maybe give you your little baby tonight. How does that sound, huh? You want me to make you a mommy?" Oh, that sounds far too thrilling and truthfully, it's all you really want.
"Please. Please give me a baby." He groans again, low and desperate. He's more than happy to. In fact, he needs nothing more.
It doesn't take him long to scoop you up and carry you to the bedroom, laying you down on the bed before layering his body on top of yours, kissing you with a passion he wasn't even aware he was capable of. Something in him needed this more than he realised. His sweet little wife was fertile and desperate for a baby. For his baby. And everything in him wanted to ensure he gave you one.
"You better take a good look in the mirror over the next few months, honey." He pulls back and takes his belt off, barely registering that you'd already begun working to undo the buttons of his shirt. After a second, both are discarded. "Won't be too long before you start showing."
You didn't expect to like this the way you do. It's almost indescribable because this isn't just some spur of the moment idea or some filthy little fantasy. It's the start of your family with the love of your life and somehow, that makes it even hotter.
"You think I'll look pretty like that? With my belly all round, carrying your baby?" Shit, he can't control himself when you say things like that. With very little fuss, he flips the skirt of your dress up, tugging your wet little panties to the side, sliding his dick into you with a groan.
"You'll look fuckin' gorgeous like that. Maybe I should keep you that way. Just fill you up with baby after baby. You'll never need those birth control pills again. I'll keep you waddlin' round the house with a baby in your tummy. Swear you even feel different. Now this little pussy's fertile, I swear you're wetter for me. How's a man even meant to pull out of that? You've got Heaven between your legs, sweetheart."
Neither of you last awfully long but you couldn't be expected to. After he's done feeding you dinner, he's got all damn night.
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